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Fheyra May 2020
White mares skipping high
Fleeting bows of flight
A delicate sway and tender—
Of nymph water bearers.

Grip to the pole— start bending your toes
Gritty witty Pointes—  slide sailing your stockings
Don't be weary— you all weigh like babies.

When everyone curves below,—
I might cry low
The tug of veins,— Twisting my equity
All for a share of artistry—
That shakes dynamic scaling
How can I fly with this?

A flock of gnasgabs— Forming on the floor
Say, I was bewildered—
By such floating nerves
I suppose, my anchors would stumble!

Muscles shifted miniscules to humongous
I learned the arc's way
How swans scoop to ponds,— and paddle
To split stems without abraded rock scrapes
The pricked would never ill still again— For the element of wind,—is a frolicking mentor of mine.

What shape is imposed?
Is to be trained to sketch enough?—
Or to smother crust on feet?
A little pinch on my nose—
They told me— "Be toned, and not be a cylinder, or you'll be getting misfits."
If groom is to groan,— Then unwinding is not an option.

Stale eyelids, protrude lips;—
With undetermined purple ankles
Presenting, the queue of peacocks—
Crafted by coned imagery!
"Smile darlings, smile.."
"Grant them a magical show!"

A single blow, I think I would fall,—
Or a slip— Brought by fragility
A collapsed bud of covert slim blossoming
What sot titles be lurking—
On this lumpy staging?
I see the curtains closing..

Raggle-taggle pearls, no—
Just piercing prisms
Attach with vessel tubes— providing life
Rates and beats,— I am awake—
While their pupils start bowing—
In a forum with wheezing closed fists
I cannot nod for this; so too, I replied
—"Let brittle vases be a harbinger for naive pottery makers."

"Spin and spin around— Oh stop, I'm not a music box!
I love dancing,— but don't treat me like a doll!"

I escaped, from dry flower fields
Now, I am a deviant— of their snotter lying— of absolute bloom
A standard of fixed chains and keys
No more attending to an epithet of perfection,— For I will be the motion of my own tides and breeze.

I  battle to Ballet,— For 'tis as knight with armored strength— of fenced rivals 'til to bleed
I risk for Ballet,— Like cliff dancing, even on edges— I am steady,—
And tough to dive in lakes and oceans
I fall for Ballet,— How Alice fall to the Wonderland— discovering mysteries in every dooorway
I compose to Ballet,— As I dwell in the well of written poems and tunes,—
I inherit to move..

The wishful dandelions,—
Sprawling with honeybees and butterflies,— of me running with ribbons in Spring time
I feel my hair is brushing,—
As I blew these dandelions,— Sending letters to other gardens—
"Dark, Bright, Tiny, or Huge— Anyone can wear a Tulle,— Come and fly, as we're all free and beautiful like dandelions.."
Just dance to the wings of your heart, and you shall find freedom within your happiness.
Fheyra May 2020
...
My Spirit, I dropped
My neck, how tragic!—
Oh, why was I doomed?—
What a shame of love,—
Beset me for living
How poor was my trial?—
That king caught me— Just to be his vice!
Surely, I was a noble queen—
'Til the justice defied me..

Coined by 30 years,— Now deriving for 25 years,
This automatic era seemed haste for me,— Where people work less with limbs,— And more with chained machines
All tenses are verbose,— of such faint vision;— When all the dots meet,—
Perhaps, gallops are faster than wheels.
--...
Whenever I daze in my reflection,
I morbidly feel the bruised mark on my pelvis,— whence Homer penetrated it,— And this slit scar on my nape— of my husband's infidelity
Oh fate, may thou all wrath in flames..

I was not an outlaw!—
Thou all praised a sculpture,—
And smashed it, when it was bore!
Thou bidded swears— To a bedswerver's norms!
My downfall revealed thy disgraced offerings— Traitors!

—My poor, poor queen— Do not weep,
    For I shall be great,— This lady will
    dissect the hypocrites, and clothe
    the faithful—
    I shall be the image of your tragedy
    and glory
    This is the order of my commitment
    I am a ponent;
    I am a defender.

Quote our testament:
"We art the culprits and victims of our own plot. If an admiring rogue invades thy core, it shall weakened thou as culprit into an ever victim— To be held in judgment, and to be both perceived as no innocent."

—The conviction of worldly accomplices,
    This shall be the vengeance of an obsolete sentence.—

Altaira, with me,—
Thou art neither a corpse—
Nor a bit of ash;
'Tis the time for ruling
Your Majesty—
Cheers to the jury..
This is the final sequence! The whole story was about a woman having her past life regression, and in her pasf life, she was a queen who was betrayed and beheaded. The rage of the queen still lives in her body, but her present self knows that she should be persistent to provide justice for herself, and to her country.

Remember from "Rituals and Joviality", the Spirit is the voice of the Psychologist that helped her meditate and see her past life. The "Saith the name of an Altar maiden" line referred to a command, for her fo say the word, "Altar", because it resembles the name of her past self, which is "Altaira".

Now finally, she became a judge in the end.
Justice is served.
Fheyra May 2020
This lamb now caged with lions;
Soon to ride with horses
Face my subjects,—
With an overwritten expression,
Cursed by ballyhoos of vultures.

What a lampoon to be drawn in humanity,—
As they pass to my sight,—
Praying for confession— For a blessing of a new fashion,
May the tomb be the veil of thy busts
Beating drums, I shalt not stagger.

On this stage,— I untied my cloth,
Withstand the shaken land,
I hear the wailing of the sand
Mary whines blood this end..
Her Son's sleigh sweeping me..
Thy queen shalt flood— her fabric traught's pile.

I knelt on the ground,—
People whimpered with no sound
—"Be tamed Black Stalwart, for thou
     art forgiven."
To here falls the dillydoun's saw...

     "The raging agony and weight of
       strife,— May I beseech for Mercy!
       God, save this ****** ghost!—
       Never wilt I feel the land again...
       Light, hoise me up,—when my face
       sheds.."

'Whence the uproar sham this throne blown!'
(THUD)
The queen was beheaded on her execution. She was firm in fright, even if she saw her husband with his mistress. She wanted her death to be the omen or the knelling conscience of their treachery.

Remember from "Gossip threats", when rumors circulated of her cheating, that time, she encountered her former lover. It was also the time that the king was plotting for her condemnation with the use of that man. Then from "The **** of Thrones", she met that man again, that concluded her horrific fate.
Fheyra May 2020
In the swirling zephyr,
The grass dances weakly
I heard an escort,– Awaits my way to the Wolf Hall.

A triumphant sinister;—
My broken pleasure,— How lovely to see thy scraps again..
Such a bounty hunter
What the gods want now?

Doth not turn me around!—
Doth not hang me!
If thou loose my ties,—
Thou wilt be a murderer of all vines!

Spare me!— I am not thy prey;
I am not one of Greek's peccant,
Please, off loathing my purity!

This predator devoured me..
The ****** of his dark matter, stabbed me..

The mob held me captive,— by net traps
The culprit lies next to me—
Acted one alike raw; then I was sacked,
I felt the bethel was mocked,—
But my Lord won't despise me.

A paralyzed arrest screeched me
I was stroke— by a vermin quenched for meat..

Thou art the most cherished
It is still me..
Scattered with mud,
Dressed in a blanket;
Hoping to kiss thee
Bend for belief,— and not forgiveness
Wherefor thy body shivers?
Thy cup is condensing,
Lips ill-looking;
Red flames changing blue—
Am I still the hue?
I sensed—
Thou fell into the pit
My shreds, thy lust
The roots art on the tip of thy nails!

An ancestral plague poisoning whoever sits,—
And bridesmaking is a promiscuous habit—
To grasp a braided hair,— for an accessory
Behold, the lineage of romantic paintings,
Whence the bonds turn to heist
Looting innocence and staying in history...
In this 4th sequence, the queen met her former lover, but it turns out to be a nightmare rendezvous. He ***** her, for a reward, that she could be dethroned. He made it look like thaf she made love with him by making her unconscious, and after, some people saw it, and thought she committed adultery. Her husband was there when the people saw his wife and the man. Who would ever thought himself, the king, planned this, for he has another woman. The last stanza reveals the political and immoral ways of monarchy.
Fheyra May 2020
They adored me,
This staff bethinks me—of the cauldron of my fortress
My Majesty, my beloved,-—Thou sealed our oath
We vanquished our domains;
Amending the ridges of rulers
Wherefor art thou atrabillous?—
I am always here..
My shoes, perfume, dresses, skin!—
Oft, thy presence doth bathe in battlefields,-- but my love, believe me
Thy half hath never trade scents with others..

On a maudlin hour,
Fictions beleaguering my honor
Whose feathers perched on papers?—
Dare to charge me?
I shalt pour wine on those
No man could halt my portrait;—
This necklace wilt stay on me.
This is the third sequence, where she seems to hear gossips or fabricated stories of her flirting with other men. Although, it sounds vague, for she had never done anything like that.
Fheyra May 2020
Golden bells,—bedight o'er towers—
Amidst the betrothing melody,
The touch of stained glass—
Beams the rosary beads
Binding me with a man held high;
Now to be crowned his wife.
     "My lord, lend me thy right hand,
      As thy loyal servant,—
       I vow to pledge our country."

The Moonlight Song,— let our haunches be mere pitches—
Of forests rocked by branches
Ah, my fatal reverie—
Savor this antique scenery,
With classic gothic frames,
And worn laces,—Peaking the figures'desires
Cradle me,—
And thou shalt drink my glass,—
To offer a sip;-- so to paint moist on windows.

Sunrise, leap me to this town!—
How gracious men and children,
I shalt dress all thee;-—Make a stronghold that prospers the needy;
Lest the void of promised land—
Wither the faith of mankind.

With the King's side,
Reformation sets the nation to affluence;
The bonfire relives the glorious centuries—
Never scorn, swords unfold!
The 2nd sequence or episode. In this part, she got married with the king, and their reign was a successful era. Anyway, the second stanza represents the honeymoon. The third stanza represents of how a genuine queen she is. The last one conveys the marvelous sovereign of their regime.
Fheyra May 2020
Regress from the birth of pillars,—
To transcend heirs of Elegy,
Beneath tunnels on quaint calligraphy.

Follow the Spirit,
Alive and wide awake,— Possess beyond gates of Court stairs
Have thou seen a soiree?—Stroll on those scrolls,
Saith the name of an Altar maiden.
- -...
Feasting meals, hanging chandeliers—
I am wooed for this
The goblets were applauding
A dazzling poise,—The gem chose me
On the embroidered carpet,
I was the center of it
Switching footsteps, gliding the surface;—wearing my earned headpiece.
That moment,—
I leaned before the roses.

–"Oh, the tight abdomen
    I felt like I have no ribs,
    Finally, I can breathe—
    From such heavy clothing
    Well indeed, her beauty descends to
    me,
    They called me lady,—
    A woman of the finest jewelries."

"I want to see her,
May I rest again, Spirit"
...
This poem is a thread like episodes. Likewise, a series to be told.
What will happen next to her will be revealed through other subsequent episodic stanzas.

Wait for the next story..
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