In Greenhead park's drained
  paddling pool
      a black cast iron water spout
        stands three feet tall;
a puddle of ***** rainwater
  reflects it's rusting brown base.
Red capital letters warn
      Don’t go into the Water when
        there is No Attendant,
      another sign says
        No Dogs.

This Victorian ironwork pipe waits
  for August
      when it will fill the pool with
        water and welcome
            excited, splashing children.
Round the shore
  families will
      enjoy vanilla ice cream
        or sit on plaid blankets eating
            ham sandwiches and blueberry muffins
      washed down with
          tepid coke.

I gaze at the sleeping iron spout and remember
  a blistering childhood August
      when the pool was full
          every day and
  no one thought about lifeguards
      or dogs.

  Ralph and I chased
      each other round the pool:
our bare feet felt
      rough concrete through
          the shallow water.
  He dared me
      to explore the overflow
  as it trickled into
      a dark York stone tunnel.
  I followed Ralph
      down the cold, cramped culvert
        to the starlight of distant planets.

  We walked through Skaro’s black and white
      petrified forest and helped
        Dr Who to defeat
            the Daleks
              in their ozone electric
                  metal city.

  Transported to another universe
      we boldly went
          to seek new people
            and civilizations.
    Ralph and I were
      red blooded Captain Kirk
          and green blooded Spock.

  In September
      school called us back to earth
  but the pool stayed
      full of water
        ready for
            winter ice.

Today
  I walk past the hibernating paddling pool
      as it dreams of summer fullness
  and meditate on
      the roles I played
        after last paddling
            in this pool.

Tar-dark world. The defining color is black, the inky night of her nocturnal hunts and the deep, bottomless dark of her alien retreat.

A watcher of men, she is everything and nothing. She might be too much of something, or too little of something else. Time will sort out the particulars.

There are no simple entry points – she demands engagement, and to be taken as a whole. Her discomfort is over her own allure, her undisturbed surface. It’s more about intuition and gesture than dialogue. They remain as echoes. They’ve made her beautiful in a real way, with hips and blemishes and dimples in her skin.

The imprint of the lives she begins to grapple with as her time on Earth extends, leads her to stop seeing herself as a mere conduit for her mission, and to start developing a sense of subjectivity.

Her life force is overlapping, shaping itself into a pattern of rings that simultaneously suggests a birth canal dilating, the stages of a rocket separating, and a lunar eclipse as seen through a telescope’s lens.

She's a life-form you can’t quite understand, but it’s carrying on relentlessly, like a beehive, moving backward through the constellations at first approach.