I write sometimes li̲ke I'm out for
blood (I kind of have been & am)
like vampires; tha[ɑ]t's for
all the injustice & violence absorbed
[video games, films, (& later) rap & politics-related stuff]
from this unjust & f#cked world
you may think I'm a kettle boiling, 'cause
writing rhymed texts & going hos—
—tile in 'em is a way to blow steam off
besI̲des that, I'm bored
like a plank that I̲ would, o[ʌ]f course
["board"]
not mind watching a ****** dumb war—
—mongering, power-drunk ****
walk off into the waters galore of hungry cro[ɑ]cs or
sharks, though I̲ would o[ɑ]pt for something much worse
if punishing power-corrupted schmucks were
up to mO̲I̲ with my warped
mind; like a drama queen, or a jihadi fiend
at a public spot with **̲[ɑ]stile in—
—tentions & a bomb, or a gun on him
I'd make such a scene
["sin"]
one tor—mentors would love to observe
one worth grabbing some ****** po[ɑ]pcorn
[like the one portrayed in "punishment of an autocrat"]
****** alert; the cynical fiend
inside wants to join this lyrical binge
give 'em *******, dude
————————————————————————————————
listen U̲p, you da[ɛ]mn fool
this message is also for the trap rap playschool
that you pU̲nk pertain to
consider yourself LIA 'cA̲U̲se you're plain doomed
[lost in action]
like an aircrA̲ft which is about
to crA̲sh into the ground (plane, doomed)
call thI̲s sh#t maltreatment
but don't get the joke twisted
saying that, like a wicked professor prone
to acquitting indecent, bold, I'ma teach you a lesson, ***
I don't mean you'll be a victim of *** assau[ɔ]lt
or something
["molltreatment"]
a lesson 'cause in this lyric-writing game, you
are as qualified as lame stewds
[stu(ew)dents]
you better find some da[ɛ]mn tools
'cause the screws of mine are cray loose
just like Deadpool's; memorize this name to
call me by: Slay Illsome
[Deadpool's real name is Wade Wilson]
you're like pup: so ****** tame you
should be called Lame Chillsome
["po[ɑ]p", in the sense of "pop music"]
so inept that holding somebO̲[ɑ]dy's dra[ɛ]nk, you'd
prob'ly wind up with the dra[ɛ]nk spilled, chump
I'm an instiller of awe & distaste
a thrill killer, nuts, A̲lthough well-trained
and I really like to slay noobs
I'll be enjoying some thrilling, high-octane tunes
while you'll be stricken by the grave blues
'cause I'll have you feeling such a pain you
are gon' wish it were Max 'stead of me & start to pray to
["Payne"; Max Payne, who mostly just guns down his targets]
me to put you down like I̲'m the type slinging
off at others; I'll I̲ce you by swinging
my ****** blade through
your neck like a batter, whereA̲fter I[ɑ]'ll pick
up your nut & make use
of it as a **** bA̲sketball, *****
I'll chop you in parts, then bo[ɑ]x 'em, like a way to
verbally tag an attrA̲ctive gal with
a set of plumply shaped *****
["buxom"]
I'll have the box wrapped a la gifts
and then get the remainders of you sE̲nt ta
a replantation-focused center
(so much for something with the littlest of spite...)
————————————————————————————————
like a substance a[ɑ]ddict
tryna quit but quickly sliding ba[ɑ]ckwards
one verse & I'm back to mY̲ bad ha[ɑ]bits
[the prelude]
of writing; like someone you wa[ɑ]nt, this art form
is something I sure have go[ɑ]t a lust for
which explains why
I'm sO̲ de—voted to my stuff when it's getting laid, like
a carnal co[ɑ]mmerce; lyrical self-indulgence, much more
than self-indulgent "I̲'ve got" type twerps
making unco[ɑ]mplicated trap
as if there were something like a cavy that
those diletta[ɑ]nti aim to catch
like someO̲ne depraved, I have (what?)
a ba[ɑ]wdy-like urge in my mI̲nd when I verse
like a tI̲ght-fit guise worn by a gal with nice curves
exercising, intention... of nailing rhyming
["in tension"]
as if rhymes were lush girls
the type to whom technical seduction comes first
lyrics-wise, which is why some of my works
may be regarded as hot stuff
like a heated iron flyi[—]ng to[—]ward
the face of a tyrant-like ****
with the bo[ɑ]ttom side forth; do this kind of stuff for
fun & to maintain these mI̲nd skills I scored
["slay just to maintain some relish & killing skills"]
which explains why I dub it "bar sport"
[sport/fun of making bars (rhymed lines)]
you trap rap hacks ou[ɑ]ght to ha[ɑ]ve your
bars shA̲rp just like swords of samurais, for
["sharp" in the sense of "stylish"/"attractive"]
as I̲'ve said afore, I'm O̲U̲t for blood, twerps
————————————————————————————————
struck this "bar sport" writing up short
["bar sport (prelude)" followed by this one]
on hope, wound up with a flood of thou[ɑ]ghts versed (wow)
guess this writer's inner fire's no[ɑ]t burned... out
like someone dO̲ne too much work

keep going back to cool stuff I once made &
rereading it applying some changes
to certain ones at times; it's frustrating
that, after the latest rhyme piece written
I have created nothing decent
and am kind of wasting time on thI̲s one
where are those several lines
after penning which I, eventually, wi[aɪ]nd
up having devised a barful sheet?
how & what the hell to indite?
go, like an overnight lodge, **̲[ɑ]stile? ge[ɪ]t
["hostel"]
a mo[ɑ]p & fire lead
at poor lyricists or strike auto[ɑ]cracy
and agents of this kind of po[ɑ]litics
with spite like prior sh#t
of mine? something like the stuff in which
much of bo[ɑ]dy harm's received
by the unrighteous targets picked?
going that way reminds me of the knight of Go[ɑ]tham with
that armored co[ɑ]stume pU̲t on
[the Batman in an armored suit from the "Dawn Of Justice" film]
like that warmonge[—]ring nuisance (it's all the West!)
'cause that kind of stuff's the stro[ɑ]ngest suit &
it's somewhat dark as well
but it's O̲[ʌ]f no help to the psycholo[ɑ]gic health
change the cu[ʌ]rrent bell
[style; the "change one's tune" expression]
on something which has no[ɑ]t a knell-
-like vibe to it? how in the *******?
have to be afflicted by a spell
or something to have the lyric-writing shelf
o[ʌ]f mine supplied with stuff like
that; in fact, there's one which is kind of well
in terms of the least of violence dealt
and having the least of toxic vibe as well
it's that night fun tale
["a night out rhyme tale"]
write something personal?
not like some ****** flick
but that's horrible
'cause I am pro[ɑ]bably go[ʌ]nna wI̲[aɪ]nd up with
something writ as if by a whining b#tch (again)
with all that versified, it seems
it may be better, like a nau[ɑ]ghty chick
with a zoomorphic co[ɑ]stume kink
to opt for a tale of some kind (tail)
something with the littlest o[ʌ]f spite
and sans an in-the-dumps vibe
still, it's easier to just go a[ɑ]dverse
whether I target authO̲r—
—itarianism or chU̲mps who've go[ɑ]t poor
bars, instead of tryna cO̲me up with
sO̲mething else, which is whY̲ it feels
like a comfO̲rt... zone
(a writer's comfort zone)

clue time   game of bluff-man blind   fuss of obstacles scold up my mind -(the-vermin-are-quite-rife) / portrait, ambitious portrait   racing a train - broadsword toward - a fertile pocket of prissy death ;/ crown, fist and sprawl in the court of The Charmers   sole hissy-fit upon your knees

Safe
He's safe from the grave
Breathe
He's braver than me
I stopped believing again
He's seized more of life
In him
Ooooo

Too weak
Too weak and I'll leave
Two weeks
Two weeks and he's ceased
He fought for his needs forgiven
And see
I'll be on my knees
'Fore him
'Fore him
'Fore him

Ok

Keep it going

Working for the Four Bros Auto
Woulda thought you'd hit the lotto
Buy 'em cheap, sell 'em fast's a motto
Though, no hard sell's tough to swallow

And there
There, there they are
They're all there
Their heirs
And as ne'er
The simple promise
Of sold
And swell

One day they came, they drug us out a well
Let us know that they'd come to sell
Handing the reigns to a fortune five hell
Pure skim show turned to spoilt milk

And there
There, there they are
They're all there
Their errs
And with scissors
In their hands
To cut
The fat

We want all of you, fat cat said with a laugh
In fact, we're wanting half of what you've asked
A family's yours when you look in your past
We're looking to explore a store without tracks

And there
There, there they are
They're all there
Their airs
And now where's
The dotted line
To
Follow?

Though, no hard sell's tough to swallow
Buy 'em cheap, sell 'em fast's a motto
Woulda thought you'd hit the lotto
Working for the Four Bros Auto

Come on
Let's go
We've got their gold and bronze
Come on
Slow poke
I'll race you to the dawn

Before
They know
What hit them we'll be gone
Ghost town
Who knows
No one around to con

Little
Riddles
Run rings around your arms
Pretty
Cities
Can't see them when they charm

After
Laughter
I'll give your folks a call
Say we
Stay the
Night and day if they want

I'm shot
You're shot
God stop this ****** song
We're caught
Like sod
Seeping right through their lawn

Will you
**** two
Birds with one hanging on
Come on
Slow poke
No one around to con
Onnn

Dum
Da da dum
Da da duuuuuum

Just outside a month
And twenty five days further from
A widower will take his life
Neither the body, nor the name will be known
A person, a being, who in the next year or so
Perhaps notorious of
Blood feuds, bank heists, and back alley exploits
Will be pure future myth
With talks of

In the soon to be abandoned old pick up truck of theirs
A gallon of gas with room to be half
Will spill out onto the cold, black
A quarter to four in the mornin'
Asphalt
Green-yellow dregs of diesel will ease their way down the vehicle

A Friday with fog will roll in from the west
A dog, a mutt perhaps
Will sniff its way past the front end of the tree trashed truck
The motor will jolt in and out of its normal sequence
In discordant chugging pitter-patter accordion metal-licks of ruckus
Like in the days to come
Death's canine will want an impression
Of his master's woodwork
With barks of

After all that I will have been through
And 'fore I will have known your name
And after all I will have done for you
You will have dug yourself a shallow grave
A shallow grave
A shallow grave
A shallow grave

His silhouette lingers
And still I have yet to let him know
A metal through his fingers
Is the only bond
That keeps us
Close

I've tried to move from it
But his mark finds wherever I go
Believing I've lost it
There in my mind
Lives his ghost

What turns your back when you sense someone's broke in?
What makes you laugh when you see it's an old friend?
Who burns your past when your future is frozen?
Who breathes their last whilst being unnoticed?

All silence is golden
All silence is golden
All silence is golden
All silence is golden

You're on the run now
Under the gun of someone's scope
The line won't catch up to you, no
It only burns a thinner rope
But I'm so proud of how
You've escaped every beaten road
No matter how this turns out
I will know
You played it cut and cold

What turns your back when you sense someone's broken?
What makes you laugh when you see it's an old friend?
Who burns your past when your future is frozen?
Who breathes their last whilst being unnoticed?

All silence is golden
All silence is golden
All silence is golden
All silence is golden

Here in silence, sight the glow
Whereby creatures of night know
Run a rosary in hand
Or else fight
The Flashlight Man

He walks by windows left unlocked
He floods his books with checks of chalk
Some call for help, some have no plan
Though none have knocked
The Flashlight Man

He waits for winter, when all is wind
When wood would be sparse and sparks burn dim
Where flint will be flakes unless inland
Still, some have witnessed
The Flashlight Man

He watches the light go out in bedrooms
What once hosted life, hosts time's ghosts in tombs
Some bottle up time, some sink in their sands
Yet, no nightmares dream of
The Flashlight Man's

He wrings out what's left of what's right and what's wrong
He brings out the best in some boasting in song
Some find him friendly, but soon find that they can't
Who's wise knows someone close
As The Flashlight Man

Asleep by dawn, cocoon by noon, deadly by dusk
In crimson cloaks he clasps his croaks and keeps the husk
One has been told, of age of old, a kid that ran
His name, I'll tell, you know so well
The Flashlight Man

Oooooo
Ooooo
Oooo