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Lawrence Hall Feb 2017
In Defense of Iambic Pentameter

For Lori Jones McCaffery,
who was spatting with iambic pentameter
but loves it anyway

via HelloPoetry

Oh, no! Pentameter is not a trap -
Pentameter is - freedom’s wings, aloft
And golden in the morning sun, and free
It lifts our dreams into the skies, and sings

Pentameter is language’s strong heart
Its rhythm shapes our fondest hopes, and sends
Each one upon a pilgrimage of truth
To happiness enthroned at journey’s end

Besides all that, pentameter
Helps calm giddy tetrameter!
ottaross Aug 2013
Choosing a series a words for a ditty,
Those we first pluck a few at a time.
For readers it will, at first, seem so pretty
When they detect that rhythm and rhyme.

But soon, I suggest, it becomes such a chore,
When words strung together do pose
An oft-trodden pattern or insipid score
That bounces and sings as it goes.

The message conveyed in this rigid frame,
Is lesser I fear than than when we escape
From words chosen for just ending the same
Or some fortuitous fit to that shape.

So I tend to lean towards using blank form,
For verses I build by the letter,
And chose the words that I feel will conform
To that which my heart says are better.
Poking fun at myself, in critique of my oft-penned rhyming stuff. :)
Lawrence Hall Jan 2017
Cats are Iambic Pentameter

Light-footed cats are nature’s iambics
Each subtle feline step unstressed to stressed
Across a lawn, a counterpane, a heart
As a tail-twitching cat ballet, all grace

But dogs are four-beat Anglo-Saxon1 lines
Galumphing heavily and clumsily
Across a moor, a sleeping-bag, a heart
As a tail-wagging country reel (gone bad)

Soft-footed cats are nature’s iambics
And dogs are four-beat Anglo-Saxon lines


1Old English Anglo-Saxon (approx. fifth-twelfth century). Applies to four-stress hemistichal alliterative verse, e.g. Beowulf.

- Stephen Fry, *The Ode Less Travelled: Unlocking the Poet Within
annh Jan 2019
I am Bic Pentameter
Bic Pentameter is my name
Rhythm is my business
Time management is my game

Short, Long & Sons employ me
To tidy up their verse
The satirists are not too bad
But Catullus is a curse

I have danced with Sappho
Brought Shakespeare home for tea
Swapped pretty tales with Byron
Bounced da Padova on my knee

Marlowe picked a fight for nought
Auden spiked my drink
Wordsworth was insomnolent
He never slept a wink

Yeats, now there's an anecdote
Worthy of the press
The critic's choice by all accounts
The brightest and the best

But listen to me prattling on
To my work I must attend
Performance, prosody, poesy
The rules of scansion do not bend

For metre is all important
When reciting off by heart
The classic works of yesteryear
And I shall play my part
Iambic pentameter - a line of verse with five metrical feet, each consisting of one short (or unstressed) syllable followed by one long (or stressed) syllable.
Homunculus Mar 2016
I hate writing in pentameter,
That nagging old parameter reduces
The breadth of expression's diameter.
It's a barrier, a boundary, a cage built around me.
I'd rather cast off the impediment and
Allow my thoughts to sediment freely,
Really, I just can't dig it, ya feel me?  
After a while, it gets so **** repetitive, and
I'll bet it did drive Shakespeare nuts
When he wrote all his sonnets, back
When lords rocked big wigs and their
Ladies wore bonnets. That's another thing
It's been used and abused for like six *******
Centuries, contemptibly does this old relic
Haunt us and daunt us and taunt us
Writing's not meant to be a chore,  
It shouldn't bore and indenture me, but
Rather, set me free me and
Instead be adventure, see?

Wow.
I'm Somehow,
Feeling much better now.
I tried writing a sonnet in iambic pentameter again. I made some pretty good progress, but then hit a wall because of the limitations of the form. Maybe it would be better if English wasn't such a rhyme weak language. I don't really hate pentameter, but I had to vent. I'm still gonna try to finish the sonnet.
Nat Lipstadt  Jul 2013
Mashup
Nat Lipstadt Jul 2013
Mashup

Part I

I mashup me, myself, and perhaps thee too.


Excerpts from my poems about poets, poetry and the process of compositions. In chronological order, earliest to latest.
---------------------------------------------------------­------------------

With words we paint,
With syllables we embrace,
Tasked and ennobled,
We are forever fully employed,
Missionaries to all,
You too, are one as well,
Your fate can't be renounced,

when the rusted unborn poem notion is almost done,
but remains unpublished,
for no beginning, no title, can be found,

Then I recall the cornucopia days,
when poems spilled forth like
there would never be a when they wouldn't,

I revisit my old friends, couplets, twins and triplets,
seeded inside every tear, happy or sad,
sweetly and freely,

my old friends, reread,
words rearranged in new combinations,
old poems, plants bearing new fruits,
re-titled all of them, one name,
a collection entitled,
My Solace.


My eyes, my eyes, see only the
Totality of this moment.
When mastery of multi-tasking
Is the single best poem this man ever
Penned with his entirety,
Of which not word survived
For its unspoken silence was its glory.

My compact with you is to
remind us all, through
music, dance, words (poetry) and love,
This is the only compact
with the power of human law.


Color me flesh ****,
Color me blue bottled,
Red ripped asunder,
The sweetness ascribed to my love poetry,
A subtraction of the bitterness of a failed life.
Colorist of my seams, my woven words,
I am white now, my canvas completed,
Waiting for another poet to write over it,
And chaining new words to what was prior writ.

Al,  what you did not ask was this:
With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poems birth diminishes me.


You ask me how I find the time,
(To write)
But time is not the issue,
For they, are all prepared, needing only recognition,
For they, are all in readiness, needing only composition.

For who's who in poetry
is all of us!
saviors and failures,
recorders and decoders,
night writers of the oohs and aahs
of dreams and nightmares.

When this poet cannot,
no longer, anymore,
tastes his poems upon your lips,
keep your poems within his heart,
then he breathes no more,
and becomes one who was, yet is,
because of you, in poetry.

Awful poetry, some good, you will write.
But write and write till your heart be calmed,
For even ancient kings felt the anguish  of the soul,
And we profit even today by King David's psalms.


This wizened fool has his hands full,
Mouths to feed, bread to earn and bake,
As midnight is almost nigh,
He rests prone and adds a verse to this old poem
He long ago scribbled down, grimace-smiles now,
Realizing there is little difference tween him and the
Sad Eyed Teenagers of the Lowland.

For poetry salves his wounds still, even now,
Unashamedly, he thinks, hallelujah!

The poem is the afterbirth,
A conflicts resolution, an outcome,
Battlefield debris, the residue of
An exacting vision, a sentiment surging,
And your army of words, inadequate to the task,
Fighting to capture that insight flashed,
Each word a soldier, disheveled,
Crying, let me live, let me be saved,
Let me make a poem,
Let it be inscribed upon my victorious flag.

The poem is the sweat left upon the brow,
Having exercised the five senses,
The salt of struggle and debate,
It's completion, each word,
Both a victory and a defeat.

To write but a single line,
That uplifts the heart,
Eases pain, gives delight to strangers,
And makes you laugh out loud
With shivery pleasure,
That usurps a whole day and night,
That is a poet's true measure.

Mastery of the poetic,
Measured not in quantity,
But in tears of satisfaction
When others love the taste
Of newly born stanzas
Upon their lips,
couplets born and transcribed
In the wee hours of the morn.


You can have my love, my soul,
But leave to me the labor of poetry.
Loving you with words is my domain,
The speciality of my terrain,
So no more hasta la pasta if you please,
And by the bye, I would love some
Tonight, say around eight,
At a restaurant where the moon is
The only light illuminating our faces.

Until you have bent your ear to Shakespeare's sonnets,
Till you have laughed with Ogden Nash,
Wept with Frost, visited Byron's ghost,
Read the songs of King Solomon,
And once you
Despair of being their equal,
Shed your winter coat of worry,
***** your courage to the sticking point,
Begin to write then with reckless courage,
Unfettered abandon, make a fool of yourself!

Scout the competition.
Weep, for you and I will never surpass
The giants who preceeded us, and yet,
Laugh, cause they thought the same thing as well...


All I can say is
En Garde!
I will be coming back soon enough.
because you are my best poem,
and the there will always be another stanza needed...

I am no Houdini, it's quite simple,
After 5 years, I read her like a book,
A book of my poems that she has inspired,
Entitled the Mysteries of True Love.


Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

When I hear Shakespeare
My own voice is stilled, it's poverty exposed,
I am ashamed of every word I ever wrote.
Hush me not, for t'is true,
Yet I write on for an audience of one, on but one subject,
A subject, a life, mine,
yet, still unmastered, even after decades of trying.

My poverty exposed, unmasked
for what it is worth, or not.


Lest you think this is paean to men
Another grand male boast,
Be advised this ditty be writty
By a man who, while no longer gritty,
Just put jelly on his scrambled eggs
And ketchup on his toast!

Mmmmmmm there might be a poem
Lurking in that too...

So baby,
shut it down,
turn me on,
make me warm for real,
glide your now practiced fingertips on my grizzled cheek,
whisper a phony "ugh,"
cause I know, you will read
this iPad love poem
and cherish us for evermore.


Soul of brevity, poetically,
I'll never be, this insightful critique,
("Your poems are too long")
I've received in multiplicity, from sources internationally,
perhaps, lucky me, you've read this far?

Surely still a chance that an angel will touch my lips,
my internal parts sign a final treaty, inside an armistice,
night sweats sighs a thing fully forgot,
poetry writing can now be dispatched,
maybe that will be my Act III,
if I can stay awake for it.

Walk a Single Word.
To write a poem, a single word select,
embrace it with a fullness that lovers, family and friends
and the *** who cut you off in the middle lane
do daily provide

Grasp said word, walk it onto a yellow, blue lined, legal pad,
touch said word with the whisper of a single tear, a single curse,
like a pebble in a pond,
said word will miracle expand
hugging you with concentric circles of lines of poetry,
visionary words and stanzas that almost complete themselves
and you

The rhymes you will require, the meter you will select,
no need to struggle, hug your child and as Abraham told Isaac,
God and Google will provide

The simple trickster, a wordsmiths, even your average poet laureate,
got nothing on you that you don't already possess, to offer them
Plenty stiff competition.


Therefore,
My life is mine to take,
Should I wish to choose the
Place, date, the time
To let the poetry cease,
I will announce it mostly gladly
with a blessing of
Shehecheyanu* and a
Smiling "by your leave."

Sometimes the pen, unnecessary.
The poem, fully formed, in his mouth, born.

Silent back labor, unbeknownst the existence
Of such a thing, yet knowing now
His contractions, coming fast and furious,
Eyes many centimeters dilated,
The sac's fluid breaks upon the poet's tongue,
He pronounces in a single breath his
Immaculate Completion

When his hand to mouth, goes,
Like Moses, when he touched the burning coals,
The words are signaled, freedom!
The words announce:
We are now created, conceived and
This new oxgenated atmosphere is now our
final resting place.

This child, the poem, this exhalation,
Once freed, is lost to him,
It's been renamed, retitled,
by hundreds of newly adopted parents as
Ours.


Words needed to create another love poem for my beloved,
Nose and toes, ******* and eyes all regularly poetically,
Cherished,
Now I have knuckled under
And competed a full poetic body scan
And have paid tribute to each n'every part of you,
Even your knuckles...which I am busy kissing
While writing this poem in my distracted mind.

The next time it be for the morning meal,
I will eat it in bed,
far from their kitchen hiding places,
And celebrate my heroics with original
Frosted Flakes and milk,
And extra sugar just for spite!
The bedroom fairies, living under the pillow,
Emerge to beg in iambic pentameter,
Won't get nary a bite,
Until they they return the poems they stole
From my midnight dreams.


I am exhausted. So many gems to decorate
My body, my soul. I must stop here,
So many of you have reached out, none of you overlooked.

Overwhelmed, let us sit together now
And celebrate the silence that comes after the
Gasp, the sigh, that the words have taken from
Our selves, from within.


On and on thru the night,
Riffing, rapping, rambling, and spitting,
Ditties and darts, couplets and barbs,
Single words and elegies,
Free verse and a lot of fking curse words,
It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

You may think this story apocryphal
Which is another way of saying untrue,
But I got his boarding pass and it is signed,
To this crazy poetry dude, long may you rasp,
And it is signed by Mr. P. Simon, a big fan,
And it has never since that day,
Left my grasp


Some poems never end,
Nor meant too.
Alliterative phrases, invitations,
Add a verse, a word, even a sound,
An exclamation of delight,
A stanza in its own right.

Unfinished work, forever additive, collaborative.
Modify mine, pass it on.

Read somewhere some poems never end,
Now I understand that better,
Cause there are no bandages, stitches that can close,
Cause there are no pills, switches that can shut off,
The ripping sound, the cutting noise, the raging inside
Heard blocks away, almost reaching a house where you live,
And dying in the same **** place that
Poems come from after midnight.


And even if I am stranger now,
I'll prove useful to have around,
Giving you poetry precisely couture designed by command,
So I fully expect to be hugging you happy
Soon enough.
You'll see.

No matter combo or organized, a good nights sleep
Elusive
So poetry is my default rest position,
My screen savior.

**So when I warn,
All my poems are copywrighted,
My meaning simple, words crystal,
They belong to us, but mostly to you
Who are reading these words
Mashup Part II  Is now posted.

It appears that I write a lot on this topic.   Anyway all theses are indeed snippets from poems  I wrote  and have posted here.  Started with the oldest poems May 18 and working my way thru 'em
Sarah-Jane Platt May 2010
I cannot write a sonnet; it's too hard
To put such barriers around my brain
And thus I find my efforts often marred
Although I rephrase again and again
I cannot write a sonnet though I try
Through day and night; through winter, into spring
And even though I have no reason why
A ten-syllable line my thoughts won't bring
But now I wonder just what is so great
About this iambic pentameter?
And am almost resigned that it's my fate
That from the sonnet form I should defer
Yet, having spent so long in search of one
'Twould be a shame if it should not be done
Written as an "up yours" to an English teacher who said he bet none of us could write a proper sonnet that worked the way a sonnet should.
Lora Lee  Oct 2017
poetry slammed
Lora Lee Oct 2017
(explicit)

**** my soul
        with poetry
           scream out my gracious name
             slay me with words
               that peel my layers
                and simultaneously
                                   drive me
                                           insane

finger me slowly, hotly
with just the right rhythm and rhyme
    push me past my
                 tender limits
                       into tongues of syntax,
                                                      sublime

a­lliterate my senses
   (in swift stac
                    c-at
                           o)
until my mind is but blank verse
    mess up my stressed
              and unstressed syllables
in unsung language, versed

I will speak to you in vowels
(the only sound
       I will be able to make)
as you stroke
   my iambic pentameter
             in the heat of frothed-up
                                                     ache

we are this heroic couplet, you see
        even if the meaning seems veiled
           no need for simile or metaphor
               as I feel your chest rise
                              in deep inhale

we are a natural paradox
       so many ironies abound
         discordant harmony
is our synaesthesia
     in visible darkness found

and I love this delicious enjambment
as your aura invisibly slips
                               into mine
our lines have no beginning,
                                 no end
    as we undo
          the boundaries
                      of time
Explicit!
synaesthesia-The production of a sense impression relating to one sense or part of the body by stimulation of another sense or part of the body.

en·jamb·ment
inˈjambmənt,enˈjam(b)mənt/שלח
noun
(in verse) the continuation of a sentence without a pause beyond the end of a line, couplet, or stanza.
Jude kyrie Dec 2018
Neither one of them knew when the rivalry began.
It was certainly in their infancy.
Rachel Huntington was twenty
a star scholar at Oxford university.
Matthew fotheringham was the same age
also a star scholar  
They excelled in the study of English literature
having read all of the aincent and modern classics in high school.
It was known that saint Hilda's college at Oxford
regarded Rachel as  the most  gifted student
they had seen for years.
In his group the same was said for Matthew.

They shared the same advanced literature class
and the tension between then was palatable.
She would put forward a proposition
on Shakespeare repeated usage of
Iambic pentameter.
And Matthew would destroy her concept
with a detailed analysis of his works.

Have you been  cribbing with Cole's notes
he would add in disdain.
Rebecca hated him
calling him insufferably conceited and a total buffoon.

He once went to her dorm
to pick up an ancient script
she had borrowed from the library , the only copy.
He phoned from the hall
shall I come up to your room
And pick it up.
Rachel shouted No!
I will bring it down to you.
You are never to come up to my dorm.
It's not that I wouldn't allow a man up here
But if anyone were to see you leaving
and got the wrong idea.
I don't want them to think I have no taste
and low standards in boyfriends.
And that's how it went on.

Then the literature guilds competition had been announced
Scholars from all over Europe
were to present their essays of no less than 25 thousand words and the winner would receive 25 thousand guineas
but more importantly that opened the door
to the chairs of literature all through the continent.

The rivalry escalation was at fever pitch.
Matthew worked  75. Hour weeks on his essay
Rachelle kept up with him never wasting a single moment.
The class bookmaker has had narrow odds on the winner it one of these two.

They went to the presentation hall
and entered the book sized essays
sealed in manilla envelopes
Rachel quipped,you don't have a chance,
you couldn't copy mine.
Matthew said,
I hope they don't use the new plagiarism software
you have probably stole yours from the internet.
I already have made plans for my winnings he bragged.
What a good plated pocket protector
and  a girl friend you just add air too.
Matthew was hurt
Particularly at the insult
that he had a blow up plastic girlfriend.
He remembered humor was the best defence
it showed they could not hurt you.
I only bought her for driving
on the diamond lanes on the highway.
Anyhoo nothing happened between us
until that last night of term
When we drank too much wine.
Rachel walked off in disgust
As he yelled so all could here
She's better in bed than you will ever be .

It was two weeks to the announcement of the contest winners.
No use worrying about it Matthew said
He went for a long evening stroll by the river.
As he turned on the river bend he saw Rachel
She was crying say beneath a huge willow tree.

For once he did not have a smart quip or an insult.
He walked to her and sat down next to her.
Why are you weeping ? Rachel he asked gently.
She had never ever heard his voice so soft.
My father died last night. She sobbed.
It occurred to Matthew he knew nothing of her life.
I am so sorry what happened
He was the clergyman at Saint Monica's Anglican Church
He had cancer and never let me know.
It had taken all his savings to get me through Oxford.
And he did not want me to lose focus.
Then she wept freely
Matthew held her close to him she wept on his his shoulder
His fingers gently touched her reddish auburn hair.
It was soft she smelt of lavender soap it was nice.
I ...I have to go to Stow  on the wold, tomorrow for the funeral.
I shall take you there
Do you have a car she asked.
Yes I have a twenty year old MG convertible.
My dad bought me when I got into Oxford.
It was arranged he picked her up
and off to the funeral they went .

He never felt as comfortable
or comforting in all his life.
He was seeing her in a new light
after all the stupid years.
They arrived at the old vicarage
Mrs Evans the housekeeper hugged them both
It's about time you got your pretty nose
out of those old dusty books
And got yourself a boyfriend.
The weird part was neither one of them
corrected Mrs Evans.

The funeral took place
And they set back along the old country roads to the university.
They talked about literature art poets and writers.
Then the old engine conked out.
Miles from anywhere
You need to go get petrol she said.

But there's no station between here and Oxford said Michael.
The phone signal was not reaching them.
We have to sleep in the car for the night.
Rachel said as long as you don't get any ideas.
You are not my type.

He was going to tell her she was his type
but said nothing.
It was freezing in the night Rachel was shivering
He took off his coat and jacket
and put them over her in the back seat
As he shivered frozen in the front seat.

In the early morning they woke up
She stepped out of the car and stretched
Matthew was on one knee in front of her
What are doing she asked?
What does it look like I am doing ?
I am proposing that you become my wife.
Never! never! never !
After all the insults you have laid upon me.
Well I'm I'm sorry he whispered.
Not good enough she shouted.

Do you have the guts to make a bet with me Matthew asked.?
Her reddish hair answered the challenge
Just try me.
OK if I win the award you will become my wife.
If I win then you get lost and marry the blow up lady.she countered.
Well the challenge was a tough one
If she did not accept it it was saying he was smarter than her and she knew it.
If she accepted it was the opposite.
OK you have a deal.

A week later Matthew was working in the library
The prize winners are being posted on the notice board.
He felt a gasp in his chest
As he reached the crowd of students he saw Rachel
She even had a trace of makeup on she was now
Getting to look beautiful to him.
Good luck rachel he whispered I hope you win.
She knew he meant it but she remembered the wager.
She said softly I hope it's you that wins Mathew.
A young woman rushed out of the crowd
Rachelle you won you won.
Mathews heart sank
Congratulations Rachel I am so happy for you.
She felt a tear selling in her eye
Mathew where are you going she said.
You told me to go And marry my send away lady
that you just add air to.
If I lost the bet and you won Rachel.
And her heart sank in her chest.

Then the young woman saw him
Matthew congratulations you won.
She showed him a copy of the winners notice.
It had a note
In all the years of the competition we have never had two such magnificent essays
The adjudicator's were unable to mark one better than the other
We have shared the prize to two winners for the very first time.
Rachel held Mathew close and kissed him fully and hard.
Not caring who was watching.
He kissed her back
The crowd were astonished
their feud was legendary at Oxford.


Two years later.

Matthew strolled in the park with the twins
and his beloved wife Rachel.
She had married him
a week after the award ceremony at Oxford.
It was said in the coffee room that the university
had never had two professors
as much in love as them
they were now both  teaching in the English department
and we're already in competition for their tenure.
But they never spent a moment appart.

He picked up the twins
and shouted his love for Rachel
on the top of his voice.
The evening breeze picked up the perfume
of the fallen leaves.
Rachel smiled at him
and whispered softly
I love you too dearest.

She felt him slip into that private room in her heart
that she always saved for her soulmate
As he entered the room holding their two babies.
She locked the door behind him
with the only key that existed.
And then she threw it
into the dense woodlands of Oxfordshire
Never to found again.
Opposites yet so alike .
The best kind of connection.
Jude
Juliana Dec 2012
Let’s make vulgarity beautiful
for a couple seconds.
Dwell on the ******* gimmicks of language,
the shock value of mixing syllables together,
the stupidity of poetic “terms”.
I’ll tell you about my hate for
******* clichés,
****** overused poetic devices and word pairings
that ruin the fun for all of us.
I’ll lay down some ground work here:
too many minutes of my life spent
trying to count syllables ,
rhyme words,
analyze and alliterate annoying argumentative articulations.

You know what?
**** alliteration, assonance and consonance,
bastardisations of the brilliance of poetry.
Destroying all appreciation of something so fine
at such early age,
with red pens,
poor introductions,
and misconceptions falling out of every ******* mouth.
Reused and recycled clichés
trivializing the beauty of rain,
that stomach hiccup when you see someone you like
the actual emotions that fundamentally make us human.
The over-judgemental *****
who can’t write for ****,
think they’re high and mighty,
overusing these feelings with the vocabulary of an eight year old,
giving us poets a bad reputation.
**** those *******
with their dark souls
empty hearts and
broken dreams
**** them over cups of cold coffee
in vintage mugs
snapping in a low-lit jazz café.
Sonnets, haikus and ballads aren’t the only forms of poetry,
nothing has to rhyme,
I shouldn’t be graded on my ability to be a thesaurus.
******* teachers narrow-mindedly give us
“creative writing” homework
that's not creative,
like the colour green.
I don’t see how they can judge poetry,
perhaps how it flows and word choice,
but I have an extra syllable
and purple doesn’t rhyme with anything,
**** me right?
Because purple is the only word which
accurately portrays what I mean,
excuse me if I pronounce this differently
rendering my iambic pentameter to ****.
I didn’t deserve a B.
*****.
Poetry isn’t something you can confine to four walls,
it can’t be truly ugly,
it can be the sort of ugly where your mum doesn’t want to put it on the fridge
but she keeps it until you’re satisfied,
and then she trashes it,
but it’s not ugly.
Remember that poetry is supposed to be beautiful,
*******.
Forget about that *****-*****-***** who ******* you over,
that ******* who didn’t say thank you or
that ****-faced ***** who should go digest a bag of *****
and write something worth reading.
Something that will makes eyes wander back to revisit phrases,
admiring the careful craftsmanship
that translates into something universally beautiful.

The moral here is that
poetry is an art to be mastered and
no one has yet to master it.
Some have come close,
and not all of them have used alliteration,
similes about the heart,
metaphors for love,
binding syllable limits
or rhyme schemes.
Whoever told you otherwise is a raging *******
who doesn’t deserve even the lowest paid *******.
Don’t be afraid to use taboo words;
it's your writing and anyone who doesn’t like it can *******.
Despite the irony,
vulgarity can be beautiful.
http://poemsaboutpoetry.blogspot.ca/
Chuck  Jan 2013
Gangsta Poet
Chuck Jan 2013
I'm the best, there ever was
Can't get with me, at da club
Other poets, need to respect
My reputation, I'll protect
I got a 9, pen in my hand
Write your name, in the sand
To me, you can't never stand
I ain't afraid, to let out a curse
Write you in, an ugly verse
I'm da best, you da worst

You can't, stay with my meter
I spit sick, iambic pentameter  
I'm da truth you da cheater
You rhyme like Armstrong rides
You have to dope, ya got no rhymes
You da Cheech I'm da Chong
I write, you smoke da ****
You da burger, I'm da veal
I earn likes, you freakin still
You got da, cheesy *** rhymes
Droppin' words, like love & sublime
I put the free, in free verse
You all about, Nonsense Verse
I drop a sonnet, makes his head Shake
I'm the Chaucer, you da fake
I'm a Lyric, you the Lune
You can't quit writen', too crazy soon
Your stuff is dirt, mines the moon
You want a challenge, get in the ring
I'll make you cry but your mama sing

You'all poets, you got to know
You da fluff, I'm da show
I'm the king of the poets, HELLO
Thought it would be funny to be a gangsta poet. For the record, no disrespect to poets or rappers. I wrote this for fun. I like rap.
Joel M Frye Apr 2015
The iambs in pentameter will dance across the page,
But in fourteeners limp along, with extra two feet left.
Once in another lifetime, writing sonnets was the rage,
The iambs in pentameter would dance across the page.

It seems the sonnet-writer now will only show his age
As more and more write free-verse, leaving formal poems bereft.
The iambs in pentameter will dance across the page,
But in fourteeners limp along, with extra two feet left.
NaPoWriMo day 3.  A fourteener triolet.
Kate Little Jan 2011
With generosity of time and care
He teaches her about the things he knows.
Such as a couplet is a rhyming pair
And how a sonnet ought to be composed.
Pentameter iambic is the key
With accents, syllables and scansion too.
It seems a huge and baffling mystery
But bit by bit he gives a hint. A clue.
“It helps to tap your fingers on the desk
To count the syllables and hear the beat.
For some this seems bizarre and quite grotesque
But listen hard and count along. It’s sweet!”
          A teacher true who cares for flawless rhyme
          I thank you friend for giving me your time.
A Sonnet

Words by K A Little 2011
All Rights Reserved

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