six decades later i'm still saying
i've read the bible
not really. it was too big a tome
to start with and to read along like a novel.

yes, there were lots of little stories
that were drilled into us as guidelines
to a better life
but now at the *** end of life
these stories have worn thin
with the changing of the times. thank god.

all of us are prodigal sons in some way
wallowed with pigs
spread our wantonness
swore and cussed
been adulterous
broken every commandment
(except ******).
and lived unholy lives
when measured against biblical yardsticks.

so be it.
imagine a world without sinners.
can you?
me? for sure, i am  a sinner
my yardstick is eternity long.




Author Notes

Yep.I own up. I was grinning when I wrote this poem. Just this morning I had two lovely people wander up to my doorstep, telling me where I was so wrong in my belief. I listened for a while. Then gave up. They had a colourful magazine, nice colourful ties and pink rosy cheeks too! But they were trying to change my pagan ways to their side of the fence of thinking.

I thought it was too late. As someone who knows how long his biblical yardstick is, there was really no point. I could argue till the cows came home and it wouldn't work. So, blah blah.blah.

They said what they had to say, i listened, now more convinced that the world is full of jokers like me!

© Marshall Gass. All rights reserved, 3 months ago

- See more at: http://allpoetry.com/poem/11437496-the-yardstick-by-Marshall-Gass#sthash.6P7TaJez.dpuf

Life is the treasure and knowledge is the fire to kindle and wisdom the outcome to distill it

Poverty is taking away food from a fellow human being
Poverty is not being grateful that you have slept having eaten a comfortable meal
Poverty is going out there with a poor self image and using the presence of others to mask your inadequacy
Poverty is not knowing how divine you are, your soul content

Poverty as a woman is not being able to say how you feel and what you feel because you are afraid of rejection or disappointment
Poverty is trying to make a guy feel insecure because you yourself are insecure
Poverty is trying to have multiple ****** relations to either draw a man or men towards you or simply for the sake of trying to fuel your self esteem
Poverty is dreaming and letting the birds talk about it as a could have been
Poverty is stabbing a person you love dearly in the back
Poverty is blaming society, culture and circumstances at home for not progressing forward
Poverty is killing because you are stuck in unorderly primitive and unruly state and you do not know tranquility

Poverty is wanting things to remain the same because it protects you from growth and the awe of advancement
Poverty is living in the past and endlessly trying to change the present
Poverty is not knowing what to say because you have forgotten how to compose yourself in the presence of others
Poverty is thinking for short term satisfaction breeding inevitable lack of long term contentedness

Wealth is inviting the future fearlessly
Wealth is loving abundantly
Wealth is joining the heart's dance by yielding to emotions of pure positive vibrations
Wealth is making the heart intelligent so your desires are not  of a marginal durability
Wealth is seeking the truth because it will wash away the lies and test your bravery as it opens up the wounds and the pain of reality
Wealth is knowing that in giving a lot and asking less more than half the time; you remain abundant
  Wealth is imagining what a future 'you' would be like and in pursuit you strive to make your future self proud
Wealth is having an open mind and seeking first to understand than to be understood
Wealth is trying to find better solutions for either parties, a higher way; which healthily benefits either parties

Wealth is having someone who will support you no matter what
Wealth is sticking to divine principles because they will stand no matter what
Wealth is treating another better than you treat yourself and in essence you treat yourself as the greatest being
Wealth is being patient and persevering for good things because you will honour them as you understand what it took to earn them
Wealth is making a promise and keeping it, it boosts the progress of the whole Universe; even the promises we make to ourselves
Wealth is cleaning up after ourselves and engineering our personhood to not rely on insubstantial and baseless objectives and mantras
Wealth is taking a stand for one's own life and not waiting for a hero to pull up the yardstick
Wealth is going to the dam with a  broken rod and teaching yourself how to fish until a master comes and philosophises your decorum, approach, conduct and credo on the whole process of being independent and going out into the world,
Wealth is unlearning all of the miseducation that we have been fed since the day we were born and relearning and rewiring our psyche to be conscious and cosmically aligned with our divine purposes and use the resources around us to make the raw a tangible gem and vice versa.

Say no to poverty.
Live a sincere life of truth and meaning, we only have so much time to pay off our debts until we're rich enough to give back to the world again.

"Angels of the love affair, do you know that other,
the dark one, that other me?"

1. ANGEL OF FIRE AND GENITALS

Angel of fire and genitals, do you know slime,
that green mama who first forced me to sing,
who put me first in the latrine, that pantomime
of brown where I was beggar and she was king?
I said, "The devil is down that festering hole."
Then he bit me in the buttocks and took over my soul.
Fire woman, you of the ancient flame, you
of the Bunsen burner, you of the candle,
you of the blast furnace, you of the barbecue,
you of the fierce solar energy, Mademoiselle,
take some ice, take come snow, take a month of rain
and you would gutter in the dark, cracking up your brain.

Mother of fire, let me stand at your devouring gate
as the sun dies in your arms and you loosen it's terrible weight.



2. ANGEL OF CLEAN SHEETS

Angel of clean sheets, do you know bedbugs?
Once in the madhouse they came like specks of cinnamon
as I lay in a choral cave of drugs,
as old as a dog, as quiet as a skeleton.
Little bits of dried blood. One hundred marks
upon the sheet. One hundred kisses in the dark.
White sheets smelling of soap and Clorox
have nothing to do with this night of soil,
nothing to do with barred windows and multiple locks
and all the webbing in the bed, the ultimate recoil.
I have slept in silk and in red and in black.
I have slept on sand and, on fall night, a haystack.

I have known a crib. I have known the tuck-in of a child
but inside my hair waits the night I was defiled.



3. ANGEL OF FLIGHT AND SLEIGH BELLS

Angel of flight and sleigh bells, do you know paralysis,
that ether house where your arms and legs are cement?
You are as still as a yardstick. You have a doll's kiss.
The brain whirls in a fit. The brain is not evident.
I have gone to that same place without a germ or a stroke.
A little solo act--that lady with the brain that broke.

In this fashion I have become a tree.
I have become a vase you can pick up or drop at will,
inanimate at last. What unusual luck! My body
passively resisting. Part of the leftovers. Part of the ****.
Angels of flight, you soarer, you flapper, you floater,
you gull that grows out of my back in the drreams I prefer,

stay near. But give me the totem. Give me the shut eye
where I stand in stone shoes as the world's bicycle goes by.



4. ANGEL OF HOPE AND CALENDARS

Angel of hope and calendars, do you know despair?
That hole I crawl into with a box of Kleenex,
that hole where the fire woman is tied to her chair,
that hole where leather men are wringing their necks,
where the sea has turned into a pond of *****.
There is no place to wash and no marine beings to stir in.

In this hole your mother is crying out each day.
Your father is eating cake and digging her grave.
In this hole your baby is strangling. Your mouth is clay.
Your eyes are made of glass. They break. You are not brave.
You are alone like a dog in a kennel. Your hands
break out in boils. Your arms are cut and bound by bands

of wire. Your voice is out there. Your voice is strange.
There are no prayers here. Here there is no change.



5. ANGEL OF BLIZZARDS AND BLACKOUTS

Angle of blizzards and blackouts, do you know raspberries,
those rubies that sat in the gree of my grandfather's garden?
You of the snow tires, you of the sugary wings, you freeze
me out. Leet me crawl through the patch. Let me be ten.
Let me pick those sweet kisses, thief that I was,
as the sea on my left slapped its applause.

Only my grandfather was allowed there. Or the maid
who came with a scullery pan to pick for breakfast.
She of the rols that floated in the air, she of the inlaid
woodwork all greasy with lemon, she of the feather and dust,
not I. Nonetheless I came sneaking across the salt lawn
in bare feet and jumping-jack pajamas in the spongy dawn.

Oh Angel of the blizzard and blackout, Madam white face,
take me back to that red mouth, that July 21st place.



6. ANGEL OF BEACH HOUSES AND PICNICS

Angel of beach houses and picnics, do you know solitaire?
Fifty-two reds and blacks and only myslef to blame.
My blood buzzes like a hornet's nest. I sit in a kitchen chair
at a table set for one. The silverware is the same
and the glass and the sugar bowl. I hear my lungs fill and expel
as in an operation. But I have no one left to tell.

Once I was a couple. I was my own king and queen
with cheese and bread and rose on the rocks of Rockport.
Once I sunbathed in the buff, all brown and lean,
watching the toy sloops go by, holding court
for busloads of tourists. Once I called breakfast the sexiest
meal of the day. Once I invited arrest

at the peace march in Washington. Once I was young and bold
and left hundreds of unmatched people out in the cold.

There was this time before the going home. The supers bowled off with cheery parents or elder brothers a good fortnight before the big day. There were lessons, but despite the best efforts of the staff who remained nobody could take this between time seriously. Mr Gayford for maths was hardly a substitute for Alfie's lively lessons. But Alfie we knew was climbing in the Alps this Christmas and would return with photos and tales that kept us enthralled despite the sums he invented - calculate the air pressure at 4107 metres on the Jungfrau. We all loved him with his self-raising Citroen Safari that smelt enticingly of Gitanes and that scent Claudia his girlfriend favoured. Oh Claudia, so wonderfully and exotically dressed, who seemed a world away from any boy's mother or sister.
 
Mornings were quite different. A later breakfast and then a two-hour practice with Dr. B . Hard work, with new music to learn. But the carols! Oh those sounds, and so different from what we sang all year. Boris Ord's Adam lay y bonden, Praetorius A Great and Mighty Wonder, Torches, In Dulce Jubilo. and as Advent progressed that magical verse anthem by Orlando Gibbons This is  the Record of John.
 
I was just eleven when Dr. B said, as we opened the music folder for the morning rehearsal, 'St Clair, Can you do this for us please?' Not so much a question as a command; you didn't say no to Dr. B. The introduction was well underway before I grasped it was to be me. How I stumbled through it that first time I don't know. I could never hear this piece without tears welling or indeed falling. ' Look Mog is getting tearful' said Richards the head chorister, and the little boys would snigger. And I would blush:  through my freckles to the roots of my auburn gold hair. Did nobody understand what this music did to me, what it said and expressed? At eleven I think I had began to know, and later when I heard it in Kings Chapel, and then conducted it variously to those bemused American students, listened to my gramophone recording, its affect always, always the same. I was experiencing truly what Vikram Seth has called an equal music, something so entirely right, a true conjunction of words and music, a coming together beyond anything as a composer I could ever imagine, a yardstick life-long; it became an acid test of sensitivity to my love of music and has been passed only four times by serious friends and lovers. To know me you must know and feel this music . . .
 
And so on the second Sunday of Advent at Evensong I sang this jewel, this precious flower of music's art. The candles flickered in Her Majesty's chapel and we stood for the anthem. The chamber ***** began its short introduction already weaving together the four-part texture - and then the first solo statement. This is the record of John when the Jews sent priest and Levites from Jerusalem . . . and then the tears fell and the music swam in front of me as though glazed in the candlelight.
 
Who art thou then? And he confessed and denied not, and said plainly, 'I am not the Christ'.
 
Oh that melisma on the 'I', that written out ornament, so emphatic, and expressing this truth with innocent authority. I sang it then as I hear it now. Nobody had to demonstrate and say 'Don't let it flow, let each note be separate, exact, purposeful'. So it was and ever shall be, Amen.
 
And they asked him, What art thou then? (Art thou Elias? x 2). And he said I am not. ( Art thou the prophet? x 2) And he said I am not.
 
The verse anthem is such a peculiar phenomenon of the English Reformation. Devised it is said to allow the hard-pressed choirmaster to train the main body of his singers in a short response, the soloist singing the hardest and most expressive music on his own: the verse. It is also so well suited to the English choral tradition with its Cantores and Decani ordering of voices. I was always a ‘Can’, even later when I joined the back row as a tenor.
 
Then they said unto him, What art thou? That we may give an answer unto them that sent us. What sayest thou of thyself? And he said I am the voice of him that cryeth in the wilderness. Make straight the way if the Lord.
 
And so I wonder still about the place of this text in the liturgy of Advent and why, cloaked in Gibbons’ music, it has remained affecting and necessary. And who is John? a prophet of the desert, the son of Elizabeth to whom Mary went to share the news of her pregnancy and whose own son quickened in her womb as she heard of her cousin Elizabeth's own miracle - a childless woman beyond childbearing age unexpectedly blessed and whose partner struck dumb for the duration of her confinement. Is it just another piece in the jigsaw of the Christmas story in which prophecy takes its part?
 
When I was eleven I thought to 'cry in the wilderness' meant exactly that - tears in a desert place. I learnt later that this was a man who stood apart, was different, a hippie dressed in the untreated skins of wild beasts, who lived amongst those who sought the wild places to mourn, to place themselves in a kind of quarantine after illness or bereavement, who then became wise, and who cried.
 
Such meditations seem appropriate to the season when there is so often the necessity of travel, much waiting about, the bearing down of the bleakness of winter time, though strung about with moments of delicious warmth when coming in from the cold as with the chair by the library fire I craved as a chorister to escape blissfully into fictioned lives and exotic places.
 
How these things touch us vividly throughout our lives; as we watch and wait and listen.

(France -- Ancient Regime.)

I.

Go away!
Go away; I will not confess to you!
His black biretta clings like a hangman's cap; under his twitching fingers the beads shiver and click,
As he mumbles in his corner, the shadow deepens upon him;
I will not confess! . . .

Is he there or is it intenser shadow?
Dark huddled coilings from the obscene depths,
Black, formless shadow,
Shadow.
Doors creak; from secret parts of the chateau come the scuffle and worry of rats.

Orange light drips from the guttering candles,
Eddying over the vast embroideries of the bed
Stirring the monstrous tapestries,
Retreating before the sable impending gloom of the canopy
With a swift ****** and sparkle of gold,
Lipping my hands,
Then
Rippling back abashed before the ominous silences
Like the swift turns and starts of an overpowered fencer
Who sees before him Horror
Behind him darkness,
Shadow.

The clock jars and strikes, a thin, sudden note like the sob of a child.
Clock, buhl clock that ticked out the tortuous hours of my birth,
Clock, evil, wizened dwarf of a clock, how many years of agony have you relentlessly measured,
Yardstick of my stifling shroud?

I am Aumaury de Montreuil; once quick, soon to be eaten of worms.
You hear, Father? Hsh, he is asleep in the night's cloak.

Over me too steals sleep.
Sleep like a white mist on the rotting paintings of cupids and gods on the ceiling;
Sleep on the carven shields and knots at the foot of the bed,
Oozing, blurring outlines, obliterating colors,
Death.

Father, Father, I must not sleep!
It does not hear -- that shadow crouched in the corner . . .
Is it a shadow?
One might think so indeed, save for the calm face, yellow as wax, that lifts like the face of a drowned man from the choking darkness.


II.

Out of the drowsy fog my body creeps back to me.
It is the white time before dawn.
Moonlight, watery, pellucid, lifeless, ripples over the world.
The grass beneath it is gray; the stars pale in the sky.
The night dew has fallen;
An infinity of little drops, crystals from which all light has been taken,
Glint on the sighing branches.
All is purity, without color, without stir, without passion.

Suddenly a peacock screams.

My heart shocks and stops;
Sweat, cold corpse-sweat
Covers my rigid body.
My hair stands on end. I cannot stir. I cannot speak.
It is terror, terror that is walking the pale sick gardens
And the eyeless face no man may see and live!
Ah-h-h-h-h!
Father, Father, wake! wake and save me!
In his corner all is shadow.

Dead things creep from the ground.
It is so long ago that she died, so long ago!
Dust crushes her, earth holds her, mold grips her.
Fiends, do you not know that she is dead? . . .
"Let us dance the pavon!" she said; the waxlights glittered like swords on the polished floor.
Twinkling on jewelled snuffboxes, beaming savagely from the crass gold of candelabra,
From the white shoulders of girls and the white powdered wigs of men . . .
All life was that dance.
The mocking, resistless current,
The beauty, the passion, the perilous madness --
As she took my hand, released it and spread her dresses like petals,
Turning, swaying in beauty,
A lily, bowed by the rain, --
Moonlight she was, and her body of moonlight and foam,
And her eyes stars.
Oh the dance has a pattern!
But the clear grace of her thrilled through the notes of the viols,
Tremulous, pleading, escaping, immortal, untamed,
And, as we ended,
She blew me a kiss from her hand like a drifting white blossom --
And the starshine was gone; and she fled like a bird up the stair.

Underneath the window a peacock screams,
And claws click, scrape
Like little lacquered boots on the rough stone.

Oh the long fantasy of the kiss; the ceaseless hunger, ceaselessly, divinely appeased!
The aching presence of the beloved's beauty!
The wisdom, the incense, the brightness!

Once more on the ice-bright floor they danced the pavon
But I turned to the garden and her from the lighted candles.
Softly I trod the lush grass between the black hedges of box.
Softly, for I should take her unawares and catch her arms,
And embrace her, dear and startled.

By the arbor all the moonlight flowed in silver
And her head was on his breast.
She did not scream or shudder
When my sword was where her head had lain
In the quiet moonlight;
But turned to me with one pale hand uplifted,
All her satins fiery with the starshine,
Nacreous, shimmering, weeping, iridescent,
Like the quivering plumage of a peacock . . .
Then her head drooped and I gripped her hair,
Oh soft, scented cloud across my fingers! --
Bending her white neck back. . . .

Blood writhed on my hands; I trod in blood. . . .
Stupidly agaze
At that crumpled heap of silk and moonlight,
Where like twitching pinions, an arm twisted,
Palely, and was still
As the face of chalk.

The buhl clock strikes.
Thirty years. Christ, thirty years!
Agony. Agony.

Something stirs in the window,
Shattering the moonlight.
White wings fan.
Father, Father!

All its plumage fiery with the starshine,
Nacreous, shimmering, weeping, iridescent,
It drifts across the floor and mounts the bed,
To the tap of little satin shoes.
Gazing with infernal eyes.
Its quick beak thrusting, rending, devil's crimson . . .
Screams, great tortured screams shake the dark canopy.
The light flickers, the shadow in the corner stirs;
The wax face lifts; the eyes open.

A thin trickle of blood worms darkly against the vast red coverlet and spreads to a pool on the floor.

Are you a victim of your time , must you live
       With your mistakes, and suffer ?
Really it’s time we wake up n smell the coffee
Every problem has solution,so let’s start today

You need not to put it off or procrastinate .
Oh I know it’s easy said , so best get o’t a bed
Unless you ever wish to live with a mistake

And identify the faults, without delay.

Verify with me , in the best way to identify
In a poetic form an A to Z of your mistakes.
Can I start with A the abandonment
The abandonment of self-surrendering
I next target B for Bacchanalia nights
Melancholic days getting over a hangover

On to The Cacodemon of an evil spirit
Found in our home , a most malignant person

Yes and Depreciation of the value of our
        assets usually by the Bankers we trusted.
Oh to have the benefits of fiscal hindsight
Understanding E as extenuating circumstance
Reason then becomes the excuse for failure.

Together with F the F word so commonly used
In emphasis to any topic or discussions
Migrating to G , not mistaking God or life alone
Ethereal spirits surround us n help us choose

Methodically H the mistake that you made
Unwittingly you ignore Holy Spirit of God
Sympathetically I now carry the spirit with me
The change to my life is now monumental.

Yes up to J for the justice that you mistake
On the times when you are it’s sad victim.
Understandably K for Karma of getting out of

Life , whatever you put in.You are punished too
In reaching L for Life. Well the mistake is plain
Virtually you spend a lifetime getting to grips
Engage with M for the mistakes you made

With each one made , don’t cry , learn from it.
In a section for N then note daily five blessings
That you have , it is a mistake not to care.
Having an Opinion is fine but it’s a big mistake

Yes to be opinionated or dogmatic with others
O is followed by P for Procrastination of time
Uselessness , putting off what’s needed today
Reaching the Q the queue that you got into

Mistakenly got into as more haste less speed
Indicative of R for recapitulation of all mistakes
Some simple and some massive and correct
To sequester an S for sententiousness
And pompous moralising must be avoided
Knowing the T of toutological mistakes
Even though it looks good in a poetry scan
So to the U. For understanding when a mistake

And a small mistake can have repercussions
Now to  Virtually every mistake has a price
Do you admit to it and face the consequences

Simplicity of the W to weather to own up
Unless you admit it and show grace n humility
Fortunately the Xanadu is not achieved now
For all the mistakes made have a huge price.
Eventually the Y n Z. Are the yardstick to
Reluctantly measure your path on to Zion.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Written by Philip.
November 28th 2018.

give them an inch
and theyll take a measure
rules make rulers of men
to be measured against
and to be found to be lesser