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Nat Lipstadt Jul 2021
Of ***** roasting pans and racks and island fog!

if you love me, then you know poems wright themselves when standing, driving, bus riding, love-making and especially when
doing manly battle, ******* ***** dishwashing midst island fog

a passing remark goes noticed and summoned to a
Friday night feast, roasted fowl, wild rice with golden raisins and mushrooms, English spring peas, was it a Montrachet?

for dessert the washing up is obligation mine, a traditional desertion,
separation of church and state, her cooking a church  in which I worship, she states eloquently:
“Unto Caesaria , Render Her the cleanup”

this is hand to hand combat, no dishwasher mechanical
can scrub like the human hand, and with body english,
water hot, but no gloves employed for this is ***** man’s work,
not for sissies, cleaning roasting pans and roasting racks
that are at least twenty years burnt and crusted with a blackened
finish, residue of other lovers and dinners P.N. (pre-nat)

array three kinds of sponges and some human & metallic *****,
no one asking which came first,
the scrubbing away of life feasting residues,
or the poem writing that comes with pre & postscript sleepiness

when I say the dark stains and the grease buildup are
flavor enhancers, am beknighted with starry stares of
“how stupid do you think I am?” and sadly return to the
Battle of Agincourt, the one the American lost….



but they do source poems that flavor life

2020
*sometime last year?
Nat Lipstadt Jul 2021
the truest love: ask me about too perfect*

this I believe:

that part of we humans
that intersects emotion
& memory retains a video

not frequently reviewed,
placed deep in an unlocked,
unlabeled chest of drawer

surrounded by keepsakes, hidden
letters, scribbled napkins and
a less-than-handful of stills,
plain poems of raw delicacy

infrequent summoned, preceded
by a stray, strong thot asking
no one but you, why now? what
was the trigger synapse?

the love, the being, blessed, cursed,
known by its call letters:
TOO PERFECT…
Nov 2020
Nat Lipstadt Jul 2021
the body is atrophying,
rising from the bed is an
exercise in handholds, comedy physical
wall-grabbing, flail to fall, laughing at myself, still

my super quiet whispers in the bed
of imminent death go unheard,
as somewhat desired, but not entirely,
3/4 tween unsure and surely and surly.

the blood don’t circulate fast enough,
streams slow, sad songs Pandora accumulates,
and Spotify artificial intelligence finds more,
certifying a usual unusual, feel dust mites breaking off of me

<>

mind running in rivulets, fear floes,
courage-drowned, easy stuff
impossible, hard, beyond pale, summer melt,
drowning in self-disgust, hapless hopeless harmonic wastage

every deadline passes, dying,
easygoing no screaming, the
minimal, hard, past the behind, the pale,
the poetry is untraceable, untranslatable and never-good-enough


the easy out is steps away,
illusions are illusory, delusions offer no comfort,
stories you tell for amusement, leaving whimsical
dreams are practice runs, for the longer run, will shortly come do-due

the poem words die on the vine,
scorned silence, best is past,
appropriate ignominy is red-****** iced,
so it goes, no minyan for the funeral, no ten friends


the query repeatedly reappears,
how did I mess up so bad, some part
lazy, part afraid, humans, so much effort,
the voices-in-head saying, we’re plenty good enough

shelter can become a prison, an island,
fortress or prison, a salvation pretense,
osprey overhead, preying, feeding next gen,
hear-’em discussing options when “sleeping,”
his affairs in order?, which smile provokes the provocateur


my affairs long dustbin guests,
sand and atmospheric disbursed,
your next poem probably, granules contained,
for this is how all life is transferred, I’m in a tiny minute, in you…
July 2021
Nat Lipstadt Jun 2021
We Are So Lightly Here

“So come, my friends, be not afraid, we are so lightly here
It is in love that we are made, in love we disappear
Though all the maps of blood and flesh are posted on the door
There’s no one who has told us yet what Boogie Street is for”
Leonard Cohen “Boogie Street”


                                                     <~>

my body, my eyes, my entirety, tattooed, with a city map,
here, at this exact place, our eyes glanced, our eyes closed,
who among us does not possess such a living guide,
memories presented in a 3-D versions, constantly edited.

placed your hand on my privacy, bid you enter, not a dare,
more an invitation to risk, become a true love of mine,
share exhilaration, desert valleys that pockmark unexpectedly,
changes us to we, regresses, you and me, post-survivalists cut.

2 gather, modify highs/lows, meet & peaking@peculiar tunes,
ever embraces residuals a sour film upon our lips, a puzzling,
what excites, pacifies, returns us street corner, X’d our map,
glances exchanged across an empty street, seeing each, not.
Nat Lipstadt Jul 2021
a thousand years ago, wrote a poem called
“why I always carry tissues”  -
a labor of love to
mine own toddlers misadventures,
requiring love covered in tissues so soft,
yet an ironclad coating
of natural substantive parenting
useful for tearing eyes, running noses,
and the cuts of living outdoors joyously

children grow older and oft that means,
they seek not your counsel,
and if offered, politely ignored,
for so it goes tween fathers and sons

then one summer days you receive an
observation, a datapoint that irradiates,
a quiet confirmation that not everything
you’ve said and done has gone astray

a young’un of “almost ten,” informs her father,
around the luncheon table of three generations,
that her foot is hurting; the son, now the father,
diagnosis renders, a blister, which will require
a protective custody that will protect the child’s
feet from the ravages of furious Shell Beach fun,
or the rough of a Manhattan sidewalk

I watch with a joy so quiet and so overwhelming,
as the son-father reaches into a cargo pocket,
producing not one but two bandaids, for life
requires backups for there are other babes about,
who at moments notice, produce scrapes and cuts
of ever greater consequence for each year they age

his wife renders me overjoyed, when she dryly
observe how certain children are lucky that
their father always carries bandaids, a new factoid,
for me, an unknown that glistens like a wet shell

now my eyes tearing, for a message in a bandaid,
or a tissue no matter which, is a certified proof,
somehow a message got through the clutter,
marked “well received,” that loving well requires
an oh so very hard attention to details, and that deep pockets
are repositories of good notions, handed down generations

June 24, 2021

Shell Beach
Nat Lipstadt Jun 2021
First Boat


first boat off the island @ 5:40 am,
the sun, savvy and knowledgeable
makes sunrise @ 5:14 am for ‘late’ is
not an adjective extant in its stellar lexicon

a safety check, sunlight invades every crack,
pilings vested & secured, ferry engine hums a
warming, morning cranking tune, a sailors
favorite from the global ******’s hymnal

those early morning voyagers, who are exchanging,
one island for another, note their coffee steaming up
coordinates with haze, burning off, all to see the first
waves come to rock them voyagers to “all awaken”

sunlight then slow spreads its envision, from the Heights
over to Mashomack, rousing, disturbing, nudging the
remaining, for there is work, living aplenty, we who stay
to tend to the most appropriately named isle in the world


6/12/21
Silver Beach
Shelter Island, New York
Nat Lipstadt Apr 2021
bless the parents

who grow their worry lines,
a slow etching upon their face,
every night, a fractional addition,
what will the future hold for the children,
wandering tween wondering and wonderful

I am among the parental plenitude, who
struck a deal with the authorities of life,
pleading, demanding, coercing, begging,
take my years excess, give it to the children,
and spare them famine, thirst, war, sickness...

give them children, and spare them too the worry,
ban those crinkled lines, provision only smooth faces,
never let them never wonder, the accursed how,
will they be alright, & let them read this poem,
and laughing ask the surrounding atmosphere

whatever made the old man write such nonsense?


April 10th 2021 @5:38 AM
Nat Lipstadt Apr 2021
Ah you hate to see another tired man / Lay down his hand / Like he was giving up the holy game of poker
Leonard Cohen
<>
Will I remain within God's house at night as shadows drift through dimming my light?
written by Weeping Willow, gifted to me, by Edmund Black
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I,
in­stant understanding, perhaps in my experiential possess,
some answerings perhaps...product of late night, many, many
theological arguments over poker games, with coarse men,
tough women, and ethically-challenged Gods, all faithful regular attendees

With a little bit o’ luck from an occasional guardian angel, even
I possess an occasional winning hand.

now we all commence with a passionate uttered blessing,
for the good beer and salty pretzels, giving thanks for having
reached this act-exact moment of being, here and now, in God’s house at night, plus a holy add-on variation, a swear-to-god (we all snicker) promise solemn, no cheating, no absolutely divine peeking/spying in soulful futures, no fun in that, sanctified & sealed with hearty amens and ****** noises offered for emphasis.

hear you scratching you head, wondering what all this to do
with a whispered prayer of soulful, on-shore drilling deep,
product of a drill bit cutting the black quietude of interstellar voids internal, where there is no censorship, lying an impossibility, and the only questions are super hard, so some never return with an answer truthful

so, I remain in God’s House, playing poker, with deities who
jealous guard their moments as human facsimiles...cherishing humans who guard with care, an ability to see that they and gods differ little, when making honest truth a shared primacy

in the intimacy
of an overnight stay
in God’s house at night,
all our coming-led light dims,
when my/their need is greatest
!

(written sometime this year, Jan. 2021, Manhattan)



~~~~
^ https://hellopoetry.com/poem/4157753/winter/

^^ Blessed are You, L-rd our G‑d, King of the
Universe, who has granted us life, sustained us and
enabled us to reach this occasion.
Nat Lipstadt Apr 2021
10,000 steps to a poem

<~>
walk to save my visions, my subterfuge-self, trying to
encapsulate the moments, seconds of nano-instances of a
tableau of histories, of actions becoming interactions,
a physical mitosis, ground into one human paste of word-cells
by a singular mortar and pestle that more than blends, but condenses

walk in Whitman’s footsteps, prowl old cobbled
streets seeing them anew, listening to the patois
of each skyward pathway, a commingling of
catechisms, Tefilot, Salah, Stuti Karana, into a stampede becoming a tornado funnel of a multivariate alphabets singularity - a prayer|poem returning to birth-mother

rush homeward desperate to retain the holy mess of verbal music,
before aged eyes release the visions, into a heavenly lost but found
depot of single lefty gloves, snatches and refrains, hymnals, phrases,
10,000 preservation band steps keeping but scraps, weeping
for the so much lost, yet blessing-uttering thankful for this one,
to a one


who has kept us alive, sustained us, and brought us to
this moment, to this season.


4/4/21
1:50pm
~writ by night, daylight born~
Passover/ Easter Sunday
Nat Lipstadt Dec 2020
~For Ayesha~

for simply put,
or
simply taken,
they’re a disguise...

eternal guards on duty,
alphabet soldiers that
grow more vigilant

standing reef,
a barrier,

a thousand years to erosion complete.

this is the right poem, but the wrong words. Mystified me, how
can this be? such a young person, whose words speak to me?

If we are not our words, what will we become?
Sep 10 2020
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