Submit your work, meet writers and drop the ads. Become a member
AgerMCab Jan 2019
Falling in love can make me vulnerable
Vulnerable to rejection, pangs of jealousy, fear of failure
I want relationship, but are so afraid of revealing my innermost self and getting hurt if I do so
Vulnerability ended me up in shutting down intimacy

...An uncomfortable feeling

I tried to appear perfect, strong and in control
In truth it's the opposite of my everything
What if he sees me weak? Submissive? Easily hurt emotionally? Susceptible to sadness?

But if knowing that he sees and loves me for who I am and to see him in all of his vulnerabilities too and still love each other the way we do now....
Then falling in love means having the strength to face vulnerability
Then vulnerability means courage and bravery
Then vulnerability means willingness to face uncertainty, taking the risk to be fully committed with the man I truly love

Vulnerability is inevitable no matter what we do
So does falling in love also is inevitable no matter how we avoid it
Embracing vulnerability may just be one of life’s most fulfilling experience
All the more if it means connecting with the one we love

Then, with all of my vulnerabilities, I am willing to embrace my fears for as long as Im taking the risk of loving the man of my dream
Because my love for him is stronger than my vulnerabilities
winter sakuras Jul 2018
There is such a place, you know--
one that transcends time and space
and visions of what you're supposed to resemble,
and the limits placed by the digits
of your mortal age.

I can feel the presence of it
in my bones,
where the sky is never ending and liberated
and the sun and moon
can openly converse and love and exist,
without the rules of superiors
who like tragic love stories and twisted histories.

Whatever you decide to do, whatever you decide to feel,
there are no restraints
to keep you from the prospects of flying,
or dreaming,
or embracing things that you had to
let go of in another existence.

There is no fear, confusion, or awkwardness,
no doubts of not belonging,
of not deserving to exist in such a place
where your soul can be pure,
and being able to thrive
without having to try so hard
anymore.

You don't have to try anymore to
be a good person,
because you are one.
You don't have to struggle to hold on to yourself,
you don't have to feign ignorance
or enlightenment.

You can breathe and smile openly,
and every smile is so breathtakingly beautiful that
you glow and transcend above all heavens
and insecurities.

The ground is soft and supportive,
giving way to your feet, that no longer
feel so tired and heavy from having to labor to live,
or from constantly running away
from demons and voices
that tear at your conscience and soul.

No, you can now feel as light as air itself,
soft feet running on sunkissed clouds that
formed from tears of happiness.

When it rains,
you don't have to take cover
for it has already washed away all your sorrows and guilts,
guilts in the forms of hot, suppressed tears
in the failures of your lost ambitions
and stolen discoveries,
guilt from turning away, even when someone
asked you for help.

You can forever venture out here,
to unknown, misty, thriving islands and majestic palaces
far away,
you can do things you never got to do,
for you don't have to pretend
to be someone you aren't.

You don't have to live each day questioning
every single telltale of life.

You don't have to wonder anymore
about why the world can be
such a cruel place,
no matter how many rays of hope
reach into the darkness.

You don't have to wonder anymore,
because here
such misery does not exist,
and the ruins of a good soul
dance as a renewed, enlightened being again.

Above all,
you don't have to live someone else's life
because here, you find yourself
over and over
and over again.
07/09/18

The Green of this particular Nirvana is a component that allows you to love and live freely, with no restrictions or heaviness of people weighed down by the world, and themselves.

Here, you are liberated from the faults of others, and the faults of yourself in a time and place where you were ignorant and lost.

Here, there is no society to degrade you. You can exist solely in harmony with nature.

Edit: Wow, I can't believe this poem got chosen to be the Poem of the Day! I've never received so many likes, comments, and feedback on any of my poems, so I feel overwhelmed, but very happy. Thank you for taking the time to read my words; it really means alot to me <3 <3
Kuzhur Wilson Sep 2013
My poetry, which knew it was
the cry of a lonely bird
on a solitary tree
in my village,
asked Spring its name.

Spring began to speak –

The fruit laden Vayyankatha, her thorny pangs, hijab-wearing  Guf, her minarets, Thondi  blushing red with kisses,  her moist lips, orphaned Adalodakam, Nellippuli in a polka dotted dress, Pulivakawaiting for the breeze, Anjili   head towards the south, yawning Cherupuuna, Pera with the names of grandmas scribbled on her leaves, Ilantha blowing into the hearth, Ilapongu rubbing his eyes, Irippa, Atha laughing noisily,Cholavenga in tattered clothes, Irumbakam, Padappa catching his breath after running, Pattipunna wagging his tail, bare footed Pattuthali, Thekku the noblest among them, Thekkotta, Neervalam  recollecting her last birth, Neeraal, sobbing Neelakkadambu, Pathimukam, lazy thanal murikku, Karimaruthu, Karinkura, Asttumayil, Velladevaram, Kattukadukka, the gluttonous Badam, amnesiac Vazhanna, boredVarachi, Nangmaila, Eucalyptuswith a sprained back, viscous red Rakthachandanam, saffron robed Rudraksham, Vakka, Vanchi,  Parangimaavu nostalgic of his ancestral home, Vari, Nedunaar, Marotti with a hundred offsprings, Malangara, Malampunna ,Nenmeni Vaka trying his luck in a lottery, Nelli with a sour smile.

Kadaplaavu doing sketches with leaves, Kari straying from the queue, Kattuthuvara buying things on credit, Kattutheyila boiling over, Kattupunna with a pus-oozing sore, Kumkumam putting a bindi on her forehead, starving Ventheku, Vellakadambu making a missed call, Kattadi standing aloof, her feeble hands,  flowering Ilanji, her fragrant trunk, sighing Aalmaram, Pachavattil, Pachilamaram  gossiping with the chameleon, Panachi,Pamparakumbil, Kadambu memories adorning her head, Kudamaram carrying provisions for the home,  Punnappa,Poongu, gray hairedChuruli, Chuvannakil  singing a folk song, dark skinned Vattil, Kulaku, Karinjaaval, sozzled Pamparam, Chorappayir, njama, Njaaval  tempting the birds, Njaara, Alasippooscratching his palm, Ashokam  humming a sad song.

Ezhilampala chewing on a masala paan, Peenaari wearing a tie, Peelivaka, Pulichakka with a broken leg, Pezhu demanding his wages, Kumbil, Kurangaadi, Kasukka with a dislocated elbow,Valiyakaara, Vallabham, Chavandi, stunning Chinnakil , Chittal with a failed brake, Vidana, Sheemappanji, the loan shark Odukku, Oda  on musth,fatherless Kadakonna, childlessShimshapa, Sindooram with a flushed face, Karinthakara singing the thannaaro, Vellappayir high on grass, Poothilanji showing off her blossoms, sour faced Kudampuli.

Wet in the rain Kulamaavu, Kudamaavu circling around himself, Pari from the netherworld,Poopathiri in a priest’s robe,  Poochakadambu on all fours, Kulappunna covered in a blanket, Kundalappala checking his astro forecast, Pachotti, ******* Perumaram, Perumbal  thinking of the sea, phlegm clogged Anathondi, Anakkotti, Cheruthuvara, Ilavangam, Thanni,naughty Thirukkalli,  Karappongu, embracing Kattadi, Thudali, Thelli, Kara, Malayathi,Malavirinji, shameless Kashumaavu,mud slinging Karuka, Vedinal, suicide prone Attumaruthu,Attuvanchi  who glides on the stream like a fallen shadow.

Mandaram  dressed in white, Vanna, brazen Mahagani, Karivelam doing the accounts,Jakarantha, Koombala, friendless Koovalam, Kattukamuku with his hands around friends, Kolli, Paruva,Krishnanaal with a crooked smile, Cocoa with no one to turn to, Cork,Palakapayyani, Pavizhamalli wearing necklace and bangles, a lonely Mazhamaram, Mangium, Mathalam exposing her *******, Chemmaram, Pashakottamaram, Malavembu, tearful Chamatha, Vatta, Vattakoombitired of running around, smoking Pine, Porippovanam, Kaaluvnthatherakam, Thembaavu, grinningDantaputri, Narivenga, Navathi, grumbling Mazhukkanjiram,Arayanjili,  Arayal playing a game with the wind.

Choola kissing the sizzling wind, Arinelli, Maavu reciting sadly the poem Mampazham,  Chandana vembu, Peraal stretching its back, Pulivaaka, Unnam, Naythanbakam,Karpooram in a slow glow, Naaykumbil, trumpeting Pongu, outcast Pottavaaka, bursting Poriyal, vagabond Ponthavaaka, Plaavu lost in some thought, Pootham  head covered , Ethappana  greening while yellowing, Manjadi, Mullanvenga, Mullilam lifting his dhoti to expose his genitals, Mullilavu hopping around, Moongappezhu, Neermaruthu saying enough is enough, withered Neermathalam ,Moottikkay, Ithi, Ithiyaal, Vella velam, Kalppayir, Kallar, Majakkadambu singing a lullaby, Choondappana wary of fish bones.

Stooping Punna, Matti scared of her big brother, Paarijaatham watching the midnight movie, Paalakal, Paali,Paarakam doing cartwheels, Viri, Athi showing off  her seeds,Ampazhammassaging his chest, Ayani inlove with her son, Manjakkonna, Manjamandaram in search of something, Chullithi with eyes closed, Kallilavu like an oozing rock, Malamandaram eyeing the vultures,Velleetti cursing the thunder, Venga,Veppu, Vraali, Akil, sighing Acacia,Balsa, Blanka, Beedimaram with a rattling cough,  Agasthi, Cherukonna with a sheepish smile, Kambali, woundedNagamaram.

Pathiri, touching his forehead to the ground, his eyes heavenward, Ankolam ruined by debts,Kattumarotti, Kundalappala, Aattumaruthu,Poovam, Erumanaakku, Karingotta, Vediplaavu his salary still unpaid, Venmurikku, Manjanaathi, Manimaruthu jolted awake, Mathagirivembu, Karaanjili  escorting his daughter, Karakongu,Karappongu, Ilippa on her way back, Ooravu half-awake after a dream and with a sucker smile, Ennappana about to immolate himself, fattened  Ennappine,Azhantha waiting for someone, Chorapatri with a cracked head,Sheemappoola,Poovankara, Malampuli, Puli with sharpened stakes.

Obese Theettipplaavu,Malambongu, Chorimathimurikku, Irippa bailing out his friend, Irumbakamwho lost his job, Kunkumappoo, Karinthaali, Scoot, Rose Kadambu, Aamathali, Aarampuli,Attilippucaught in the crowd, Irul  blessed by the elders, Vellavatti, whistling Mula, Kattukonna in a hat, Kaniiram learning the alphabets, broker Cheru,Kattuchembakam exposing his arm pit,Thandidiyan, Neeroli, Ezhachembakam waiting for her bus, Karimbana in a newly constructed house, Karivenga,Karivali writing a poem, Ungu in a baby frock, Udi, Plasha, Elamaruthupromising to meet later, Chembakam dying to hug.

Vellakil who bathes the kids, Vellavaaka who forgot his umbrella, Attuthekku who failed the exam, lustful Aattunochi,Malanthudali with her legs spread, Malanthengu with chest ****** up,Malamanchadi who is learning to count, Malambarathi exposing her *******, intoxicated Aval, Arana reciting the poem Karuna, insane Alakku who dashes off to the temple, Cheru who cannot stop washing clothes, Kudappana ready to elope, irreligious Jaathi, Silver Oak laughing boisterously, Kattuveppu waiting for the kids, Sumami ******* on a toffee, annoyed Parappoola,frightened Pinar, Ithi stopping her ears at swear words, Ithiyal with lots of smiles, Kovidaram with music in his mind, Ilakkali showing her belly, blossoming Ilavu, Chadachi who ***** sadistically, cool fingered Chandanam.

dominating Charakkonna, office going Cheelanthi, Gulgulu glued to Kochu channel, Gulmohur with dyed hair, Irul with a fuming face, early rising Kanikonna, Kanala who has a sound sleep, Karingali  who pees standing, Kambakam with an ***** *****, Kallavi  beseeching to stuff her up, Karanjili  quivering in lust, calm Karaal, Kaari who hums while *******, Kaavalam who naps after the toil,Thannimaram showing off her petals, Thambakam kissing the ****, Thellipayar savouring a *****,Neerkurunda in post-****** languor, Malaya breastfeeding her kid, bullying Kathi, mad hat Eetti,Cheeni  not remembering his mom,  Kunnivaka showing his gums, Kuppamanja who laughs in sleep, Othalanga swallowing poison, blooming Poovarasu.

Spring went on,
reeling off names to me.
The rain the sun the wind and the cold
Rolled in one after the other.
Spring kept pulling out
names from its memory.

People got scared of
my poetry gone wild.
They stopped passing that way.

A snake goes slithering away.
A hare finds its own path and dashes away.
A poothankiri, from a bush, flies away.



(Trans from Malayalam by Ra Sh)
1.      Mampazham (Ripe Mango) is the title of a famouspoem by Vyloppilli.
2.      Karuna (Compassion) is the title of a long poemby Kumaran Asan.
3.      Poothankiri – A white headed babbler.
4.      Thanaaro - An obscene devotional song.
Ahmad Cox May 2012
Sudden embrace
Surrounding you
Sudden embrace
Feeling yourself
Feeling your space
Embracing yourself
Embracing who you are
Embracing the simple fact
That you are alive
Embracing the present
Embracing the now
Embracing your past
Embracing your path
Embracing each new moment
With each new day
Knowing
You are embraced
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
Fizza Abbas  Jun 2015
Your soul
Fizza Abbas Jun 2015
Your soul buoys up a body of mine,
leaving imperishable marks of an illusionary joy,
holding me through a lagoon of flowers,
embracing me in a verdant of sigh;
my soul becomes your captive while my body tells a lie.
Emanuel Martinez Mar 2013
Young people can you feel the suffering?

roca wear, gucci, apple, facebook, mcdonalds, apple bee's,
honda, lamborghini, harvard, Community College
american express, pnc bank, walmart

Wage Slaves, ceos, owners, lenders, renters, indebtedness
Structural dehumanization, systematic mechanization
Exploited labor feeding blood to your hungering consumerism

Young people you are embracing MISANTHROPY!

Embracing the hate of your own humanity! Why the hypocrisy?
Wealthy children, poor children
Trying for enlightenment through education

Parents garnering wealth through the oppression of their victims
Parents garnering debt through the oppression from economic inequality
Still you invest and promote the only legitimization of your being: CAPITALIST UTILITY

Capitalism engineering unrelenting misanthropy
Vicious economic system discarding humanity
Perfecting the concentration and accumulation of wealth
With the expansion of human alienation and murderous competition

Prostituting your body to labor exploitation and consumerism
Where does your wealth end up?
multinational companies? financial corporations? military arms contractors?
Loyalty lies in their pockets, backstabbing everyday tactics
Killing you through the exploitation of your body
Because they know the birth of another proletariat or bourgeoisie can replace you  

Entities, not human, how much have they bought you for so that you cannot see!!!
Beware of these misanthropic missionaries granting your body power and agency
When your body can no longer be plundered for profit you will taste tears and blood

Young people will you deliver your forefathers and fathers
From worshiping capitalist misanthropy?
March 8, 2013
Umi  May 2018
Love and Light
Umi May 2018
A single dandelion seed could turn a desert into a beautiful garden, all it needs is someone to love it and look after it ~
Because the love of light is for all to bear, it is embracing, warm and gentle, life grows out of it to rejoice it's wonderful unique touch.
Seeing the desert one should note, that light can be cruel and harsh, scorching in heat while only trying to do what's right,
Leaving behind an almost lifeless part, it becomes the kiss of death,
In the end you get lost, blinded the luminousity which was once a gift
And by the night when it covers, you lost all fear of darkness,
It already became part of what you were anyway, you didn't belong,
Without turning your back you simply let the darkness consume you,
Yet don't you see, that the nights somber appearance holds the glory of crystal starlight; a river of countless of them form the milky way,
Perhaps you are but a blossoming flower, only blooming to the kindled brightness of tonights moon, dim, yet also filled with awe,
The love of light is for all to bear, but don't overdose yourself with it,
Otherwise, it will burn you up before it leaves you rotting.

~ Umi
I decided that I will stop writing poems once I get to 161, I hope no one will miss me
Al-Farouk  Jul 2016
Eid is here.
Al-Farouk Jul 2016
Allah created the universe
With plenty of beauties
And entities
Eid being a marvel
In His creation.
Its a jubilee a jamboree
Islam golden moments.

Laughter smiles joy
Foods delicacies cuisines
Visits greetings hugs
All in this finicky day
Commemorates agitation
In our islamic entity.
Its surely a jubilee.

Eid a cheerful day
Eid be the morning star
The star that shines,
That shines in a shiny
Shining cloud
Dont you admire this?
Dont you?
I suppose it to be a jamboree.

Eid is here
Embracing do not fear
Eid is a pearl
In the shells of oyster
Rise up and liberate
Jump and hail
'Eid Mubarak'

Eid indeed a regal day
All this is ours
Ours for the taking
Ours for the loving
Ours for adorning
Amid our pride and passion
We shall slogan ourselves
'Eid Mubarak'

Eid a sheen,
Deactivate all forms of sins
Attained in all sorts of scenes
Satisfaction let it be seen
I admit that we do all sheen,
Caution we be keen.
A jamboree I incarnate.

Eid an endeavour
Allah put up this favour
Exquisite and dainty forever
This majestic day never shover
Blessings absolutely covers
Its a jubilee a jamboree
Islam sparkling moments.
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
Haydn Swan Sep 2014
Why do we feign such rapturous delight,
in pretence to others that all is alright,
what if the soul is quietly suppressed,
cloaked in darkness, hidden and repressed,

Are we ashamed to drape the veil,
to retreat into darkness and embrace the pale,
truth can be found from deep in a frown,
so why wear the clothes and tears of a clown.

© H V Swan
1
I sing the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?
And if those who defile the living are as bad as they who defile the dead?
And if the body does not do fully as much as the soul? And if the body
were not the soul, what is the soul?

2
The love of the body of man or woman balks account, the body itself
     balks account,
That of the male is perfect, and that of the female is perfect.

The expression of the face balks account,
But the expression of a well-made man appears not only in his face,
It is in his limbs and joints also, it is curiously in the joints of
     his hips and wrists,
It is in his walk, the carriage of his neck, the flex of his waist
     and knees, dress does not hide him,
The strong sweet quality he has strikes through the cotton and broadcloth,
To see him pass conveys as much as the best poem, perhaps more,
You linger to see his back, and the back of his neck and shoulder-side.

The sprawl and fulness of babes, the bosoms and heads of women, the
     folds of their dress, their style as we pass in the street, the
     contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through
     the transparent green-shine, or lies with his face up and rolls
     silently to and from the heave of the water,
The bending forward and backward of rowers in row-boats, the
     horse-man in his saddle,
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open
     dinner-kettles, and their wives waiting,
The female soothing a child, the farmer’s daughter in the garden or
     cow-yard,
The young fellow hosing corn, the sleigh-driver driving his six
     horses through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, *****,
     good-natured, native-born, out on the vacant lot at sundown
     after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and under-hold, the hair rumpled over and blinding the eyes;
The march of firemen in their own costumes, the play of masculine
     muscle through clean-setting trowsers and waist-straps,
The slow return from the fire, the pause when the bell strikes
     suddenly again, and the listening on the alert,
The natural, perfect, varied attitudes, the bent head, the curv’d
     neck and the counting;
Such-like I love—I loosen myself, pass freely, am at the mother’s
     breast with the little child,
Swim with the swimmers, wrestle with wrestlers, march in line with
     the firemen, and pause, listen, count.

3
I knew a man, a common farmer, the father of five sons,
And in them the fathers of sons, and in them the fathers of sons.

This man was a wonderful vigor, calmness, beauty of person,
The shape of his head, the pale yellow and white of his hair and
     beard, the immeasurable meaning of his black eyes, the richness
     and breadth of his manners,
These I used to go and visit him to see, he was wise also,
He was six feet tall, he was over eighty years old, his sons were
     massive, clean, bearded, tan-faced, handsome,
They and his daughters loved him, all who saw him loved him,
They did not love him by allowance, they loved him with personal
     love,
He drank water only, the blood show’d like scarlet through the
     clear-brown skin of his face,
He was a frequent gunner and fisher, he sail’d his boat himself, he
     had a fine one presented to him by a ship-joiner, he had
     fowling-pieces presented to him by men that loved him,
When he went with his five sons and many grand-sons to hunt or fish,
     you would pick him out as the most beautiful and vigorous of
     the gang,
You would wish long and long to be with him, you would wish to sit
     by him in the boat that you and he might touch each other.

4
I have perceiv’d that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is enough,
To pass among them or touch any one, or rest my arm ever so lightly round
     his or her neck for a moment, what is this then?
I do not ask any more delight, I
     swim in it as in a sea.
There is something in staying close to men and women and looking on them,
     and in the contact and odor of them, that pleases the soul well,
All things please the soul, but these please the soul well.

5
This is the female form,
A divine nimbus exhales from it from head to foot,
It attracts with fierce undeniable attraction,
I am drawn by its breath as if I were no more than a helpless vapor,
     all falls aside but myself and it,
Books, art, religion, time, the visible and solid earth, and what
     was expected of heaven or fear’d of hell, are now consumed,
Mad filaments, ungovernable shoots play out of it, the response
     likewise ungovernable,
Hair, *****, hips, bend of legs, negligent falling hands all
     diffused, mine too diffused,
Ebb stung by the flow and flow stung by the ebb, love-flesh swelling
     and deliciously aching,
Limitless limpid jets of love hot and enormous, quivering jelly of
     love, white-blow and delirious nice,
Bridegroom night of love working surely and softly into the
     prostrate dawn,
Undulating into the willing and yielding day,
Lost in the cleave of the clasping and sweet-flesh’d day.

This the nucleus—after the child is born of woman, man is born
     of woman,
This the bath of birth, this the merge of small and large, and the
     outlet again.

Be not ashamed women, your privilege encloses the rest, and is the
     exit of the rest,
You are the gates of the body, and you are the gates of the soul.

The female contains all qualities and tempers them,
She is in her place and moves with perfect balance,
She is all things duly veil’d, she is both passive and active,
She is to conceive daughters as well as sons, and sons as well as
     daughters.

As I see my soul reflected in Nature,
As I see through a mist, One with inexpressible completeness,
     sanity, beauty,
See the bent head and arms folded over the breast, the Female I see.

6
The male is not less the soul nor more, he too is in his place,
He too is all qualities, he is action and power,
The flush of the known universe is in him,
Scorn becomes him well, and appetite and defiance become him well,
The wildest largest passions, bliss that is utmost, sorrow that is
     utmost become him well, pride is for him,
The full-spread pride of man is calming and excellent to the soul,
Knowledge becomes him, he likes it always, he brings every thing to
     the test of himself,
Whatever the survey, whatever the sea and the sail he strikes
     soundings at last only here,
(Where else does he strike soundings except here?)

The man’s body is sacred and the woman’s body is sacred,
No matter who it is, it is sacred—is it the meanest one in the
     laborers’ gang?
Is it one of the dull-faced immigrants just landed on the wharf?
Each belongs here or anywhere just as much as the well-off, just as
     much as you,
Each has his or her place in the procession.

(All is a procession,
The universe is a procession with measured and perfect motion.)

Do you know so much yourself that you call the meanest ignorant?
Do you suppose you have a right to a good sight, and he or she has
     no right to a sight?
Do you think matter has cohered together from its diffuse float, and
     the soil is on the surface, and water runs and vegetation sprouts,
For you only, and not for him and her?

7
A man’s body at auction,
(For before the war I often go to the slave-mart and watch the sale,)
I help the auctioneer, the sloven does not half know his business.

Gentlemen look on this wonder,
Whatever the bids of the bidders they cannot be high enough for it,
For it the globe lay preparing quintillions of years without one animal or plant,
For it the revolving cycles truly and steadily roll’d.

In this head the all-baffling brain,
In it and below it the makings of heroes.

Examine these limbs, red, black, or white, they are cunning in tendon and nerve,
They shall be stript that you may see them.
Exquisite senses, life-lit eyes, pluck, volition,
Flakes of breast-muscle, pliant backbone and neck, flesh not flabby, good-sized
     arms and legs,
And wonders within there yet.

Within there runs blood,
The same old blood! the same red-running blood!
There swells and jets a heart, there all passions, desires, reachings,
     aspirations,
(Do you think they are not there because they are not express’d in
     parlors and lecture-rooms?)

This is not only one man, this the father of those who shall be fathers
     in their turns,
In him the start of populous states and rich republics,
Of him countless immortal lives with countless embodiments and enjoyments.

How do you know who shall come from the offspring of his offspring
     through the centuries?
(Who might you find you have come from yourself, if you could trace
     back through the centuries?)

8
A woman’s body at auction,
She too is not only herself, she is the teeming mother of mothers,
She is the bearer of them that shall grow and be mates to the mothers.

Have you ever loved the body of a woman?
Have you ever loved the body of a man?
Do you not see that these are exactly the same to all in all nations and
     times all over the earth?

If any thing is sacred the human body is sacred,
And the glory and sweet of a man is the token of manhood untainted,
And in man or woman a clean, strong, firm-fibred body, is more beautiful
     than the most beautiful face.
Have you seen the fool that corrupted his own live body? or the fool
     that corrupted her own live body?
For they do not conceal themselves, and cannot conceal themselves.

9
O my body! I dare not desert the likes of you in other men and women,
     nor the likes of the parts of you,
I believe the likes of you are to stand or fall with the likes of the
     soul, (and that they are the soul,)
I believe the likes of you shall stand or fall with my poems, and
     that they are my poems,
Man’s, woman’s, child, youth’s, wife’s, husband’s, mother’s,
     father’s, young man’s, young woman’s poems,
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or
     sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the
     jaw-hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders, and the
    ample side-round of the chest,
Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones,
Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger,
     finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-side,
Ribs, belly, backbone, joints of the backbone,
Hips, hip-sockets, hip-strength, inward and outward round, man-*****, man-root,
Strong set of thighs, well carrying the trunk above,
Leg-fibres, knee, knee-pan, upper-leg, under-leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel;
All attitudes, all the shapeliness, all the belongings of my or your body
     or of any one’s body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame,
Sympathies, heart-valves, palate-valves, sexuality, maternity,
Womanhood, and all that is a woman, and the man that comes from woman,
The womb, the teats, *******, breast-milk, tears, laughter, weeping,
     love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving and
     tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sunburnt shade, freckles, hair,
The curious sympathy one feels when feeling with the hand the naked
     meat of the body,
The circling rivers the breath, and breathing it in and out,
The beauty of the waist, and thence of the hips, and thence downward
     toward the knees,
The thin red jellies within you or within me, the bones and the
     marrow in the bones,
The exquisite realization of health;
O I say these are not the parts and poems of the body only, but of
     the soul,
O I say now these are the soul!
BianchiBlue  Nov 2014
Seasons
BianchiBlue Nov 2014
His love
is the winter  
solstice, mounting  
the top of her world
where  
her love  
is the summer  
equinox, embracing  
the basis  
of his
Next page