Our parents are always telling us , you have to go to school, that you'll learn everything you need to know before you're ready for the big world, and that'll you need it to get into your dream job

But now a days our education isn't about learning, its about passing
Our education now isn't the same as it used to be

It teaches us that if you're not at a certain grade level, you will not succeed
That if you don't meet a certain criteria, maybe you're not for fit the course

This education system doesn't teach us whats really important for the big world

It doesn't teach us how to live, how to do taxes or how to survive

It never taught us the living expenses or how to buy a home
Never taught us what to expect once we leave for college or how to balance our schedules

No. It only taught us homework, about a plant cell, about tangents and circumferences

It taught us that homework is more important than family
That it's more important than being a kid and having a life

It taught us that if you spend time with loved once and didn't do your work, you're setting yourself up for failure

They pile us with work it feels like we cant breath
They never once thought of the other class assignments that must be due not even 24 hours later

They make us memorise things that will no longer be important when we apply for a job

We study for hours in hopes to pass that final test that we'll soon forget

But what are we suppose to say when someone asks us how we're feeling?
We were never taught that
We never memorised an equation to help us find the answer
We were only ever taught to keep our mouths shut and do our work

Its quite funny what we learn in school now
Things more than 80% of the students will never have to use let alone see again

School was suppose to prepare us for our future
For the job choice we pick

Instead we meet and learned quadratics and plant cells
We were taught homework is what your focus should always be on

We were never taught about the future and what to do

And most importantly
We were never taught how to love ourselves and the things we should be greatful for

They've turn us into sad, mindless robots that's are more concerned about grades and passing than whats going on with the family

We lock ourselves in our rooms doing homework for 6 hours than talking to our mothers or fathers who wonder about us

We were never taught the importance of family before it was too late

Every single highschool student wishes they can turn back the clocks, but it'll never work

We were taught the hard way that you don't really know what you have until its gone
Something we weren't prepared for

They never prepared us for the future
Instead, we prepare our self for the possible failing outcome

How are we suppose to make a living for ourselves when all we have learned was the stress over homework and family?
The depression over a failed test or assignment?
The lost feeling of the lost time?

How are we suppose to love ourselves when all we do is put yourself down because of school?

This education system never prepared us for anything
Instead, this education system officially has broken all of us.

when marco polo sailed to china,
kublai khan was the emperor of china.

or what other privilege can i speak of, if not that celebration
of the bilingual, there rooted, the sword in slavic
and the sheath in pseudo-Germanic;
for what violence is to come
it will always retract in the Germanic
for a time-period of two-faced thespian
pleasantries,
           without the need for pleasantries
already waiting bloodthirsty,
        as said, the common motto
more true now with ***** farms of turnip
donors than ever before,
science has become arrogant, almost religiously,
it's arrogant, it's arrogant, it's arrogant,
and because it's arrogant: it's blind.
       high expectations for words so grand they
fathomed nations to be used in between
kettles, teacups, knives, forks and napkins...
where's the equilibrium economy?
     well, for one this sort of work is deemed "work",
intellectualism is nothing in the post-Germanic
world of English and Americanism -
if you ain't singing (citing the motto): you
ain't thinking... for the quick buck, doctor.
it's sad and almost revealing,
          a cursed fate of our fathers' indentation
on the world...
                 you don't grow a beard to look smart
while holding a book using your upper-body
to wriggle the jig of a song, the vanity of having
a double chin...
       the principle of ensō is to have things intact,
ensō doesn't exist outside of poetry,
      you don't drink coffee in between and
then flick to a sitcom for a "creative" break
to what is: an already generic narrative.
prose is the excess of narration, there are sparks
along the way, but nothing as convincing
as Stendhal's omnus...
                and could i have simply abandoned
that quasi-epic poem of mine that's two days old?
only having realised that all said things prior
and now, subsequently, after are instilled within
the ensō principle that's less axe on the gallows:
and more guillotine; which translates into
symbols and the effectiveness of *less is more,
what's the standardising canvas? alcohol,
i.e. proof.
               a poem can be nearing 100% proof,
something you'd use in a surgical theatre...
i have drank spirits in the 90 - 99% range...
          a poem can be considered to be in the >50%
range... after all... people are able to memorise
poems, or are intended to do so -
which is hard to conceive the Koranic attitude
toward poets, the Koran states an abhorrence
towards poets, in some surah of so-and-so number...
my problem is with the Hafiz: people who memorise
the Quran... as suggested from the above:
prose literature can be considered to be in the <50%
range... hence the need to extract spoilers /
quotes from prose books... something memorable...
and because prose is laden with too much
narrative lead, it sinks to the bottom,
into the unconscious, and is only revised within
dreams, when something synonymously-parallel
happens to us in your daily-narrated lives:
we are more prone to narrate than think
in terms of Jefferson and the light-bulb...
i wish i had the encyclopedic reference point where
the Quran explicitly states hostility toward
poetry... but thankfully the mere existence of
the Hafiz undermines the Quran as: the poetry
to end all poetry; and where does Stendhal
come into this? in the Red & the Black, the protagonist
is also a "Hafiz", in that he can recite the entire
Biblical text: by heart. i retain the this fact even
though the days spent reading that book
extended to many hours on the bus to school...
Julien Sorel / Ewan McGregor (in the realisation
of the book onto the screen)...
if the Quran attacks poets for their fickle-mindedness
i can only say: the mind is very literally fickle
in the first place, given:
a. the number of choices we can make, and
   b. the reversal of where the mind is embedded,
i.e. in the brain, and given the brain's complexity
and foundation in polymathic expressions
from the gymnastics of trivia, to the labours of
  singled-out interests... poets aren't fickle
  minded because they're poets,
   we're universally fickle minded, because the mind
is a fickle thing in the first place...
  to counter the complexity of the brain,
    only when the mind is found migrating into
the ******* region or the heart is there any sense
of determination to be seen...
clearly Muhammad migrated from the brain
   got himself a mini-harem and established a family,
****** Ali over on an empty promise and
immediately established a schism that took much
longer to be established in Christianity...
       i told you: my prejudices are personal,
they're not environment, i did have Muslim "friends",
i did read the Quran and i did sit in a Reagent's Park
mosque in my socks looking at the feng shui
minimalism... obviously the schism would come
from the place where a major element was used
in dressing up the mosques... persian carpets...
   and the fact that the Farsi loved their poetry...
the fact that the Quran is to be sang is basically
one poet, telling all others poets to come:
YOUR WORK IS ****!
                     that's feeble, esp. if you take the sword
out after when people tell you no.
   but that's what i don't understand, if the Quran
is so against poetry, doesn't the existence of
the Hafiz mean that it actually is poetry?
  could you find a team of such plonkers to memorise
a single chapter of Tolstoy's war & peace?
  i ******* well doubt it...
plus the whole mono-lingual attitude toward it
means for me to argue certain points with some
Sheikh Ali-Baba would means years lost
   to hark out a word of arabic...
      point being, any chance to learn a new optical
encoding of sounds is impossible,
the one i already have has eroded such a potential:
plus the fact that it's so different...
plus i spotted some anomalies in the system i'm
using: here's it's saying java, .dos, linux...
               oh don't feel left out from the computer
programming community: turn the cheek and
say in robo-slo-mo: psi-borg     (Ψ-borg):
it's the crucifix of the psychology community anyway (Ψ)...    
        i inherited the difference between
   s & ś                         a & ą -
or as one ironic German phrasing had it, a long long
time ago on a Catholic retreat in the south of France
(Taizé): vey didn't oonderstand my good Inglish aacent,
you know how Arnie sounds, right?
just like that... became the running joke for a few years...
you basically learn an accent having spotted
  diacritical markings... having been raised in
a phonetic-realm where diacritical marks are used,
and then growing up in a phonetic-realm where
they are completely disregarded... well,
it's not hard not sound English and then lurking
in the shadows if someone is calling your ethnic origin
as vermin... having such a kind remark as this one
to further the entertainment... i heard
that in America there's that thing called "white-privilege",
and that you can't be racist to a white person
if you're a white person... well... you won't be getting
any jazz and blues out of me sweetiepie, that's for sure:
politics, unfortunately; and what better way
to state politics than with poetry, or the tact within
poetry: telling someone to go to hell with them
anticipating the trip.

it's largely based on the introduction, drunk poetry of Bob Dylan's blonde on blonde, or Dave Bowie's heathen albums that can be treated as fully-loaded novels with missing charting song, you can champ the narratives akin to nearing ancient symphonies making Nietzsche more of a German Chopin than an idea formation, excusing himself with too maxims; yep, Bob Dylan's blonde on blonde given Nick Hornby's care for the music in what's a fluke of care for piquant fidelity, country and blues, bought at a supermarket; or avoid both and head straight for Ticlah's si hecho palante.

for some strange reason i woke up early,
usually i miss the morning staying up
till 5 or 6 a.m., like a vampire scared of sunrise,
winter is my most productive period,
summer my least productive,
spring and autumn are seasons when
magic happens, just today the oak tree was
brushing away its flowery bloom
before the fat yoke of chestnuts would fall
a few months later, the spring bloom
of pink or white was already tailored for
the excess greenery of summer, over a period
of two days the flowers withered and
the green leaves appeared.
she once complimented on my cooking skills
and my taste of music, notably *tool,
i first met her when we got together in the
student flats and two girls were *******-up
frying pancakes... the dough stuck to the
frying-pan... so i said 'you need to put some
oil into the mixture!' hey presto a Michelin star
on my attire rather than Victoria's crux
of a soldier... that's how it goes with philosophy
nothing pompous i promise you,
Plato misquoted Socrates talking about
looking funny at men who sought brothel comforts
(the norm in Amsterdam, no guilt, no tabloid spice,
o.k. o.k. Leo Getz style, 'it's like going to the gym,
she was South American, plump, she had a little nergo
boy fetch beers for her clients, she kept the window
open so passersbys could hear her moan after laughing
at my addressing her genitalia with may i taste the fleshy
floral patterns? ah ****, didn't work, you get to write
about *** and it just ends up a string of cliché
like philosophy and the maxim - prostitutes and the
Gemini lips, try kissing both at the same time);
i'd be funny-looking at the other route of philosophers,
mainly through the army, i'm all lazy eye cross-eyed with
those *******... (i do "pending" interludes since
with drunk finger playing the keyboard i tend to
delete by accident about 1 poem for each 10, heartbreaking
experience) - lost the drift, i must be in Birmingham:
no river... no flow. standard model always included
rivers for people congregating, in the countryside
a church would be enough, but for urbanity a river...
this phenomenon of canal cities like Venice is
truly staggering, call it the Maldives of the west,
the Maldives of Europe, 100 years from now
it will probably be more than a Glastonbury fashion
statement of donning farmer John's galoshes.
i've lost the plot... fun-*******-tastic!
oh yeah, the pancakes... well after falling in love
with organic experiments i learnt to love cuisine,
well d'uh cooking, my flatmate just cooked risotto
after risotto until i started pulling rice grains from my nose...
esters and perfumes, the smelly ****, like pickled cabbage,
the grand joke of british asians...
yeah sauerkraut and chicken escalopes are the grand
joke, although try shoving asian spices under your
armpits and you'll be walking the catwalk of Versace for
sure (hey man, stick has two ends!)...
it's an escalope and that's hardly the profanity of
a chicken Kiev, also called a schnitzel... but not schabowy...
you know there's this great aesthetic joke concerning
polish graffiti about the orthography of ****** / phallus
in poland? yep, the variations: huj, hój, chuj, chój...
technically they all sound the same,
they're found next to the anarchists' A and swastikas
on communist apartments.
she wanted so so much, i was at the end of the third year,
and there she is, moving out of her student accommodation
to live with me in my private flat (rented)...
i mean, great... but i'm about to sit my final exams
to get a piece of paper telling others i'm qualified...
what a ******* mess: i know a 3rd of examinable material
i was studying i'll fail, physical chemistry is not my
strong point, organic i can ace, inorganic i can do well on...
but she's there, full-on intense teen... it's a juggling
act that requires a clown, rather than a man,
i'm not saying i'm perfect, but there's too much idealism
in her that requires a hefty stash of pecunia bratus
(money trees)... ah i wish, but had i wished it
i would be writing such uninhibited poems...
up-to-speed... on today's menu!
that's the culinary abhorrence of poetry, remembering
ingredients in recipes rather than rhymes,
for example Thai green curry, and the ***** curry,
the former with spoonful of green Thai sauce to replace
the use of lemongrass, and lime leaves,
actually the limes we replaced with lemons,
the Thai sauce was added, the garlic & ginger paste used,
onions, mangetout added last to add a crispness on the bite,
new potatoes avoided, half a jar of Thai green curry paste,
Thai fish sauce, not salty enough soya sauce was added
(both light and dark), coconut milk of course, caster sugar,
chicken (well, d'uh), basil... yes... basil! lemon zest
and rice, chilli powder!
the second curry involved: cumin seeds, fennel seeds,
a cinnamon stick, garam masala, chilli powder,
turmeric, chopped tomatoes, sugar, chicken stock,
chopped coriander... all in all this is a culinary attack
of poetry, it's not clearly an ancient revenge,
but when i was younger i was instructed to memorise
a poem, aged circa 7... the poem in question was
school bell, i didn't get why we had to memorise it,
it wasn't anything spectacular, i protested,
gave an oath in swear words against my classmates,
got told off... culinary principles invoke the need
to memorise recipes rather than poems,
curbing the influence of fast-food outlets...
i rather remember the ingredient lists of dishes than poems...
indeed i did make these dishes today,
but only because i switched the radio off
and inserted bought art into the device:
Tom Petty's and the Heartbreaker's greatest hits
and !!!'s (chk chk chk's) myth takes album.

from the simple email, to now a pitch-perfect complication
of the internet - no performance poetry found here -
performance meaning singing, meaning cascade of rhymes
to help you memorise sentences and shake your hands
about - ekphrasis (εκφρασις) - performance stand-up
but not stand-out - i'm not complaining, i'm just feeling
the fear and loathing too - or according to M. Schmidt (
no, not Martin Schmitt, the ski-jumper, but then again
the two seem almost indistinguishable when said -
counter e.g. gnome - 'nome and schmi'dt'dt'dt'tt stutter
at the end of words rather than at the beginning before
the dam gates open for the word to flow out from).
besides the point, can you imagine Kant using the phrase
a fortiori in his work that uses only a priori and
a posteriori? i only came across it today - but given
the big *** systematic approaches, you'd find it hard
to squeeze in a fortiori into the complex narrative -
an entire blackboard of mathematical proof concerning
disallowing the end product to be ∞: in philosophy that means
explaining something on a universal basis, the entire human
concern for things said, things done, things owned -
inserting the term a fortiori where once came a priori
would be a disaster for the Kantian narrative, he'd
have to write another critique all on its own to insert that phrase
among a complete systematisation of that phrase -
well the funny thing is, this expression goes in line with that
i observed about left and right, hands eyes whatever -
indefinite a- and the definite -the articles and then an ism -
i sometimes feel funny or at least embarrassed that i keep
repeating this notice from time to time -
but you would expect me to include gravity too,
or how i used to be a flower thief in spring bordering
on winter, plucking the eager flowers in the frost around
the countryside - well, i revived that practice today,
plucked two stalks of lavender (they were pinching my
nose when i walked past with a beer) and something
resembling lavender... google-moment... if only they
created apps that could tell you what flower it is you're
trying to identify, search engine impromptu -
well... it's either a coin-toss between
summersweet (clethra alnifolia) or butterfly bush
(buddleia davidii) - but it could be something else -
cigarette, beer and sniffing lavender, just my kind of night -
i swear to god i once drank a lavender-flavoured beer,
or cider... i can't remember -
but by definition, when i look at philosophy books i feel
they're much too bound to something said earlier
and followed by something to support it -
or in the case of a fortiori the expanded-upon basics,
i.e.: from a / the stronger (thing) - which means
it's a dual-carriage way of saying what you want to say:
from a stronger thing - from the stronger thing -
in real life that's like: what we get from a telescope,
or? what we get from a microscope -
stars aplenty - G-Rex 5571 in the Zodiac constellation,
U80802Z from the constellation of Poseidon -
i mean, flimsy answers - sky's the limit - then
the azure cage hovers over us during the day and
we turn to daydreams packing apples into crates -
telescope: oh airy-fairy, somewhere far far away -
microscope: got that needle and thread with you?
well, whatever we have, we know that our minds are
not build for the omni- affix when affixed to anything,
esp. god. Jews never bothered with it - there are just
as many necessary limitations of a deity as there are
as many unnecessary limitations of our freedoms -
that's how you move away from big ideas and narratives
of a Kant, with his chequers of analytic / synthetic
a priori / a posteriori and concern yourself with
knives (indefinite) and scissors (definite) articulation of
language - hell, we can go down the road much further
and say something about indirect and direct articles -
pronouns are the prime subscribers -
you wouldn't talk to a Jihadi directly as you'd talk about
him indirectly - i shared that curiosity with a local
stranger-mate in a park once walking his dog,
an ex-banker - those boom-bomb boys are being prescribed
the same thing that the Lufftwaffe pilots were prescribed
(pervitin) - but i doubt they got their hands on the pure
medical stuff, they're probably on amphetamines...
oh the R.A.F.? yeah, drunk like skunks.
but just imagine rewriting the Critique with a fortiori
and a infirmiori - disobeying "correct" definition,
as already mentioned the pronouns composed from
articles, as in condensed to indistinguishable parameters -
a fortiori - from something stronger            -
             a infirmiori - from something weaker -
(as already stated, the original definition of
  a fortiori was - from a / the stronger [thing]) -
so the articles disappear and couple themselves to the word
thing (word meaning, no grammatical classification is
really necessary, because if grammatically classified it would
be too obstructive) - but because of this lack of
grammatical classification of the word thing,
we are already associating the definitions via only the
indefinite pronoun - rather than a definite pronoun (i.e. nothing),
it would be pointless to write definitions using a definite
pronoun - well, up to a point, i suppose that
suggesting both a fortiori and a infirmiori to be defined
as: from nothing stronger and / or weaker we can create
a self-mechanistic-propeller, a way of self-overcoming that
in the end arrives as self-knowledge, obviously the
ultimate purpose - and this goes against all solipsistic despair,
as it also goes against making too many comparisons
with others, some who are weaker than us, and some who
are stronger than us - for the stronger will make light
of one set of propositions as the weaker will make light
of another set of propositions to suit their demands -
this can only be seen in light of Kantian-Darwinism,
survival of the fittest and what not -
Kant had in mind something simply said historically in
a condensed sphere of reality, Darwinism kinda did away
with historical realism, soon after the English Renaissance
after the second world war, Darwinism picked up again,
as a way to shut off the murk of the Holocaust -
Elvis did his bit, the Beatles too, but once the imagination
dried up, people decided they wanted to travel back
in time to 10,000 B.C. - and you think artistic expression
will end up a concept prog rock album, or a cute 3 minute
synthesizer song while M.T.V. turns into a 16 year old's
******* of a baby? i'm going keep the acronym, and instead
call it MORAL TELEVISION, or? how to buy a ******
or pull out early - but obviously i'd get a wisecrack comeback
from Juno - see a preacher man anywhere around here?
Kantian algebraic (big words, small people, Belgian waffles
too):                                                    ­              a. / s. after
                                           (event) x.
a. / s. prior
                                     what qualifies?
                                    - historical hindsight -
                                    - the current historical catalyst(s),
        THE BIG BANG... or as i like to call our current history,
an interchange on the words: BIG BANG BLACK HOLE...
BANG A ******* HOLE... get a BIG CLOCK...
******* HOLE... which is what it looks like at night...
two catalysts overall - and boy we're speeding
to Groundhog day - the biggest changes in history were
some celebrity's haircut - that's relative to
what happened when the Treaty of Versailles was signed;
BIG HOLE BLACK BANG (and that's thanks to dark matter) -
but to be honest, if i'm given only these two historical
vectors to work with... i'm not surprised so many
Islamic youths are disfranchised, choosing a third,
Jannah - it seems like a natural thinking process that
will never make it into popular media -
just thinking about it probably warms the heart,
obviously to an extremely violent end -
but this is gone way beyond the heliocentric and
geocentric arguments - because up there, where you
can see the earth where the hell is Copernican East
or Copernican West? it's nice to know that the earth
isn't flat... but that won't help you reaching the Panama
Canal from Portugal... will it?!

having applied myself to two languages with different parameters of execution: writing in primarily in English, reading fiction and poetry primarily in English enabled me to gain strength in reading philosophy and conjuring up white-rabbits from a top-hat in Polnisch - i can't read philosophy in English - which explains why few interests in philosophy exist - the English have undermined the worth of philosophy, oh sure, David Hume is the rave in Scotland, because he's Scottish - but the English took to solely understanding the world via Darwinism - image deciphering accounts of how the natural order of things is attached to inanimate materials propelled by falling apples - the continental procedure is less concerning Darwinism and more akin to a mental fashion statement, as in: what's vogue these days? what's the cognitive vogue? the English "philosophers" with their rigid Darwinism are like priests - which is why they attracted biblical literal interpretation - the creationists - there's no other explanation why the creationists emerged - it was because of militant atheism, atheism without individual originality - invoked by a sense of herding the sheep to the grazing hills of nihilism - the pillar that became the crutch - of course i admire and know it's true - no Genesis story that's merely a p.s. in history is ever going to undermine the naturalist's fascination with the world in every minute detail - i'm not against that... but at this moment i was thinking of a cult idea for a naturalist - take a pornographic movie, and give it to a naturalist to assess - after all... we're just mammals - i think this could turn out to be a real daytrip for a naturalist - oh sure, it must be ease with organism that apparently do not derive any pleasure from procreation... give two beings that apparently do derive pleasure from procreation... to later debase it with the malignant forces at work in the Encyclopedia that's 120 days of *****... the naturalist narrating a pornographic scene would be bewildered as to why these highly evolved creatures are exponentially higher-up the tiers of evolution, needing so many complex adaptive techniques - boredom for one, people have created more distractions than they have created tools of necessity - but perhaps they're equal - our evolutionary drive? the thing that makes us tick is not necessarily physical discomfort - we exercise for the pleasure of physical discomfort - the drive is boredom, the fear of it drives us mad with constant ingenuity taking form - like a ballerina in a salsa bar... sadism in the aura of hot-sweat-and-coconut-***-shaking as if playing dice in Las Vegas... Don Quixote (the ballet on three days away)... we're done with the empirical satisfaction of Darwinism, we know it, we need a humanistic approach to it, something that goes against the English priesthood - Darwinism will never be vogue in continent Europe, continent Europeans just say: Egyptology is as far back as is necessary to go... our lives are more important and more complex than those of primates... our lives are more important and more complex than those of primates... we want to write history, not look at history as a burden and therefore try to erase it, placing ourselves in a garden of awe and glass; honestly? Darwinism is a bit like creationism - it all starts with a garden, awe, and the grand spectacle - only the other includes a need to procrastinate by doing some ritualistic mumble and Hosanna Hallelujah in the highest - and the other tries not to yawn.

so onto my favourite topic... rich boy's slang -
do you really think a *prince of Egypt would speak
slave tongue Hebraic?
do you think **** & 'arry could speak Bulgarian
or Romanian? let me think... no.
they might speak French... maybe German...
but certainly not the eastern tongues -
now, whoever wrote that book wrote it in ancient
Egyptian, the chronologically speaking
yes, female genital mutilation was practised first
in Africa, notably Egypt, prior to male genital
mutilation being instigated by frustrated Abraham -
the collision was bound to happen -
see how pretty prince slang looks?
it's poetic - the rich boys call it poetry, the poor
boys call slang - which is why poor boy raps
and over uses rhyme - or perhaps rhyme is easier
to remember than free verse poetry -
rich boy brings a page on stage and recites because
he's too lazy or not bothered to memorise,
poor boy says yeah a lot in between his lyrics
without a page so he can the the bowling aisle
movement as if he's rolling in a convertible Cadillac -
sing ***! yo! ***! yo! so the chronology matches,
Eve first, Adam second - but not as in: they did it first -
later down the line they cut off the precious skin
and hence felt naked, they fell, they revised was not
to be revised - sure, the man got the favour right -
he was the winner - but at the same time, the loser -
hence the good & evil bit - we don't really know -
is it really necessary to have good *** to later have
a fickle partner and laws being in her favour via what's
called the missed prenup thought? to me it's just a literal
reading of the text - looking for laurel leaves to cover
the revision of the genitalia - not the actual genitalia per se,
just the revised versions - so if the female variation is
whatever it is - less pleasure from *** and what not,
for man that also means counting the stars and weeks
and having no pleasure from ******* when her period
arrives and you have to try a diet of **** or something -
well of course it's slightly uncomfortable with it -
but at the same time you increase your endurance with it -
a slight sadomasochism, no whips no ******* women,
no leather, no adventure, just raw meat and raw meat -
no fantasy no role play - just a little bit of skin making all
the difference - can you imagine Marquis de Sade writing
as frankly as this? well... every time i revise my thought
on the book of genesis, i obviously become a covert literal
reader of it, deciphering the eloquent slang of a prince of
Egypt would use on such "delicate" matters -
but with that being said: it becomes all the less fascinating
a myth-making engine, and given he was forced out of
his comfort zone (and i mean a comfort zone) he would
cite God as the word (reason), but by word alone and
the word only - the reasoning behind what entered the land
of Egypt as being the same as what entered the Garden
of Eden... and tempted... the temptation came with the pyramids -
oddly enough only the Eiffel Tower was higher than
the pyramids - look at the time it took man to become so bold again!
look at it! massive - and in some weird quantum physics
interpretation of the mythological past becoming the actual
future - the tower of Babel... and... yep, you guessed it:
the Burj Khalifa (or the Khalifa Tower) is its equivalent;
but ****, only the Eiffel Tower overshadowed the pyramids -
something must have happened back then then,
if man was so shy in rising his structures too far up into
the sky - but i guess the Enlightenment spurred him on...
later to crash back down with the atom phobia of the second
part of the 20th century, which in the 21st century morphed into:
well, how will wars be profitable if we drop a nuke?
e'oh! no, sorry, one nuke will make us bankrupt -
we need tanks, guns, bullets... huge bulks of them!
stockpiling nukes ended up a bit like stockpiling too much...
ah crap... don't have a good analogy - just started thinking
of a desert of sugar - sugar dunes... imagining a desert
like that... well, partially true - with the Arabs not drinking
alcohol and eating too many sweets, diabetic amputees throughout
the desert land.

in this world of the limped nuptial
i’ve appeared as a power-missile of the lac-dye
that is used by the hindu women
to paint the border of their feet

the tooth-ache of some-one pumpkin
that grows on the thatched roof of a hut
has wringed spirally  
my mythological birth with corporate death

managing and arranging  my thoughts
on what I was in the past
what I would be in the future
or what is my dos at present  
the wonder-paintings of the altamira cave
unfolds its wings beside my painful in-growing nail

and in her own sky of miss marry  
my hands become so much condensed in every drops
as if within that moping smog
without any speech
speaks the twinkle twinkle little star…

beside  that labour pain what awakes then
is the patronage of a one-horned idea
along which while walking  without much preparation
i can enter into any e-mail

though our love pulls a very long-face about itself
and in the opinion of the married women
the sigh of the sin θ of our love wants to cultivate
mustered-seeds on the soil of the inhabitants
of this human-life
with a stick by which the monkeys are driven out
what more can i say in lieu of
a piece of red-salute written in green ink

if i say in the dawn of the 52-cards
i touch your face
by the hands of a school-boy
your calmness and earthly perfume
make me stunned

then in this field of sweat and war
the explosion of logic and intellect
of your top-floor
seems more famous anchor than the milk
that spilt over on the fire

and more to say
when daubing all over the body
all taste of the path of joy
enter into then fort of gold you can notice there
when in some unknown moment
my pajama dies socially
by the bite of the snails and oysters

to keep the heart of the break-kiln always move
this form-less interactions are so well
in the harvest-arrangement of the late-autumn
we are all uttering the name of cherry-flower
and begging shelter from the mango leaves

the cause of spreading over of the fragrance
from our secret myrobalan to every side of the pillows
is not only such that in the morning
an empty ink-*** says to the rain-water
you are beautiful

it is also remarkable that
coming to our half-articulated  travelling
the writings carved on the granite stone
become very much ashamed also

and  taking the busy market-price of the sun-glass
in the fold of the **** cloth tied at the waist
my both hands are also marked very much
in the omnibus of the dancing-bar

such is just because it is the art and science of navigation
that pastes some earth-wave
having no number-plate
with the public
rolling down  on the mat of the summer

it is impossible
to memorise the history of  those
so much contended-hunger
so much contended-sleep

it is all right that the staff-members
of our vibgyr university are all alive  
but they are the existence of some
bio-data only

arrangement of so much smiles and tears
in the nomenclature of banana-bed of mrs sofia
is not to tell the directionlessness of her fishery products
but if the culture of the wild trees assuming figure
then there remains no separate entity of the rbcs
inside or inside-up of the veins and arteries

all are the world of cosmetic-surgery
all are the arena of displaced national integrity
that is the only way to get admitted
into the still water of the horse-race

so the making of this self-portrait of the tip-cat game
by own-hand
so is the fancy of the engagement ring of the bursar

as a result of the headache in the au fait knee-joint
all the rats on the rice-*** of margaret  
become very angry
and when they make their performance  
you can’t catch them by extending your hands

so there is this sky-blue printed sari of desdemona
now take refuge under her perfumed disaster
and it is feared that there may be the drops of sweat
on the lobes of her nose extremely devoted
that the trees become to reside in

how much confusing is that cascade
in each of whose earings the dark fortnight
and whose eden garden is so large
that all those  people with crevasses dwell there

they stay in a group of nine
neither eight nor ten
just n for 9
n is also meant for the nancy
and the narcissus
and the sensational appearance of the
nereid  

once again we rub green-chilly after pouring water
in the parched-rice on the ancient plate made of brass
it is right that the peak is separated down from the temple
but it does not hurt the priest

by the right of our walks strewed outside
we too when hiding ourselves in the regime of fire
with our intention and activities
with our standpoint
with our conduct and  behaviour
or any instant rule or direction
or our deeds
that compel the rotation of the deodorant

thus after the eye-operation
the love between you and me is now
seeing more week-ends than before
to her knee has been submitted many caws
painted in water-colour

in every corner and every hole of the body
that pulls the rickshaw the wind enters
and in every root-cause of the sufferings
the ripple of annihilation of love

from the shop of dip-swimming now
you can also purchase soundlessness  
to feel  the spirit of  chrysoberyl

now you need the work for 100 days
to gain the power you need to keep pace
with the graph of the terracotta
that may also be a long day of fasting  

then on the back of that hungry conch-shell
a globe shouts
the other’s world puts its office-water
in the fountain of cactus the roaring of which
pours so many telephone-calls into the ears

then in our market the ear-bursting sound of the generator
then in our forest-land
the bullet-fight between maoist and the joint-force

then with the enlarging and waning of our moon
are the bright fortnight the dark fortnight and the leaves of wood-apple

you may say now
those demerits relate to the seeds of the gm oranges
but just think the scanning of hibernation of the philtre
or of the kite the thread of which is cut off
they can’t escape their responsibility too

then tell me to whom i could give
my sad melting point  

but then to do any work means
this trigonometry
outside the territory of copyright

then the connection of the biscuits
with the thoughts of the fire-works
is clearly dismantled

the border-zone of all relations thus keep themselves apart
and due to a sharp difference in the chromosomes of sand-stone
our dwelling-house becomes a museum

to build a hospital with a big moustache
at last within the hypnotized company
the shadow of our bed-room appears

then the light of the social moon  is like the materials
with which the inner parts of the sorrows of the pomelo
is made up

it may be well for making great
the art-work of the horse-rider
that is wrapped with the handkerchief of ocean  

it must be waiting for my shampoo-power too

some cure may be offered by the paraffin
and her open hair

but one deed of the rose-petals
and the convex sweet drops of molasses  
is the flame of thumb-impression
that is born and brought up by the pan-cake
in-between sauce-pan and peter pan

in this all-pervasive panorama of slang-opera

This is not my poem
Sure I sat here and wrote it down,
but its not my poem.
Yes, yes I took the time to memorise it so I could see my words reflected in the expressions on your face as I read aloud...
but its not my poem.

This is your poem
You wrote this
You wrote this with your smile
the curve of your lips wrote this
the sparkle in your eyes punctuated every line and measured every pause, perfectly.
Your lips formed every word, sounded every syllable, created the melody that echos in my head as I write YOUR poem.

The rise and fall of your chest first catches my breath, then takes it away completely. Sensibilities and caution tumble down your back like rain in a warm summer shower that falls from a star filled sky, the heavens have opened. My heavens have opened. Caution is now a distant memory, like something once heard but long forgotten, something you knew you once knew but know you no longer have to remember so while there is at least an awareness of it, its passing will not be mourned.

And there, pooled in the small of your back, nestled just above the curve of your buttocks, lies hope.

The hope that the beauty I see in you, in us, in everything since we met isn't a mirage, isnt a projection of some one sided fantasy but that its real. That its as real for you as it for me and that I'm not alone. That I'm not alone in the way I feel and the way I think and the way........ the way.....the way I love. Its hope that knowing how I feel, how much I'm in love, in love with you, the hope that hearing me say out loud the very thing that I've had to fight telling you on a daily basis hasn't scared the **** out of you the way finally admitting it to you has me.
But this isn't my poem.
This is your poem.
You wrote it
and its my gift to you.

There’s many nights I wake up
and lie here and watch you sleep
and memorise each line upon your face
Scan each crease in every sheet
picture your body underneath
and fight the urge your contours for to trace

Other nights I sleep right through
and I’m lying next to you
my arms around you and your head upon my chest
with your leg laid over mine
our two bodies intertwined
at those times it seems my life, well it’s the best

But each morning when I rise
and I get to see those eyes
looking at me from across my coffee cup
it truly makes me feel
that miracles are real
and happen every day the sun comes up