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Sylvia Plath  Jun 2009
Cut
Cut
for Susan O'Neill Roe

What a thrill ----
My thumb instead of an onion.
The top quite gone
Except for a sort of hinge

Of skin,
A flap like a hat,
Dead white.
Then that red plush.

Little pilgrim,
The Indian's axed your scalp.
Your turkey wattle
Carpet rolls

Straight from the heart.
I step on it,
Clutching my bottle
Of pink fizz. A celebration, this is.
Out of a gap
A million soldiers run,
Redcoats, every one.

Whose side are they one?
O my
Homunculus, I am ill.
I have taken a pill to ****

The thin
Papery feeling.
Saboteur,
Kamikaze man ----

The stain on your
Gauze Ku Klux ****
Babushka
Darkens and tarnishes and when
The balled
Pulp of your heart
Confronts its small
Mill of silence

How you jump ----
Trepanned veteran,
***** girl,
Thumb stump.
Out on the marsh on a lonely night
The wind soughs through his rags,
The hat that’s pinned to his painted face,
Flutters and soars, then sags,
His eyes are wide and his mouth is grim
As an owl is put to flight,
And nothing but shadows will venture there
For the Scarecrow rules the night.

And back in the manse in a window seat
The Parson’s daughter sits,
She stares at the fluttering coat-tails, but
In truth, is scared to bits,
She watches the sails of the windmill turn
And creak and groan in the gloom,
As clouds come stuttering over the marsh
In the rays of a Harvest Moon.

The father is out in the donkey cart
To tend to his aging flock,
He’s left Elizabeth waiting there
By the tick of the hallway clock,
But out on the moors and beyond the marsh
There rides one Highway Jack,
A frock coat topped with a bunch of lace
And a gold trimmed tricorne hat.

He’s whipped the horse to a lather
In a retreat from a new affray,
For the magistrates have gathered
Vowing to ride him down that day,
The redcoats wait in the village Inn
For the sound that they know too well,
When the curate sees the approaching horse
He’s to toll the old church bell.

But the curate lies in a drunken fit
On the floor of the old church nave,
And soon, by matins his soul will flit
From life to an early grave,
Elizabeth sits in the window seat
And thinks of the coin and plate,
As the highwayman dismounts, and ties
His horse to the manse’s gate.

He beats on the door, ‘Please let me in,
I’m weary and faint, that’s all.
I wouldn’t abuse your person, but
I fear my back’s to the wall.’
She leaves the seat and she slides the bar
For bracing the oaken door,
‘I dare not, sir, I fear for my life,
You’re safer out on the moor!’

Their voices echo across the marsh
Like fear, distilled in the night,
And something shudders out in the gloom
And lurches to left and right,
It seems forever, but now a sound
Tolls out, like a final knell,
For something, out in the church tonight,
Is tolling the steeple bell.

He barely makes it back to his horse
When the redcoats stand in line,
Their muskets fire a volley of shot
And his coat turns red, like wine.
They go to the church when the deed is done
To say, ‘You have done well!’
But the curate lies on the cold stone floor,
The Scarecrow tolled the bell!

David Lewis Paget
John F McCullagh Jun 2013
In the presence of the enemy
He split his force in two.
His red coated invaders
displayed contempt for the Zulu.
How else to explain their failure
to fortify the camp?
Twenty Thousand warriors
Put them in a deadly clamp.
It was a fearsome slaughter
redcoats falling by the score.
Thirteen hundred swept away-
No prisoners of war.
assegai thrusting spears struck home
The Sun would shine no more.
The Thin Red Line was broken,
each man fighting his own war.
With ammunition running out
They fought with blade and ****.
Until knobkierrie clubs struck home
And stabbing spears found gut.
The officers with horses,
without honor, fled the fray.
Escaping only with their lives
No storied heroes they.
The Battle of Isandlwana on 22 January 1879. 20,000 Zulu warriors surrounded an annihilated a camp containing 1300 Of Victoria's finest. At 2:29 in the afternoon a total eclipse of the Sun Coincided with the last desperate stand of the embattled British.


The Title is suggested by the beginning of a famous verse of Macaulay

"Then out spake brave Horatius,
The Captain of the gate:
‘To every man upon this earth
Death cometh soon or late.
And how can man die better
Than facing fearful odds,
For the ashes of his fathers,
And the temples of his Gods,"
John F McCullagh Feb 2015
That day was brutally hot, and the cannon incessantly roared
It was the twenty eighth of June in the third year of the war.
Mary Hays was with her soldier, John, as he fought against the King.
Men would call out “Molly Pitcher” and she brought water from a spring.

The action began badly; Cornwallis pushing back Charles Lee.
Who’d have bet a continental that this would be a victory?
Then Washington brought up fresh troops and held Cornwallis back
Rebel cannon from Hays’ battery stalled Cornwallis’ attack.

John Hays , at his cannon, had succumbed to wounds and heat.
But his gun must not go silent or we would go down to defeat.
That was when Mary Hays decided she would take her husband’s place.
She ran to serve his cannon and kept up the firing pace.
She narrowly avoided death when the Redcoats returned fire
But bravely stood her ground and fought, and a legend was inspired.

Mary Hays survived the war and lived a ripe old age.
She was honored for her service and a State pension was paid.
That day at Monmouth Court House, we proved we could stand and fight.
The British army left the field in the darkness of that night.
The date is 06/28/1778, the place is Monmouth Court House and Mary Hays, one of several "Molly Pitchers" bringing water to the Embattled Americans mans her fallen Husband's cannon and fires a shot in the cause of Liberty.
Samantha Jane Jan 2014
Five months on the front
Between Arras and Albert
Both sides hunt
For the other

Redcoats and Frogs side by side
Putting away their hate
Both filled with pride
To fight

Drain the Fritz of their resources
Push them back as far as they could
But the enemy observes
And are waiting

Huge frontal attack, approached on foot
Ordered by General Haig
The Germans stayed put
And killed from afar

July 1st was day one
November 18th was the last
When all the guns
Were dead

It was the bloodiest battle anyone saw
Over one million deceased
No mortal law
Ruled here

13 Kilometers were gained
Using tanks and heavy gear
Reserves were drained
Yet no one cared

Friends, fathers, husbands, brothers,
Fought and lost their lives
For the children, sisters, wives and mothers
Who were left behind

Only gravediggers make money here
Listen my children and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.

He said to his friend, “If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the North Church tower as a signal light,—
One if by land, and two if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country folk to be up and to arm.”

Then he said “Good-night!” and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somerset, British man-of-war;
   A phantom ship, with each mast and spar
Across the moon like a prison bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.

Meanwhile, his friend through alley and street
Wanders and watches, with eager ears,
Till in the silence around him he hears
The muster of men at the barrack door,
The sound of arms, and the ***** of feet,
And the measured tread of the grenadiers,
Marching down to their boats on the shore.

Then he climbed the tower of the Old North Church,
By the wooden stairs, with stealthy tread,
To the belfry chamber overhead,
And startled the pigeons from their perch
On the sombre rafters, that round him made
Masses and moving shapes of shade,—
By the trembling ladder, steep and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town
And the moonlight flowing over all.

Beneath, in the churchyard, lay the dead,
In their night encampment on the hill,
Wrapped in silence so deep and still
That he could hear, like a sentinel’s tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, “All is well!”
A moment only he feels the spell
Of the place and the hour, and the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay,—
A line of black that bends and floats
On the rising tide like a bridge of boats.

Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride
On the opposite shore walked Paul Revere.
Now he patted his horse’s side,
Now he gazed at the landscape far and near,
Then, impetuous, stamped the earth,
And turned and tightened his saddle girth;
But mostly he watched with eager search
The belfry tower of the Old North Church,
As it rose above the graves on the hill,
Lonely and spectral and sombre and still.
And lo! as he looks, on the belfry’s height
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns.

A hurry of hoofs in a village street,
A shape in the moonlight, a bulk in the dark,
And beneath, from the pebbles, in passing, a spark
Struck out by a steed flying fearless and fleet;
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.
He has left the village and mounted the steep,
And beneath him, tranquil and broad and deep,
Is the Mystic, meeting the ocean tides;
And under the alders that skirt its edge,
Now soft on the sand, now loud on the ledge,
Is heard the ***** of his steed as he rides.

It was twelve by the village clock
When he crossed the bridge into Medford town.
He heard the crowing of the ****,
And the barking of the farmer’s dog,
And felt the damp of the river fog,
That rises after the sun goes down.

It was one by the village clock,
When he galloped into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, black and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the ****** work they would look upon.

It was two by the village clock,
When he came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning breeze
Blowing over the meadow brown.
And one was safe and asleep in his bed
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket ball.

You know the rest. In the books you have read
How the British Regulars fired and fled,—
How the farmers gave them ball for ball,
From behind each fence and farmyard wall,
Chasing the redcoats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.

So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,—
A cry of defiance, and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo for evermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere.
Brent Hamilton Aug 2014
Needlepoint threadbare caucus with an instant Kodak box camera filled nitrite
Like the sun-kissed barely lit beaches over Normandy
Stormed into the kitchen with a missile and an avalanche to overpower the pirates
With their long-forgotten and ill begotten flagship armada
The flowers hang low and the nooses lower with ever-present danger of going over
The needle hits skin puncture left right down touch your toes uplift like the cross
Arms hung low over the alabaster sky with a long trench-coat and wary eyes
Cloud cover start to blow the cover and touch the roller coaster coffee cup sitting
With an eye to the glass and the telescope lens flare catch like the door latch
Down to the basement with the worn out sofa sit alone like the bedraggled soldier
With his dog tags hanging like a sign of the times down to where his feet locked
To the floor in an instant with the bombshells all around and a seductive twist
The ring and fling the pin out count down begins to the gravity shift consciousness
Like the cancer patient under the knife the tumor’s removed the chemo begun
With the bulb burning down over a hospital bedside and the white sheets lingering
Smell of a machine gone bad turned tail like the redcoats running down the chute
With the mail to the end of the day the laundry’s out to dry on the steel clothesline
Their bolt cutters damage the elderly couple hanging from the tree with the cymbal
Underneath like the gong of the undertaker the dam’s release
The water runs down to cleanse the disease and carries the pathogens to find their caprice and restraint held back on the man in the chair with vacant eyes and half
Muttered prayers to an unknown God with long white beard
Sitting alone under a payphone like the cold-dead wires of a long gone bee hive
Mind pictures play off the words on my tongue like an over-told rhyme
The nursery songs and bells and whistles come together to form an indignant sound
Like the steel clap trap of the boot black against the pale white walls of the by-gone
Era with a viscosity of ancient monolithic capacity
Sourdough rising like the falling red sun over the horizon sit and contemplate the weather-worn-battle-torn visage of man remembered yet never met
Till death and earth turn and burn in the ascending light of the pale moon
Wolf-howl over the distant city lights like the mournful wail of a banished soul
Away from home for ever so long with a comb to the palace in the heart of the beast
It sings for summer and faraway places of the corporeal magic in an elemental fashion show sip the martini glasses ***** and break and shatter like popcorn
In the kettle boil over the levee let it sink down into the visage of a man in the underground coat around the tails of the whipped dogs running like hell.
Ken Pepiton Nov 2018
Specialism, electro mechanical circuits,

moving parts yet move, you see, but when we read we bring our senses
inside
privacy can become a public mind, if one is connected, in a giving way,
taking thought,
as the original medium we found message in,
thought takes form
in words,
words take form in things. Right. Check.

Blake feared the objective world was being walled in,
and all the people screamed, amen.
Again

Build the wall, from icons demoted to mites of no more
weight than a tinker's think,
phe-nomenal noment-ation, if we may

Hot and cool both bubbled up as burps, perhaps from the babes
booming through the lies told before the great war.

No future? You allow that thought in your culture?
And shame and blame?
No wonder you choose to lie.

Bear with me a while, share my load, it's light.
There is a hopeful object,
we can go easy into that good night,
the world is round.

Free from Ra and Isis and all, in one fell sweep of the besom.
Broom, besom, means broom, but the effect of an e,

e-lectrix

you give us the fire we'll give em hell  a game ad in the middle of the massage
Call of duty, black ops.
they
You use you eyes to see, it's a with-spiracy,

a hair of the dog that bit you. Eh?
live in bonanza land, 1965.

and so it goes, Dresden, every minute of every day

the walls of your home are coming down,

unless you were born with a cell phone in your father's pocket.

Privacy is calling for walls from the fenced in time after Bonanza.

Ah, too late, ours is an all new world of all at onceness, a global village, happening simultaneous.
extreme with everybody else's business, huge in
volvement in every body's business

we know too much to be strangers
walls fall down, not go up,
the wallbuilding never workded, did it Grandpa?

Nineteenth century student could believe
the factory system
would use the knowledge, hard-won
from books and chalkboards,
to keep him outa the mine.

Now, the information age,

are we the leisure class? Ever learning,
never knowing everything,

but knowing walls and wars do not perform as advertised.

The safety car, that was one with seat belts, 1965.
Our body percept, it changes,
this image of which you are un
aware.

The disconnected minded man, alienated
artist living edgewise to
cattywompus.

My life is my art, eh, not the other way.
Global village information age McLuhan named these things
from Canada.
More expert than my teacher,
Pop art is not a pun, it was a bubble,
that's a fact. The-joke-with-no-story-line-conundrums,
elephant jokes, blonde jokes

Those tests, Turing would approve,
any old A.I. can play chess,
just remember every response to every move ever made in any game in the system,
like the amygdala, your lizard thought-speed brain,
at the top of your spine.

But humans can make funny seem.

Humor comes from a world of un happiness and gripes,
Jose Jimenez was the example they made. Racist, right?
The guy was a jew.
William Szathmary, Googled it.

From <https://en.wikipedia.org/wiki/Bill_Dana>

Communicating with the logo-label-designer you wear,
messaging the world what? Exactly,
any un thought thought goes unsaid,

but T-shirts and body art, henna's the best,
those send a message with no thought whatsoever.
Same as Redcoats in bearskin hats, what's being said,
same as the judge with a wig?

What is the role?
Why the ongoing act?
It must have changed into that wigged judge from something.

Theater of everywhere, accept allatonce, or die asking y not.

Inward directed seeking
deep meaning
a role that changes

some outside
the future of the future started, a while back. not too far.

No inevitability.
An act of high poetry

envisioning,
the future was friendly

metaphysical value, brilliant, incomprehensible
a man, a thinker,
storytellers the experts say,
need some mud behind 'em. and some snow.

a mother never satisfied with her life,
brittley self confident,

the whole approach to knowing is old.
Diogenes's search for a good poem, with
shifting levels of imagery,
never shall you know,

they work
the way a word works,
the effect.
effect. fect from Latin facere,
sistere mechanically deus
The oracle of the information age
Ah,whatvoiceisheardaroundtheworld,
oh,mine.2018 Mr. McLuhan,
you'd likely lighten up a little.
Toejammspredder was mcluhan I heard on the grapevine.

Hey, mom, I'm on TV.
Up to doctrine, then destination syndrome a hopebubble

He had brain surgery and returned to Catholicism, a safe place.
But he left his vision to television's offspring.
That's about all I know of his work.
Some things shape us for our future, if we allow the time and let patience have her perfect work.
It started when he had brought a box
He’d bought, back home from the fair,
The size of an average tinder box
In brass, and embossed with care,
The scene was the site of a battlefield
Where the redcoats marched as one,
In the face of the French artillery
Looking down the mouth of a gun.

And on the right was a drummer boy
Who drummed to the marching feet,
He gazed ahead but his eyes were dead
As he kept up a steady beat,
A moment of peril embossed in time
When nations ruled by the gun,
The redcoats all in a staggered line
With the battle not yet won.

‘And how did you come by that,’ she said,
His wife, when he brought it home,
‘I should know better than let you out
With a pound, when you’re on your own.
The gypsies see you abroad, my lad
And they say, ‘Now there’s our mark!
They’d pick you out of a thousand folk
Out there, a-stroll in the park.’

‘It wasn’t a gypsy, Jen,’ he said,
‘But an old, sad military man,
Struggling on a pension for
His bread, as best he can.’
‘You’re just as soft as the next one, Bill,
They’d steal a beggar’s cup,
But now that you’ve got your tinder box
Let’s see, just open it up.’

‘I can’t, it’s locked with a type of lock
That I’ve never seen before,
It’s rusted on, and there is no key,
It’s a work of art for sure.’
He set it down by their rustic hearth
Where it looked so very fine,
A piece from their ancient history
Where the soldiers stood in line.

That night they woke to the distant sound
Of a battle, lost and won,
The sound of cheers, of clashes, tears
To the beat of a distant drum,
And Jen was lying there frozen as
She clung to her husband’s arm,
‘What have you brought on home to us?’
She cried, in her alarm.

The morning saw her attack the lock
With a hammer to no avail,
The lock, it might have been rusty but
Was solid, strong and hale,
And Bill said ‘Stop! You will ruin it,
There’s nothing there to hide,
I bought it more for the picture than
What might there be inside.’

Each night the sound of a battle filtered
Out of that tinder box,
The sounds of the muskets firing, of
Whizz-bangs and battle shocks,
And through it all was the steady sound
Of the little drummer’s beat,
It rose up out of the battleground
With the sound of marching feet.

They finally cut the lock away
With a coarse old hacksaw blade,
It took a couple of hours that day
So sturdy was it made.
Then Bill said ‘Your curiosity
Has made me wreck the lock,
So now, there’s nothing to stop you, Jen,
Just open up the box.’

The lid flew up and the sight she saw
Was enough to make her faint,
For there, the skull of the drummer boy
Lay with its coat of paint,
And blood, red blood was the skull in there
Though the teeth were pearly white,
A bullet hole in the frontal lobe
That had kissed the boy goodnight.

And folded there, but beneath the skull
Was the skin of the drummer’s drum,
Blackened, torn and beyond repair
It had sounded for everyone.
It’s buried now with the drummer’s skull,
It’s resting beneath a tree,
And never sounds, for its war is won,
It’s where it was meant to be.

David Lewis Paget
Marshal Gebbie  Jan 2010
Afghans
Marshal Gebbie Jan 2010
With eyes of black obsidian
And eagle's beak of nose
Black turban of the Taliban
Worn everywhere he goes,
Warrior of God's mountainside
Mujaheddin, known by name,
Pashto is his verbal tongue
And Allah's quest, his fame.

Razored knife in braided belt
Long"Jezail"musket points to sky,
A gimlet glint to garnet gaze
One thoughtless move , you die.
Gliding fast from rock to rock
Gazelle like in his easy grace,
Silent as an adder's strike
Assassin black with turbaned face.

For centuries invaders came
To vanquish this stark land,
Persians,Romans, Russians
And British redcoats tried their hand.
And recently the Yankees
Came with automated war,
To find themselves engulfed
And fleeing for the exit door.

Inexorable Afghanistan
Has bleached their bones as one
Vendetta for the insult
While there's air to breath and gun.
Like Shah Massoud, the warlords
Descend from mountain cave
To slaughter all who venture
Be they terrified or brave.

Tribally disconnected
From Islamabad to Kabul,
Tajik versus Pashtun
Versus Koranic Islam's rule.
No prisoners are taken,
The women always use their knives
And ravines echo shockingly
As tortured slowly lose their lives.

But the sunsets are glorious
Valley mists by morning rise
And row by row of fractured peaks
Rise in grandeur to blue skies.
And the children croon to goat herds
As they graze high meadow's green
And above the taloned goshawk glides
Ever watchful and unseen.

Hulks of Russian gun ships
Litter valleys and the plain
And the ghosts of many nations
Walk these dusty roads of shame.
For the legacy of the Afghans
Is a ****** litany of war
And the road to their tomorrow
Is paved with promises of more.

Marshalg
Wanganui
30 December 2009.
www.worthyofpublishing.com
www.hellopoetry.com
- From Watching the Ripples Radiate
Lawrence Hall Jul 2017
(Happy 150th, Canada!)


Canada Day -  Just One?

With love from an ‘umble Yank

But every day is Canada Day!

The afternoon plane lands in Halifax
When the hatch is popped, cool air rushes in
Even the fog is happy in Canada

The Muskogee never made landfall here
And so we pilgrimage for her, complete
Her voyage from ’42 to Canada

Wolfville, Grand Pre’, Le Grande Derangement
The Deportation Cross and beer cans
Well, God forgive the Redcoats anyway

Newfoundland
Is a bold
Anapest

The church spires in a line, the light is green
The bold young captain shoots the narrows wild
Can you find your way to your painted house?

To walk again the cobbles of Ferryland
And smell the very blue of the Atlantic
The sea-blown wind is cold in Canada

Blue Puttees and a mourning Caribou
Eternal rest grant unto them, O Lord
Good children sing “We love thee, Newfoundland”

Quebec – royal city of New France
May Le Bon Dieu bless the Plains of Abraham,
And may God bless
The signs an English driver cannot read

The Coca-Cola streets of Niagara Falls
Yanks laugh at made-in-China Mountie mugs
And buy them, happy to be in Canada

A cup of Toujours Frais from – well, that place
But to us in your southern provinces
Below Niagara, Tim too is Canada

Though Canada goes on, these scribbles must not -
Your grateful guest wishes only to say
That every happy day is Canada Day!
John F McCullagh Dec 2014
The air was chill and darkness fell as bells rang and the rabble gathered.
A British sentry had struck a lad; some said his jaw was shattered.
Some four hundred Bostonians were milling about his station.
Eight Redcoats, each with rifle cocked, tried to defuse the situation.
The crowd was in an ugly mood; they would not let this slide.
The soldiers were pelted with rocks and snow, but as yet no one had died.
Private Montgomery was knocked down And muttered “**** you, Fire.”
He discharged his weapon into the ground, and that shot provoked their ire.
Captain Preston never issued the command, but a ragged volley was fired.
Eleven colonists were hit, three of them expired.
The crowd in panic then dispersed, and the troop of men retired.
A black man, Crispus Atticus, was among those who had died.
The mood was tense in Boston and those troops were charged and tried.
John Adams won acquittal, he was brilliant in defense.
But the crowd still felt injustice, and there's been no peace since.
March 5, 1775 AKA the Boston Massacre. If it were being reported today the AP would say an unarmed black man was killed by law enforcement.

— The End —