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Criss Jami May 2014
This is the core of industries
It's crazy oh you see assemblies before ores fall in the streets but
It's all for you and me

A steampunk nation
Baby pollution rises up then the loving comes arraigning 'cause
Our art's official and only partially artificial
And our heart's in the middle of sharp hardened shards of metal but
There's not where it settles
Because it's beating to the steaming of God's hottest *** or kettle

And now we face it, this creation we made to
To save our craving for a synthetic rebelnation it's
Our safeway they make into a pathetic revelation
In our steampunk nation
Our steampunk nation

It's places having creation
But with black metal makings
And wordsmith's an occupation like phrase on paper's the way we say she's
Making our hearts start raving and baby maybe even raging for
For beaming metals and
Yeah steaming kettles, Meccas of our cyberstation Hades

And now we face it, this creation we made to
To save our craving for a synthetic rebelnation it's
Our safeway they make into a pathetic revelation
In our steampunk nation
Our steampunk nation

Oh how do we face it, this creation we made to
To save our craving for a synthetic rebelnation it's
Our safeway they make into a pathetic revelation
In a steampunk nation
A steampunk nation
Geno Cattouse Sep 2014
Nights are are quiet and cold to the touch
Gloomy lights in dusty rooms cast spectral doom as whirr and clank.
You took.
You pulled and ripped our love apart at the seams
Now powered by steam.

Dashed and splintered
So I Labour late and long into wintery nights to build from scraps of wood  iron  and steel.
A semblance so that I can once more feel and care.

A shiney gift to pull from
my chest. An offering.
Something that tics and clanks. Cold and dead ouside
Instead of pumping love
My Steampunk heart can only  cry  and scream .The loss of flesh and love for a loveless lifeless thing...my offering
The Steampunk Heart.
AAron Roz  May 2018
Sound
AAron Roz May 2018
Music is loud or quiet.
Music is soft or heavy.
Music can have meaning or not.
Music can be nothing or everything.
Music is:
◾Art Punk
◾Alternative Rock
◾College Rock
◾Crossover Thrash (thx Kevin G)
◾Crust Punk (thx Haug)
◾Experimental Rock
◾Folk Punk
◾Goth / Gothic Rock
◾Grunge
◾******* Punk
◾Hard Rock
◾Indie Rock
◾Lo-fi (hat tip to Ben Vee Bedlamite)
◾New Wave
◾Progressive Rock
◾Punk
◾Shoegaze (with thx to Jackie Herrera)
◾Steampunk (with thx to Christopher Schaeffer)

•Anime
•Blues ◾Acoustic Blues
◾Chicago Blues
◾Classic Blues
◾Contemporary Blues
◾Country Blues
◾Delta Blues
◾Electric Blues
◾Ragtime Blues (cheers GFS)

•Children’s Music ◾Lullabies
◾Sing-Along
◾Stories

•Classical ◾Avant-Garde
◾Baroque
◾Chamber Music
◾Chant
◾Choral
◾Classical Crossover
◾Contemporary Classical (thx Julien Palliere)
◾Early Music
◾Expressionist (thx Mr. Palliere)
◾High Classical
◾Impressionist
◾Medieval
◾Minimalism
◾Modern Composition
◾Opera
◾Orchestral
◾Renaissance
◾Romantic (early period)
◾Romantic (later period)
◾Wedding Music

•Comedy ◾Novelty
◾Standup Comedy
◾Vaudeville (cheers Ben Vee Bedlamite)

•Commercial (thank you Sheldon Reynolds) ◾Jingles
◾TV Themes

•Country ◾Alternative Country
◾Americana
◾Bluegrass
◾Contemporary Bluegrass
◾Contemporary Country
◾Country Gospel
◾Country Pop (thanks Sarah Johnson)
◾***** Tonk
◾Outlaw Country
◾Traditional Bluegrass
◾Traditional Country
◾Urban Cowboy

•Dance (EDM – Electronic Dance Music – see Electronic below – with thx to Eric Shaffer-Whiting & Drew :-)) ◾Club / Club Dance (thx Luke Allfree)
◾Breakcore
◾Breakbeat / Breakstep
◾Brostep (cheers Tom Berckley)
◾Chillstep (thx Matt)
◾Deep House (cheers Venus Pang)
◾Dubstep
◾Electro House (thx Luke Allfree)
◾Electroswing
◾Exercise
◾Future Garage (thx Ran’dom Haug)
◾Garage
◾Glitch Hop (cheers Tom Berckley)
◾Glitch Pop (thx Ran’dom Haug)
◾Grime (thx Ran’dom Haug / Matthew H)
◾*******
◾Hard Dance
◾Hi-NRG / Eurodance
◾Horrorcore (thx Matt)
◾House
◾Jackin House (with thx to Jermaine Benjamin Dale Bruce)
◾Jungle / Drum’n’bass
◾Liquid Dub(thx Ran’dom Haug)
◾Regstep (thanks to ‘Melia G)
◾Speedcore (cheers Matt)
◾Techno
◾Trance
◾Trap (thx Luke Allfree)

•Disney
•Easy Listening ◾Bop
◾Lounge
◾Swing

•Electronic ◾2-Step (thx Ran’dom Haug)
◾8bit – aka 8-bit, Bitpop and Chiptune – (thx Marcel Borchert)
◾Ambient
◾Bassline (thx Leon Oliver)
◾Chillwave(thx Ran’dom Haug)
◾Chiptune (kudos to Dominik Landahl)
◾Crunk (with thx to Jillian Edwards)
◾Downtempo
◾Drum & Bass (thx Luke Allfree)
◾Electro
◾Electro-swing (thank you Daniel Forthofer)
◾Electronica
◾Electronic Rock
◾Hardstyle (kudos to Dominik Landahl)
◾IDM/Experimental
◾Industrial
◾Trip Hop (thank you Michael Tait Tafoya)

•Enka
•French Pop
•German Folk
•German Pop
•Fitness & Workout
•Hip-Hop/Rap ◾Alternative Rap
◾Bounce
◾***** South
◾East Coast Rap
◾Gangsta Rap
◾******* Rap
◾Hip-Hop
◾Latin Rap
◾Old School Rap
◾Rap
◾Turntablism (thank you Luke Allfree)
◾Underground Rap
◾West Coast Rap

•Holiday ◾Chanukah
◾Christmas
◾Christmas: Children’s
◾Christmas: Classic
◾Christmas: Classical
◾Christmas: Comedy
◾Christmas: Jazz
◾Christmas: Modern
◾Christmas: Pop
◾Christmas: R&B
◾Christmas: Religious
◾Christmas: Rock
◾Easter
◾Halloween
◾Holiday: Other
◾Thanksgiving

•Indie Pop
•Industrial
•Inspirational – Christian & Gospel ◾CCM
◾Christian Metal
◾Christian Pop
◾Christian Rap
◾Christian Rock
◾Classic Christian
◾Contemporary Gospel
◾Gospel
◾Christian & Gospel
◾Praise & Worship
◾Qawwali (with thx to Jillian Edwards)
◾Southern Gospel
◾Traditional Gospel

•Instrumental ◾March (Marching Band)

•J-Pop ◾J-Rock
◾J-Synth
◾J-Ska
◾J-Punk

•Jazz ◾Acid Jazz (with thx to Hunter Nelson)
◾Avant-Garde Jazz
◾Bebop (thx Mwinogo1)
◾Big Band
◾Blue Note (with thx to Jillian Edwards)
◾Contemporary Jazz
◾Cool
◾Crossover Jazz
◾Dixieland
◾Ethio-jazz (with thx to Jillian Edwards)
◾Fusion
◾Gypsy Jazz (kudos to Mike Tait Tafoya)
◾Hard Bop
◾Latin Jazz
◾Mainstream Jazz
◾Ragtime
◾Smooth Jazz
◾Trad Jazz

•K-Pop
•Karaoke
•Kayokyoku
•Latin ◾Alternativo & Rock Latino
◾Argentine tango (gracias P. Moth & Sandra Sanders)
◾Baladas y Boleros
◾Bossa Nova (with thx to Marcos José Sant’Anna Magalhães & Alex Ede for the reclassification)
◾Brazilian
◾Contemporary Latin
◾Cumbia (gracias Richard Kemp)
◾Flamenco / Spanish Flamenco (thank you Michael Tait Tafoya & Sandra Sanders)
◾Latin Jazz
◾Nuevo Flamenco (and again Michael Tafoya)
◾Pop Latino
◾Portuguese fado (and again Sandra Sanders)
◾Raíces
◾Reggaeton y Hip-Hop
◾Regional Mexicano
◾Salsa y Tropical

•New Age ◾Environmental
◾Healing
◾Meditation
◾Nature
◾Relaxation
◾Travel

­•Opera
•Pop ◾Adult Contemporary
◾Britpop
◾Bubblegum Pop (thx Haug & John Maher)
◾Chamber Pop (thx Haug)
◾Dance Pop
◾Dream Pop (thx Haug)
◾Electro Pop (thx Haug)
◾Orchestral Pop (thx Haug)
◾Pop/Rock
◾Pop Punk (thx Makenzie)
◾Power Pop (thx Haug)
◾Soft Rock
◾Synthpop (thx Haug)
◾Teen Pop

•R&B/Soul ◾Contemporary R&B
◾Disco (not a top level genre Sheldon Reynolds!)
◾Doo ***
◾Funk
◾Modern Soul (Cheers Nik)
◾Motown
◾Neo-Soul
◾Northern Soul (Cheers Nik & John Maher)
◾Psychedelic Soul (thank you John Maher)
◾Quiet Storm
◾Soul
◾Soul Blues (Cheers Nik)
◾Southern Soul (Cheers Nik)

•Reggae ◾2-Tone (thx GFS)
◾Dancehall
◾Dub
◾Roots Reggae
◾Ska

•Rock ◾Acid Rock (with thanks to Alex Antonio)
◾Adult-Oriented Rock (thanks to John Maher)
◾Afro Punk
◾Adult Alternative
◾Alternative Rock (thx Caleb Browning)
◾American Trad Rock
◾Anatolian Rock
◾Arena Rock
◾Art Rock
◾Blues-Rock
◾British Invasion
◾**** Rock
◾Death Metal / Black Metal
◾Doom Metal (thx Kevin G)
◾Glam Rock
◾Gothic Metal (fits here Sam DeRenzis – thx)
◾Grind Core
◾Hair Metal
◾Hard Rock
◾Math Metal (cheers Kevin)
◾Math Rock (thx Ran’dom Haug)
◾Metal
◾Metal Core (thx Ran’dom Haug)
◾Noise Rock (genre – Japanoise – thx Dominik Landahl)
◾Jam Bands
◾Post Punk (thx Ben Vee Bedlamite)
◾Prog-Rock/Art Rock
◾Progressive Metal (thx Ran’dom Haug)
◾Psychedelic
◾Rock & Roll
◾Rockabilly (it’s here Mark Murdock!)
◾Roots Rock
◾Singer/Songwriter
◾Southern Rock
◾Spazzcore (thx Haug)
◾Stoner Metal (duuuude)
◾Surf
◾Technical Death Metal (cheers Pierre)
◾Tex-Mex
◾Time Lord Rock (Trock) ~ (thanks to ‘Melia G)
◾Trash Metal (thanks to Pierre A)

•Singer/Songwriter ◾Alternative Folk
◾Contemporary Folk
◾Contemporary Singer/Songwriter
◾Indie Folk (with thanks to Andrew Barrett)
◾Folk-Rock
◾Love Song (Chanson – merci Marcel Borchert)
◾New Acoustic
◾Traditional Folk

•Soundtrack ◾Foreign Cinema
◾Movie Soundtrack (thanks Julien)
◾Musicals
◾Original Score
◾Soundtrack
◾TV Soundtrack

•Spoken Word
•Tex-Mex / Tejano (with thx to Israel Lopez) ◾Chicano
◾Classic
◾Conjunto
◾Conjunto Progressive
◾New Mex
◾Tex-Mex

•Vocal ◾A cappella (with kudos to Sheldon Reynolds)
◾Barbershop (with thx to Kelly Chism)
◾Doo-*** (with thx to Bradley Thompson)
◾Gregorian Chant (hat tip to Deborah Knight-Nikifortchuk)
◾Standards
◾Traditional Pop
◾Vocal Jazz
◾Vocal Pop

•World ◾Africa
◾Afro-Beat
◾Afro-Pop
◾Asia
◾Australia
◾Cajun
◾Calypso (thx Gerald John)
◾Caribbean
◾Carnatic (Karnataka Sanghetha – thx Abhijith)
◾Celtic
◾Celtic Folk
◾Contemporary Celtic
◾Coupé-décalé (thx Samy) – Congo
◾Dangdut (thank you Achmad Ivanny)
◾Drinking Songs
◾Drone (with thx to Robert Conrod)
◾Europe
◾France
◾Hawaii
◾Hindustani (thank you Abhijith)
◾Indian Ghazal (thank you Gitika Thakur)
◾Indian Pop
◾Japan
◾Japanese Pop
◾Klezmer
◾Mbalax (thank you Samy) – Senegal
◾Middle East
◾North America
◾Ode (thank you Sheldon Reynolds)
◾Piphat (cheers Samy B) – Thailand
◾Polka
◾Soca (thx Gerald John)
◾South Africa
◾South America
◾Traditional Celtic
◾Worldbeat
◾Zydeco
etc...
words self-calibrate to match my emotion
all my wires seem intact in the gas lamp glow
no one understands the strength of a potion
until they pour it inside you and they watch you blow

but this is different I cannot quite describe it
I move like a muse with the corset undone
I sense how the power of thunder is striking
and the steam in my pipes pushing up pushing down

I sit on the edge of this meaningful feeling
and everything's trembling inside and out
like a vessel afloat I'm breaking your ceiling
and reach for you, master, my creature of doubt.

we are two always but one feels the other
the wires are tangled we're both flesh and steel
your arms hold me tight your fingers go further
my eyes melting metal, your tears almost real

now give me a name and teach me your methods
unscrew all the bolts use your lips show me how
this poem will self-destruct in 5 seconds
you may countdown this stanza or you may run.
~NOW!~
Zemyachis Mar 2014
tickity-clickity whirr went my father to set
the little merry-go-round musicbox by my bed
with its adorbsable mini-suction cups lining
purple porcelain tentacles
winding round and round
lulling gently with that nostalgic ice-cream truck tune
reminding me of sweet tang juicy mango slush
on a hot afternoon
where the posh-painted ponies fly by with the tide rising up and down
in a seaside villa of some spanish town
in all the grandness of their primary colors so carefully chosen to brush
at the command of a fairy princess with her crown gold-gilded
she's twirling whirling, a mechanical ballerina on springs
gracefully petite her frame, so small the sash on her shoulder
that slips in the breeze to catch the eye of a little soldier
in his regimentals properly fitted, buttoned in brass
a lass like me lovingly adoring bunnies in top hats and bow ties
spats on their feet to tap dance for me
in my dreams the never ending spin of a teacup party
the catch of a hook where the lullaby loses flight
but I'm already asleep with a kiss goodnight
Geno Cattouse Sep 2014
Considerably penalties
For early withdrawal.

Sending more advisors.
Vietnam redux 1954.

Reactionary by poll #s.

Afghan half stand.

Unemployment

Slow Redeployment.

You pick.
Isabelle H Graye Jul 2014
I am a nerd:
* DnD
* Harry Potter
* Lord of the Rings
* WoW
* Anime
* Reading
* Video Games
* Comic book heroes
* Science
* Math
* Hunger games
* Steampunk
* Disney!!!
* Futurama
* Star Wars
* Doctor Who
* Breaking Bad
* Archer
* 90's Cartoons
* Invader Zim

I am a Metal head \m/
* Nightwish
* Sabaton
* Ozzy Osbourne
* Iron Maiden
* Epica
* Van Canto
* Dealian
* Hammerfall
* DragonForce

I love my life:
* My love
* My family
* My Job as a preschool teacher
* having fun

This is who I am and I don't care if any one thinks of me!
Jedd Ong Apr 2014
In a cosmopolitan world where
Yeezy reigns supreme on our
Speakers, loathed for loving
Genius-acknowledging, we

Have set a standard of beauty
So surreptitious, soulless—
Unattainable in this number-
Crunching world so pre-

Occupied with symmetry and
Egotism—structure—black and
White dominated by rawness and
Robotics: steampunk screams echo-
Ing from the rooftops of skyscrapers

As lightning continues to strike the highest point.
Ain't no way I'm giving up. I'm a [sic].
Train is coming to the city of steal,
And you are aboard granting the dream.
As you enter the city of knowledge,
A science miracle on the lake's edge.

Two hours ago, you followed a river down stream,
Just then you saw a sky high  tower covered in steam .
The tower of Lesia, or so the folks call it,
The greatest library on Earth is within it.

The city's houses are created of steel,
Forever they move, afraid to stay still.
Universities are all over the place,
So that everyone can science embrace.

And mechanical creatures wonder it's streets,
It seems like they are alive, as you hear their heartbeats.
The folk in here works miracles every day,
Each district's so different in it's own way.

The streets are in fog but one thing is clear,
Now  there is no doubt that magic is real.
The city's walls With gears are covered ,
Cause all of the city is a steam powered
Huger then lake machine   .
If this poem is no good, please tell me, what's wrong, so I can improve my skills. I would really appreciate if you do.
mark john junor Feb 2014
she hovers over the handwritten letter
with maniacal grin gripping her face
as she devours his texted words
with weeping eyes
and she sings in unnatural tones a child's lullaby in some
forgotten french dialect
delightful reflections in song of the garden gate
leaning broken onto the rough hewn path
where the soulless cherubs cherish their seed

in haphazard rows cherub faces sling silent tears
and labour at the desires never felt and
the dark soils never fertile
seeking redemptions in the rebirth of the harvest moon
which decorates the far wall of the tomb

the cherubs brief delighted laughters
soon sputter and fail
as in the dying light of day
reveals that they must labour yet another day
to no useful end

she lives in this place
a cottage of straw with dark windows
and a wood stained door
she sits on its porch with knitting in hand
weaving futures for her beloved cherubs
weaving pasts for her own
she devoured him like she did his words
and came home to roost
like her innocent faced dragoons
she will someday march forth with this army of doom
but today she is content to be contrite
knitting porridge and whey wall hangings
from the tables of the
steampunk princess
Dionne Charlet Nov 2016
Plumped rouge with pigment
her lip fills to graze the *******
intent to disquiet the likes of de Sade
autografted with ocular detachment
should a Marquis wish to harness
the song of the morning
within a bandolier of Seine
to ensnare any bustled Persephone
gilted by discharge of ions
into a ménage of torment
through the Porte des Lions.

Hers is the tincture of doxy
caramelized and debrided of naivety,
empowered by the eve of invention,
swollen to curves and grounded in Paris.

Illumination defies pervasion
down to every gear and pulley
she has hushed through mechanization
and lulled by steam,
swaging a cacophony of flickers
encased in glass by the Lady’s watch,
where every rivet of her plate glisters silken
reverberation in cascade,
elegant, caged, and towering,
outspoken in silence,
ever challenging the Champ de Mars.

"Paris by Gaslight," written by Dionne Charlet, is the title poem to be featured in the upcoming steampunk anthology Paris by Gaslight, the third anthology in the By Gaslight Series from New Orleans small press Black Tome Books.  Look for the first two collections of poems and short stories set in Victorian Times, New Orleans by Gaslight (ISBN 9780615801186) and Cairo by Gaslight (ISBN 9781516961528).  Both collections feature poetry by Charlet, under the pseudonym Dionne Cherie.
"Paris by Gaslight" - written by Dionne Charlet - is the title poem to be featured in the upcoming steampunk anthology "Paris by Gaslight".

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