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  May 2020 Where Shelter
Bus Poet Stop
“for when the mind has no solution to the rough and tumbling lives,
lived in glass shackled confinement, the poet’s desperation equals theirs”

The Bus Poet Stop “The Glass Shackles” ^

                                              <|>

~this one for Eliot York, who gave us a great gift - opportunity~

                                               §§§

The mandated city buses are largely denuded of passengers,
so the drivers, peruse the enriched, enforced silenced life of the
streetscape, and as they pass, call-out a fisherman’s plaintive wailing,
“here we are, where are you, do we exist?” Too few nibble “I am!”

Bus Poet Stops, stumbles on an older writ, now seemingly prophetic,
once again, he is back, living in a glass shackled confinement,
his 16th floor perch, besmirched, the mirthless empty outside well matched by the isolation inside him, a new kind of shackling bereft.

For these glass shackles are not new, but different, the glass is poorly blown, cloudy, pockmarked with air bubbles entrapped, useless
for fresh breathing, many containing a question mark, some ask
what, others when/where shelter, all, harsh pleading tones, why me?

“For when the mind has no solution” poet wrote in twenty eighteen,
unaware that this predictive value would return to rent & render mean,
his composure, no longer a savior, now he weeps copiously for thee,
those that he, in prior life, came to save, now too, another faceless face.

no, no!

Your writing saves self, and a thousand more, you infiltrate, penetrate     our conjoined quiet, giving name to each of our unsalted tears, no fear poems that make us say, Merry, Merry to us all; God bless us, every one! Bus Poet head-hung, shamed, pained, looks away, mask-covers-gratitude.

Rough and tumbling times, we discount ourselves blameless, but voices
say time for gifting varietals of solace mysterious, this! is your business!
words, instruct to touch, to transport us on a poet’s bus to Delirious,
enable arrival+survival to destiny’s destination, “for all, a good night!”
^ https://hellopoetry.com/poem/2575579/the-glass-shackles/

Fri May 1
twenty twenty

in anno autem coronavirus plaga
3:00pm
from NYC, the. epicenter
Where Shelter Apr 2020
~for her~

I put up a 7 1/2 ft. chain linked fence to keep the ****** deer out
of the garden.

Secretly, I wonder, if I had the fence built
another half-a-foot higher,
could I’ve kept out the
no-longer-unimaginable disasters
life has seen
fit to shower upon me.


If I had it made solid,
instead of chain linked,
with barbs that nicked only me,
would have misery passed
me by, unable to peer inside,
my anonymity, being my personal
guardian and savior.


My garden’s yearly renewal,
comes by human effort,
but my wondering is unceasing,
it’s living ache, a perennial,
an evergreen hemlock,
that cannot be cut.


until such time, at last,
it chooses to cut me first,
and the garden retreats to its
aboriginal wild forest state, and
both our cycles are completed.
Where Shelter Apr 2020
my nose now runs seasonallyfrom sigh droplets

every new season celebrated by the constant continuation
of its running from, running to ?, or as I joke,  
from  September to September inclusive

but something new, my eyes now watery, a permanente daily irregularity, the imaginary laundry lady whines consistently, as she cannot always locate, prior to machine insertion, for all my secret hiding places of the always everywhere ***** tissues!

“too many pockets, too many tissues,” she underbreath mumbles,
but secretly I observe her similarly daubing~dabbing of the eyes,
in this time of constant sorrow, no one immunized, the sigh droplets
pass through any mask and gown, and then become full time residents

wry thinking, “let he or she who is without stone, cast the first tissue”
but we are all ****** all the time, heavy heaving, eyes tearing and
noses running

it don’t take much, the continuous reportage batters me and turning
away from my electronics impossible, they now hard wired inside the maniac-brainiac, wifi’d, from every side, even a actual glance outside at the desert of our dehumanized streetscapes always amazes

we no longer worry that every sniffle or tear
is a warning sign of  a more serious ailment;
no, we understand too well this is a sad spirit inside,
it’s symptoms unleashed but un-lethal, the antibody
to a weariness that has no name, only tissues that

cannot cure nor disinfect
Where Shelter Apr 2020
the worlds illness so pervasive,
the pandemic horror stories are my-brain-endemic,
so pervasive, every ache, tremor, is now virally suspected,
proof that my customized angel of death has arrived, I’m seizing up.

the latest wave session of walking depression, conflates both sides
of my brain, the intersection at right, left, the intellect is mowed
down with woe-down, by the stark reality of emergency facts,
apex or art, looking at months and lives ever trembilzed.

don’t even bother like I did at early firsts, when?
by asking where shelter, the raison d'être of my existence,
the poetry no longer synapses, the currents loop over and over,
the intellectual processes neutered by sadness virus un-encountered.

once upon a time I thought, even believed, that my life’s inquiry,
was answerable, with customized solutions for each,
but now, don’t believe in shelter of any kind, no,
acknowledging I’m so lost, no recovery efforts,

will be attempted.
  Apr 2020 Where Shelter
city of flips
~for John Prine~

she’s eye closed, playing sleepy possum,
so I stealthy stroke her cheek, she, all smiling,
then I nose tickle my sweet-love, now frowning,
till I cease and desist, go back to stroking,
then I’m her good loving man once again

tune comes in my head from out of left field,
start to tap the beat, pic my guitar strings, roaming
all over her smooth features, now she’s all aroused,
cause she knows what I’m about and this strumming,  
why that ain’t allowed, so she knocks my fingers away

later, sneak into the kitchen, she’s fussin’ - could be,
cleaning, could be cooking, but soon she ain’t moving,
cause she’s just listening to the new tune first played
earlier that morn, on her features born, a love song,
calling that song “Playing with My Love’s Face”

now she’s grabbing the biggest knife I ever seen,
waving it to and too close to fro, in my direction general,
waving it like a baton, conducting my song, singing along,
making up her own lyrics, whole stanzas, now it’s her song,
****, if that ain’t “the way the world goes round”
  Apr 2020 Where Shelter
Nat Lipstadt
There are more poems inside me, but I intuit it is longer fair to impose on you by sharing more.  The deep seeded infection of my spirit waxes and wanes, and there is no antidote, and unlike the virus itself, there never will be, a future cure, an inexpensive replacement cost for the spirit spent, the time and futures spirited away.

Perhaps you recall I was one mile away from Ground Zero on September 11th.  Rarely do I walk there.

The coronavirus poetry inserts itself unaided, never asking permission, a like minded, but a contra-cousin to the coronavirus.

I live in New York City, the epicenter where now, close to 800 die daily.

Normally, about 25 bodies a week are interred on Hart island, mostly for people whose families can't afford a funeral, or who go unclaimed by relatives.  In recent days, though, burial operations have increased from one day a week to five days a week, with around 24 burials each day.^^

Each dies with no last words, no Kaddish recited, Last Rites, too late, no Ṣalāt al-Janāzah or Om Namo Narayanaya.  Each one, a numbered pine coffin, and each one will have at the very least, a poem of their own, so help me god.

Buried side by side in large trench, room plenty for new arrivals,
I hear the banging, protesting, resisting, this is not the way, I was promised, my ears left pounding!  Hillel, the great scholar in this dream, reminds that “the time is short, and the work is great.”          

He paraphrases, though, “the bodies many, the poems too few.”

There ain’t no anonymity in heaven, but I’ll reconfirm that with you later.
  Mar 2020 Where Shelter
Nat Lipstadt
up at your regularly scheduled night sky patrol,
the colorful clock says 2:47 and
dark skies confirm which 2:47 it is,
for flecks of blackened peppery light exude at this hour,
a time period for former lovers, those old writes enfolded, enveloped,
hiding an active poem volcano spewing bare feet words in clouds of
kidskin soft velveteen cumulus, fleece-comforting slippers of poems

there are half started poems waiting, more than one, triplets in fact,
waiting to be born in the time of pandemic, thinking quietly,
will they emerge healthy and living and grow up to be adults
contributing to society, additives to the engine oil of human living

but the old familiar, dissatisfaction with quality control leaves them
unfinished, poet lurches from dead roses head hanging, a new blues,
disease as an economic and societal differentiation, that you hope,
believe, poems that in due course, all will emerge, for better or for worse,

poetry birthed in the time of pandemic

the city of new york, where I was birthed and will die, a city of
tall buildings, tall tales, short attention spans there is but one nighttime moving automobile observed in a city that never sleeps but now hides blanketed in weariness of trepidation of what are the

well known unknown possibilities in the time of pandemic

and you wonder in this new, different quietude if poems can be born
with birth defects and survive, breathing on a ventilator till they can
breathe by their own lungs, or were they perma-infected on a supermarket trip, a walk by the East River, a pizza delivery man, even

if inspired by a decade-lover, next, in bed, in the time of pandemic

waving to grandchildren in their second story window, you on the street, keeping them safe from you, a modern Auschwitz train station where they separated, the we-useless out, children and their parents, safe in a barbed wire atmosphere, a demarcated world, where some billion of brimming droplets of tears are stillborn

stillborn poems, or perhaps just poems-in-waiting, to still be

born in a time of pandemic


3:29am Sunday March 22, Twenty Twenty
New York City, the epicenter, crossroads
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