The cultural filters are all in place
And truth, some say, is past its sell-by date
Weak hymns embalmed by hippies, and lost in space
Where time is always 1968

A poison-green tattoo on a fleshy back
No incense, but the Purell’s pretty strong
A ten-year-old gobbles his comfort snack
During Communion and a three-chord song

Our bishops quack and honk in flocks and herds -
We need a starets
                                           but all we get are words:


Intensify the Dallas Charter accountability focus accountability exclusively accountability collegial collective accountability responsibility address theme encounter dialectic collegiality variety universality unity flock dealing topic difficult reasons unexplored differences crisis difficult for bishops enable abusers gravely irreparably failures governance responsibility question engage conversation point brother problematic behavior cultivate culture correctio fraterna enables offending other recognize criticism opportunity to tasks related willingness personally mistakes to each other feeling maintain fraternal relationship cases we damaging weakness anecdotal parenthesis to his speech encounters course ministry recollection forgive counseling for healing discussing matter rationally headway realized psyche of the person measure semblance justice inability forgive his  apparently perplexing consternating remarked noting changed personality of person realize humility mistakes learn mistakes better question unanswered unaddressed mistakes allowed consequences mishandling cases gathering conferences participants and journalists effective concrete measures combat scourge scandal technical theological sense term list reflection points adjunct secretary special portfolio combatting meeting chief architects roadmap for our discussion very, very concrete understatement seriously utter understatement things discussed follow-up meeting continued model of reform the so-called intensify the Dallas Charter metropolitan model metropolitan investigating disciplining wayward ecclesiastical provinces briefing responded you have to read the footnote disgrace investigations systemic coverup dismissed briefing expressed hope report position power prominence leadership structure report findings influence broader jurisdictions Accountability focus accountability exclusively accountability collegial collective accountability responsibility address theme encounter dialectic collegiality variety universality unity flock dealing topic difficult reasons unexplored differences crisis difficult for bishops enable abusers gravely irreparably failures governance responsibility question engage conversation point brother problematic behavior cultivate culture correctio fraterna enables offending other recognize criticism opportunity to tasks related willingness personally mistakes to each other feeling maintain fraternal relationship cases we damaging weakness anecdotal parenthesis to his speech encounters course ministry recollection forgive counseling for healing discussing matter rationally headway realized psyche of the person measure semblance justice inability forgive his  apparently perplexing consternating remarked noting changed personality of person realize humility mistakes learn mistakes better question unanswered unaddressed mistakes allowed consequences mishandling cases gathering conferences participants and journalists effective concrete measures combat scourge scandal technical theological sense term list reflection points adjunct secretary special portfolio combatting meeting chief architects roadmap for our discussion very, very concrete understatement seriously utter understatement things discussed follow-up meeting continued model of reform the so-called Metropolitan model metropolitan investigating disciplining wayward ecclesiastical provinces briefing responded you have to read the footnote disgrace investigations systemic coverup dismissed briefing expressed hope report position power prominence leadership structure report findings influence broader jurisdictions accountable faithful promises episodes  accountability supportive talking collegiality obligation misbehavior failures circumstances reputation representative discreet inquiries interview expression concern geographically confronted reported matter subject investigating disciplining malfeasance proposal wrongdoing explained carefully considered matter alternatives remarks paragraph  rehearsed alternatives footnote 6 of text speeches delivered sessions briefing spoke involvement laity lay involvement transparency transparent offending other recognize criticism opportunity to tasks related willingness personally mistakes to each other feeling maintain fraternal relationship cases we damaging weakness anecdotal parenthesis to his speech encounters course ministry recollection forgive counseling for healing discussing matter rationally headway realized psyche of the person measure semblance justice inability forgive his  apparently perplexing consternating remarked noting changed personality of person realize humility mistakes learn mistakes better question unanswered unaddressed mistakes allowed consequences mishandling cases gathering conferences participants and journalists effective concrete measures combat scourge scandal technical theological sense term list reflection points adjunct secretary special portfolio combatting meeting chief architects roadmap for our discussion very, very concrete understatement seriously utter understatement things discussed follow-up meeting continued model of reform the so-called Metropolitan model metropolitan investigating disciplining wayward ecclesiastical provinces briefing responded you have to read the footnote disgrace investigations systemic coverup dismissed briefing expressed hope report position power prominence leadership structure report findings influence broader jurisdictions accountable faithful promises episodes  accountability supportive talking collegiality obligation misbehavior failures circumstances reputation representative discreet inquiries interview expression concern geographically confronted reported matter subject investigating disciplining malfeasance proposal wrongdoing explained carefully considered matter alternatives remarks paragraph  rehearsed alternatives footnote 6 of text speeches delivered sessions briefing spoke involvement laity lay involvement transparency transparent intensify the Dallas Charter…

GREAT ARTISTS & THEIR IMMORTAL WORKS :
CONCLUDING ITALIAN RENAISSANCE IN
VERSE.  -  By Raj Nandy, New Delhi.

Dear Readers, continuing my Story of Western Art in Verse chronologically, I had covered an Introduction to the Italian Renaissance previously. That background story was necessary to appreciate Renaissance Art fully. Now, I cover the Art of that period in a summarized form, mentioning mainly the salient features to curb the length. The cream here lies in the 'Art of the High Renaissance Period'! Hope you like it. Thanks, - Raj.

                          INTRODUCTION
“Painting is poetry that is seen rather than felt, &
  Poetry is painting that is felt rather than seen.”
                                                        – Leonardo Da Vinci
In the domain of Renaissance Art, we notice the
enduring influence of the Classical touch!
Ancient Greek statues and Roman architectures,
Inspired the Renaissance artists in their innovative
ventures!
The pervasive spirit of Humanism influenced
creation of life-like human forms;
Adding ****** expressions and depth, deviating
from the earlier stiff Medieval norms.
While religious subjects continued to get depicted
in three-dimensional Renaissance Art;
Portraits, **** figures, and secular subjects, also
began to appear during this great ‘Re-birth’!
The artists of the Early and High Renaissance Era
are many who deserve our adoration and artistic
due.
Yet for the sake of brevity, I mention only the
Great Masters, who are handful and few.

EARLY RENAISSANCE ARTISTS & THEIR ART

GITTO THE PIONEER:
During early 13th Century we find, Dante’s
contemporary Gitto di Bondone the Florentine,
Painting human figures in all its beauty and form
for the first time!
His masterwork being the 40 fresco cycle in the
Arena Chapel in Padua, depicting the life of the
****** and Christ, completed in 1305.
Giotto made the symbolic Medieval spiritual art
appear more natural and realistic,
By depicting human emotion, depth with an
artistic perspective!
Art Scholars consider him to be the trailblazer
inspiring the later painters of the Renaissance;
They also refer to Giorgio Vasari’s “Lives Of
The Eminent Artists,” - as their main source.
Giotto had dared to break the shackles of earlier
Medieval two-dimensional art style,
By drawing lines which head towards a certain
focal point behind;
Like an illusionary vanishing point in space,
- opening up a 3-D ‘window into space’!
This ‘window technique’ got adopted by the
later artists with grace.
(Giorgio Vasari, a 16th Century painter, architect & Art
historian, was born in 1511 in Arezzy, a city under the
Florentine Republic, and painted during the High
Renaissance Period.)

VASARI’s book published in 1550 in Florence
was dedicated to Cosimo de Medici.
Forms an important document of Italian Art
History.
This valuable book covers a 250 year’s span.
Commencing with Cimabue the tutor of Giotto,
right up to Tizian, - better known as Titan!
Vasari also mentions four lesser known Female
Renaissance Artists; Sister Plantilla, Madonna
Lucrezia, Sofonista Anguissola, and Properzia
de Rossi;
And Rossi’s painting “Joseph and Potiphar’s
Wife”,
An impressive panel art which parallels the
unrequited love Rossi experienced in her own
life !
(Joseph the elder son of Jacob, taken captive by Potiphar
the Captain of Pharaoh’s guard, was desired by Potiphar’s
wife, whose advances Joseph repulsed. Rossi’s painting
of 1520s inspired later artists to paint their own versions
of this same Old Testament Story.)

Next I briefly mention architects Brunelleschi
and Ghiberti, and the sculptor Donatello;
Not forgetting the painters like Masaccio,
Verrocchio and Botticelli;
Those Early Renaissance Artists are known to
us today thanks to the Art historian Giorgio
Vasari .

BRUNELLESCHI has been mentioned in Section
One of my Renaissance Story.
His 114 meter high dome of Florence Cathedral
created artistic history!
This dome was constructed without supporting
buttresses with a double egg shaped structure;
Stands out as an unique feat of Florentine
Architecture!
The dome is larger than St Paul’s in London,
the Capitol Building of Washington DC, and
also the St Peters in the Vatican City!

GILBERTI is remembered for his massive
15 feet high gilded bronze doors for the
Baptistery of Florence,
Containing twenty carved panels with themes
from the Old Testament.
Which took a quarter century to complete,
working at his own convenience.
His exquisite naturalistic carved figures in the
true spirit of the Renaissance won him a prize;
And his gilded doors were renamed by Michel
Angelo as ‘The Gates of Paradise’!
(At the age of 23 yrs Lorenzo Ghiberti had won the
competition beating other Architects for craving the
doors of the Baptistery of Florence!)

DONATELLO’S full size bronze David was
commissioned by its patron Cosimo de’ Medici.
With its sensual contrapposto stance in the
classical Greek style with its torso bent slightly.
Is known as the first free standing **** statue
since the days of Classical Art history!
The Old Testament relates the story of David
the shepherd boy, who killed the giant Goliath
with a single sling shot;
Cutting off his head with Goliath’s own sword!
Thus saving the Israelites from Philistine’s wrath.
This unique statue inspired all later sculptors to
strive for similar artistic excellence;
Culminating in Michael Angelo’s **** statue of
David, known for its sculptured brilliance!

MASSACCIO (1401- 1428) joined Florentine
Artist’s Guild at the age of 21 years.
A talented artist who abandoned the old Gothic
Style, experimenting without fears!
Influenced by Giotto, he mastered the use of
perspective in art.
Introduced the vanishing point and the horizon
line, - while planning his artistic works.
In his paintings ‘The Expulsion from Eden’
and ‘The Temptation’,
He introduced the initial **** figures in Italian
Art without any inhibition!
Though up North in Flanders, Van Eyck the
painter had already made an artistic innovation,
By painting ‘Adam and Eve’ displaying their
****** in his artistic creation;
Thereby creating the first **** painting in Art
History!
But such figures greatly annoyed the Church,
Since nudes formed a part of pagan art!
So these Northern artists to pacify the Church
and pass its censorship,
Cleverly under a fig leaf cover made their art to
appear moralistic!
Van Eyck was also the innovator of oil-based paints,
Which later replaced the Medieval tempera, used to
paint angles and saints.

Masaccio’s fresco ‘The Tribute Money’ requires
here a special mention,
For his use of perspective with light and shade,
Where the blithe figure of the Roman tax collector
is artistically made.
Christ is painted with stern nobility, Peter in angry
majesty;
And every Apostle with individualized features,
attire, and pose;
With light coming from a single identifiable source!
“Render unto Caesar the things that are Caesar’s,
and unto God things that are God’s”, said Christ;
Narrated in Mathew chapter 22 verse 21, which
cannot be denied.
Unfortunately, Masaccio died at an early age of
27 years.
Said to have been killed by a jealous rival artist,
who had shed no tears!

BOTTICELLI the Florentine was born half a
century after the Dutch Van Eyck;
Remembered even to this day for his painting
the ‘Birth of Venus’, an icon of Art History
making him famous.
This painting depicts goddess Venus rising out
of the sea on a conch shell,
And the glorious path of female **** painting
commenced in Italy, - casting a spell!
His full scale **** Venus shattered the Medieval
taboo on ******.
With a subject shift from religious art to Classical
Mythology;
Removing the ‘fig-leaf cover’ over Art permanently!

I end this Early Period with VERROCCHIO, born
in Florence in fourteen hundred and thirty five.
A trained goldsmith proficient in the skills of both
painting and sculpture;
Who under the patronage of the Medici family
had thrived.
He had set up his workshop in Florence were he
trained Leonardo Da Vinci, Botticelli, and other
famous Renaissance artists alike!

FOUR CANONICAL PAINTING MODES OF
THE RENAISSANCE:
During the Renaissance the four canonical painting
modes we get to see;
Are Chiaroscuro, Sfumato, Cangiante and Unione.
‘Chiaroscuro’ comes from an Italian word meaning
‘light and dark’, a painting technique of Leonardo,
Creating a three dimensional dramatic effect to
steal the show.
Later also used with great excellence by Rubens
and the Dutch Rembrandt as we know.
‘Sfumato’ from Italian ‘sfumare’, meaning to tone
down or evaporate like a smoke;
As seen in Leonardo’s ‘Mona Lisa’ where the
colors blend seamlessly like smoke!
‘Cangiante’ means to ‘change’, where a painter
changed to a lighter or a darker hue, when the
original hue could not be made light enough;
As seen in the transformation from green to
yellow in Prophet Daniel’s robe,
On the ceiling of Sistine Chapel in Rome.
‘Unione’ followed the ‘sfumato’ quality, but
maintained vibrant colors as we get to see;
In Raphael’s ‘Alba Madonna’ in Washington’s
National Gallery.

ART OF HIGH RENAISSANCE ERA - THE
GOLDEN AGE.

“Where the spirit does not work with the
hand there is no art.”- Leonardo

With Giotto during the Trecento period of the
14th century,
Painting dominated sculpture in the artistic
endeavor of Italy.
During the 15th century the Quattrocento, with
Donetello and Giberti,
Sculpture certainly dominated painting as we get to
see!
But during the 16th century or the Cinquecento,
Painting again took the lead commencing with
the great Leonardo!
This Era was cut short by the death of Lorenzo the
Magnificent to less than half a century; (Died in 1493)
But gifted great masterpieces to the world enriching
the world of Art tremendously!
The Medieval ‘halo’ was now replaced by a fresh
naturalness;
And both Madonna and Christ acquired a more
human likeness!
Portrait paintings began to be commissioned by
many rich patrons.
While artists acquired both recognition and a status
of their own.
But the artistic focus during this Era had shifted from
Florence,  - to Venice and Rome!
In the Vatican City, Pope Julius-II was followed by
Pope Leo the Tenth,
He commissioned many works of art which are
still cherished and maintained!
Now cutting short my story let me mention the
famous Italian Renaissance Superstar Trio;
Leonardo, Raphael, and Michael Angelo.

LEONARDO DA VINCI was born in 1452 in
the village of Vinci near the City of Florence,
Was deprived of a formal education being born
illegitimate!
He was left-handed, and wrote from right to left!
He soon excelled his teacher Varrocchio, by
introduced oil based paints into Italy;
Whose translucent colors with his innovative
techniques, enhanced his painting artistically.
Sigmund Freud had said, “Leonardo was like a
man who awoke too early in the darkness while
others were all still asleep,” - he was awake!
Leonardo’s  historic ‘Note Book’ has sketches of a
battle tank, a flying machine, a parachute, and many
other anatomical and technical sketches and designs;
Reflecting the ever probing mind of this versatile
genius who was far ahead of his time!
His ‘Vituvian Man’, ‘The Last Supper’, and ‘Mona Lisa’,
Remain as his enduring works of art and more popular
than the Leaning Tower of Pisa!
Pen and ink sketch of the ‘Vitruvian Man’ with arms
and leg apart inside a square and a circle, also known
as the ‘Proportion of Man’;
Where his height correspondence to the length
of his outstretched hands;
Became symbolic of the true Renaissance spirit
of Man.
‘The Last Supper’ a 15ft by 29ft fresco work on
the refectory wall of Santa Maria, commissioned
by Duke of Milan Ludovic,
Is the most reproduced religious painting which
took three years to complete!
Leonardo searched the streets of Milan before
painting Judas’ face;
And individualized each figure with competence!
‘Mona Lisa’ with her enigmatic smile continues
to inspire artists, poets, and her viewers alike,
since its creation;
Which Leonardo took four years to complete
with utmost devotion.
Leonardo used oil on poplar wood panel, unique
during those days,
With ‘sfumato’ blending of translucent colors with
light and shade;
Creating depth, volume, and form, with a timeless
expression on Mona Lisa’s countenance!
Art Historian George Varasi says that it is the face
of one Lisa Gherardini,
Wife of a wealthy Florentine merchant of Italy.
Insurance Companies failed to make any estimation
of this portrait, declaring its value as priceless!
Today it remains housed inside an air-conditioned,
de-humidified chamber, within a triple bullet-proof
glass, in Louvre France.
“It is the ultimate symbol of human civilization”,
- exclaimed President Kennedy;
And with this I pay my humble tribute to our
Leonardo da Vinci!

MICHEL ANGELO BUONARROTI (1475-1564):
This Tuscan born sculptor, painter, architect, and
poet, was a versatile man,
Worthy to be called the archetype of the true
‘Renaissance Man’!
At the age of twelve was placed under the famous
painter Ghirlandio,
Where his inclination for sculpting began to show.
Under the liberal patronage of Lorenzo de Medici,
He developed his talent as a sculptor as we get
to see.
In the Medici Palace, he was struck by his rival
Torregiano on the nose with a mallet;
Disfiguring permanently his handsome face!
His statue of ‘Bacchus’ of 1497 and the very
beauty of the figure,
Earned him the commission for the ‘PIETA’ in
St Peter’s Basilica;
Where from a single piece of Carrara marble he
carved out the figure of ****** Mary grieving
over the dead body of Christ;
This iconic piece of sculpture which along with
his ‘David’ earned him the ‘Superstar rights’!

Michel Angelo’s **** ‘DAVID’ weighed 6.4 tons
and stood 17 feet in height;
Unlike the bronze David of Donatello, which
shows him victorious after the fight!
Michel’s David an epitome of strength and
youthful vigour with a Classical Greek touch;
Displayed an uncircumcised ***** which had
shocked the viewers very much!
But it was consistent with the Mannerism in Art,
in keeping with the Renaissance spirit as such!
David displays an attitude of placid calm with
his knitted eyebrows and sidelong glance;
With his left hand over the left shoulder
holding a sling,
Coolly surveys the giant Goliath before his
single sling shot fatally stings!
This iconic sculpture has a timeless appeal even
after 500 years, depicting the ‘Renaissance Man’
at his best;
Vigorous, healthy, beautiful, rational and fully
competent!
Finally we come to the Ceiling of the Sistine
Chapel of Rome,
Where Pope Julius-II’s persistence resulted in the
creation of world’s greatest single fresco that was
ever known!
Covering some 5000 square feet, took five years
to complete.
Special scaffoldings had to be erected for painting
scenes from ‘The Creation’ till the ‘Day of Judgment’
on a 20 meter’s high ceiling;
Where the Central portion had nine scenes from
the ‘Book of Genesis’,
With ‘Creation of Adam’ having an iconic significance!
Like Leonardo, Michel Angelo was left-handed and died
a bachelor - pursuing his art with devotion;
A man with caustic wit, proud reserve, and sublimity
of imagination!

RAFFAELLO SANZIO (1483-1520):
This last of the famous High Renaissance trio was
born in 1483 in Urbino,
Some eight years after Michel Angelo.
His Madonna series and decorative frescos
glorified the Library of Pope Julius the Second;
Who was impressed by his fresco ‘The School
of Athens’;
And commissioned Raphael to decorate his
Study in the Vatican.
Raphael painted this large fresco between 1510
and 1511, initially named as the ‘Knowledge of
Causes’,
But the 17th century guide books referred to it
as ‘The School of Athens’.
Here Plato and Aristotle are the central figures
surrounded by a host of ancient Greek scholars
and philosophers.
The bare footed Plato is seen pointing skywards,
In his left hand holds his book ‘Timaeus’;
His upward hand gesture indicating his ‘World
of Forms’ and transcendental ideas!
Aristotle is seen pointing downwards, his left
hand holds his famous book the ‘Ethics’;
His blue dress symbolizes water and earth
with an earthly fix.
The painting illustrates the historic continuance
of Platonic thoughts,
In keeping with the spirit of the Renaissance!
Raphael’s last masterpiece ‘Transfiguration’
depicts the resurrected Christ,
Flanked by prophets

Here is a primer on the history of poetry

Features of Modernism

To varying extents, writing of the Modernist period exhibits these features:

1. experimentation

belief that previous writing was stereotyped and inadequate
ceaseless technical innovation, sometimes for its own sake
originality: deviation from the norm, or from usual reader expectations
ruthless rejection of the past, even iconoclasm

2. anti-realism

sacralisation of art, which must represent itself, not something beyond preference for allusion (often private) rather than description
world seen through the artist's inner feelings and mental states
themes and vantage points chosen to question the conventional view
use of myth and unconscious forces rather than motivations of conventional plot

3. individualism

promotion of the artist's viewpoint, at the expense of the communal
cultivation of an individual consciousness, which alone is the final arbiter
estrangement from religion, nature, science, economy or social mechanisms
maintenance of a wary intellectual independence
artists and not society should judge the arts: extreme self-consciousness
search for the primary image, devoid of comment: stream of consciousness
exclusiveness, an aristocracy of the avant-garde

4. intellectualism

writing more cerebral than emotional
work is tentative, analytical and fragmentary, more posing questions more than answering them
cool observation: viewpoints and characters detached and depersonalized
open-ended work, not finished, nor aiming at formal perfection
involuted: the subject is often act of writing itself and not the ostensible referent

............
Expressionism

Expressionism was a phase of twentieth-century writing that rejected naturalism and romanticism to express important inner truths. The style was generally declamatory or even apocalyptic, endeavoring to awaken the fears and aspirations that belong to all men, and which European civilization had rendered effete or inauthentic. The movement drew on Rimbaud and Nietzsche, and was best represented by German poetry of the 1910-20 period. Benn, Becher, Heym, Lasker-Schüler, Stadler, Stramm, Schnack and Werfel are its characteristic proponents, {1} though Trakl is the best known to English readers. {2} {3}

Like most movements, there was little of a manifesto, or consensus of beliefs and programmes. Many German poets were distrustful of contemporary society — particularly its commercial and capitalist attitudes — though others again saw technology as the escape from a perceived "crisis in the old order". Expressionism was very heterogeneous, touching base with Imagism, Vorticism, Futurism, Dadaism and early Surrealism, many of which crop up in English, French, Russian and Italian poetry of the period. Political attitudes tended to the revolutionary, and technique was overtly experimental. Nonetheless, for all the images of death and destruction, sometimes mixed with messianic utopianism, there was also a tone of resignation, a sadness of "the evening lands" as Spengler called them.

Expressionism also applies to painting, and here the characteristics are more illuminating. The label refers to painting that uses visual gestures to transmit emotions and emotionally charged messages. In the expressive work of Michelangelo and El Greco, for example, the content remains of first importance, but content is overshadowed by technique in such later artists as van Gogh, Ensor and Munch. By the mid twentieth-century even this attenuated content had been replaced by abstract painterly qualities — by the sheer scale and dimensions of the work, by colour and shape, by the verve of the brushwork and other effects.

Expressionism often coincided with rapid social change. Germany, after suffering the horrors of the First World War, and ineffectual governments afterwards, fragmented into violently opposed political movements, each with their antagonistic coteries and milieu. The painting of these groups was very variable, but often showed a mixture of aggression and naivety. Understandably unpopular with the establishment  — denounced as degenerate by the Nazis — the style also met with mixed reactions from the picture-buying public. It seemed to question what the middle classes stood for: convention, decency, professional expertise. A great sobbing child had been let loose in the artist's studio, and the results seemed elementally challenging. Perhaps German painting was returning to its Nordic roots, to small communities, apocalyptic visions, monotone starkness and anguished introspection.

What could poetry achieve in its turn? Could it use some equivalent to visual gestures, i.e. concentrate on aspects of the craft of poetry, and to the exclusion of content? Poetry can never be wholly abstract, a pure poetry bereft of content. But clearly there would be a rejection of naturalism. To represent anything faithfully requires considerable skill, and such skill was what the Expressionists were determined to avoid. That would call on traditions that were not Nordic, and that were not sufficiently opposed to bourgeois values for the writer's individuality to escape subversion. Raw power had to tap something deeper and more universal.

Hence the turn inward to private torments. Poets became the judges of poetry, since only they knew the value of originating emotions. Intensity was essential.  Artists had to believe passionately in their responses, and find ways of purifying and deepening those responses — through working practices, lifestyles, and philosophies. Freud was becoming popular, and his investigations into dreams, hallucinations and paranoia offered a rich field of exploration. Artists would have to glory in their isolation, moreover, and turn their anger and frustration at being overlooked into a belief in their own genius. Finally, there would be a need to pull down and start afresh, even though that contributed to a gradual breakdown in the social fabric and the apocalypse of the Second World War.

Expressionism is still with us. Commerce has invaded bohemia, and created an elaborate body of theory to justify, support and overtake what might otherwise appear infantile and irrational. And if traditional art cannot be pure emotional expression, then a new art would have to be forged. Such poetry would not be an intoxication of life (Nietzsche's phrase) and still less its sanctification.  Great strains on the creative process were inevitable, moreover, as they were in Georg Trakl's case, who committed suicide shortly after writing the haunting and beautiful piece given below

................
SYMBOLIST POETS
symbolism in poetry

Symbolism in literature was a complex movement that deliberately extended the evocative power of words to express the feelings, sensations and states of mind that lie beyond everyday awareness. The open-ended symbols created by Charles Baudelaire (1821-67) brought the invisible into being through the visible, and linked the invisible through other sensory perceptions, notably smell and sound. Stéphane Mallarmé (1842-98), the high priest of the French movement, theorized that symbols were of two types. One was created by the projection of inner feelings onto the world outside. The other existed as nascent words that slowly permeated the consciousness and expressed a state of mind initially unknown to their originator.

None of this came about without cultivation, and indeed dedication. Poets focused on the inner life. They explored strange cults and countries. They wrote in allusive, enigmatic, musical and ambiguous styles. Rimbaud deranged his senses and declared "Je est un autre". Von Hofmannstahl created his own language. Valéry retired from the world as a private secretary, before returning to a mastery of traditional French verse. Rilke renounced wife and human society to be attentive to the message when it came.

Not all were great theoreticians or technicians, but the two interests tended to go together, in Mallarmé most of all. He painstakingly developed his art of suggestion, what he called his "fictions". Rare words were introduced, syntactical intricacies, private associations and baffling images. Metonymy replaced metaphor as symbol, and was in turn replaced by single words which opened in imagination to multiple levels of signification. Time was suspended, and the usual supports of plot and narrative removed. Even the implied poet faded away, and there were then only objects, enigmatically introduced but somehow made right and necessary by verse skill. Music indeed was the condition to which poetry aspired, and Verlaine, Jimenez and Valéry were among many who concentrated efforts to that end.

So appeared a dichotomy between the inner and outer lives. In actuality, poets led humdrum existences, but what they described was rich and often illicit: the festering beauties of courtesans and dance-hall entertainers; far away countries and their native peoples; a world-weariness that came with drugs, isolation, alcohol and bought ***. Much was mixed up in this movement — decadence, aestheticism, romanticism, and the occult — but its isms had a rational purpose, which is still pertinent. In what way are these poets different from our own sixties generation? Or from the young today: clubbing, experimenting with relationships and drugs, backpacking to distant parts? And was the mixing of sensory perceptions so very novel or irrational? Synaesthesia was used by the Greek poets, and indeed has a properly documented basis in brain physiology.

What of the intellectual bases, which are not commonly presented as matters that should engage the contemporary mind, still less the writing poet? Symbolism was built on nebulous and somewhat dubious notions: it inspired beautiful and historically important work: it is now dead: that might be the blunt summary. But Symbolist poetry was not empty of content, indeed expressed matters of great interest to continental philosophers, then and now. The contents of consciousness were the concern of Edmund Husserl (1859-1938), and he developed a terminology later employed by Heidegger (1889-1976), the Existentialists and hermeneutics. Current theories on metaphor and brain functioning extend these concepts, and offer a rapprochement between impersonal science and irrational literary theory.

So why has the Symbolism legacy dwindled into its current narrow concepts? Denied influence in the everyday world, poets turned inward, to private thoughts, associations and the unconscious. Like good Marxist intellectuals they policed the area they arrogated to themselves, and sought to correct and purify the language that would evoke its powers. Syntax was rearranged by Mallarmé. Rhythm, rhyme and stanza patterning were loosened or rejected. Words were purged of past associations (Modernism), of non-visual associations (Imagism), of histories of usage (Futurism), of social restraint (Dadaism) and of practical purpose (Surrealism). By a sort of belated Romanticism, poetry was returned to the exploration of the inner lands of the irrational. Even Postmodernism, with its bric-a-brac of received media images and current vulgarisms, ensures that gaps are left for the emerging unconscious to engage our interest

......................

.
IMAGIST POETRY
imagist poetry

Even by twentieth-century standards, Imagism was soon over. In 1912 Ezra Pound published the Complete Poetical Works of its founder, T.E. Hulme (five short poems) and by 1917 the movement, then overseen by Amy Lowell, had run its course. {1} {2} {3} {4} {5} The output in all amounted to a few score poems, and none of these captured the public's heart. Why the importance?

First there are the personalities involved — notably Ezra Pound, James Joyce, William Carlos Williams {6} {7} {8} {9} — who became famous later. If ever the (continuing) importance to poets of networking, of being involved in movements from their inception, is attested, it is in these early days of post-Victorian revolt.

Then there are the manifestos of the movement, which became the cornerstones of Modernism, responsible for a much taught in universities until recently, and for the difficulties poets still find themselves in. The Imagists stressed clarity, exactness and concreteness of detail. Their aims, briefly set out, were that:

1. Content should be presented directly, through specific images where possible.
2. Every word should be functional, with nothing included that was not essential to the effect intended.
3. Rhythm should be composed by the musical phrase rather than the metronome.

Also understood — if not spelled out, or perhaps fully recognized at the time — was the hope that poems could intensify a sense of objective reality through the immediacy of images.

Imagism itself gave rise to fairly negligible lines like:

You crash over the trees,
You crack the live branch…  (Storm by H.D.)

Nonetheless, the reliance on images provided poets with these types of freedom:

1. Poems could dispense with classical rhetoric, emotion being generated much more directly through what Eliot called an objective correlate: "The only way of expressing emotion in the form of art is by finding an 'objective correlative'; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked." {10}

2. By being shorn of context or supporting argument, images could appear with fresh interest and power.

3. Thoughts could be treated as images, i.e. as non-discursive elements that added emotional colouring without issues of truth or relevance intruding too mu
...............
PROSE BASED POETRY
prose based poetry

When free verse lacks rhythmic patterning, appearing as a lineated prose stripped of unnecessary ornament and rhetoric, it becomes the staple of much contemporary work. The focus is on what the words are being used to say, and their authenticity. The language is not heightened, and the poem differs from prose only by being more self-aware, innovative and/or cogent in its exposition.

Nonetheless, what looks normal at first becomes challenging on closer reading — thwarting expectations, and turning back on itself to make us think more deeply about the seemingly innocuous words used. And from there we are compelled to look at the world with sharper eyes, unprotected by commonplace phrases or easy assumptions. Often an awkward and fighting poetry, therefore, not indulging in ceremony or outmoded traditions.
What is Prose?

If we say that contemporary free verse is often built from what was once regarded as mere prose, then we shall have to distinguish prose from poetry, which is not so easy now. Prose was once the lesser vehicle, the medium of everyday thought and conversation, what we used to express facts, opinions, humour, arguments, feelings and the like. And while the better writers developed individual styles, and styles varied according to their purpose and social occasion, prose of some sort could be written by anyone. Beauty was not a requirement, and prose articles could be rephrased without great loss in meaning or effectiveness.

Poetry, though, had grander aims. William Lyon Phelps on Thomas Hardy's work: {1}

"The greatest poetry always transports us, and although I read and reread the Wessex poet with never-lagging attention — I find even the drawings in "Wessex Poems" so fascinating that I wish he had illustrated all his books — I am always conscious of the time and the place. I never get the unmistakable spinal chill. He has too thorough a command of his thoughts; they never possess him, and they never soar away with him. Prose may be controlled, but poetry is a possession. Mr. Hardy is too keenly aware of what he is about. In spite of the fact that he has written verse all his life, he seldom writes unwrinkled song. He is, in the last analysis, a master of prose who has learned the technique of verse, and who now chooses to express his thoughts and his observations in rime and rhythm."

.............
OPEN FORMS IN POETRY
open forms in poetry

Poets who write in open forms usually insist on the form growing out of the writing process, i.e. the poems follow what the words and phrase suggest during the composition

PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi

(poems from the Chinese translated by Arthur Waley)

Last night the clouds scattered away;
A thousand leagues, the same moonlight scene.
When dawn came, I dreamt I saw your face;
It must have been that you were thinking of me.
In my dream, I thought I held your hand
And asked you to tell me what your thoughts were.
And you said: ‘I miss you bitterly . . . “

As Helen drifted into sleep the source of that imagined voice in her last conscious moment was waking several hundred miles away. For so long now she was his first and only waking thought. He stretched his hand out to touch her side with his fingertips, not a touch more the lightest brush: he did not wish to wake her. But she was elsewhere. He was alone. His imagination had to bring her to him instead. Sometimes she was so vivid a thought, a presence more like, that he felt her body surround him, her hand stroke the back of his neck, her ******* fall and spread against his chest, her breath kiss his nose and cheek. He felt conscious he had yet to shave, conscious his rough face should not touch her delicate freckled complexion . . . but he was alone and his body ached for her.

It was always like this when they were apart, and particularly so when she was away from home and full to the brim with the variously rich activities and opportunities that made up her life. He knew she might think of him, but there was this feeling he was missing a part of her living he would never see or know. True, she would speak to him on the phone, but sadly he still longed to read her once bright descriptions that had in the past enabled him to enter her solo experiences in a way no image seemed to allow. But he had resolved to put such possible gifts to one side. So instead he would invent such descriptions himself: a good, if time-consuming compromise. He would give himself an hour at his desk; an hour, had he been with her, they might have spent in each other’s arms welcoming the day with such a love-making he could hardly bare to think about: it was always, always more wonderful than he could possibly have imagined.

He had been at a concert the previous evening. He’d taken the train to a nearby town and chosen to hear just one work in the second part. Before the interval there had been a strange confection of Bernstein, Vaughan-Williams and Saint-Saens. He had preferred to listen to *The Symphonie Fantastique by Hector Berlioz. There was something a little special about attending a concert to hear a single work. You could properly prepare yourself for the experience and take away a clear memory of the music. He had read the score on the train journey, a journey across a once industrial and mining heartland that had become an abandoned wasteland: a river and canal running in tandem, a vast but empty marshalling yard, acres of water-filled gravel pits, factory and mill buildings standing empty and in decay. On this early evening of a thoroughly wet and cold June day he would lift his gaze to the window to observe this sad landscape shrouded in a grey mist tinted with mottled green.

Andrew often considered Berlioz a kind of fellow-traveller on his life’s journey of music. Berlioz too had been a guitarist in his teenage years and had been largely self-taught as a composer. He had been an innovator in his use of the orchestra and developed a body of work that closely mirrored the literature and political mores of his time.  The Symphonie Fantastique was the ultimate love letter: to the adorable Harriet Smithson, the Irish actress. Berlioz had seen her play Ophelia in Shakespeare’s Hamlet (see above) and immediately imagined her as his muse and life’s partner. He wrote hundreds of letters to her before eventually meeting her to declare his love and admiration in person. A friend took her to hear the Symphonie after it had got about that this radical work was dedicated to her. She was appalled! But, when Berlioz wrote Lélio or The Return to Life, a kind of sequel to his Symphonie, she relented and agreed to meet him. They married in 1833 but parted after a tempestuous seven years. It had surprised Andrew to discover Lélio, about which, until quite recently, he had known nothing. The Berlioz scholar David Cairns had written fully and quite lovingly about the composition, but reading the synopsis in Wikipedia he began to understand it might be a trifle embarrassing to present in a concert.

The programme of Lélio describes the artist wakening from these dreams, musing on Shakespeare, his sad life, and not having a woman. He decides that if he can't put this unrequited love out of his head, he will immerse himself in music. He then leads an orchestra to a successful performance of one of his new compositions and the story ends peacefully.

Lélio consists of six musical pieces presented by an actor who stands on stage in front of a curtain concealing the orchestra. The actor's dramatic monologues explain the meaning of the music in the life of the artist. The work begins and ends with the idée fixe theme, linking Lélio to Symphonie fantastique.

Thoughts of the lovely Harriet brought him to thoughts of his own muse, far away. He had written so many letters to his muse, and now he wrote her little stories instead, often imagining moments in their still separate lives. He had written music for her and about her – a Quintet for piano and winds (after Mozart) based on a poem he’d written about a languorous summer afternoon beside a river in the Yorkshire Dales; a book of songs called Pleasing Myself (his first venture into setting his own words). Strangely enough he had read through those very songs just the other day. How they captured the onset of both his regard and his passion for her! He had written poetic words in her voice, and for her clear voice to sing:

As the light dies
I pace the field edge
to the square pond
enclosed, hedged and treed.
The water,
once revealed,
lies cold
in the still air.

At its bank,
solitary,
I let my thoughts of you
float on the surface.
And like two boats
moored abreast
at the season’s end,
our reflections merge
in one dark form.

His words he felt were true to the model of the Chinese poetry he had loved as a teenager, verse that had helped him fashion his fledgling thoughts in music.

And so it was that while she dined brightly with her team in a Devon country pub, he sat alone in a town hall in West Yorkshire listening to Berlioz’ autobiographical and unrequited work.

A young musician of extraordinary sensibility and abundant imagination, in the depths of despair because of hopeless love, has poisoned himself with *****. The drug is too feeble to **** him but plunges him into a heavy sleep accompanied by weird visions. His sensations, emotions, and memories, as they pass through his affected mind, are transformed into musical images and ideas. The beloved one herself becomes to him a melody, a recurrent theme [idée fixe] which haunts him continually.

Yes, he could identify with some of that. Reading Berlioz’ own programme note in the orchestral score he remembered the disabling effect of his first love, a slight girl with long hair tied with a simple white scarf. Then he thought of what he knew would be his last love, his only and forever love when he had talked to her, interrupting her concentration, in a college workshop. She had politely dealt with his innocent questions and then, looking at the clock told him she ‘had to get on’. It was only later – as he sat outside in the university gardens - that he realized the affect that brief encounter might have on him. It was as though in those brief minutes he knew nothing of her, but also everything he ever needed to know. Strange how the images of that meeting, the sound of her voice haunted him, would appear unbidden - until two months later a chance meeting in a corridor had jolted him into her presence again  . . . and for always he hoped.

After the music had finished he had remained in the auditorium as the rather slight audience took their leave. The resonance of the music seemed to be a still presence and he had there and then scanned back and forward through the music’s memory. The piece had cheered him, given him a little hope against the prevailing difficulties and problems of his own musical creativity, the long, often empty hours at his desk. He was in a quiet despair about his current work, about his current life if he was honest. He wondered at the way Berlioz’ musical material seemed of such a piece with its orchestration. The conception of the music itself was full of rough edges; it had none of that exemplary finish of a Beethoven symphony so finely chiseled to perfection.  Berlioz’ Symphonie contained inspired and trite elements side by side, bar beside bar. It missed that wholeness Beethoven achieved with his carefully honed and positioned harmonic structures, his relentless editing and rewriting. With Berlioz you reckoned he trusted himself to let what was in his imagination flow onto the page unhindered by technical issues. Andrew had experienced that occasionally, and looking at his past pieces, was often amazed that such music could be, and was, his alone.

Returning to his studio there was a brief text from his muse. He was tempted to phone her. But it was late and he thought she might already be asleep. He sat for a while and imagined her at dinner with the team, more relaxed now than previously. Tired from a long day of looking and talking and thinking and planning and imagining (herself in the near future), she had worn her almost vintage dress and the bright, bright smile with her diligent self-possessed manner. And taking it (the smile) into her hotel bedroom, closing the door on her public self, she had folded it carefully on the chair with her clothes - to be bright and bright for her colleagues at breakfast next day and beyond. She undressed and sitting on the bed in her pajamas imagined for a brief moment being folded in his arms, being gently kissed goodnight. Too tired to read, she brought herself to bed with a mental list of all the things she must and would do in the morning time and when she got home – and slept.

*They came and told me a messenger from Shang-chou
Had brought a letter, - a simple scroll from you!
Up from my pillow I suddenly sprang out of bed,
And threw on my clothes, all topsy-turvey.
I undid the knot and saw the letter within:
A single sheet with thirteen lines of writing.
At the top it told the sorrows of an exile’s heart;
At the bottom it described the pains of separation.
The sorrows and pains took up so much space
There was no room to talk about the weather!

While I return and slow down
to the classics;
the film analog cameras,
vinyl records,
typewriters,
silent movies,
worn-out pocketbooks,
and other novelties
of the old world charm...

I also enjoy the convenience
of the contemporary;
my phone's one-click camera,
spotify premium,
notes app,
netflix,
kindle,
and other niceties
that the here and now has to offer...

And while I rev back
to the retro and vintage,
I also race forward
to the excitement and danger
brought about by the internet,
of chatting with a familiar stranger.
of exchanging laughters in electronic.
of feeling emotions from a vague, distant, technical, difficult source.

Oh, the thrill and tragedy of technology!

For the fifth year in a row, Kering and Parsons School of Fashion rolled out the ‘Empowering Imagination’ design initiative. The competition engaged twelve 2016 graduates of the Parsons BFA Fashion Design program, who "were selected for their excellence in vision, acute awareness in design identity, and mastery of technical competencies." The winners, Ya Jun Lin and Tiffany Huang, will be awarded a 2-week trip to Kering facilities in Italy in June 2016 and will have their thesis collections featured in Saks Fifth Avenue New York’s windows.

The Kering and Parsons competition, which is currently in its fifth year, is one of a growing number of design competitions, including but not limited to the LVMH Prize, the ANDAM Awards, the Council of Fashion Designers of America/Vogue Fashion Fund, and its British counterpart, the Woolmark Prize, the Ecco Domani fashion award, and the Hyères Festival. among others.

In the generations prior, designers were certainly nominated for awards, but it seems that there was not nearly as intense of a focus on design competitions as a means for designers to get their footing, for design houses to scout talent, or for these competitions to select the best of the best in a especially large pool of young talent. Fern Mallis, the former executive director of the Council of Fashion Designers of America and an industry consultant, told the New York Times: “Take the Calvin [Kleins] and the Donna [Karans] and the Ralph [Laurens] of the world. Some of these people had money from a friend or a partner who worked with them, but they weren’t out spending their time doing competitions and winning awards to get their business going.” She sheds light on an essential element: The relatively drastic difference between the state of fashion then and fashion now. Fashion then was slower, less global, and (a lot) less dominated by the internet, and so, it made for quite different circumstances for the building of a fashion brand.

Nowadays, young designers are more or less going full speed ahead right off the bat. They show comprehensive collections, many of which consist of garments and an array of accessories. They are expected to be active on social media. They are expected to establish a strong industry presence (think: Go to events and parties). They are expected to cope with the fashion business that has become large-scale and international. They are expected to collaborate to expand their reach, and while it does, at times, feel excessive, this is the reality because the industry is moving at such a quick pace, one that some argue is unsustainably rapid. The result is designers and design houses consistently building their brands and very rarely starting small. Case in point: Young brands showing pre-collections within a few years of setting up shop (for a total of four collections per year, not counting any collaboration or capsule collections), and established brands showing roughly four womenswear collections, four menswear collections, two couture collections, and quite often, a few diffusion collections each year.

The current climate of 'more is more' (more collections, more collaborations, more social media, more international know-how, etc.) in fashion is what sets currently emerging brands apart from older brands, many of which started small. This reality also sheds light on the increasing frequency with which designers rely on competitions as a means of gaining funds, as well as a means of establishing their names and not uncommonly, gaining outside funding.

The Ralphs, Tommys, Calvins and Perrys started off a bit differently. Ralph Lauren, for instance, started a niche business. The empire builder, now 74, got his start working at a department store then worked for a private label tie manufacturer (which made ties for Brooks Brothers and Paul Stuart). He eventually convinced them to let him make ties under the Polo label and work out of a drawer in their showroom. After gaining credibility thanks to the impeccable quality of his ties, he expanded into other things. Tommy Hilfiger similarly started with one key garment: Jeans. After making a name for himself by buying jeans, altering them into bellbottoms and reselling them at Brown’s in Manhattan, he opened a store catering to those that wanted a “rock star” aesthetic when he was 18-years old with $150. While the store went bankrupt by the time he was 25, it allowed him to get his foot in the door. He was offered design positions at Calvin Klein (who also got his start by focusing on a single garment: Coats. With $2,000 of his own money and $10,000 lent to him by a friend, he set up shop; in 1973, he got his big break when a major department store buyer accidentally walked into his showroom and placed an order for $50,000). Hilfiger was also offered a design position with Perry Ellis but turned them down to start his eponymous with help from the Murjani Group. Speaking of Perry Ellis, the NYU grad went to work at an upscale retail store in Virginia, where he was promoted to a buying/merchandising position in NYC, where he was eventually offered a chance to start his own label, a small operation. After several years of success, he spun it off as its own entity. Marc Jacobs, who falls into a bit of a younger generation, started out focusing on sweaters.

These few individuals, some of the biggest names in American fashion, obviously share a common technique. They intentionally started very small. They built slowly from there, and they had the luxury of being able to do so. Others, such as Hubert de Givenchy, Alexander McQueen and his successor Sarah Burton, Nicolas Ghesquière, Julien Macdonald, John Galliano and his successor Bill Gaytten, and others, spent time as apprentices, working up to design directors or creative directors, and maybe maintaining a small eponymous label on the side. As I mentioned, attempting to compare these great brand builders or notable creative directors to the young designers of today is a bit like comparing apples and oranges, as the nature of the market now is vastly different from what it looked like 20 years ago, let alone 30 or 40 years ago.

With this in mind, fashion competitions have begun to play an important role in helping designers to cope with the increasing need to establish a brand early on. It seems to me that winning (or nearly winning) a prestigious fashion competition results in several key rewards.

Primarily, it puts a designer's name and brand on the map. This is likely the least noteworthy of the rewards, as chances are, if you are selected to participate in a design competition, your name and brand are already out there to some extent as one of the most promising young designers of the moment.

Second are the actual prizes, which commonly include mentoring from industry insiders and monetary grants. We know that participation in competitions, such as the CFDA/Vogue Fashion Fund, the Woolmark Prize, the Swarovski, Ecco Domani, the LVMH Prize, etc., gives emerging designers face time with and mentoring from some of the most successful names in the industry. Chris Peters, half of the label Creatures of the Wind (pictured above), whose brand has been nominated for half of the aforementioned awards says of such participation: “It feels like we’ve talked to possibly everyone in fashion that we can possibly talk to." The grants, which range anywhere from $25,o00 to $400,000 and beyond, are obviously important, as many emerging designers take this money and stage a runway show or launch pre-collections, which often affect the business' bottom line in a major and positive way.

The third benefit is, in my opinion, the most significant. It seems that competitions also provide brands with some reputability in terms of finding funding. At the moment, the sea of young brands which is terribly vast. Like law school graduates, there are a lot of design school graduates. With this in mind, these competitions are, for the most part, serving as a selection mechanism. Sure, the inevitable industry politics and alternate agendas exist (without which the finalists lists may look a bit different), but great talent is being scouted, nonetheless. Not only is it important to showcase the most promising young talent and provide them with mentoring and grant money, as a way of maintaining an industry, but these competitions also do a monumental service to young brands in terms of securing additional funding. One of the most challenging aspects of the business for young/emerging brands is producing and growing absent outside investors' funds, and often, the only way for brands' to have access to such funds is by showing a proven sales track record, something that is difficult to establish when you've already put all of your money into your business and it is just not enough. This is a frustrating cycle for young designers.

However, this is where design competitions are a saving grace. If we look to recent Council of Fashion Designers of America/Vogue Fashion Fund winners and runners-up, for instance, it is not uncommon to see funding (distinct from the grants associated with winning) come on the heels of successful participation. Chrome Hearts, the cult L.A.-based accessories label, acquired a minority stake in The Elder Statesman, the brand established by Greg Chait, the 2012 winner, this past March. A minority stake in 2011 winner Joseph Altuzarra's eponymous label was purchased by luxury conglomerate Kering in September 2013. Creatures of the Wind, the NYC-based brand founded by Shane Gabier and Chris Peters, which took home a runner-up prize in the 2011 competition, welcomed an investment from The Dock Group, a Los Angeles-based fashion investment firm, last year, as well.

Across the pond, the British Fashion Council/Vogue Fashion Fund has awarded prizes to a handful of designers who have gone on to land noteworthy investments. In January 2013, Christopher Kane (pictured below), the 2011 winner, sold a majority stake in his brand to Kering. Footwear designer Nicholas Kirkwood was named the winner 2013 in May and by September, a majority stake in his company had been acquired by LVMH.

Thus, while the exposure that fashion design competition participants gain, and the mentoring and monetary grants that the winners enjoy, are certainly not to be discounted, the takeaway is much larger than that. These competitions are becoming the new way for investors and luxury conglomerates to source new talent, and for young brands to land the outside investments that they so desperately need to produce their collections, expand their studio space, build upon their existing collections, and even open brick and mortar stores.

While no one has scooped up inaugural LVMH winner Thomas Tait’s brand yet or fellow winner, Marques'Almeida, it is likely just be a matter of time.Read more at:www.marieaustralia.com/short-formal-dresses | http://www.marieaustralia.com/formal-dresses-sydney

There is this kind of time in everyone’s life. That was what I was told. I was also told I was peculiar in a nice way. But I am not going deep down all this time and peculiar thing and all. It is just that sometimes I feel so empty and I was also told that when you try to write something you should try your best to describe all sorts of stuffs so that the readers will get to know the kind of thing you are feeling. Like for now, the kind of empty I am feeling. Kind of funny though, who would want to know what I am feeling and on top of that who would want to know the kind of empty I was feeling. Anyway, I was feeling very empty yesterday and I am writing all this because I just thought it was pretty cool to feel empty, kind of, just like that. I am not being emotional and all but that is how it is, you like to feel sort of lonely, sad, happy or whatever at time, just like that. And when I driving on my bike, I speed it up to the most it can bear or most I can bear and twist and turn and run over other motor bikes and stuffs that are moving in the road in a kind of modest way but I know they are as ******* as I am. But hell with that, I don’t want to know if anyone is ******* or not. I can’t even think about the right word to replace the *******. But, you know what I mean. It’s kind of sad to find that everyone is *******. Then, that makes me madder and I speed up more. I start to rip apart my accelerator, literally. You know what literally mean, don’t you? It’s when you do something in a literal way just like when some lousy guy start acting out too corny while they say they will bring down the stars and moons for the girl they love.  To hell with love, love is the stupidest thing that will ever again happen to me and if that happens then I will crown myself with all kind of stupid crowns and be the king of stupid. But love was kind of good feeling too.  Anyway I just try not to end up breaking my neck when I am in bike. But you know then I just intently look at the something something that is coming towards me and then I feel like speeding up more and just encounter that innocent ***** face to face. Yeah, I mean it. I feel like pointing the direction of my bike right to that something something truck or stuffs that, just like you know when an archer aims. You know then, I also have this shrewd kind of look in my eyes, like I am dead serious about what I am going to do. Its fun when you know you won’t but you act like you will. Yeah, I just feel like heading right towards the something something and hit it right on its grotesque face with some silly stupid art. Then, can you imagine what will happen? I can see every ******* retards gathering around me. I am lying down with blood over everywhere. I can see pieces of my grand motor bike here and there. I can see the driver of that something getting out and trying to explain that I was the one who came directly into him as if I was attempting suicide. To hell with suicide. What kind of person does suicide. I can see traffic cops and medics and all. They are just trying to carry me to hospital. But I know I won’t want to go to hospital because hospitals make me sick. There are lots of sick and depressing people around. If they would want to take me anywhere then I would like them to take me to mountain top from where I could see a bluest lake  all the clear reflection of clouds and the greens and rainbows and butterflies and all those stuffs the poets from nature describe in their poem. But I know they are too busy for that. They are some stupid people who just want me to admit to hospital. Anyway, when they start to lift up, I just get off the stretcher and start laughing out loud. I will tell them that I am okay and its all my ****** series of imagination and show them that I don’t have wounds and all but they will just vanish. I keep laughing and laughing because then I could finally feel or imagine the pain that I will go through. The pain that will fill me up and I don’t feel empty anymore. That is the exact kind of empty I feel. But that is not enough, I am still on my bike. If you have lost me, I want to repeat all that happened was just a part of my imagination. I imagine stuffs a lot and I think they are cool when I imagine stuffs about dying and just waking up as if I am just taking nap and waking up. Is there anything like that rebirth or stuffs? Anyway, I am still on the bike. I speed up thinking all these things and then I make my way through a very narrow alley between two moving something trucks or buses and there… That is the right kind of empty that just got filled. You know it or not, when you speed up and make a narrow escape from between the moving trucks just closely to save your life. Man, I can feel the air move through my veins and I can see my heart flying out of my chest. Man, was that crazy? I ask to myself. To hell with it. I am still alive and breathing and I am not feeling empty anymore. But as I keep thinking, I just get so mad. I don’t know at what or at whom. Everything is so pale and depressing. I try to cheer myself up looking at the clouds and green trees and trying to think about witty lines that’s funny to me and all and all and them , all it just makes me so mad, just more depressing.

That right, I then stop my bike on the side rail and start thinking about writing about all these stuffs. Because I have this group of friends who kind of poem and stuff and they are pretty good too. I also poem and stuff sometime but nothing that I wrote ever became good. Because I can tell by reading them all that, the stuffs that come in paper are not everything I feel. Like if I have to use percentage to say how near they are to the amount I feel, it would be like ten percent or around. That is not much. Even the government value added tax is thirteen percent. I was trying to be funny but hell with that. I was just feeling empty and all and now I am on my bike stopped on the side of the huge highways where everything is moving. Its depressing to find out that everything is moving , everything around you and you are the only one stopping to look at them moving. If only there was someone who was there by your side to hold your hand and look at all these moving vehicles and the traffics and kids holding the hand of their mothers and fathers and uncles to cross the road safely and those dogs and oxen lying over the road.  To hell with it, if there was actually someone who would be by my side, I won’t be feeling empty and imagining crazy stuffs and stop my bike trying to write a poem out of it or something or anything just so I can be more cool showing my rad poem to the group of my circle who poems. Man, do I love that ? I can certainly make a good actor out of me if I play in a move but it just make me feel more sad and I don’t know why. I look around if I can find any teashop or anything. Just so, I could sit there and order a tea and stay sad and pale and then someone would come and ask me. Hey boy whats the matter with you? Then I would just ignore his question. People can be real nosy sometimes. I am just siiting here having tea and something man. Head off to you own way, I will tell that. Why would I tell me why I was sad anyway. I was thinking about a beautiful girl like an angel that we see in movies , beautiful like that when the word beautiful fails to describe the amount of beauty she has,  I was trying to imagine a situation when I am sipping over my tea sadly and then this angel comes over and ask me what is that making me look pale. She would say nice stuffs to me and man, do I fall in love again? Man… love is the silliest thing ever. You can have enough of it. I was just feeling empty because some girl told me that she doesn’t have anything for me. Even I didn’t have anything for her . But you know there are times when you actually fall in love like madly in love. It’s the same person everywhere, all around you. You can’t just stop thinking about her. But the one who said she has nothing for  me, she meant no feelings or loves that she can do to me. We met few times, two or three and she was nice and all. I was funny and all. But even I haven’t felt anything towards her. Now she is really beautiful with this hair and this long slender face that she has. And then you know it when you want to fall in love. I wanted to fall in love with her because she was exactly the type of the girl that people have to fall in love with. She was active and hardworking. She has a good smile and dimples too. Man, those dimples drive me crazy. I just feel like diving into those tiny little cheeks and then right into her heart. And on the top of that wavy curly hair, it can drive anyone mad. Well, it drove me mad and that is why I am trying to fall in love with her. But anyway she told me last night or sometime in past that she doesn’t feel like that. I want to tell her that even I don’t feel like that with her. But I don’t want to because that may just drive her away from me all more. But anyway I was just mad when she told me that. Not mad like psychologically but like emotionally. I was just trying to explain her that we should may be spend some time together and get to know each other and all because you know I was kind of trying to fall in love with her and wanted to know more about her and make a lover like impression on her and all but man, was she crazy or something? She just said she doesn’t want to. It just made me so mad that I started my bike , yeah after paying for tea and all. I speeded up again and I didn’t want to stop but I had to stop because of this stupid traffic signal but my legs were all dancing because I was anxious and all and I just wanted to cry for nothing. But I can’t cry because I don’t feel like and when you feel like crying you cant stop it anyway. Those stupid tears will just fall off. Then The traffic signal goes green and I speed up and want to race with someone and feel good by beating them. But then there are other bikes that goes ahead me and that makes me feel more sad and then I just so over the yellow side line and start driving like slug. Man, I am extreme. I can feel it. I try to think about writing all this when I go home but I know I wont because I have done this many time and I have never written anything. Its just like that.

Its just like that. You have all these stupid to intelligent ideas an stuffs when you are walking or on the bike but I never do anything. When I reach home, I change my dress start it all again. I start to become normal like nothing is wrong with me. It just drives me crazy.. everything is so wrong with me. I have to be somewhere is some other good job that I will enjoy and that also pays me pretty good so that I can enjoy and all. I also have to fall in love with this girl. I have to complete one of my research paper so that I can earn good reputation among these technical circle of mine. I have to pen down some good stuffs so that I can perform it loudly in front of everyone and then everyone would cheer for me and all. I will just act modest and bow down. I also have to meet some of these my school friends and all and have some crazy times with them mocking the professional life and all. I have to be with my family, go to temples and stuffs and pray and ask the god to help me focus in my pursuit, which I am not sure what that is so I also pray and ask the god to show me the  right path. Its easy to pray and all and just stay happy thinking god will do everything but hell with god. I also have to prepare for this test and I have to complete reading this book and man, I have so much to do. I can’t just waste my time just like this.  

**There are always enough stupid things to drain the best outof you and leave you in terrible vacancy.

Kafersuseh One-Dimensional Beams II; In this environment of preservation of links and communication with each other, Raeder, Petrobus the Pelican and Alikanto were in a state of maximum stillness and complacency, they were enjoying the reality that was experienced with the child. Raeder unexpectedly leads Petrobus out of the barn and begins an exploration of the rolling nativity event. Here he takes hold of the gold-jade rings and takes flight towards the upper part of the stable, where he can see from above that it did not look like an ordinary stable, rather it seemed like a seat of the Faith where he observed that some prowling on the roof cherubs, they jumped and crossed mimicking the same gestures that Joshua made in his manger. Impressed, Raeder approached them and began to share with them, flying over where they could do it with their new friends. After a while, Alikanto joined them, who also enjoyed these games precisely, but did not see the Cherubim. He only saw how the two of them jumped but was surrounded by a large concentration of flying Lepidoptera. At the end of the night, when dawn begins, everyone retires and goes to their tents, not knowing what to decide for the next day. The tired Apostle next to Vernarth was glorious with joy after having recalled this episode of the arrival of a Messiah who would transport them from this stable to Gethsemane where his native Aramaic jargon had to enable him to generate synergy between the areas of the Gardens of the Olive trees and Gethsemane, to concatenate the entire phylogeny He only saw how the two of them jumped but surrounded by a large concentration of flying Lepidoptera. At the end of the night, when dawn begins, everyone retires and goes to their tents, not knowing what to decide for the next day. The tired Apostle next to Vernarth was glorious with joy after having recalled this episode of the arrival of a Messiah who would transport them from this stable to Gethsemane where his native Aramaic jargon had to enable him to generate synergy between the areas of the Gardens of the Olive trees and Gethsemane, to concatenate the entire phylogeny He only saw how the two of them jumped but surrounded by a large concentration of flying Lepidoptera. At the end of the night, when dawn begins, everyone retires and goes to their tents, not knowing what to decide for the next day. The tired Apostle next to Vernarth was glorious with joy after having recalled this episode of the arrival of a Messiah who would transport them from this stable to Gethsemane where his native Aramaic jargon had to enable him to generate synergy between the areas of the Gardens of the Olive trees and Gethsemane, to concatenate the entire phylogenies a new bonding relationship between species that were appropriate and endemic to the region near the stable at Bethlem to be inter-inseminated on banks of the Gethsemane slopes, so that linguistics would begin to absorb Joshua and go for a closer shortcut towards the classification of the traditional and omnipotent variants that migrated through the Olive Trees, to renew and preserve the Aramaic or Aramaic languages ​​of a shared origin now, for the omnipotent salvific languages ​​that were to be redirected in Gethsemane. Once leaving for the city of the eight gates, Raeder continued to sway on the roof with the Cherubim, rather they were already inseparable until he received an order from Alikanto that they should hurry back to the stores. He leaves but some mischievous Cherubim follow them and escort them to the tent. The next day at dawn they stand in front of them serenely as if they were still in Kafersesuh. They prepare the camels and the belongings, to resume the return to the final grand opening of Judah; to initiate the trades of reintegration of Saint John the Apostle to the surrealism that predicted him to split poles in his former exile and reintegration, under an early departure to revive the cathedrals of constant ringing and constant vibrating in the bells of Jerusalem and Gethsemane. everyone rides, the Hexagonal Birthright and King David tighten the incisors of the camels heading towards the new door that they took turns opening once they arrived in Jerusalem. Raeder and Petrobus arrived late, flying from the top of the caravan alongside the Cherubim who now guarded them. While the Crickets consumed all the laws that were incommensurable with the litanies of Angels that waited to unroll from In dextro qui non ad altare. "On the boast of those who did not have to reach the altar"



Paraps XXVII

Messiah of Judah IV part

Miracle V- Gethsemane / Aramic Phylogeny

They leave Bethlehem undivided in the Giant Ungulates. Of the seven spaces in the column, the last one that was occupied was the seventh where King David went. Of the five remaining spaces, the Cherubs went, they were playing with Raeder and Petrobus; they showed off with their adventures flying towards elevations of the majestic Sun. The Cherubim tinkled with colors of Abrahamic angelic beings involved in the worship and praise of the Caravan. The Cherubim are first mentioned on the route back to Jerusalem with the large turnout of bumblebees, bees, and wasps all flying alongside Raeder, Petrobus, and Alikanto. They would all stay for up to half a mile before reaching the eight gates and resuming their course to the Garden of Gethsemane. They were surrounded by Debkas dancing in their Aramaic phylogeny. The bumblebees were encrusted by the hills loaded with echoes outside of man...., placing themselves to the east of the Garden of Eden in rows of Cherubim with a flaming sword that turned on all sides to guard the path of the tree of life. Ezekiel describes "four living creatures" as the same beings as the Cherubs, each having four faces that were like a man, a lion, an ox, and an eagle, and each one was tetra-winged. As for their appearance of them: "there was in them the likeness of man" These used two of their wings to fly and the other two to cover their bodies, under their wings they seemed to have the shape or resemblance of a man's hand that resembled the Aramean phylogeny that linked environmental and organic pollinations of Lepidoptera that were carrying the fertilizing spheres to reach the angiosperms. The Christic language was inaugurating the fringe of the frolicsome land that awaited the inauguration of Linguistic Phylogeny to attend to the decrees for the perenniality of the language that relates Gethsemane with the Olivo presses, the Cherubs beating their wings to reach Father Abba. With the flashes of the Apocalypse, the Cherubim danced happily, magnifying the presence of the Apostle in the Hexagonal Birthright with the holiness and power of God, This is one of their main responsibilities throughout the abbey and members mobilize to meet one of the twelve apostles with propaedeutic assonance attached to the twelve Giga camels, in addition to singing praises to Yahweh they also served as a visible reminder of the majesty and glory of the Messiah. The Apostle says by parapsychological regression: "A fascinating route on foot in Jerusalem begins at the top of the Mount of Olives and curiously leads us to the route that will be taken after the evangelical legs of the camelids that will take them to the Holy Sepulchre, Continuing through the Damascus Gate..., here the camelids became restless! Very close by, the topography of the top of the Mount between the route at the foot of Bethany and Jerusalem was perceived, the Garden of Gethsemane crammed with Angels appeared to us..., Joshua's prayers in Aramaic are felt slipping into camel snores as pleas are heard before his arrest in the Garden." Here at that moment, it happens that the flies arrested the apostle, taking him to a specific sector of the orchard where sacred water and humid wind continue to flow, having olive trees growing in the embossed garden with enormous oil press to border them by olive oil pipeline to grace the Lord in laurels from Daphnomancy such a holistic form of divination by which it is intended to make predictions using laurel leaves and branches chewing them before and then lighting them towards the crackle of the consecrated fire of Gethsemane Aramaic that lit paths and feet of Joshua. also carried on its four wings the Cherubim four laurels on each laureate wing.Thickened by palmistry energy, they walked towards the main entrance of the oil press, They arrive in the surroundings of Gethsemane surrounded by Daphnomancy of laurels carried on their wings by the Seraphim, Bumblebees, and others who would be in charge of inseminating the pollinating particles in the angiosperms, thus rescuing minimal words and verbal serial in the words that were transferred from the stable Kafersuseh in Bethlehem so as not to lose the Aramaic word, thus being redistributed to Gethsemane by the Lepidoptera and Bumblebees, wasps and bees. This inter-organic phenomenon would re-couple the verbalized accents of Joshua in middle age and in the unborn in such a way as to preserve the Aramaic dialect, to re-clone the same groupings and intentions as the environmental phylogeny of the dialect in a ritual culture that would redact with insects. and Cherubim, to re-enchant all the pluralities that would be arranged in the Garden to energize the salvific and appearing oil pipelines of the image of Saint John the Apostle, King David, Vernarth, Etréstles, Eurídice, and the rest that make up further from the seventh camelid until reaching the latest; the Fifth Cherub that will be the scribe present together with Pedro and the two sons of Zebedeo, only one with the one nearby in great courage, San Ioannis. His Holiness Joshua used to say: "Abba..., Father, all things are possible for you, take this cup away from me; But not what I want, but what you want. Joshua came later and found them sleeping; and he said to Peter: Simon, are you sleeping? Have not you been able to watch for one hour? Watch and pray so that you do not enter into temptation; the spirit indeed is willing, but the flesh is weak. Again he went and prayed, saying the same words. When he returned, he found them sleeping again because their eyes were heavy with sleep; And they didn't know what to answer. He came the third time and said to them: Sleep now and rest. Enough, the hour has come; behold, the Son of Man is delivered into the hands of sinners. Get up, let's go; Behold, the one who delivers me is approaching." From small lively henchmen lights were seen to greater discontent..., they were the executioner, attached to the broken hostile leaf of the laurel that fell on his back "In flames and crackling in all his offspring "The anticipated visions were fertilized by the Cherubs that anticipated events in the chronological life of the apostle having to do with his life as an apostle and evangelist of the new succession after returning from exile. He came close already entering through a path, that was a road where the rows of pipes were that crossed the Getsemaní subsoil. Fifth Cherubim of the Septuagint: "As a scribe of the Hexagonal Primogeniture I make reference to two hundred years before the birth of Jesus, a Greek translation of the Hebrew scriptures developed and became widely accepted as a legitimate (even inspired) translation. Tradition relates to how King Ptolemy II of Egypt established a vast library in Alexandria. However, it was not complete, and he wanted to have a copy of the Hebrew Scriptures in it. Ptolemy sent representatives to Jerusalem and invited the Jewish elders to prepare a new Greek translation of the text. Seventy-two elders six from each of the 12 tribes of Israel came to Egypt to fulfill the request. And as your Santiago, you will write with me the allegory that will shine brightest in Alexandria. Thus they were led to the lonely island of Pharos where at the end of 72 days their work was completed. King Ptolemy was pleased with the result and placed it in his library. When the task was completed the translators compared everything and it was discovered that each one was miraculously identical to the others. The result later became known as the Septuagint (from the Greek word for 70) and was especially popular with Greek-speaking Jews for centuries to come. Hebrew was displaced and Aramaic prevailed, which is the New Testament language that will influence the eclectic of Aramaic as a language that was also ascended with Joshua to heaven to communicate with all the preaching of his Father in the sacred phylogeny with Lepidoptera and his entourage "I am sitting on the last camel, and I know I will be the first."

Ellipsis Prophet Elijah: "They were on Mount Carmel when I summoned the faithful of Baal, Asherah and others. I summoned them to seal a new pact on the slopes that pointed to the howls in Jezrael from where a prolonged and accursed drought was lamented. At the moment all the congregants were absorbed before the imprecation that he made before Ahab asking for the abandonment of Baal and finalizing the 450 pagan prophets, they called Baal in several days and nights and did not answer, Elijah, mocked him saying "Call him with all your might Maybe he fell asleep and needs someone to wake him up." The people gathered on the mountain and then Elijah told them: "You have to decide, If Jehovah is the true God, follow him But if Baal is the true God, follow him. Let's do a test: the 450 prophets of Baal must prepare an offering and call their god, I am going to prepare an offering and call Jehovah. The god who responds by sending fire is the true God." The people accepted. Elijah put his offering on an altar and poured a lot of water on it. Then he prayed: "O Jehovah, let the people see that you are the true God." Immediately Jehovah sent fire from heaven to burn up the offering. The people shouted: "Jehovah is the true God!" Now Elijah said, "Let no prophet of Baal escape." That day, They killed the 450 prophets of Baal. Then a little cloud appeared over the sea, and Elijah said to Ahab, "There's a storm coming. Get your car ready and go home." The sky was filled with black clouds, the wind blew and it started to rain very hard. The drought is finally over. Ahab took off in his chariot as fast as he could. Jehovah helped Elijah to run faster than the chariot. But were all Elijah's problems already over...? Here the god Aiónius rained down in the crystalline waxy dews of the Horcondising proclaiming eternity in the presence of an ascended Merkabah like Elijah. The drought is finally over. Ahab took off in his chariot as fast as he could. Jehovah helped Elijah to run faster than the chariot. But were all Elijah's problems already over...? Here the god Aiónius rained down in the crystalline waxy dews of the Horcondising proclaiming eternity in the presence of an ascended Merkabah like Elijah. The drought is finally over. Ahab took off in his chariot as fast as he could. Jehovah helped Elijah to run faster than the chariot. But were all Elijah's problems already over...? Here the god Aiónius rained down in the crystalline waxy dews of the Horcondising proclaiming eternity in the presence of an ascended Merkabah like Elijah. The ground shakes and initiations of the Aramaic roots appear after the intervention of the fifth Cherub and the prophet Elijah on Mount Carmel, the Phylogeny is testified with links that flow between subterfuges of re-dogmatized civilizations for ignoring their pagan languages ​​and creeds. In this genealogy were the bumblebees, bees, wasps, and Lepidoptera scattering all this stormy rain before they all reached the arenas of Gethsemane with the perfect connection between the idiomatic form, and the interspecies communicated with the vivid expressions where so many times the strings of Joshua circled the Gethsemane tapestry. No doubt here these species will establish the DNA and molecules for successful genetic derivation in an evolutionary environmental testament to the establishment of pollination in the Garden.

Phylogenetic dogma: The coincidences in morphological and embryological themes will be located in the orchard with a great genetic relationship and evolutionary resemblance. to that of the orchard to eternalize the concatenations of both topographical niches, in such a way as to root the Aramaic in all organic elements and not to provide the great prevalence of an eternal pacifying-luminous discourse in creation that does not perish, but rather is reactivated with these procedures in a new phase that the Apostle and Vernarth will inaugurate by reestablishing the premature hegemony of the garden, as a link between birth and resurrection. From the ratio Nazareth – Bethlehem / Kafersesuh – Getsemani. Of these diversifications, the key to the trees and their adaptation to the environment and the new Methodist dogmatics will appear, to adapt it to the material and immaterial elements as a paradise habitat in Judah with adequate species aware of their own self-preservation and self-evolution at the service by Joshua, Says Vernarth: "In Greek mythology, Ilithyia-Eileithyi is our Hellenic goddess of births and midwives. In the cave at Amnisos-Crete, she was associated with the annual birth of the divine child, and her worship is connected with Aeneidaon the earth-shaker who was the chthonic aspect of the god Poseidon. My divine child has similar "Behold the Fifth Miracle" coincidences both in a cave or stable. Ilithyia is seen with the torch-carrying light for the children to come to the world of the Messiah. Now we will shake the garden from its nascent oil ducts, we will have the salvific light that will flow from the hypos secretion of candlesticks with olive oil, anticipating a new messianic verdict, where we will populate the abyss of the earth as a great similar light that will accompany us in Shemesh philosophy. Sun, witnessing to the Messiah and conciliating ourselves with his instructions as it was in Jezrael and now in the garden". Bern Aramic Element from Bethlehem is felt in the messages from the fields of Moab, after the death of Elimelech and Mahlon and Chilion's children, leaving Naomi alone, Alone among the ears of grain. Lepidoptera would begin to fly throughout the lands of Judah after this distressing event. From the separations of the fields in the hot afternoons, Ruth could be seen in the fields and in Hera firmly united to Naomi, where each fence after another will go into the other in the name of Jehovah. Ruth gathers the corn and ears on purpose with the sheaves among the reapers and overgrown sheaves to make the sustenance of a past life of famine brought by Naomi's cries. Then Ruth, after gleaning the grasses, thanked Boaz, looking into his eyes intently, being able to see in him how to lift the hay and run it to the world of the midwives to feed the newborn children anointed by Ilithyah as well, so everyone will eat the pottage and They will satiate until they are very satisfied. From this land of spikes will come the celebrations of Shavuot and good grace for the stay of the Hexagonal Birthright in Gethsemane. The histrionics and ranchers of these lands are making a great contribution to this phylogeny (with the consolidation of the Aramaic language in the garden). Ruth appears saying: "Look at the field, we are all in it, we have water and enough heat from the Shemesh ignition, to give the spikes to grow here is the refuge of Jehovah who gives us his protection making us an equal part of his children to sustain us. I feel great pride in being respectful to Noemi, she will help me with ears of corn that will migrate to Gethsemane with the imminent visit of the Apostle Saint John. The Bumblebees, Bees, and Wasps will be satiated, they will provide the nutrient food to those who will have to make the communications in the garden. "Blessed is the food that she gives you by harvesting it, preserving it and lavishing it"A great archaeological hereditary axiom begins to be evidenced in this agriculture transmitted from the field to the expression of epistemic-emotional areas that represent endocranial and buccopharyngeal molds of sheep that intervene with tillage and weevils. Here the beloved rhetoric of the weevils will intervene with personal wings from the basic strut of their emotions, attracting signals in the fields and images described by flocks of insects that migrated from this passage in the Book of Ruth in order to relay them with phonetic signals that go beyond the spike that is rather a settlement or a current Kibbutz, to mold or settle archaic civilizations under an idiomatic link that will attend the phylogeny as cephalization of invertebrate animals with those of kind of support,

Phylogeny in Gethsemane: The **** Erectus crossed paths with multiple pieces of evidence of adaptive pro-evolution beings, Neanderthal/**** Sapiens. The children of Israel wrote parables, epistles, verses, stories, and books..., their phonetic vocal tract spoke of storms and environmental factors between heaven and earth "Great noise outside of us, but little silence in us." What is elemental is the larynx that has only pronounced the image that denounces a concept evoking the minimum sound in the different positions of its instrumentalized mega sound. Speaking to us how language varies according to history and the civic-environmental environment, instructing us on its threshold and caste as it detaches itself through aerial effusions from the statement at the laryngeal level. It authoritatively collects the intervals of vocalization and relationship with agriculture in all its dimensions descending through its internal panels but rising through our parietal emotions outside of herself. The little of the air that the world has left to continue digesting temporarily have it to let air flow that is possessed in mechanically inert particles, and not in sanctified prophecies with corollaries of miracles. Inherences have made of a super existence of those who still do not perish by the hand of a monarchical mandate, even the mute swallow air is suffocating and contaminated halves while others redistribute them for those who need to sit at the table to collect the unleavened and share it with what the rest. "Here resounds the echo of my Christic body". That in Aramaic will syndicate much more than the phrasing in its blood, grapheme and phonemes or stylistics that is the commotion of vibrating beyond the deep ground reverberating with the grace of its divine statement". Joshua resists spikes and olive leaves simultaneously disposing of us in his arms as his children, he is a sheep in his arms lactating hydro-milk of sustenance from his creative verb. "a strict fact of preserving Aramaic and not misleading them by turning the pages of history". The Aramaic must be incorporated so that Joshua, after more than two thousand years, can see that He is still here walking from one place to another to tell us that He is still here, only suggestive of your walking, plagiarizing your larynx in the sound of His expression and shepherding. The sheep are quadrupedal..., more mammalian than a man because its statement is always reflected in the bases of its skull for the rest of its offspring as a biblical expression, under all the rainbows of the cherubim, together with the children surrounding them in identical intention. **** habilis–**** Sanctus, which is a process that has a charismatic base and peripheral anatomical volume for the exposed part of the sternum by confusing them with each other, not altering their structural or functional complexity. From the potential of Lepidoptera and winged weevils, the phenotype will emerge that will relate and relativize the mechanics of Aramaic or the Aramaic method of not losing the gibberish because it is divine, as well as it is exalted and laryngeal torque to those who possess Aramaic blood and body, since its motorized mysticism is to devour minimum words with maxims in a whole of ranges and sounds of the field, dialoguing: "Come to my field, here the ears of corn and weevils will speak more than the mechanical potential of Your Voice". They continue through the Ruth field integrating phonemes in small verses that go from the shelter of words and that refer to settlements of which they do not speak only suggest the presence of Jeheová without being present, but if after being with his stomach satisfied parodying activities in the field with his plectrum made a reality in a transgenerational poetic-hydric whole of ancient peoples who no longer speak..., "They only express wisdom in ****** agro-phrases of spikes and olives in all their songs." After walking through cobbled and narrow streets that are now full of runes with Bedouin fumaroles..., it is such a walk through an avid heart of alkaloids and lipids; touring synagogues and evoking an outstanding barrage of pilgrimages without knowing how many more will escort them in our attempts. The walls that protect Jerusalem are witnesses to many battles that have been fought "in the name of God". As well as the ground that speaks for itself, without a doubt the Mount of Olives can be seen from Jerusalem beautifully but not, in the same way, the other way around. The forests whose fruits contribute positively to the economy of the region, in addition to symbolizing strength, security, and prosperity, give hope in the journey of history the same as nothing that tires of the same. The Garden or Garden of Gethsemane, a name that alludes to the olive mill used to extract and process the oil according to the Gospels, The Lord came to Gethsemane with his disciples to dedicate some time to prayer, but since the atmosphere in Jerusalem was one of hesitation and high tension due to the celebration of the Jewish Passover festival due to the context of the political and military occupation of the Roman Empire, Jesus was very saddened and began to get distressed...holding on to the branches every time he felt an olive near his denoted fingers. Etréstles says: "All the physical, exalted and psychic forces of Jesus here stink digging into the organic tissue, experiences that go beyond the intellect..., it is the proper and unequivocal admissibility of military feet walking on the ground after meditation and recollection. From today when the lights between shadows will fill the limits of the orchard with connection, They will have to graze on the Gigas ungulates when the atmospheres have to make the tribune grass grow on their idyllic evangelizer to have it for tomorrow in the meditation of dawn. All the pros and cons will have to get lost with prayer guests that will inhabit spaces that will not intervene in human reason. Meditation with the Cherubim in the hexagonal primogeniture and weevils interpenetrating divisions of time that is obtained at the end of a calm, and being able to offer with imagination the inclemencies of having everything just beginning. That is prayer, it begins cyclically and then returns to the beginning, without leaving us comforted to finish what the circle of lapse of the meditative circumambulation does not enclose. Saint John the Apostle expounded: More than pain and concern, After praying, he regained his strength and courage to face the vine with disappointments and betrayals with the courage of hopeful dignity. But more than this atavistic-anthropological complex it is salvific integrity that the verb saves the term, through the vibratory prayer of sound and perception of words and more with the Aramaic sound that narrows like the streets of Jerusalem, to distinguish biases in praising essence in the elements of noise almost to the harmonic limit of a sound perfecting itself in a psalter or a parable, which emerges from its oropharyngeal fret, leaving without expiation the abrupt change of Hebrew thought and doctrine, together with the external sound emancipating in the perfect cacophony of its inner vibratory howl beyond the ritual that pleases our insufficiencies by having an Abba. He sanctifies and purifies because he is substance and the dawn of a new earth that lies in the garden of prayer, and all the times that they have to get up to grab the Bible and watch as an indivisible interloquy in me prostrated each time I get up and speak with my Abba being attentive to lock me in his dimension. The food that returns and feeds back is the lineage provided with justice to inhabit the body that synthesizes its protean oratory, the food that you go there from a breeze and from revelry puts all its outfits on the tables to sit around is the lament that smells of seeds that evaporate from the hands and the heat of the holy field. The food that speaks of inviting so many to sit next to us is the one who was least thought to be lacking in love and should not be prepared, being the indicated one who would eat everything until he was satisfied, leaving nothing in the compote or in the yeast, because from it the food that satisfies will persist only for those who have the excessive spirit of the famine of those who can be quenched. Gethsemane is a flowery field where intoxicated Lepidoptera and Angels who only have one mission fly; "Give food to those who owe the desire to eat and nothing else because the rest that suggests it is abstention, and this will be procrastination of the verb that ceases to create endowment even wanting it, because all the sustenance of life can cease by risking bread and came more than to consecrate Health! Rather, it is due to the nourished devotional circle of the action of lavishing the circle of Son-Father granting the establishment of hunger-satiety to forge genetic and paternal seeds to recirculate them in the chain of procreation. Eurydice speaks: "My body undulates like a peg towards my beloved Joshua, I come from the figurehead of a ship. I went to Jerusalem to look for flowers that pour aromatic to bring and exalt their words tied to their feet. I was late and I lost my way, unable to find my way back. I only saw that from afar some lights in the northern area of ​​the orchard lit up like olive cyclers exploding in the air in nocturnal fireflies that swarmed together with the Lepidoptera..., they guided me here. But I repeat, when I saw the lights it took me back to when I was little in my distant Greece with Orpheus when he managed to sleep on Cerberus near Lake Styx. But I reiterate..., beyond the lights I have been able to see how the weevils are framing and plotting your words, my beloved Joshua, that the auditors will be able to help the square and interpret for many more than thousands of years, taking us with pre-recipients that allow us to feel their voice and hear it as far away as if it were closer than the olive branch that caresses their face. But I reiterate, I never thought I would get lost, I am even arriving as if I were from the figurehead of my ship, I always wanted to be close to the world of light of the Olivo of Barnea genetics like this one that has led me to meet it" Eurídice heads to the holy place, when it approaches, the Fireflies and Lepidoptera come out to pick it up, they allied themselves with the twisted shadows of olive trees, sharpening in clear harmony with the mirror archetypes of the dark foliage reflecting the green shadows on the wild fruits,

Just eleven days before the ekadashi of the full moon, the phenomenon of the harvest took place, which happens after a year of the abundant harvest of olives and another in which the harvest is small, here the change of nuances and corrugated textures is evident in the countenance of the olive trees without it being possible to think that this phenomenon will necessarily take place on a biennial or triennial basis. It was suspected and was known that the developing fruits would go to this event through their hormones and substances that intervene in their growth, acting as inhibitors of the differentiation of the buds, for which many of them would change when they were transformed into flowers to make them into the wood, from this process it was deduced that alternate bearing occurs when grass and gospel are lacking. The actions aimed at promoting ascending harvests in years that correspond to load, through the care of the planting of meditation and the abandonment of it in the years of discharge contribute even more, to accentuating the vecería in the doubts of faith. Some varieties of olive trees are more frequent than others, so it can be guessed that a genetic component is generated in this phenomenon. On the other hand, there will be the Christian cultivation technique, reducing the frequency of rotation, such as irrigation or the early harvesting of the olive for the tables that need to have it on their tablecloth. In such a way that this phenomenon will help the genetic phylogeny to reinsert lost expired words of antiquity in the emanation of the wisdom of God, through the universe acting as a great Drupa or peach that will assimilate being the amygdala that will allow sent vibrations to nod when they connect with the soil plagued walking and retraced the Messiah bringing us to his land with words in Aramaic of sacred salvation and his ancestry of word surveyor worker; which will allow us to transfer some appropriate spirit possession from him to Patmos when we return. Says King David: "as the Olivar de Barne species of the old husk will serve us for the Morning harvest with its fat percentage helping us to sustain the Shemesh fat of the new Sun to brandish winds that will hide the nocturnal haze of the waning moon. All as kings we have been baptized with oil in our solemnities, also coins traded in Kar to pay their benefits with the allegory of Yotam, in the Book of Judges to choose the king of the trees..., refusing the olive tree because it had to produce oil in the Menorah are the two tiny but large olive branches that illuminate the great temple of life. Now we will need it because the eleven days come before rescinding the cessation of Aramaic as a lost language, rather reimposing it as an entity of its channel with a gesture-light and space that hears or listens in repeated Aramaic oropharyngeal systems, and voices when lamenting in Hebrew happily the passages of the Torah with the same meaning and channeling source of the Pentateuch, to repast in the Barne species and transcend in its science together with its Katapausis phylogeny in the monastic cell of San Juan in Patmos next to Vernarth." Euridice kept giving atomic spouts and impulses at his feet to get to Gethsemane soon. Upon arrival, he insinuated how the Cherubim were pruning the Olive Trees next to the Hexagonal Birthright. Everyone was preparing for the olive tree festival in the Garden. He almost reached the end of King David's itchy speech among the Roses of Sharon, more than the cobbled one that a Cherub was replying to him so that nothing would waste being heard by his listeners on the Prow figurehead. It arrives and carries the odoriferous trans-essences in Astragalus, to begin with, intuitive adoration for each barefoot step that each petal and particle of its essence took, revering the base of the invested Messiah, reaching the perfect triangulation of balsamic acid and thorns with increased Aramaic of reviving the Barne Olive Grove Trail,



Paraps XXVIII

Mashiach of Judah V part

Miracle VI- Gethsemane / Maasefa

In this chapter preface, in particular, the revelation of three fundamental phases of the outcome of this chapter of Judah by the will of the god Aiónius in all real events and not, because the submithology that concerns us is of living relevance and is not experiment. Here Ezpatkul will enter Dóntiakul or prominent Augrum or Oro teeth turningScarabaeidaedemarcating the Vóreios Vóreios throughout the Horcondising region bilocating it in Encinas de Patmos borers, with such frenzy...!, that from there they would draw the strength of the north winds and the Olivos Barnea.

a) The subsequent phase after the Stable in Bethelem (Kafersuseh) will entail the neurochemical conformation of energies subtracted from visions of the stable, exclusively from the roof incontinenti of the intervention of the Cherubim with their four wings like the Lepidoptera (butterflies) incurring an original nexus messianic equipped with pheromonic sensitivity and chemical activation in the pollinations of bumblebees, bees, and wasps to regenerate the species of Olive Barnea consolidated the language and perpetuate it as a dialect of Messiah-Abba.

b) Phylogeny is subtracted from this phase itself as a relationship between species or taxa in general of tree species and wild plants. Although the term also appears in historical linguistics to refer to the classification of human languages ​​according to their common origin, the term is used primarily in its biological sense. The symbiosis of both interactions will intervene in the juxtaposition of "Joshua is born-dies in the interval" when he is born in the stable" but his analogy with Gethsemane and Golgotha, the two "G" will recreate the salvific miracle and anticipation of the Scourge that he will suffer but the Hexagonal Progeniture (Men and animal and insect species) will intervene with salvific action from the caves to rejoin the dry bones of Maasefa humanity. It also saves us from Shibboleth, identifying the members of a group in a kind of password) that appeals to changes in the use of phonetics in terms of difference and aspires to reorder social disagreements, caused by conflicts even of lost concomitant civilizations and their socio-cultural niche patrimonial, therefore from Aramaic as an anticipated signal thread of a beginning of communicative intention and preservation of messianic language)

c) The physical, mental, geophysical, and spiritual elemental energies will mutate the adherence of the Aramaic dialect with the pollen duct generated in the Barnea olive species, creating a relationship of chemical change in them deified in favor of a new "Bern of Vernarth" with the interaction of the isotope that will generate the inclusion of a proton that will mutate the chemistry of divination and connectivity with him (Heavenly Father-Abba in the Garden) in such a way that the methodological lines of anticipation will prosper on the night of the abduction by Sayones before being taken to the Lithostrotus to be flagellated to interpret the power of his gospel.

d) And for a consequent and emeritus synchronization of caverns in conjunction with dry bone Maasefa, triggering the awareness of the awakening of protection before, during, and after the events that occurred at the culmination of his death. This will delve into the three chemical sediments interacting with each other, the Aramaic language enchanting the univocal and eternal root to always have it in Gethsemane, the revelation of phylogeny as a determining entity for the consolidation of the geophysical-animal world, and the transcendent soul that intervenes between the stars of the everlasting creation on Crescent Moon eleven days earlier with Sun-Shemesh astonishingly at the debasement of the human species and all of its feelings of unconfessed loss of existence.

e) Experiencing and surviving indecisions and fears of recognition of exposing and externalizing the calls of caverns have allowed us to escape from threats, but from there towards a reverberation in the same tune of Calvary, in the sockets of a skull sheltering you to serve and look from the optics of shining with the flow of ears of wheat in your dreams. Gethsemane and Golgotha ​​are the set of double "G" that generates endo-trauma in the throat and in its global skeleton bone set wanting to revive the call of the Messiah, from the Neck of Heaven rising roughly up your throat, forever and for the Centuries. of the Centuries.

f) The plectrum led me to write this paradisiacal essay in this chapter (it is the same depressive unconsciousness of having a body already abandoned without a Soul, but in my own without understanding anything), this tends to describe how history teaches us that there are phenomena difficult to capture with certainty, the masque of extra mediumistic sensitivities emerging from where our conscience does not discover what spiritual power does canonically the intuitive divine exponential or the external machine of multiple systems of serial spirits that besiege us and show us their Ether and that rarely can we actually be able to enter them from deep inside from their activation data to our hyper cognition, and their level of travel leading us to abandon our abstraction.

They were all stationed on the northeast *****, Eurydice arrived with her essences full of little birds surrounding her, she could not hold them due to the invasion of these surprising birds. They were all sitting on the stones of the garden, they were all leaning their heads on the Svein Tzora stones. Says Vernarth: "The stone of Gethsemane", on grains and crystals they are soaked with spheres of the stone of the Mashiah. She showed them meekness in the face of the hardness that could be distinguished compared to limestone or clay, full of sedimentary grains that devastate igneous from where some voices of her holocaust were left over, compared to marrying corporeal materiality in the Aramaic syllable embedded in a stripped bustle and silent, of everything and little petulant organic element coexisting in its amorphous figure. This graphs the consonance with the demonstrations of passion for his followers by embedding himself in a stone with multiple and sharp cuts like taking out the atoms in a grenade with his law of 613 grains that are enough to stipule them and to break the lithosphere of the messianic referendum in his sacrificial law. in the lithostrotes. No barrier will stop us to overcome this lithosphere that separates us so coldly from the rebirth of a body that takes root beyond the cracks of Gethsemane since the olive trees grow on the same stones, pretending to be in a mansard. The will of destiny under a stone, admits arrogant worries to startle that "He was there, and his destiny condemned him", but "My Abba, if it is possible for this cup to pass from me; but let it not be as I want, but as You want...", equivalent to telling of stones for all the cups, as long as the will is of the Abba", thus the stones are lightened, and our pride weighs less than the subterranean immortality. Saint John says: "Which is agony, it is nothing more than holding in our dreams the heavy shadow of its burden. The stone does not fit through the interstices of dreams but its image weighing in the symbology of being part of it, more than all hailstorms being the scene of sin near the disciple family and their despondency that runs where a curtain circulates towards the Resurrection. The large drops are large grains of the pomegranate in the Via Dolorosa, being large stones falling from the universe rubbing against the Sun and the Moon, falling on Him as well. Today on this day that he confesses tribulation of an eternal night that he never clarified..., It will start to rain, interrupting itself for days running backward, since several syllables remained un catechized before rising from where the wind of Elijah called him Mashiach. Revered Mashiaj, always close to you jumping from the red sea such a pomegranate as the food of a Father between waves of his sea! Again we are in the celebration of Holy Week and we have thought it appropriate to write this work on the stone of Gethsemane with a gifted scene that was his arrest, caused by the petty betrayal of all the Treacherous in the world. Mashiah, lonely in his full youth of thirty-three years in Aramaic verses succumbing to the arms of his Abba, .. He takes him and wraps him in his arms to defend him from the darkness shedding blood and tears on a cracked stone, beyond the skies that predecessor grenades in his hands revealing will that surpasses the levels of being rescued more times. There is a bitter taste of fruit, of course, but it tastes like a red planting of the dry red rock that is not emanated from anything but that if it brings us the generous hand that ceases pain and affliction, that produces sweet sleep even having wrought iron entering through your carpals and tarsal feet. With the pantomime of our morbidity we stretch our arms on your crucified cross but without awareness of the ******* test of not experiencing the iron in our questioned soul, without crucified skin in the epidemic that the beast of punishment gave to his skin between screams and hoarse cries that if they slip towards him, rather under the acíbar of a hammered heartless glass inert and stone that runs towards the west looking for the voices of his pious mother. The sip of the sunset was ingested in the sadness of my life that begins to be reborn every time it was lost and lifeless without feeling it as mine. I sleep vigil on the flames of the stand in the stones of the fire, and I sleep because others will not wake me up on the edge that cuts my game in flames. What cowardly courage accumulating in a depersonalized spilled heart..., what hours will have to pass without feeling them to date the entrance into his body of burning iron towards the sacrifice and not the sacrifice. "Let it continue here in this pebble with the shape that bears fruit because it will not burst with impatience, but rather with tears of pomegranate grains." What stronger aloe than seven days in a row turning to my usual sweetness sin to finish them abandoned without savoring it. For the first time since I returned from exile, I understand that his Aramaic smells like wisps of fruit and hundreds of syllables that are..., whipped like mega words that smell like his upright trunk in solitude and abandonment. Its trunk like mine is stone of tree bark, of vile whips lost in the frieze of its temple breaking its head bark, weeping its moans in full reconverted hopes of a hidden Ziziphus crown. They are nailed to a purple wisp of pomegranate, defeating the ailment of those who dared to martyr him in the pain that runs through his icy strata..., not sifted even by brave poor people; as it is to say by the voice of the wealthy spirit helping you. "Being prepared and No,

Maasefa Stone Powder: "You are made of stone and you will become stone" were the words of communion in Gethsemane of the stone of the Mashiach's prayer, indicating the expression of freedom and cessation of the oligarchy of belonging to the doctrine of the world of dimensional physical slavery, and its intertwined solidity of stones that the priests elaborated in the catacombs in times of consecration of loved ones towards a centile universe of Orthodox spirituality. Here are the stones carved like the Sanhedrin that met in the building known as the Hall of Carved Stones (Lishkat Ha-Gazith) for this purpose it will be the conservation of ossuaries of the high authorities and common citizens, having the prerogative of the Maasefa that has to consist of collecting the bones of all those reduced after a year in complete secrecy in the assigned catacombs. Through this immediacy of low and recondite spaces grows the vague wandering of precepting in approaching the salvific redemption awaiting the projection of the expired ancestors in the source of eternal life accepted by the Mashiach (Messiah), to shelter us in his illusion in beautiful brotherhood before to be resurrected. The Hexagonal Primogeniture would go by way of making the nucleus of nearby songs of the oratory of the orchard towards an honorable mention of elaborating concavities in the geology of the orchard, so that the alliance of the Aramaic verb of cloistering and devotion of the members in each stony cell, and the explosion of the Aramaic verb speaking infinitely of the Father-Son analogy. In such a way that translucent particles will be spread by the rhizomes of the Olivos Barnea species; deriving to Bern for the posthumous tribute of Vernarth considered Champion of conservation and cenacle of living and extinct organic bones, such as the aforementioned case of the Apostle before gathering as elemental dust of Joshua's Maasefa prior to the completion of the withdrawal of the Garden of Gethsemane. Shofar, sistrum, harp, and cymbals resonate for the wise night and its star sign before starting the excavation works in the nearby veins to conclude the Maasefa. They all sleep together that night touching each other's heels in the matrix phase to start a day with the strength of the stonework from left to right for the allegory of the Menorah that never leaves the magnetized night. They rise at twenty minutes to four to begin the ritual, an hour and a half before sunrise they were in the stratum of purple dawn on layers of divinity tinged with the conscious subtlety of the creator in our levitating being. Its consequences arise before their bodies continue to evolve towards the hegemonic process on the stratum of the nascent mineralogy that was going to intervene, being oratory of the Mashiach or synchronic Messiah. Beneath it, Vernarth would begin to pierce looking for the dimensional spaces of the search for his physiognomic extension adaptable to everyone's and evolutionary memory that separated the entrance of the Shemash and Selene over the glasses waiting to be filled and drunk at noon. Eleven days before the Ekadashi (full moon) began. Thus, in this way, they would sculpt the poked catacomb in twelve simultaneous rocks that were in a perfect limbic diametral circle of the plotline of the orchard with their physical displacements in congruence with the moon and consciousness that agrees with it, like that alert of that fateful night in which was kidnapped. In perfection with the oscillating vibration that is expanding in front of the dorsal cold of the stone analogically when the Mashiach vibrated in physical magnitude and in the absence of alert, more emotional if after talking with his Abba. The tremulous line she encompassed was widely displaced further since she was transported into the Edicule isotope as an element of flight, escape, detonation and resignation, being able to find nature configured in the fuss of a great variety of isotopes of different mass. the one in a large part will exceed in the cumulative gasified reaction, and in cathartic events that will occur at fifteen o'clock on Good Friday when the prophetic events and the mischievous changes of evidence of the cataclysm expire on the cross and hands. The eclipsed sun, storm with depressing losses, and tragedy for a world that will sleep more than seventeen hundred years to the right create the consciousness of being in more than two conscious places, with the minimum and childish aspect of the remaining second that is divided between the before and after the physical and physiological abandonment, beginning a final episode and conclusive torment that precedes a culminating beginning. All this transformation of the enclave and energetic dimension allowed them to synchronously pierce the sedimented rocks that were thus sustained in the timid energy, generating higher will field electromagnetism. Thus, in the sinkholes, everyone was drilling, they would be of the same mass category as the isotopes to manifest the energy and its dynamic charge, such an occlusive energy mass that would explode on the day of Golgotha's martyrdom. Preceding this energy phenomenon underlies the symmetry of the magnetic field created synchronously with words emitted in comparative Aramaic words with reminiscences that must serve in the twelve caverns of the garden in conversions and exchanges of exhalations of bees, bumblebees, and wasps of the curved universe that transits in the explosiveness of the lines that approach the dislocation ratio of the vibrations and their sound frequencies. Globally pollination as a genetic element of the fresh chlorophyll macerated as kinetics in elytra of Lepidoptera with the indications of connecting the clan with the aforementioned electromagnetic energies. The interaction of the fields within the system will be induced between Golgotha ​​and Gethsemane, they will establish here electric charges that will produce gases and liquids that will intervene in the entire lithosphere that unites both portions of soils, this created the interaction of particles establishing the undermining of rocks with basin-shaped Calota de Calavera, due to the geological conformation of the radius that surrounds both predicted areas. From this standard, the caverns will be improvised in the garden, magnetizing the vibration areas that depend on each other. The search Interrelates a magnetic and electrical phenomenon between both zones; the impulse to anticipate the premonitions of the Mashiach is derived, and how he was going to endure such torments towards his illustrious body in such a way as to retransmit it electromagnetically between the transmission bridge of the Garden and admission to Golgotha. This will unleash all subsequent supernatural and geological phenomena during the day of his torment and delicacy that will be glimpsed by decree of an execution damaged humanity exposed to orthodox fanaticism, causing a sensitive correspondence between the transmission of faith and the dogma of attending to the work physical and mystical legacy to protect for successive generations in the species Berna Olivar, ratifying correlation of the majestic and axiomatic cultivation of preservation under the catacombs and unalterable progeny of concelebrations of the eternal relation of a coalition of prosapia united to the shock and conscience of Christian Eternity. This gravitational potential energy will associate the Aramaic multi-effect towards all the attendees to confer, dialogue, assimilate and consent towards a supra lingual organic and historical heritage dynamic channel, on the basis of a monumental act of consanguinity in front of all will, "Here are all alphas over omegas." Creating complex harmonic movements between the caverns of impiety, but with a perfect and renovating equation with the redeemed Prayer in Aramaic towards the universe in quasi-face-to-face degrees, but not verifiable until the ritual of saving prayer is concluded. The chain reaction of this divine particle will be the opposite reaction tax of the active consolidation work area tensioned between the pilasters, Golgotha ​​and Gethsemane, both are started with "G" and if you turn it in any direction surrounding it you make a perfect skull of no more than twelve kilometers, whose distance in a direct line would certainly be crossing the eternal vision through ocular concavities, demonstrating levels of analogy and esoteric analysis. The extended reciprocity and supra value of divine consciousness are latent, from where the emission of the word and the will is born "the Calota or head skeleton" in the sense of reduced material and the corpuscle of antimatter that would come to be where the universes intersect in the elite of direct mercy (one has already happened, but another sphere of the difficult concavity has yet to travel..., only a Messiah will have to cross it when it returns to us again). This Eclipse of the Messiah of the Sun is a dark aspect of anemic light, torment, and three Maries, vindicating itself in this token of superficial passion in the Garden and antimatter rooted in the anti-particle, which evades this great event by lavishing its blessed spiritual figure with a charge of ambivalent theological antimatter; of egregious trust and bipartite univocity but fainting for the dark mercy on Golgotha ​​and light in the Garden of Gethsemane. "His body trembling and the Earth also" Shibboleth was getting up to distinguish members of a group such as the tribe of Ephraim, whose dialect lacked a sound (S), unlike others such as the Gileadites, whose dialect did include it. Shibboleth is a spike and also celebrates the fertility of the wheat crops and all concomitant species of the natural and endemic species of central Judah. And the Gileadites took the fords of the Jordan River to Ephraim, and when one of Ephraim who had fled said, Shall I cross over? The Gilead asked him, Are you an Ephraimite? If he answered no, then they told him: Well say "shibboleth". And he said shibboleth because he couldn't pronounce that luck. Then they laid hands on him and cut his throat. And so died forty-two thousand of those of Ephraim. however renewing when released by the contending magnetic forces that made Virola a whole that surrounds Gethsemane and Golgotha ​​as a magnetized tunnel of great mystical conversion for purposes of adaptability and preservation of renewed fertilizations of bumblebees, bees, and wasps in view of a commonwealth conforming and spreading in all spheres of faith and apotheosis from the pre-act of the Messiah's refuge to the judgment and punishment of his truth. After expunging their scourge in a dazed journey, they will fall with great similarity to the verb "Betrays and Forgives", the Universe in its creation renews everything, because that is how it has been written since the beginning of the Universe and by whoever dictated it." Shibboleth, will reconcile differences of understanding without prejudice and differences of geographical, anthropological, lingual mentions, cultural and divine verticals. "Our informal culture is preserved within village houses by resisting the scourge of victorious death, within the cave that protects us in its infinite mercy and commiseration" Maasefa and The Valley of Dry Bones collide at the appointed time the Svein Tzora, "the flintstones", to kindle the fire of the Messiah. The thunder was such that it made the seas decant for rivers and thunder on the terraces of the houses and fire on the banks of each unfulfilled prayer! Everyone gets up, each one leaving each cave of his ordeal, and goes to the meeting of the Dry Bones. The tradition of gathering the bony componential that has no soul all deviates towards the request of the flesh for its soul. As the account of the Prophet Ezekiel, five hundred years BC There are many outstanding remains of bones, this would resume in Gethsemane for the offspring of the Messiah's son caste, the Cherubim with the Lepidoptera twenty meters from the Svein Tzora donating light and heat to begin the ritual of dim moonlight. It is already a crescent moon and dim green lights shine through the beautiful dim green branches that light up the dry land of the beloved orchard on the face of the wasteland Calvary. The advantageous meats that began to butcher the bones raised the desire to start ultra fast in the oropharyngeal area, to endow solemnity and fulfillment of the prophecy of the sacred language of the Aramaic lingual group in tune with the vibrations of sound waves of the wind in romance with the blows of the fire towards their faces. In this way, the spirit of Jehovah was adhered to reunite the primary words of reunion of the edicts of Bethhelem, with the visions of Joshua so that the stable in its language emits the immortal edict from the very stable Kafersuseh to Gethsemane. Now everything was holy energy in union with the lands that made the compost fertile and his word was fulfilled, The valley of olive trees was reconverted and prayed complacency, everyone tried in the attachment of clan and twilight in the accidentality of the event, the new reason will not deprive of anointing the past-present in the realization of the joy of remains with bones, of laughter with laughter, of a patriarch with veterans, of offspring with their offspring, with the greatest thing than a hand covered with a great spirit over a valley where only distensions and candles should fit in each one of them. with Joshua's visions for the stable in his language to issue the immortal edict from the very stable Kafersuseh to Gethsemane. Now everything was holy energy in union with the lands that made the compost fertile and his word was fulfilled.



Paraps XXIX

Mashiach of Judah VI part

Miracle VII- Gethsemane / Meshuva Basics

The kicks of the feet begin. The twelve Giga camels stand up with their paired toes beginning to peel off the fat deposits of the remaining six camels with hoofed nails. They tore the epidermis with their fingernails to spread fat and oil into the lamps of light they need to distribute from the Full Moon in each palm of each component. The moon was in cacophony, it walked everywhere and imagined itself in the court of King David, drowsing in cubicles at the first light of the second sleep in the morning. Undivided they walked in procession through the source of the change in the socio-religious paradigm that kept them united, they were Raeder and Petrobus, Alikanto with a golden mount on his small back, the Lepidoptera, bumblebees, bees, and wasps, they tiptoed silently over the first level of damp wind at dawn, many of them perched on the backs of immune camels to ride with them to the reestablished Gethsemane starting point. In their phylogeny they collaterally impute the taxonomy that belongs to the camelid genus, which is a taxonomic category that is located between the family of Judah and the Middle East in the buried ecclesiastical species; thus, a genus of a group of organisms is propitiated, which in turn can be divided into several species. As ungulates as well as strictly herbivores, their musculature differs from other proboscideans in that the legs are attached to the body only at the upper thigh, instead of being connected from the knee up by skin and muscle, therefore it will be very easy for them to connect with flying insects so that they do not have to kneel. While the six sectioned the tanks of another six, and so they will continue to be stationed and intervened until their superficial wounds heal before leaving for the return to the port of Jaffa. On this long journey until dawn, they must stand on their footpads to resist the final farewell cult of the twelve caves, as they emerge from the placental sites they had developed with the Primogen to empower the vestigial area of ​​the rescued Aramaic word. This will be to grant and scale prosperity by having the signs of vitality intertwined, with each reminiscence of calls and responses of messages for the "Propitius Esto Humanity" that is projected in the secular future. This will be generated by external stimulation each time the intention to communicate with the ceremonial of existence-life-deaths-fullness is presented, thus the voice of the greatest incisive devotional forces will resemble, grabbing or grabbing the smallest voices that can even be overlooked or not understood when the Golden Gate of Jerusalem is inaugurated. From the very top, the Gigas species can be seen walking with six candlesticks, these species cross their artiodactyl locomotion towards a fluctuate on the flames of the candlesticks towards the rock of Mashiaj. While the other camels were recovering from their wounds, they looked with their calm eyes and were very aware of the proselytizing nunciature that channeled the reactions of the Hexagonal Progeniture, thus being absolved of the commitment of the prayers for the new launch with the atmospheric ordering ceremony in Getsemaní with the voices of the Messiah, with the framework, volume, and reverberation to flood with light and sounds in all the geographical areas that have not had a subscription. As the Giants trod the grounds with their hoofed nails, Vernarth and Alikanto, Saint John the Apostle, King David, Eurydice, Raeder, and Petrobus (The Hexagonal Primogeniture), made solemn vows before such an episode. It was not long before dawn and even Selene disputed with other stars of the envelope to shine more for such a great event..., as it is surprising at the moment that everything would seem of stillness and gestation of winged embryos appearing from the top of the Bern Olive trees near the Cherubs. They came with the Mashiaj who brought them new charities..., he could be seen in a deep field in two light bulbs of his white tunic, full of gold and blue lace, with Lepidoptera around him throughout the journey distilling crimson celestial radiosities.  Meshuva white cloak descended through the fronds of the olive trees lit and previously illuminated by the northeast ***** of the orchard, the Cherubim and Archangel Miguel and Gabriel came with decided parallelism by six-folding the interpretations expressed by the Lepidoptera, for the purpose of consolidating the institution of the north side of Gethsemane as a sanctified area of ​​Aramaic prayer and devotion of absolute naturalization of the classification of the Cherubim and Lepidoptera as winged tetras and Cultivators of the phylogenetic transmission of the pollen-orchard on the opening of the gynaeceum of the Olivo Berna, in the Valley of the Olives, and taxonomic choice by hierarchical order of the species and geo-referencing of the asteroseismic corridor of the narrow pass between Bethhelem and Gethsemane. On the tops of the olive trees were the Cherubim and the Lepidoptera, they fluttered through the flowery ramifications intertwined with the Messiah's tunic that came descending with an accent of graceful Torah, then the dawn of pre-dawn fireflies re-blooms on his face..., they brought a million beams of another thousand groups of beams to be born among the first luminaries of the day. The Lepidoptera ascended through an oval interval and in a spiral path through the petiole until the fifth generation of Rapa or Eskimo with forty flowers with four white petals in phylogenetic synchrony with Cherubim and Lepidoptera with four elementary portions to deliver the fundamental membrane that will generate the physiognomy of the Messiah between the transposed ones, and blond, ruddy lights of the Messiah's face with the cross-like texture of themselves on their shoulders of Capernaum dew. The Esquimo or the flowers would grow in clusters of between ten to forty flowers in perfect series depending on the variety, each flower would also have four white petals, a little pulpy facing each other in a symmetrical cross, and the flower will bring in the center an orange-yellow hue of an arboreal sphinx that would be filled with clusters that will transform the appearance of the oil-bearing tree, giving white brushstrokes to the olive grove before stingy gallantry glances. Each flower will supper from its captive pollen for approximately one week, so the flowering phase of the olive trees will turn before a brief duration, but of a messianic lapse with the cyclical lives of their idyllic Syriac Aramean. The female and hermaphrodite caste will bring you the biblical universal pollen with tremulous stamens and surcharged pistils traveling more than nine and a half kilometers from Bethlehem of the "Kafersuseh" to the orchard. Before the majestic pollination, the archangels Michael and Gabriel will invade two percent of the gynoecium of the flowers, giving way to the Meshuva candid cloak, full of white apotheosis petals. Vernarth rushes to the ground and rolls around between the petals filling his entire body and face with thousands of them, leaving many of them transfigured in the oily fruit of the Palate Universe between the ring finger and the index finger with an accent of Purification of the Mikveh, floating like neutron orbit of Life and Micro Universe only to be entranced by the presence of the Messiah in his white robe of petals.  Coming down with Bernese Petals strawberry trees in his white tunic, the Mashiach rushes to Vernarth, takes him, and tells him secretly: floating like neutron orbit of Life and Micro Universe only to be entranced by the presence of the Messiah in his white robe of petals. Coming down with Bernese Petals strawberry trees in his white tunic, the Mashiach rushes to Vernarth, takes him, and tells him secretly:

Mashiah: "Only you..., in each one of these white cells you are..., and in those that you are not in my remembrance, it is reborn as the fruit of the Bern Olive Tree. Over the cup of this species I heard your prayer, I know who you are and gratitude for resisting this lymphoma so nobly, I took it out of your soul when it was confused with the fresh breeze of the grass that feeds the fungi of pain. Immerse yourself in this Mikveh of columns of white petals from Bern, here the voices and words of Aramaic will run in a row to the right to sip white in my thoughts of the Gospel, with your miraculous grace by returning to me John the Apostle being exiled by Domitian. Come to me walking on this unleavened bread with Bern olive elixir and let's drink Hanukkah wine and its vital dawn that boils with each sip of the glandular thymus and your sore chest in between. I am tired, I come from far away, but I have taken this road from Emmaus to lift you up. Arise and come to My Vernarth." Vernarth erects his purified column with the petals emulating the Mikve "Purification", he predisposes himself to the Holy path of the Meshuva "Return to God". So from today Vernarth is born and revives to continue his journey back to Patmos. Mashiah says: "The why of the naive deviation will **** them and the complacency of the fools will destroy them. Your own wickedness will correct you, and your apostasies will rebuke you; Know therefore and see that it is evil and bitter that you should forsake the Lord your God, and the fear of me be not in you." Vernarth says: "We will be loyal and under these leafy trees Bern I will proclaim to the north saying; that we walk towards merciful fidelity and declare all together! We know that  My Lord will heal us of our infidelity, that is why we have come here because You are our Lord God." St. John the Apostle replies: "The lion, wolf, leopard, will **** us, destroy us and tear us to pieces because transgressions and apostasies have invaded in great numbers..., my beloved Mashiach, we have already got rid of the deception and we want the Meshuva back to your ether. of the accomplice desert with the aromas of the flying weevils that the Aramaic lexicons bring us from Kafersesuh to re-graft them into the eternity of your word that crosses the entire universe. The world has sinned against you, the apostasies are innumerable, and we are here to lovingly honor your name. So my people were determined to push me away even though they call them to the Highest, none at all exalts him. I will heal his apostasy, I will love them freely because my anger has departed from them" The Garden was eclipsed by the cardinal points, it was delineated by a Cherub from South to North, for the main border that passed through the zenith where the Mashiach would order the promontory of the dependent rock of the placental rocks that coexist with the twelve inhabitants who had erected them with their eyes closed and opened by the light of Faith. The border that Vernarth and the Apostle nominally saw, was connected with the new division of the world of the stagnant word, and in the new route, it revived in a perfect cross from west to east towards the paleo trill of the Palestinian Eagles loaded with incense and sawdust from the felled Olive Tree for the furniture that they used as input in the lavish boasts of the Romans. The magnetized needle will crack the back of each of the members,"O Kýrios tha epistrépsei se mas, tis rízes tou Kósmou, ópou krémetai ta skoupídia tou" (The Lord will return to us the roots of the World, where its concrete debris hangs). Then this voice takes from the inconcrete state, aligning the excellence of the north of the Messiah, together with the iron of the blood plasma of Vernarth and the Apostle to be magnetized towards the north in the sublime magnetized cardinal. Shemesh-Sun King order of cardinal parallelism is thus established; north: north or boreal ruled by Vernarth and Saint John the Apostle, South: Meridian or Austral by Etréstles and Eurydice, East: East, rising or rising ruled by Raeder and King David West: West or West. In this way, the insects and animals, declaimed the sunrise of the Sun to the Levant before each cup of the Chalice synchronous with the intercession of the cross to the tangential of the horizontal that extends to the west when both phases of the solar cycle are aligned with the departure of the Bread and discharge of the Messiah from his time in the cloister. The Alikantus and Petrobus animals will be ruled by the Northeast and Northwest, while the flying insects will be ruled by the Southeast and Southwest.

Etymological ellipsis of Ancient Nordic Civilizations: The east-west perimeter is considered as the axis of the abscissas in a geographic coordinate system, the axis of the ordinates would be described by the north-south line, which corresponds to the axis of terrestrial rotation. This composition generates four angles of ninety degrees that in turn are divided by the bisectors generating northwest, southwest, northeast, and southeast. Thus the Rose of the Winds is demarcated by the Esquimo del Olivo flower in perfect harmony with the circumference of the horizon. This will attract the lines that intersect verbally and non-verbally, by the abscissa that delineates the guideline of the Rock of the Messiah overflowing with total generosity to shine in the caves at dawn, to sprinkle them with the rays that they lack due to the supposed static latitude. In order to parody the line of the lethality of the Norse Gods by being tangential to this new alignment of the earth axis and laterality coordination, only through the Apples of Asynjur can they hope to revive until the final destiny of the Gods. This Nordic parallelism goes back to us in the chapter Vernarth Chapter II - Animal of War in Tel Gomel, where Asgard is mentioned, which in Norse mythology is the one conceived on earth, it is a rainbow bridge, Bifrost, which connects it with the paradise. This etymology will cross the genesis of the plotline of the entire Hellenic epic in the first chapters until it is reiterated here in this Messianic epic with the demarcation of the limits in Gethsemane, that marks the guideline that intersects the exact point of the Aramean Prayer Rock for the diction of the words and cosmogonic interrelationships of cultures and the sparkling use of the atavistic language before the year 332 BC and even after, to project with the temporal line of the regressive line of parapsychology after 1820, in the Spanish Revolution of this same work. This demarcation has intertextuality in coordinates of time-history, to make this unpublished Gethsemane map the timelessness of archaic civilizations, which have applauded and venerated all cycles of life and fall under the same precept of cardinal laterality, acclaiming a God who he flowed and created the North whether he lives or agonizes, but if he wants to revive he will have to come to his threshold of quantum departure "The Garden of Gethsemane" to be projected with the timeline of the regressive line of parapsychology after 1820, in the Spanish Revolution of this same work. This demarcation has intertextuality in coordinates of time-history, to make this unpublished Gethsemane map the timelessness of archaic civilizations, which have applauded and venerated all cycles of life and fall under the same precept of cardinal laterality, acclaiming a God who he flowed and created the North whether he lives or agonizes, but if he wants to revive he will have to come to his threshold of quantum departure "The Garden of Gethsemane" to be projected with the timeline of the regressive line of parapsychology after 1820, in the Spanish Revolution of this same work. This demarcation has intertextuality in coordinates of time-history, to make this unpublished Gethsemane map the timelessness of archaic civilizations, which have applauded and venerated all cycles of life and fall under the same precept of cardinal laterality, acclaiming a God who he flowed and created the North whether he lives or agonizes, but if he wants to revive he will have to come to his threshold of quantum departure "The Garden of Gethsemane"



Gaugamela

Palace of the Camelids

The roosters of Persepolis sing again. Its disloyal resonances and deadly gloom came from seventy kilometers from the Iranian city of Shiraz, province of Fars, near the place where the Pulwar River empties into the Kur (Kyrus). The Rooster specters came mounted on the houses of the twelve Giga Camels..., recovered from the remaining six. They came to withdraw to take the path to Jaffa. The House of Camels began as preservatives of the immunity required to be in accordance with the sanitary ellipticals and adaptation to the exit of Judah. They were bound for the hemicycle of the Lepidoptera consorts united with the specter camels Giga and the Early Birds that will give the first row in the game of the Primogen, after seven weeks in Judah. Knowing that the phylogeny of Animalia is of wide versatility of this super being of the desert Animalia that will agree on the departure of all and repatriation of the hexagonal Primogen except King David who will enter the Celestial cenotaph in Jerusalem escorted by the Cherubim. From Tel Gomel came reverberations of sonorizations of the last metallic rattles of swords and howls of Macedonian infantrymen colliding with each other with their pernicious weapons. While these screams reverberate like an anvil falling at ninety degrees on hailed pieces of perspective of the Achaemenides..., their families already had to say goodbye to their family plains, since many lost their souls cracked from inhaled mutilating curses. Today a miraculous event would occur from the high sky a Dorus Hetairoi would fall that came flaming with fire. And from the northwest side, a Sarissa spear fell that intercepted in the immediate vicinity of Joshua's stone-forming neat Cross lit with the brightest star. It was nothing less than the vehement fire of Meshuva that brought with it drops of water from the Jordan with the Image of the Baptist, to make the hierarchical gravitation on the ponies of the Camels that at this point had all the dominance of the plague of the sufferings that They could cause a great impact on the twelve camels due to an endemic outbreak as a result of some leprosy in the surrounding area, causing higher contagions to those who ride them. The panorama was one of total rhetoric consonant with Tel Gomel, "Gaugamela Palace of the Camels". This paradox came to resent the reciprocity of magnificence of these camelids in the perfect analogy with Gethsemane, for this purpose to agree with the ghosts of Shiraz shortly before the great battle of Gaugamela began in 332 BC. C. equating the lands arranged before the plantar areas where these divine species continued to bring the sense of war around sensitized, converted into battering rams of mustangs crossing the auscultated portals of the Garden in an agony of interlude. Over the soft roar of Tel Gomel came maidens in white tulle with semi-cross dresses, serene and chaste from the plain of the Palace of India were the wives who married the commanders of Alexander the Great. They were from the war lineage that also came to concelebrate the farewell of the Animalia and Hexagonal Primogeniture. Today the seven miracles come together in a perfect line of the Apeiron, which of all things identifies this first principle with the "indefinite" or "unlimited." Considering that the constitutive principle of things was the Apeiron, which is neither water, nor earth, nor fire, nor air; It has no concrete form, it is infinite. The cosmos is born, develops, and perishes within that "ápeiron" in Gethsemane. This existential infinity of the beginning of the world is born from this feat in Gethsemane, affirming that only this immaterial element nor any other of the so-called elements will bring the ápeiron nature of the Garden in flames of love from which all the heavens and elements that are in them are generated in Gethsemane renewed towards the infinity of love of Joshua. Now, starting from where there is a rebirth for things, reconstructive destruction is also produced there, giving rise to needs; in fact, they pay each other by blaming and retributing for their injustice according to the disposition of time speaking of these things in rather pastoral terms, these maidens come in their feathered chariots from Sisellas of Tel Gomel for the blessed ones who club the underground of Tel Gomel and Bumodos, among cosmic rinsings of the Apeiron of the Messiah beyond its origin in the Kafersuseh (many births under a single great multivalent spirit among thousands of stables of origin and powers of Dimensional Beams, where the master lord worships from the trapeze hanging from beam to beam). The fireflies, bumblebees, bees, and wasps, resemble the profiles of the hollows and hills that were hidden before the figure of all this nascent profane world, more grandiloquent than migrating and fitting the engineering of the great beams that support the structural sky predominantly on supine and flexion. The World, after decompressing, dragged the linear orographic cords of Gethsemane, puncturing the cords of the rocks and its messianic average lithosphere, in this way it opened twisting in the inertia that toward the rock puckered a fist of guidelines that distilled in later moments and of adaptation of the inertia to adapt with the dynamics of the Aramaic emerging from the mouth of all the olive trees Bern after yawn and slime of trapped dust. Vernarth says: "With my Xiphos I will establish life beyond the burning of wounds, come worms to snack on your meat Hoplites, come now..."I am Hetairoi..." and I usually die several times over the worst pains in the jaws of ambrosia with Hestia but I do not tolerate that others suffer pain beyond my control. In the minutes that the horns of the wind besiege, the living Garden of the jailer will be freed from us, constrained to uncover the insidious and opaque sphere of solitary confinement, that deprives us of knowledge even being embarrassed about the same death and not attentive to it that blooms on the plethoric thorns of Saracen alcohol" On gigantic dimensions, the insects copulate the shadows directed on the shadows of the Giant Camels thus beginning the departure of the Aramaic Huerto converted into the new palace of the Animalia, despite contending pretense of pollen on each particle of the Mashiach's concretions now on the platform of the Palace of the Camelids and on the Holy hummus of the Garden of Gethsemane. The Apostle Saint John says: "anxious urges to go to the other side of the evocation and have to look at other tree species with water from the universe that irrigates the world in the swamp"... He appears sitting on his golden Petrobus cloud with Raeder... Raeder says: "I will go with miraculous airs and terrified of themselves of our own miracles, bathed in the water from the flow and from the head of Petrobus, we will supply water where there is none, but he has no mention, only the instinct of those who need him. I have to hang myself from his Jade Ferrules that carry his web-footed legs. Now is the time to continue at some point in the line of the twelve ungulates after these seven weeks in Judah" Eurydice intervenes: "I will get on the camels and talk with them about why the line that leads us will never separate from Gethsemane. We know that we have to return from Jaffa to Limassol to remove the Mariano gold medallion that was bathed in the bottom, and that Procorus awaits us immersed in the aroma of the Garden. I keep a crack in my heart where a Bern Olive tree grows, and that of its sprouts that are populating the houses of Skalá and the heights of Patmos" King David: "I will proclaim over the baptismal airs, and that the ghosts of Shiraz will raise Olive trees from the balusters of the avenues of Berna, to raise the props of passageways that lead to the heights of Agamemnon creating the kingdom of Mycenae in mythology that will propitiate the sovereignty of all of Argos. This was ingested all of a sudden in the triad of the Hebrew, Aramaic, and Hellenic worldview, to triumph over the excess of external knowledge that they had and will have to be kept in my cenotaph full of wandering aromatic weevils" Etréstles states: "the emanations of the Sun and progression of other suns will always be the adjective that will make us be part of every particle of land here in the Garden, Messolonghi, Limassol, Rhodes, and Patmos.

Also after this episode appears Campaspe, one of Alexander the Great's concubines. She came on behalf of all the maidens and concubines who were betrothed to their commanders in India. The beauty of this noblewoman is renowned. Campaspe says: "We were all going to be Sovereigns, but the face of expiration was always in front of the Commanders of Alexander the Great. The outfits we wore were only black and had scents from Palacios de Gaugamela. The cold that is born from another leads me to possess those of others that are not the ones that bring me here. I was given into the hands of a painter who portrayed me but the true meaning of the warm mustard lands of Gaugamela is in the heat of the wasteful pleasure of the solitude of spaces, there is no greater striking and curative good than the one that has come from Vernarth to Tel Gomel, paraphrasing the sensuality and sadness that continues to manifest here in the hovering hoofed hands of the ghosts of Shiraz, bringing to greater confusion to unite all the forces of the world for all the blood that has not been emancipated or renamed" The gray mist of the Garden on gum resin mourns, the insects moan the test of the triangulated pollen that Campaspe disseminates in its nascent genome, and the twelve camels begin to turn on themselves along with their insulting long and prolonged snores. The hillsides snort in procreation in the whistles of the fresh air disputing the attire of the Bern Olive Trees that ebb from the elongated bands of their white dresses *******. The Mashiach was leaving between the gray strips of naked nubiles. The weevils followed him out of the caves of the previous character of Golgotha, and the Lepidoptera emitted voices in ancient Aramaic similar to the event of Bethany in the hands of Lazarus contracted to immortalities in the shreds of his shroud turning green in the hardened olives in an epitaph never chanted. Gethsemane became a mezzanine scale of Persian architecture, but of a channel of the affront of a high premium measure, Mashiach in each of the four wings of the Lepidoptera and Cherubim, frolicking in the emulsion of the phrases exuded by the aerial rounds of the insects that were compressing the new cycle of language, together with the candle overflowing with pearlescent matches running through the thin flannels of the Mashiach's farewell together with the foamy secretion of the Olive Tree and with the dominant beam of Kafersesuh. Vernarth and the Apostle close their eyes already mounted on the camelids, they take a slow walk on the mezzanine that suggested walking through rocks and desert lands. Everyone was already mounted on each of the Giga camels, leaving Gethsemane flooded with insects, birds, and blades, clouds of Pollen over the fumaroles of the quantum.



Paraps  ***

Ghosts from Shiraz to Jaffa

VII part -Mashiach of Judah Miracle VIII

They leave Jerusalem with the mountebanks of Shiraz, they were ghosts of the plectrum, the wine, the roses, and the fireflies sleight the path of the twelve camels until the intersection with the Cenotaph where King David will stay with the Cherubs of Kafersesuh. They were Epi ghosts that basked in the footsteps of the camelids. They went in the cessations of the bent nails and plants of the areas of the marquee of the other four ghosts that accompanied him. They were tightrope walkers with water wheels of wheel balances with tutelary ropes, some with a stilt of opprobrium from the monetary wealth of Judas Iscariot and the last propelled by a caper that governed all the others on the wings of the Fireflies. Removed from the road that leads to the Kidron valley falls on them all two thousand five hundred years with clay tablets from Persepolis, they were phonetized with the plaintive nightmare of the tortuous poem of Tirazis; which is currently Shiraz in this way these ghosts escorted the Hexagonal Primogen, they were exiled from their ghostly cities for not paying the tribute of obedience to destroy and rebuild. When they began to be with them in the cove, the acrobat ghosts were seething with the desire to prevent everyone from being saddened by the party from the orchard that was falling further and further behind their footsteps, dancing with their pirouettes along the way, telling little stories in their ears. of the travelers. which is currently Shiraz in this way these ghosts escorted the Hexagonal Primogen, they were exiled from their ghostly cities for not paying the tribute of obedience to destroy and rebuild. When they began to be with them in the cove, the acrobat ghosts were seething with the desire to prevent everyone from being saddened by the party from the orchard that was falling further and further behind their footsteps, dancing with their pirouettes along the way, telling little stories in their ears. of the travelers. which is currently Shiraz in this way these ghosts escorted the Hexagonal Primogen, they were exiled from their ghostly cities for not paying the tribute of obedience to destroy and rebuild. When they began to be with them in the cove, the acrobat ghosts were seething with the desire to prevent everyone from being saddened by the party from the orchard that was falling further and further behind their footsteps, dancing with their pirouettes along the way, telling little stories in their ears. of the travelers.

Hydro Saltimbanqui: "I come from Roknabad (also known as Aub-e Rokní), an underground canal that brings spring water to the city from a mountain ten kilometers northeast of Shiraz. Here I have to mend propellers and water ropes to do my acrobatics on the water with general songs from the poems of the Poet Hafiz. When we bite our tongues we repair it with the verses of Hafiz's Koran, there are three hundred creeds, three hundred hectares to irrigate with my wheel the sadness of those who cannot have the gifts of the rivalry of Black Mount and White Mount to overestimate the vividness of the caravan that trembles with uncertain doubts on the way to Jaffa" Saltimbanqui de Báscula utters: "We are Epi ghosts, greened in reverie with tutelary ropes to jump through the trapeze of photometric units of the heavy Almería of the highest Mirror of the Sea. Here we look from the same that will be boarded on the barge that will take them back to Limassol. Curiously, the same ship from Lepanto that sleeps in the swaying of the sea and arms of Anaximander in a new awakening from the lethargy of superstring theorizing, here is the intrinsic speculation of science since this is not only purely empirical research." Anaximander says: "First..., we do not have the agreement that string theory is not ultimately correct and in the future in some verifiable way. Second, we propose a purpose of the order of string theory that is necessary for science and its importance going even beyond the scientific to also project on the metaphysical and the religious, right here in this order of greater what to do attached to the string that leads me to Patmos. Saltimabanqui de Báscula responds: "metaphysical and religious legitimacy, here we are making knots in the tow rope that will inaugurate a new masonry in the verifiable futuristic gaze. Here is the original fiction of continuing to raise the necks of the ants above our optics. We will jump over these two ropes but we will fall on intervals of physical placental caves that were born from the neo-embryo in the Twelve Caves of Gethsemane in a late primordial germinal process. The micro phonetic vibrations will have to raise us above the hunger to continue and leave King David in his cenotaph gored on his hips by the Cherubim marking his holy horns that are confused by the blunting of the cuneiform scratches of his epigram. Between theoretical magic and exotically as associativity of substance causally of poetic song and multiverse, believing in the ghosts of Shiraz, such dreams injected to sublimate Aeneids that lamented in the stones of the bottom, even being independent of their material origin. Multi universes, multi paraphrase for those who have to adorn the word "Rosa with the noble long dress of him to the cliff of Ebdara when Vernarth acclaims his brother Etréstles, he comes with the Charioteer from Messolonghi. Rested and resolved to head for Tel Gomel, He comes with his horse Kanti to keep him company on this crusade. Kanti braved the Cliffs of Crete, and was subservient to Markos Botsaris, 1821 (Royal Hero of the Liberation of Greece in the Turkish Invasion, Koumeterium Messolonghi-Xlibris USA), until in the afternoon he approached from a herd of beautiful stallions to the. This was heard by Etréstles and he seized His horse to have more than a Life from His company, more than a lost lost aroma of His natural mother to reach the indicated one who treasures it". The ghosts attribute quantitative passages before leaving King David, and then proceeding to Jaffa and getting ahead of the ship back to Cyprus; Limassol. They were all hyperkinetic bowls leveraged by the terrain that went on the **** of the histrionic mountebank presaging contours of the temporary filigree that each one made them smile at the carriage with oxidizing wheels, still being immaterial beings but alive in their vapors of portent wading the serous bile that they emerged from the glasses in their allegories. They did not stop their footsteps or their phonetic figures undulating over the caravan that had already passed Jerusalem. The areas, volumes, and lengths were fully covered by the Ghosts of Shiraz, the mountebanks ran along the banks of Ramallah and it was winter, the city received them with winds and inclement weather from the southwest alternating with cold and dry winds from the northeast. The mountebanks went like master geometers to condone the fuss of the caravan by devising a dodexagesimal system. (Twelve Centuries of Ultra Nocturnal Geometry, and Shipwrecks in the Lighthouse of Alexandria).Positioning the number 12 as a base, to measure the times and angles that they needed to avoid the voluminous rains that lashed the caravan. Incredibly, the volumetric position of the plantar legs of the camels seemed like wheels that turned without stopping at any anti-circumferential radius, turning some clouds into a wicket that enclosed them like a quadrilateral of the flock of God in the high semicircle of the waters that pretended to fall as axiomatic staffs in the beard of Euclid tempering his elemental construction. The linear position of each of those who were mounted was a perfect ergonometric based on the Muladhara pressing four purple petals on pressing Vernarth's Achilles heel that was dimensioning the triangulation of Ramallah with the lichens that were housed in his sword Xiphos at the apex jet that carried the dodexagesimal cartography. In the same position, it seemed the Apostle Saint John carried the rosary in his left hand in geometry that stretched across his nose and feet in a thirsty adonis triangle of one hundred and twenty degrees of the sextant widening his spectrum to align with this Primogen. This is how the stars and planets are positioned in celestial spheres with the gravitation of the Olivos Bern revolutionizing curved and flat equations that intuited to go beyond the crossed pirouettes that the mountebanks did all along the road, even further than those on the withered oil road purposely unquestionable systems that the Ghosts of Shiraz intended to establish. Ghosts of Shiraz; These Persian Epi ghosts started from the axiom and ideal abstract entities relating models of austerity and lyricism that fluctuated in the lines and planes of movement of the clouds, with the counterpoint of the plantars of the Gigas leaving marks in the sand like Morse point, Vernarth diluted his bones to settle them near the tarsus and accommodate it at the end of the vertebra of the Muladhara (Chakra of 4 petals) making a sub-technical geometric function to preserve the plasmas of darkness that were also diluted to arrive at night near Jaffa in the surroundings of the isometric fire existing in each one and in two dimensions..., but being born from a common one. Raeder and Petrobus had their rims floating full of dusty and dense mania on their faces with rubber from shards that had been released from one of the stunts of one of the mountebanks when colliding with the basic postulates of the Ghosts of Shiraz, deducting spaces that undulated like snakes. within the isometric fire that dazzled them with white-hot humor of the last drops of the Shemesh codifying in absolute intuitive measure, more distant from any dimension that is Consciousness destroying planes and spaces that multiplied each other as members of another geometric conscious dimension. Arriving at the Ben Shemen crossing, everyone suffers collective hypnosis, the ghosts manage to embodied in each of the components of the Birthright but omit a great factor. They relegated the Hexagonality of the genetics of this caravan, the ghosts not knowing how to calculate the area once they were being intracorporeal within the members, thus having to leave before the last dislocated Shemesh ray threw the ashes of the Gehenna, for this supposed reason of leaving them condemned to recycle the human species for the purpose of reproducing sacred human beings, but being servile to whims beyond the immortality of the miscalculation that led them to Karim Khan's citadel, surprised with their image of thick stone walls and circular towers in the heart of Shiraz. This gave them a warrior aspect contrary to their fame and history: this was a city famous for two thousand years for its culture, with its gardens and its poets, now if in a plot by this beautiful odalisque trick that attracted the guide of the ecstatic and bilocated ghosts, in a bad moment of extradition towards a bad context of epi ghosts not yet defined in foci of apprentices boasting of laurels of weak and doubtful ideas that still swarmed within his white heart, trying to reach Vernarth's as a former Hetairoi commander, today turned into mystical servile. In such a way they are complicated as "Sufi" ghosts, being, in reality, the genetic spectrum of the double ax that carries the double-cut of today..., of the sacrament of Medea in Abdera. Pro says a ghost from Shiraz (embarrassed): "The Universe is a sea that longs for dry shores, without sea, and without other wet longings..., no possible maiden could Try to dry it with her hands of stars... Who calms the crying of the Universe ...even so..., a simile remains floating like a verse among his dreams" "How can I make of my dreams another dimension of the universe if he is silent and does not make me float in his sea...how can I make it possible for the points of his stars to fill the spaces that have revealed him...and that have made circular shores without a sea between fogs" "I walk alone and nobody sees me... I do not wake up in candles that smile and accompany me... between days that turn into mornings on the shores of the solitude of the universe, that nobody embraces him..." "Now the days tremble with almost falling on themselves, they come out alive from their own loneliness of satiety and fullness... of whoever appreciates them in the mist... being able to surrender in attentions in Ben Shemen".

Creating a sequence that bends the heads of the ghosts filling translucent physiognomies between a cold past and super frozen future, from a classic mechanic that from now on would depend on dice thrown by the Third Ghost of time. Here a relativism would be opened to those who want to see the past in the orchard in an unstable particulate present, leaving far from the splitting of both parts of the archetype of today as a subdivided clash of several times that allowed the remaining phantasmagorical specters to be integrated, taking over history on a plural axial axis that prevailed in the time of a supposed number line from a vector aligning itself towards the compass of distance, that shines between both hemispheres of the north and of the minutes that go to the right and the solid-gaseous seconds that almost burst in the walls of their own liberated beings. The four Shiraz ghosts had time differentials before this event with the caravan verifying the simultaneous strut between the two pairs of ghosts between four dissimilar but idyllic ones that made them here at this point be ignored and annulled between two relative nomenclatures of physical structure. The durability and classification of these micro-times of the epi-ghosts would make the database that Saint John the Apostle and Vernarth will accumulate with their eyes closed, each surpassing himself in the debatable areas that concern estimating the occupation of physical spaces in some of them at their consent so that one of them could embark to Limassol. This simultaneous and relativistic multi-active line encloses events and quadratures of spaces in the cinematographic space of parapsychological regression, such a link of physical images slowed down in evolutionary and cognitive memory, passing from the conduit of memorizing events to expectations and their set of absolute figures not pigeonholed but if approaching the universe in prehensile scales of those who value them. present and future more as a pattern of departure to the unique future "today" by space of spaces. This unified three-dimensionality would mark the mathematical space of the attempts towards the future of the adjoining camelids of the ghosts of Shiraz for ownership of time among all with a single identity that cries out for an unequivocal will to rearm, although the winds of the partition that separates The word of God and the believing observer towards the ***** with a believer from a historical past in obscurantism, leaving and entering a new world whose notion is to spend connected and handcuffed in dependent systematization with great causes, although the static feels isolated from the dynamic, asking it to unite with the ghosts and the others, even though they are inferior forces under the line of the generous gaze and parallelisms of the attentive viewer that suggests more openness received, delegating circumstances to all physical, emotional, spectral dimensions and mental-spiritual, flexing the hierarchical emotional states of night and day. They all fall asleep embraced in quilts and lamb saddlebags, making it possible for them to approach the Ghosts and sleep next to them, embracing each other with strength decanted from some frames that hang from their masks, showing the vibration of being favorite children of the Mashiach, absorbed in the Kidron Valley. Quadrupled and cloistered in self-consciousness scattered like an iceberg behind the submissive thoughts that aspire to be tied to more invaluable time. Our Abba has us more tied to an absolutist past and future, looking at his calendar divided in such a way that the day that strikes the shadows of an incisive past always fits so that it always smiles at us in the best light signal of who and with whom repair damage of varied wounds that travel through the times of times always hurt, to and from borders of a remote anachronistic. The ghosts are always tetra fast they are marginalized to the sound of greater acuity, fleeing in Rishon Lezion to wake up a little further from the rays of the stationary Sun that from now on always surfaced in the degraded eyes of the mountebank prowling around the fairs of those who know how to wait, to make a treat under the pretext of Faith and hope that exempts the Cardinal turned into a flower decorated in white. Shvil of the Angels; The fast epi phantom tetras were emaciated they lost their north and could not walk, they were energized by the radiosities of the earth that rules over those who lent divine graces if their feet rested on the tapestry of those who threw their footsteps at them in winter now near Jaffa. The Shvil Angels were angels who were on the route that cordons off the pilgrimage of Vernarth and Saint John the Apostle, they were full of flowery Bernese Olive Trees that served as floral arcades at the entrance to this thousand-year-old port. They were three, when they walked, they always spread out so fast that they seemed to be six but they ended up averaging the quantum of three for each of the components of the Birthright, which from today would be the great circumcision event of the Universe, to make it part of that one day they will have to dissipate the rhombuses of the fragmented beams of light on the way to the sky so high, in the name of the phrases that never tire of looking eternally at the incautious years, which belong to our father through Exo galaxies in the total company of invisibility and cautious time relativity. This beautiful Semitic sea shore indicates and invites us to reach its salty Hebrew waters of Yofi, reinforcing the phonetics that runs madly through the border hills with their hearts in their hands when foreigners appear in the name of plausive phylogeny. That brings them a bearable piece of the farmhouse from the Universal flood, for this is that the ancient Canaanites have to receive them with the table served to entertain them with winter flowers in Jaffa. The Hellenistic tradition relates the name to Iopeia, which is Cassiopeia herself, mother of Andromeda. After Pliny the Elder the name is connected with Joppa who was the daughter of ******, god of the wind. Where Vernarth locked his shield Áspis Skoilé to shine in the bilges of the Eurydice under the pentagons of his shield's bronze layer whenever he approached the Dodecanese when the Auriga descended from Andromeda on the back of an oarsman battered by storms away from his home galaxy. Thousands of years BC its merchants glorified themselves with their baskets full of goods and merchandise for its inhabitants who today pretended to be pharaohs who contributed to the marine corners along the coast that today seemed to open with more new waters reborn from the capers of the swells founding thus the omens of embarking to attack and submit to the omens of sovereignty between Judah and Hellenic lands, to work with noble trees in their armories and utensils of which they traversed an honorable part after the maintenance of the emblem of the last portion of Alexander's libertarian triumph pole Magnus on the Phoenicians at Tyre. gazelle) in Joppa (Jaffa) and later how near this city he has a vision in which Yahveh told him that one should not distinguish between Jews and Gentiles while ordering the removal of ritual food restrictions (kosher) followed by the Jews. The Shvil of the angels distanced themselves from the appetite of this station without reaching them and not making them drink salt water from Jaffa, so they resorted to Petrobus, which a few meters before reaching the port summoned a large number of Dodecanese Pelicans who were waiting for them in great celestial flocks that hovered happily over the sky welcoming them. The pelicans levitate from a risky juggling act on the caravan and headed out to sea collecting saltwater, then they went through the initiatory path of Shvil and reconvert the salty water into sweet with hazelnuts so that they would have holy water to insolate it and serve it in canteens of the temple guards of the Canaanites who were waiting for them to distract them, making them believe that they were other Syriac lands as in those of Asherah that in this act perhaps it would be good for them to sponsor the Hexagonal Primogeniture. But the trails of angels confederated before the noisy crowds and Ptolemaic lemurs that scrambled into the empty spaces that remained. After this grave siege, Vernarth shouted to heaven with the force of Phalangist tradition himself, and hailed heaven for the good of freeing them from their definitive income to Jaffa summoning the Hypastists; elite warriors, and spearmen so that they would hem the portal at her Jaffa entrance for others who were never from nowhere and out of nowhere, only blocking her from her perfect theological heritage and memorial conservation plan upon return from Judah exit, to embark with destiny through the sulfurous ponto that will scald them in temporary waters towards the Cyclades and then to the Dodecanese, succeeding in inhabiting them wherever they were and whoever arrived with foreign promise. At nightfall in its first nubile shadows, the Shvil appears to them with these three angels dressed in ivory white, each one with a book in each hand and in the other a candelabrum giving signs of ultra-interpretive catechesis, allying itself with silica in combination behind the vision of the charms of propagated knowledge. Earth and sky in the second angel washing off the Semitic dew of Jaffa anguished with teachings of sleeping well and waking up, to walk in the lands that wish to seize the senses of those who are called not to be oppressed, behind bars of the morbid and illiterate Panavision of angles of hasty entertainment of the angels when they were called by the Regent Angel, simply relaying information easy to take to their hearts in faint powers and paradisiacal punishments, before falling into a thorny forest plowing their tongues into furrows of afflicted human charges and then earnestly redeem them with the judicious power of Hashem. Vernarth agonizes over the matter of seeing them so tender and so fragile allowing her to gently row towards him. Finally, these three rules of the Shvil Hanael are presented; "talking to them about hindrances stuck in the literary cabal of grateful fulfillments for all". Vernarth alludes to a desensitized subject and is also far from any Sub Yogic disciplinary doctrine. This led him to stand behind San Juan, frightened protecting himself from everything around him, he was seeing in front of the upper left side that Zebedee was, San Juan's own father calling him! Saint John the Apostle says: "Justice allows us at this time to alleviate ignorance if the riddles allow us to only seek the answer, Hashem will not be here..., it will only be an emotional catharsis due to a Shivil or merely ideological passage, which moves our prayers without sense taking us definitively to the coffers that are rearmed one after one after the mistake. We are faithfully interpreted by them but we detest our regencies with the Eschaton when we all try to follow its light of resounding density towards the sky, prophesying to follow it without getting lost in It..., held on its glossary shoulder. On the claws that are released from the dazed angelic prey correcting its wavering vision, unraveling the living presence of damnations or salvations in Eden with your bare feet or hell with no departure time "Inexplicably some Praetorian soldiers of Domitian appear, who would be restricting the departure of the triacontero bound for Limassol, curiously they were the same ghosts of Shiraz that continued to represent such a bad event, just like when he was expelled to Patmos by Domitian in 95 BC, of size was the hubbub produced by the Shvil angels with impracticable ideologies, who opposed such spectral imagery, in such a way that they replaced their figure with that of another fellow Hellenic who wanted to embark for Patmos, the other members were fully incorporated into the ship that cavorted on pirouettes as it carried them proudly to a new ocean. Around the last drops that jumped in Jaffa on the coastal rocks, others appeared when the last divided and scattered drops were going to shine the navigation temples, thus it is possible to board the same ship that brought them from the beginning of arrival from Limassol to Judah, which transited from Lepanto. They reappear in the plenipotentiary chapel offering a ceremony that would return the messianic hindrance to the Angels of Shiraz, to return to their former positions within the itineraries of biblical characters that tend to become adulterated in the game of the loss of consciousness of the Escaton, probably requiring that everyone has to make pilgrimage routes for all humanity confined and liberated by themselves. The Saltimbanqui finally manage to jump on the boat to sail to the Dodecanese but the Shvil of the Angels remained where other celebrities will require them to redirect them to the Shvil Escaton.



Paraps XXXI

Second Hijra to Patmos

VIII part -Judah's conclusion

What can be perceived by the Universe of Judah would be in a Universal Eye of photochemistry within the phosphorescence of the spectrum of the Jaffa bay that magnetized the visible sprinkling electricity, within the visible field of the photon in the same bay, which is responsible for elementary particle guarantor of quantum manifestations of the electromagnetic phenomenon. Carrying electromagnetic radiation of gamma rays over the entire atmosphere of Jaffa, X-rays, ultraviolet light, visible light, infrared light, microwaves, and radio waves, causing the ellipsis of Radio Moscow on October 29, 1929, right there presenting itself from the future to the present before hijra to Patmos.

Ellipsis Radio Moscow 1929 – Parapsychological Radio Regression:

"Radio Moscow went on the air on October 29, 1929. And this, its first broadcast in a foreign language, would be in Greek to be heard by everyone in Jaffa. Radio Moscow bulletins expressed great unease over the recent rise to power of the dictator Adolf ****** in Germany during the 1930s. An unintelligible visionary fumble of daphnomancy was considered, predicting the persecution of the Hebrews and extermination of themselves for which Saint John Apostle immediately tuned in common with Vernarth the instant he was hit by this radio wave of number twenty, nine of Jaffa's exit edict. The visible fantasy of this would make the audio listeners uncomfortable towards the behavior of certain intermittent swings that made the natural light of Jaffa intermingled with luminescence, with the waves and photons in presumptuous duality to dominate Vernarth's behavior when invaded by this flash of prophetic invasion. The Apostle's observation spheres made it faster to climb and try to sustain this invasive radio wave that crossed time thousands of years from the year 1929 to the year 165 AD. C. approximately that it traveled with a great speed of infinite wave to a great percentage of microseconds. All this information alerted the native son of Capernaum, worrying too much about this ethnopolitical situation. Here the microwave was refracted, undergoing a change in direction that collided with the ship, in its floating basal portion, due to the fact that this wave propagated at different speeds considering that the medium in which they were moving was clearly wood, but propelled by a large transmission vehicle through the winding water to the massive hull. Doing and plotting what would make them move immediately to go to Cyprus; Limassol. The speed of the radial wave was parked on the sails and that of the hull due to the chromatics of the water that lightened its refraction through the facets of the sails, and the cap bizarrely acted as an exponential concave angle propeller motor and overheated. A quick brawling radio wave appears in Vernarth's tongue; Says Vernarth: "Anti-Semitism is a matter of ******* benefiting from slavery and vast insubstantial ethnic resources, not allowing to relate the advance of ancient and primitive civil social immigrations that migrate to sociopolitical statuses, already pampered since their arrival in the Rhineland during the Roman Empire. The Jewish community prospered until the end of the 11th century after the First Crusade, having to go through a long stormy period marked by massacres, accusations of ritual crimes, various extortion, and expulsions. Their legal status was degraded and Jews were prohibited from exercising most trades. In the 18th century, Enlightenment philosophers such as Moses Mendelssohn were outraged by this miserable condition and launched a campaign to denounce it. However, the road that led them to Emancipation was long and lasted nearly a century, after which the Jewish community was integrated into society. Their assimilation allowed an economic and intellectual success that aroused suspicion in certain sectors, also giving rise to anti-Semitism with the coming to power of Adolf ******'s oligarch in 1933, putting the Jews on the margin of German society. Extensive persecution was followed by deportation and then extermination during World War II. After the war, the Jewish community slowly reconstituted itself thanks to the support of the German federal government." This time enchanting with lamb's blood coined on its cornices to sprout them for all those who had to endure the enigma of departure towards the straight desert as a property of the radio waves exhibited here as a dogmatic whole dusting in the geometric regime, which testifies to a whole "That the Robe of the Savior shakes all the structures of critical-political thought and brilliance of race." Producing objective intellectual blood, which would join the Social Christian party in Germany in 1930. But every elementary thesis would promulgate the emphasis on the centrality of social democracy, of bringing to Patmos a great task of dividing by time by traversing the timeline providing Joshua's solid One-Dimensional Beams at Kafersesuh, for the protectorate of the holocaust and sacrifice and introduce premises of emancipation and abolition of the subterfuge of marginalized social fields, devoid of interethnic social guarantees and the heel of Semitic roots. This natural property is excepted by the breed of San Juan Apóstol; Zebedee's son consists of carrying this to the most informative substantiality up to Patmos to keep them organized. From this dialectical propagation, great shadows arose, interposing opacities that showed many Jews falling into concentration camps at the exact moment of expropriation of their real estate. Naked bodies can be seen only with dark shadows with small signs of imperturbability on their cut faces, staying in the gloom of Conviction, with some photos of their children in relative proximity to the deadly impression of last death rattles and undermined fading pointed expressions, appearing in the rictus of their wives with narrow condemnatory anguish falling on them from the same Cell of the stormy Escaton, that transcended under semiotic history; the resurrection of the dead, divine judgment, heaven and eternal happiness with God or damnation and hell. Here is a perfect archetypal case of the disconcerting radio wave pouring novelty and satisfaction before the curiosity of the listeners, but it was a "newest Revelation at the same time, being objectivity for the cell of San Juan and for the immanent protectorate", which designates the dimension mundane and temporal opposed to transcendence. Because many Christians have become incapable of conceiving the "other world" as a consistent, real reality, and have transferred to this world the hope of a full and happy life. In this "immanentization" evangelical theologies of prosperity incur both, which see in the Christian faith as the means to achieve material well-being, Vernarth closes a blind when they were already walking on the magnetized corvettes of the sea, without feeling how the sea besieged them,...saying himself: "I keep looking through the hole of my ignorance, and I manage to see the dictators in monochrome displaying their diffraction banners lights, a key to ethnic oppression "in black and white" and the turned ones going through the crack in the trails of the Hebrews with their suitcases and belongings, lost and surrendering to laments united to the Messiah. In holistic combined, centered to the extent of a third screen produced in alternative light and dark bands, in the Lepanto nave when everyone learned vox populi about the radio phenomenon in non-transistorized tubes in frank romance with the old age of their practices. End Ellipsis Radial Radio Moscow. The phenomenon of interferences of a natural nature continues, bringing joy to their ruined hearts, they all sang Christian songs that made vertical lines appear on their faces between both melted cheeks. Leaving them incidence of fasting light to signal as thrones of lighthouses that illuminate the skies of the Messiah's seas, putting themselves before them millions of light-years from the side that now they could see him. The angles disperse and affect the light of the Messiah of the Our Father at twilight, falling on the others like the same conclusive Gethsemane leaf of the Bern Olive Tree. Flowing the light on the matter that sheltered the ship to Limassol, industrial energy was constituted in all the directions of the superficial optics, generating reflections in weak interferences that oscillated like immobile remnants of radio waves still active. This phenomenon made Brisehal appear from the bottom of the sea; the giant of Dasht-e-Lut, approaching to protect Vernarth and the Hexagonal Birthright. Generating a dynamic global hetero internal light in the navigation radius of the ship, in a more parsimonious speed than in a more relative one, frustrated to try to synchronize the flashes of the Xiphos sword of Vertnath Hoplite that allowed him to use it as a sextant, to arrive at the Cypriot destination. In this void of energy by another replaced, a speed imprint of the same void arises with lengths of movement of underwater waves caused by the giant Brisehal, to displace them in washings of the Adonis in accordance with the Sword of their master Vernarth ephebe. Dispersing evaporated droplets from the desert of Dash-e-Lut that remained in the cloacal zones of his ears polarizing defensive crystals from the hyperactive environment, and in force of the Phalangists scourged in Gaugamela who still writhed on the diaphanous immaterial land that continued in heated conflict, until the coexistence of the oppressor ceases. The parallel rotated worlds follow each other unrotated, being disturbed in another dimension mediated by the aware consciousness, which lacks any neutral rationality. They would be only attempts going through crystals of the Faith..., mastering projectile salutes of malevolent brotherhood, immersed in a maximum intensity of breakage and crystalloid rupture, which flows from the Messiah's lens in angles of subaquatic darkness. All of this atmosphere self-absorbs, leaving divine rabbi light tele-transferred into stored energy reaction levels, whose capacity would exceed one billion cubic meters due to the rupture between the chemical bonds caused by radiant energy, dissociating molecules by the effect of sublime light from serious sounds of immanence, and redefining itself as the interaction between one or more cells of mass of light against a molecule nomad target. Also appropriate for the extreme radicalization that marine plants would suffer, which also sailed expelled from the disturbed radical seabed of Jaffa.



Hellenic Existential Hypnosis

Arriving at the central retention of the Aegean Sea between parallels 36-38 of latitude and meridians 24-26 of longitude belonging to the periphery of the South Aegean, an abduction of an amnesic trace of the Alexandrian magnetic period occurs, which made them realize the that they had deviated from the Limassol-Cyprus destination, having to turn degrees to redirect to Limassol. This was exercised and subdued by the Alexandrian period that in its immanent chronology sought to remake an existentialist stance, which descended from the limits chained by the depressive effect of the aura after their death of his sister Cleopatra. This whitish aristocratic parapet of Zeus invaded them not auditing to govern the schizophrenic supply, having to redirect the course to the other side of the Cyclades. Sovereignly Vernarth takes the helm with great Greek breath, creating shields of redemption in arts and sciences of the Hetairoi aristocracy, under meso-urban science-politics replaced by Christian devotion, making the Hellenic language a romantic Aramaic in the potential to prevail the existentialism of the hypnotizing oneiric dream of a silly banquet served by the hordes in all the slopes that transported them between the enigmatic underworld of Panhellenic language, and with re culturization of ephemeral uncrossed lines that subtracted their dramas of disturbing knowledge depriving them of the neuro-motor and adjective of the main return value for the origin of the reconquest of the Triacontero in Limassol. This Hypnosis brought consequences of the Leagues called Diádochos 'successors' of the ancient generals of Alexander the Great, and of the sons of the general hegemons (called epigones,) that at the unexpected death of Alexander the Great in 323 a. C. distributed their empire, disputing power and hegemony over their brothers with various pacts and six wars that lasted twenty years. A political system was then established until the start of the Roman Empire in the eastern Mediterranean in the early 2nd century BC. C. Prone to this contingency, Vernarth turns to Hypnos and one of the thousand children he had with Pasítea, who urged them to cohesion this Hellenic Inertia, quantitatively making the immortality of the image of Alexander the Great to bring each of the ex faithful commanders thus refounding Vernarth his Hellenistic Encyclical, for the purpose of escorting them to Limassol and protecting the lineages and infants who were in their puberty in Greece asleep soon to be an Agoge, after great war campaigns and abandoned agreements as an example of the snowy lineage in his Mother Olympia, and Sister Thessaloniki and children waiting passionately for him. And also in the Empire of Sudpichi-Chile, Luccica with the court of her familiar stoic resistance ingests the opiates until her Vernarth takes her in those arms, from her own and imaginative marshland lagoon gathered at the Itheoi Gods. The disintegration of Macedonia and Greece into subregions catapulted again the appearance of Clovis who says...: the river Lethe in the underworld liquefies your memories, and cleanses your mind permanently. That is the branch of a poplar tree from the underworld, from my father Hypnos. "Lete is not a place where you want to go swimming... but if you change the rudder for your honorable mind". This achieves that one of the sons, among thousands of Pasítea, committed himself to Clovis, to dissipate this existentialist contingency, claiming the appeal of family reunion and imperishable Hellenic constituent ancestry, under the hypnotic and hegemonic phenomenon that polished banners and panoplies in Greece, Macedonia, and Asia Minor. As a subsidiary exception, they will satisfy what was reissued by Ptolemy, one of Alexander's childhood companions of whom some authors venture to say that he was the illegitimate son of Philip II. He wisely quickly seized Egypt and hastened to create an enduring state by declining imperial ambitions that he considered unrealistic. He was one of the main opponents of the imperial cause thus becoming one of the founders of the Hellenistic world. Unusually, the commanders of Alexander incontinent to his excessive dipsomania of glorious hierarchical power, demystified Hetairoi's harangue, generating in it a Hypnotic counter-conception, making these sedative steps to delegate the religious Vóreios Dei..., which had only known how to redirect itself later in the classic tonnage Gaugamela of his great Hoplite Commander Vernarth. This grayish super mass of uncontrolled winds and increased lightning proto idolatrous forms salivated in the same Hellenistic family, whose postulate was to multiply the family over its geopolitical dominations in other nations, unifying them as a family geo-clan rather than in the seas that do not divide the water-land, Rather, they unite moralistic and cultural hydro-parental resources of the world that is a concomitant part of "The devouring cyclone of mythological dignitary entities, and other races that flee from the honest chronogram of historicity and its reconstructive past-present." Square meters of great cyclops mouths were floating in the air, it inspired Vernarth to make the green grass of the sea reborn like plankton that made a compulsive propensity to exalt Chloé's presence; being an Epi Phantom that always sparkled among the nebulosity as a reserve of Universal Consciousness, geo-measuring the Hellenic consciousness with a black bandage over his eyes, so as not to sully more sprouts of green chlorophyll and photochemical mass of the phenomenon, amassing only Cyclops electrogenic beasts that had to burn on the bolts and runaway embers of dissident light to leave in some memorable way, or beg some Sanctus to do his bidding wandering into acquiring the square feet of tiny, almost unidentifiable beasts that appeared simulating the viscous green water of the river Lethe in the contracted underworld. The existential holistic in the ship produced depressive lags, lack of self-esteem, and factors of loss of the ego, therefore each one who pointed with his index, distended from some silos in the hands of opiates that would denigrate the oneiric in those who tried to flee from their own collective weeds..., fleeing from himself, stagnating and freezing in stretches of dreams of gross loneliness and indelible fantasy..., what the extravagant hypnosis sought to occupy in them with its decrees of mortality is a beyond adulterated in some benevolent indications and psychic reactive alertness. When the soft brilliance of the same flash was shown on the faces of Alexander the Great and Vernarth in the six wars that took place with the Diadocos without flashes for twenty years..., only in twenty seconds would Alexander the Great appear on the deck of the Lepanto ship, dressed in a crimson red costume, covering his Hellenic silhouette up to his allegorical half-torso. From here he urged them to culminate the hypnosis in a deep world in an unbreathable statue of colloquial rhapsody..., pay attention to this... everything continues normally, and Vernarth leaves the helm to honor him with a hoplite Khaire and as a congener of Christian Shvil, so philanthropic and deferential as was Ptolemy, and Vernarth himself in Tel Gomel and Bumodos herding greenish glosses to open them towards the new Magno-theological empire. Metaphysical of the profile of the wise dervish that appeared in Limassol as a sapphire rosary entangling itself in physiognomies and rises of hope in the average Gen, when approaching the latent peninsula of Eurydice's gold medallion. Judah was suspended in the Giant Ungulates munching on the bags of herbs that thickened in their Palestinian snouts, the sphinxes of the birds continued to grow with their wings to shelter blasphemies from their prophets, and Judah wailing in the intraosseous of those who traveled leaving Judah, but never departing from the Aramaic cells of Gethsemane lost from Hellenic Existential Hypnosis.

Vas Auric conceived himself judicious before Spílaiaus when observing that Vernarth was leaning towards a practical meeting of a feared Hellenic crisis based on omnipresence, and all the material-immaterial face that is bloodily arranged in ****** foundations stipulating its very Submythological constitution. All that was a trend within the similar horizon that should be imposed with the appearance of Wonthelimar; as a direct seer of practice continuing the pre-ontological process, and why not say it of someone who does not even think and totally excludes himself from its composition or being part of... rather being a ration of the subjective segment and correction similar to the god Spilaiaus articulating its dynamism under the predominance of the concept of the sapphic verse where it puts knowledge at risk, and speculate on each component of the Itheoi gods, possessing themselves within the torrent of theology under ethical evaluation, differing from the mythical leitmotif, as dissipator of contention and beings that think organically of the material ethereal substrate. Vernarth silently concurs and prepares to postulate the anti-ethical Submythological existence; tending to demystify their Ethos or Conduct, aspiring to envision structures of undervaluation of the same, and flaunt visions of what originates from superior and then yearn for the hierarchy that is not imposed, but rather is a consequence of subsistence apparatuses that put essay its longevity and validity in sevenths, missing four to reach Sapphic foundations, and scaling Mythologies that could facilitate being under the position of the Demiurge or poet cultist of verses, perhaps superior to the crimping of any system when a judgment of true root or incautious origin is put. All this Hellenic atmosphere relied on the ethos links between Vernarth and his lord Spílaiaus, after rearranging pre-ontological (vorontologischeas Heidegger says) knowing his skill and tenfolds as he conforms to the ascending tenth of the eleventh of the sapphic. After this, Wonthelimar would appear to be the object of transcendental challenges and interpretations of the world that give rise to the same thing after not being in Spílaiaus' speech with sapphic verses.

The statement of becoming will be the cause of the gods of the Itheoi after the physiognomy that will spoil the Vertical of Gaul in the very genesis of Wonthelimar. Undoubtedly there will be chilling events of axiomatic transfers and metempsychosis that will be elucidated from the helminths that Spílaiaus will spill through the bark of possession. This mysterious orphic enchantment will be billed by Wonthelimar from the separation of Valdaine emerging alienated over the mountains of Ardeche, transmigrating euphony and reduced justifications that were united with the Helminth reminiscent and reincarnated by Vernarth. Perhaps it was a verme-worm that was classified on his arm moth-eaten in elongated elder veins to parasites of certainly commendable colonies and vehement and lyrical idiomatic apogees. The balusters will continue to be amatory componential in Vernarth for being composed of Heidegger's plinth and imagining oral linkages with the patronage of his eternal mother Luccica who will awaken as always in all presumptive psychophysical and atoning Zionisms with eloquent perspectivism and millionth re-trance, consisting of the putrid ***** arm of his Abrahamic split physics, dissociating in his body, separating and alternating with the dexterous spiral Aorion bracelet existing between the armband of Sagittarius and Perseus, liquefying in indissoluble modular stratagems for three bodies, plus the one that accompanied them dealing with their posthumous individualities in triplets. Singular unconscious metempsychoses brought their dexterous arm picking him up repeatedly from the discursive hives of Wonthelimar, to convince them and tell them that they had not seen the Hexagonal Progeniture for some time, unimpeded that brought him from Ardeche in lasting ensembles and concerting grays senses looking at the valleys of Valdaine in pilgrimages towards the expectant Patmian plains. Its expiration was reborn from the appendages of the water lilies that were seized by embedded lumbar powers, and mentalized in related memories that subsist in digressive reincarnations and longings, re-advancing with revived intelligence to indoctrinate themselves with the elevation of an emetic absolutist consciousness free of greater breaths of judgment is constant waste and reciprocity of cabinets, which were started from an initial discipline already transmigrated,The transitory glow of Exomis hung over some stones that were close to the Perivrachiónio or metal armband that multiplied in the three brazils of Vernarth, Wonthelimar and finally Spílaiaus that was bordered by the Acacians and Nothofagus that were covered with water lilies and peduncles cordoning off the livestock, full of thrones to conquer them almost after having lost calculations of the plasma that was innovated from a Hetairoi by reformulating itself from an incendiary bullfighting essence to its deltoids by detonating hatred in its croaks. All this clairvoyance was veiled for the clothing of the Exomis that was automatically placed in transition when the leaves of the deciduous led him to temporize in Wonthelimar in tender attachments. Distorted would be achieved with ****** healings next to the brave tributary, leaving in the vanguard and with starts from all the carriages that took the condemned to Halicarnassus to be truncated together with infallible Canephores in disgrace to their executioners, browsing all the oak branches of the Wonthelimar joint that had been sheltering from its head, sticking to ancient ruts of souls in pain over the sleeping Nyons. the brawl symbiosis of the Megaron was exhibited with the "M" united with two inverted "Vs", Wonthelimar conceptualizing himself on the eve of early buildings and phobias fragmenting into numerous odes in Thessaly, which were already beginning to re-agglutinate attracted from a majestic image of Hellas, under the pretext of Hellenistic consummations as a vocational and primitive institute race of Alejandrino Magnus derived a few nautical miles to board towards Patmos. The ship crossed the sea conceptualizing itself as the most universal being that revived in the Triacontero, appearing among all the waters as a nubile surf that spoke to each other with words Mageireméno Kefáli Votánon, "Head cooked with herbs". Speaking in primitive erudition alternated and swells with forty feet in territorial Argonauts making similar corvettes like the Gulf of Tarnetino, possessing distant comparisons with sixty miles of the base that colonized Wonthelimar for new sources when encrypted in the Megaron. They persevere leading the Immaturas Polis that would be documented in Patmos and in town halls of the assembly with ****** ceased battles climbing to a great height from the cogitative of the Megarón temple and Theater of Epidaurus, under three shadows of adjoining water lilies and the Spilaion Apokalypseos.

As will be seen in this demonstrative synopsis of the hemicycle Theater of Epidaurus working in the stars for the nations of Asclepius together with Wonhtelimar, that is how migrated melodic sessions and Parapsychological palmistry sounded with burdensome marks of intervenors expectorated in vast when impelling on the Koilones and softened bleached bleachers where each one was shouting to all the winds the advent of all the auditoriums absent by past and future generations, acclaiming lives in salvific voices. Here Spilaiaus from his stomáchi or visceral will point out the stinging nettle that he will invariably scheme whenVernarth continues to weave the plot of transmigration to the CartesianUnderworld as an apocryphal late Aristotelianism, mechanizing the existential dualisms of Hades with formulas, psychotropic and geometric tricks, granting them permission to bequeath habeas corpus theologies, coexisting in the first instance with Etréstles de Kalavrita, who would establish the term of definitive transmigration of Alexander the Great so that the Diadochos andWonthelimar would contend the final and disciplinary action of revocation of the high arrest, trans humanizing the sovereign as a Macedonian next to the hexagonal Primogeniture finally very close to Saint John the Apostle andVernarth in the vicinity of the Megaron Spilaion Apokalypseos. Spílaiausinvokes: "Neolithic alloys, they corresponded to the Medea and Hypnos eras, among all of them being aerial, visionary and northern lights that traveled to my redoubt to sprinkle them in river waters on the night of Agios San Ioannis.From here the Kanthillana with Greco pilgrimage, portentous gusts where the wind is amazed when entering the concavity that is lost in nature of time and qualitative content, unusually being an organism of outburst and cytological drama together in trickery and radiocarbon tricks due to vicissitudes, and actions that have dated my radiation from the radioactive carbon in these caverns and insulted carbon spaces fourteen in more than fifty million radiometric years. From here, my Vernarth, everything becomes insignificant and all the levels of expression slide down the armband, differing three levels from where I have been able to hear the truth of your sound kingdom, which emits gestures that are neither music nor harmonious directions in any worldview where it should place everything that no one can perceive by the senses of nature more enormous than any resurrected mortal. This is how the Itheoi genres are a drastic irrationality that is responsible for restoring forgotten beings, almost Hellenistic humans who speak through languages ​​of their gaze, and museological splendors of which they only reprimand metaphysics as an understanding of the Void such as the Judaic Kli or Hellenic Kenosis, which goes evidencing immersion by transferring futile understanding and hermeneutic pontificate times of Kantillana and Olympus, Patmos and Horcondising. Thus all beings when referring to Vernarth will be nothing more or less than the same in the company of the science of a future that will eternally coexist with the constitutive past of an active present called "Submythology" everything that does not contain parental relationship in koilones and of his greek spiritual stratum, It will be kenósis and Kli of parental pairing with the significance of erratic mobilities in what is interpreted as sporadic mourning, given the universal change, therefore, atmospheric. In the second Trilogy, the Triacontero goes through the Othónes of Naupactus, to Limassol. The ship was attached to the Ziziphus of the Moshiach's crown back from Jaffa, Walking the deck of the ship getting exasperated to revisit Kourion. As the adrenaline subsided, he crashed the port side keeping them in retinas of spheres of fire that came out of the ponto, enlarging such crapulous spheres that they had traveled to the sea through the Kouris River, but been kidnapped by Brisehal who assaulted them and put them on his back esplanade to swim to the peninsula of the current Akrotiri where the ogre carried him as floating globules to inhabit the sands of Cyprus. A tremolo mortar and sinewy essences of the Falangist faction will be established. Together they walk through the arena with Brisehal, being able to observe that it was coming from above and from a great Alikantus glide to meet him. Now, this trilogy of distinguishedAnimalia superheroes was made up of who would escort him to listen to the legions of Greeks from Mycenae who besieged Kourion. When they walked along the edge of the beach, several artists crossed in front of them carrying Avant-grade instruments in their hands, accompanied by miners and forgers of goldsmiths. Everything says to prosper in the Aegean and Greece for a new Paraps ***- Forests of Hylates, Gold Medallion Second Hegira to Limassol. Spílaiaussensible in his necromantic arts would be immersed in an absolutist language of relatives to welcome Vernarth, shelter him, and feed him after Highs and Lows that commemorated all the possible truths and falsehoods that he had to avoid from the final Prolegomena or final speech of the Trilogy, aiming to be located in the highest part of the Kanthillana to face its Greco-American world lineage in wetlands or taigas that would move great cycles of the Caucasus with the Meltemi towards all the grasslands and steppes, bringing vast multitudes of gregarious Hoplites to live together by the floods of the Paleolithicstragglers, to go back to the sinister prehistory that is based mainly on the names of the towns with writing they gave to the "barbarians" who invaded them. Zeus-God (Jovis in genitive) that is, Zeùs patér in Greek, Jupiter in Latin, Dyauspita in Sanskrit. He is opposed to mere demons or secondary gods (Sanskrit devas, daeva Avesta, Lithuanian devas, Gallic Devo, Latin Deus-divi), who derive from the "luminous sky" (the day = dyu,dyo, dies, diei). He will make the sacrificial background of the coming euro-American scene, thus creating the liturgical syncretism of survival by venerating all those who dwell in soulless bodies in the latitudes of Kantillanaand Olympus. From this gregarious candling emanating primary physical forces of submithology; in which man (****) lived. Man is mortal (Marta-, martya- in Sanskrit), son of the Earth-Mother (Mata-prithivi in ​​Sanskrit, Gê-méter in greek). This dualism, only outlined at the level of the primitive into-Europeans, gains consciousness overtime when the mature age of evanescent humanity (Jaspers' Achsenzeit) is reached. In discrepancy of mythological root antagonism, it is bringing chronological and obituary rhythms that will live to delight us with their own gesture from Hellas and Anatoliamainly to Patmos and Horcondising, Sudpichi, Chile. The conductive cycle will have a great impact on Spílaiaus, dimensioning itself in Aristotle, regenerating the first signs of infra spelean humanism in cultures that have nowhere to lodge their vast parallel heritage in more than a distant pre-classical and classic threshold, procreating the only dissolute world striving aggressively in Vernarth Hellenic's Trilogy II.