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FIRST DAY

1.
Who wanted me
to go to Chicago
on January 6th?
I did!

The night before,
20 below zero
Fahrenheit
with the wind chill;
as the blizzard of 99
lay in mountains
of blackening snow.

I packed two coats,
two suits,
three sweaters,
multiple sets of long johns
and heavy white socks
for a two-day stay.

I left from Newark.
**** the denseness,
it confounds!

The 2nd City to whom?
2nd ain’t bad.
It’s pretty good.
If you consider
Peking and Prague,
Tokyo and Togo,
Manchester and Moscow,
Port Au Prince and Paris,
Athens and Amsterdam,
Buenos Aries and Johannesburg;
that’s pretty good.

What’s going on here today?
It’s friggin frozen.
To the bone!

But Chi Town is still cool.
Buddy Guy’s is open.
Bartenders mixing drinks,
cabbies jamming on their breaks,
honey dew waitresses serving sugar,
buildings swerving,
fire tongued preachers are preaching
and the farmers are measuring the moon.

The lake,
unlike Ontario
is in the midst of freezing.
Bones of ice
threaten to gel
into a solid mass
over the expanse
of the Michigan Lake.
If this keeps up,
you can walk
clear to Toronto
on a silver carpet.

Along the shore
the ice is permanent.
It’s the first big frost
of winter
after a long
Indian Summer.

Thank God
I caught a cab.
Outside I hear
The Hawk
nippin hard.
It’ll get your ear,
finger or toe.
Bite you on the nose too
if you ain’t careful.

Thank God,
I’m not walking
the Wabash tonight;
but if you do cover up,
wear layers.

Chicago,
could this be
Sandburg’s City?

I’m overwhelmed
and this is my tenth time here.

It’s almost better,
sometimes it is better,
a lot of times it is better
and denser then New York.

Ask any Bull’s fan.
I’m a Knickerbocker.
Yes Nueva York,
a city that has placed last
in the standings
for many years.
Except the last two.
Yanks are # 1!

But Chicago
is a dynasty,
as big as
Sammy Sosa’s heart,
rich and wide
as Michael Jordan’s grin.

Middle of a country,
center of a continent,
smack dab in the mean
of a hemisphere,
vortex to a world,
Chicago!

Kansas City,
Nashville,
St. Louis,
Detroit,
Cleveland,
Pittsburgh,
Denver,
New Orleans,
Dallas,
Cairo,
Singapore,
Auckland,
Baghdad,
Mexico City
and Montreal
salute her.



2.
Cities,
A collection of vanities?
Engineered complex utilitarianism?
The need for community a social necessity?
Ego one with the mass?
Civilization’s latest *******?
Chicago is more then that.

Jefferson’s yeoman farmer
is long gone
but this capitol
of the Great Plains
is still democratic.

The citizen’s of this city
would vote daily,
if they could.

Chicago,
Sandburg’s Chicago,
Could it be?

The namesake river
segments the city,
canals of commerce,
all perpendicular,
is rife throughout,
still guiding barges
to the Mississippi
and St. Laurence.

Now also
tourist attractions
for a cafe society.

Chicago is really jazzy,
swanky clubs,
big steaks,
juices and drinks.

You get the best
coffee from Seattle
and the finest teas
from China.

Great restaurants
serve liquid jazz
al la carte.

Jazz Jazz Jazz
All they serve is Jazz
Rock me steady
Keep the beat
Keep it flowin
Feel the heat!

Jazz Jazz Jazz
All they is, is Jazz
Fast cars will take ya
To the show
Round bout midnight
Where’d the time go?

Flows into the Mississippi,
the mother of America’s rivers,
an empires aorta.

Great Lakes wonder of water.
Niagara Falls
still her heart gushes forth.

Buffalo connected to this holy heart.
Finger Lakes and Adirondacks
are part of this watershed,
all the way down to the
Delaware and Chesapeake.

Sandburg’s Chicago?
Oh my my,
the wonder of him.
Who captured the imagination
of the wonders of rivers.

Down stream other holy cities
from the Mississippi delta
all mapped by him.

Its mouth our Dixie Trumpet
guarded by righteous Cajun brethren.

Midwest?
Midwest from where?
It’s north of Caracas and Los Angeles,
east of Fairbanks,
west of Dublin
and south of not much.

Him,
who spoke of honest men
and loving women.
Working men and mothers
bearing citizens to build a nation.
The New World’s
precocious adolescent
caught in a stream
of endless and exciting change,
much pain and sacrifice,
dedication and loss,
pride and tribulations.

From him we know
all the people’s faces.
All their stories are told.
Never defeating the
idea of Chicago.

Sandburg had the courage to say
what was in the heart of the people, who:

Defeated the Indians,
Mapped the terrain,
Aided slavers,
Fought a terrible civil war,
Hoisted the barges,
Grew the food,
Whacked the wheat,
Sang the songs,
Fought many wars of conquest,
Cleared the land,
Erected the bridges,
Trapped the game,
Netted the fish,
Mined the coal,
Forged the steel,
Laid the tracks,
Fired the tenders,
Cut the stone,
Mixed the mortar,
Plumbed the line,
And laid the bricks
Of this nation of cities!

Pardon the Marlboro Man shtick.
It’s a poor expostulation of
crass commercial symbolism.

Like I said, I’m a
Devil Fan from Jersey
and Madison Avenue
has done its work on me.

It’s a strange alchemy
that changes
a proud Nation of Blackhawks
into a merchandising bonanza
of hometown hockey shirts,
making the native seem alien,
and the interloper at home chillin out,
warming his feet atop a block of ice,
guzzling Old Style
with clicker in hand.

Give him his beer
and other diversions.
If he bowls with his buddy’s
on Tuesday night
I hope he bowls
a perfect game.

He’s earned it.
He works hard.
Hard work and faith
built this city.

And it’s not just the faith
that fills the cities
thousand churches,
temples and
mosques on the Sabbath.

3.
There is faith in everything in Chicago!

An alcoholic broker named Bill
lives the Twelve Steps
to banish fear and loathing
for one more day.
Bill believes in sobriety.

A tug captain named Moe
waits for the spring thaw
so he can get the barges up to Duluth.
Moe believes in the seasons.

A farmer named Tom
hopes he has reaped the last
of many bitter harvests.
Tom believes in a new start.

A homeless man named Earl
wills himself a cot and a hot
at the local shelter.
Earl believes in deliverance.

A Pullman porter
named George
works overtime
to get his first born
through medical school.
George believes in opportunity.

A folk singer named Woody
sings about his
countrymen inheritance
and implores them to take it.
Woody believes in people.

A Wobbly named Joe
organizes fellow steelworkers
to fight for a workers paradise
here on earth.
Joe believes in ideals.

A bookkeeper named Edith
is certain she’ll see the Cubs
win the World Series
in her lifetime.
Edith believes in miracles.

An electrician named ****
saves money
to bring his family over from Gdansk.
**** believes in America.

A banker named Leah
knows Ditka will return
and lead the Bears
to another Super Bowl.
Leah believes in nostalgia.

A cantor named Samuel
prays for another 20 years
so he can properly train
his Temple’s replacement.

Samuel believes in tradition.
A high school girl named Sally
refuses to get an abortion.
She knows she carries
something special within her.
Sally believes in life.

A city worker named Mazie
ceaselessly prays
for her incarcerated son
doing 10 years at Cook.
Mazie believes in redemption.

A jazzer named Bix
helps to invent a new art form
out of the mist.
Bix believes in creativity.

An architect named Frank
restores the Rookery.
Frank believes in space.

A soldier named Ike
fights wars for democracy.
Ike believes in peace.

A Rabbi named Jesse
sermonizes on Moses.
Jesse believes in liberation.

Somewhere in Chicago
a kid still believes in Shoeless Joe.
The kid believes in
the integrity of the game.

An Imam named Louis
is busy building a nation
within a nation.
Louis believes in
self-determination.

A teacher named Heidi
gives all she has to her students.
She has great expectations for them all.
Heidi believes in the future.

4.
Does Chicago have a future?

This city,
full of cowboys
and wildcatters
is predicated
on a future!

Bang, bang
Shoot em up
Stake the claim
It’s your terrain
Drill the hole
Strike it rich
Top it off
You’re the boss
Take a chance
Watch it wane
Try again
Heavenly gains

Chicago
city of futures
is a Holy Mecca
to all day traders.

Their skin is gray,
hair disheveled,
loud ties and
funny coats,
thumb through
slips of paper
held by nail
chewed hands.
Selling promises
with no derivative value
for out of the money calls
and in the money puts.
Strike is not a labor action
in this city of unionists,
but a speculators mark,
a capitalist wish,
a hedgers bet,
a public debt
and a farmers
fair return.

Indexes for everything.
Quantitative models
that could burst a kazoo.

You know the measure
of everything in Chicago.
But is it truly objective?
Have mathematics banished
subjective intentions,
routing it in fair practice
of market efficiencies,
a kind of scientific absolution?

I heard that there
is a dispute brewing
over the amount of snowfall
that fell on the 1st.

The mayor’s office,
using the official city ruler
measured 22”
of snow on the ground.

The National Weather Service
says it cannot detect more
then 17” of snow.

The mayor thinks
he’ll catch less heat
for the trains that don’t run
the buses that don’t arrive
and the schools that stand empty
with the addition of 5”.

The analysts say
it’s all about capturing liquidity.

Liquidity,
can you place a great lake
into an eyedropper?

Its 20 below
and all liquid things
are solid masses
or a gooey viscosity at best.

Water is frozen everywhere.
But Chi town is still liquid,
flowing faster
then the digital blips
flashing on the walls
of the CBOT.

Dreams
are never frozen in Chicago.
The exchanges trade
without missing a beat.

Trading wet dreams,
the crystallized vapor
of an IPO
pledging a billion points
of Internet access
or raiding the public treasuries
of a central bank’s
huge stores of gold
with currency swaps.

Using the tools
of butterfly spreads
and candlesticks
to achieve the goal.

Short the Russell
or buy the Dow,
go long the
CAC and DAX.
Are you trading in euro’s?
You better be
or soon will.
I know
you’re Chicago,
you’ll trade anything.
WEBS,
Spiders,
and Leaps
are traded here,
along with sweet crude,
North Sea Brent,
plywood and T-Bill futures;
and most importantly
the commodities,
the loam
that formed this city
of broad shoulders.

What about our wheat?
Still whacking and
breadbasket to the world.

Oil,
an important fossil fuel
denominated in
good ole greenbacks.

Porkbellies,
not just hogwash
on the Wabash,
but bacon, eggs
and flapjacks
are on the menu
of every diner in Jersey
as the “All American.”

Cotton,
our contribution
to the Golden Triangle,
once the global currency
used to enrich a
gentlemen class
of cultured
southern slavers,
now Tommy Hilfiger’s
preferred fabric.

I think he sends it
to Bangkok where
child slaves
spin it into
gold lame'.

Sorghum,
I think its hardy.

Soybeans,
the new age substitute
for hamburger
goes great with tofu lasagna.

Corn,
ADM creates ethanol,
they want us to drive cleaner cars.

Cattle,
once driven into this city’s
bloodhouses for slaughter,
now ground into
a billion Big Macs
every year.

When does a seed
become a commodity?
When does a commodity
become a future?
When does a future expire?

You can find the answers
to these questions in Chicago
and find a fortune in a hole in the floor.

Look down into the pits.
Hear the screams of anguish
and profitable delights.

Frenzied men
swarming like a mass
of epileptic ants
atop the worlds largest sugar cube
auger the worlds free markets.

The scene is
more chaotic then
100 Haymarket Square Riots
multiplied by 100
1968 Democratic Conventions.

Amidst inverted anthills,
they scurry forth and to
in distinguished
black and red coats.

Fighting each other
as counterparties
to a life and death transaction.

This is an efficient market
that crosses the globe.

Oil from the Sultan of Brunei,
Yen from the land of Hitachi,
Long Bonds from the Fed,
nickel from Quebec,
platinum and palladium
from Siberia,
FTSE’s from London
and crewel cane from Havana
circle these pits.

Tijuana,
Shanghai
and Istanbul's
best traders
are only half as good
as the average trader in Chicago.

Chicago,
this hog butcher to the world,
specializes in packaging and distribution.

Men in blood soaked smocks,
still count the heads
entering the gates of the city.

Their handiwork
is sent out on barges
and rail lines as frozen packages
of futures
waiting for delivery
to an anonymous counterparty
half a world away.

This nation’s hub
has grown into the
premier purveyor
to the world;
along all the rivers,
highways,
railways
and estuaries
it’s tentacles reach.

5.
Sandburg’s Chicago,
is a city of the world’s people.

Many striver rows compose
its many neighborhoods.

Nordic stoicism,
Eastern European orthodoxy
and Afro-American
calypso vibrations
are three of many cords
strumming the strings
of Chicago.

Sandburg’s Chicago,
if you wrote forever
you would only scratch its surface.

People wait for trains
to enter the city from O’Hare.
Frozen tears
lock their eyes
onto distant skyscrapers,
solid chunks
of snot blocks their nose
and green icicles of slime
crust mustaches.
They fight to breathe.

Sandburg’s Chicago
is The Land of Lincoln,
Savior of the Union,
protector of the Republic.
Sent armies
of sons and daughters,
barges, boxcars,
gunboats, foodstuffs,
cannon and shot
to raze the south
and stamp out succession.

Old Abe’s biography
are still unknown volumes to me.
I must see and read the great words.
You can never learn enough;
but I’ve been to Washington
and seen the man’s memorial.
The Free World’s 8th wonder,
guarded by General Grant,
who still keeps an eye on Richmond
and a hand on his sword.

Through this American winter
Abe ponders.
The vista he surveys is dire and tragic.

Our sitting President
impeached
for lying about a *******.

Party partisans
in the senate are sworn and seated.
Our Chief Justice,
adorned with golden bars
will adjudicate the proceedings.
It is the perfect counterpoint
to an ageless Abe thinking
with malice toward none
and charity towards all,
will heal the wounds
of the nation.

Abe our granite angel,
Chicago goes on,
The Union is strong!


SECOND DAY

1.
Out my window
the sun has risen.

According to
the local forecast
its minus 9
going up to
6 today.

The lake,
a golden pillow of clouds
is frozen in time.

I marvel
at the ancients ones
resourcefulness
and how
they mastered
these extreme elements.

Past, present and future
has no meaning
in the Citadel
of the Prairie today.

I set my watch
to Central Standard Time.

Stepping into
the hotel lobby
the concierge
with oil smooth hair,
perfect tie
and English lilt
impeccably asks,
“Do you know where you are going Sir?
Can I give you a map?”

He hands me one of Chicago.
I see he recently had his nails done.
He paints a green line
along Whacker Drive and says,
“turn on Jackson, LaSalle, Wabash or Madison
and you’ll get to where you want to go.”
A walk of 14 or 15 blocks from Streeterville-
(I start at The Chicago White House.
They call it that because Hillary Rodham
stays here when she’s in town.
Its’ also alleged that Stedman
eats his breakfast here
but Opra
has never been seen
on the premises.
I wonder how I gained entry
into this place of elite’s?)
-down into the center of The Loop.

Stepping out of the hotel,
The Doorman
sporting the epaulets of a colonel
on his corporate winter coat
and furry Cossack hat
swaddling his round black face
accosts me.

The skin of his face
is flaking from
the subzero windburn.

He asks me
with a gapped toothy grin,
“Can I get you a cab?”
“No I think I’ll walk,” I answer.
“Good woolen hat,
thick gloves you should be alright.”
He winks and lets me pass.

I step outside.
The Windy City
flings stabbing cold spears
flying on wings of 30-mph gusts.
My outside hardens.
I can feel the freeze
deepen
into my internalness.
I can’t be sure
but inside
my heart still feels warm.
For how long
I cannot say.

I commence
my walk
among the spires
of this great city,
the vertical leaps
that anchor the great lake,
holding its place
against the historic
frigid assault.

The buildings’ sway,
modulating to the blows
of natures wicked blasts.

It’s a hard imposition
on a city and its people.

The gloves,
skullcap,
long underwear,
sweater,
jacket
and overcoat
not enough
to keep the cold
from penetrating
the person.

Like discerning
the layers of this city,
even many layers,
still not enough
to understand
the depth of meaning
of the heart
of this heartland city.

Sandburg knew the city well.
Set amidst groves of suburbs
that extend outward in every direction.
Concentric circles
surround the city.
After the burbs come farms,
Great Plains, and mountains.
Appalachians and Rockies
are but mere molehills
in the city’s back yard.
It’s terra firma
stops only at the sea.
Pt. Barrow to the Horn,
many capes extended.

On the periphery
its appendages,
its extremities,
its outward extremes.
All connected by the idea,
blown by the incessant wind
of this great nation.
The Windy City’s message
is sent to the world’s four corners.
It is a message of power.
English the worlds
common language
is spoken here,
along with Ebonics,
Espanol,
Mandarin,
Czech,
Russian,
Korean,
Arabic,
Hindi­,
German,
French,
electronics,
steel,
cars,
cartoons,
rap,
sports­,
movies,
capital,
wheat
and more.

Always more.
Much much more
in Chicago.

2.
Sandburg
spoke all the dialects.

He heard them all,
he understood
with great precision
to the finest tolerances
of a lathe workers micrometer.

Sandburg understood
what it meant to laugh
and be happy.

He understood
the working mans day,
the learned treatises
of university chairs,
the endless tomes
of the city’s
great libraries,
the lost languages
of the ancient ones,
the secret codes
of abstract art,
the impact of architecture,
the street dialects and idioms
of everymans expression of life.

All fighting for life,
trying to build a life,
a new life
in this modern world.

Walking across
the Michigan Avenue Bridge
I see the Wrigley Building
is neatly carved,
catty cornered on the plaza.

I wonder if Old Man Wrigley
watched his barges
loaded with spearmint
and double-mint
move out onto the lake
from one of those Gothic windows
perched high above the street.

Would he open a window
and shout to the men below
to quit slaking and work harder
or would he
between the snapping sound
he made with his mouth
full of his chewing gum
offer them tickets
to a ballgame at Wrigley Field
that afternoon?

Would the men below
be able to understand
the man communing
from such a great height?

I listen to a man
and woman conversing.
They are one step behind me
as we meander along Wacker Drive.

"You are in Chicago now.”
The man states with profundity.
“If I let you go
you will soon find your level
in this city.
Do you know what I mean?”

No I don’t.
I think to myself.
What level are you I wonder?
Are you perched atop
the transmission spire
of the Hancock Tower?

I wouldn’t think so
or your ears would melt
from the windburn.

I’m thinking.
Is she a kept woman?
She is majestically clothed
in fur hat and coat.
In animal pelts
not trapped like her,
but slaughtered
from farms
I’m sure.

What level
is he speaking of?

Many levels
are evident in this city;
many layers of cobbled stone,
Pennsylvania iron,
Hoosier Granite
and vertical drops.

I wonder
if I detect
condensation
in his voice?

What is
his intention?
Is it a warning
of a broken affair?
A pending pink slip?
Advise to an addict
refusing to adhere
to a recovery regimen?

What is his level anyway?
Is he so high and mighty,
Higher and mightier
then this great city
which we are all a part of,
which we all helped to build,
which we all need
in order to keep this nation
the thriving democratic
empire it is?

This seditious talk!

3.
The Loop’s El
still courses through
the main thoroughfares of the city.

People are transported
above the din of the street,
looking down
on the common pedestrians
like me.

Super CEO’s
populating the upper floors
of Romanesque,
Greek Revivalist,
New Bauhaus,
Art Deco
and Post Nouveau
Neo-Modern
Avant-Garde towers
are too far up
to see me
shivering on the street.

The cars, busses,
trains and trucks
are all covered
with the film
of rock salt.

Salt covers
my bootless feet
and smudges
my cloths as well.

The salt,
the primal element
of the earth
covers everything
in Chicago.

It is the true level
of this city.

The layer
beneath
all layers,
on which
everything
rests,
is built,
grows,
thrives
then dies.
To be
returned again
to the lower
layers
where it can
take root
again
and grow
out onto
the great plains.

Splashing
the nation,
anointing
its people
with its
blessing.

A blessing,
Chicago?

All rivers
come here.

All things
found its way here
through the canals
and back bays
of the world’s
greatest lakes.

All roads,
rails and
air routes
begin and
end here.

Mrs. O’Leary’s cow
got a *** rap.
It did not start the fire,
we did.

We lit the torch
that flamed
the city to cinders.
From a pile of ash
Chicago rose again.

Forever Chicago!
Forever the lamp
that burns bright
on a Great Lake’s
western shore!

Chicago
the beacon
sends the
message to the world
with its windy blasts,
on chugging barges,
clapping trains,
flying tandems,
T1 circuits
and roaring jets.

Sandburg knew
a Chicago
I will never know.

He knew
the rhythm of life
the people walked to.
The tools they used,
the dreams they dreamed
the songs they sang,
the things they built,
the things they loved,
the pains that hurt,
the motives that grew,
the actions that destroyed
the prayers they prayed,
the food they ate
their moments of death.

Sandburg knew
the layers of the city
to the depths
and windy heights
I cannot fathom.

The Blues
came to this city,
on the wing
of a chirping bird,
on the taps
of a rickety train,
on the blast
of an angry sax
rushing on the wind,
on the Westend blitz
of Pop's brash coronet,
on the tink of
a twinkling piano
on a paddle-wheel boat
and on the strings
of a lonely man’s guitar.

Walk into the clubs,
tenements,
row houses,
speakeasies
and you’ll hear the Blues
whispered like
a quiet prayer.

Tidewater Blues
from Virginia,
Delta Blues
from the lower
Mississippi,
Boogie Woogie
from Appalachia,
Texas Blues
from some Lone Star,
Big Band Blues
from Kansas City,
Blues from
Beal Street,
Jelly Roll’s Blues
from the Latin Quarter.

Hell even Chicago
got its own brand
of Blues.

Its all here.
It ended up here
and was sent away
on the winds of westerly blows
to the ear of an eager world
on strong jet streams
of simple melodies
and hard truths.

A broad
shouldered woman,
a single mother stands
on the street
with three crying babes.
Their cloths
are covered
in salt.
She pleads
for a break,
praying
for a new start.
Poor and
under-clothed
against the torrent
of frigid weather
she begs for help.
Her blond hair
and ****** features
suggests her
Scandinavian heritage.
I wonder if
she is related to Sandburg
as I walk past
her on the street.
Her feet
are bleeding
through her
canvass sneakers.
Her babes mouths
are zipped shut
with frozen drivel
and mucous.

The Blues live
on in Chicago.

The Blues
will forever live in her.
As I turn the corner
to walk the Miracle Mile
I see her engulfed
in a funnel cloud of salt,
snow and bits
of white paper,
swirling around her
and her children
in an angry
unforgiving
maelstrom.

The family
begins to
dissolve
like a snail
sprinkled with salt;
and a mother
and her children
just disappear
into the pavement
at the corner
of Dearborn,
in Chicago.

Music:

Robert Johnson
Sweet Home Chicago


jbm
Chicago
1/7/99
Added today to commemorate the birthday of Carl Sandburg
Purcy Flaherty Jun 2018
"Make lots of noise ~ Stamp your feet!"

Garlic is the new black, all squares are red, so dance the colour blue, and leave your prejudices at the door.

It's not just wrapping paper, yellow triangles or wallpaper,
it's radical art; challenging the norms and provoking change!

"show me how you party and I'll show you who I am!"

14 years of faith, form and function;
designed to unleash the utopian spirit,
a space for drinking, laughing, loving, dreaming and creating.

We built the Bauhaus as a sanctuary, not as a prison, a monument, or a museum, but as a springboard for something new!
We can embrace the desease that's consumerism and mass production or present something new?

Stamp your feet *******
Mateuš Conrad May 2016
i know, rubbed off reading Pound, but scout's honour, but scout's honour, yet again: but on scout's honour it was a collage, and and and that's what could make Ezra's too a moment of weakness with a rainbow of subjects, a page ripped out from an encyclopaedia.

night cinema, and films from to preceding decades
this the current, 2nd of decade of a seemingly
never-ending September -
first - the disappearance of alice creed (a british
                                                         ­                            film),
second - the firm (                                            "           "   ),
the other two american, one an ageing classic -
sleepless in Seattle, and the last one the devil wears Prada -
already the differences are so relentless,
modern british cinema loves to capture grit,
graffiti on estates, meaningful f-off conjunctions,
and boy the slang in *the firm
is as good as any -
one of the few films worth rummaging with at sunrise
with it fresh in memory (preferred it to
trainspotting given one face value:
Bex is way more sociopathic than Begpie, and
he doesn't end up living the easy life in
Miami or whether he is being an artist),
but the problem is... the library is too big, it's the sort
of library you'd find in heaven, although less grand,
already outside the realm of sensible reality,
beyond 2 to the power of 83 (named yogibyte),
we have this library, right now,
the 2 to the power of 3.321928 of a googol,
i.e. a Nikolai Gogolplex... but! it's not technically
a library, it's also a stock market, a phonebox,
a ***** booth, a casino... HMR & Customs, banking,
so technically we're not talking a heavenly library
(add to the list cyber warfare,
everything apart from a librarian's shush
is acceptable here)... but it got me
thinking, that film the firm (set in the 80s)...
three strands of music that interest me from the 80s,
synthesiser music (sounds really cheap now, i know)
but at least it sounds better than castrato rock
of the 80s... the synthesiser music of pseudo echo e.g.,
but these instruments were picked up by kiddies and
it was like a harpsichord to them, given previously
Bach's organs and the grand piano: a pool table
compared to a snooker table...          
and the third strand of music from the 80s... post-punk,
Joy Division (i'm not exact on the dates, blurry lines)...
Bauhaus (the man with x-ray eyes)... Staatliches...
well... post-punk... punk-entrenchment, all that
pre- post- proto- pre-fixation post-fixation...
the darker side of punk...
                                              god, this library is too big!
it's a bit like walking into a bookshop and falling
on your knees in desperation:
you can watch the aesthetic of winter through
to autumn no problem, hell, you might get a mystical insight
into this recycling bin... but when it comes to
the aesthetic of mankind's recycling bin, everyone
breaks down not having read or bothered to
read Melville or something: the price of creating
civilisation and moving away from tribalism -
and again onto cinema... cinematic warfare with
gaming, or cartoon cinema, gaming cinema,
in Seattle in 1993 they still used babysitters, now
the grown-ups sit at home while the babies
go out swinging - games less about joystick
button indentations on the fingers and more about
cinema... cinema more about games than about
meaningful conversations - take that word
games in two ways: social gaming, you know
what i mean: ******* people over;
but seriously, can you believe a band like
the soft moon exists and released an album in
2010 with such seminal songs as
parallels and sewer sickness among others?
two thousand and twelve... i was as much
gob-smacked when i realised
that godspeed, you black emperor! released
their album f# a# ∞ in nineteen ninety eight! 1998! i thought
progressive music from any genre died with punk
and the impatience at yet another solo from
robert fripp when no one wanted to do an air guitar
version of his solos (which largely borrowed from jazz).
Nash Sibanda Jul 2011
She is as lines to Bauhaus, oblique
In category yet commanding in form;
Her mind a pool of wealth and Grace,
Allusions to illusions, omega to
Alpha’s strongest gaze. I stand
Failed, distraught, lacking the
Dexterity of voice to call her name,
The temerity of will to regain her fair
Charms and affirmed charisma.
Lost I am within a cascade of
Superlatives and tribulation.
Were only she to have conquered
My mind, I would be of sound spirit to
Elicit some tempered comprehension;
Yet alas, I have been taken in soul
And I can do naught but wait
To see if she will one day return.
Westley Barnes Jan 2018
This is the fourth time it's happened this winter
The fire is sparking
("Put on another log to dull the flames")
The wind, whipping up chaos outside, conspires with the moon
to plaster open our eyes, and
tangoes with the red of the streetlight to foreground the terror, the dramatic pull to this scene like the beginning of a barfight.
But all you notice is the snow.

Captivating Slush, like the wondrous stupid glow of children's television
("Close the door quickly, it's below zero outside!")
My chest wakes up to the sleeky bitterness of it, gentle but rousing,
like the critique of a crush taunting the back of your neck, but in reverse.

You've said that last line, and it's the response of everyone who can't savor what they most anticipate, the arrival of the thing itself cast aside for something mundane like safety.
The thing itself for you is watching snow,
and now you gladly push it away.

Life is so unpredictable, yet so callously routine.
To live in seasons is to be constantly surprised at things exactly how you've seen them before.
It's not emotions that frighten us, emotions are hand-me downs, the old favourite band t-shirts of experience, often ones we've worn before.
It's the feelings that surround emotion that we shunt out, that we tipex over in our journals of memory, our synaptic splints.
The tears of children who never turn back
to confront their tormentor with their tears.

And so now I'm walking upstairs as a means of brushing off these notions
("For the love of ... make sure the bathroom window is closed")
And I check my phone while debating how to spend the rest of my evening engaging with my phone while you rewarch American sitcoms, so cosy, your contentment as reliable as Irish wind
Then I sigh and look out the Bauhaus insulting bedroom window
Again I see the circus coloured tarpit the weather has made of our street
And wait a minute, trying not to feel anything
Because this is the fourth time this has happened
This year.
Joe Bradley Jun 2016
Un-belonging
Undressed from teenage rhythm.
It’s a yearning for
The lost birds

Whose wings you rode
In talkless flight,
Til the silence got thicker
And woke up

Under the acupuncturist’s shadow.
And it needled it’s point as
Chinese wisdom, or as a well-meaning homeopath.
It dawdled all the same.

And you’re all sat right there.
Submurged. Happy as reflections.
Like an underwater photograph,
Mermaid’s song, gargles

Like the frog in my throat.
Almost Bauhaus, Picasso,
Almost watercolour, a mockingbird’s
Impression of a rock.

It was just
Undiagnosed sickness and I’m
Wading slowly into the sea with
my parents stones in my pocket.
Scott T Mar 2014
The poetry
It has spilled
Like the blood of a great massacre
And it has diluted
To a near transparent film
Over the 21st century
Over Miley Cyrus' ***
Over grotesquely distorted salaries
It lingers in the grey concrete behemoths of utilitarian cities
It's on your cat
It's in your parents hair
It's in Angela Merkells teeth
And this omnipresent film
That only few can see
Is evaporating into a backdrop incandescent beauty
It's vaporising into an intoxicating nectar
It's what slavery was to the blues
Or the reconstructions of war to bauhaus
Or what the crusades were to the renaissance
So twerk on Miley
Your artlessness
Makes art stronger by the day
Third Eye Candy Apr 2015
once again we falter and return to our apocalypse
with our Bauhaus bread and lipid pools of dread
and we swallow the ink of the night sky, howling
discreetly with our mute trumpets in the flower bed.
but if you love me... how can it be too late ?
our sundial is the moon
but how can we ever forget there.
on time ?
If you need a place to pick your nose,
Eat contraband &/or beat your meat,
God bless the child that's got his own,
That's got his own bedroom,
His personal Reichstag bunker,
His private Junker Bauhaus,
If you get my drift?
If you don’t, “Get Bent!”
I am not here to entertain you.

So I am coming in from garden hosing--
Not lederhosen, you Aryan punks!--&
I'm on my rear patio thinking to myself
I couldn’t get any higher,
Even with Jackie singing:
Search Results Jackie Wilson - (Your Love Keeps Lifting Me) Higher And Higher (Best ... Aug 11, 2011 - Uploaded by jakebucknall 123 Jackie Wilson - (Your Love Keeps Lifting Me) Higher And Higher (Best Quality). The Staple Singers -I https://www.youtube.com/watchv=mzDVaKRApcg.
But I digress.

A spot of hose magic,
Watching my garden grow.
Keeping things moist & fertile,
Leonard Cohen (RIP) on the airwaves,
A fat blunt betwixt my lips,
"Curling up like smoke above my shoulder."
“Don’t get me started,” I said,
Paying tribute to beloved Joan Rivers (RIP)
Lost so senselessly, so humorlessly,
To some whack-job-wonder boy,
Who just happened to score perfect 800s
On his high school SAT exams, &
Later worming his way into Med School,
Which rather begs the obvious question:
Those 11-year old Frankensteins,
Why did their Bubbes give them a
Chemistry sets for Chanukah?
Later earning state Medical licenses,
Licenses to practice,
Licenses to **** & just say
*“OOPS, I did it again!”
From Bauhaus to Beiderbecke
records
on the record deck,
art hangs off the walls.

I stood with Baron Munchausen
in the secret garden and
watched pixies while at play.

It was my wish to meet
Miss Gish
alas it was not to be so
Hollywoodland
was far to grand
for a famers boy and his ***.

Different strokes like sturdy spokes
keep the wheels going round
marianne Oct 2018
If love is a dovetail drawer
I will turn my curious eye to the
dark inside
under ancient flowered paper
dust bits and lockets, or my mother’s
twelve-piece china
doesn’t matter
nor whether Shaker or Bauhaus
retro or rustic
how wide, weighty
or improbable

No, the corners hold secrets—
fingers that catch
the places that touch

And require practiced hands, sober skill
and a bit of glue—
to build a join of tensile strength  
to bear love’s blow
If you need a place to pick your nose,
Eat contraband &/or beat your meat,
How blessed thou art with
Your own bedroom, Adolescent;
Your personal Reichstag Bunker,
Your private Junker Bauhaus, if
You get my drift?
If you don’t, “*******!”
I am not here to entertain you.
Mateuš Conrad Jan 2020
there are ambitions, forbidden,
for words to cleave to,
to manage hives...

of the opiates that allow
prolonged loss of the dream,
a mother that persist
that listens to that band:
enigma...
but hasn't asked her son...

who are the: the dead can dance?

how weirdly we are
made central in this lesser crime
of the novel,
and somehow together bound...
i...
in that never asked for
a grammatical lesson...
how difficult you have made it,
to have to begin with...
like some pedagogy "expert"...
this your crime your new
"aushwitz"...

you have the basin, the lasp.
my infrequnted lapse
of attention...
the book club,
the antithesis of the better part of me,
when not watching
bricks become rigid for minding a construct
of a wall... subsequent topple...
such be letters that become words...
such be oriental syllables
that become words...
somehow, later...
neither... yet apart...

these have to be forbidden words...
since they are not prized...
beef or pork cutlets..

as i want to gaze upon the moon
with a drift of clouds...
and a stammering...
expectation of a tram...
to be my hour-long-awaited-to-be!

i want the pork-chops
with the *******!
i want the edible parts
and all things leftover cosmopolitan!
i want... i gorge...
for a Hagia Sophia and...
her first born: tuba büyüküstün...

winner or loser...
that all depends on what's concerned
with a win, or with a loss...
anything deemed a win:
but dissociated with a tuba büyüküstün?
is a loss... no dracula can salvage this
tabloid poo'em aside...

but i confess... to heace such beauty?
one must most certainly...
entertain...
auxiliary aids...
one can almost expect...
these expentation standards of beauty
to never incline themselves to borrow from
the Turks...
but dear god: they almost must!

the woman sun-kissing with her hair
is... almost a ****-meal-ready-mcdonald's worth
of ****... but this Istambul queen?
like i once said:
oh i'm sure the english girlies prefer
the pakistani men...
by the looks of it? it's true...
she can be petted to be...
groomed...
but a ****** ******* mother russia
will... not find 'em knocking on 'is door!
so? the pakistani leverage!
grooming gang prior to...
a would-be honest chance...
purge the labour!
honest labour!

no no... we can't have that...
and here's me thinking...
how the ****, will i find my own...
ethno-bride?!
i'm thinking about Ottoman harems!
as any legal-i.q. median man would!
torrent: '****... or a chant of re- re- re-!
there's the love of not being allowed...
and there's the love that allowed...
but otherwise taboo...
that: SPEZIAL talk concerning
the british and the h'americans...
one of them! i swear to god...
one of them is: naive spastic-mr-fantastic!

this is the part where you ask me...
so where's a william f. buckley jr.
when you need one?
that's also called... not speaking mandarin via
the DeLorean...
and no... no harlequin...
no ****-buddy-***-toy...
no neon quiz about the south korean
suicide rates being synonymous with
the lithuanian rates...

bauhaus: or: boor-cusp...
western notions of beauty...
everything mr. spastic-plastic-fantastic...
or else... buggering a niwab of a Q...

it's just a comparion...
once upon a time there were men that would
make taylor swift their beauty standard...
another bleached blonde *** note...
and if... harvey weinstein...
then alfred hitchcock... and those
hitchcock blondes...
"metoo": #joanfontaine,
#gracekelly, #novapilbeam, #ingrid,
#tippihedren, #madeleinecarroll, #carolelombard...

ease up on the blondes
for the gods' furthest fun-****
outside of heaven!
i don't see how... a tuba büyüküstün
could ever become a taylor swift... though...
a tuba büyüküstün is on par with a...
priti patel or a joanna mucha...

or i would be known as:
i'll pretty much **** anything that moves...
or... my standards are well below being on par
with a handicap...
they're just... realistic...
but even by the given citations...
this is me being expansive...

if you feel like you want to **** "something":
you're alaways awfully itchy...
you can't help it...
but there's no expansion on the narrative
for the prime impetus...
that's always lagging... or dragging behind
not having the capacity to fulfill the proper:
peacock...
it's a worse scenario to having to simply
0-base one off...

i'm a european man and i do not find
the european standards of transcendental beauty
to be bound to: a woman with blonde hair
and blue eyes and pale skin...
and speaking with a kentucky accents
of puritanical love...

for some "odd" reason...
she has turkic contort perfections of a...
physiognomy...
which makes me... her lesser...
caucasian...
that cocky-asian... or... whatever is left
available on the platter of...
i would... with my most awaited ease...
cut off my tongue...
as long as i would be...
given the guarantee...
to sip on oysters...
churn kingly prawns...
spit on well done beef...
and... slurp chicken *******...
done proper... with enough butter thyme
lodged in between the ******* and under the skin...

because? the next time a vegan comes into
my mental vicinity...
i will think...
the vegeterian gave birth to the vegan...
the casual meat eater...
surely he must have given birth
to the eucharistic literalist!
yes... the convert of the vegeterian to veganism...
is... thanks to the poetics of the eucharist...
the casual meat-eater...
the antithesis of the vegan:
the cannibal...

root fibre...
some muscle and the same worth
of fibre via the cartilege.

this world deserves an akin: you and i;
for every bad joke told...
there's an already worse moral lesson
to be... not told...
but most assuredly avoided...
which implies: to be learned...
the joke is merely the caveat...

and a caveat is not... a ******* canapé!
She's thinking,
his house or mine?
I'm thinking Bauhaus and time
I
was moving along.

Some songs are meant to be sung
some carried heavily in a heart
and
some are just part of the tapestry
we
wrap ourselves in
with our misery.
WIKI: Metropolis is a 1927 German expressionist science-fiction drama film directed by Fritz Lang. Written by Thea von Harbou in collaboration with Lang[5][6] from von Harbou's 1925 novel of the same name intentionally written as a treatment, it stars Gustav Fröhlich, Alfred Abel, Rudolf Klein-Rogge, and Brigitte Helm. Erich Pommer produced it in the Babelsberg Studios for Universum Film A.G. (UFA). The silent film is regarded as a pioneering science-fiction movie, being among the first feature-length movies of that genre.[7] Filming took place over 17 months in 1925–26 at a cost of more than five million Reichsmarks,[8] or the equivalent of about €19,000,000 in 2020.[9]

Made in Germany during the Weimar period, Metropolis is set in a futuristic urban dystopia and follows the attempts of Freder, the wealthy son of the city master, and Maria, a saintly figure to the workers, to overcome the vast gulf separating the classes in their city and bring the workers together with Joh Fredersen, the city master. The film's message is encompassed in the final inter-title: "The Mediator Between the Head and the Hands Must Be the Heart".

Metropolis met a mixed reception upon release. Critics found it visually beautiful and powerful – the film's art direction by Otto Hunte, Erich Kettelhut, and Karl Vollbrecht draws influence from opera, Bauhaus, Cubist, and Futurist design,[10] along with touches of the Gothic in the scenes in the catacombs, the cathedral and Rotwang's house[3] – and lauded its complex special effects, but accused its story of being naive.[11] H. G. Wells described the film as "silly", and The Encyclopedia of Science Fiction calls the story "trite" and its politics "ludicrously simplistic".[3] The film's alleged Communist message was also criticized.[12]

The film's long running time also came in for criticism. The film was cut substantially after its German premiere. Many attempts have been made since the 1970s to restore the film. In 1984, Italian music producer Giorgio Moroder released a truncated version with a soundtrack by rock artists including Freddie Mercury, Loverboy, and Adam Ant. In 2001, a new reconstruction of Metropolis was shown at the Berlin Film Festival. In 2008, a damaged print of Lang's original cut of the film was found in a museum in Argentina. After a long restoration process that required additional materials provided by a print from New Zealand, the film was 95% restored and shown on large screens in Berlin and Frankfurt simultaneously on 12 February 2010.

Metropolis is now widely regarded as one of the greatest and most influential films ever made, ranking 35th in Sight & Sound's 2012 critics' poll.[13] In 2001, the film was inscribed on UNESCO's Memory of the World Register, the first film thus distinguished.[14]
Mateuš Conrad Nov 2021
she came overnight, well, maybe just two nights ago,
but only today i felt her during the day
when i cycled like it was supposed to be a Sunday
afternoon...
she came with her frostbitten fingertips & lips...
i thank her for finally doing away with the pleasantries
of Autumn...
Autumn in England always felt like
Summer in Scandinavia...
something so temperamental so befitting my
disposition... centuries must have passed since
my ancestors didn't move a muscle from
these abodes...
she came with what i can best standardise
with the Bauhaus song: bela lugosi's dead...
don't ask me how: the why is somewhat self-evident...
like an elephant is... but a mammoth isn't:
or rather... like the mammoth was...
right now... a song is wrecking havoc in / of my mind...
i can hear the lyrics, somewhat:
just like i can see forms in dreams...
beside the usual abyss the odd humanoid form...
no... i can't hear the lyrics...
i can hear an Amazonian shout...
it consists of only word...
   it's burning my mind to an impossible unrest...
all thanks for Maanam's nocny patrol
album... i've had this episode once already...
with Alexander Borodin's Prince Igor...
it took me several years to decipher what
the music i remembered i remembered...
since... a ******* elephant stepped on my ear
& a donkey fresh kissed me while
an oyster ****** up my breath...
mein gott! why this song, why this song now!
why is it ravaging my mind with such
unrest!
  it's a pop song... but it's not in English...
no... wait... it's in English... **** me!
   now it all makes sense...
(the) Pretenders... i'm a mother!
                         i'm a mother!
             i haven't listened to it in a while...
- she came with such surprise...
it only took her about 3 days but at least 2 nights...
to change Autumn's gown into her ivory & pearls...
mother: dearest sister... i welcome you...
with incestuous glee...
finally i can drink a little & be drunk with this little...
i can huddle with a bathrobe in the middle
of the night, with some hoodie underneath
some t-shirt too... a ****** of wool on my head...
smoking like a choochoo flying Scotsman...
she's finally here? is she?! she has finally come?
to drown my sorrows away...
the times when sprinkles of rain will settle on
the ground... by night they'll be like paparazzi flashes
of a photograph being taken...
head tilt to the left, head tilt to the right...
a frenzy of diamonds left on...
the dreary concrete pave...
illuminating my eyes: dare i blink...
red carpets stretching far, far: into the sky at night...
diamonds on the pave...
and all that's happened...
water froze... time froze... space expanded...
a breath that i can see in the cold...
im die kälte... ein shatten ist erzählt zu brennen!
brennen mein zweiter-wenig-schatan...
brennen! wärme mich!
perhaps i ought to borrow some pan-germanic tongue
beside mere German...
eh... Dame Winter doesn't do "her" justice...
Fraulein is somewhat degrading... although:
n'ah... Ms. Winter... i miss "something" from time to
time too...
      gå glipp av... forget the Scandinavian origins
of Germanic, later English...
morphed by an addition of French...
point being: vinter ist hier!
enough said... best enjoyed...
beside the seasons of spring & summer:
sure... the body must appreciate them...
but... but the mind appreciate winter & autumn most...
they are the seasons to be reflective...
with all the abundance: our progress leveraged
a snooze button or something?
when spring comes & summer with her abundance...
where people are probed to reflexive orientation...
in late autumn and throughout winter
i can reflect... in that guise i can believe myself
to be a seasonal writer... if i'm a writer at all...
doodler, scribbler...
i'm just happy she's here...
i can finally see the volume of my breath...
i can herald the dichotomy of...
when outside... against the wind when cycling...
hardened ******... itchy shins from the cold...
i can return to... pseudo-bear-skins and candles
and... the most welcoming solitude...
every single alcohol drank tastes much better
when... the air... is as cold as the liquor poured...
although... to properly enjoy the hardened "stuff"...
*****, whiskey... the temp. in the air ought to
reach a Siberian frenzy...
but when it comes to beer or cider...
at least the insects are sleeping...
you can take out a garbage can without a bother
of juices from the heat...
you can luckily avoid the maggots...
danke der kälte!
      nein lästig, kleine fliegen:
nein (indefinite): nicht (definite)...
             nichts (nothing)...
  there are two ways of ascribing negation...
one is definite (not), the other is indefinite (no)...
i best leave the rest to her...
i still want to drink two ciders but also
have 8 hours of sleep....
          this has been: PLEN-TY.

— The End —