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Staff Sgt. Joseph D'Augustine
a proud Jersey son
whom Thou hast blessed
laid in St. Luke’s ground
for his heavenly rest
April 4, 2012

1.

in a far off province of
God forsaken Helmand,
our dear son Joey
met his untimely end

an explosive crack
a most terrible sound
felled a beloved Jersey son
to the cold cruel ground

working the live wires
of a well placed IED
a deathly burst killed him
it was awful to see  

Staff Sgt. Joseph D’Augustine
in solemn duty fell
fellow brothers in arms
will forever reverently tell

of courage and character
of a dear fallen friend
and how the valiant warrior
met with death at his end

for he was always faithful
to his beloved corps
comrades couldn't ask
a valiant marine for more


2.

details of his death
are not the real story
selflessness and bravery
are but part of his glory

is it brash to
question why he fell?
in a useless bitter war
an embroiled senseless hell

a generation mustered
to fight in the war on terror
serving four tours of duty
in a lost decade of errors

two tours in Afghanistan and Iraq
could a nation ask a man for more?
for he was always faithful to the call
upholding pledges he hath sworn

3.

the burden of war
to a  few confined
it rarely crosses
an American’s mind

incessant war machine
drones on apace
the horror of conflict
so cleverly displaced

with afternoon baseball
and super bowl parties
big disco paychecks
and other selfish priorities

pay hollow tribute
to dear weary troops
when valor is mentioned
we gather in groups

we’ll raise the flag
sing stirring anthems
than its back to the party
pay it no more attention

self styled patriots
wave handfuls of flags
but ask them to contribute
the zeal soon lags

its left to the few
to shoulder burdens of many
fairness is lost
its a democratic calamity

four tours in a decade
an inhumane task
burdens require sharing
its only fair to ask

Joey was always faithful
to the task at hand
willing to step forward
to serve his homeland


4.

in the wake of 9/11
a nation deeply shaken
young patriots stirred
liberty’s call not forsaken

a call to serve answered
to quell the rise of terror
a clear clarion alarm
marks the nature of the era

Joey boldly came forward
to train and learn
the art of warriors
his bright patriotism burned

deployed to Afghanistan
to capture Osama
routing the Taliban
without much problem

but a pacified Afghan
not enough for Bush
he invaded Iraq
another military push

we rolled into Baghdad
adorned with victors garlands
Saddam’s statue toppled
our troops were honored

deposing a dictators
soon turned to occupation
a ****** mission transformed
to build the Iraqi and Afghan nations

once honored liberators
now a conquering force
bestriding broken nations
on a civil war course

military industrialists
stood to profit most
sweet protracted conflict
record earnings to boast

lives bartered for lucre
a region held hostage
the conflict deepened
hostilities hardened

America dipped into
a great recession
the war machine
bled money and
kept on ticking

scooping up contracts
rewarding investors
the dividends of war
heaven sent treasure

continuation of hostilities
preys on a nation's youth
as casualties mount
ill portents forsoothed

a fraction of citizens
bare heartaches of war
gulping measures of despair
to guard a nations door

a nation always faithful
to the holy pursuit of profit
a highest citizens calling
put money into your pocket


5.

our beloved Jersey son
gave a full measure of devotion
in dress blues they shipped him
back across the ocean

on the Dover tarmac
they received his remains
for a last ride northward
to his hometown terrain

repatriated body
bereft of soul saluted
solemn escort knelt
hearts trembled, tears muted

a hearse for a gallant man
flanked by state troop cruisers
to escort the funeral train
assure an honored movement

one last trip up
old thunder road
the storied highway
Joey often trod

the last detail legged up 17
reverent firefighters saluted  
from overpasses
to honor  the woeful scene

as the motorcade passed
the Garden State Malls
frenzied consumers
failed to notice at all

busy window shoppers
didn't to turn an eye
as Joey rolled home
to the sweet by and by

vets interred at the
Old Paramus Church
gently stirred in their graves
reasons for war they search

Channel 12 Chopper
circled its eye in the sky
televised the sad parade
captured many teary eyes

the early spring blooms
colorful petals displayed
maples and forsythias
a royal carpet laid

spring remains always faithful
as the new season turns
offer sunshine and glory
as our sinking hearts burn

6.

motorcycle escort
northbound lane clear
rolling homeward
Waldwick was near

leaves exploding
green shoots budding
****** white maple blooms
natures accolades stunning

the oaks yet bare
just waking from slumber
winters death passing
a sad day put asunder

the motorcade passed
Joey’s home on Prospect Ave
few  envision lifes endings
this woefully sad

red chevy pickup idles
in hoop crowned driveway
never to drain jumpers again
departed children can’t play

the eye in the sky
framed neighbors in mourning
welcoming back a fallen hero
unsettled emotions dawning

neighbors waved Old Glory
from painted stoops and curbs
unsure how this tragedy
visits this blessed suburb

green grass of home
always flush with spirit
tears welled in the eyes
most difficult to bear it

last cruise of the town
sad neighbors stand witness
paying final due respects
and ponder from a distance

what purpose is served
by this man’s passing?
the dead cannot speak
rationale is for the living

the terrible herse
death circles our town
moves through our day
hope of spring drowned

murderer of sunshine
killer of young flowers
budding trees breaking
our hearts an ashen pallor

we remember the beauty
of Joey’s stout face
as it looked on your finest day
exuding pure honor and grace

old vets gather
donning caps and pins
boasting semper fi jackets
jutting tear dripping chins

shaking hands, giving hugs
bearing tattered banners
the hearse ambles onward
we head home in solemn manner

good folks are always faithful
where beloved ones grew
the death of our children
we sadly cannot undo


7.

the bells of St. Lukes
called out from the sky
platoons of limping vets
marched in with pride

pomp and circumstance
requisite dress blues
family, friends, townsfolk
overflowed the pews

doleful bells resound
tolling a mournful reckon
the cost of war mounts
a family’s loss beckons

the casualties of war
falls upon a nation's youth
a seasons page not  turned
a flowing wound not soothed

the wistful cornet calling
floats on the fluted air
the bereaved ***** gently sounds
a congregations somber despair

an unsettling dirge
the parish grows uneasy
nationalist bravado wanes
in the forlorn sanctuary

both church and flag
draped in colors of war
mock stain glass windows
communicants adore

is it a betrayal of the flag
to offer enemies
psalms of reconciliation?
where does true loyalty lay
with God or a warring nation?

afterall this is a sanctuary
where peace and harmony reigns
are we not called to beat swords
into ploughshares as the highest
calling of our Lord?

we are always faithful
to the pathways to war
when the practice of peace
is what we should adore

8.

coughing and whispers
incessant low murmur
a baby cries out
we sit and remember

the crucifers process
in solemnity to greet
subtle ***** notes salute
a coffin draped in Old Glory sheets

the beloved child welcomed
to his eternal repose
priests splash holy water
within the sacred dome

an amazing grace revealed
lifted by marine pallbearers
dearly departed body presented
gently placed at the altar

a grief struck sister
lovingly eulogizes
recalls tonka trucks,
GI Joe’s and cool transformers

a punch in the nose
an approaching wedding
beckoning Eastertide
vacation plans left begging

my second grade class sent
Christmas cookies and cards
to dear Joey and warrior friends
he said it warmed stark winter hearts

he was raised in this church
taught trust and reconciliation
the comfort of the Lords peace
may it surely go with him

for he was always faithful
to sisters, family and faith
his resurrection service
imbues sacredness
to this space

9.

sharp in dress blues
Eddie T USMC Gunny
big 50 caliber smile
offers his eulogy

Bada Bing Jersey Humvee
we called him Joey Calzones
good mood, loved sausages
he tickled the funny bone

always willing to sacrifice
loved the Patriots Tom Brady
a women dominated household
gave him a way with the ladies

his calling explosive ordinances
he said he was livin the dream
March 6th last time we met
knocking frost off cold ones
man whatta scream

a gallant marine,
beloved brother,
a sure friend
he was always faithful
I’m deeply wounded
by his untimely end


10.

the gospel read
the homily offered
Ecclesiastes wisdom
a time for everything
proffered

God never turns
an eye from the beloved
though seasons change
we are not forsaken
never unloved

as loss arrives
surely grief grows
turn away not
wisdom knows

in resignation
love lay dead
diligent intention
banishes dread

our rekindled hope
we rend and sow
our beloved Joey
knew this was so

our favorite son’s
example taught us
now rises on eagle’s wings
to claim his divine justice

Jesus faithfully tramped
the path to an awful death
Joey too fought the good fight
a warrior now gratefully at rest

The Lord holds him close
to the ***** of sure love
a cantors beatific voice incants
Joey’s spirit that forever enchants

The Lord is always faithful
to the bereaved and  beloved
no one ever forsaken
all unconditionally loved

11.

the Holy Eucharistic cup
affirms everlasting giving
tasted to nourish evermore
a libation for the living

singing the Beatitudes
praising peace makers
mercy filled voice and song  
pallbearers lift Joey’s coffin

off to seek his final peace
an earthly occupation ended
he’ll suffer worldly hate no more
down the aisle his coffin wended

the family closely followed
a mother haltingly sobbing
faithful marines came forth
to steady her wobbling

there is no sudden waking
from this terrible dream
the pungent incense rose
to the chapels sacred beams

the stained glass murals depict
the passion of Jesus’s story
illuming a consuming sorrow
in all its grace filled glory

the ***** of death slinks on again
we search for consolation
the recompense of honor blest
leaves a hollow heart wanting
no answers offered to quell the dark
of these terrible life’s moments
only the desperate need to hold onto
beleaguered treasure that sustains us

for we are always faithful
to the things we know
always faithful to the
things we refuse to let go

12.

the color guard and funeral detail
assembled in front of St. Luke’s
the cemetery right next door
the procession a short troop

the living will stumble through
the darkness of separation
seeking elusive answers
of poignant uncertainty;
all gave some, Joey gave all
nothing more required for his
journey through eternity

Joey will always be with us
his stories forever retold
as long as the machinery of
great nations engage
the gears of wasteful war

Joey’s spirit lives
in a peoples desire
for freedom, only if
our hope of peace
is greater than the
need for conflict

Joey’s lifes work
is sure to bear fruit
if those remaining
fight the good fight
by taking up the
task to protect and
expand the values
of liberty we
hold most dear

like our good
friend Jesus
Joey wears a crown
bejeweled with
a ring of thorns
hoisted on a
terrible cross
the sweet
incense of you
meets our nose
we inhale your
earthly presence
beholding beautifully
adorned crucifix,
a reminder of
unjust persecution
and a perfect
resurrection
yet this wretched
coffin remains

pledging allegiance
we rationalize our
stories, articulating
our small parts
in  heroic sagas,
reciting myths of
ourselves, recording
the grim history of
a young marine
surrounded by
a smart color guard,
feasting on todays
eucharist, this
days sweet taste
of  the daily bread
of human sorrow

The priest finishes
his graveside
commendation
of Joey D

Taps conclude
a wind rises
crows take flight
winging over
a stand of budding
Sugar Maples
exploding in white
blooms, reveling
in the glorious
sunshine of this
magnificent day

St. Luke’s stairway to
God Country and Home
smiling portrait of you
forever young

we surround your grave
to bless the earth
you've returned home
to your place of birth

our flowing pride
and salty tears bless
the anointed ground
that you loved best

a proud Jersey son
whom Thou hast blest
laid in St. Luke’s ground
for his heavenly rest

for he was always faithful
to the blessed land
forever at peace
in the soils sure hands

Charles Ives
The Unanswered Question

Oakland
11/10/13
jbm
Estranged ensemble orchestration onerous
                     Intangible instinct intrigue impetus
                     Cortex vortex vertex fastuous
                     Somatalogy cognition equilibrist meatus
                     Vertigo vestige vexation covetous

                     Haberdashery hauberk harangue inspection
                     Mystical silhouette sojourn direction
                     Perpetrate propinquity harbinger rejection
                     Fastuous fortuity forum election
                     Chiaroscuro chicanery gossamer convection

                     Metaphysical mystique’s rive declensions
                     Paphian kitsch kithe abstentions
                     Paltry panderings rife contentions
                     Horologist hackamore lapidary inventions
                     Soliloquous covertures manifest intentions

                     Noumenal ***** exsertion illuminate
                     Apropos ipso-facto aspersion relegate
                     Clairaudience taciturn subversion denigrate
                     Larceny lecher coercion expurgate
                     ***** lewd beatitudes exonerate

                     Perpetude parameter incorporeity pervasions
                     Terminus thrall’s anathema correlations
                     Exegesis peroration imputation iterations
                     Ideational peripherals intimate evasions
                     Vituperative verve’s temerarious elations

                     Psychic reverie subterfuge decision
                     Astral projection transience derision
                     Exserted proximity phantasm incision
                     Machismo machinations elicit precision
                     Heredity heritage heresy revision

                     Edacious intransigent gamut phallus
                     Indispensably puissant barratry malice
                     Invariably imperative metaphor talus
                     Aorist actuator pseudopodia chalice  
                     Altruistic egalitarian segregant palace

                     Allocution incursive objectify ostensible
                     Enamor allude ingratiation inimical
                     Infatuation allure emendation rhetorical
                     Cursive ***** raconteur allegorical
                     Amorous endear sycophant categorical

                     Inherently endemic anachronism political
                     Emendation propensity opulently diabolical
                     Surreptitious ethnicity epigraphy mimetical
                     Pompously bombastic flagrant inimical
                     Doughty nuance intrepidly maniacal

                     Obliquity euphenics intrados expound
                     Subjunctive ancillary subordinates confound
                     Ethereal euthenics ubiquity propound
                     Subservient adversarial repartee profound
                     Meritorious monocracy mendacity astound

                     Insidiously sinister incumbency abuse
                     Obstreperous imperatives obdurately retuse
                     Ominous omnipotent avarice deduce
                     Trajectory faction commensurately obtuse
                     Cornucopia critique sequesterously abstruse

                     Tyrannical ulterior ultimatum purvey
                     Adjunct conjunction conjecture portray
                     Evocative emulation connivance convey
                     Fulminate fuscous futurity relay
                     Cephalic phantasmagoria protuberant assay

                     Acuity educement propensity gesticulation
                     Preternatural proclivity tactile articulation
                     Eidetic mnemonics scenario prestidigitation
                     Transcendental accession ascentional avocation
                     Derisive subjective subordinance rumination

                     Apriori arbitration apostrophe sagacious
                     Predilection predication apomixis bodacious
                     Wonder lust itinerary transitively tenacious
                     Intrinsic affinity succinctly salacious
                     Prophylaxis protocol invasively ostentatious

                     Hypercritically mitigational dialectics felicity
                     Surreal serendipity dharma propensity
                     Supplicant sever hypotaxis intensity
                     Monogamously autonomic ostracism eccentricity
                     Evolutionally metamorphic rendition complicity

                     Insipidly vapid invective flatulence
                     Intangible ratification interdiction corpulence
                     Exigent viscid visceral virulence
                     Eradicably mingy minion truculence
                     Fortuitous refraction remission opulence

                     Ephemeral effulgence effluent projection
                     Accidence ambience acoustics confection
                     Recondite esoteric prosaics detection
                     Epistemology epithet equities correction
                     Erudite effusion existentialize affection

                     Arduous ardent amore egressed
                     Corporeal essence enigmatism caressed
                     Adrenergic analeptic fatidics confessed
                     A posteriori cartography tropism ******
                     Anaclitic analgesia anacrusis suppressed

                     Irascible audacity compunction astute
                     Rejuvenate remission remonstrance compute
                     Nocturnal emission repose dilute
                     Rendezvous rectitude recital refute
                     Remunerate resonant retort impute

                     Agnate nous monad prerogative
                     Suborn impedance numinous imperative
                     Adumbrate intimate obfuscation evocative
                     Extrapolation excursion incursion intuitive
                     Invective prognostication prosthesis demonstrative

                     Retrospect innate residuals compete
                     Reliquiae requiem anecdotically surfeit
                     Aesthetic aphorism geomancy effete
                     Brusque macabre dementia replete
                     Perspicacious perseverance personification complete

                     Avaricious aegis vagary incite
                     Colloquialism jargon ideational delight
                     Prurient adage vernaculars insight
                     Apex crux axis matrix excite
                     Affluent opaque quintessential bight knight


                         Dichotomous epilogue :

                      Intuitive inherency , anachronism transpositional cogitations accrue
                     Torturously portentous intrinsically pervasive transitivities ensue
                     Consternating transient , verbose barratry verbiage brew
                     Viably salient venially mendacious veracities construe
                     Endemically aggressive encroachments , latent magniloquence review
                     Tenaciously intrepid divinatory futurity venerations imbue
                     Probitous aversion nominalism propensity derivations eschew
                     Intrinsically auspicious tortuously invasive transitivities blue
                     Anachronism transpositional , intuitive inherency cogitations ; adieu
The ‘Be happy attitudes’ uttered by Christ,
demonstrate a mindset that we need to embrace.
Hungering after God’s divine righteousness,
gives us comfort in His covering of grace.

Be dependent on God, for bearing good fruit;
know that it’s still wonderful to be blessed.
Everyone is important, since we’re His children;
unfortunately, not all will pass the sacred test…

of walking in the principles of God’s love.
Despite our status in life, self-accountability
of how we treat others around us clearly exhibits
the level of our own spiritual responsibility.

Reaching a state of supreme happiness and gratitude,
may be more easily achieved from knowing the Beatitudes.





Author Notes:

Loosely based on:
Matt 5:1-16

Learn more about me and my poetry at:
http://amzn.to/1ffo9YZ

By Joseph J. Breunig 3rd, © 2014, All rights reserved.
I’ve been hearin a lot of bad mouthin about socialism ever since the president tried to provide affordable healthcare to the working poor… I also hear some carping when someone suggested that the minimum wage paid to workers should allow them to buy the necessities of life… I don't hear too much bad things about medicare and social security…. I guess thats not really socialism…. I don't hear too much about the big bailouts of the bankers with government money after they put us in a recession… privatized gain and socialized risk must also be a strain of a special kind of entitlement...

We’ll I think this whole socialism business needs some clarity about what its all about…. so I made a list of socialist heroes so my fellow American’s can get a better feel for what going on with this red menace...

Heres a list of socialist heroes….

Jesus Christ of Nazareth...I just can't get past the Beatitudes thing. Since all the po folks of the earth get to inherit all the good stuff when they pass on.... I figure heaven gotta be some kinda socialist paradise....Some don’t buy the idea that Jesus is building a Mar-A-Largo estate for Donald Trump... while having the rest of us live in our cramped apartments…. Jesus did say he’s building many rooms but the po folks get first dibs on everything… For all the doubting Thomas’s and Thomasina’s get Sean Hannity’s fastidious fact checkers to read the good news in the Gospel of Matthew.

Jack London... To think he’s been spreading the Red Menace in the mind of America’s innocent children for near a century now…. When Michelle Bachmann finds out about this she'll introduce a bill to change the title of The Call of the Wild to the Call of the Commies... I don't think it will affect Sarahcuda because she don’t read at a sixth grade level yet. Alaska is safe for now....And all comrade citizens are doing just fine thank you.... spending their annual royalty checks they get from the state for all the North ***** oil drilling...  Hell during Sarah's half term governorship... she did what every self respecting socialist despot would do... she paid out a special $1,200.00 Permanent Fund royalty dividend to all comrade "North to the Future" citizens.....

Carl Sandburg... The People Yes? Sang the songs of the People Yes! Celebrated a broad shouldered, hog butchering America who wrote a biography with love and affection for our country’s greatest Republican President....  Whats that about?...And his treatment of Billy Sunday...a back in the day,.. aw shucks,... from the backwoods holler... Kenneth Copeland like... Believer's Voice of Victory preacher of his day... who hurled fire and brimstone at cowering congregants so when he passed the plate they filled it up with hoards of heavenly manna to fatten his bank account overstuffed with moth eaten earthly treasure… I'm sure even Pat Robertson believes Sandburg’s soul lies beyond the sweet redemption of Jesus...

George Orwell… Unlike **** Cheney... who said he had better things to do when his country called on him to serve during the Vietnam War... Orwell’s fervor for democracy was so great he left his native land to lay his life on the line to fight against the fascist menace in Spain... When he got into a battle he came across an enemy combatant taking a ****. He later said, “I let him go. How do you shoot a guy with his pants down?”... A deep respect for the humanity of others is clear evidence of a socialist's fatal flaw and why the righteous laissez faire American’s hate it so....Unfortunately Orwell and his comrades lost this one to Franco and his sugar daddies Il Duce and Mein Fuhrer… but we’ll keep up the good fight…..

Dorothy Day… This saint of the proletariat kept the soup kettle brewin to feed the working poor during the Great Depression... She spent her own money to build shelters to house catholic workers and didn't make a **** dime off the vulnerability of their screaming want... A squandered opportunity maybe…. definitely a coocoo loon according to the weltentstehung of Ayn Rand… so popular around these parts these days...but Dorothy laid up some serious dosh in heaven for her labors here on earth…. for where your treasure is…. there you will find your heart also… Anyone who knew her said Dorothy's heart was always in the right place….

Albert Einstein…. this guy was no dope….he knew enough to make make moral distinctions of exploitation and greed… and the self condemnation of conspicuous consumption...the destructive capacity of unfettered power….and worked hard to figure out equations to end the wastefulness of war... he did teach at Princeton though… more proof of the red infestation of the universities…. greed is good…. knowledge is bad….

Eugene V. Debs…. went to prison for his beliefs… got a million votes from jail… thats how devious these reds are.... even from prison they run for president and fool the working people into participating in the democratic process…. he believed everyone should vote… and would probably be imprisoned today for violating all the laws being passed that take voting rights away… gotta watch the reds…. next thing you know they'll close the electoral college and force politicians to pay a 100% poll tax on all the money they take from their corporate sponsors….

WEB DuBois… the souls of an oppressed people is the soul of a nation...ain’t it written that a nation is judged on how it treats its most vulnerable?.... Mr. DuBois fought to bring justice to all those lacking the means and rights in a nation teeming with diverse groups with needs and wants… it ain’t just about afro american jazz… its about the blues sung by all people on the outside looking in… he believed it unjust that only a small portion of American’s held the keys to the doors of prosperity… everyone should have a key to unlock the doors of opportunity… everyone…. that includes workers, immigrants, women, gay folks, religious minorities, disabled and the poor and lots other people I haven’t thought of yet…. but what about the real Americans...whose gonna stand up for them??????????

Woody Guthrie…. this country belongs to us… next time a frackin jacker comes to tear up your land and dump poison in your well… next time a strung out strip miner wants to plow away the top of your mountain and dump arsenic in your river…. next time a GMO attorney says the crops you planted don’t belong to you because they are contractually patented to him…. next time a big oil company says that they got a right to pollute the oceans and **** the fish so they can pump out a passel of fossil fuel… next time a bankster comes knocking at the door to take your house away… next time a tea slappin Teabagger starts screaming that the Koch Brothers should be allowed to own the national parks so they can cut the trees down for firewood…. tell em...you heard it on good authority…. that this land is your land…. not theirs….. if thats socialism…. I’m liken it….

American Socialists

Woody Guthrie: This Land is Your Land

Oakland
10/21/13
jbm
Davina E Solomon Jun 2021
Blessed are the poorly, for theirs is the kingdom of mudflats

The dispirited streak turgid waters
sinuously, through unsettled feelings
in the wake of boats shedding
filaments of fuel,
sheen on a turbid infusion
and the cordgrass nods a resilience
or an apathy as the silt settles
on their Piscean gleam

Blessed are the pure in heart for they shall see a salted heaven

Angelic Menhaden of the Atlantic,
are silvery stretches of scale,
dulled in death under a festering sun
and the retreating tide of dying waters
brined in ocean, freshwater spirited
to secret spaces, some dammed crevasse,
now  tumultuous  fate in a salted heaven

Blessed are those who hunger and thirst for righteousness for they shall be filled

At the Tabgha of this intertidal palette
Cattails whisper beatitudes
latched onto the tails of wind gusts
and the plovers descended
in a litany of  bird song
amassed like the manna
trailing  tidal waters
as the sea swallows herself.
Blessed are the herons, the mallards,
the geese. Time is measured
in the passage of fish that
cycle themselves through the innards of birds

Blessed are the meek for they shall inherit the rocks

The meek Menhaden, leaped
onto the rocks that hemmed the inlet,
escaping the hungry habits of herons.
They inherited Earth in agony    
pounding a rocky surface,
but the air I swim, had no water.
I prodded these  Menhaden of the Rock
to the fringe of retreating tides,
and they leaped to die once more
to breathe water that had no air

Blessed are those that mourn, for they shall be comforted

Blessed is the discomfiture
of my brackish tears
that streak marsh faces
as fish struggle out of dead water.
I take comfort I don't inhabit
tainted places or do I take comfort,
all places are the tint of poison,
the gleam of a genesis of sorrow
The fifth of June has been designated as World Environment Day by the United Nations. Today, in fact, will inaugurate the UN Decade on Ecosystem Restoration (2021-2030), a global mission to revive billions of hectares, from forests to farmlands, from the top of mountains to the depth of the sea [1]. Pakistan is the host country this year for the official celebrations. As we are aware, the protection of the environment and its restoration is of utmost importance given the damage to our environment. Today, helps highlight that our well being and economic development, are intricately and intimately connected to the health of the environment in that, World Environment Day, gives us an opportunity to learn more about our ecosystems, cultivate broad and enlightened opinions, encourages responsible conduct by people, their communities and their enterprises to help preserve and enhance our habitat [2].


I chose to write a poem on the Atlantic Menhaden, fish that are an important part of commercial fisher and in estuarine habitats . They are filter feeders, consume phytoplankton and zooplankton and constitute the largest landings, by volume, along the Atlantic Coast of the United States. They are found in coastal and estuarine waters like in the Hackensack Meadowlands [3]. They are harvested for use as fertilizers, animal feed, and bait for fisheries including blue crab and lobster, are food for striped bass and other fish, as well as for predatory birds, including osprey and eagles. Menhaden are silvery in color with a distinct black shoulder spot behind their gill opening [4]. It was late (November, December) last year that I spotted a lot of dead fish in the Hackensack river. It was reported then, that it may have been the lack of oxygen in the water [5] It was only in April this year that species of Vibrio bacteria were suspected as having caused multiple ***** failure in the Atlantic Menhaden [6]. In any case, high levels of contaminants in rivers, along with sediment make up for low levels of dissolved oxygen in the water in summer and along with the bacteria, are a threat to this variety of herring that are important to many other species that make the Hackensack their home.

Read more at
davinasolomon.org/2021/06/05/on-world-environment-day-beatitudes-for-the-dead-fish-that-inherited-the-mudflats/
The symbolism of this Christmas classic
has a second, hidden meaning for the ages.
For this song has an ulterior motive,
contained in verses that seem outrageous.

Christ is the truest fulfillment of Love,
in the primary doctrine of Christianity;
therefore, He is the focus of each refrain,
being the sin offering on Crucifixion’s tree.

The pair of turtle doves represents books,
volumes of both the Old and New Testaments.
The Bible embodies the Spirit of God calling…
for the World to turn to Christ and repent.

The three french hens stand for the trinity
of metaphysical concepts: Faith, Hope and Love.
Despite questionable claims, Love requires action-
and that some of us need a gentle, spiritual shove.

Four calling birds correspond to the Good News,
found in accounts of Matthew, Mark, Luke & John.
Together they present a harmonious view of Christ
and the divine message of the Gospel’s Song.

The five golden rings echo the Jewish Torah,
one of the first accounts of God’s spiritual laws.
Genesis, Exodus, Leviticus, Numbers and Deuteronomy
remind of Redemption’s need to offset human flaws.

Six geese a-laying demonstrate the creativity of God,
regarding His work in the archetype days of creation.
For we are to lift up our eyes and see Him, through
inspiration that fuels our desires and imaginations.

The swans a-swimming represent the seven-fold gifts
from the Holy Spirit: Prophesy, Serving, Exhortation,
Teaching, Contribution, Leadership, and God’s Mercy…
holy promises that complement the substance of Salvation.

The eight maids a-milking reflect the Beatitudes,
a message given by Christ at the Sermon on the Mount.
He taught Heavenly concepts, in which we are blessed,
via inspired platitudes for us- to joyfully recount.

Nine ladies dancing recall the Fruits of the Spirit:
Love, Joy, Patience, Kindness, Goodness, Self-Control,
Faithfulness, Peace, and Gentleness - sacred constructs
for soothing the pains, experienced by our weary souls.

The lords a-leaping personify Jehovah’s Ten Commandments:
instructions for worshiping only Him, keeping the Sabbath,
and various prohibitions against idolatry, blasphemy, ******,
theft, dishonesty, and adultery, which lead us off His path.

The eleven pipers piping constitute the faithful Disciples,
who walked the Earth with Christ, observing Him firsthand.
They were the original, Christian acolytes who were taught-
how to live victoriously under the pressure of Life’s demands.

The drummers drumming symbolize the twelve points of belief,
outlined in the religious doctrine, called the Apostles' Creed.
Now with greater insight, lift your voice and sing this song,
using your faith in God, that you willingly and lovingly concede.
.
.
.

Author Notes:

This my poetic interpretation of the familiar Christmas song. From 1558ad until 1829ad, Roman Catholics in England were not permitted to openly practice their faith. An unknown author, during that era, wrote this carol as a Catechism song for young Catholics. It has two levels of meaning: the surface meaning plus a hidden meaning, originally known only by members of their church. Each element in the carol has a code word, implying a religious tenet, which children could easily remember.

Learn more about me and my poetry at:
http://www.amazon.com/Reaching-Towards-His-Unbounded-Glory/dp/1419650513/ref=sr11?ie=UTF8&qid;=1387452157&sr;=8-1&keywords;=reaching+towards+his+unbounded+glory

By Joseph J. Breunig 3rd, © 2013, All rights reserved.
in a dark of frenzy it boils up inside
until summarily and inexplicably
see the colour between brown and blue
more than see it, immerse myself in it
swimming slowly in its clouds
see the colour between brown and blue
everywhere votive candles light
the colour between brown and blue
with slender tapers that touch a life
any life, your life
casting strange shadows, loose shadows
between the colour of brown and blue
children swarm, children with bright white
starvation hair, children with hands
like small worn mittens
who raise red swarms in hot worn out
death laden dust
dust that cauterizes the nostrils
with the stench of penurious insanity
the colour between brown and blue
that inveigles a purchase of flies
bottle blue, black blue, green blue,
swarming blue, swirling whirling blue
a black and blue confetti of flies
then the sudden zero of the
colour between brown and blue
hair raising, command faith
willed, willing, mumbling, murmuring
the excitement of writing between
the colour of brown and blue
trees shake and tremble
words regurgitate themselves like hot
food, the bark, write
now fully electrically charged
seized by the colour between brown and blue
forget everything else, write, write more, more, write
trembling with sudden shudders of merciless
vowels, madness penurious pencil
moves across, demanding paper
pushing worn words, worthy words whittled by use
words not yet written, words of wonder
oh what words
beautiful, baffling,baleful, words
with beastly beatitudes, words that conjure the mind
words between brown and blue
that leave you skinny like a stray dog
words so demanding leave you shut up in an
airless abattoir of high energy and low residue
the colour between brown and blue
where everywhere is everywhere else
touched by the flames of the colour between brown and blue
Francie Lynch Jan 2016
When down and lonely,
We have an upper.
When unhappy,
We leave a smiley.
When isolated and alienated,
We have fraternity.
If you fear, find peace in readership.
If poor, there's free verse.
If under-appreciated,
We click like.
If under-valued,
We've no price.
If destitute, there's richness in language.
If thirsty, drink.
If hungry, devour.
When you're at loose ends,
We have tight compositions.
When conflicted, find resolutions.
And if you're disenfranchised,
We have a home.
Michael R Burch Apr 2020
Poems about Leaves and Leave Taking (i.e., leaving friends and family, loss, death, parting, separation, divorce, etc.)


Leave Taking
by Michael R. Burch

Brilliant leaves abandon
battered limbs
to waltz upon ecstatic winds
until they die.

But the barren and embittered trees
lament the frolic of the leaves
and curse the bleak
November sky.

Now, as I watch the leaves'
high flight
before the fading autumn light,
I think that, perhaps, at last I may

have learned what it means to say
"goodbye."

Published by The Lyric, Mindful of Poetry, There is Something in the Autumn (anthology). Keywords/Tags: autumn, leaves, fall, falling, wind, barren, trees, goodbye, leaving, farewell, separation, age, aging, mortality, death, mrbepi, mrbleave

This poem started out as a stanza in a much longer poem, "Jessamyn's Song," which dates to around age 14 or 15, or perhaps a bit later. But I worked on the poem several times over the years until it was largely finished in 1978. I am sure of the completion date because that year the poem was included in my first large poetry submission manuscript for a chapbook contest.



Autumn Conundrum
by Michael R. Burch

It's not that every leaf must finally fall,
it's just that we can never catch them all.

Originally published by The Neovictorian/Cochlea, this poem has since been translated into Russian, Macedonian, Turkish, Arabic and Romanian.



Something

for the children of the Holocaust and the Nakba

Something inescapable is lost—
lost like a pale vapor curling up into shafts of moonlight,
vanishing in a gust of wind toward an expanse of stars
immeasurable and void.

Something uncapturable is gone—
gone with the spent leaves and illuminations of autumn,
scattered into a haze with the faint rustle of parched grass
and remembrance.

Something unforgettable is past—
blown from a glimmer into nothingness, or less,
which finality swept into a corner... where it lies
in dust and cobwebs and silence.

Published by There is Something in the Autumn, The Eclectic Muse, Setu, FreeXpression, Life and Legends, Poetry Super Highway, Poet's Corner, Promosaik, Better Than Starbucks and The Chained Muse. Also translated into Romanian by Petru Dimofte, into Turkish by Nurgül Yayman, turned into a YouTube video by Lillian Y. Wong, and used by the Windsor Jewish Community Centre during a candle-lighting ceremony



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron―
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful―
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



Herbsttag ("Autumn Day")
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

Lord, it is time. Let the immense summer go.
Lay your long shadows over the sundials
and over the meadows, let the free winds blow.
Command the late fruits to fatten and shine;
O, grant them another Mediterranean hour!
Urge them to completion, and with power
convey final sweetness to the heavy wine.
Who has no house now, never will build one.
Who's alone now, shall continue alone;
he'll wake, read, write long letters to friends,
and pace the tree-lined pathways up and down,
restlessly, as autumn leaves drift and descend.

Originally published by Measure



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

"****** most foul! "
cried the mouse to the owl.

"Friend, I'm no sinner;
you're merely my dinner! "
the wise owl replied
as the tasty snack died.

Published by Lighten Upand in Potcake Chapbook #7



escape!

for anaïs vionet

to live among the daffodil folk...
slip down the rainslickened drainpipe...
suddenly pop out
the GARGANTUAN SPOUT...
minuscule as alice, shout
yippee-yi-yee!
in wee exultant glee
to be leaving behind the
LARGE
THREE-DENALI GARAGE.

Published by Andwerve and Bewildering Stories



Love Has a Southern Flavor

Love has a Southern flavor: honeydew,
ripe cantaloupe, the honeysuckle's spout
we tilt to basking faces to breathe out
the ordinary, and inhale perfume...

Love's Dixieland-rambunctious: tangled vines,
wild clematis, the gold-brocaded leaves
that will not keep their order in the trees,
unmentionables that peek from dancing lines...

Love cannot be contained, like Southern nights:
the constellations' dying mysteries,
the fireflies that hum to light, each tree's
resplendent autumn cape, a genteel sight...

Love also is as wild, as sprawling-sweet,
as decadent as the wet leaves at our feet.

Published by The Lyric, Contemporary Sonnet, The Eclectic Muse, Better Than Starbucks, The Chained Muse, Setu (India) , Victorian Violet Press and Trinacria



Daredevil
by Michael R. Burch

There are days that I believe
(and nights that I deny)
love is not mutilation.

Daredevil, dry your eyes.

There are tightropes leaps bereave—
taut wires strumming high
brief songs, infatuations.

Daredevil, dry your eyes.

There were cannon shots’ soirees,
hearts barricaded, wise . . .
and then . . . annihilation.

Daredevil, dry your eyes.

There were nights our hearts conceived
dawns’ indiscriminate sighs.
To dream was our consolation.

Daredevil, dry your eyes.

There were acrobatic leaves
that tumbled down to lie
at our feet, bright trepidations.

Daredevil, dry your eyes.

There were hearts carved into trees—
tall stakes where you and I
left childhood’s salt libations . . .

Daredevil, dry your eyes.

Where once you scraped your knees;
love later bruised your thighs.
Death numbs all, our sedation.

Daredevil, dry your eyes.



The People Loved What They Had Loved Before
by Michael R. Burch

We did not worship at the shrine of tears;
we knew not to believe, not to confess.
And so, ahemming victors, to false cheers,
we wrote off love, we gave a stern address
to things that we disapproved of, things of yore.
And the people loved what they had loved before.

We did not build stone monuments to stand
six hundred years and grow more strong and arch
like bridges from the people to the Land
beyond their reach. Instead, we played a march,
pale Neros, sparking flames from door to door.
And the people loved what they had loved before.

We could not pipe of cheer, or even woe.
We played a minor air of Ire (in E).
The sheep chose to ignore us, even though,
long destitute, we plied our songs for free.
We wrote, rewrote and warbled one same score.
And the people loved what they had loved before.

At last outlandish wailing, we confess,
ensued, because no listeners were left.
We built a shrine to tears: our goddess less
divine than man, and, like us, long bereft.
We stooped to love too late, too Learned to *****.
And the people loved what they had loved before.



Talent
by Michael R. Burch

for Kevin Nicholas Roberts

I liked the first passage
of her poem―where it led
(though not nearly enough
to retract what I said.)
Now the book propped up here
flutters, scarcely half read.
It will keep.
Before sleep,
let me read yours instead.

There's something like love
in the rhythms of night
―in the throb of streets
where the late workers drone,
in the sounds that attend
each day’s sad, squalid end―
that reminds us: till death
we are never alone.

So we write from the hearts
that will fail us anon,
words in red
truly bled
though they cannot reveal
whence they came,
who they're for.
And the tap at the door
goes unanswered. We write,
for there is nothing more
than a verse,
than a song,
than this chant of the blessed:
"If these words
be my sins,
let me die unconfessed!
Unconfessed, unrepentant;
I rescind all my vows!"
Write till sleep:
it’s the leap
only Talent allows.



Davenport Tomorrow
by Michael R. Burch

Davenport tomorrow ...
all the trees stand stark-naked in the sun.

Now it is always summer
and the bees buzz in cesspools,
adapted to a new life.

There are no flowers,
but the weeds, being hardier,
have survived.

The small town has become
a city of millions;
there is no longer a sea,
only a huge sewer,
but the children don't mind.

They still study
rocks and stars,
but biology is a forgotten science ...
after all, what is life?

Davenport tomorrow ...
all the children murmur through vein-streaked gills
whispered wonders of long-ago.



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and―spent of flame―
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies―
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None―winsome, bright or rare―
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew―
each moonless night the nettles grew

and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Ordinary Love
by Michael R. Burch

Indescribable—our love—and still we say
with eyes averted, turning out the light,
"I love you," in the ordinary way

and tug the coverlet where once we lay,
all suntanned limbs entangled, shivering, white ...
indescribably in love. Or so we say.

Your hair's blonde thicket now is tangle-gray;
you turn your back; you murmur to the night,
"I love you," in the ordinary way.

Beneath the sheets our hands and feet would stray
to warm ourselves. We do not touch despite
a love so indescribable. We say

we're older now, that "love" has had its day.
But that which Love once countenanced, delight,
still makes you indescribable. I say,
"I love you," in the ordinary way.

Winner of the 2001 Algernon Charles Swinburne poetry contest; published by The Lyric, Romantics Quarterly, Mandrake Poetry Review, Carnelian, Poem Kingdom, Net Poetry and Art Competition, Famous Poets and Poems, FreeXpression, PW Review, Poetic Voices, Poetry Renewal and Poetry Life & Times



Are You the Thief
by Michael R. Burch

When I touch you now,
O sweet lover,
full of fire,
melting like ice
in my embrace,

when I part the delicate white lace,
baring pale flesh,
and your face
is so close
that I breathe your breath
and your hair surrounds me like a wreath...

tell me now,
O sweet, sweet lover,
in good faith:
are you the thief
who has stolen my heart?

Originally published as “Baring Pale Flesh” by Poetic License/Monumental Moments



At Tintagel
by Michael R. Burch

That night,
at Tintagel,
there was darkness such as man had never seen...
darkness and treachery,
and the unholy thundering of the sea...

In his arms,
who is to say how much she knew?
And if he whispered her name...
"Ygraine"
could she tell above the howling wind and rain?

Could she tell, or did she care,
by the length of his hair
or the heat of his flesh,...
that her faceless companion
was Uther, the dragon,

and Gorlois lay dead?

Originally published by Songs of Innocence, then subsequently by Celtic Twilight, Fables, Fickle Muses and Poetry Life & Times



Isolde's Song
by Michael R. Burch

Through our long years of dreaming to be one
we grew toward an enigmatic light
that gently warmed our tendrils. Was it sun?
We had no eyes to tell; we loved despite
the lack of all sensation—all but one:
we felt the night's deep chill, the air so bright
at dawn we quivered limply, overcome.

To touch was all we knew, and how to bask.
We knew to touch; we grew to touch; we felt
spring's urgency, midsummer's heat, fall's lash,
wild winter's ice and thaw and fervent melt.
We felt returning light and could not ask
its meaning, or if something was withheld
more glorious. To touch seemed life's great task.

At last the petal of me learned: unfold
and you were there, surrounding me. We touched.
The curious golden pollens! Ah, we touched,
and learned to cling and, finally, to hold.

Originally published by The Raintown Review



The Wild Hunt
by Michael R. Burch

Near Devon, the hunters appear in the sky
with Artur and Bedwyr sounding the call;
and the others, laughing, go dashing by.
They only appear when the moon is full:

Valerin, the King of the Tangled Wood,
and Valynt, the goodly King of Wales,
Gawain and Owain and the hearty men
who live on in many minstrels' tales.

They seek the white stag on a moonlit moor,
or Torc Triath, the fabled boar,
or Ysgithyrwyn, or Twrch Trwyth,
the other mighty boars of myth.

They appear, sometimes, on Halloween
to chase the moon across the green,
then fade into the shadowed hills
where memory alone prevails.

Originally published by Celtic Twilight, then by Celtic Lifestyles and Auldwicce



Morgause's Song
by Michael R. Burch

Before he was my brother,
he was my lover,
though certainly not the best.

I found no joy
in that addled boy,
nor he at my breast.

Why him? Why him?
The years grow dim.
Now it's harder and harder to say...

Perhaps girls and boys
are the god's toys
when the skies are gray.

Originally published by Celtic Twilight as "The First Time"



Pellinore's Fancy
by Michael R. Burch

What do you do when your wife is a nag
and has sworn you to hunt neither fish, fowl, nor stag?
When the land is at peace, but at home you have none,
Is that, perchance, when... the Questing Beasts run?



The Last Enchantment
by Michael R. Burch

Oh, Lancelot, my truest friend,
how time has thinned your ragged mane
and pinched your features; still you seem
though, much, much changed—somehow unchanged.

Your sword hand is, as ever, ready,
although the time for swords has passed.
Your eyes are fierce, and yet so steady
meeting mine... you must not ask.

The time is not, nor ever shall be.
Merlyn's words were only words;
and now his last enchantment wanes,
and we must put aside our swords...



Northern Flight: Lancelot's Last Love Letter to Guinevere
by Michael R. Burch

"Get thee to a nunnery..."

Now that the days have lengthened, I assume
the shadows also lengthen where you pause
to watch the sun and comprehend its laws,
or just to shiver in the deepening gloom.

But nothing in your antiquarian eyes
nor anything beyond your failing vision
repeals the night. Religion's circumcision
has left us worlds apart, but who's more wise?

I think I know you better now than then—
and love you all the more, because you are
... so distant. I can love you from afar,
forgiving your flight north, far from brute men,
because your fear's well-founded: God, forbid,
was bound to fail you here, as mortals did.

Originally published by Rotary Dial



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



Truces
by Michael R. Burch

We must sometimes wonder if all the fighting related to King Arthur and his knights was really necessary. In particular, it seems that Lancelot fought and either captured or killed a fairly large percentage of the population of England. Could it be that Arthur preferred to fight than stay at home and do domestic chores? And, honestly now, if he and his knights were such incredible warriors, who would have been silly enough to do battle with them? Wygar was the name of Arthur's hauberk, or armored tunic, which was supposedly fashioned by one Witege or Widia, quite possibly the son of Wayland Smith. The legends suggest that Excalibur was forged upon the anvil of the smith-god Wayland, who was also known as Volund, which sounds suspiciously like Vulcan...

Artur took Cabal, his hound,
and Carwennan, his knife,
    and his sword forged by Wayland
    and Merlyn, his falcon,
and, saying goodbye to his sons and his wife,
he strode to the Table Rounde.

"Here is my spear, Rhongomyniad,
and here is Wygar that I wear,
    and ready for war,
    an oath I foreswore
to fight for all that is righteous and fair
from Wales to the towers of Gilead."

But none could be found to contest him,
for Lancelot had slewn them, forsooth,
so he hastened back home, for to rest him,
till his wife bade him, "Thatch up the roof! "

Originally published by Neovictorian/Cochlea, then by Celtic Twilight



Midsummer-Eve
by Michael R. Burch

What happened to the mysterious Tuatha De Danann, to the Ban Shee (from which we get the term "banshee") and, eventually, to the druids? One might assume that with the passing of Merlyn, Morgause and their ilk, the time of myths and magic ended. This poem is an epitaph of sorts.

In the ruins
of the dreams
and the schemes
of men;

when the moon
begets the tide
and the wide
sea sighs;

when a star
appears in heaven
and the raven
cries;

we will dance
and we will revel
in the devil's
fen...

if nevermore again.

Originally published by Penny Dreadful



The Pictish Faeries
by Michael R. Burch

Smaller and darker
than their closest kin,
the faeries learned only too well
never to dwell
close to the villages of larger men.

Only to dance in the starlight
when the moon was full
and men were afraid.
Only to worship in the farthest glade,
ever heeding the raven and the gull.



The Kiss of Ceridwen
by Michael R. Burch

The kiss of Ceridwen
I have felt upon my brow,
and the past and the future
have appeared, as though a vapor,
mingling with the here and now.

And Morrigan, the Raven,
the messenger, has come,
to tell me that the gods, unsung,
will not last long
when the druids' harps grow dumb.



Merlyn, on His Birth
by Michael R. Burch

Legend has it that Zephyr was an ancestor of Merlin. In this poem, I suggest that Merlin was an albino, which might have led to claims that he had no father, due to radical physical differences between father and son. This would have also added to his appearance as a mystical figure. The reference to Ursa Major, the bear, ties the birth of Merlin to the future birth of Arthur, whose Welsh name ("Artos" or "Artur") means "bear." Morydd is another possible ancestor of Merlin's. In Welsh names "dd" is pronounced "th."

I was born in Gwynedd,
or not born, as some men claim,
and the Zephyr of Caer Myrrdin
gave me my name.

My father was Madog Morfeyn
but our eyes were never the same,
nor our skin, nor our hair;
for his were dark, dark
—as our people's are—
and mine were fairer than fair.

The night of my birth, the Zephyr
carved of white stone a rune;
and the ringed stars of Ursa Major
outshone the cool pale moon;
and my grandfather, Morydd, the seer
saw wheeling, a-gyre in the sky,
a falcon with terrible yellow-gold eyes
when falcons never fly.



Merlyn's First Prophecy
by Michael R. Burch

Vortigern commanded a tower to be built upon Snowden,
but the earth would churn and within an hour its walls would cave in.

Then his druid said only the virginal blood of a fatherless son,
recently shed, would ever hold the foundation.

"There is, in Caer Myrrdin, a faery lad, a son with no father;
his name is Merlyn, and with his blood you would have your tower."

So Vortigern had them bring the boy, the child of the demon,
and, taciturn and without joy, looked out over Snowden.

"To **** a child brings little praise, but many tears."
Then the mountain slopes rang with the brays of Merlyn's jeers.

"Pure poppycock! You fumble and bumble and heed a fool.
At the base of the rock the foundations crumble into a pool! "

When they drained the pool, two dragons arose, one white and one red,
and since the old druid was blowing his nose, young Merlyn said:

"Vortigern is the white, Ambrosius the red; now, watch, indeed."
Then the former died as the latter fed and Vortigern peed.

Published by Celtic Twilight



It Is Not the Sword!
by Michael R. Burch

This poem illustrates the strong correlation between the names that appear in Welsh and Irish mythology. Much of this lore predates the Arthurian legends, and was assimilated as Arthur's fame (and hyperbole)grew. Caladbolg is the name of a mythical Irish sword, while Caladvwlch is its Welsh equivalent. Caliburn and Excalibur are later variants.

"It is not the sword,
but the man, "
said Merlyn.
But the people demanded a sign—
the sword of Macsen Wledig,
Caladbolg, the "lightning-shard."

"It is not the sword,
but the words men follow."
Still, he set it in the stone
—Caladvwlch, the sword of kings—
and many a man did strive, and swore,
and many a man did moan.

But none could budge it from the stone.

"It is not the sword
or the strength, "
said Merlyn,
"that makes a man a king,
but the truth and the conviction
that ring in his iron word."

"It is NOT the sword! "
cried Merlyn,
crowd-jostled, marveling
as Arthur drew forth Caliburn
with never a gasp,
with never a word,

and so became their king.



Uther's Last Battle
by Michael R. Burch

When Uther, the High King,
unable to walk, borne upon a litter
went to fight Colgrim, the Saxon King,
his legs were weak, and his visage bitter.
"Where is Merlyn, the sage?
For today I truly feel my age."

All day long the battle raged
and the dragon banner was sorely pressed,
but the courage of Uther never waned
till the sun hung low upon the west.
"Oh, where is Merlyn to speak my doom,
for truly I feel the chill of the tomb."

Then, with the battle almost lost
and the king besieged on every side,
a prince appeared, clad all in white,
and threw himself against the tide.
"Oh, where is Merlyn, who stole my son?
For, truly, now my life is done."

Then Merlyn came unto the king
as the Saxons fled before a sword
that flashed like lightning in the hand
of a prince that day become a lord.
"Oh, Merlyn, speak not, for I see
my son has truly come to me.

And today I need no prophecy
to see how bright his days will be."
So Uther, then, the valiant king
met his son, and kissed him twice—
the one, the first, the one, the last—
and smiled, and then his time was past.



Small Tales
by Michael R. Burch

According to legend, Arthur and Kay grew up together in Ector's court, Kay being a few years older than Arthur. Borrowing from Mary Stewart, I am assuming that Bedwyr (later Anglicized to Bedivere)might have befriended Arthur at an early age. By some accounts, Bedwyr was the original Lancelot. In any case, imagine the adventures these young heroes might have pursued (or dreamed up, to excuse tardiness or "lost" homework assignments). Manawydan and Llyr were ancient Welsh gods. Cath Pulag was a monstrous, clawing cat. ("Sorry teach! My theme paper on Homer was torn up by a cat bigger than a dragon! And meaner, too! ")Pen Palach is more or less a mystery, or perhaps just another old drinking buddy with a few good beery-bleary tales of his own. This poem assumes that many of the more outlandish Arthurian legends began more or less as "small tales, " little white lies which simply got larger and larger with each retelling. It also assumes that most of these tales came about just as the lads reached that age when boys fancy themselves men, and spend most of their free time drinking and puking...

When Artur and Cai and Bedwyr
were but scrawny lads
they had many a ***** adventure
in the still glades
of Gwynedd.
When the sun beat down like an oven
upon the kiln-hot hills
and the scorched shores of Carmarthen,
they went searching
and found Manawydan, the son of Llyr.
They fought a day and a night
with Cath Pulag (or a screeching kitten),
rousted Pen Palach, then drank a beer
and told quite a talltale or two,
till thems wasn't so shore which'un's tails wus true.

And these have been passed down to me, and to you.



The Song of Amergin
by Michael R. Burch

Amergin is, in the words of Morgan Llywelyn, "the oldest known western European poet." Robert Graves said: "English poetic education should, really, begin not with The Canterbury Tales, not with the Odyssey, not even with Genesis, but with the Song of Amergin." Amergin was one of the Milesians, or sons of Mil: Gaels who invaded Ireland and defeated the mysterious Tuatha De Danann, thereby establishing a Celtic beachhead, not only on the shores of the Emerald Isle, but also in the annals of Time and Poetry.

He was our first bard
and we feel in his dim-remembered words
the moment when Time blurs...

and he and the Sons of Mil
heave oars as the breakers mill
till at last Ierne—green, brooding—nears,

while Some implore seas cold, fell, dark
to climb and swamp their flimsy bark
... and Time here also spumes, careers...

while the Ban Shee shriek in awed dismay
to see him still the sea, this day,
then seek the dolmen and the gloam.



Stonehenge
by Michael R. Burch

Here where the wind imbues life within stone,
I once stood
and watched as the tempest made monuments groan
as though blood
boiled within them.

Here where the Druids stood charting the stars
I can tell
they longed for the heavens... perhaps because
hell
boiled beneath them?



The Celtic Cross at Île Grosse
by Michael R. Burch

"I actually visited the island and walked across those mass graves of 30, 000 Irish men, women and children, and I played a little tune on me whistle. I found it very peaceful, and there was relief there." - Paddy Maloney of The Chieftans

There was relief there,
and release,
on Île Grosse
in the spreading gorse
and the cry of the wild geese...

There was relief there,
without remorse
when the tin whistle lifted its voice
in a tune of artless grief,
piping achingly high and longingly of an island veiled in myth.
And the Celtic cross that stands here tells us, not of their grief,
but of their faith and belief—
like the last soft breath of evening lifting a fallen leaf.

When ravenous famine set all her demons loose,
driving men to the seas like lemmings,
they sought here the clemency of a better life, or death,
and their belief in God gave them hope, a sense of peace.

These were proud men with only their lives to owe,
who sought the liberation of a strange new land.
Now they lie here, ragged row on ragged row,
with only the shadows of their loved ones close at hand.

And each cross, their ancient burden and their glory,
reflects the death of sunlight on their story.

And their tale is sad—but, O, their faith was grand!



At Cædmon's Grave
by Michael R. Burch

"Cædmon's Hymn, " composed at the Monastery of Whitby (a North Yorkshire fishing village), is one of the oldest known poems written in the English language, dating back to around 680 A.D. According to legend, Cædmon, an illiterate Anglo-Saxon cowherd, received the gift of poetic composition from an angel; he subsequently founded a school of Christian poets. Unfortunately, only nine lines of Cædmon's verse survive, in the writings of the Venerable Bede. Whitby, tiny as it is, reappears later in the history of English literature, having been visited, in diametric contrast, by Lewis Carroll and Bram Stoker's ghoulish yet evocative Dracula.

At the monastery of Whitby,
on a day when the sun sank through the sea,
and the gulls shrieked wildly, jubilant, free,

while the wind and time blew all around,
I paced those dusk-enamored grounds
and thought I heard the steps resound

of Carroll, Stoker and of Bede
who walked there, too, their spirits freed
—perhaps by God, perhaps by need—

to write, and with each line, remember
the glorious light of Cædmon's ember,
scorched tongues of flame words still engender.

Here, as darkness falls, at last we meet.
I lay this pale garland of words at his feet.

Originally published by The Lyric



faith(less), a coronavirus poem
by Michael R. Burch

Those who believed
and Those who misled
lie together at last
in the same narrow bed

and if god loved Them more
for Their strange lack of doubt,
he kept it well hidden
till he snuffed Them out.



Habeas Corpus
by Michael R. Burch

from “Songs of the Antinatalist”

I have the results of your DNA analysis.
If you want to have children, this may induce paralysis.
I wish I had good news, but how can I lie?
Any offspring you have are guaranteed to die.
It wouldn’t be fair—I’m sure you’ll agree—
to sentence kids to death, so I’ll waive my fee.



Villanelle: Hangovers
by Michael R. Burch

We forget that, before we were born,
our parents had “lives” of their own,
ran drunk in the streets, or half-******.

Yes, our parents had lives of their own
until we were born; then, undone,
they were buying their parents gravestones

and finding gray hairs of their own
(because we were born lacking some
of their curious habits, but soon

would certainly get them). Half-******,
we watched them dig graves of their own.
Their lives would be over too soon

for their curious habits to bloom
in us (though our children were born
nine months from that night on the town

when, punch-drunk in the streets or half-******,
we first proved we had lives of our own).



Happily Never After (the Second Curse of the ***** Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes) ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad’s . . .
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats . . .
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.



Haunted
by Michael R. Burch

Now I am here
and thoughts of my past mistakes are my brethren.
I am withering
and the sweetness of your memory is like a tear.

Go, if you will,
for the ache in my heart is its hollowness
and the flaw in my soul is its shallowness;
there is nothing to fill.

Take what you can;
I have nothing left.
And when you are gone, I will be bereft,
the husk of a man.

Or stay here awhile.
My heart cannot bear the night, or these dreams.
Your face is a ghost, though paler, it seems
when you smile.

Published by Romantics Quarterly



Have I been too long at the fair?
by Michael R. Burch

Have I been too long at the fair?
The summer has faded,
the leaves have turned brown;
the Ferris wheel teeters ...
not up, yet not down.
Have I been too long at the fair?

This is one of my earliest poems, written around age 14-15 when we were living with my grandfather in his house on Chilton Street, within walking distance of the Nashville fairgrounds. I remember walking to the fairgrounds, stopping at a Dairy Queen along the way, and swimming at a public pool. But I believe the Ferris wheel only operated during the state fair. So my “educated guess” is that this poem was written during the 1973 state fair, or shortly thereafter. I remember watching people hanging suspended in mid-air, waiting for carnies to deposit them safely on terra firma again.



Insurrection
by Michael R. Burch

She has become as the night—listening
for rumors of dawn—while the dew, glistening,
reminds me of her, and the wind, whistling,
lashes my cheeks with its soft chastening.

She has become as the lights—flickering
in the distance—till memories old and troubling
rise up again and demand remembering ...
like peasants rebelling against a mad king.

Originally published by The Chained Muse



Success
by Michael R. Burch

for Jeremy

We need our children to keep us humble
between toast and marmalade;

there is no time for a ticker-tape parade
before bed, no award, no bright statuette

to be delivered for mending skinned knees,
no wild bursts of approval for shoveling snow.

A kiss is the only approval they show;
to leave us―the first great success they achieve.



Sappho's Lullaby
by Michael R. Burch

for Jeremy

Hushed yet melodic, the hills and the valleys
sleep unaware of the nightingale's call,
while the pale calla lilies lie
listening,
glistening . . .
this is their night, the first night of fall.

Son, tonight, a woman awaits you;
she is more vibrant, more lovely than spring.
She'll meet you in moonlight,
soft and warm,
all alone . . .
then you'll know why the nightingale sings.

Just yesterday the stars were afire;
then how desire flashed through my veins!
But now I am older;
night has come,
I’m alone . . .
for you I will sing as the nightingale sings.

NOTE: The calla lily symbolizes beauty, purity, innocence, faithfulness and true devotion. According to Greek mythology, when the Milky Way was formed by the goddess Hera’s breast milk, the drops that fell to earth became calla lilies.



Piercing the Shell
by Michael R. Burch

If we strip away all the accouterments of war,
perhaps we’ll discover what the heart is for.



Premonition
by Michael R. Burch

Now the evening has come to a close and the party is over ...
we stand in the doorway and watch as they go—
each stranger, each acquaintance, each unembraceable lover.

They walk to their cars and they laugh as they go,
though we know their forced laughter’s the wine ...
then they pause at the road where the dark asphalt flows
endlessly on toward Zion ...

and they kiss one another as though they were friends,
and they promise to meet again “soon” ...
but the rivers of Jordan roll on without end,
and the mockingbird calls to the moon ...

and the katydids climb up the cropped hanging vines,
and the crickets chirp on out of tune ...
and their shadows, defined by the cryptic starlight,
seem spirits torn loose from their tombs.

And I know their brief lives are just eddies in time,
that their hearts are unreadable runes
to be wiped clean, like slate, by the Eraser, Fate,
when their corpses lie ravaged and ruined ...

You take my clenched fist and you give it a kiss
as though it were something you loved,
and the tears fill your eyes, brimming with the soft light
of the stars winking sagely above ...

Then you whisper, "It's time that we went back inside;
if you'd like, we can sit and just talk for a while."
And the hope in your eyes burns too deep, so I lie
and I say, "Yes, I would," to your small, troubled smile.

I vividly remember writing this poem after an office party the year I co-oped with AT&T (at that time the largest company in the world, with presumably a lot of office parties). This would have been after my sophomore year in college, making me around 20 years old. The poem is “true” except that I was not the host because the party was at the house of one of the upper-level managers. Nor was I dating anyone seriously at the time. Keywords/Tags: premonition, office, party, parting, eve, evening, stranger, strangers, wine, laughter, moon, shadows



Survivors
by Michael R. Burch

for the victims and survivors of 9/11 and their families

In truth, we do not feel the horror
of the survivors,
but what passes for horror:

a shiver of “empathy.”

We too are “survivors,”
if to survive is to snap back
from the sight of death

like a turtle retracting its neck.



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who
was born on September 11, 2001 and who
died at age nine, shot to death ...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm ― I hope you hear it.

Much love I bring ― I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the evil things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short ... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here ...

I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bring them to your final bier,
and leave them with my promise, here.



The Locker
by Michael R. Burch

All the dull hollow clamor has died
and what was contained,
removed,

reproved
adulation or sentiment,
left with the pungent darkness

as remembered as the sudden light.



Tremble
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.



Day, and Night
by Michael R. Burch

The moon exposes pockmarked scars of craters;
her visage, veiled by willows, palely looms.
And we who rise each day to grind a living,
dream each scented night of such perfumes
as drew us to the window, to the moonlight,
when all the earth was steeped in cobalt blue―
an eerie vase of achromatic flowers
bled silver by pale starlight, losing hue.

The night begins her waltz to waiting sunrise―
adagio, the music she now hears;
and we who in the sunlight slave for succor,
dreaming, seek communion with the spheres.
And all around the night is in crescendo,
and everywhere the stars’ bright legions form,
and here we hear the sweet incriminations
of lovers we had once to keep us warm.

And also here we find, like bled carnations,
red lips that whitened, kisses drawn to lies,
that touched us once with fierce incantations
and taught us love was prettier than wise.



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



Komm, Du ("Come, You")
by Rainer Maria Rilke
loose translation by Michael R. Burch

This was Rilke’s last poem, written ten days before his death. He died open-eyed in the arms of his doctor on December 29, 1926, in the Valmont Sanatorium, of leukemia and its complications. I had a friend who died of leukemia and he was burning up with fever in the end. I believe that is what Rilke was describing here: he was literally burning alive.

Come, you—the last one I acknowledge; return—
incurable pain searing this physical mesh.
As I burned in the spirit once, so now I burn
with you; meanwhile, you consume my flesh.

This wood that long resisted your embrace
now nourishes you; I surrender to your fury
as my gentleness mutates to hellish rage—
uncaged, wild, primal, mindless, outré.

Completely free, no longer future’s pawn,
I clambered up this crazy pyre of pain,
certain I’d never return—my heart’s reserves gone—
to become death’s nameless victim, purged by flame.

Now all I ever was must be denied.
I left my memories of my past elsewhere.
That life—my former life—remains outside.
Inside, I’m lost. Nobody knows me here.



This is my translation of the first of Rilke’s Duino Elegies. Rilke began the first Duino Elegy in 1912, as a guest of Princess Marie von Thurn und Taxis, at Duino Castle, near Trieste on the Adriatic Sea.

First Elegy
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

Who, if I objected, would hear me among the angelic orders?
For if the least One pressed me intimately against its breast,
I would be lost in its infinite Immensity!
Because beauty, which we mortals can barely endure, is the beginning of terror;
we stand awed when it benignly declines to annihilate us.
Every Angel is terrifying!

And so I restrain myself, swallowing the sound of my pitiful sobbing.
For whom may we turn to, in our desire?
Not to Angels, nor to men, and already the sentient animals are aware
that we are all aliens in this metaphorical existence.
Perhaps some tree still stands on a hillside, which we can study with our ordinary vision.
Perhaps the commonplace street still remains amid man’s fealty to materiality—
the concrete items that never destabilize.
Oh, and of course there is the night: her dark currents caress our faces ...

But whom, then, do we live for?
That longed-for but mildly disappointing presence the lonely heart so desperately desires?
Is life any less difficult for lovers?
They only use each other to avoid their appointed fates!
How can you fail to comprehend?
Fling your arms’ emptiness into this space we occupy and inhale:
may birds fill the expanded air with more intimate flying!

Yes, the springtime still requires you.
Perpetually a star waits for you to recognize it.
A wave recedes toward you from the distant past,
or as you walk beneath an open window, a violin yields virginally to your ears.
All this was preordained. But how can you incorporate it? ...
Weren't you always distracted by expectations, as if every event presaged some new beloved?
(Where can you harbor, when all these enormous strange thoughts surging within you keep
you up all night, restlessly rising and falling?)

When you are full of yearning, sing of loving women, because their passions are finite;
sing of forsaken women (and how you almost envy them)
because they could love you more purely than the ones you left gratified.

Resume the unattainable exaltation; remember: the hero survives;
even his demise was merely a stepping stone toward his latest rebirth.

But spent and exhausted Nature withdraws lovers back into herself,
as if lacking the energy to recreate them.
Have you remembered Gaspara Stampa with sufficient focus—
how any abandoned girl might be inspired by her fierce example
and might ask herself, "How can I be like her?"

Shouldn't these ancient sufferings become fruitful for us?

Shouldn’t we free ourselves from the beloved,
quivering, as the arrow endures the bowstring's tension,
so that in the snap of release it soars beyond itself?
For there is nowhere else where we can remain.

Voices! Voices!

Listen, heart, as levitating saints once listened,
until the elevating call soared them heavenward;
and yet they continued kneeling, unaware, so complete was their concentration.

Not that you could endure God's voice—far from it!

But heed the wind’s voice and the ceaseless formless message of silence:
It murmurs now of the martyred young.

Whenever you attended a church in Naples or Rome,
didn't they come quietly to address you?
And didn’t an exalted inscription impress its mission upon you
recently, on the plaque in Santa Maria Formosa?
What they require of me is that I gently remove any appearance of injustice—
which at times slightly hinders their souls from advancing.

Of course, it is endlessly strange to no longer inhabit the earth;
to relinquish customs one barely had the time to acquire;
not to see in roses and other tokens a hopeful human future;
no longer to be oneself, cradled in infinitely caring hands;
to set aside even one's own name,
forgotten as easily as a child’s broken plaything.

How strange to no longer desire one's desires!
How strange to see meanings no longer cohere, drifting off into space.
Dying is difficult and requires retrieval before one can gradually decipher eternity.

The living all err in believing the too-sharp distinctions they create themselves.

Angels (men say) don't know whether they move among the living or the dead.
The eternal current merges all ages in its maelstrom
until the voices of both realms are drowned out in its thunderous roar.

In the end, the early-departed no longer need us:
they are weaned gently from earth's agonies and ecstasies,
as children outgrow their mothers’ *******.

But we, who need such immense mysteries,
and for whom grief is so often the source of our spirit's progress—
how can we exist without them?

Is the legend of the lament for Linos meaningless—
the daring first notes of the song pierce our apathy;
then, in the interlude, when the youth, lovely as a god, has suddenly departed forever,
we experience the emptiness of the Void for the first time—
that harmony which now enraptures and comforts and aids us?



Precipice
by Michael R. Burch

for Jeremy

They will teach you to scoff at love
from the highest, windiest precipice of reason.

Do not believe them.

There is no place safe for you to fall
save into the arms of love.
save into the arms of love.



Love’s Extreme Unction
by Michael R. Burch

Lines composed during Jeremy’s first Nashville Christian football game (he played tuba), while I watched Beth watch him.

Within the intimate chapels of her eyes—
devotions, meditations, reverence.
I find in them Love’s very residence
and hearing the ardent rapture of her sighs
I prophesy beatitudes to come,
when Love like hers commands us, “All be One!”



Keywords/Tags: Rilke, elegy, elegies, angels, beauty, terror, terrifying, desire, vision, reality, heart, love, lovers, beloved, rose, saints, spirits, souls, ghosts, voices, torso, Apollo, Rodin, panther, autumn, beggar

Published as the collection "Leave Taking"

— The End —