Submit your work, meet writers and drop the ads. Become a member
Viseract Apr 2016
Rielly on Wheelchairs:

"Now those are my kinda wheelz"

Me on Wheelchairs:

"The hardest part to eat when eating a vegetable"
Outta Nowhere!
Ambita Krkic Jan 2011
“You’re turning eighteen, you know. Have you thought of the things you’ve done with your life? Don’t you think it’s time we get you a life?” Recently, I had coffee with a friend. He looked at me from head to foot in mid-conversation, and made this comment. As always, he managed to drive me into deep thought. After much contemplation, I now realize how much I have truly gone through. I also realize the reason for this paper: I want to tell you about my life. I want to prove to you that people like me, who are afflicted with cerebral palsy should not be demeaned, but rather looked up to for how they face the challenges life brings forth.

    I remember that day. I was a baby and my eyes didn’t move. They refused to follow the finger my aunt moved back and forth. I just lay there, unmoving. My family didn’t really give much thought to it until a few months later when I began to be extremely dependent on others when it came to simple things like getting up from a fall. Right then, they knew something was wrong. I was taken to the hospital a few weeks after, and true enough I was diagnosed with cerebral palsy, a condition that caused me to walk on tip-toe and my legs to look like sticks due to weak muscles.

   The hospital became my second home. By the time I was three, I had grown immune to the stale smell of disease and death that greeted patients at hospital entrances. I sat in wheelchairs and was a patient to three different doctors and physical therapists. Physical therapy was, and still is to this day a gruesome routine that I didn’t look forward to. Those sessions lasted for three hours, starting off with cold ultrasound gel being smeared slowly on my thigh muscles, slowly progressing into the limb-twisting that drove me into screams of excruciating pain, and then finally ending with attempts at “walking normally” with steel bars for support. Soon after, the doctors discovered that physical therapy alone was not enough, and recommended orthopedic surgery.

   I underwent seven surgeries in three different countries: the Philippines, Thailand, and Greece. Although these surgeries gave me the opportunity to see the world, they were not at all full of pleasantries. To this day, I remember how each surgery went: being laid on the cold operating table, feeling as though my body was a pincushion as needles were forced into me. I shrieked at the sight of blood and nurses tried to calm me down, talking to me in languages I didn’t understand. Soon, my vision blurred, my eyes shut and I couldn’t open them. A tube made its way down my throat, and soon I was going, going, gone. Hours later, I woke up groggy, and the sleepless nights in the children’s ward started. Tears clouded my eyes as I stared at the ceiling or the walls covered with Disney characters grinning annoyingly at me as I was under the mercy of painkillers that didn’t even seem to work.

    As I got older, I began to question why things were the way they were for me. I began to raise questions why a certain child in my class could do things that I couldn’t. My early years of schooling were the most challenging ones to face. Like me, the other children didn’t realize how it was like to be in the situation I was in. Bullying and name-calling was common in the schools I attended. “Slowpoke” and “snail” are only some of the few names I was called by. Sometimes, children would even go as far as “crazy” and “*******”. They mimicked the way I walked and called my attention, asking me who it was they were pretending to be. Often times, I did what I was told to do at home and stood up for myself, firing back with a witty, sharp remark. Other times, I chose to ignore them instead.

    On the first days of all my Physical Education courses, I’d try to blend in with my classmates hoping that the teacher wouldn’t notice that I was incapable of doing the routines. I tried to get away with it, to no avail. As soon as I got found out, I was tasked to watch everyone else’s belongings, clear up scattered basketballs, or score a game I really had no knowledge of each meeting. I remember how it felt like to be a benchwarmer, while all the others were doing warm-ups or playing sports. I didn’t look at their faces much, instead I closed my eyes and listened as their laughs echoed their enjoyment into the air. That, or I looked down at their feet, watching them jump, listening to the thumps as their shoes hit the ground again. They made it look so easy.

   During dance rehearsals, I’d stare down at my own shoes, dirtied and scratched from constant dragging. I’d feel a sharp, imagined pain in my stick-thin legs, and imagine them moving to the music they’d be dancing to. Gently. Tap. Tap. Tap.

   While I admit that I felt a lot of resentment towards this disability in the past, I now find that there isn’t really much to resent about it. I have grown so much as a person through this disability. It has become part of who I am and how others define me. It is true that I have missed out on a lot of the things teenagers my age have gone through, but how this disability has enabled me to see life actually happen, to discover life’s true essence, and most of all, touch the lives of people I have encountered in the past and those I continue to encounter, makes me feel as though I have not missed out on anything at all.

   As I end this essay, I’d like to leave two challenges. If you happen to afflicted with cerebral palsy or any other disability, I challenge you to be proud and fight. Do not let others look down on you. People will demean you, if you choose to demean yourself. Do not wallow in self-pity. Instead, strive to turn your misfortune around. Touch lives of the people you meet. Inspire.

   On the other hand, if you do not have to struggle with any disability at all, I challenge you even more. Do not take your “normalcy” for granted. Do not look down on people with disabilities; instead aim to broaden your understanding of how it’s like to live life in their shoes. Everyday, realize how lucky you are to have what you have. I ask you the same question my friend asked me in the coffee shop that afternoon: Have you thought of the things you’ve done with your life?
(an essay I wrote in English class, Sophomore Year College, one of my more personal writings)

11.09.09
kirk Feb 2016
Id love a big fat ****
Or a wrinkled up *******
An ugly looking hag
Who wants a ******* ****

If I had a big fat *****, with a big fat bucket
I'd lay between her fleshy thighs, and definitely **** it
My thrusting **** inside her ****, is where I'd like to tuck it
Spunking up would be sublime, when I lick and **** it

When your about to **** the fat, it takes a certain knack
Stuffed up fishy **** *****, or **** ******* round the back
A nice piece of chunky ****, with a big long sweaty crack
Fatty *** holes make you hard ,my **** would not be slack

I would ride a big large Gal, just like a waterbed
Bathroom ******* would be fun, as well as in the shed
Spunking up between her legs, cream cheese would then be spread
When both holes are full of ***, she can **** my **** instead

And after I have finished, with all of those fat *******
Something different I would want, maybe some old wrinkled witches
All wearing apple gatherers, and big large ******* britches
Older ***** long overdue, scratching long lost itches

A lot of fun I could have, in an old folks place
Disrobed willing grannies *****, stuffed right in my face
At least eight bits of gristle ******, a display of my disgrace
With each granny ****** in turn, if they can stand the pace

As I lift their skirts up their knickers I would sniff
I'm hoping that old fannies good, and they don't smell or whiff
The smell of old used granny ****, is probably just a myth
But I won't let it bother me, as long as I get stiff

I wouldn't even care, if they wore crap NHS glasses
As long as I could **** and ***, inside there wrinkled arses
I would **** them old ****** , all from different classes
Some of them in wheelchairs and some with heart bypasses.

It's irrelevant how fat you are, I really do not mind
As long as you are willing, and your *****'s wet and kind
And if you like it up the ****, then I'm that way inclined
******* ***** is quite fine, so is ******* from behind

So come on girls fat or old, all slags are a possibility
Your sexuality can flood out, there's no need for negativity
I'm willing to **** who comes along, to the best of my ability
Just make sure that I stay stiff, and maintain my agility
Homunculus Mar 2015
Bricks and mortar, steel and boards,
Phone poles lined with power cords, on
Pothole streets, where engines roar,
'Neath smoggy skies, where jet planes soar,

Where penny merchants peddle wares,
And news reports pretend they care,
Where vagrants sleep, and children stare,
And people work for lives not theirs,

That's life in the jungle, adrift in the herd,
Where terrestrial beasts envy free flying  birds
Where the pundits stand polished, and speak empty words,
And the artists paint portraits, while posted on curbs,

Where the men push carts, full of empty cans,
And the women spend paychecks, for spray-on tans,
Where the truckers drive loads, 'cross a thousand mile span,
To appease the great gods of supply and demand,

Asphalt and tarmac, girders and glass,  
Terrarium trees in cemented sod grass,
Ripe with the stench of exhaust fumes and gas,
As the choir lines up for the 10 o'clock mass,

While the brokers all scream, at a packed stock exchange,
As the veterans in wheelchairs sit begging for change,
That's life in the jungle, it's just a big game,
But remember you're playing, lest you go insane.
Cori Feb 2014
If you’ve only ever smelled fir trees covered with freshly fallen snow-
then you haven’t smelled it.
It’s an acquired smell, for sure.
It comes just in between the whiffs of
mashed potatoes
mashed carrots
mashed peas
mashed turkey
hell, mashed ginger-ale for all I know. . .
Somewhere amongst that microwaved menagerie, masked with the smell of eau de toilette,
it lives, and smells sweeter the longer brown sugar bubbles on top of caramelizing yams.  

If you can’t smell it, maybe you can find it.
Not many can, or do.
It hides in plain sight, though.
A lost and found box with accumulated cobwebs - everything still unclaimed.
A flyer for free puppies that no one ever took because they were “too much responsibility.”
Maybe there aren’t enough seekers in this game of empty rooms and blank guest books.
But keep looking, until bingo prize hand-me-downs after school plays look like Oscars.
You won’t see it until it makes you believe that plastic Mardis Gras beads are Tiffany-blue boxes.

It’s not so much in the nose, or the eyes as it is in the endurance.
Endure the voiceless Glenn Miller until his brass bellows become her voice -
whispering “I love you”  to the effortless rhythm of “Moonlight Serenade.”
And imagine her,
swapping her orthopedics for black heels,
elegantly taking Pop’s hand as he helps her up from her wheelchair,
to join him for just one more dance.
Watch as they become the sepia-colored couple in every anniversary photo.
That black dress.  Those fake pearls.  
The crescendo of the band.
It’s hard to miss when it’s screaming at you.
Lawrence Hall May 2017
Liturgy in Time of War

I will go to the altar of God
To God who gives joy to my youth

ENTRANCE ANTIPHON

The dawn (evening) is coming, another hot, filthy, wet dawn (evening).  Let us arise, soaked in sweat, exhausted, to speak with sour, saliva-caked mouths, to meet the deaths of this day (night).

GREETING

In the name of Peace in Our Time,
For the Hearts and Minds of The People,
For the Land of the Big PX
For round eye and white (black) (brown) thigh,
I greet you, brothers.

PENITENTIAL RITE

All:

I confess to almighty God
And to you my brothers
That I have sinned through my fault
In my thoughts and in my words
In what I have done
And in what I have failed to do,
And I ask Blessed Mary…

But how can I ask Her anything now?

My brothers,
Pray for me to…

But how?
Priest: (But there is no priest)

KYRIE

Lord, have mercy
Christ, have mercy
Lord, Lord, have mercy on us now

Have mercy, Lord, on a generation
That sits smugly in college lecture halls
And protests endlessly in coffee shops
The war they hear, see, on T.V., for free
Justice and peace by the semester hour
Like, y’know, peace, love, Amerika sux
Play the guitar, ****, apply to law school

Have mercy on us
Who crouch behind sand bags
And clean our weapons
And protest nothing
And **** in the heat
And die in the hear
And throw ham and lima beans away

GLORIA

Glory to God in the highest
how many bodies yesterday?
And peace to His people on earth
Vietnamese? Or us?
Lord God, heavenly King, almighty God and Father
ham and lima beans?
We worship you, we give you thanks, we praise you for your glory
Doc, I can’t go home to my wife with this clap
Lord Jesus Christ, only Son of the Father
cigarette, canteen cup of instant coffee
Lord God, Lamb of God, you take away the sins of the world
******* magazine
Have mercy on us
relief behind the sand bags
You are seated at the right hand of the Father
i rot
Receive our prayer
i want to be clean and dry
For You alone are the Holy One
clean and dry.  just once.
You alone are the Lord
why do they chew that?
You alone are the most high
you mean the betel nut?
Jesus Christ, with the Holy Spirit, in the glory of God the Father
incoming!
Amen


PRAYER

A

Father, you make this day holy.
Let us be thankful for
The many little joys of
This day, for life, for
The chance to worship
You.  In the end, bring
Us to you, so that we
May be cleansed of mud
And sweat and filth and
Guilt, and live with you
In peace forever.

B

Father, just get me through
Another day of this mess.

LITURGY OF THE WORD –

FIRST READING

From the Intensive Care Unit, NSA DaNang

A twilight world
Of neither peace nor battle
And of both

A man world
Embracing life and the grim death
Both

Peering into infected wounds
Night building shiver
Down from the black sky flares float

Broken bodies from the war somewhere
Eyes of a shattered nineteen-year-old Marine
Staring at the door to Yokosuka

PSALM

A Song of Descents

I cast down my eyes
Into the mud
Into the blood
It seems cleaner than death and drugs and casual ***
Drink Coca-Cola

I turned my eyes away from you, O Lord
And made this
Build this
Came to this
Samantha and Darren on Bewitched

Have mercy on…but how can we ask?  How dare we ask?

SECOND READING

Old Man, Viet Nam

Old man, a dog is barking at your heels
Old man, with the tired, weathered face
Are you afraid to turn around and deal
This dog a kick, to put him in his place?

Or is it, old man, that you’re just too tired?
Just too tired to turn and show anger
Just too tired to have your temper fired
Beaten by years of contempt and danger

Where are you going, trudging so slowly?
What are you thinking, behind those tired eyes?

Probably not about ham and lima beans

GOSPEL

In the Cold White Mist

After an all-night run on the river
Our boats arrive in the village at dawn
Dawn is never cold along that rive
Along that steaming, green, hell-hot river
But the mist is cold, the grey-green dawn mist
And after the engines are cut – stillness
Foul brown water laps at the mudding bank
Sloshing softly with fertile, smelly death

In the cold white mist

The boats are secured, and watches posted
We step off the boats and onto wet land
And follow the track into the deep mist
It becomes the street of a little town
A dairy lane along which cows slopped home
And where dogs and chickens and children
      played
Bounded by carefully swept little yards
And little wooden houses with tin roofs

In the cold white mist

But some of the houses are burnt.  The smoke
Still hangs heavily in the whitening mist
The lane is littered with debris.  A lump
Resolves itself into a torn, dead child
Across a smaller lump, a smaller child
Their pup has been flung against the fence, its
Guts early morning breakfast for the morning
      flies
We smoke cigarettes against the death-smells

In the cold white mist

Beneath a farm tractor rots a dead man.
When they – they – had come at sunset
He had hidden there.  And they shot him there
A man with bare feet and work-calloused
      hands
His hair is black; his teeth need cleaning
They shot him beneath the village tractor
His blackening blood clots into the mud
And our lungs choke in the white mist of death

In the cold white mist

White mist.  The path disappears into it
Smoky skeletons of little houses
In which there will be no tea this morning
No breakfasts of hot tea and steaming rice
No old widows to smile in betel-nut
No children to mock-march alongside us
Pointing at our ******* boots, and laughing
At us, for wearing shoes in the summer

In the cold white mist

They are dead and rotting in the white mist
On the edge of the jungle on the edge
Of the world, here along the Vam Co Tay
And the people pour out of their houses
To greet us on the fine summer morning
A corpse across a doorway, another
******-doubled across a window sill
Still another strewn down the garden path

In the cold white mist

The other patrol doubles back to us
And they tell us that the Ruff-Puff outpost
Must have been overrun the night before
He had heard their radioed pleas, and had
Run the river at night to get to them
And the ARVNs had fled through the village
And the VC had stormed in behind them
And it was knife-and-gun-club night in town

In the cold white mist

A little girl is the lone survivor
She looks may six.  Cute, except for the
Bubbling, *******, bayoneted chest wound
We patch her, and tube her, and use suction
Sort of like fixing a bicycle tire
And in the wet, gasping heat take her back
With us downriver, where a charity
Hospital leaves her on the steps to die

In the cold white mist

It will be our turn again tomorrow
Not a one of us died today.  Today.
But a village is gone, burnt and rotting,
Soon to disappear into the jungle
Along the green Cambodian border
Up some obscure river.  Up there.  Somewhere.
A few hundred people.  Their ancestors’ graves
Will fade with them untended, forgotten

In the cold white mist

Radio Hanoi might blame it on us.
But maybe not.  We made our report and
Nobody really noticed; no one cared
The talk is of the VC battalion
And where it has gone, and where it might go –
Maybe into death under an air strike
“And you guys better get in some sack time,”
Says the C.O. as he turns to his maps.

In the cold white mist

HOMILY

I’m scared, and I want to go home.  I don’t care any more about justice or fighting Communism or winning the hearts and minds of the people.  I can’t think about all that right now, because I’m scared, and I want to go home.
I don’t care about truth or loyalty or bravery or honor.  If Miss March were here she wouldn’t get cold, but she sure would get sunburnt.  And in a few days her skin would start rotting.  Then nobody would want to see her in the **** anymore.  
I’m scared, and I want to go home.
Up the Vam Co Tay, everyone is scared, everyone is tired, everyone is sick, everyone could die: sailor, soldier, officer, priest, farmer, fisherman.  Everyone rots in the wet heat.  The skin bubbles and flakes and peels, and is pink again, to bubble and flake and peel again.  
I’m scared, and I want to go home.
I’m Doc.  I’m a scared, stupid kid with an aid bag and a few months’ training.  But I’m Doc.  I’ve got to fake it.  I’ve got to be cool and calm because this other kid with his guts hanging out will probably make it if I don’t ***** up and if the dust-off from Saigon can get out here now.
I have an old dog at home, and my folks write and tell me she sleeps outside my window at night, waiting for me to come home.  Someday we’re going to run and play in the woods and fields again.  She’ll bark and run wide circles, and dare me to catch her.  I will laugh under the autumn leaves.  But now my nights are glaring darkness, fits of sweat-soaked half-sleep, then sirens and falling glares and falling mortars, and then the Godawful racket of all our engines of destruction.  There isn’t any use in all this.
I’m scared, and I want to go home.

And I don’t want any ham and lima beans.

CREED

We believe in the Land of the Big PX
In presidents in suits, and generals,
In makers of economic strategies
We believe in flak jackets and .45s and peace

We believe in swing ships and dust-offs, yes
In the dark, green omnipresent Huey
Eternally begotten of technology
Blades to rotor, windscreen to machine guns
Made, not begotten, one in being with us
Through it all things are transported to us
For us men and our hunger and our hope
It comes down from the skies
By the high power of technology
It was born of the long assembly line

For whose sake are we crucified today?
Who suffers, and who dies and is baggied?
And on the third will arrive back home
To be neatly packaged in stainless steel

But not in ham and lima beans

LITURGY OF THE EUCHARIST

Preparation of the Gifts

Celebrant:

Blessed are you, Lord, God of all creation.
Through your goodness we have this cheap Algerian wine to offer,
Fruit of the vine and work of human hands.
It will become anaesthesia for our souls.

People:

Blessed be…we just don’t know

Celebrant:

Pray, brothers, that our sacrifice may be acceptable to God, the almighty Father, to somebody.  Maybe.

People:

May the Lord, or the baggies, accept the sacrifice we offer with
our own burnt hands
For the praise and glory of…of what?
For our good, and the good of all His Church.

PRAYER OVER THE GITS

Little green cans, and I don’t care
Little green cans, and I don’t care
Little green cans, and I don’t care
Air cover’s gone away.

EUCHARISTIC PRAYER

Preface for the Monsoon Season:

Father, all-powerful
And ever-living God,
We do well always and everywhere
To give You thanks
Through Jesus God our Lord
Even with diarrhea
thanks
When the mail doesn’t come
thanks
When we rot
thanks
When the heat ***** at our brains
thanks
When the mud ***** at our boots
thanks
When the horror ***** at our souls
thanks
We’re alive
thanks

SANCTUS

Holy, holy, holy, Lord, God of power and might
The bunkers are full of blood and death.
Hosanna in the mud.  Blessed is he who comes with the mail.  Hosanna in the mud.

EUCHARISTIC PRAYER

The Kien Tuong Province Canon:

A sailor is silhouetted against the dawn
Along a steamy river
Mostly helmet and flak jacket
Above dark plastic gunwales

The sailor has lost his New Testament
But there’s a ******* around somewhere
Naked, willing women –
Miss March wants to be an actress

He also carries an old plastic Rosary
To touch occasionally
While whispering a hurried Hail Mary
He hopes She understands

Those who in bell-bottoms and head-bands
Fight Fascism
In Sociology 201
Will never forgive him

A sailor is silhouetted against the dawn
This day he is to be elevated
His body broken and his blood shed
For you and for all men

OUR FATHER

Our Father, who art in Heaven
this ain’t it
Hallowed be thy name
Thy kingdom come
this ain’t it
On earth as it is in Heaven.
Give us this day…
not ham and lima beans
And forgive us our trespasses
as we shoot them that trespass against us
And lead us not into ambush
But deliver us from evil

SIGN OF PEACE

Peace on you.

AGNUS DEI

Lamb of God, you take away the sins of the world: have mercy on us.

Lamb of God, you take away the sins of the world: have mercy….

Lamb of God, you take away the sins of the world: grant us peace.

Priest:

(But there is no priest)

People:  

Lord, I am not worthy to receive you,
But only say the word and I shall be killed.

COMMUNION ANTIPHON

They ate, and were not satisfied
They killed, and were not without fear.

PRAYER AFTER COMMUNION

Lord,
If we do not get out of this
Make some sense of it to those who remain
May we go home.  Home.  Or if not,
Take us unto you, in mercy.
Home.  Where you reign, for you are Lord
Forever and ever.  Amen

BLESSING

May you walk on grass that does not explode
May you sleep without rot
Without fear
May you never see or smell ham and lima beans again.
May you live
May you play with puppies
May you find forgetfulness
May you find peace
In the Name of Him who took your death for you

DISMISSAL

This is to certify that____is Honorably Discharged from the____on theday of____.  This certificate is awarded as a testimonial of Honest and Faithful Service.

CLOSING HYMN

Old men, smoking in the sunshine
Exiled outside the doors of life
Old uniforms, old pajamas
The chrome of wheelchairs, shiny, bright

Inside, polished wooden handrails
Line the hot, polished passages
Something to cling to on the way
To the lab, to x-ray, to death

And more old men, shuffling along
In a querulous route-step march
From Normandy, from The Cho-sen,
From the Vam Co Tay, from the deserts,
Past the A.I.D.S. ward and the union signs
On waxed floors to eternity

Portions previous published:

“Closing Hymn” is from “Outpatient Surgery – Veterans’ Hospital,” Juried Award, Houston Poetry Fest 1993

“In the Cold White Mist” is a Juried Award, Houston Poetry Fest 1991

“Old Man, Viet-Nam,” was published in Pulse, Lamar University, 1982
(1)

This is the sea, then, this great abeyance.
How the sun's poultice draws on my inflammation.

Electrifyingly-colored sherbets, scooped from the freeze
By pale girls, travel the air in scorched hands.

Why is it so quiet, what are they hiding?
I have two legs, and I move smilingly..

A sandy damper kills the vibrations;
It stretches for miles, the shrunk voices

Waving and crutchless, half their old size.
The lines of the eye, scalded by these bald surfaces,

Boomerang like anchored elastics, hurting the owner.
Is it any wonder he puts on dark glasses?

Is it any wonder he affects a black cassock?
Here he comes now, among the mackerel gatherers

Who wall up their backs against him.
They are handling the black and green lozenges like the parts of a body.

The sea, that crystallized these,
Creeps away, many-snaked, with a long hiss of distress.

                (2)

This black boot has no mercy for anybody.
Why should it, it is the hearse of a dad foot,

The high, dead, toeless foot of this priest
Who plumbs the well of his book,

The bent print bulging before him like scenery.
Obscene bikinis hid in the dunes,

******* and hips a confectioner's sugar
Of little crystals, titillating the light,

While a green pool opens its eye,
Sick with what it has swallowed----

Limbs, images, shrieks.  Behind the concrete bunkers
Two lovers unstick themselves.

O white sea-crockery,
What cupped sighs, what salt in the throat....

And the onlooker, trembling,
Drawn like a long material

Through a still virulence,
And a ****, hairy as privates.

                (3)

On the balconies of the hotel, things are glittering.
Things, things----

Tubular steel wheelchairs, aluminum crutches.
Such salt-sweetness.  Why should I walk

Beyond the breakwater, spotty with barnacles?
I am not a nurse, white and attendant,

I am not a smile.
These children are after something, with hooks and cries,

And my heart too small to bandage their terrible faults.
This is the side of a man:  his red ribs,

The nerves bursting like trees, and this is the surgeon:
One mirrory eye----

A facet of knowledge.
On a striped mattress in one room

An old man is vanishing.
There is no help in his weeping wife.

Where are the eye-stones, yellow and valuable,
And the tongue, sapphire of ash.

                (4)

A wedding-cake face in a paper frill.
How superior he is now.

It is like possessing a saint.
The nurses in their wing-caps are no longer so beautiful;

They are browning, like touched gardenias.
The bed is rolled from the wall.

This is what it is to be complete.  It is horrible.
Is he wearing pajamas or an evening suit

Under the glued sheet from which his powdery beak
Rises so whitely unbuffeted?

They propped his jaw with a book until it stiffened
And folded his hands, that were shaking:  goodbye, goodbye.

Now the washed sheets fly in the sun,
The pillow cases are sweetening.

It is a blessing, it is a blessing:
The long coffin of soap-colored oak,

The curious bearers and the raw date
Engraving itself in silver with marvelous calm.

                (5)

The gray sky lowers, the hills like a green sea
Run fold upon fold far off, concealing their hollows,

The hollows in which rock the thoughts of the wife----
Blunt, practical boats

Full of dresses and hats and china and married daughters.
In the parlor of the stone house

One curtain is flickering from the open window,
Flickering and pouring, a pitiful candle.

This is the tongue of the dead man:  remember, remember.
How far he is now, his actions

Around him like living room furniture, like a décor.
As the pallors gather----

The pallors of hands and neighborly faces,
The elate pallors of flying iris.

They are flying off into nothing:  remember us.
The empty benches of memory look over stones,

Marble facades with blue veins, and jelly-glassfuls of daffodils.
It is so beautiful up here:  it is a stopping place.

                (6)

The natural fatness of these lime leaves!----
Pollarded green *****, the trees march to church.

The voice of the priest, in thin air,
Meets the corpse at the gate,

Addressing it, while the hills roll the notes of the dead bell;
A glittler of wheat and crude earth.

What is the name of that color?----
Old blood of caked walls the sun heals,

Old blood of limb stumps, burnt hearts.
The widow with her black pocketbook and three daughters,

Necessary among the flowers,
Enfolds her lace like fine linen,

Not to be spread again.
While a sky, wormy with put-by smiles,

Passes cloud after cloud.
And the bride flowers expend a freshness,

And the soul is a bride
In a still place, and the groom is red and forgetful, he is featureless.

                (7)

Behind the glass of this car
The world purrs, shut-off and gentle.

And I am dark-suited and still, a member of the party,
Gliding up in low gear behind the cart.

And the priest is a vessel,
A tarred fabric, sorry and dull,

Following the coffin on its flowery cart like a beautiful woman,
A crest of *******, eyelids and lips

Storming the hilltop.
Then, from the barred yard, the children

Smell the melt of shoe-blacking,
Their faces turning, wordless and slow,

Their eyes opening
On a wonderful thing----

Six round black hats in the grass and a lozenge of wood,
And a naked mouth, red and awkward.

For a minute the sky pours into the hole like plasma.
There is no hope, it is given up.
Jon Tobias May 2013
His hat says
I Remember Pearl Harbor
He asks me to put the wine in the basket
Hanging behind his motorized wheelchair

He smells a little like ***
His sweatpants have dark stains all over
Like a leapord who has gone old and grey

"They can put a motor on one
of these things
but they can't make them comfortable"

"When you're an old man like me
maybe yours will fly
but I bet your *** will still fall asleep all the time"

I tell him
that when I am old
I hope they make wheelchairs
that feel like a father's shoulders

He shakes his head after I say that and laughs
"That sounds like it might be nice
But i couldn't say I know what that feels like"

Me neither
I tell him
New Series I think. We'll see.
Ellie Stelter  Dec 2011
empathy
Ellie Stelter Dec 2011
one of my friends is adored by everyone he knows
the kind of kid who smiles all the time
who can always make anyone laugh
always has something motivational and upbeat to say or sing

once we were sitting in English class
talking about change
and it was quiet between us for a minute
so I said
watching people die is hard
and he said
yeah, it is

and I didn't tell him about my grandfather
who had cancer and died in my house a week later
or my grandmother
who lost her mind eight years ago and slowly deteriorates each day
or my aunt
who had her first open-heart surgery when she was fifteen
and is now a bloated skeleton who lingers in wheelchairs
and doesn't sleep and hallucinates
or my second cousin
who only knows all the "wrong" sorts of people
or my friend
who is breaking slowly, who I cannot fix

I didn't tell him because I'd never heard three simple words like that
overflowing with so much empathy
Use canned spaghetti as thread to stitch together the frayed edge of your t-shirt. Use your t-shirt to show how you’re the coolest most-hippest, most up with the kids kid there is. Where’d you get that shirt? Online.

Bop your head to the music so they know you know this song. Harder or they won’t see you. That’s not hard enough. Neck snap! Yeah, right there. Hold still while I take a photo. Do you mind if I make this my cover photo?

Take a selfie of you crying in the bathroom and hashtag it. Snapchat it to your local MP so they know how you feel - be sure to use an emoji. #studentdebt Tears streaming down your face. (If it’s a hashtag it’s easier to emotionally process.) #policebrutality #throwbackthursday #massincaceration It’s a good thing there’s emojis for black people now. Look at how far we’ve come!

#nomakeup #vegan #crueltyfree #childslavelabour #iwokeuplikethis #campusrape #notallmen #yesallwomen #freethenipple #2k16 #mentalhealthcuts #stopkillingtranswomen #waterislife #standwithstandingrock

Have you followed Human Rights on Facebook? It’s the only way to get them. Have you seen the Ted Talk about it? In just 20 minutes you’ll know everything there is know about it.

Sorry. You don’t seem like you’re focused. You’re thirsty? Let me make you a smoothie.
I’ll put the chocolate bar in the blender whole, leave the wrapper on. Taste the tinfoil and the plastic. Eat the barcode, become the product. That’s modern life.

Don’t take out the hair or the fingernail or the Band-Aid. Don’t hide from the human components of the production line that made this Kit-Kat possible for you, kid. That’s modern life.

Go to the voting booth, refuse to choose between the diversity of 50 versions of the same smiling white man. Scrawl: **** these ******! (have no faith in none of them) That’s modern life.

With jittering teeth and goosebumps, put your toaster in the sink. Overflow it with water. You will only need a fork to get warm. Electrocution is the most economical form of heating. Be Energywise. That’s modern life.

Puff marijuana smoke through the bars into the brown faces of those who were incarcerated for doing what you freely do now. That’s modern life.

Burn your eyes on the screen. But before you do, memorise the 0800 number for the optometrist.

Post your suicide note on YikYak to save paper. No-one likes reading hard copies these days anyways. #papercuts #selfharm

Search for motivation on EBay. If you’re lucky it’ll have free shipping and arrive in 1-5 business days.

Snapchat your friend’s words of encouragement, God knows they’ve seen enough dickpics.

Take a chicken to KFC and tell them you’re sorry.

Get in the cars of the men who yell “Hey baby!”. They’ll be so surprised they wont know what to do next.

Swap your woman-chest with a man-chest and see if your ******* are still illegal.

Drive through town throwing dirt with one hand and seeds in the other. Maybe, if you do it long enough this claustrophobic concrete will be gone.

Bleed on every seat until the government pays for menstrual products.

Train seagulls to throw YOU chips.

**** a woman and a man simultaneously, so that you can be sure everyone knows you’re bisexual.

Blockade inaccessible buildings with piles of wheelchairs.

Grab time by the fabric and rip it, cuz we all know rips look really punk, and all you really are is just some young punk.
i wrote this last year and i hated that poetry class too
Kristen Moxley Jan 2010
It is four in the morning and I'm alone
It's dark out
The city lays quiet and sullen with sleep
I'm awake
Awake

Still awake
The sun has yet to rise and won't for another two hours
I move with such grace and ease that the grass doesn't have to strain against my weight
I hear a vehicle fast approaching
A shed to my right
Silently duck behind it
Security van passes by
My heart is pounding in my ears
My breath has never sounded so loud
So utterly loud
So ******* loud
Can't stand it
Security must have heard
But I really know they didn't

I fall to my hands and knees and crawl out from my temporary shelter
The morning dew stains my hands and pants
Don't notice
Don't think

There are bundles of old plywood tied with twine that border the asylum drive
Crawl behind them
Streetlights illuminate my way
They deliver a soft, humming sound that enters through every pore on my body
It's loud
So ******* loud
Hands to ears
Doesn't stop
Won't stop
Keeps ******* humming
Ignore it
I learn to ignore it
Don't hear
Don't think

I position myself in front of the plywood bundles
Asylum drive
Fifteen foot mesh link fence
It's 4 am
I know
I'm awake

Fifteen feet of fence
Steel mesh
Steel mesh so tight, I can barely stick my pinky finger through a hole
There are three horizontal metal bars placed at five foot intervals on the opposite side of the fence
No way up
No way down
The gate is locked and closed
No way in
No way out

I know better
There are a few sturdy looking metal hinges on the massive gate
My hands are laced with sweat
Start to shake
My limbs vibrate in rhythm with my heart
It's compulsive
Compulsive
I stand in front of the gate and look up
It reaches to the heavens
Too tall
Can't climb
The steel is cool and wet to the touch
Can't climb
The bottom of my shoes are slippery
Slippery on the metal
Can't climb
My left foot misses and finds air
I reach, straining myself
Expand
My mind is breaking, seeping strength
Sweat burns my eyes
It hurts
It ******* hurts
Twitch
Can't climb
Mind slips
Slips away
Blood
On
Me
Don't feel a thing
Can't

I'm straddling the top bar of the fence
Until now, I've never been afraid of heights
I stare at the ground, fifteen feet below me
My head is spinning
Look up
Spinning
Panic is settling inside of me
Paralyzed with fear
Paralyzed
Can't move
Breathe
Think
Feel
It's so slippery
Don't want to fall
Don't want to die
Scared
Can't go down
Can't

I let go
I slipped and fell
Falling
Fell
Hit
Ground
Face
First
I'm cold and numb
It hurts
It ******* hurts

My left eye is cold
My eyelashes have been ripped out
My eyelid is a ******, fleshy mess
Bleeding profusely
It's sticky
Wet
Gross
My mind is racing
I'm soaked
Soaked in sweat
Dew
Thoughts
Pain
Time
I'm gross
Awake

The facade of the building is straight ahead
I move numbly towards the entrance
The doorknob is lifeless and still in my grasp
It doesn't move or budge
Door is locked
Back away
Have to get in
Calling for me
Waiting for me
Beckoning
Persuading
Wanting me
Needing me
I must
No
I need to get in.

My mind snaps back to reality
There's an open basement window to my left
I climb in without any hesitation
Dark
Dank
Damp
I lean heavily against a firm wall
I cannot see my own hand in front of my face
Eyes don't adjust
Eyes close
Collapse
Asleep
Unconscious

Awake
Time passed
It's daylight
I've lost sense and track of time
I smell like my surroundings
I'm moldy
It's moldy
I'm damp
It's damp
Stand
Fall down
Stand again
Light pours through several basement windows
The room is empty
The light turns grey walls shades of the sun
It's bright
Awake

I begin to wander
I touch my face
Still here
My eye is still cold, but the bleeding has stopped
My eyelid is chunky with dried blood
It still ******* hurts
Scab picker
Pain oozes through my face
A couple flakes of skin float to the ground
Sickening
I can feel the dried blood on my fingers
Chapped
Pick more
Pick more
More pieces of blood-dried skin detach from the remainder of my eyelid and float to the ground
I step on them
Bury them into the dust
My hand is stained red
Blood red
My eye begins bleeding again
I tear a piece of my shirt and press it to my wound
Leave it there
Leave it to soak

I wander in a daze until I find a staircase
Ascend
Many flights of stairs
So it seems
Until I reach the second floor
My legs are weak and numb
Weak and numb
Mouth is dry
Tastes like sand
I move my tongue around and can't feel a thing
Mind is clear
I don't like it much
Search for thoughts
Any thoughts
Nothing comes
Don't think
Press on

What am I searching for
Can't answer
Don't know
Others have answered
I don't change
I'll know when it's found

Awake
I enter into a long hallway
On either side there are empty, window-lit rooms
Rooms that are filled with chairs
Rooms that are filled with desks
Rooms that are filled with papers
Files
Curtains
Shoes
Bed frames
Electric chairs
Operation tables
Iron lungs
Toilets
Sinks
Wheelchairs
Dust
Dust
Dust
Rooms that were once filled with love
Rooms that were once filled with hate
Rooms that were once filled with laughter
Tears
Pain
Prayer
Loss
Hope
Fear
Terror
Longing
Wonder
W­orry

I remember
Each room, a name
Each name, letters
An object of identity
Object of terror
Destruction
Hate

Awake
At the end of the hall, I face a door
An illegible name continues rusting
I don't care
A light is on
It's bright
Blinding
Coming for me
Coming to get me
Wraps itself around me
Can't breathe
Chokes me
Gag
*****
Stomach contents and blood escalate up my throat and onto the cracking tile
It hurts
It ******* hurts
My throat burns acid
Spit
Stays
I cry
It stings
Tears burn my face
My eyes
Sniffle
I wipe my mouth
Taste nothing
Feel nothing

Sick
The light brings me back
I let it
Eyes remain half closed
My sight skips around and lands on a waiting chair in the middle of the room
It looks so inviting
So ******* inviting
I don't trust it
Hates me
Wants me
Wants to feed off of me
Wants to be fulfilled
I don't trust it
My legs and body ache
Wobble

Sit
The room is bright and bare
Bare walls
Bare floors
Bare ceilings
Bare emptiness
This is my room
This is my name
Mine
Sit
Don't think
Don't move
I clutch my hands together
My palms are sweaty
My feet brush the floor
They swing
I lean my head back and stare at the ceiling
Damp
Sick
Don't see
Don't hear
Don't feel
Taste
Smell
I smile
Smile a true, deep, loving smile
A smile that generates warmth
A smile that knows where it belongs
I'm home now
Home
I'm alone
Awake
Alive

I'm alive.
Jon Tobias Oct 2012
Part 1
"How about some long beautiful hair" the Santa says
The little girl rubs her head bald and veiny
She looks like a baseball

"No. It doesn't get in my eyes anymore when I play basketball" she says

The bunch of us
Sunken eyed and balding
In wheelchairs and on crutches
Some of us holding our I.V. stands for support

I can only imagine how the Santa feels
The tiniest zombies
All waiting for a turn

Me
I have silver caps on my top front teeth
And dentures
Look like an old Cadillac
Insides all rust and rumble

We all want to know if we were good this year

Part 2
Cut to the bunch of us
Watching the Blue Angels air show

All getting pictures with a man dressed as Shamu
He is supposed to write something on the backs of all the pictures

I try to imagine
What you could possibly write
To a group of kids that looked like us

Each photo
In shaky black ink
Because whales aren’t prehensile

He writes
I love you

Part3
When the circus came to the hospital
We all gathered on a balcony
The news was there

Clowns painted our faces

I asked if they had room for me
Told them I could be like that guy
From the 007 movies
With the silver teeth that could bite really big stuff

They said I might miss my folks
I told them I wouldn’t
Then took off my gown
To show them my scars

They weren’t impressed

Ever since I’ve wanted to join the circus

Part 4
Despite our qualifications
We could not join the circus

But that is okay
All we wanted really
Was to know if we were good
And that somebody loved us

We were
And somebody did

— The End —