do you remember that night in early fall
almost two years ago now
that you asked me to meet you
in our secret spot
that everyone knows about
but doesn't use anymore?

down the snaking dirt road
right passed the broken and twisted wooden fence
you know the one i'm talking about
and we sat underneath that big oak tree
and dreamed?

i remember losing you that night
you ran away into the dark
and i couldn't see a ******* thing
but i eventually stepped on your light blue blouse
and i thought "oh, ****, the dogs have gotten her"
even though i didn't hear any barking
no sound at all

and then you came to me
all of the sudden
running, prancing
glowing, naked, shining, smiling beneath silver moonlight
and we kissed
and ******
and i held you
and you really touched me
right there on that sandy mattress
under the stars
in the middle of that snaking dirt road?

well if you do remember,
and are feeling lonely,
or just bored
and drunk
as i am now,
feel free to come and join me
and the night
because here i sit
and i found your light blue blouse
in the middle of this snaking dirt road.

Peeing: to ***; to urinate; to release the body of its liquid toxins; to pass or discharge *****; characteristically yellow- the strength of the color depending on the body’s hydration.
People have strange habits when peeing; urinating; releasing the body of their liquid toxins. Some people procrastinate it to the last minute and rush to the bathroom, barely yanking their pants down in time and shuddering in relief. They are those who habitually whip in and out, even when they don’t really need to. There’s the common usage of an escape from boredom in classes or meetings. Perhaps it even causes a slight blushing in the cheeks of painfully shy woman at hearing rushed tinkling so close by. And of course, they are also the people who love to leave surprises for the next person who uses the bathroom.
All in all, peeing seems to mean not much to people – a small part of life; but a very, very necessary part.  

                                 *                 *                    * .

The rain poured furiously outside the window as Emily sat, straining her brown eyes against the whiteboard flashing images of trigonometry from Mr. Well’s laptop, trying hard to concentrate. She was sitting in her usual seat in class, and also her favorite. It was a solitary table with a chair, away from the clusters of tables and the chattering children, and the only chair by the window. She liked to look out the window, even if it distracted her from Mr. Well’s loud explanations. The booming of “SOHCAHTOA” in her ears became distant as the wind’s movement caught her eye. She gazed out on sheets of rain flapping across the sky like giant teary spirits and pressed her fingertips on the glass. Cold.
Absent-mindedly, she pressed her cheek against the coolness and felt it absorb her body warmth. Her imagination kicked in and the glass became a panel of energy, ******* a little life from all those who touched it, vibrating with a strange purple light until it was so filled with energy the particles of the glass would explode and she would be the first to die from the sharp shatters that would spray across the room, causing droplets of blood to-
Ahem.
Mr. Well coughed meaningfully at her dreamy face. The class exploded into laughter and the bell rang. A skinny girl smiled at her but she was so lost in her own world, she forgot to smile back as she slung her bag on her shoulder and ran out. Maybe that’s why she didn’t have too many friends.
The dark skies were pouring furiously as only Bangkok in Monsoon weather can.
A walk home or a motorbike ride? A motorbike ride would be a little dangerous in this flooding… and with that reasoning she waved up a motorbike. The seat was soaked and so was the driver, whose brown leathered feet struggled to keep red flip-flops on as they sloshed through the flooded Sois.
Fat water bullets pelted her skin and the wind blew them ferociously into her face till her eyes stung. The motorbike swerved in and out of the cars stuck in traffic (slightly floating), the bottoms of their wheels immersed in ***** water.
The pockets of her school shorts were hastily rummaged through and she pulled out a soggy green twenty-baht note bank before running into the shelter of the lobby, dripping over the marble floor and completely drenched. The building-maid widened her eyes, and watched her horrified; knowing it meant extra work mopping and drying up the lobby floor as soon as Emily vanished into the elevator.
The plastic button with the circular metal piece glowed orange. It was strange how she was shivering with cold but her touch was still warm enough to light up the elevator buttons.
The usual itchy, impulsive, restlessness was building up inside her from the wet motorbike ride. Thunder roared and crackled through the lobby’s swinging glass doors and they vibrated slightly. Another flashing image of splintering glass splashed across her mind and in the split-second, she saw the diamond shards pierce the eye of the lobby’s guard and splinter across the floor-
She shook her head. This was what happened when she had too much pent-up energy. She had to do something- something reckless and fast and dangerous… now! A bolt of lightning went through her as a familiar wide open space came into her mind… the rooftop of her thirty-five floored building.
The elevator ride up was slow, much too slow for the fast pacing of her heart and she hit the metal doors with wet fists. Tearing out of the doors when it finally jolted to a stop, she climbed up to the top, running up the stairs two steps at a time and caught her breath. It was flooded up to her ankles and violent gusts of wind made her steady herself.
Emily’s Dad often told her stories of when he was child. “The winds in my home during Monsoon season were so strong we could lean into it with our fully body weight and we wouldn’t fall. It was almost as good as flying.”
Her lids squinted shut and the sensitive skin was immediately exposed to the pebbles of the rain and whipping wind; and in almost dream-like state, she leaned into the howling wind.
There was a comically slow fall and her bony knees hit the concrete flooring with a dull thud. She burst into tears of laughter in her own stupidity at thinking the wind could hold up against her gigantic frame and rubbed her ***** knees sorely. Reaching up to wipe her tears with muddy fingers, she laughed to herself again. There was no point in wiping away tears. They were so trivial in comparison to the current weeping of the skies.
Against the thick opaqueness of the wind, she could see how the view towered over a jungle of buildings as far as the eyes could see, with snaking concrete roads and skinny black canals. Slums scattered around nearby swanky hotels of the rich. The buildings faded into small dark shapes in the distance. Bangkok.
No matter how tall and industrial it tried to become, everyone ran for cover under this blinding rain.
Up here, completely a victim to nature’s power, she felt exposed; naked; real. The animalistic instincts inside her swelled up. Humans weren’t meant to wear these annoying pieces of material or shoved inside skinny architectural designs. With aggressive tearing motions, a pile of soggy clothes half lay, half floated on the flooded floor beside her and she stood there bare… and completely naked. Laughter spilled out from the depths of her naked chest with the two tiny hints of possible womanhood; it was louder than thunder. Screaming, laughing and gasping she stumbled around – climbing over objects and feeling the beautiful dizziness: a sweet, sweet dizzy. She stood up on a random block a meter high; spread her arms wide as her wet body shone with raindrops. The rain threatened to push her over, her soaked hair twitching heavily on her neck.
She ****** in her breath, ready to yell so that the heavens could hear but instead, the voice that came out was controlled with a shaky undertone of joy,
“I need to ***.”
And then she did.

                                                *         *            *.

His eyes are brown. Dark chocolate brown – a simple, solid color. Simple and solid like him.
Because he was so simple, people enjoyed his companionship. Though he was simple, he was not boring. Rather he was sharp-mouthed, quick on his feet, witty and observant speaking bald truths about people that either provoked them to scandalized laughter or humiliated fury.
What some people forgot to recognize was that he didn’t really love anyone. Plenty called him a close friend, but so absorbed were they in their own world; they seldom realized the fact that most of his thoughts were concealed. Kept in a little box of surprises in the back of his mind, and hidden so well nobody knew they existed.
He could spend months with a friend traveling in a different country, and return back home with no feelings of attachment. He could care for a friend while they were here and not really miss them while they were gone.
Most of the time his eyes were neutral and observing and they would sparkle amusedly when he had provoked someone with his words. This was how remained to almost everyone; everyone but one person. The one person that could turn his normally calm face even more still, the dark brows would rise slightly and a quick flash of fire would shoot through his eyes- and for a long while, they would burn slowly like two twin coals; the one person who could cloud his eyes dreamily; the one person who could make them glint wetly.  
He reached over and grabbed her hand. Emily turned smiling eyes at him.
A group of teenagers were strolling down the closed roads, armed with water guns, pasted in thick white powder, thoroughly drenched in the hot, dry weather and skipping over puddles (except for Emily who splashed into them).
Songkran in Bangkok: celebrated in the middle of April where temperatures reach forty-degrees Celsius, Thailand’s New Year and a time to pay respect to the elders in the family, but as most traditions, they became really just an excuse to enjoy oneself and in this case, one-year-olds to eighty-year-olds roamed the ***** streets splashing ice-cold water from hoses and water guns and smeared each other with chalk in buckets.
The street they were being shoved along was crowded with slick, drunk bodies. The heat of the afternoon sun shone down on their backs. The sign that introduced excited people in was sprayed by a passing pick-up truck filled with screaming locals. “WELCOME TO SOI COWBOY” printed the red letters.
Red-faced fat foreigners held in each arm a tiny ******* with their bright lace bras showing through the wet see-through shirt and their black eye shadow playing havoc with their cheeks.  Country-side Thai music blared in its jumpy, quirky manner with the over done sound effects. Those nasal voices of dark skinned women with their skins covered with make-up to an ashy white whined out of the stereos. A man with the head of a buffalo mask sauntered past. It was a mark of how wild things got at Songkran that eyes merely flickered over the shirtless buffalo briefly with a quick laugh. Transsexuals clad in diamond-studded flip-flops, wet white tank tops and mini jeans shorts the size of underwear danced to the blasting music from the open pubs down either side of the road. Their surgically-made ******* were all-too visible in the white shirts, their dark ******* poking out as they grabbed the crotches of good-looking men and boys that passed by, squealing and rubbing their bodies against white men especially. Most of these white foreigners had a look of bewildered pleased ness... for only a few realized that underneath that squeaky voice was a very deep rumble, and underneath those lacy thongs lay a very big surprise indeed.
One of the better-looking boys in the group, his green eyes and pointed chin drawing the fancy of many hookers, was pulled off by four pairs of wet skinny arms touching him and yelling in broken English, “Oh so handsome! You so handsome! I love you! What your name! You tell me your name, handsome boy!”
The handsome boy proceeded to manage some sort of scream for help while laughing until his stomach ached. It was Songkran; it was a merry time, and he knew he was good-looking. Kat, who held a secret crush on him laughed amusedly at his yelping.
Emily stumbled after him with Kat and parted through the crowd of ladies in time to see a tiny little ****** trip on her squeaking flip-flops and fall beside a sprawled figure, face down in the ***** road with a massive bag of ice on top of him.
“Hey! Are you alright?” Emily cried, half-amused and half-concerned, lifting the heavy ice bag off his shoulders.
Kat rushed forward, laughing but compromising her concern with furrowed brows and helped him up. “You okay Tom?”
He whimpered in pain and put a hand on his neck, rubbing it sorely. “That ice bag was ******* heavy.” The girls decided to make no note of his skinny arms.
They walked back to their group of friends who turned around and saw a limping green-eyed boy and roared with laughter. The noise caught the attention of predators searching for a good target and they were hosed down with water pipes.
Suddenly Emily felt a huge body lift her up and swing her around while hands plastered her with wet chalk.
“Emily!”
She felt safe hands grab her and looked up into the pair of dark chocolate eyes. They were a little annoyed as they flickered over the fat drunk man who released her heavily but it was Songkran, and he managed to laugh at her bewildered expression.
Just then they passed a horde of prostitutes and she felt him being ripped from her. “I like this one!” screeched a passing market lady who rushed in to jump on him. “I like this one! Let’s keep this one!” They dunk his head in a bucket of white goo.
She screeched with laughter and even at something that silly, felt protective of him. “Brad!”
He was too busy being attacked. “Brad!” she tried to reach in and he opened his mouth to call out to her. That was a big mistake, he realized, as he received a handful of powder in his mouth. Spitting, coughing, and trying to breathe through nostrils blocked with powder he managed to wipe his stinging eyes clean. The prostitutes released him but not before a huge ******* screamed with glee at his straight nose and thin red lips, and reached forward giving his crotch a good grab. He screeched in genuine disgust and fear, had a moments feeling of guilt in case he had offended the ******* which was immediately wept away as he, no she, no it, yelped joyfully and massaged his **** before trotting off to his, no her, no its next victim.
Where was Emily? With his height, he managed to see a brown head that stuck above the other dark-haired and light-haired heads being jostled out of the street by the moving crowd. He ran to catch up and grabbed Emily’s hand as the group of teenagers tripped out of “Soi Cowboy”.  
They stood for a moment catching their breath. Zoey, a tiny little girl with a chest that threatened to put her out of balance, pushed her brown curls out of her face. A red glow was starting to spread over her cheeks.
Kat laughed scornfully, her wide smile spreading generously over her face. “Sunburn?! You white girl!”  
They had all been out around the streets since early morning and it was late in the afternoon now. Rose’s cheeks were flushed and the tip of Kat’s nose was a little pink herself. The rest of them, with their darker skin, had tanned slightly but unnoticeably. They laughed at Zoey for a short while. It was an interesting group of friends: all of them of mixed heritages from around the world with different backgrounds that became common in the world of International schools. It was alright to tease Emily’s honey skin; it was funny to crack jokes about Stefan’s hairiness; it was hilarious when Zoey tried to tan.
Emily shot a picture of everyone laughing: their clothes wet, their faces scrunched up, eyeliner smudged (Kat and Rose had lined their eyes with water proof kohl that of course wasn’t really waterproof), their cheeks and chin caked a crumbly white.
Kat and Zoey clambered over her shoulders, peering at the little digital screen of the water proof camera. “Ew! Gross!” yelled Kat who was only used to pictures of her lips rosy from lipstick, camera at a flattering angle with a bright flash from her professional equipment that made her black-lined green eyes sparkle like emeralds.
“Delete! I look sick!”
Even Zoey, who admired Kat’s photogenic ness to a great extent, could find no words of solace except to say, “Me too! I look gross! Delete! Now!”
Emily just laughed and said, “No you don’t.” Of course it wasn’t a type of picture they’d profile on Facebook, but all the same it was beautiful with their wild-looking and uninhibited faces and un-posing body shapes, curled up in laughter.
Zoey snatched the camera from her and they fiddled with the buttons till the picture was deleted. It was regretful, annoying, but not unexpected.
Emily rubbed her sore knees and noticed how Tom was still rubbing his neck sorrowfully with Stefan laughing at him, shaking his head wearily. Brad was holding onto her arm a little tiredly, Kat and Zoey had their arms wrapped around each other’s shoulder for leaning support and Rose and Emily’s younger brother, Jason, were standing together, staring absen

all that my eyes can see are reflected
in crystal decanters on window sills
distorted and splintered by spheres
of the light, fading softly into greys
beyond the treeline and the horizon
meeting the earth with an embrace
slowly rolling hills of deep green moss
under roadways of gravel and tarmac
snaking swiftly into the dusky night

over in the corner there's a blanket
it belonged to her mother's mother
years of patches for every life lost
and gained in the birthing rooms
of antiseptic hospitals, quickly
remedied by the wrinkled hands
stained by tobacco and spices
that look rough to an outsider
but are gentler than any doctor's

Métis, Themis, Ma’at, their banter was for naught.
All the tides and tithings wisdoms and their teachings, Daemonium forgot!

But the heavens cry  manna as Nix cried out reprieve!
An act that loosed the flood, the chaos of her sea.

Her pain arose a champion to tend to all her needs,
Formed of Celestial Ocean he bore down on the freed.

A giant wave of madness, thrusting mist of sadness eradicating gladness... One led the ruthless breed.

Opaque in their beginning, formless shapes in twining.
Conjoined but not together, accompanied the weather.
Thalassa’s stringy tether wrapped them all forever.

Come or go in seasons, live or die in age.
No Spring to Fall in reasons, travailing of the mage?
Black tentacles the streamers, rooted into wave.
Witness the all-wise and snaking phantom phage...

Chiron watches while he prances, his dressage on the shore.
Arising liminal of beings wettened ambiguity of yore.
Even Iblis is impressed, such black rotten to the core!

Merkabah or egg, mountain, belly, tree they squabble.
All elements do I cobble, such are actions of the wobble.

Fifteen years old and thinking I was older.
'Assistant Maintenance Man' at a Public School
Summer Camp. Billy Deitz had just graduated
High School, I thought him the coolest guy
I knew. The first week was ended, the little
kids gone home, a new batch in two days time.

We did our work, cleaned and swept, sweated
in the summer sun. Took the old surplus Jeep
over to the creek and plunged ourselves in.
Deitz had some beer in an Ice chest, I drank
one, my first ever. We shot his .22 for a while
and ate PBJs in the shade. Then we heard it.

A train horn in the mountains is a haunting
call. It does not seem to belong there among
evergreen trees and massive granite boulders.
We drove the hell out of the Jeep and found
our way to the down grade tracks. And there
she was maybe 50 cars long, snaking her way
from the summit of the Sierras out of California
into Nevada. Through the Pass over a hairpin
filled course hugging the skirts of the rock face
mountains, slowly rolling her massive load
pushing her four engines, breaks a screeching
in protest. "Click Clack, Click Clack", her steel
wheels clanging upon the rails, a rhythm like
her train heart beating.

Deitz grabbed his coat and tied it round his waist,
looped a canteen over his head, "Lets go kid!"
I did what he said, and then we were running
along beside the box cars, more a trot than a run,
"Do what I do!" Deitz yelled over his shoulder.
A flat car with some machinery approached and
He grabbed on to it and pulled himself aboard,
I copied his moves and he helped pull me up
and then there we stood on the deck of that
moving, mountain ship, with her grunting and
shaking under our feet. We could feel all her
massive weight and power vibrating up through
that wooden plank deck of the flat bed car,
entering our legs and spines. . . It was thrilling!

I had not had time to think all this through,
"Now what?" I asked some what perplexed
"Reno Kid." Deitz yelled with a grin.  

We climbed atop a Box Car, our rail bound
ship crawled out of the upper pass and we
started to descend towards Donner Lake far
below.

Looking behind and ahead it was hard to
understand how they had cut those tracks
out of solid granite rock and how the rails
maintained their frail finger tip grip on the
sheer mountain side.

We ducked nearly flat going through the snow
tunnels, the clearance was tight and it seemed
that a guy could lose his head. The diesel thick
air made us cover mouth and nose with our shirts.
Two tunnels in we noticed our faces getting
smoke blackened. We laughed at the joke.
Soot faced on a boxcar in a tunnel of wood.
Two city kids playing Hobo.

We reached the lower valley, passed the place
where the Donner Party met their grisly end.

Truckee was next and the highway grew close.
We got back down onto the flat car, hunkered
down by machine cargo, more or less out of sight.

I thought of all the down on their luck men that
had ridden those rails, not on a some lark. That
whole Grapes Of Wrath, Woody Guthrie period
of no joke, for real ****. Pushed by poverty and hope.

I must admit at that moment, I felt more alive than
at any other time in my life. I felt grown up, like a man.
Until my belly began to rumble, the speed increased
and the wind began to chill. The Click Clacks of the
wheels quickened and grew irritatingly redundant.
The loud wailing of the engine horn no longer exciting.
Now only hurt my ears.

It was dark by the time we hit Reno, we jumped off
before the train yard. Walked into town with its
bright lights calling the casino gamers to unholy service
and nightly prayer. Proceeded over by hard-bitten
dealers in communal black, with cigarettes dangling
from their unsmiling lips, possessing the empty
dead eyes of the badly used up and down-trodden.
Through the ***** windows, the people there seemed
to possess no joy in their sluggish endeavors.
Both players and dealers all losers, merely Automatons
of those despairing games of chance.

Reno was still rough-hewn in those days, a hard
scrabble place full of cigarette smoke, ******,
card tables, slot machines and not much else.
It seemed to reek of lonely desperation.

Having seen our soot ***** faces in the
window reflection, we washed up in the
cold river that runs through town.

We walked around, ate hot dogs,
Downed a Doctor Pepper.
"Now what Deitz?"
"**** I don't know kid,
first time I ever did anything like this."

"What?" My world collapsed right then,
I thought he was much more than
he turned out to be. Maybe everyone is.
I even started to get a little scared.
No money, no place to stay and apparently,
like most of the denizens there, **** out ah'
luck. I'd never felt that way before, from
mountain high to valley low in two hours.
All that excitement turned to Dread.

We hitched a ride with a long haired
guy of questionable gender, who kept
staring at me in the rearview mirror.
West, to a Truck Stop on the edge of town.
Found a trucker willing to give us a lift
back up to the summit.  Jumped in his rig
happy to find, that his cab heater worked.

Badly judged our get out spot, searched
and stumbled around in the shadowy dark,
dim moonlight looking for that **** jeep,
all that friggin' night.

When the guy that ran the camp returned
and found us sleeping at half past two,
in the afternoon in our tent, to say the least,
He was not amused.

Need I say, I felt much older that next day
and a little wiser too.

Snaking down my wrist, beside pulsing, blue-green veins
Were obnoxious scars that left their mark
As if I needed another reminder of how some wounds could never heal.

This wrist of mine weathered more harm
Than a house in the eye of a hurricane
It bore the brunt of raw, undiluted, out of control anger
And frustration that my reflection brings.
As I stare back at the mirror,
I try to decipher the meaning behind beauty
And wonder if I could ever be like her.

But as my reflection cries and I see the swollen, red-rimmed eyes
I know only that I am not attractive
Not enough for you to think of me as worthy.

The angry welts and slashes are not merely scars
But ashes of the remains of my feelings,
the aftermath third degree burns
After you were done with your self-justified critique.
After you took away my light and peace.

That day I did not lost only you
But pieces of me I thought was mine.
You burned everything I thought I knew;
In the flames of doubt and insecurity,
I lost my mind.

I lost my foothold and you let me fall down the darkest abyss
Into my own version of hell
Straight out of my worst nightmare

When I saw a glimmer of light again as a breathing corpse,
No more than a frankenstein fixed together with thread
I saw the masterpiece of red on my wrists
And I saw that I was no longer whole.

All I know now is that I am afraid
Of being left behind by my own shadow
In this darkness I know now.

my boy with fig leaves and lightning bugs
******* in his hair, he kneels with
crimson palms pressed to the unquiet dirt
and hums an abandoned melody.

my boy with sunbeams shining through his skin on the riverbank,
neatly coating the grass in thin white trails, woven into footprints like cotton twine, snaking their way across brown earth,
ankles slick with mud and the dead things that lay just underneath.

my boy with rosewater and stained glass ashes
feels me bless him with blackberries and the softest crush of words,
ice cubed, beneath my lips,
as he wipes the ichor from my chest with callouses
worn down gentle.

the light echoes from his skin
there are no symphonies nor sacraments,
only cicadas singing warmth to shivering willows.

First they came for the Muslims
by Michael R. Burch

after Martin Niemoller

First they came for the Muslims
and I did not speak out
because I was not a Muslim.

Then they came for the homosexuals
and I did not speak out
because I was not a homosexual.

Then they came for the feminists
and I did not speak out
because I was not a feminist.

Now when will they come for me
because I was too busy and too apathetic
to defend my sisters and brothers?

"First they came for the Muslims" was published in Amnesty International’s "Words That Burn" anthology and is now being used as training material for budding human rights activists. My poem was inspired by and patterned after Martin Niemoller’s famous Holocaust poem. Niemoller, a German pastor, supported Adolph ****** in the early going, but ended up in a **** concentration camp and nearly lost his life. So his was a true poem based on his actual life experience. Keywords/Tags: Holocaust, genocide, apartheid, racism, intolerance, Jew, Jews, Muslim, Muslims, homosexuals, feminists, apathy, sisters, brothers, Islam, Islamic, God, religion, intolerance, race, racism, racist, discrimination, feminist, feminists, feminism, sexuality, gay, homosexual, homosexuals, LGBT, mrbmuslim, mrbpal, mrbnakba



Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



I Pray Tonight
by Michael R. Burch

for the mothers and children of Gaza

I pray tonight
the starry light
might
surround you.

I pray
each day
that, come what may,
no dark thing confound you.

I pray ere tomorrow
an end to your sorrow.
May angels’ white chorales
sing, and astound you.



Such Tenderness
by Michael R. Burch

for the mothers of Gaza

There was, in your touch, such tenderness―as
only the dove on her mildest day has,
when she shelters downed fledglings beneath a warm wing
and coos to them softly, unable to sing.

What songs long forgotten occur to you now―
a babe at each breast? What terrible vow
ripped from your throat like the thunder that day
can never hold severing lightnings at bay?

Time taught you tenderness―time, oh, and love.
But love in the end is seldom enough ...
and time?―insufficient to life’s brief task.
I can only admire, unable to ask―

what is the source, whence comes the desire
of a woman to love as no God may require?



I, too, have a Dream ...
written by Michael R. Burch for the children of Gaza

I, too, have a dream ...
that one day Jews and Christians
will see me as I am:
a small child, lonely and afraid,
staring down the barrels of their big bazookas,
knowing I did nothing
to deserve their enmity.



My Nightmare ...
written by Michael R. Burch for the children of Gaza

I had a dream of Jesus!
Mama, his eyes were so kind!
But behind him I saw a billion Christians
hissing "You're nothing!," so blind.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go ...
when lightning rails ...
when thunder howls ...
when hailstones scream ...
when winter scowls ...
when nights compound dark frosts with snow ...
where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill,
beyond the capacity of moonlight to fill?
When the only relief’s a banked fire’s glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times and Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Frail Envelope of Flesh
by Michael R. Burch

for the mothers and children of Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable ...

Frail crucible of dust,
brief flower come to this―
your tiny hand
in your mother’s hand
for a last bewildered kiss ...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her tears ...

Published by The Lyric, Promosaik (Germany), Setu (India) and Poetry Life & Times; translated into Arabic by Nizar Sartawi and into Italian by Mario Rigli

Note: The phrase "frail envelope of flesh" was one of my first encounters with the power of poetry, although I read it in a superhero comic book as a young boy (I forget which one). More than thirty years later, the line kept popping into my head, so I wrote this poem. I have dedicated it to the mothers and children of Gaza, who know all too well how fragile life and human happiness can be. What can I say, but that I hope, dream, wish and pray that one day ruthless men will no longer have power over the lives and happiness of innocents? Women, children and babies are not “terrorists” so why are they being punished collectively for the “crime” of having been born “wrong”? How can the government of Israel practice systematic racism and apartheid, and how can the government of the United States fund and support such a barbaric system?



who, US?
by Michael R. Burch

jesus was born
a palestinian child
where there’s no Room
for the meek and the mild

... and in bethlehem still
to this day, lambs are born
to cries of “no Room!”
and Puritanical scorn ...

under Herod, Trump, Bibi
their fates are the same―
the slouching Beast mauls them
and WE have no shame:

“who’s to blame?”

(In the poem "US" means both the United States and "us" the people of the world, wherever we live. The name "jesus" is uncapitalized while "Room" is capitalized because it seems evangelical Christians are more concerned about land and not sharing it with the less fortunate, than the teachings of Jesus Christ. Also, Jesus and his parents were refugees for whom there was "no Room" to be found. What would Jesus think of Christian scorn for the less fortunate, one wonders? What would he think of people adopting his name for their religion, then voting for someone like Trump, as four out of five evangelical Christians did, according to exit polls?)



Excerpts from “Travels with Einstein”
by Michael R. Burch

I went to Berlin to learn wisdom
from Adolph. The wild spittle flew
as he screamed at me, with great conviction:
“Please despise me! I look like a Jew!”

So I flew off to ’Nam to learn wisdom
from tall Yankees who cursed “yellow” foes.
“If we lose this small square,” they informed me,
earth’s nations will fall, dominoes!”

I then sat at Christ’s feet to learn wisdom,
but his Book, from its genesis to close,
said: “Men can enslave their own brothers!”
(I soon noticed he lacked any clothes.)

So I traveled to bright Tel Aviv
where great scholars with lofty IQs
informed me that (since I’m an Arab)
I’m unfit to lick dirt from their shoes.  

At last, done with learning, I stumbled
to a well where the waters seemed sweet:
the mirage of American “justice.”
There I wept a real sea, in defeat.

Originally published by Café Dissensus



Starting from Scratch with Ol’ Scratch
by Michael R. Burch

for the Religious Right

Love, with a small, fatalistic sigh
went to the ovens. Please don’t bother to cry.
You could have saved her, but you were all *******
complaining about the Jews to Reichmeister Grupp.

Scratch that. You were born after World War II.
You had something more important to do:
while the children of the Nakba were perishing in Gaza
with the complicity of your government, you had a noble cause (a
religious tract against homosexual marriage
and various things gods and evangelists disparage.)

Jesus will grok you? Ah, yes, I’m quite sure
that your intentions were good and ineluctably pure.
After all, what the hell does he care about Palestinians?
Certainly, Christians were right about serfs, slaves and Indians.
Scratch that. You’re one of the Devil’s minions.



Brother Iran
by Michael R. Burch

for the poets of Iran

Brother Iran, I feel your pain.
I feel it as when the Turk fled Spain.
As the Jew fled, too, that constricting span,
I feel your pain, Brother Iran.

Brother Iran, I know you are noble!
I too fear Hiroshima and Chernobyl.
But though my heart shudders, I have a plan,
and I know you are noble, Brother Iran.

Brother Iran, I salute your Poets!
your Mathematicians!, all your great Wits!
O, come join the earth's great Caravan.
We'll include your Poets, Brother Iran.

Brother Iran, I love your Verse!
Come take my hand now, let's rehearse
the Rubaiyat of Omar Khayyam.
For I love your Verse, Brother Iran.

Brother Iran, civilization's Flower!
How high flew your spires in man's early hours!
Let us build them yet higher, for that's my plan,
civilization's first flower, Brother Iran.



These are my translations of Holocaust poems by Ber Horvitz (also known as Ber Horowitz); his bio follows the poems. Poems about the Holocaust and Nakba often bear striking resemblances, especially when written from the perspective of a child.



Der Himmel
"The Heavens"
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

These skies
are leaden, heavy, gray ...
I long for a pair
of deep blue eyes.

The birds have fled
far overseas;
"Tomorrow I’ll migrate too,"
I said ...

These gloomy autumn days
it rains and rains.
Woe to the bird
Who remains ...



Doctorn
"Doctors"
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

Early this morning I bandaged
the lilac tree outside my house;
I took thin branches that had broken away
and patched their wounds with clay.

My mother stood there watering
her window-level flower bed;
The morning sun, quite motherly,
kissed us both on our heads!

What a joy, my child, to heal!
Finished doctoring, or not?
The eggs are nicely poached
And the milk's a-boil in the ***.



Broit
“Bread”
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

Night. Exhaustion. Heavy stillness. Why?
On the hard uncomfortable floor the exhausted people lie.

Flung everywhere, scattered over the broken theater floor,
the exhausted people sleep. Night. Late. Too tired to snore.

At midnight a little boy cries wildly into the gloom:
"Mommy, I’m afraid! Let’s go home!”

His mother, reawakened into this frightful place,
presses her frightened child even closer to her breast …

"If you cry, I’ll leave you here, all alone!
A little boy must sleep ... this, now, is our new home.”

Night. Exhaustion. Heavy stillness all around,
exhausted people sleeping on the hard ground.



"My Lament"
by Ber Horvitz
loose translation/interpretation by Michael R. Burch

Nothingness enveloped me
as tender green toadstools
lie blanketed by snow
with its thick, heavy prayer shawl …
After that, nothing could hurt me …



Ber Horvitz aka Ber Horowitz (1895-1942): Born to village people in the woods of Maidan in the West Carpathians, Horowitz showed art talent early on. He went to gymnazie in Stanislavov, then served in the Austrian army during WWI, where he was a medic to Italian prisoners of war. He studied medicine in Vienna and was published in many Yiddish newspapers. Fluent in several languages, he translated Polish and Ukrainian to Yiddish. He also wrote poetry in Yiddish. A victim of the Holocaust, he was murdered in 1942 by the Nazis.


Second Sight
by Michael R. Burch

I never touched you—
that was my mistake.

Deep within,
I still feel the ache.

Can an unformed thing
eternally break?

Now, from a great distance,
I see you again

not as you are now,
but as you were then—

eternally present
and Sovereign.



The Shrinking Season
by Michael R. Burch

With every wearying year
the weight of the winter grows
and while the schoolgirl outgrows
her clothes,
the widow disappears
in hers.

Published by Angle and Poem Today



Annual
by Michael R. Burch

Silence
steals upon a house
where one sits alone
in the shadow of the itinerant letterbox,
watching the disconnected telephone
collecting dust ...

hearing the desiccate whispers of voices’
dry flutters,—
moths’ wings
brittle as cellophane ...

Curled here,
reading the yellowing volumes of loss
by the front porch light
in the groaning swing . . .
through thin adhesive gloss
I caress your face.

Published by The HyperTexts



US Verse, after Auden
by Michael R. Burch

“Let the living creature lie,
Mortal, guilty, but to me
The entirely beautiful.”

Verse has small value in our Unisphere,
nor is it fit for windy revelation.
It cannot legislate less taxing fears;
it cannot make us, several, a nation.
Enumerator of our sins and dreams,
it pens its cryptic numbers, and it sings,
a little quaintly, of the ways of love.
(It seems of little use for lesser things.)

Published by The Raintown Review, The Barefoot Muse and Poetry Life & Times

The Unisphere mentioned is a spherical stainless steel representation of the earth constructed for the 1964 New York World’s Fair. It was commissioned to celebrate the beginning of the space age and dedicated to "Man's Achievements on a Shrinking Globe in an Expanding Universe." The lines quoted in the epigraph are from W. H. Auden’s love poem “Lullaby.”



Sea Dreams
by Michael R. Burch

I.
In timeless days
I've crossed the waves
of seaways seldom seen.
By the last low light of evening
the breakers that careen
then dive back to the deep
have rocked my ship to sleep,
and so I've known the peace
of a soul at last at ease
there where Time's waters run
in concert with the sun.

With restless waves
I've watched the days’
slow movements, as they hum
their antediluvian songs.
Sometimes I've sung along,
my voice as soft and low
as the sea's, while evening slowed
to waver at the dim
mysterious moonlit rim
of dreams no man has known.

In thoughtless flight,
I've scaled the heights
and soared a scudding breeze
over endless arcing seas
of waves ten miles high.
I've sheared the sable skies
on wings as soft as sighs
and stormed the sun-pricked pitch
of sunset’s scarlet-stitched,
ebullient dark demise.

I've climbed the sun-cleft clouds
ten thousand leagues or more
above the windswept shores
of seas no man has sailed
— great seas as grand as hell's,
shores littered with the shells
of men's "immortal" souls —
and I've warred with dark sea-holes
whose open mouths implored
their depths to be explored.

And I've grown and grown and grown
till I thought myself the king
of every silver thing . . .

But sometimes late at night
when the sorrowing wavelets sing
sad songs of other times,
I taste the windborne rime
of a well-remembered day
on the whipping ocean spray,
and I bow my head to pray . . .

II.
It's been a long, hard day;
sometimes I think I work too hard.
Tonight I'd like to take a walk
down by the sea —
down by those salty waves
brined with the scent of Infinity,
down by that rocky shore,
down by those cliffs that I used to climb
when the wind was **** with a taste of lime
and every dream was a sailor's dream.

Then small waves broke light,
all frothy and white,
over the reefs in the ramblings of night,
and the pounding sea
—a mariner’s dream—
was bound to stir a boy's delight
to such a pitch
that he couldn't desist,
but was bound to splash through the surf in the light
of ten thousand stars, all shining so bright.

Christ, those nights were fine,
like a well-aged wine,
yet more scalding than fire
with the marrow’s desire.

Then desire was a fire
burning wildly within my bones,
fiercer by far than the frantic foam . . .
and every wish was a moan.
Oh, for those days to come again!
Oh, for a sea and sailing men!
Oh, for a little time!

It's almost nine
and I must be back home by ten,
and then . . . what then?

I have less than an hour to stroll this beach,
less than an hour old dreams to reach . . .
And then, what then?

Tonight I'd like to play old games—
games that I used to play
with the somber, sinking waves.
When their wraithlike fists would reach for me,
I'd dance between them gleefully,
mocking their witless craze
—their eager, unchecked craze—
to batter me to death
with spray as light as breath.

Oh, tonight I'd like to sing old songs—
songs of the haunting moon
drawing the tides away,
songs of those sultry days
when the sun beat down
till it cracked the ground
and the sea gulls screamed
in their agony
to touch the cooling clouds.
The distant cooling clouds.

Then the sun shone bright
with a different light
over different lands,
and I was always a pirate in flight.

Oh, tonight I'd like to dream old dreams,
if only for a while,
and walk perhaps a mile
along this windswept shore,
a mile, perhaps, or more,
remembering those days,
safe in the soothing spray
of the thousand sparkling streams
that rush into this sea.
I like to slumber in the caves
of a sailor's dark sea-dreams . . .
oh yes, I'd love to dream,
to dream
and dream
and dream.

“Sea Dreams” is one of my longer and more ambitious early poems, along with the full version of “Jessamyn’s Song.” To the best of my recollection, I wrote “Sea Dreams” around age 18, circa 1976-1977. For years I thought I had written “Sea Dreams” around age 19 or 20, circa 1978. But then I remembered a conversation I had with a friend about the poem in my freshman dorm, so the poem must have been started around age 18 or earlier. Dating my early poems has been a bit tricky, because I keep having little flashbacks that help me date them more accurately, but often I can only say, “I know this poem was written by about such-and-such a date, because ...”

The next poem, "Son," is a companion piece to “Sea Dreams” that was written around the same time and discussed in the same freshman dorm conversation. I remember showing this poem to a fellow student and he asked how on earth I came up with a poem about being a father who abandoned his son to live on an island! I think the meter is pretty good for the age at which it was written.

Son
by Michael R. Burch

An island is bathed in blues and greens
as a weary sun settles to rest,
and the memories singing
through the back of my mind
lull me to sleep as the tide flows in.

Here where the hours pass almost unnoticed,
my heart and my home will be till I die,
but where you are is where my thoughts go
when the tide is high.

[etc., see handwritten version, the father laments abandoning his son]

So there where the skylarks sing to the sun
as the rain sprinkles lightly around,
understand if you can
the mind of a man
whose conscience so long ago drowned.



Ode to Postmodernism, or, Bury Me at St. Edmonds!
by Michael R. Burch

"Bury St. Edmonds—Amid the squirrels, pigeons, flowers and manicured lawns of Abbey Gardens, one can plug a modem into a park bench and check e-mail, files or surf the Web, absolutely free."—Tennessean News Service. (The bench was erected free of charge by the British division of MSN, after a local bureaucrat wrote a contest-winning ode of sorts to MSN.)

Our post-modernist-equipped park bench will let
you browse the World Wide Web, the Internet,
commune with nature, interact with hackers,
design a virus, feed brown bitterns crackers.

Discretely-wired phone lines lead to plugs—
four ports we swept last night for nasty bugs,
so your privacy's assured (a *******'s fine)
while invited friends can scan the party line:

for Internet alerts on new positions,
the randier exploits of politicians,
exotic birds on web cams (DO NOT FEED!) .
The cybersex is great, it's guaranteed

to leave you breathless—flushed, free of disease
and malware viruses. Enjoy the trees,
the birds, the bench—this product of Our pen.
We won in with an ode to MSN.



Let Me Give Her Diamonds
by Michael R. Burch

for Beth

Let me give her diamonds
for my heart's
sharp edges.

Let me give her roses
for my soul's
thorn.

Let me give her solace
for my words
of treason.

Let the flowering of love
outlast a winter
season.

Let me give her books
for all my lack
of reason.

Let me give her candles
for my lack
of fire.

Let me kindle incense,
for our hearts
require

the breath-fanned
flaming perfume
of desire.


Step Into Starlight
by Michael R. Burch

Step into starlight,
lovely and wild,
lonely and longing,
a woman, a child . . .

Throw back drawn curtains,
enter the night,
dream of his kiss
as a comet ignites . . .

Then fall to your knees
in a wind-fumbled cloud
and shudder to hear
oak hocks groaning aloud.

Flee down the dark path
to where the snaking vine bends
and withers and writhes
as winter descends . . .

And learn that each season
ends one vanished day,
that each pregnant moon holds
no spent tides in its sway . . .

For, as suns seek horizons—
boys fall, men decline.
As the grape sags with its burden,
remember—the wine!

I believe I wrote the original version of this poem in my early twenties.



Chloe
by Michael R. Burch

There were skies onyx at night ... moons by day ...
lakes pale as her eyes ... breathless winds
******* tall elms; ... she would say
that we loved, but I figured we’d sinned.

Soon impatiens too fiery to stay
sagged; the crocus bells drooped, golden-limned;
things of brightness, rinsed out, ran to gray ...
all the light of that world softly dimmed.

Where our feet were inclined, we would stray;
there were paths where dead weeds stood untrimmed,
distant mountains that loomed in our way,
thunder booming down valleys dark-hymned.

What I found, I found lost in her face
while yielding all my virtue to her grace.



You Never Listened
by Michael R. Burch

You never listened,
though each night the rain
wove its patterns again
and trembled and glistened . . .

You were not watching,
though each night the stars
shone, brightening the tears
in her eyes palely fetching . . .

You paid love no notice,
though she lay in my arms
as the stars rose in swarms
like a legion of poets,

as the lightning recited
its opus before us,
and the hills boomed the chorus,
all strangely delighted . . .



Through the fields of solitude
by Hermann Allmers
translation by David B. Gosselin with Michael R. Burch

Peacefully, I rest in the tall green grass
For a long time only gazing as I lie,
Caught in the endless hymn of crickets,
And encircled by a wonderful blue sky.

And the lovely white clouds floating across
The depths of the heavens are like silky lace;
I feel as though my soul has long since fled,
Softly drifting with them through eternal space.



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.

She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed
into oblivion ...



The Leveler
by Michael R. Burch

The nature of Nature
is bitter survival
from Winter’s bleak fury
till Spring’s brief revival.

The weak implore Fate;
bold men ravish, dishevel her . . .
till both are cut down
by mere ticks of the Leveler.

I believe I wrote this poem around age 20, in 1978 or thereabouts. It has since been published in The Lyric, Tucumcari Literary Review, Romantics Quarterly and The Aurorean.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky,
and the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our husks into some savage ocean
and laugh as they shatter, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze,
blown high, upward yearning,
twin spirits returning
to the world of resplendence from which we were seized.

In the whispering night, when the mockingbird calls
while denuded vines barely cling to stone walls,
as the red-rocked rivers rush on to the sea,
like a bright Goddess calling
a meteor falling
may flare like desire through skeletal trees.

If you look to the east, you will see a reminder
of days that broke warmer and nights that fell kinder;
but you and I were not meant for this life,
a life of illusions
and painful delusions:
a life without meaning—unless it is life.

So turn from the east and look to the west,
to the stars—argent fire ablaze at God's breast—
but there you'll find nothing but dreams of lost days:
days lost forever,
departed, and never,
oh never, oh never shall they be regained.

So turn from those heavens—night’s pale host of stars—
to these scarred pitted mountains, these wild grotesque tors
which—looming in darkness—obscure lustrous seas.
We are men, we must sing
till enchanted vales ring;
we are men; though we wither, our spirits soar free.



and then i was made whole
by Michael R. Burch

... and then i was made whole,
but not a thing entire,
glued to a perch
in a gilded church,
strung through with a silver wire ...

singing a little of this and of that,
warbling higher and higher:
a thing wholly dead
till I lifted my head
and spat at the Lord and his choir.



Bowery Boys
by Michael R. Burch

Male bowerbirds have learned
that much respect is earned
when optical illusions
inspire wild delusions.

And so they work for hours
to line their manly bowers
with stones arranged by size
to awe and mesmerize.

It’d take a great detective
to grok the false perspective
they use to lure in cuties
to smooch and fill with cooties.

Like human politicians,
they love impressive fictions
as they lie in their randy causes
with props like the Wizard of Oz’s.



THE KNIGHT IN THE PANTHER’S SKIN

***** Rustaveli (c. 1160-1250), often called simply Rustaveli, was a Georgian poet who is generally considered to be the preeminent poet of the Georgian Golden Age. “The Knight in the Panther's Skin” or “The Man in the Panther’s Skin” is considered to be Georgia’s national epic poem and until the 20th century it was part of every Georgian bride’s dowry. It is believed that Rustaveli served Queen Tamar as a treasurer or finance minister and that he may have traveled widely and been involved in military campaigns. Little else is known about his life except through folk tradition and legend.

The Knight in the Panther's Skin
by ***** Rustaveli
loose translation/interpretation by Michael R. Burch

excerpts from the PROLOGUE

I sing of the lion whose image adorns the lances, shields and swords
of our Queen of Queens: Tamar, the ruby-throated and ebon-haired.
How dare I not sing Her Excellency’s manifold praises
when those who attend her must bring her the sweets she craves?

My tears flow profusely like blood as I extol our Queen Tamar,
whose praises I sing in these not ill-chosen words.
For ink I have employed jet-black lakes and for a pen, a flexible reed.
Whoever hears will have his heart pierced by the sharpest spears!

She bade me laud her in stately, sweet-sounding verses,
to praise her eyebrows, her hair, her lips and her teeth:
those rubies and crystals arrayed in bright, even ranks!
A leaden anvil can shatter even the strongest stone.

Kindle my mind and tongue! Fill me with skill and eloquence!
Aid my understanding for this composition!
Thus Tariel will be tenderly remembered,
one of three star-like heroes who always remained faithful.

Come, let us mourn Tariel with undrying tears
because we are men born under similar stars.
I, Rustaveli, whose heart has been pierced through by many sorrows,
have threaded this tale like a necklace of pearls.

Keywords/Tags: ***** Rustaveli, Georgia, Georgian, epic, knight, panther, skin, queen, Tamar, praise, praises, Tariel, Avtandil, Nestan-Darejan



Final Lullaby
by Michael R. Burch

for my mother, Christine Ena Burch

Sleep peacefully—for now your suffering’s over.

Sleep peacefully—immune to all distress,
like pebbles unaware of raging waves.

Sleep peacefully—like fields of fragrant clover
unmoved by any motion of the wind.

Sleep peacefully—like clouds untouched by earthquakes.

Sleep peacefully—like stars that never blink
and have no thoughts at all, nor need to think.

Sleep peacefully—in your eternal vault,
immaculate, past perfect, without fault.



don’t forget ...
by Michael R. Burch

for Beth

don’t forget to remember
that Space is curved
(like your Heart)
and that even Light is bent
by your Gravity.

I dedicated this poem to the love of my life, but you are welcome to dedicate it to the love of yours, if you like it. The opening lines were inspired by a famous love poem by e. e. cummings. I went through a "cummings phase" around age 15 and wrote a number of poems "under the influence."



Options Underwater: The Song of the First Amphibian
by Michael R. Burch

“Evolution’s a Fishy Business!”

1.
Breathing underwater through antiquated gills,
I’m running out of options. I need to find fresh Air,
to seek some higher Purpose. No porpoise, I despair
to swim among anemones’ pink frills.

2.
My fins will make fine flippers, if only I can walk,
a little out of kilter, safe to the nearest rock’s
sweet, unmolested shelter. Each eye must grow a stalk,
to take in this green land on which it gawks.

3.
No predators have made it here, so I need not adapt.
Sun-sluggish, full, lethargic―I’ll take such nice long naps!

The highest form of life, that’s me! (Quite apt
to lie here chortling, calling fishes saps.)

4.
I woke to find life teeming all around―
mammals, insects, reptiles, loathsome birds.
And now I cringe at every sight and sound.
The water’s looking good! I look Absurd.

5.
The moral of my story’s this: don’t leap
wherever grass is greener. Backwards creep.
And never burn your bridges, till you’re sure
leapfrogging friends secures your Sinecure.

Originally published by Lighten Up Online

Keywords/Tags: amphibian, amphibians, evolution, gills, water, air, lungs, fins, flippers, fish, fishy business


These are my modern English translations of poems by Dante Alighieri.

Little sparks may ignite great Infernos.
―Dante, loose translation/interpretation by Michael R. Burch

In Beatrice I beheld the outer boundaries of blessedness.
―Dante, loose translation/interpretation by Michael R. Burch

She made my veins and even the pulses within them tremble.
―Dante, loose translation/interpretation by Michael R. Burch

Her sweetness left me intoxicated.
―Dante, loose translation/interpretation by Michael R. Burch

Love commands me by dictating my desires.
―Dante, loose translation/interpretation by Michael R. Burch

Follow your own path and let bystanders gossip.
―Dante, loose translation/interpretation by Michael R. Burch

The devil is not as dark as depicted.
―Dante, loose translation/interpretation by Michael R. Burch

There is no greater sorrow than to recall how we delighted in our own wretchedness.
―Dante, loose translation/interpretation by Michael R. Burch

As he, who with heaving lungs escaped the suffocating sea, turns to regard its perilous waters.
―Dante, loose translation/interpretation by Michael R. Burch

O human race, born to soar heavenward, why do you nosedive in the mildest breeze?
―Dante, loose translation/interpretation by Michael R. Burch

O human race, born to soar heavenward, why do you quail at the least breath of wind?
―Dante, loose translation/interpretation by Michael R. Burch

Midway through my life’s journey
I awoke to find myself lost in a trackless wood,
for I had strayed far from the straight path.
―Dante, loose translation/interpretation by Michael R. Burch

INSCRIPTION ON THE GATE OF HELL
Before me nothing created existed, to fear.
Eternal I am, eternal I endure.
Abandon all hope, ye who enter here.
―Dante, loose translation/interpretation by Michael R. Burch



Sonnet: “Ladies of Modest Countenance” from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

You, who wear a modest countenance,
With eyelids weighed down by such heaviness,
How is it, that among you every face
Is haunted by the same pale troubled glance?

Have you seen in my lady's face, perchance,
the grief that Love provokes despite her grace?
Confirm this thing is so, then in her place,
Complete your grave and sorrowful advance.

And if, indeed, you match her heartfelt sighs
And mourn, as she does, for the heart's relief,
Then tell Love how it fares with her, to him.

Love knows how you have wept, seeing your eyes,
And is so grieved by gazing on your grief
His courage falters and his sight grows dim.



Paradiso, Canto III:1-33, The Revelation of Love and Truth
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

That sun, which had inflamed my breast with love,
Had now revealed to me―as visions move―
The gentle and confounding face of Truth.

Thus I, by her sweet grace and love reproved,
Corrected, and to true confession moved,
Raised my bowed head and found myself behooved

To speak, as true admonishment required,
And thus to bless the One I so desired,
When I was awed to silence! This transpired:

As the outlines of men’s faces may amass
In mirrors of transparent, polished glass,
Or in shallow waters through which light beams pass

(Even so our eyes may easily be fooled
By pearls, or our own images, thus pooled):
I saw a host of faces, pale and lewd,

All poised to speak; but when I glanced around
There suddenly was no one to be found.
A pool, with no Narcissus to astound?

But then I turned my eyes to my sweet Guide.
With holy eyes aglow and smiling wide,
She said, “They are not here because they lied.”



Sonnet: A Vision of Love from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

To every gentle heart which Love may move,
And unto which my words must now be brought
For true interpretation’s tender thought―
I greet you in our Lord's name, which is Love.

Through night’s last watch, as winking stars, above,
Kept their high vigil over us, distraught,
Love came to me, with such dark terrors fraught
As mortals may not casually absolve.
Love seemed a being of pure joy, and had
My heart held in his hand, while on his arm
My lady, wrapped in her fine mantle, slept.
He, having roused her from her sleep, then made
Her eat my heart; she did, in deep alarm.
He then departed; as he left, he wept.


Excerpts from LA VITA NUOVA
by Dante Alighieri

Ecce deus fortior me, qui veniens dominabitur mihi.
Here is a Deity, stronger than myself, who comes to dominate me.
―Dante, loose translation/interpretation by Michael R. Burch

Apparuit iam beatitudo vestra.
Your blessedness has now been manifested unto you.
―Dante, loose translation/interpretation by Michael R. Burch

Heu miser! quia frequenter impeditus ero deinceps.
Alas, how often I will be restricted now!
―Dante, loose translation/interpretation by Michael R. Burch

Fili mi, tempus est ut prætermittantur simulata nostra.
My son, it is time to cease counterfeiting.
―Dante, loose translation/interpretation by Michael R. Burch

Ego tanquam centrum circuli, cui simili modo se habent circumferentiæ partes: tu autem non sic.
Love said: “I am as the center of a harmonious circle; everything is equally near me. No so with you.”
―Dante, loose translation/interpretation by Michael R. Burch



Sonnet: “Love’s Thoroughfare” from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

“O voi che par la via”

All those who travel Love's worn tracks,
Pause here, awhile, and ask
Has there ever been a grief like mine?

Pause here, from that mad race;
Patiently hear my case:
Is it not a piteous marvel and a sign?

Love, not because I played a part,
But only due to his great heart,
Afforded me a provenance so sweet

That often others, as I went,
Asked what such unfair gladness meant:
They whispered things behind me in the street.

But now that easy gait is gone
Along with the wealth Love afforded me;
And so in time I’ve come to be

So poor that I dread to ponder thereon.
And thus I have become as one
Who hides his shame of his poverty

By pretending happiness outwardly,
While within I travail and moan.



Sonnet: “Cry for Pity” from LA VITA NUOVA
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

These thoughts lie shattered in my memory:
When through the past I see your lovely face.
When you are near me, thus, Love fills all Space,
And often whispers, “Is death better? Flee!”

My face reflects my heart's blood-red dammed tide,
Which, fainting, seeks some shallow resting place;
Till, in the blushing shame of such disgrace,
The very earth seems to be shrieking, “Die!”

’Twould be a grievous sin, if one should not
Relay some comfort to my harried mind,
If only with some simple pitying
For this great anguish which fierce scorn has wrought
Through faltering sights of eyes grown nearly blind,
Which search for death now, like a blessed thing.



Excerpt from Paradiso
by Dante Alighieri
loose translation/interpretation by Michael R. Burch

****** Mother, daughter of your Son,
Humble, yet exalted above creation,
And the eternal counsel’s apex shown,

You are the Pinnacle of human nature,
Your nobility instilled by its Creator,
Who did not, having you, disdain his creature.

Love was rekindled in your perfect womb
Where warmth and holy peace were given room
For this, Perfection’s Rose, once sown, to bloom.

Now unto us you are a Torch held high
Our noonday sun―the light of Charity,
Our wellspring of all Hope, a living sea.

Madonna, so pure, high and all-availing,
The man who desires grace of you, though failing,
Despite his grounded state, is given wing!

Your mercy does not fail, but, Ever-Blessed,
The one who asks finds oftentimes his quest
Unneeded: you foresaw his first request!

You are our Mercy; you are our Compassion;
you are Magnificence; in you creation
Unites whatever Goodness deems Salvation.



THE MUSE

by Anna Akhmatova
loose translation/interpretation by Michael R. Burch

My being hangs by a thread tonight
as I await a Muse no human pen can command.
The desires of my heart ― youth, liberty, glory ―
now depend on the Maid with the flute in her hand.

Look! Now she arrives; she flings back her veil;
I meet her grave eyes ― calm, implacable, pitiless.
“Temptress, confess!
Are you the one who gave Dante hell?”

She answers, “Yes.”



I have also translated this poem written by Marina Tsvetaeva for Anna Akhmatova:

Excerpt from “Poems for Akhmatova”
by Marina Tsvetaeva
loose translation/interpretation by Michael R. Burch

You outshine everything, even the sun
at its zenith. The stars are yours!
If only I could sweep like the wind
through some unbarred door,
gratefully, to where you are ...
to hesitantly stammer, suddenly shy,
lowering my eyes before you, my lovely mistress,
petulant, chastened, overcome by tears,
as a child sobs to receive forgiveness ...


Dante Criticism by Michael R. Burch

Dante’s was a defensive reflex
against religion’s hex.
―Michael R. Burch


Dante, you Dunce!
by Michael R. Burch

The earth is hell, Dante, you Dunce!
Which you should have perceived―since you lived here once.

God is no Beatrice, gentle and clever.
Judas and Satan were wise to dissever
from false “messiahs” who cannot save.
Why flit like a bat through Plato’s cave
believing such shadowy illusions are real?
There is no "hell" but to live and feel!



How Dante Forgot Christ
by Michael R. Burch

Dante ****** the brightest and the fairest
for having loved―pale Helen, wild Achilles―
agreed with his Accuser in the spell
of hellish visions and eternal torments.
His only savior, Beatrice, was Love.

His only savior, Beatrice, was Love,
the fulcrum of his body’s, heart’s and mind’s
sole triumph, and their altogether conquest.
She led him to those heights where Love, enshrined,
blazed like a star beyond religion’s hells.

Once freed from Yahweh, in the arms of Love,
like Blake and Milton, Dante forgot Christ.

The Christian gospel is strangely lacking in Milton’s and Dante’s epics. Milton gave the “atonement” one embarrassed enjambed line. Dante ****** the Earth’s star-crossed lovers to his grotesque hell, while doing exactly what they did: pursing at all costs his vision of love, Beatrice. Blake made more sense to me, since he called the biblical god Nobodaddy and denied any need to be “saved” by third parties.



Dante’s Antes
by Michael R. Burch

There’s something glorious about man,
who lives because he can,
who dies because he must,
and in between’s a bust.

No god can reign him in:
he’s quite intent on sin
and likes it rather, really.
He likes *** touchy-feely.

He likes to eat too much.
He has the Midas touch
and paves hell’s ways with gold.
The things he’s bought and sold!

He’s sold his soul to Mammon
and also plays backgammon
and poker, with such antes
as still befuddle Dantes.

I wonder―can hell hold him?
His chances seem quite dim
because he’s rather puny
and also loopy-******.

And yet like Evel Knievel
he dances with the Devil
and seems so **** courageous,
good-natured and outrageous

some God might show him mercy
and call religion heresy.



Of Seabound Saints and Promised Lands
by Michael R. Burch

Judas sat on a wretched rock,
his head still sore from Satan’s gnawing.
Saint Brendan’s curragh caught his eye,
wildly geeing and hawing.

I’m on parole from Hell today!
Pale Judas cried from his lonely perch.
You’ve fasted forty days, good Saint!
Let this rock by my church,
my baptismal, these icy waves.
O, plead for me now with the One who saves!

Saint Brendan, full of mercy, stood
at the lurching prow of his flimsy bark,
and mightily prayed for the mangy man
whose flesh flashed pale and stark
in the golden dawn, beneath a sun
that seemed to halo his tonsured dome.
Then Saint Brendan sailed for the Promised Land
and Saint Judas headed Home.

O, behoove yourself, if ever your can,
of the fervent prayer of a righteous man!

In Dante’s Inferno, Satan gnaws on Judas Iscariot’s head. A curragh is a boat fashioned from wood and ox hides. Saint Brendan of Ireland is the patron saint of sailors and whales. According to legend, he sailed in search of the Promised Land and discovered America centuries before Columbus.



RE: Paradiso, Canto III
by Michael R. Burch

for the most “Christian” of poets

What did Dante do,
to earn Beatrice’s grace
(grace cannot be earned!)
but cast disgrace
on the whole human race,
on his peers and his betters,
as a man who wears cheap rayon suits
might disparage men who wear sweaters?

How conventionally “Christian” ― Poet! ― to ****
your fellow man
for being merely human,
then, like a contented clam,
to grandly claim
near-infinite “grace,”
as if your salvation was God’s only aim!
What a scam!

And what of the lovely Piccarda,
whom you placed in the lowest sphere of heaven
for neglecting her vows ―
She was forced!
Were you chaste?



Intimations V
by Michael R. Burch

We had not meditated upon sound
so much as drowned
in the inhuman ocean
when we imagined it broken
open
like a conch shell
whorled like the spiraling hell
of Dante’s Inferno.

Trapped between Nature
and God,
what is man
but an inquisitive,
acquisitive
sod?

And what is Nature
but odd,
or God
but a Clod,
and both of them horribly flawed?



Endgame
by Michael R. Burch

The honey has lost all its sweetness,
the hive―its completeness.

Now ambient dust, the drones lie dead.
The workers weep, their King long fled
(who always had been ****, invisible,
his “kingdom” atomic, divisible,
and pathetically risible).

The queen has flown,
long Dis-enthroned,
who would have given all she owned
for a promised white stone.

O, Love has fled, has fled, has fled ...
Religion is dead, is dead, is dead.



The Final Revelation of a Departed God’s Divine Plan
by Michael R. Burch

Here I am, talking to myself again . . .

******* at God and bored with humanity.
These insectile mortals keep testing my sanity!

Still, I remember when . . .

planting odd notions, dark inklings of vanity,
in their peapod heads might elicit an inanity

worth a chuckle or two.

Philosophers, poets . . . how they all made me laugh!
The things they dreamed up! Sly Odysseus’s raft;

Plato’s Republic; Dante’s strange crew;

Shakespeare’s Othello, mad Hamlet, Macbeth;
Cervantes’ Quixote; fat, funny Falstaff!;

Blake’s shimmering visions. Those days, though, are through . . .

for, puling and tedious, their “poets” now seem
content to write, but not to dream,

and they fill the world with their pale derision

of things they completely fail to understand.
Now, since God has long fled, I am here, in command,

reading this crap. Earth is Hell. We’re all ******.

Keyword/Tags: Muslims, sonnet, Italian sonnet, crown of sonnets, rhyme, love, affinity and love, Rome, Italy, Florence

Published as the collection "First they came for the Muslims"