fourteen.
fourteen and I am alive.
fourteen and yet I feel like I am five
fourteen and my poems still aren't that good
fourteen and my skin still scars just as often
fourteen and I don't talk to my mom as much I used to
fourteen and I still hate my body
fourteen and I still hate my body
fourteen and I never liked celebrating my birthdays
fourteen and I never liked waking up on my birthdays
to a stranger who looks like me and sounds like me
but isn't me because I'm fourteen and that's
supposed to make a difference
fourteen and I feel like I am too young to be writing
about the things I do but my cousin's fourteen and she
does the things I am afraid to write about
fourteen and this is probably the only honest
poem I've ever written in my life
fourteen that's probably why it isn't that good
fourteen and I feel like I'm running out of things to say
fourteen yet there are so many things I haven't said
fourteen and I miss the way people used to love me
fourteen and I feel like it's ****** up that I don't miss the
way I used to love me because fourteen was when I stopped
remembering what that feeling felt like
fourteen and I don't hate school as much as I thought I would
fourteen and there's nobody in my school I'd celebrate my birthday with
fourteen and I haven't talked to someone I love in months
fourteen and I have more regrets than my age
fourteen and I realize that means nothing but it feels like it means everything
fourteen and I used to dream about doing impossible things but
fourteen is the number of dreams I have that died
fourteen and I don't blame the people that have given me love
and then tossed it aside because it's been a year and my tears have dried
fourteen and I have learned my heart is an abandoned garden
that only grows weeds and that planting flowers in it is useless
fourteen and it took me a long time to realize that I am more than just my age
fourteen and I wish I was still five, with my hair curly
and my mother's soft singing the only tune in my mind
but I am fourteen and life is supposed to be better
in ten days when I turn fifteen and
yet I have a feeling everything will be the same

(h.l.)

When I Was Fourteen
I took a walk around the world
When I was fourteen.

A round-trip from the country
Of Florida to the province of
Friendship.

I broke out my camp gear on
The way to the sea of desire
And edged my way to the point
Of view.

When I was fourteen
I took gym class and failed
Showers.

The water lapped at my body,
Its steamy blows pelting my
Boyhood.

The jocks jeered at me ‘cause
I cried in shop class a lot
When I was fourteen.

The girls wore saddle shoes
With bobby sox and they
Liked me seeing as I could
Dance the jitterbug.

I loved the beat, the jiggling
Of my legs against my pants
And I learned to cope with
My feelings of trackless taunts.

I starred in a one-act play but
Forgot my lines
When I was fourteen.

I had a dream in the province
Of friendship that there was
A boy called little prince
Who nourished a rose.
Prince taught me that I would
Only see clearly with my heart
When I was fourteen.

A new boy came to school one
day and sat next to me at chorus  
practice.

He gazed at me, his eyelashes
and lips detailed in copper, head
tipped back as though in trance
and pulled off his t-shirt.

I am here today because he was
There, nourishing me like prince’s
Rose, but with courage.

When I was fourteen
I met the gymnast of love, his
Daring glance, his feather touch,
Defiant, preaching counterpoint.

I tried to run away but his name
Kept Calling me back, like a
Birdsong: “Phillip,” it whispered,
“My name is Phillip.”

And I went to him, to his glance,
To his smile, to his arms, and
He sang to me, this boy named
Phillip:

“I know you, my little prince,
You are a wee patch of blue,
My Mordecai, my Bashar, my
Ivan, my Carlos, branches of
The same tree, so serious at
Fourteen.”

Soon another dream came over
Me, I dozed, drowsy and snug
In the arms of an unknown hero,
And I was wrapped in a frosted
Halo, when I was fourteen.

My halo was a gift from Phillip,
And it dripped so silently down
On the closet, on fire, holding
The me that I now behold in
The mirror.

I saw the shower and stood up
Proud, I saw the stage and
Remembered my lines, and
I was proud.  I was the rose,
Nourished. And I was proud.

I danced and dreamed and was
Filled with courage, my chest
Popping with buttons, my head
Filled with melody and my
Shoes tapping in rhythm.

Today we went home to see
My mom, Phillip and I, and
She put her arms around us
And said “Welcome, boys,
I love you!”

When I was fourteen.  


© Lewis Bosworth, 2014

the year is two thousand and fourteen and something isn't right

in the supposedly post-racial united states of america

the only thing this society seems to be is post humanity.

black americans are routinely treated with barely a shred of human decency.

stripped of our agency under the iron fist of white supremacy

post the cold blooded murders of Tamir Rice, Michael Brown, Trayvon Martin, Ezell Ford, Eric Garner, Kimane Gray, John Crawford, and countless others-

these are the strange fruits that hang from our nation’s poplar trees.

the year is two thousand and fourteen and something isn't right. or is it nineteen sixty four? many a time I have opened the morning paper to see headlines that would not be out of place in that era of bloodshed.

more care given to a cotton cloth flag than to the black bodies that lie battered and broken in the streets.

"think of the businesses!" they scream, mouths afroth.

but won't anyone think of the black children murdered for carrying BB Guns? won't anyone think of the fathers? the mothers? the sons and daughters whose lives are cut short by those who are supposed to 'protect and serve?'

I will stop "making this about race" when the police stop giving me reason to fear for my life simply for existing. it is not enough to be peaceful and innocent anymore.

does this conversation upset you? can you not cope with these atrocities that go on every day in your precious land of the free?

In a sick way it almost makes sense

that in a nation built from nothing upon the backs of the enslaved

that it would take a bit longer than a hundred and fifty years to stop feeling the pain.

the whips and chains that once bound us were not broken, but merely transformed.

our shackles are now student loans;

plantations were exchanged for privatized prisons and lynch mobs now wear blue uniforms.

the year is two thousand and fourteen and something isn't right.

maybe it’s got something to do with the way that all people seem to care about nowadays is iggy azalea’s new hit single but not the way that white rappers want to be black so badly up until it’s time to fight for us. to march with us. to die with us.

miley cyrus can prance around onstage fetishizing black bodies like modern day hottentot venuses but when black bodies are being violated by the police she’s strangely silent.

the year is two thousand and fourteen and something isn't right.


but there is a light that shines through this darkness. that light is within me, and you, and within the hearts of every single man and woman of all colors and creeds who raises their fists and says "No more."  

our fight is not over. the road will be long. it is very possible that more will die along the way.  but their deaths will not be in vain.

the year is two thousand and fourteen and something isn't right. but it will not be this way forever.

and and fourteen and something isn't right

in the supposedly post-racial united states of america

the only thing this society seems to be is post humanity.

black americans are routinely treated with barely a shred of human decency.

stripped of our agency under the iron fist of white supremacy

post the cold blooded murders of Tamir Rice, Michael Brown, Trayvon Martin, Ezell Ford, Eric Garner, Kimane Gray, John Crawford, and countless others-

these are the strange fruits that hang from our nation’s poplar trees.

the year is two thousand and fourteen and something isn't right. or is it nineteen sixty four? many a time I have opened the morning paper to see headlines that would not be out of place in that era of bloodshed.

more care given to a cotton cloth flag than to the black bodies that lie battered and broken in the streets.

"think of the businesses!" they scream, mouths afroth.

but won't anyone think of the black children murdered for carrying BB Guns? won't anyone think of the fathers? the mothers? the sons and daughters whose lives are cut short by those who are supposed to 'protect and serve?'

I will stop "making this about race" when the police stop giving me reason to fear for my life simply for existing. it is not enough to be peaceful and innocent anymore.

does this conversation upset you? can you not cope with these atrocities that go on every day in your precious land of the free?

In a sick way it almost makes sense

that in a nation built from nothing upon the backs of the enslaved

that it would take a bit longer than a hundred and fifty years to stop feeling the pain.

the whips and chains that once bound us were not broken, but merely transformed.

our shackles are now student loans;

plantations were exchanged for privatized prisons and lynch mobs now wear blue uniforms.

the year is two thousand and fourteen and something isn't right.

maybe it’s got something to do with the way that all people seem to care about nowadays is iggy azalea’s new hit single but not the way that white rappers want to be black so badly up until it’s time to fight for us. to march with us. to die with us.

miley cyrus can prance around onstage fetishizing black bodies like modern day hottentot venuses but when black bodies are being violated by the police she’s strangely silent.

the year is two thousand and fourteen and something isn't right.


but there is a light that shines through this darkness. that light is within me, and you, and within the hearts of every single man and woman of all colors and creeds who raises their fists and says "No more."  

our fight is not over. the road will be long. it is very possible that more will die along the way.  but their deaths will not be in vain.

the year is two thousand and fourteen and something isn't right. but it will not be this way forever.

When I was fourteen I learned to write
I learned to pour out my sorrow onto the pages
of an old notebook

When I was fourteen I learned to write for myself
Without stupid prompts
asking me what I was proud of

When I was fourteen I learned to write the truth
Never again did a meaningless sentence spill out of my pen
saying things that were opposite of what I felt

When I was fourteen I learned to write for everyone else
I said to those silent pages what I could not say to their faces
for fear of losing everything

When I was fourteen, I learned to write

Lancaster bore him—such a little town,
Such a great man. It doesn’t see him often
Of late years, though he keeps the old homestead
And sends the children down there with their mother
To run wild in the summer—a little wild.
Sometimes he joins them for a day or two
And sees old friends he somehow can’t get near.
They meet him in the general store at night,
Pre-occupied with formidable mail,
Rifling a printed letter as he talks.
They seem afraid. He wouldn’t have it so:
Though a great scholar, he’s a democrat,
If not at heart, at least on principle.
Lately when coming up to Lancaster
His train being late he missed another train
And had four hours to wait at Woodsville Junction
After eleven o’clock at night. Too tired
To think of sitting such an ordeal out,
He turned to the hotel to find a bed.

“No room,” the night clerk said. “Unless——”
Woodsville’s a place of shrieks and wandering lamps
And cars that shook and rattle—and one hotel.

“You say ‘unless.’”

“Unless you wouldn’t mind
Sharing a room with someone else.”

“Who is it?”

“A man.”

“So I should hope. What kind of man?”

“I know him: he’s all right. A man’s a man.
Separate beds of course you understand.”
The night clerk blinked his eyes and dared him on.

“Who’s that man sleeping in the office chair?
Has he had the refusal of my chance?”

“He was afraid of being robbed or murdered.
What do you say?”

“I’ll have to have a bed.”

The night clerk led him up three flights of stairs
And down a narrow passage full of doors,
At the last one of which he knocked and entered.
“Lafe, here’s a fellow wants to share your room.”

“Show him this way. I’m not afraid of him.
I’m not so drunk I can’t take care of myself.”

The night clerk clapped a bedstead on the foot.
“This will be yours. Good-night,” he said, and went.

“Lafe was the name, I think?”

“Yes, Layfayette.
You got it the first time. And yours?”

“Magoon.

Doctor Magoon.”

“A Doctor?”

“Well, a teacher.”

“Professor Square-the-circle-till-you’re-tired?
Hold on, there’s something I don’t think of now
That I had on my mind to ask the first
Man that knew anything I happened in with.
I’ll ask you later—don’t let me forget it.”

The Doctor looked at Lafe and looked away.
A man? A brute. Naked above the waist,
He sat there creased and shining in the light,
Fumbling the buttons in a well-starched shirt.
“I’m moving into a size-larger shirt.
I’ve felt mean lately; mean’s no name for it.
I just found what the matter was to-night:
I’ve been a-choking like a nursery tree
When it outgrows the wire band of its name tag.
I blamed it on the hot spell we’ve been having.
’Twas nothing but my foolish hanging back,
Not liking to own up I’d grown a size.
Number eighteen this is. What size do you wear?”

The Doctor caught his throat convulsively.
“Oh—ah—fourteen—fourteen.”

“Fourteen! You say so!
I can remember when I wore fourteen.
And come to think I must have back at home
More than a hundred collars, size fourteen.
Too bad to waste them all. You ought to have them.
They’re yours and welcome; let me send them to you.
What makes you stand there on one leg like that?
You’re not much furtherer than where **** left you.
You act as if you wished you hadn’t come.
Sit down or lie down, friend; you make me nervous.”

The Doctor made a subdued dash for it,
And propped himself at bay against a pillow.

“Not that way, with your shoes on ****’s white bed.
You can’t rest that way. Let me pull your shoes off.”

“Don’t touch me, please—I say, don’t touch me, please.
I’ll not be put to bed by you, my man.”

“Just as you say. Have it your own way then.
‘My man’ is it? You talk like a professor.
Speaking of who’s afraid of who, however,
I’m thinking I have more to lose than you
If anything should happen to be wrong.
Who wants to cut your number fourteen throat!
Let’s have a show down as an evidence
Of good faith. There is ninety dollars.
Come, if you’re not afraid.”

“I‘m not afraid.
There’s five: that’s all I carry.”

“I can search you?
Where are you moving over to? Stay still.
You’d better tuck your money under you
And sleep on it the way I always do
When I’m with people I don’t trust at night.”

“Will you believe me if I put it there
Right on the counterpane—that I do trust you?”

“You’d say so, Mister Man.—I’m a collector.
My ninety isn’t mine—you won’t think that.
I pick it up a dollar at a time
All round the country for the Weekly News,
Published in Bow. You know the Weekly News?”

“Known it since I was young.”

“Then you know me.
Now we are getting on together—talking.
I’m sort of Something for it at the front.
My business is to find what people want:
They pay for it, and so they ought to have it.
Fairbanks, he says to me—he’s editor—
Feel out the public sentiment—he says.
A good deal comes on me when all is said.
The only trouble is we disagree
In politics: I’m Vermont Democrat—
You know what that is, sort of double-dyed;
The News has always been Republican.
Fairbanks, he says to me, ‘Help us this year,’
Meaning by us their ticket. ‘No,’ I says,
‘I can’t and won’t. You’ve been in long enough:
It’s time you turned around and boosted us.
You’ll have to pay me more than ten a week
If I’m expected to elect Bill Taft.
I doubt if I could do it anyway.’”

“You seem to shape the paper’s policy.”

“You see I’m in with everybody, know ’em all.
I almost know their farms as well as they do.”

“You drive around? It must be pleasant work.”

“It’s business, but I can’t say it’s not fun.
What I like best’s the lay of different farms,
Coming out on them from a stretch of woods,
Or over a hill or round a sudden corner.
I like to find folks getting out in spring,
Raking the dooryard, working near the house.
Later they get out further in the fields.
Everything’s shut sometimes except the barn;
The family’s all away in some back meadow.
There’s a hay load a-coming—when it comes.
And later still they all get driven in:
The fields are stripped to lawn, the garden patches
Stripped to bare ground, the apple trees
To whips and poles. There’s nobody about.
The chimney, though, keeps up a good brisk smoking.
And I lie back and ride. I take the reins
Only when someone’s coming, and the mare
Stops when she likes: I tell her when to go.
I’ve spoiled Jemima in more ways than one.
She’s got so she turns in at every house
As if she had some sort of curvature,
No matter if I have no errand there.
She thinks I’m sociable. I maybe am.
It’s seldom I get down except for meals, though.
Folks entertain me from the kitchen doorstep,
All in a family row down to the youngest.”

“One would suppose they might not be as glad
To see you as you are to see them.”

“Oh,
Because I want their dollar. I don’t want
Anything they’ve not got. I never dun.
I’m there, and they can pay me if they like.
I go nowhere on purpose: I happen by.
Sorry there is no cup to give you a drink.
I drink out of the bottle—not your style.
Mayn’t I offer you——?”

“No, no, no, thank you.”

“Just as you say. Here’s looking at you then.—
And now I’m leaving you a little while.
You’ll rest easier when I’m gone, perhaps—
Lie down—let yourself go and get some sleep.
But first—let’s see—what was I going to ask you?
Those collars—who shall I address them to,
Suppose you aren’t awake when I come back?”

“Really, friend, I can’t let you. You—may need them.”

“Not till I shrink, when they’ll be out of style.”

“But really I—I have so many collars.”

“I don’t know who I rather would have have them.
They’re only turning yellow where they are.
But you’re the doctor as the saying is.
I’ll put the light out. Don’t you wait for me:
I’ve just begun the night. You get some sleep.
I’ll knock so-fashion and peep round the door
When I come back so you’ll know who it is.
There’s nothing I’m afraid of like scared people.
I don’t want you should shoot me in the head.
What am I doing carrying off this bottle?
There now, you get some sleep.”

He shut the door.
The Doctor slid a little down the pillow.

At fourteen I learned to sail—
The difference between true wind and gale.
I learned that babies do not come from prayer
And wondered if we were all wanted,
As my mother often said.
At fourteen, I stopped myself from caring
What kids on the bus thought of me,
Or whether I ate school lunch alone.
How unnecessary had been all that fear,
When I learned that I liked myself
Without their praise.
At fourteen, I learned that other girls
Cared only about pimply boys
And the dates, rings and ownership each claimed.
What a small, unexceptional life, I thought!
But at fourteen, I was too selfish
To pity them, much less humor their desires.
At fourteen, I realized that my dad was imperfect,
When he dodged the excise tax on his car.
Did he commit this tiny sin to rebel
Against an unappreciative wife,
Or did he feel the vicissitudes of life
As I had just begun to do?
At fourteen, the world was opening
Like a lotus flower in a teacup,
Soon to spill over and fill my soul
With longing for passion and logic,
But for something else ineffable.
I would find in later years
That the wanting itself could be enough
To stir those depths into song or quiet joy.
Of all the things in my soul and mind
And in the world beyond, I would learn,
That the only absolute is inexplicable—
The only perfect, human thing is love.

hands fly everywhere
loud rock music blasting through the speakers
clothes messy and tousled all around
some guy's lips on mine
bodies entangled on the couch

i hope that it's my prince chariming
the one i'm dreaming of
at seven years old

attending concerts wearing an extra ear piercing
few chain bracelets on my bony wrists
screaming in a mosh pit
with a guy who swore he'd stay by me forever
singing at the top of our lungs
in a moment i wish would last forever

silently, i wish the concerts we'd attend
are the concerts i wanted to see
when i was fourteen

tumbling in heels i wish i'd wear
when i finally get into that dress
that dress, pristine white
flowing and trailing behind me
with a silver ring on my ring finger
given by you
and walking to the altar
to have you slip another ring onto me
this time
a golden one
to symbolize our eternity

i wish it'd be the same kind
of wedding that
i wished for
when i were twelve

helping carry huge loads of water on my shoulders
forcing my dad to "sit the hell down and take a rest"
and doing his work for him
while my mom catches up with him on the years they've lost
as they both enjoy their retirement years
and maybe or not thinking of getting a new job
to still keep this family standing

i hope that my family would never
break again
like what happened when i was eleven

alumni homecomings
my friends and i would go back to our second home
the home that kept us awake at night
with endless cramming
and strong lectures
we'd stroll along the hallways
hug old teachers
throw chairs and peel off their dull colors
and write under blackboards
like we're students again

but for me, i'd interact with the students
checking the covered courts and the field's grandstand
seeing people with their eyes closed
hands outstretched forward
sweat rolling down their faces
as their seniors shout at them
i would smile to myself then
when the closed eyelids flutter open and the arms set down
and the students are instructed to stand up

the seniors of that time give out a command
and they, along with the others who were sweating profusely
would face me,
the one leaning over the metal bars
smiling and waving with nostalgia

a sign
that i have accomplished my dream
at sixteen

i'd go back
and find you as well
in the same building
interacting with your old crush
who grew prettier with time
she'd wave at me
you would too
i'd feel my ribs squeeze against my heart
and i'd wave back

again, that jealousy comes back
that same jealousy i felt when you
asked me to prom
at fifteen

but i trust you
and you trust me too
so i carried on
because i knew that later
you'd come back to my house
and we'd have a movie marathon
or we'd play call of duty again
then we'd cuddle and sleep together
and fall out of the couch the next morning

i believe, i believe
i do, i really do

but i knew it was hard
with all the scars i have to prove it
i knew it was hard to stay positive
when i knew disaster was just there
with us
with me

at last, i'd experience the harsh reality again
the moment i fall out of those equally pristine white heels
when i realize that i'd never wear those shoes or that gown
because by then, you'd be gone
you'd come to realize how much of a failure i am
and how worthless i really am
how much prettier she was than me
how she's much more worth it than me
and how she could make you happier
than i can

all my fears at fourteen
came true at nineteen

but then i'd wake up and i'd realize
i'm still fourteen
it was all a dream
which i don't have the heart to call a nightmare
and instead
i'd call it a premonition
of the years to come
just like the scars i never thought i'd have
when i were four
or when i were ten

the scars
they tell me how much i've failed
and will fail

so i think back on my dream
and smile a little at the ending
of nineteen me
living the last of my teenage years

for your own good,
it was probably better you left too

cause y'know
i'd leave me too
at fourteen

He'd been conceived in Flamborough, so his little sister assured him some eleven summers ago, which was a tad hard for Rocky to swallow, she was a whole eighteen months his junior and then some... and at that age, well... what did she know, she was only a kid, "on this very rock" River insisted, kicking her heels in delight, "next to this very rock pool" they were both sitting beside, "one sunny afternoon eleven years ago..." and that was how he came by the name of Rocky... she taunted as the rest of the colourful story unfolded... and that she had it all on the best possible authority... although the more she thought about it, had she meant concealed... she wasn't quite sure now, it was all so very confusing at her tender age but thought it sounded close enough not to matter too much and that she would just wait and see which way the wind blew.
        
     It was conceivably an ill wind that blew no one any good that day, especially if you were a boy and just happened to be sat by a rock pool next to your little sister...  Having just taken a well earned drink from a neighbouring rock pool, Sockeye the floppiest Springer Spaniel this side of the Pecos decided that he was going to dig a hole and that he would be digging it deep, then changed his mind mid-dig and decided to have a more down to earth back scratching wriggle instead... then promptly flopped over and slid into the hole... life was sweet.  Now covered from nose to tail with every species of deceased shore life usually found frequenting the high water mark Sockeye, in a blinding flash of canine inspiration judged it would be in everyone's best interest were he to have a really good shakedown which always appeared to go down well on these occasions... and give everyone a good peppering, just so they could see exactly what they'd been missing all their lives.  

     "A rock of all places, for goodness sakes..." and what's more, it was this rock, "Yuk..." he jumped up and wiped his palms on the back of his jeans in disgust, then onto his tee-shirt, then sat back down again and began exploring his left nostril in quiet contemplation before finally jambing his hands back into his pockets... what in Heaven's name had his parents been thinking of..? what on earth was his little sister talking about..? and more to the point, what in fact did conceived mean..?  these were the questions that were uppermost in Rocky's mind as he poked an exploratory stick into the rock pool...  a baby crab marooned by the tide scampered sideways beneath a large pebble and stuck one beady eye out at him... Rocky's sister, seemingly in a world of her own, much like the baby crab sat on the edge of the noteworthy rock kicking her heels, an innocent smile curled the corners of her mouth as she quietly hummed a little song of tuneful bliss to herself and considered what further mischief she could possibly pass her brother's way.

     Rocky tossed a piece of driftwood over his sisters shoulder at a nearby flock of seagulls, squabbling over what appeared to be a discarded bag of fish and chips... Sockeye, simply knowing that his little master wanted to play a game of fetch gambolled after the stick, his ears flying courageously in the still Summer air and burst, amid a melee of feathers into their midst, only to romp back moments later, the stick all but forgotten in the excitement but now proudly sporting the derelict bag of leftovers and the odd splash of guano, his tail lolloping magnificently from side to side... and for the moment at least, leaving the fratching seagulls wheeling noisily overhead and to go about their daily business without further interruption... as for Sockeye, it had been a no contest situation.

     After fourteen years of valiant endeavour his father... Red, so named for his vivid shock of wiry hair, was still engaged in man's eternal struggle to win his significant other half's approbation with the manful art of deck-chair assembly, beach barbeque and other significant gentlemanly pursuits, all while strutting his manly stuff, sporting top of the range beach wear in accordance with the social etiquette of the previous decade... his masculine paunch slumping gallantly atop his waistband...  

     After the same fourteen terms of domestic servitude and the same thirteen identically overlooked anniversary cards a certain someone had no intention of allowing another certain someone to forget so much as one of them... his better half, so she insisted would ride rough shod, administering her own brand of justice at every given opportunity, in much the same way you'd brandish a royal-flush on poker night... or better still, a loaded revolver... and that she personally carried the burden of every ill-fated card that Lady Luck had dealt strung about her neck like Adam's original sin on Judgement Day.  

     Red much preferred the shorter, more condensed name of Rock for his son, rather than the longer more protracted Rocky, as he struggled with the wood and canvas lounger badly trapping the mound of his thumb in the process, "Aaargh...!!!" plunging his throbbing hand deep into the cold, soothing rock-pool "aaah...!!!"   Still marooned by the tide, the baby crab stood poised and ready for action as it considered giving this latest intrusion a good offensive nip, then hang on spitefully as it gave Red the final withering once over with the same baleful eye it had successfully used earlier.

     Acknowledging her husbands misfortune with a perfunctory grunt as she rummaged in her beach-bag for the thermos, she refused to be drawn in where thumbs were concerned right now, after all with his DNA sequencing she was convinced he could probably grow a new one within the month... whilst Tina, well... she was just plain worn-out... but still rejoiced in telling anyone who cared to lend a sympathetic ear in her direction... and who in turn was more than happy to listen to the woes of others and went somewhere along the lines of... 'and had she heard any more of poor Mrs Dorey's lingering martyrdom recently..? you know, the downtrodden lady who lives in the next street but one... and how they would all miss her when she was gone... and how she couldn't wait...' and as rumour had it, neither could her husband...

      Feigning to be otherwise engaged, Tina... as her husband, now blowing frantically on his mangled thumb, stumbled backwards over the half erected lounger and with a spine jarring "Ooomph...!!!" landed squarely in Sockeye's subsiding earthworks... professed total disassociation with the entire fiasco as she plunged her nose even deeper into the overdue library book she'd purposely brought on holiday for just such an occasion, making it perfectly clear that she was a tourist and furthermore, planned to stick with the same itinerary once they returned home... and that while she was here, she did not under any circumstances wish to be disturbed, the notice was clearly displayed hanging from the door handle... but if anyone should, then whoever it was did so at their own peril... and she was keeping score... although a mangled thumb she luxuriated, with the same roguish smile curling the corners of her mouth as the one normally found playing around her daughter's... was equally as heart warming.

      All Tina wanted was one week of uninterrupted peace and quiet in Flamborough, preferably with a certain someone out from under her feet then spend what might pass for several undisturbed hours sitting quietly by the rock pool comparing notes on eye makeup and the feminine merits of pedicure with the little crab who, still marooned by the tide was now sat busily knitting four pairs of matching leg warmers in the cool, still water but that was only if that certain someone... a shrill  "AAaargh...!!!" somewhat more desperate than the first, ****** itself upon the as yet unaggressive afternoon as it gyrated across the warm Jurrasic rock and recoiled out to sea... "now where was I", twisting her book uppermost "oh yes..! someone was going to pay..." only now it was going to be sooner rather than later, but only if that certain someone didn't finish the seating arrangements before the Sun disappeared and drift into some backstreet tea-room before all the lemon cheesecake sold out, or was that she reflected, simply too much to ask.

     It was his Surname that Rock found so objectionable, or it had been right up until his little sister's enlightening disclosure, now it was both names Rocky disliked, it would have been far kinder had Rock Salmon been sandwiched between sliced bread and given to Sockeye... who's solemn duty, from the first mouthful to the very last, was to gaze up beseechingly from beneath the kitchen table  and devour anything that passed his way, even the postman had to be quick about his business or have his arm follow the mail through the letter box... then Sockeye would just smack his lips and help himself to seconds.  

     All Rocky's mum had thought about for the last fourteen years was seconds... every last solitary one of them since she'd suffered with an infection of matrimonial neurosis which had deprived her of common sense and her maiden name, from Chovey to that of Salmon and how with hindsight she should have taken an Aspirin instead, wedlock she asserted was everything the name claimed to be and was without doubt the worst move she'd ever made... and what's more was seen as a bad move in whoever's wedding album you just happened to be paying your condolences to.

     Rocky would never be so fortunate on that score, unlike his sister he was stuck with Salmon for good, his grandma-Ann by all accounts had been dead set against the union from word Go and saw his father as someone who would always be out of his depth in whatever rock pool he found himself in, swimming against the tide as it were, rather than going with the flow... and it appeared that Rocky, almost eleven years into a life sentence, was about to flounder in the same murky undertow as the rest of the Salmon family... only he couldn't swim.

     "There"! her husband exclaimed "all finished... better late than never eh', who fancies trying it"? his wife luxuriated over the words 'better late' and wondered whether her new earrings, her latest acquisition would complement formal mourning attire.  Red dusted off the palms of his hands with the certain knowledge of a job well done and cautiously took one step back, looking with justifiable pride at the outcome of his manly exertions of the last two hours, this was what holidays were all about he declared, one man pitted against insurmountable odds...  His wife meanwhile was getting to grips with more odds of her own than you could safely expect to shake a stick at... her husband being one of them.  

     Having gathered her offspring with the promise of verbal earache if they didn't... and finished packing the beach-bag, Tina finally located Sockeye peering out from the shade of an adjacent rock, wisps of feathers poked tellingly from the corners of his mouth, his tail beating mischievously on the shingle decided in one further blaze of canine brainstorming, as Tina attempted to slip his collar on that a game of tag would just about round the day off nicely... Tina then devoted the next ten minutes chasing him amid unrestrained salvo's of cheering from the rest of the family... then bid goodbye to the little crab who, still marooned by the tide waved a friendly pincer in return... and trusted that she wouldn't have too long to wait for the next rising tide back home, then she slid off the rock with a corrosive... "the deck-chair attendant would have shown you" she snapped "and don't forget the deposit when you take them back" then double checking that she landed squarely on his foot she marched past, her floral sun hat jammed resolutely on her head at what she considered a jaunty angle with her equally jaunty, angular children scrambling in hot pursuit, back in the direction of their lodgings.  

     "Woof "..? said a bewildered Sockeye, bringing everyone to an abrupt halt... and with paws the size of place-mats, he wasn't going anywhere he didn't want to... he hunkered down with a look of hurtful accusation on his face, "oh yes you are my lad"! said his mistress "I've met your sort before" and knew exactly where to place the toe of her dainty size-5 as Sockeye, digging his heals in even further created swathes of canine furrows up the beach, leaving her husband the unwitting holder and in sole possession of the overlooked guest-house keys... and somewhat resigned to clean up his own masculinity and dismantle the recently assembled, now redundant deck-chairs by himself... as for Tina, well... she'd had quite enough excitement for one day thank you very much.

     Morning register was always the worst he thought, as they trooped back along the shingle beach, Rocky making surprisingly good furrows of his own... but the rest of the class loved it and saw it as the highlight of each day... Rocky's form teacher, despite showing a brave face was always hard pressed to avoid bursting into hysterics every time she worked her way down the register to the letter 'S' and would attempt to bypass it altogether, jumping from 'R' to 'T' and just prayed that no one else had noticed, but it hadn't taken the class very long to point out her oversight and... "please Miss" they'd all chant "we haven't had Salmon all week" and while the rest of the class were having convulsive fits, Rocky would elbow the lad sat at the next desk in the ribs... and promptly get one hundred lines for his trouble... thank goodness it was school holidays.  Why couldn't they have been given respectable names like Seymour Legge, Rock wondered, who sat over by the window or perhaps the teachers pet, Anna Prentice or even, Robyn Banks at a pinch, but definitely not what they'd been given and certainly not Salmon, they were the most hilarious names he could imagine and if someone was looking down on them right now he thought... then they had a very unique sense of humour indeed and Rock said so... "why" his little sister asked sweetly, "what's wrong with River Salmon".

                                                      ­                         ...   ...   ...*

a work in progress*                                                        ­                                                              240­6

I assured myself again that I was completely alone. Gingerly, I sat on the corner of her popcorn-and-perfume-scented bed and allow my tingling fingers to reach out and open that sacred journal again to page one. I never really understood it but maybe if I read it one more time. “Things I Wish I Never Knew:

1. People are selfish almost always.

2. Shaking hands does matter. ******.

3. Wine hangovers are miserable.

4. Puppies **** behind things ‘cause they feel guilty; you wont find it until it smells.

5. Friends really do come and go.

6. Neti Pots absolutely **** and bring you nosebleeds NOT relief.

7. Attraction and love are different. REMEMBER THIS ABOVE ALL.

8. Joy is clicking add to dictionary in Microsoft word.

9. If you can make it through Taco Bell kisses, morning breath will be a breeze.

10. Be jovial, it’s a choice and a side effect of living in daily adventure.

11. Make sure that your family knows…” I pause because I think I hear footsteps padding up the fourteen red-carpeted steps to her bedroom. I know I can’t move, the old wood floor in this crumbling house will definitely creak and give me away, so I just sit on the edge of the bed at full attention.

        “…No, ma’am, everything’s basically back to normal again, we’re getting the locks changed on Saturday. I’ll tell her you send your love.” The footsteps and voice were at the top of the stairs and I saw a shadow fall across the dusty floor in front of the white wooden door. I know it’s my neighbor Annie because she lives here. We grew up together. “Yes, ma’am, I love you too. I’ll try to make her call you soon. Bye.” Her phone beeped to signal the end of the conversation followed by a loud sigh. I peered from the bed into the hall and saw her sitting on the floor. Annie is a pretty girl. All the girls who live here are. We used to go to school together until my grades got too bad and I started my special school. We used to play in her front yard with her sister, Kelly. One time I kissed Kelly, but we were only seven. She is my only kiss. They both leave for most of the year now to go to college but come home for Christmas break. I will never go to college, but that’s ok.

        I felt my pants vibrating and the theme song to the TV show Who Wants to be a Millionaire was somehow blaring from somewhere around my crotch. Before I could silence it, the shadow at the door became a tangible whirlwind of brown hair, sharp screams, and clawing grabbing fingers as she tried to wrench the ratty Moleskin journal from my fingers.

        “******, Cyril, I thought I heard someone in here. You give it back and get out of this house. You can’t, like, break into other people houses like this. This is just not what normal people do. Can’t your father control you?” At this point we’re both standing in the middle of the bedroom. I’m confused so I just dangle the journal in the air above her grasp. “It’s not yours and you know that. I know you at least understand that, right? Right, Cyril? What the hell would you do if Kelly had been showering or changing. Oh my god, ew, do NOT answer that.”

        “Ow,” I yelp as she scratches at my forearm to retrieve the precious journal. “Your claws are sharp, Annie, I have more scratches from you than I do Jimmy-cat and Jimmy-cat is mean, mean but fluffy… and he purrs but you don’t purr. Is that because you don’t like me?” I lower my arm and Annie snatches the Moleskine out of my fumbling fingers, avoiding eye contact at all costs. I hate it when people do that. I notice it, but they don’t think I do.

            “Cyril, get out.” Her right hand is now securely around the Moleskine and the other is shaking, pointed towards the doorway. “Now.”

            This is always the worst part. I walk out of Kelly’s forbidden bedroom: head hung as I creak down the fourteen red, carpeted stairs and make my way to the front door. It’s always quiet and I don’t like the quiet so whenever it’s quiet I count. I am good at counting. …Twelve, thirteen, fourteen…silence.

        I turn to her, “Annie, I’m sorry…”

            “Out.” She opens the front door and points me to my apartment, directly across the street. Its autumn now and the leaves and cold rustle down the street and I crouch deeper into my black coat as I step outside.

            “So maybe I’ll come over tomorrow?” I turn as I start down the steps, hopeful to have conjured up a smile from Annie, but all I see is the flash of brunette hair disappearing behind another thick, white wooden door.

            “Get off our property before I call the cops, you creep!”

            That’s what I’ve always been to these pretty girls: a creep. I don’t really understand what the word means, but I’m pretty sure from the way they say it that it’s not nice. Pops always tells me that I’m different because it’s better to be different. I don’t understand why Annie and Kelly don’t think it’s better that I’m different too.

            I decide to walk to Captain D’s and tell Earl hi because it’s Friday and that’s what I do on Fridays. Earl owns Captain D’s and has forever. Earl is my friend. Earl and Jimmy-cat at Captain D’s that I feed my left over fish are my friends. At least I think they are. I named the cat Jimmy-cat because Pops says mom used to listen to a man named Jimmy Buffett before she left us. I don’t remember those days.

            I turn the corner knowing Captain D’s is just 560 steps ahead and that to get back home I go 910 steps back and I’ll be at my front door. Counting is one thing I am good at; even the tests they used to make me take at the doctor’s office said so. I am good at numbers. Seven is my favorite number.

            I walk into Captain D’s and, like normal, its just Earl inside. He makes me two Fish-Filet sandwiches and we go stand outside. We usually don’t talk much, but I like that . I sit on the crunchy curb, put on my hood because the wind and leaves have made my ears sting. I unwrap the greasy paper on my first sandwich and Earl pulls out his red Marbolo’s and sits beside me lighting up his first cigarette.

            “Why do you smoke, Earl?” I ask him every Friday and he always responds the same way.

            “Eh. Why do the fish swim Cyril? Why do the Eagles and Crows fly? You know we don’t know why Women like shoes so much.”

I never really understand what he means but it makes me giggle and before we know it we’re both laughing. I’m pretty sure this is what friendship is. I lick the wrapper to get all the tarter sauce off and start on my second sandwich. Earl starts his second cigarette.

            “Where’s that alley cat you got trained up, boy? Go get ‘em and I’ll cook him his own fish patty.”

            He means Jimmy-cat. I wipe my fingers on my jeans, tear off a piece of the damp fish from my sandwich, and walk towards white picket fence that Earl built around the dumpster where Jimmy-cat lives. Jimmy-cat has a good life; he can eat anything in the green dumpster he wants and he is safe behind the big white fence. I don’t like the smell but maybe cats like eating and smelling the furry tarter sauce that clings on the sides of the dumpster. As I pull the lever to open Jimmy Cat’s home, I think it smells even worse than normal. After jiggling the latch a while, it clicks, and I swing the door open to Jimmy-cat’s house. It definitely smells worse. I step up one step and crunch on leaves and squish cold fries as I circle the dumpster. “Jimmy-Jimmy-Jimmy-cat, where-oh-where-oh-where ya at?” I stop as I enter the back right corner, I see Jimmy-cat but I don’t understand what is happening. I don’t understand what is wrong. He is covered in ketchup, maybe? But if that’s true what are the little white thingssss crawling around his stomach and why are they covered in ketchup and mayonnaise too? He is mewling and I’m scared. I smell fish. Fish and furry tarter sauce, one, two, three, four, my feet are crunching on the cold fries and leaves again, I know I’m at the door without even turning around.

            “Boy, what you doin’ in there?”

            “Earl?” …One…two… “Earl, can you help me? Earl, I, I don’t understand. I don’t like it.” …Three…four…five… “Jimmy-cat needs a bath, Earl, and something is eating his stomach.” …Six…seven…silence. Earl’s hand fells like a dead fish on my shoulder as he walks me back up to Jimmy-cats home.

            “Stay here, Cyril. Just gimme’a sec to see what’s happening.” Earl disappears into the leaves and fries and fur.

            eight…nine…ten

eleven…twelve…

            thi­rteen…

fourteen…

            silence.





            “Boy? Come back here now. C’mon.” Earl’s voice echoed around the green corners and I followed. One…two…three…four…five…six…seven I stand above Earl and I know the ketchup and mayonnaise and Jimmy-cat eating monsters are just on the other side of his crouched over body.

            “Well don’t be shy, come look.” Earl stands and I see his work apron covered in the ketchup and mayonnaise but beyond that in a bed of Fish-filet wrappers is Jimmy-cat and all the stomach eating monsters mewling at his stomach, as I get close I think they look kinda like little Jimmy-cats. I push my hood off my head as I lean over closer and that’s when it hit me, “Kittens! Jimmy-cat had kittens, Earl!”

            “I think Jimmy-cat may be more of a Jasmine-cat or Jennifer-cat.”

            I laid down the piece of fish I brought and Jimmy-Cat looks up into my eyes and I swear he was happy to see me.  I looked up at Earl and he was happy to see me too. I sat down in the mess of wrappers and fries and mold and laughed and laughed and laughed.

THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI