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Taylor St Onge Aug 2015
You were born in the cold black heart of the Cold War, under the fist of
Eisenhower, under the satellite eye of Mother Russia—1960 America.
Chinese Year of the Rat.  U-2 Pilot Gary Powers forgot to **** himself.

Space Race Baby looking up at stars she does not comprehend—
the world is big, the sky is bigger—Shhhhhhhhhhh: huddle under your desk in case a big, black, bomb falls down and burns you so bad you feel nothing but cold  
             cold         cold;

huddle inside yourself in case your plane is shot down over Soviet soil
and everything turns to red, turns to blood, turns to your fingers shaking and your eyes stinging, and you think about that time when your mother told you about the Year of the Rat being associated with white,

with the Chinese color of death.  You think: This is it.  There is where it ends,
but this is not it; this is not the end.  You will die in a hospital bed
in 49 years, so just give it some time, alright?
Khrushchev and Eisenhower can play Tug-of-War and
                                   Vietnam can burn in the meantime.

Mother, when you were born you could not breathe.  Mother,
when you died it was because you could not breathe.  Mother,
when you are not here I think of Gary Powers not having time to press “Self-Destruct,” of the Year of the Rat
                                                                ­      choking to death on
                                                              ­         Lily  of  the  Valley,

of learning how to talk to the 58,286 dead Vietnam War soldiers. I want to
know what it is like to look up at the sky and fear a missile strike smack in
the middle of winter. I want to know how cold the Cold War felt to you in
the Chinese Year of the Rat, and what he felt when U-2 Pilot Gary Powers
fell like
                     Lucifer
                into the arms
            of Mother Russia.
or “The Zodiac Symbol of the Dead”
written for my foundations of creative writing class. this is an experimental villanelle.
Lamb Jul 2015
So I am a mutt
And this is my poem about having split identities
And not knowing who the **** I am
I am Chinese and Irish
Got them green eyes, but eat rice with every dish
Have the freckles, but my first language wasn't English

Back in high school, people called me white washed
But then,
Pointed and called me that Asian
People would sneer, "You aren't even real Chinese"
But there are so many things you all don't see
Like how my Tiger mom screams at home
About getting straight As
Till her shrills leave me frozen to the bone
And when I had a boyfriend she didn't approve of
She yanked my hair
And I cried it wasn't fair
She yelled, "oh I'll give the boys something to stare"
I watched as she cut all of it off
Strand by strand
Like a strong gust of wind blowing all the leaves off the branches till it was bare in winter
The following day at school, my excuse was I needed a new look, so this was her
And meals I don't even know how to translate into English are my comfort food
But I can down some fries and burgers when I'm with the dudes

I embrace both sides of what I am
But people categorize me into one, *******
With my Chinese family
They straight up tell you
You too skinny, too fat, so silly
They say my accent has gotten worse
The anger builds up of embarrassment and hurt
The race makes my face so red, it's like my head will soon burst
There's this underlying feeling of shame, that's the worst
Which side of me do I need to prioritize first?
I'm drowning between the ocean of two separate cultures, I'm submersed
English is the language I think in and I curse
There's so much more I can't even tell you within this verse

Oh the irony doesn't end there
My driving stereotypes are quite the scare
Cause I'm Chinese, automatically I **** at driving
But mixed with Irish, I'm also road raging
It's probably the worst combination
Of a stereotype from two different nations
Ha oh there's more
The drinking stereotype that's for sure
Irish side could down the whiskey much too quickly
But the Chinese typically are easily tipsy
This mix is kind of risky
One turns so incredibly red
And the other can get so drunk, you'd see two heads

I feel I am constantly at war
One side always wanting more
glassea Apr 2015
i have felt hanzi in my blood
fireworks in my skin
dragons in my bones

i have looked at a cloudy sky
and thought of guangzhou
of shenzen
of nanjing

walls and death and power are my legacy
i was born the descendant of a tyrant
but i have changed it
twisted it
and now i am the ancestor of a diamond age

once upon a time we bound our feet in rags
and hobbled on dirt-packed roads
but not anymore
not anymore
now we sprint full-out to the east
the rising sun calls us like silken whispers
and we laugh at those who would hold us back

walls and death and power are the legacy
of those who reach for it
of those who write defiance on their chests
in ****** pinyin
and above all
of those who take the fireworks from their skin
and scream them alive
there's a power, you see, in seeing something your ancestors built. you think to yourself: "yes, i can match them. yes, i can surpass them."
Chris T Oct 2014
Last night I walked through the dimly lit street,
earbuds buzzing a humming Bob Dylan
and a strumming Johnny Cash at a low
volume, and a tabby cat sat calm, still,
on the sidewalk's edge. A determined look
of waiting for something haunting his face.
I thought about inviting him over to
the Chinese restaurant for bad lo-mein,
but then I remembered that discrimination
against felines is well and alive, the poor thing
wouldn't be allowed into the establishment so
that plan was a bust, not mentioning the fact that
I don't speak whiskers and any talking effort
offering a summons was hopeless too.
The song switched and I bought orange chicken instead,
trying hard to eat without thinking about the cat
I'd been forced to leave behind. Forgive me,
Father, the food was delicious. Amen.
:'(  i bought him an egg roll and fed him when i came back around the street corner. It broke my heart. He stayed there and let me pet him.
Racquel Davis Jul 2014
The First Book*
A List of Pleasantries*

Behaving like a child,

A vase of dahlias and calla lilies,

A compelling story,

Believing in love again,

Making a fool of yourself,

A lover who is attentive,

The smell of rain through a window pane

©Copyright 2014 Written and Edited by Racquel Davis
The Pillow Book is a book of observations and musings recorded by Sei Shōnagon during her time as court lady to Empress Consort Teishi during the 990s and early 1000s in Heian Japan.

http://en.wikipedia.org/wiki/The_Pillow_Book

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