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Should I hang with my friend who I haven't seen in a year or go meet this tinder girl?
Someone New - Hozier

I just can't put my finger on it.
something about her is goregous.
Baby Got Back - Jonathon Coulton

You're right. It's totally her ***.
Ugly Faces - Watsky

Shh, spotify, be nice. It's not her fault.
Do Better - Say Anything

Okay okay, you're right. I'll bring her home.
All Time Low - Jon Bellion

Oh c'mon, She's not that bad...
Proove Me Wrong - Dub FX

Well like... her personality is pretty cute.
Some Girls Are Crazy - Echo Movement

I can't beleive I just had *** in my backseat.
Glad You Came - The Wanted

Yikes. All the girls dropped from this party. it's just gonna be me and my three dude friends.
To Many ***** On The Dancefloor - Flight Of The Concords

I completely agree. Should i go or just come up with a ****** excuse to leave?
You Don't Have To Be A ******* - Flight Of The Concords

You're right i'll leave. What should i tell them?
Working - I Fight Dragons

No i already told them i got the day off. That wouldn't work.
My Buddy's Back - Big D and The Kids Table

Oh perfect!
Sleepyhead - Passion Pit

Yeah I should go to bed.
Let me finish this poem first.
Go To Bed - Ookla The Mok

I'm stuck on this line.
What's a good word to describe Port Veritas? Like... one word?
Home - Phillip Phillips.

That's adorable... you're so right.
See You Again - Wiz Kahlifa

******* spotify that was super uncalled for. Now i'm bummed out.
Get Over It - Ok Go

Dude. That's like super insensitive
Ungrateful - Streetlight Manifesto

No i'm not ungrateful. I love you, you just don't need to make me cry when i'm down in the dumps like that.
Lean Into The Fall - Mona

I guess you're right. Fine. Thank you.
All The Stars In Texas - Ludo

That's the nicest thing that anyones ever said to me. I like when you do that.
Like or Like Like - Miniature Tigers

Uhh, i guess like like. You're pretty much my favorite app.
R U Mine? - Arctic Monleys.

I think maybe you're moving a little fast spotify... i don't think I'm ready for that kind of commitment.
I Wanna Be Yours - Arctic Monkeys

This is getting weird. I'm going to bed.
I Will Follow You Into The Dark - Death Cab For Cutie

Okay no, seriously i'm turning you off.
*Don't Unplug Me - All Caps.
XIII  Nov 2019
FX
XIII Nov 2019
FX
Every time you loosen our entwined hands,
I tried to hold onto the warmth

Every time I think I’ll be able to meet you,
My heart dyes with a beautiful shade.
Even the common things turn into memories when we’re together

Even your voice, even those fragile shoulders,
Even your eyes are not mine,
No matter how much I am by your side,
My feelings won’t come true unless I destroy your future,
One moment’s dream; I love you to the extent that it hurts,
But tonight is ending

I walk the shimmering streets,
Trying to cover the times we can’t meet,
Your playful smile, after our hands had met for the first time,
Keeps reviving in my memories

I want to embrace you; I want to embrace you tightly,
Yet you are not mine; my broken heart now,
Wants to embrace you, but I cannot,
I want you to the degree that it’s overflowing, that it’s melting,
Without even being able to stop the FX and make a promise
You wave your hands

Even your voice, even those fragile shoulders,
Even your eyes are not mine,
No matter how much I am by your side,
My feelings won’t come true unless I destroy your future,
One moment’s dream; I love you to the extent that it hurts,
But tonight is ending
"© TAXI by TOHOSHINKI Lyrics Translation;
TAXI = FX"
© Cepheus February 26, 2019
Cepheus  Feb 2019
FX
Cepheus Feb 2019
FX
Every time you loosen our entwined hands,
I tried to hold onto the warmth

Every time I think I’ll be able to meet you,
My heart dyes with a beautiful shade.
Even the common things turn into memories when we’re together

Even your voice, even those fragile shoulders,
Even your eyes are not mine,
No matter how much I am by your side,
My feelings won’t come true unless I destroy your future,
One moment’s dream; I love you to the extent that it hurts,
But tonight is ending

I walk the shimmering streets,
Trying to cover the times we can’t meet,
Your playful smile, after our hands had met for the first time,
Keeps reviving in my memories

I want to embrace you; I want to embrace you tightly,
Yet you are not mine; my broken heart now,
Wants to embrace you, but I cannot,
I want you to the degree that it’s overflowing, that it’s melting,
Without even being able to stop the FX and make a promise
You wave your hands

Even your voice, even those fragile shoulders,
Even your eyes are not mine,
No matter how much I am by your side,
My feelings won’t come true unless I destroy your future,
One moment’s dream; I love you to the extent that it hurts,
But tonight is ending
© TAXI by TOHOSHINKI Lyrics Translation;
TAXI = FX
natalie Jul 2014
When we arrive at the beach, the oppressive sun has
begun his slow, creeping descent towards the gap in
the dunes where, if one stood at the very crest, he
might see the swampy bay, tufted in tall, thin grass
and dotted with ospreys and cranes. I carry a bag
depicting a bastardization of the American flag, and
he tugs the narrow mesh cart with cartoon wheels across
the flesh-toned sand. The crowd of hungry beachgoers
is thinning, and the lifeguards have just begun to lug
their tall wooden stand back from its perilous proximity
to the gentle breakers. I walk just a few paces behind
my father, until he stops, asking, “Is this a good spot?”
I nod, never before remembering a time when he
sought my approval for a seaside roost. After ******* our
umbrella—blue-green, as though reflecting in canvas
the fluctuating shades of the mutable Atlantic—deep into
the cool sand, and setting the two chairs firmly in its chilly
shade, he asks, “Wanna swim?” Again, I nod, stripping
until I wear nothing but a mint green bikini and sunglasses.
Leisurely, we stroll towards the small waves and wade into
the just-right water gradually. Subconsciously, I am again
just three or four footfalls behind his frame, as if I cannot
continue any deeper until he has tested the sea, and each
step forward is a promise that everything is okay,
and I may proceed with caution.

Our steady immersion suddenly releases in me a torrent
of memories. I see myself, maybe seven, planted next
to him on the beach, where the sand is only just damp,
digging holes with our hands so that a small pool of
icy liquid slowly emerges, and then cupping the sand
and carefully dripping it along the edges to create a
system of fortresses and castles melting in the breeze.
I see him explaining to me, age nine, the proper way
to bodysurf, and I feel once again a sudden fear that
the salty water will fill my nostrils and cause that
choking burn that I detest to this day. I remember
him laughing that hearty guffaw as I was, invariably,
thrown from my boogie board in the aftermath of a
particularly large wave, skinning my knees against
the broken shells dotting the rough ocean floor. I
hear his careful instructions about the proper and
improper behaviors when ****** into a rip tide—
swim horizontally, he’d say, and if I didn’t understand
the word, he’d clarify that it meant to follow the beach,
because following the sea was certain death.

When our waists have just begun to adjust to the
temperature, I overhear the father of a girl who is
about the age I was in these memories exclaim that
a pod of dolphins has come quite close, and upon
looking, I see their gray bodies slithering in and out
of the deeper water. I nudge my father and point, and
we both marvel at this rare occurrence. Thousands of
seconds pass, and this time he is pointing off in the
distance, saying, “They’re still hanging around. Must
be a school of fish or something.” When I ask him if
he knows why they are within swimming distance,
he tells me confidently that it must be due to the
water’s unseasonable warmth, and I know in my
heart and in my brain that he is correct, as usual.

After the dolphins have disappeared, I say that I
am done swimming, that I want to start the Marquez
tome weighing heavily upon my conscience and that,
besides, we shouldn’t leave our valuables alone for
too long. He simply shrugs, as if to say, “Why would
you want to get out of this ocean?” almost as though he
didn’t realize thievery is such a common occurrence
at the Jersey shore. From my haven in the shade, I
feel goosebumps emerge as my father’s shirt deepens
from heather gray to taupe. Before leaving the
house our family has visited every summer for over
a decade, I borrowed his brand new headphones—he
was so excited to tell me that they don’t knot—and
their bulbous coverings, when stuck in ears on a
windy beach, create the sort of howling found in
1970s horror movies, my own personal FX. Despite
the fact that I have just surpassed one quarter of a
century in age, I still see him, a few years past the
half-century mark, turn around, squinting, until he
sees me safely planted in the plastic chair, as safe
as a father could hope his oldest daughter to be.
Ayelle Garcia Oct 2014
I’ve already graduated from high school,
But I’m still living in our house.
So I need to get used to commute
From East Fairview to UST.

It’s really different now,
Literally farther from usual.
It may be one ride away,
But with a longer travel time.

So, I have to leave earlier
Than the usual time back then.
If I don’t leave early,
I’ll get stuck at Espana for long.

FX or bus, you name it;
Whether partially or almost full.
Even if it’s very crowded,
I have no choice but to fit in.

So when I know I’ll be late,
I cross my fingers so hard,
Wishing that my ride
Will take an alternative route.

I just hate the fact
That when all else fails,
Even alternative routes
Are totally filled with cars.

In just a few months in college,
I already learned shortcuts to UST.
At least when I know I’m stuck,
I’ll find a way out of it.

In life, however,
There is no shortcut to happiness.
You still have to go a long way,
And withstand the challenges along it.

So we have a choice
And hard work is needed;
At least you know that
You’ve done it with effort.

Well, if a shortcut fails,
That means try another one.
But what can I say?
Manila is a busy road.

So I have to expect and endure
The heavy traffic flow at Espana,
As much as I can do it
In my own busy life.
A poem I wrote during my freshie year in college, and I wrote this while on a bus to school.
s  Sep 2017
fx
s Sep 2017
fx
you are everything you left behind
and everything that stayed
(i found your old shirt the other day)
(sometimes i remember it wasn't you who left)

you are every slurred word
and every breath that reeked of whiskey
sometimes i only remember you
on nights i don't remember my own name
sometimes i think what if or maybe
sometimes i remember

every touch
every word
every promise
(you never broke a single one)

— The End —