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 May 2018 Johnny Noiπ
Veronika
Sweet and salted
Like you wanted
We watch in silence
We aren’t holding hands
You shiver lightly
Move right beside me
I feel your body heat
My heart skipped a beat

Your hand feeds
me metal
Your hand like a petal
I say I’m not hungry
You say it’s for your own good honey
You plaited my hair
I cut it like I wanted
You say I’m ruined
I feel you’re intruding
You throw the china
I feel it still

Popping candy
Medicine moonlight
I’m wearing white lies
Doll faces with red smiles
Friday night immodesty

theater on East 4th street @ 8:00pm,
so the girlie stuff commences on schedule
90 minuets a-priori and the medley music
(adele+amy+alicia+ pink bach for some zing)
a harbinger, a pioneer Greek heralding of
Friday night immodesty

the clothes laid out upon the bed, the shoes,
pumps selected and already on,
(always a puzzler to me,)
the subdued lower east side jewelry possibilities,
on the dresser drawer,
indifferently hoping for selection, but
casually beaming quietly,
like those kids waiting for interviews in the waiting room
of the college Admissions Dean’s office,
all with serious smiles
and tiny tearing eyes

aside:
helloooooo, I am in a poetry polo with my best jeans ready to go
2 hours before the curtain calls out,
hellooooooo

she sits at the makeup mirrored desk,
clad in only her underneath garments of varying utility,
when I sweep in imperially
and with one hand twist gentle her hair upwards,
betraying
her neck nape which is again
the sujet of a poem aborning

lips,
like a Greek lyre strings, pluck, the tiny hid hairs never seen,
her instant moans at the never fully expected motion poem,
beg more mercy but no quarter given despite repeated cries
of you’ll mess my makeup,
the best defense known to a lady!

god gave men two thumbs to lift up,
simultaneously stimulating,
slide down each of the thin black brasserie strap invitations,
upon each, a writ,
upon her flesh colored shoulders,
stating
“what was she thinking!”

my lips,
now polar explorers, those power (filled) poles side by side,
(east/west for the designer was a smart
bipolar guy-person);
the lips play silent night progressive jazz,
tinkling with higher noted keys,
nape to shoulders moving down to the back’s prefrontal lobe,
the small of her back, the body’s quivering,
a con-federate flag of surrender

her last defense swept aside, we drink honey and milk,
celebrate the week’s mellifluous finish with immodest touching,
the lower east side will belong tonite
to only the hipsters, the millennials,
as our hips are milling and  otherwise
pre-theater and post, occupado

some hours later, watching TV and eating delivered Chinese,
she laterally and literally arm punches my arm
intensely to mark her discontent,
still annoyed,
for I

1) messed up her makeup,
2) best blouse to the dry cleaner and
3) the tickets wasted, and worse,
hits me again!

after I laugh and giggle upon proffering
most modestly, most assuredly,
seconds of
onlylovepoetry

9.21am Saturday
thank you all who liked this tale of
the poetry in the details
of our lives.
olp
 May 2018 Johnny Noiπ
emnabee
The poet lives two lives.
One on the outside,
And one in their mind.

When you look in their eyes
You could see an abyss.

If you looked long enough
You could sink into it.

But most people don’t see it.

Take the time to read the words, though,
And you would know for sure.

The poet lives in two different worlds.
A little escape from the madness.
Or maybe, into.
 May 2018 Johnny Noiπ
Meera
He doesn't burn photographs
He doesn't join therapy sessions
He doesn't smoke too many cigarettes
Nor he drown himself into alcohol
He scratches his wounds daily
And never let them heal
He doesn't try to get rid of the pain
Instead he let it grow on him
He waters the seed of sorrow with his tears
He feeds it with the manure of old memories
He takes it to sleep with him
And nurtures it in himself
Till the moment when every single drop of his blood gets replaced by this pain
Until his fragile heart can bear no more
And his soul starts overflowing with emotions
That's when he dip his pen into this pain
And empty his heart on a piece of paper
He bares his soul for us to feel
He creates poetry that the world would cherish for centuries to come
That's how true poetry comes into existence
 May 2018 Johnny Noiπ
Allyvia
She persuades him to lie down and be still for her
Naked in body only,
her eyes peer past the whole to the pieces.

She squeezes his *******
Sweet, ripe little things
How they ache for her.

Curious hands become gentle fingers
Sliding up his throat
knuckles rasping against stubble
Skating across his forehead smoothing furrows.
Press gently on the delicate skin at the edges of his eyes
Follow down between the eyebrows
The straight line of his nose
Stroking soft lips that part in hungry expectancy.

She stretches his arms above his head, palms up.
Traces with spider legs down his shivering skin
Tickles the hair of his armpits
Nuzzling her nose into the masculine scent
Laps and finds bitterness on the tongue.

He squirms at the wet touch skin twitching,
But she soothes him with fingers in his hair
Rests her cheek against his own to quiet him.

Nudges him over and up go his arms,
A supplicant with his large hands and long fingers, palms down
Works her thumbs into the thread of muscles in his shoulders,
Down that wall of muscle and skin
To knead that sculpted fat more than generous.

Marvels over his feet
Admires the elegance
Tickles the arches
Cherishes his toes like an infant’s.
i.

summer, with her golden
light and bluebell valleys
sweeps the senorita skies
and shady groves.

ii.

the sea rushes to the sand,
relentless waves surrender
crashing on the rocks
where the raucous gulls glide.

iii.

the moon-sky of summer’s
warm nights brings sweet dreams
and lavender fields, stars
of slumber, ropes of
gold thread like
embroidered silk.


iv.

the white clouds
woven from the rain
hide the sun which
waits for the blue inks
of a summer sky.

v.

small, the bird
painted
on the sky.

vi.


i am jealous of your legs,
crazy in love with your love,
swept up in your arms
while i wait for you to
claim me as your own.

love me i cry out,
i am yours, i am yours,
forever.
writhe and
gape of tortured

   perspective
   rasp and graze of splintered

normality
               crackle and
               sag
   of planes          clamors of
   collision
   collapse         As

peacefully,
lifted
into the awful beauty
                                  of sunset

                                  the young city
putting off dimension with a blush
enters
the becoming garden of her agony
Especially when the October wind
With frosty fingers punishes my hair,
Caught by the crabbing sun I walk on fire
And cast a shadow crab upon the land,
By the sea's side, hearing the noise of birds,
Hearing the raven cough in winter sticks,
My busy heart who shudders as she talks
Sheds the syllabic blood and drains her words.

Shut, too, in a tower of words, I mark
On the horizon walking like the trees
The wordy shapes of women, and the rows
Of the star-gestured children in the park.
Some let me make you of the vowelled beeches,
Some of the oaken voices, from the roots
Of many a thorny shire tell you notes,
Some let me make you of the water's speeches.

Behind a post of ferns the wagging clock
Tells me the hour's word, the neural meaning
Flies on the shafted disk, declaims the morning
And tells the windy weather in the ****.
Some let me make you of the meadow's signs;
The signal grass that tells me all I know
Breaks with the wormy winter through the eye.
Some let me tell you of the raven's sins.

Especially when the October wind
(Some let me make you of autumnal spells,
The spider-tongued, and the loud hill of Wales)
With fists of turnips punishes the land,
Some let me make of you the heartless words.
The heart is drained that, spelling in the scurry
Of chemic blood, warned of the coming fury.
By the sea's side hear the dark-vowelled birds.
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