I've seen to it to be left about,
a coursing, hushing let down.
To prove to you I leave rot out,
I see what's best about my withering brown.

A coursing, hushing let down-
take this as seriously as I say I do.
I see what's best about my withering brown.
My equinox benefits only you.

Take this as seriously as I say I do.
I'll come back and fall to fruit,
(my equinox only benefits you)
when warm tides cause seeds to root.

I'll come back and fall to fruit,
so see it to be left about.
A warm tide caused seeds to root,
I prove it and leave the rot out.

On an autumn night, I gazed out my window,
    fixing my sight on a star stenciled abyss-
wondering if prayers flew, how high they'd go
    or if they could even reach loved ones I miss.


Fixing my sight on a star stenciled abyss-
    Searching night's stillness, seeking answers,
or even if they could reach loved ones I miss.
    Lights sparkling, are twilight's angel dancers.


Searching night's stillness, seeking answers,
      wondering if prayers flew, how high they'd go.
Lights sparkling, are twilight's angel dancers.
      On an autumn night, I gazed out my window

The audience, silent, took a breath in unison
Included in the orchestra was every instrument imaginable
Banhus and Gadulkas played folk and polkas
The brutish brass, bodyguards and protectors of stringed melodies

Included in the orchestra was every instrument imaginable
A concert harp, plucked by fingers long, smooth and sharp
The brutish brass, bodyguards and protectors of the woodwind class
Saxophones provided a melancholy lilt, the timp was traditionally built

A concert harp, stroked by running fingers, smooth and sharp
Every sharp and flat note was passed through the throaty reeds of oboes
Saxophones reminiscent of ‘jive’, the timp in its size had nowhere to hide
This exhibition of musical traditions played late into evening with no intermissions

Every sharp and flat note accounted for, motifs carried whispers of folklore
Banhus and Gadulkas, swapped stories with bassoons and bagpipes
The exhibition had finished, piano keys rested, every note has its operatic death

The audience, silent, took a breath in unison

(I don't really hate pantoums, but once, when I wrote about the rules for repeating forms like pantoums and villanelles, one girl commented "I hate pantoums and villanelles. I guess I get bored easily." But this only provoked me to write a Pantoum using her words, just a little edited.)

~~~~~~~~~~~~~~~~~~~~~~~

I hate pantoums and villanelles
because I'm very easily bored
when a poem goes on and on, and tells
the things that have been said before.

Because I'm very easily bored,
I get impatient for lots of stuff.
The things that have been said before
don't need repeating. Once is enough.

I get impatient, for lots of stuff
I get to hear throughout the day
don't need repeating. Once is enough
to understand what you have to say.

I get to hear throughout the day
the same old news again and again.
To understand what you have to say
should not be hard. Intelligent men

and women don't need those extra lines
when a poem goes on and on, and tells
what it's said before, too many times.
I hate pantoums – and villanelles!

Poor tip-ity tap-ity raindrops
Mapping out uncharted fields
Crystal buds take shape and flop
Cruising down my windshield

Mapping out uncharted fields
Drops stumble, slide, glide into place
Cruising down my windshield
Dance to their own song, own pace

Drops stumble, slide, glide into place
While shimmering red turns to green
Dance to their own song, own pace
Brash wipers erase this playful scene

While shimmering red turns to green
Crystal buds take shape and flop
Brash wipers erase this playful scene
Poor tip-ity tap-ity raindrops.