.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?

ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...

p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.

well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic

              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.

As a woman, and in the service of my Lord the Emperor Wu, my life is governed by his command. At twenty I was summoned to this life at court and have made of it what I can, within the limitations of the courtesan I am supposed to be, and the poet I have now become. Unlike my male counterparts, some of whom have lately found seclusion in the wilderness of rivers and mountains, I have only my personal court of three rooms and its tiny garden and ornamental pond. But I live close to the surrounding walls of the Zu-lin Gardens with its astronomical observatories and bold attempts at recreating illusions of celebrated locations in the Tai mountains. There, walking with my cat Xi-Lu in the afternoons, I imagine a solitary life, a life suffused with the emptiness I crave.
 
In the hot, dry summer days my maid Mei-Lim and I have sought a temporary retreat in the pine forests above Lingzhi. Carried in a litter up the mountain paths we are left in a commodious hut, its open walls making those simple pleasures of drinking, eating and sleeping more acute, intense. For a few precious days I rest and meditate, breathe the mountain air and the resinous scents of the trees. I escape the daily commerce of the court and belong to a world that for the rest of the year I have to imagine, the world of the recluse. To gain the status of the recluse, open to my male counterparts, is forbidden to women of the court. I am woman first, a poet and calligrapher second. My brother, should he so wish, could present a petition to revoke his position as a man of letters, an official commentator on the affairs of state. But he is not so inclined. He has already achieved notoriety and influence through his writing on the social conditions of town and city. He revels in a world of chatter, gossip and intrigue; he appears to fear the wilderness life.  
 
I must be thankful that my own life is maintained on the periphery. I am physically distant from the hub of daily ceremonial. I only participate at my Lord’s express command. I regularly feign illness and fatigue to avoid petty conflict and difficulty. Yet I receive commissions I cannot waver: to honour a departed official; to celebrate a son’s birth to the Second Wife; to fulfil in verse my Lord’s curious need to know about the intimate sorrows of his young concubines, their loneliness and heartache.
 
Occasionally a Rhapsody is requested for an important visitor. The Emperor Wu is proud to present as welcome gifts such poetic creations executed in fine calligraphy, and from a woman of his court. Surely a sign of enlightment and progress he boasts! Yet in these creations my observations are parochial: early morning frost on the cabbage leaves in my garden; the sound of geese on their late afternoon flight to Star Lake; the disposition of the heavens on an Autumn night. I live by the Tao of Lao-Tzu, perceiving the whole world from my doorstep.
 
But I long for the reclusive life, to leave this court for my family’s estate in the valley my peasant mother lived as a child. At fourteen she was chosen to sustain the Emperor’s annual wish for young girls to be groomed for concubinage. Like her daughter she is tall, though not as plain as I; she put her past behind her and conceded her adolescence to the training required by the court. At twenty she was recommended to my father, the court archivist, as second wife. When she first met this quiet, dedicated man on the day before her marriage she closed her eyes in blessing. My father taught her the arts of the library and schooled her well. From her I have received keen eyes of jade green and a prestigious memory, a memory developed she said from my father’s joy of reading to her in their private hours, and before she could read herself. Each morning he would examine her to discover what she had remembered of the text read the night before. When I was a little child she would quote to me the Confucian texts on which she had been ****** schooled, and she then would tell me of her childhood home. She primed my imagination and my poetic world with descriptions of a domestic rural life.
 
Sometimes in the arms of my Lord I have freely rhapsodized in chusi metre these delicate word paintings of my mother’s home. She would say ‘We will walk now to the ruined tower beside the lake. Listen to the carolling birds. As the sparse clouds move across the sky the warm sun strokes the winter grass. Across the deep lake the forests are empty. Now we are climbing the narrow steps to the platform from which you and I will look towards the sun setting in the west. See the shadows are lengthening and the air becomes colder. The blackbird’s solitary song heralds the evening.  Look, an owl glides silently beneath us.’
 
My Lord will then quote from Hsieh Ling-yun,.
 
‘I meet sky, unable to soar among clouds,
face a lake, call those depths beyond me.’
 
And I will match this quotation, as he will expect.
 
‘Too simple-minded to perfect Integrity,
and too feeble to plough fields in seclusion.’
 
He will then gaze into my eyes in wonder that this obscure poem rests in my memory and that I will decode the minimal grammar of these early characters with such poetry. His characters: Sky – Bird – Cloud – Lake – Depth. My characters: Fool – Truth – Child – Winter field – Isolation.
 
Our combined invention seems to take him out of his Emperor-self. He is for a while the poet-scholar-sage he imagines he would like to be, and I his foot-sore companion following his wilderness journey. And then we turn our attention to our bodies, and I surprise him with my admonitions to gentleness, to patience, to arousing my pleasure. After such poetry he is all pleasure, sensitive to the slightest touch, and I have my pleasure in knowing I can control this powerful man with words and the stroke of my fingertips rather than by delicate youthful beauty or the guile and perverse ingenuity of an ****** act. He is still learning to recognise the nature and particularness of my desires. I am not as his other women: who confuse pleasure with pain.
 
Thoughts of my mother. Without my dear father, dead ten years, she is a boat without a rudder sailing on a distant lake. She greets each day as a gift she must honour with good humour despite the pain of her limbs, the difficulty of walking, of sitting, of eating, even talking. Such is the hurt that governs her ageing. She has always understood that my position has forbidden marriage and children, though the latter might be a possibility I have not wished it and made it known to my Lord that it must not be. My mother remains in limbo, neither son or daughter seeking to further her lineage, she has returned to her sister’s home in the distant village of her birth, a thatched house of twenty rooms,
 
‘Elms and willows shading the eaves at the back,
and, in front,  peach and plum spread wide.
 
Villages lost across mist-haze distances,
Kitchen smoke drifting wide-open country,
 
Dogs bark deep among the back roads out here
And cockerels crow from mulberry treetops.
 
My esteemed colleague T’ao Ch’ien made this poetry. After a distinguished career in government service he returned to the life of a recluse-farmer on his family farm. Living alone in a three-roomed hut he lives out his life as a recluse and has endured considerable poverty. One poem I know tells of him begging for food. His world is fields-and-gardens in contrast to Hsieh Ling-yin who is rivers-and-mountains. Ch’ien’s commitment to the recluse life has brought forth words that confront death and the reality of human experience without delusion.
 
‘At home here in what lasts, I wait out life.’
 
Thus my mother waits out her life, frail, crumbling more with each turning year.
 
To live beyond the need to organise daily commitments due to others, to step out into my garden and only consider the dew glistening on the loropetalum. My mind is forever full of what is to be done, what must be completed, what has to be said to this visitor who will today come to my court at the Wu hour. Only at my desk does this incessant chattering in the mind cease, as I move my brush to shape a character, or as the needle enters the cloth, all is stilled, the world retreats; there is the inner silence I crave.
 
I long to see with my own eyes those scenes my mother painted for me with her words. I only know them in my mind’s eye having travelled so little these past fifteen years. I look out from this still dark room onto my small garden to see the morning gathering its light above the rooftops. My camellia bush is in flower though a thin frost covers the garden stones.
 
And so I must imagine how it might be, how I might live the recluse life. How much can I jettison? These fine clothes, this silken nightgown beneath the furs I wrap myself in against the early morning air. My maid is sleeping. Who will make my tea? Minister to me when I take to my bed? What would become of my cat, my books, the choice-haired brushes? Like T’ao Ch’ien could I leave the court wearing a single robe and with one bag over my shoulders? Could I walk for ten days into the mountains? I would disguise myself as a man perhaps. I am tall for a woman, and though my body flows in broad curves there are ways this might be assuaged, enough perhaps to survive unmolested on the road.
 
Such dreams! My Lord would see me returned within hours and send a servant to remain at my gate thereafter. I will compose a rhapsody about a concubine of standing, who has even occupied the purple chamber, but now seeks to relinquish her privileged life, who coverts the uncertainty of nature, who would endure pain and privation in a hut on some distant mountain, who will sleep on a mat on its earth floor. Perhaps this will excite my Lord, light a fire in his imagination. As though in preparation for this task I remove my furs, I loose the knot of my silk gown. Naked, I reach for an old under shift letting it fall around my still-slender body and imagine myself tying the lacings myself in the open air, imagine making my toilet alone as the sun appears from behind a distant mountain on a new day. My mind occupies itself with the tiny detail of living thus: bare feet on cold earth, a walk to nearby stream, the gathering of berries and mountain herbs, the making of fire, the washing of my few clothes, imagining. Imagining. To live alone will see every moment filled with the tasks of keeping alive. I will become in tune with my surroundings. I will take only what I need and rely on no one. Dreaming will end and reality will be the slug on my mat, the bone-chilling incessant mists of winter, the thorn in the foot, the wild winds of autumn. My hands will become stained and rough, my long limbs tanned and scratched, my delicate complexion freckled and wind-pocked, my hair tied roughly back. I will become an animal foraging on a dank hillside. Such thoughts fill me with deep longing and a ****** desire to be tzu-jan  - with what surrounds me, ablaze with ****** self.
 
It is not thought the custom of a woman to hold such desires. We are creatures of order and comfort. We do not live on the edge of things, but crave security and well-being. We learn to endure the privations of being at the behest of others. Husbands, children, lovers, our relatives take our bodies to them as places of comfort, rest and desire. We work at maintaining an ordered flow of existence. Whatever our station, mistress or servant we compliment, we keep things in order, whether that is the common hearth or the accounts of our husband’s court. Now my rhapsody begins:
 
A Rhapsody on a woman wishing to live as a recluse
 
As a lady of my Emperor’s court I am bound in service.
My court is not my own, I have the barest of means.
My rooms are full of gifts I am forced barter for bread.
Though the artefacts of my hands and mind
Are valued and widely renown,
Their commissioning is an expectation of my station,
With no direct reward attached.
To dress appropriately for my Lord’s convocations and assemblies
I am forced to negotiate with chamberlains and treasurers.
A bolt of silk, gold thread, the services of a needlewoman
Require formal entreaties and may lie dormant for weeks
Before acknowledgement and release.
 
I was chosen for my literary skills, my prestigious memory,
Not for my ****** beauty, though I have been called
‘Lady of the most gracious movement’ and
My speaking voice has clarity and is capable of many colours.
I sing, but plainly and without passion
Lest I interfere with the truth of music’s message.
 
Since I was a child in my father’s library
I have sought out the works of those whose words
Paint visions of a world that as a woman
I may never see, the world of the wilderness,
Of rivers and mountains,
Of fields and gardens.
Yet I am denied by my *** and my station
To experience passing amongst these wonders
Except as contrived imitations in the palace gardens.
 
Each day I struggle to tease from the small corner
Of my enclosed eye-space some enrichment
Some elemental thing to colour meaning:
To extend the bounds of my home
Across the walls of this palace
Into the world beyond.
 
I have let it be known that I welcome interviews
With officials from distant courts to hear of their journeying,
To gather word images if only at second-hand.
Only yesterday an emissary recounted
His travels to Stone Lake in the far South-West,
Beyond the gorges of the Yang-tze.
With his eyes I have seen the mountains of Suchan:
With his ears I have heard the oars crackling
Like shattering jade in the freezing water.
Images and sounds from a thousand miles
Of travel are extract from this man’s memory.
 
Such a sharing of experience leaves me
Excited but dismayed: that I shall never
Visit this vast expanse of water and hear
Its wild cranes sing from their floating nests
In the summer moonlight.
 
I seek to disappear into a distant landscape
Where the self and its constructions of the world may
Dissolve away until nothing remains but the no-mind.
My thoughts are full of the practicalities of journeying
Of an imagined location, that lonely place
Where I may be at one with myself.
Where I may delight in the everyday Way,
Myself among mist and vine, rock and cave.
Not this lady of many parts and purposes whose poems must
Speak of lives, sorrow and joy, pleasure and pain
Set amongst personal conflict and intrigue
That in containing these things, bring order to disorder;
Salve the conscience, bathe hurt, soothe sleight.

work


joan barimaster, is having a hard week where she has 14 catering jobs and an annoying son, you

see robert was saying, i will be famous, i want to be a famous person, but joan was getting tired of this

and had to ring up diswork, which was a workplace that gave people like robert a chance to work in the

community and when joan tried to explain it to robert, robert would say, i want to help you, mummy

i want to help you mummy, but joan wanted to have some peace and getting robert into a job like this

will be perfect, you see joan told the boss, she has every faith in robert to do this work, and the boss said

how about we start robert next Monday, he can join our building site team, it might be up his alley

and after we finish, we will keep him with us, until you are ready to pick him up, and joan said, will he get bored

ya know, if you finish early, so to speak and the boss said, no, we will make sure we are really nice to him

and robert said, no, mum, i wanna help you, i don’t want to work with other people with my abilit, i have the

ability to help you, please mum, can you help me, and joan said, let’s go home, you see i have a busy life

and i need some time to myself, so you must do this thing for me and then robert really yelled at joan saying

what if it’s not the type of job that i want, what if, working with you, makes me feel happy, you know, you

shouldn’t ***** with things that work, and joan said, you only got that off becker, ok, i need you to do this work

so i can organise my business, ok, you can still help, but i need most mornings just to organise myself and robert said

what will i do, ands joan said, just work in the community, which is ****** important, and whilst doing that, i will organise

all my jobs, and robert said, you just want me to find a girlfriend, so you can walk me down the aisle and we can invite the

whole family to welcome my new lady love to the family and joan said yeah, but i also need some time to myself, i am getting old

and i can’t have you under my feet in the morning joan said, and on that monday morning, robert started work, and he worked very hard

but he refused to wear a helmet on site, and there was a bit of friction between him and his boss, but that blew over in 20 minutes

after realising it’s dangerous to work without a helmet and robert was the hardest worker there, but the boss, thought he worked so hard

that, the boss wanted him to work at the new homeless shelter, run by the city’s community centre, and robert was delighted, especially

after he told his mum, saying, he will be working as part of a homeless shelter, how cools that, he understood, and at the end of the day

when joan picked up robert, the boss told joan all about how hard robert worked and also told that he wants robert to take part in a homeless

person project which robert was happy with, and joan said to robert, are you sure you want to do this, and robert said, yeah yeah please mummy yeah

and the next few days robert has been going to bed and getting up for work, going to bed and getting up for work, day in and day out and robert was

getting tired from this work, too tired to go to her mums catering job, but he had to, and slept on the couch in the den, mind you this was the best

thing for robert and at the end of robert’s first week at work, joan and robert had dinner in the club, and robert was tired and took his medication

and went to bed

It all kinda seemed like yesterday that I began to unpack my car full of my things and headed in Vic Hall for the first time...
- And it all felt like yesterday when Sara was attacked by the creepy purple people in kilts and chains...
- And it was like yesterday when we met Simon and Dana and offered them a fridge...
- And it seems like yesterday when I was covered head to toe in peat moss and shaving cream in navy blue coveralls...
- And it was yesterday when we all took our first jump in the Lake off the pier
- And I could have sworn that it was yesterday when I went to my first class scared stiff just to find out that my profs were the coolest people..
- And it feels like yesterday that I met Margaret for the first time, and she thought I lived on her floor which I didn't...
- And yesterday I almost failed my first assignment and felt the tears rolling down my face, worried that I wasn't going to pass..
- And I will swear that it was Homecoming yesterday...
- And it was soo definately yesterday that Mariah, Sara and I conquered the BEHEMOTH!!!! Wonderland!
- And it definately was yesterday when Drama 100 went on their roadtrip to Gannanoque :P
- And it could have been yesterday when we went out for our first of many fire alarms in Vic...
- And it might have been yesterday when I realised that my calender is my new best friend..
- And it feels much like yesterday when my cousins came to see me and show me the best places in K-town...
- And it all went down yesterday that I wrote my first midterm...
- And alas it was yesterday that I found a boy and left him..
- And it must have been yesterday that I found out how much talent was in Drama 100's fall presentations...(especially Lab F... :P)
- And it feels just like yesterday that QMT astounded me with Jekyll and Hyde..
- And it could have been yesterday that I joined the Hip Hop class..
- And, of course, yesterday I helped organise Ale with the Profs for English DSC..
- And, yes, it was yesterday the I voted for AMS president...
- And then there was yesterday when I went to my first Hillel Dinner and loved it..
- And it was most definately yesterday when I discovered my hatred for chemistry...
- And yesterday, I went out for my room mates birthday...
- And then, yesterday, I figured out how much I love Indigo books... and Starbucks coffee..
- And yesterday I found out that people actually live in Stauffer Library.. sleep on couches...
- And it really was yesterday that I found out I was going to be a Gael and met Chris Mitchell aka our OC!! and my future Gael FAM!!!!
- And it was yesterday that I joined the costume crew for Man of la Mancha and learned how to use a sewing machine... sorry Julia :P
- And then yesterday, I went to see Ted in Anne Frank.. he was really great!
- And yesterday, I found out that Drama 100 was way more talented in their Winter Presentations...
- And it seems like yesterday that it was my last day of classes... but somehow I still had projects due..
- And it was sooo yesterday that I finished my last essay of the year...
- And it feels soo much like yesterday when I met to whole cast and crew and went to the somewhat and the gala night and closing night (the strike and cast party)!!! You guys are fantastic..
- And yesterday I began my first of many finals...
- And then yesterday I said goodbye to my lucky friends who finished before me and going home for the summer...


But it was today, as I was packing my things and talking to my parents, that they asked,"How does it feel to be finished your first of four years of university?" and I said, "It all seemed like yesterday."

Born with a better life
Formed with a rugged line
Caught in a muddy mind
Inner war in full force
Empty shores
Grains are coarse
Brain is worn from the thought
Of the cause
And the flaws
In the bottled up troubled times...
Keep that light in sight though
Eyes open wide,
So you can brave the flow so
You can find all the times
To unwind
Organise
And refine
How you fight Home Made choke holds

Feels like I'm courting
A black hole I'm forming
Distorting rewarding
Thoughts formed flip to morbid
'It's just a bad day not a bad life'
Ever had a day that lasts a life time?
Guess I'll be right in the mourning

What sort of a mess is this
Formed full of emptiness
Scorn for my premises
Thinner walls
Creaking floors
Feeling worn
Sleeping more
Brain is worn from the thought
Of the cause
And the flaws
I have bottled in hesitance
Keep that light in sight though
Eyes open wide,
So you can brave the flow so
You can find all the times
To unwind
Organise
And refine
How you fight Home Made choke holds

Start with absorbing
The wellness from talking
Succoring the morbid
Thoughts formed flip to glory
'This is a good day not a bad life'
Ever want a day to last a life time?
Might just be right in the morning

( while taking a tour through those poems readers are requested to keep in their hands,  a feather from the pea-****’s tail )

Volga - 1

there might have been some provocation
on the part of the  rat’s bible  

it is not known when and how
every piece of sleep that spatters  
from the oesophagus of the dip-swimming  
has stick to the c-sharp
of the newly-purchased tooth-brush

the air within the wish-bicycle
figures nothing less

how much is it necessary now
to ****** the blue-hue  with the study
that can be saved by the depression of the Ganges-basin
to develop the snap-shot of the garland-exchange with the
antiseptic cream

would you think it for some moments
my lord
the lord of the market

before sending any secret e-mail
to the cyclone
residing in the room
behind the stair-case
let the Volga be read once more
with all its clothes
and hair-styles

Volga - 2

the winter of the water-canon
oxidised by the fireflies
wants to touch every bamboo-flute
of this soil, it seems

as if it plays
in the body of every cauliflower
the total memorising-skill
of  the blue and yellow pyramid

and if some lines of changes
in the planet be added
the birth-day of the bolster
that goes to the sea
may learn with a lesser effort
the pollen-efficiency of the nail-marked walls

how much should I scold the squirrels
who don’t want to swim
in the still-water of the black-board  

Volga – 3

the green-circuit of the fried-almonds
that was submerged
in the open-hair of the afternoon
the whole-night workshop
has taught
the thumb-impression is to be put
how far below it

if the autobiographies are planted
into the drawer of nature
the solubility of the river-reed
gets it done too late at night

all the plus-signs around
from their etiquettes
come down  

so many foot-notes
caused by the season-changes

so before planting life
to the address of the wall-lamps
it seems the cotton-flower
written by the oceans
began yawning

Volga – 4

to the homoeopathy phial
standing on the traffic-island
why it appears
within her womb
the number of germinated nights
stolen without a kiss
is too little

is then it true
if all the chanting of Harinam
can’t be withdrawn from the alcohol
the body-odour of the running tamarisk-shrub  
will enter into the circuit-house

and that devouring of the parchment
brings to the feelings of the non-veg ant-hills
the let’s-go-cure
gathering in the sauce-island

Volga - 5

coming to this ironed canal-side
every auto-rickshaw  
wants to know and let other know
the mystery
behind  the rice-rain
from the cirrus                                                

the shame in the eyes of the seal containing signs
supplies the whole-sale dealership
of the civil disobedience movement
to the locality

the role of the hammer also
wakes up early in the morning
to put under its own tongue
an antacid

is it possible that the spits
used in the observatory
be made a little more fast-moving

manuscript of the basement of a well

the biography of the pond-heron will be scripted
even-then the productivity of the merry-go-round
wouldn’t be uttered for a moment
no sir, such has never been expected

in the liquefied banana-blossoms
too many hot breads resulted from the season-change
continues to bat  vehemently  
and climbs to the peak of heart-throbbing runs

they in a group will go to the
aqua anetha of the mole hill
to organise a folk-song

to understand this
no arbitration of the cactus is required

notwithstanding
it is heard that the thread was pulled
by the violin of  the wife of the moon-god
from behind the screen

here in the eye-front
is the basement of the morning-well

on its one page lies the faulty  crow-caws
and on another some sun-shines
swinging on the hanger
after some pages in recurring …the chicken-pox … the boot-polish …

within the two covers of the dance-drama
also comes the creepers and herbs
grown around the melting point
of the arm-chair
whose legs are broken

if each pore on the skin of the river-lily
becomes so much known
then in the background of this low land

let us have one game more

I was walking on the seashore when I heard a fearful cry
I looked out across the water where a man was drifting by
"You've got to help!" he shouted, "There's a lifebelt in your reach,
"If you throw it to me quickly I'll get back onto the Beach!"
I hastily began to do exactly as he said
When a little word of warning made its way into my head.

"You reckon this will help," I said, "that is what you believe,
"But to trust short-term solutions here is hopelessly naive.
"You think the belt will save you, and for now maybe it would
"But to teach a faulty lesson here could do more harm than good
"You want something for nothing and that just is not the way
"In the sophisticated economic climate of today -
"You need trade!  You need trade, not aid
"You need trade!  I can't help until you've paid.
"You say that you're in trouble and my help is all you need
"But a culture of dependency is all that it would breed!"

"What's wrong with you, you maniac?" he answered with a yell,
"I'm drowning in the ocean and there's nothing here to sell!
"We can talk about your theories when I'm back upon the shore
"Now just throw the ****** life-belt out, I beg you, I implore!
"You have it in your power and you know that if you can
"You've a moral obligation to assist your fellow man!"

I told him, "You are selfish!  This is difficult for me,
"D'you think a drowning person is a pleasant thing to see?
"You shouldn't be in the water if you haven't learned to swim!"
He said "You no-good lousy *******, it was you who pushed me in!"
Well this kind of moral blackmail made me look at him, aghast
And say, "There really is no virtue here in dwelling on the past,
"You need trade!  You need trade, not aid
"You need trade!  I can't help until you've paid.
"You say that you're in trouble and my help is all you need
"But a culture of dependency is all that it would breed!"

"Don't be so pessimistic," I advised him, "you are rich!
"The sea in which you're drowning must be lowping full of fish!"
"If that's what you're relying on," he said, "to judge my wealth,
"Then you know that I have nothing, 'cos you caught them all yourself!"
I said, "Well, you can't argue with the laws of competition
"You were wasting time by drowning when you should have been out fishin'!"

When finally he died I said, "My brother, I will miss you,
"But maybe more importantly, you've highlighted an issue:
"Drowning is a problem, and believe me, now you're gone,
"I'll be on the phone to Geldof, Ultravox and Elton John.
"We'll organise a concert so that everyone can see
"That drowning is a menace, we should make it history!
"Using trade!  Using trade, not aid,
"Good, free trade, the grestest plan we've ever made,
"You say that you're in trouble and my help is all you need,
"But a culture of dependency's a rotten thing to breed!"

Build an idea,
Organise your mess,
Recognise your strengths,
Elevate your soul searching,
Denature negative thoughts.
Only allow great ideas,
Mimic the best person you can be.

I’m sorry, Sir,
I know you said
I had to write out
50 times

“I must improve” - but
50 times
a different thought
came to my mind

i must look after myself properly
i must eat more
i must drink less
i must make time for myself
i must get the test
i must organise the divorce
i must sort out my job
i must sort out my head
i must get the car serviced
i must tidy this ******* place up

i must give up the ****
i must phone my friends more often
i must become a better person
i must take control of my life
i must find a therapist
i must hoover
i must grow up
i must calm down
i must sing more
i must accept myself

i must finish that poem
i must challenge ‘must’
i must find a new balance
i must raise my self-esteem
i must put on weight
i must get to bed earlier
i must return those calls
i must take up meditation again
i must get to the bottom of this paperwork
i must ease off the whisky

i must read more classics
i must remember how to feel good about myself
i must print those t-shirts i keep talking about
i must feed the fish
i must organise my finances
i must rearrange the living room
i must look into a mortgage
i must pray to the god of small things
i must hold good people close to me
i must burn out my cynicism

i must stop spending more than i earn
i must stop pushing people away
i must stop feeling icky about her past
i must stop being a drama queen
i must stop beating myself up
i must stop putting it off
i must stop going through the motions
i must stop looking for the answer in others
i must, i must,
i must
stop substituting poetry
for action

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A superb director of the business has to make sure all people earning a living for a agency incorporates a activity allotted to the puppy everyday. It's easy to do that via Producteev, a totally free practical application that operates on android and ios websites. You can get the actual software with standard and also high quality variants, designed to handle the requirements of institutions connected with diverse measurements. You can designate responsibilities to folks, build subtasks and implement privateness adjustments.

DocuSign

Since the person who owns business enterprise, you'll want to indicator a lot of records relevant to your online business or maybe bank trades and much more. Going to a place actually uses up a lot of time. You don't for you to run back in your business via a major meeting or even go to just about any spot in the event you get the app DocuSign on your own hand-held device.

Evernote

You may need place to keep almost all valuable information and concepts you come across every day. Evernote is like a record this helps your storing involving minimal information in a single. You can keep video tutorials and also sound recording extras, pictures, records, and information up to and including utmost minimize of 59 Megabytes per 30 days, inside free release. You only pay a compact selling price for any increased model that can retail outlet far more files.

Kabanflow

If your organization banking institutions about people today home working as well as various regions, Kabanflow is surely an on the internet endeavor operations practical application which will be convenient in your case. This software permits you to give a project to the acquaintances for you to add important docs and even designate payment dates. It is simple to imagine the particular workflow in addition to connect more quickly via it that works well within the hand-held systems along with the computer system.

Basecamp

People your own team may need to work intended for finishing a task. Basecamp is really an software that delivers one particular watch dash board having links to your task. The particular app enables the challenge supervisors to interchange information plus talk about information in the dialogue typeface and then determine documents, chores plus the date connected with end.

Paypal

Doing regular payments is a valuable part of commercial. To repay bills and then make installments to be able to manufacturers, you need to use the particular Paypal which offers a beneficial platform. Backlinks the accounts and also credit in addition to bank cards to your Paypal helps to make the purchases fast and easy. You can use it over just about all devices.

Dropbox

Dropbox is really a file-sharing software that offers numberous perk to be able to companies. The appliance syncs records across units and you can reach these people in the area. That is a efficient technique of sharing files and folders using your group members with regard to improved upon alliance.

Crystal clear

Personal time management is vital to building a thriving enterprise. Crystal clear is really a time-management software pertaining to iPhones in addition to Android os equipment that you can use to organise plus set up day-to-day perform. The application also has the ability with establishing pointers to help you. From the justifiable software, you may draw all the way down plus crunch a task and swipe it off the actual monitor one time it truly is about.

The majority of the wordpress already stated can utilize or perhaps provide a free trial offer interval. Try using those dreaded that meets your company needs. In the event that an application just isn't helping you, there are other flashiest wordpress, using the same operates, available. You will definately get several that will be useful helping the work productivity of the organization.


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This is the very first SNOGGO adventure, written by SNOGGO himself in the 1st Person (well, by Edna Sweetlove really)

    Cruising through space, looking out of the space porthole, seeing the planets passing by, jesus ******* christ we were so excited, all those ******* planets, what a ******* staggering sight.

    Sharon, our Captain (at three foot six and twenty-one and a half stone an imposing looking woman), bellowed out her order: 'Prepare to descend, you mothers!'

    So most of us stopped ******* and we started preparations for the descent onto the surface of the treacherous unknown planet ****** (aka Big ****** on account of there having been a mix up in naming newly discovered planets and so the universe had ended up with three planets all called ******) - as I was saying, the planet ****** on which no ******* human ever, ever, ever trod on before. Wow, this was ******* exciting.

    The zonometer showed we were only 3,000 feet above the surface of the unknown planet....2,900, 2,800, 2,700, 2,600, 2,500, 2,400......

    You got the ******* picture?

    BLAM!!  We landed. The ******* zonometer was inaccurate, but that's what happens when you buy cheap Asian imports at a ******* discount.

    Captain Sharon went through the full three-hour post-landing, pre-disembarcation procedure whilst I was *******.  I did an enormous one, very smelly and utterly horrible.  She was waiting at the door when I finished and she was clearly very constipated.

    It was time to disembark onto the unknown surface of the unknown planet ******.  The stratodoor opened and we were overwhelmed by the stench which hit our ******* nostrils toute suite: purest ****. What kind of people were the Bolloxonians who couldn't even organise a decent sewage system?

    I was chosen (on account of my club foot) to be among the first to descend onto ******'s surface.  It was cool and I limped heroically onto the planet's surface.

    We explored a bit, being careful not to step on the huge piles of used condoms everywhere.  The terrain was hideous and eldritch, a bit like my Aunt Edna's bedroom after she's been entertaining the local retards for a ******* ****-in.

    We saw this thing.  My mind could not immediately recognise it for its utter, brain-blowing horror.  I cannot tell you what it was, the words fail me, my intellect goes into shut-down mode.  O holy **** it was ghastly.  All right, I'll tell you what it was.  It was a THREE HUNDRED FOOT ****, all covered in oozing pus and vibrating bleeding worms and so on and **** like that.

    The crew of the our spaceship were enraptured and I was nearly killed in the scrum to get stuck in to this mighty beauty.  We had travelled three light years, crossed fifty galaxies, battled twelve-inch penised space midgets for the right to feast on this great ****.

    What can I say?  How can I describe the mighty cry that rose up from the assembled crew as they started to gobble the giant space poo lump....?

    'YUM! YUM! YUM! YUM! YUM! YUM!' they shrieked orgasmically, ******* themselves in well-earned contentment. I think we must agree that it was delicious and well worth the journey.

THE END

Life can be hard when your thoughts are messier than your bed could ever be.
Sentences, phrases, words, anything just racing around my mind.
Sometime I can sort them, catagorise them in a way that makes them easier to perceive.
But sometimes, that's not the case.
They twist and manipulate as if my mind is a kaleidoscope and every new thought just adds another fragment to the broken picture inside my head.
Maybe it would help to understand, or maybe it would just add to the confusion.
I wish I understood why my mind works like this, in these confusing an mysterious ways.
Perhaps one day I'll understand why they behave this way, but for now I'll continue trying to organise my racing thoughts.