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SE Reimer  Jan 2015
the violin
SE Reimer Jan 2015
~

verse 1
in the town of Chateau Thierry,
along the banks of the Marne,
just up the road from Paris,
a’ fore it meets the Seine;
’twas here our soldiers fought
in nineteen-seventeen;
'twas here they took the Kaiser,
in the trenches, rain and mud.
the Great War, then they called it,
here the river ran with blood;
with bayonet and shovel,
here an Allied victory made;
to halt the enemy’s advancement,
here too many made their grave.

instrument of bow and strings,
in composition history sings.
if, one-day strings could talk like men,
if, we could sing like violin!
stories told will ne’er grow old,
tales of courage that build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows despite the dark,
soldiers of a genteel king,
wield your power to strike the heart.

verse 2
near the town of Chateau Thierry
in a convent, St Joseph by name
a violin by Francois Barzoni,
a resident luthier by trade.
prized possession of the Sisters,
they tuned well it's strings.
their convent walls withstood the bombs,
though leaving here their mark;
defaced but not destroyed,
and so with grateful hearts,
the Sisters of St Joseph,
for brick and mortar trade,
gathered up their treasures
their convent to remake.

instrument of bow and strings,
with composure history sings.
if, only strings could talk like men,
if, we could sing like violin;
stories told will ne’er grow old,
tales of hope that build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows to light the dark,
soldiers of a genteel king,
wield your power; rebuild the heart.

verse 3
from the town of Chateau Thierry,
they advertised their local gem,
“wanted: no strings attached;
no saint expected, no requiem.
just two hands to cherish,
and a patron of our instrument.”

this their prayer, “oh Lord, one wish,
may our search meet no resistance.
may we find a young apprentice,
please reward our long persistence.”

and so they found their debutant;
prayer answered in Saint Louis.
a boy who understood its voice,
with their strings again make music.

instrument of bow and strings,
of your journey history sings.
if, only strings could talk like men,
if, we could sing like violin;
stories told will ne’er grow old,
tales of old they build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows and find your mark,
soldiers of a genteel king,
wield your power to soothe the heart.

verse 4
near the town of Chateau Thierry,
along the banks of the Marne;
ply this channel of the masters,
play us a river, Lowell Meyer;
once a boy, become grand-father,
then a treasure to receive;
heirloom placed within your trust,
your prize possession to bequeath
to yet another debutant,
its strings to pluck and bow to draw.
he a master of persistence,
who with practice met resistance;
yesterday’s grandson, beloved progeny;
tomorrow’s hope, an admired prodigy.

instrument of bow and strings,
with clarity your voice still sings.
if, only strings could talk like men,
if, we could sing like violin;
stories told will ne’er grow old,
for these are tales that build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows and make your mark,
soldiers of a genteel king,
wield your power to touch the heart.

~

post script.

A violin…  an instrument of hollowed wooded frame, strung with five strings made of gut, played by the drawing of a bow of hair crosswise over strings tuned in perfect fifths; an instrument of song with uniquely, beautiful voice.  Whether played as a violin with symphonic overture in a seventy-piece orchestra in Carnegie Hall, or as a fiddle in a four-piece southern country band at a barn dance down in a Kentucky hollow, in the hands of a violinist… a master… a virtuoso… a fiddler, it becomes an hallowed instrument… of diplomacy… of peace.

When I heard the faint whisperings of story about a nephew’s instrument I pledged to learn the details of its journey.  Charlie obliged, allowing me to interview him one evening early this month.

The instrument came complete with an old typed letter from Lowell Meyer, Charlie’s maternal grandfather, whose family purchased the instrument on his behalf, from the Sisters of St. Joseph when he was yet in middle school in 1923.  An instrument in its own rite, the letter also acts as a legal document, sharing not only the violin’s European heritage and how it came to arrive in these United States, but also dictating its future journey, naming only three possibilities of conveyance.  First, while in the possession of his family, the violin is to be owned by all of Mr. Meyer’s children and their heirs rather than by any one single heir.  Second, it allows a method for its sale should an urgent financial need arise.  And third, it dictates the intent of Mr. Meyers for the violin’s return to its original owner into perpetuity, the Sisters of St. Joseph near Chateau Thierry.  Charlie scanned the letter and emailed it to me, giving me a greater sense of its history and helping to establish its authenticity.   Its making by well known French luthier Francois Barzoni, who unlike the Stradivari family made his hand-crafted instruments for the masses, its survival within the convent walls during the bombardment of the Battle of the Marne and its subsequent journey from Chateau Thierry, to Saint Louis, each detail carrying great significance. As an example of one detail among many, it did not escape the attention of this story lover, the significance of a journey from its setting on one river to a similar setting on another, from along  the banks of the Marne before it spills into the Seine, winding through the fertile rolling hills north of Paris, to the fertile banks of the Missouri at its confluence with the Mississippi in St Louis, two famous rivers, a half a world apart, each with their own folklore of simple people living a simple life, of battles fought by simple people with uncommon valor.

*This simple story of “the violin” is a story worth telling; just one facet of Charlie’s interesting heritage; one which has its own voice, and is a tale that begged to be written.
no  Apr 2010
No Strings
no Apr 2010
Pull me in,
then let me go.
It's no big deal,
she wont know.

You have no strings
Your arms are free
To love me by the Zuider Zee
If you would woo
and pull me in.
I'd bust my strings for you.

But no strings on this boy,
just girls, keep playing pretend.
You'll keep raking them in,
like its just money to spend.

You're no one now,
ain't got no ties.
Just alone in the world,
with your greed and lies.

He's got no strings
So he'll have fun
He's not ******* to anyone
They've got strings
But you can see
There are no strings on him.

You play them
like they're your toys.
You'll **** with them,
but they don't make no noise.

You do nothing but use them,
and make them sad.
Then pull up with
a "oops my bad."

This is where it stops,
not going to pretend.
This is where I leave,
where the game ends.

I've got no strings
To hold me down
To make me fret, or make me frown
I had strings
But now I'm free
There are no strings on me...
Abigaille Warmington - Copy Right 2010
vern May 2019
we are tied to our fates with a thin red string
they are strung to our love, destiny, and death.
the young man who lost his lover
is fated to fall for another.
the new mother who holds her child
is fated for a beautiful destiny she cannot imagine.
the person sitting alone on the bench
is fated to lose his life to someone.
none of these people can see where their strings go
they live as if there are no red strings tied to their fingers
and attached to the sky.
only the watcher of our fate can see these red strings.
she grieves for the some of the strings
the saddest lives are the smallest
smiles for other strings
she sees those who will have full lives
and she sighs
the watcher cannot see her own strings
unlike the others, she is not ignorant of fate.
she is aware of fate, embraces fate,
but she does not know her own fate
was she destined for eminence, luster
was she destined for a lover, a heart
was she destined for death, sooner rather than later
she will never know
the burden of the knowledge of the red strings
weighs her down
she does not have a fate, a love, a destiny, a death.
For she is the watcher of the red strings of fate
and only the watcher of the red strings of fate.
I've loved the concept that there is some invisible red string that ties you to your soulmate. However, I wanted to reimagine it as something that ties you to any fate you have. Sometimes I feel like I am the watcher of the red strings. It's just a sense of hopelessness and emptiness that maybe I won't amount to anything or will be enough for anyone. That's a lot of emotion, but I hope you still enjoy this poem.
Abdul Fatir Dec 2014
Some wise men have said,
That the universe
Is made of strings, tiny,
Which vibrate in dimensions ten.
Six extra dimensions than
The usual three of space
And the fourth, which is assessed
Using a pendulum
Oscillating in nothingness.

Strings, like the ones of a guitar,
Playing different notes
And different symphonies
Bosons, fermions, electrons
And gravitons to name a few.
This annuls racism among sub-atomics
Since ultimately they're all threads.
Or do you think, a boson
Is superior to a fermion
'cause it swings in a different plane
Or because one of them is called
The God Particle?

Strings, oscillating like
The alternation of seasons
Strings, like the thread of relationship
Which stretches and swings
Between its highs and lows
Strings, oscillating like
The advancing and receding waves

All we could be is a painting,
A hologram, simple 3D information
On a two dimensional plane
Living our lives and executing functions
As the painter intended us to.
All we are, are threads
Arranged in a particular fashion
All we are is a bunch of strings!
Lexie  Jan 2014
Heart Strings
Lexie Jan 2014
Every time we kiss
The strings slowly tighten

Every time we touch
Those strings are strengthened

Every time you walk away
I catch my breath

Every time you shadow fades
The strings cut deep like blades

When I am alone I am weak
When I am with you the strings are strong

You string me alone
You hold my hand

I am tied in knots
My strings are long

But all I want is to sing your song
I'll let you play my strings I'll let you pull
Cause I can trust you because you will never let me go
David Ehrgott Mar 2016
Six strings and a jug of whiskey
Is all I have
Six strings and a jug of whiskey
More than I had
My heart, my soul, my thing
She didn't bring me a thing
So I got six strings
And a jug of whiskey
All I have
Six strings and a jug of whiskey
And it's kind of sad
She took my wedding ring
My kid, my bed, my paycheck
The kitchen sink
I mean everything
Now I've six strings and a jug of whiskey
Is all I have
Six strings and a jug of whiskey
's why I'm so sad
Little smile
Written on a sheet of notebook paper
Guitar strings
Plucked by a boy who's midnight hair masks his true personality

Shy kid of 17
No visible emotions just strings
Guitar strings

You look at him with broken promises from past lovers tattooed to your pupils
While the only thing made permanent in his are music notes
And though those are there for you too
The cons outweigh the pros

An open mic night
Who could've guessed that what I was planning on as
"just another open mic"
might have turned into this

But things don't always go as planned
For me they almost never do
And while I usually try to view the glass as as full
More times than not things turn out the opposite way
Leaving me...
Half empty

So think of this poem as your warning
I know more than anyone that sometimes it may seem like my baggage is deemed too heavy to carry
And if it appears to be too much for you
Just do me a favor and let me know before I unpack into your space

Guitar strings caught my attention
Loose threads on the sweater of my unraveling attention span

Take a chance
Take the plunge
Let yourself fall into a new romance
Don't think
Just.. Do.
Aspen Apr 2019
When we first met
our soul strings tied together
we were meant to be

Now your leaving
Because time won't let you stay
Wrong time to love you
Wrong place to get too close

My susurrus soul strings keep
reminding me of you

They sing your beautiful song
that I long to hear


Your smile that brightens up the dark world like no other
Your laugh that makes the cold world a little warmer
Your voice that the world stops and listens to

I miss you...
My Susurrus soul strings
Won't let me let you go
Cause we were bound

But I can never have you
So I must cut the Susurrus Soul strings

Even though my heartstrings will hurt
At least it will hurt less
When my Susurrus soul strings aren't
whispering your name anymore...
goodbye...
I miss you....
Please come back home....
so that I can tie our soul strings
back together...
and our strings will sing our song louder
instead of me being here....

listening to the susurrus of our old song
Susurrus: Whispering or rustling
Day 7 of the month long poetry prompt challenge. This poem is directed to my best friend whom I have fallen for but is going away to college and is most likely not coming back...Jay, if you are reading this...I love you so much and please consider coming home so I can be with you again...even if its just one day
Sean Critchfield Dec 2013
String Theory. A theoretical framework in which the point-like particles of particle physics are replaced by one dimensional objects called strings. In string theory, the multiverse is an idea in which our universe is not the only one; many universes exist parallel to each other where all possibility has potential as the universes are theorized to be infinite.

When I heard this for the first time, I imagined us all on this giant carousel, spinning in the infinite, to the ***** music of fate.

And the possibility was sweet, like cotton candy. And the potential seemed to rise like tidal waves and I was filled with joy for the other versions of myself doing great things out there somewhere.

Writing lullabies to star children. Kissing ink blotches on to skin like paper. Replacing the light bulb in the moon. Dreaming love into reality.

And I began to imagine the strings stretched and rotating, propeller like, in a theoretical game of double dutch. Fighting back my desire to move too quickly.  Feeling my body sway and rushing in too soon.

And I was sad for all of the versions of me that are struggling. Failing to see the beauty in the gutter. Walking alone in the rain... still. Writing quarky signs on information superhighway off ramps, like:

Quantum Mechanic.
Will tune your Hadron Collider
for food.

And I began to remember the geometrical string patterns we would draw on graph paper in math class. And knowing somehow, even then, that they stood like a veve for infinite possibility. And I began to wonder what would happen if I'd chosen differently at key moments in my life. The infinite outcomes circling like ashes falling down.

Would I be bigger? Smarter? Stronger? Easier to Love?

And the web began to stretch until it was bigger than my simple mind.

And I began to wonder at the insignificant moments. The moments overlooked. And I began to toy with the possibility that our fate is truly ******* in these moments. It was these choices that determine how easy we are to love. And how it would unfold into a chess match of a million different decisions until it was so far out of reach that it was painful to consider.

And these strings, interwoven and bundled “bigger than the sky”. Marionette strings to just as many possibilities as stars. Or more.

A universe where these strings are ropes binding sails to boats and time is the ocean.
A universe where music is medicine and I could sing your broken heart back to hope.
A universe where we could leap from place to place so I could find my young self and say,
“Listen. Don't try so hard. It gets better. And you become so much cooler. And though it seems so important now, it isn't. And guard your heart a little more than you do. And a little less.”

A universe where touch is talk. And to dare is normal. And our hearts are fluent in every language.

And then the notion of the strings as veins. Veins that form a complex system in a beautiful body of flesh and possibility and star dust so much greater than ours. With limbs and hands and heart and eyes and tongue and soul. And this body of possibility is not the only one. Other possibilities are forming other bodies. And this greater celestial body is interacting with other bodies comprised of infinite possibility all making decisions at light speed which will cause it all to reverse or go round again.

And in this framework.

We are you.
And he and I are we.
And once is always.
And never is nothing.
And I am everything.

And we are all the same celestial body.
Made from the same strings.
The same gift of possibility.

We are the carousel.
And anything, anything is possible.

And through it all. All I can do is wonder how...

How do I get back to the version of me where you didn't leave.
*Quick Note. Sorry. I wrote this awhile back. This little beast was angry. I needed to put some distance between he and I before I posted him. But here he is.*
Andrew Rueter  Sep 2017
Knot
Andrew Rueter Sep 2017
Humanity is a knot
And humans are the strings
We are connected by our actions
Until we choose to disconnect
By plucking our own individual strings
And start unraveling ourselves from the knot
Once enough strings are removed
The knot is untied
As we've lost connection
Strings are now subject to the wind
And begin to wither without the knot
And without the strings
The knot is nothing
What brings the knot back
Is war
Fueled by famine
We tangle each other in terror
Where the strings must be maneuvered with precision
So we may form a knot

The shroud of strings blinds itself
As war wraps us in calamity
But after all the wars we've fought
Is this the connection we've got?
Humanity is a knot

— The End —