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Poems
Michael R Burch May 2020
Epigrams
Michael R Burch
May 2020
Epigrams by Michael R. Burch
Conformists of a feather
flock together.
—Michael R. Burch
(Winner of the National Poetry Month Couplet Competition)
My objective is not to side with the majority, but to avoid the ranks of the insane.—Marcus Aurelius, translation by Michael R. Burch
Epitaph for a Palestinian Child
by Michael R. Burch
I lived as best I could, and then I died.
Be careful where you step: the grave is wide.
(Published by Romantics Quarterly, Poetry Super Highway, Poets for Humanity, Daily Kos, Katutura English, Genocide Awareness, Darfur Awareness Shabbat, Viewing Genocide in Sudan, Better Than Starbucks, Art Villa, Setu, Angle, AZquotes, QuoteMaster; also translated into Czech, Indonesian, Romanian and Turkish)
Childless
by Michael R. Burch
How can she bear her grief?
Mightier than Atlas, she shoulders the weight
of one fallen star.
Stormfront
by Michael R. Burch
Our distance is frightening:
a distance like the abyss between heaven and earth
interrupted by bizarre and terrible lightning.
Laughter's Cry
by Michael R. Burch
Because life is a mystery, we laugh
and do not know the half.
Because death is a mystery, we cry
when one is gone, our numbering thrown awry.
(Originally published by Angelwing)
Autumn Conundrum
by Michael R. Burch
It's not that every leaf must finally fall,
it's just that we can never catch them all.
(Originally published by The Neovictorian/Cochlea, this poem has been translated into Russian, Macedonian, Turkish and Romanian)
Piercing the Shell
by Michael R. Burch
If we strip away all the accouterments of war,
perhaps we'll discover what the heart is for.
(Originally published by The Neovictorian/Cochlea, this poem has been translated into Russian, Arabic, Turkish and Macedonian)
*** Hex
by Michael R. Burch
Love's full of cute paradoxes
(and highly acute poxes) .
(Published by ***** of Parnassus and Lighten Up)
Styx
by Michael R. Burch
Black waters—deep and dark and still.
All men have passed this way, or will.
(Published by The Raintown Review and Blue Unicorn; also translated into Romanian and published by Petru Dimofte. This is one of my early poems, written as a teenager. I believe it was my first epigram.)
Fahr an' Ice
by Michael R. Burch
(apologies to Robert Frost and Ogden Nash)
From what I know of death, I'll side with those
who'd like to have a say in how it goes:
just make mine cool, cool rocks (twice drowned in likker) ,
and real fahr off, instead of quicker.
Lance-Lot
by Michael R. Burch
Preposterous bird!
Inelegant! Absurd!
Until the great & mighty heron
brandishes his fearsome sword.
Multiplication, Tabled
or Procreation Inflation
by Michael R. Burch
for the Religious Right
"Be fruitful and multiply"—
great advice, for a fruitfly!
But for women and men,
simple Simons, say, "WHEN! "
The Whole of Wit
by Michael R. Burch
If brevity is the soul of wit
then brevity and levity
are the whole of it.
(Published by Shot Glass Journal)
Nun Fun Undone
by Michael R. Burch
Abbesses'
recesses
are not for excesses!
(Published by Brief Poems)
Saving Graces, for the Religious Right
by Michael R. Burch
Life's saving graces are love, pleasure, laughter...
wisdom, it seems, is for the Hereafter.
(Published by Shot Glass Journal and Poem Today)
Skalded
by Michael R. Burch
Fierce ancient skalds summoned verse from their guts;
today's genteel poets prefer modern ruts.
Not Elves, Exactly
by Michael R. Burch
Something there is that likes a wall,
that likes it spiked and likes it tall,
that likes its pikes' sharp rows of teeth
and doesn't mind its victims' grief
(wherever they come from, far or wide)
as long as they fall on the other side.
Self-ish
by Michael R. Burch
Let's not pretend we "understand" other elves
as long as we remain mysteries to ourselves.
Piecemeal
by Michael R. Burch
And so it begins—the ending.
The narrowing veins, the soft tissues rending.
Your final solution is pending.
(A pale Piggy-Wiggy
will discount your demise as no biggie.)
Liquid Assets
by Michael R. Burch
And so I have loved you, and so I have lost,
accrued disappointment, ledgered its cost,
debited wisdom, credited pain...
My assets remaining are liquid again.
**** Brevis, Emendacio Longa
by Michael R. Burch
The Donald may tweet from sun to sun,
but his spellchecker’s work is never done.
Cassidy Hutchinson is not only credible, but her courage and poise under fire have been incredible. — Michael R. Burch
Brief Fling
by Michael R. Burch
Epigram
means cram,
then scram!
To write an epigram, cram.
If you lack wit, scram!
—Michael R. Burch
Fleet Tweet: Apologies to Shakespeare
by Michael R. Burch
A tweet
by any other name
would be as fleet.
@mikerburch (Michael R. Burch)
Fleet Tweet II: Further Apologies to Shakespeare
by Michael R. Burch
Remember, doggonit,
heroic verse crowns the Shakespearean sonnet!
So if you intend to write a couplet,
please do it on the doublet!
@mikerburch (Michael R. Burch)
Love is either wholly folly,
or fully holy.
—Michael R. Burch
Civility
is the ability
to disagree
agreeably.
—Michael R. Burch
****** Most Fowl!
by Michael R. Burch
“****** most foul!”
cried the mouse to the owl.
“Friend, I’m no sinner;
you’re merely my dinner.
As you fall on my sword,
take it up with the LORD!”
the wise owl replied
as the tasty snack died.
(Published by Lighten Up Online and Potcake Chapbooks)
The Beat Goes On (and On and On and On ...)
by Michael R. Burch
Bored stiff by his board-stiff attempts
at “meter,” I crossly concluded
I’d use each iamb
in lieu of a lamb,
bedtimes when I’m under-quaaluded.
(Originally published by Grand Little Things)
Midnight Stairclimber
by Michael R. Burch
Procreation
is at first great sweaty recreation,
then—long, long after the *** dies—
the source of endless exercise.
(Published by Angelwing and Brief Poems)
Love has the value
of gold, if it's true;
if not, of rue.
—Michael R. Burch
Teddy Roosevelt spoke softly and carried a big stick;
Donald Trump speaks loudly and carries a big shtick.
—Michael R. Burch
Nonsense Verse for a Nonsensical White House Resident
by Michael R. Burch
Roses are red,
Daffodils are yellow,
But not half as daffy
As that taffy-colored fellow!
There's no need to rant about Al-Qaeda and ISIS.
The cruelty of "civilization" suffices:
our ordinary vices.
—Michael R. Burch
Sumer is icumen in
a modern English translation/interpretation by Michael R. Burch
(this update of an ancient classic is dedicated to everyone who suffers with hay fever and other allergies)
Sumer is icumen in
Lhude sing achu!
Groweth sed
And bloweth hed
And buyeth med?
Cuccu!
Originally published by Lighten Up Online (as Kim Cherub)
NOTE: I kept the medieval spellings of “sumer” (summer), “lhude” (loud), “sed” (seed) and “hed” (head). I then slipped in the modern slang term “med” for medication. The first line means something like “Summer’s a-comin’ in!” In the original poem the cuckoo bird was considered to be a harbinger of spring, but here “cuccu” simply means “crazy!”
The Complete Redefinitions
Faith: falling into the same old claptrap.—Michael R. Burch
Religion: the ties that blind.—Michael R. Burch
Salvation: falling for allure —hook, line and stinker.—Michael R. Burch
Trickle down economics: an especially pungent *******.—Michael R. Burch
Canned political applause: clap track for the claptrap.—Michael R. Burch
Baseball: lots of spittin' mixed with occasional hittin'.—Michael R. Burch
Lingerie: visual foreplay.—Michael R. Burch
A straight flush is a winning hand. A straight-faced flush is when you don't give it away.—Michael R. Burch
Lust: a chemical affair.—Michael R. Burch
Believer: A speck of dust / animated by lust / brief as a mayfly / and yet full of trust.—Michael R. Burch
Theologian: someone who wants life to “make sense” / by believing in a “god” infinitely dense.—Michael R. Burch
Skepticism: The murderer of Eve / cannot be believed.—Michael R. Burch
Death: This dream of nothingness we fear / is salvation clear.—Michael R. Burch
Insuresurrection: The dead are always with us, and yet they are naught!—Michael R. Burch
Marriage: a seldom-observed truce / during wars over money / and a red-faced papoose.—Michael R. Burch
Is “natural affection” affliction? / Is “love” nature’s sleight-of-hand trick / to get us to reproduce / whenever she feels the itch?—Michael R. Burch
Translations
Birdsong
by Rumi
loose translation by Michael R. Burch
Birdsong relieves
my deepest griefs:
now I'm just as ecstatic as they,
but with nothing to say!
Please universe,
rehearse
your poetry
through me!
Raise your words, not their volume.
Rain grows flowers, not thunder.
—Rumi, translation by Michael R. Burch
The imbecile constructs cages for everyone he knows,
while the sage (who has to duck his head whenever the moon glows)
keeps dispensing keys all night long
to the beautiful, rowdy, prison gang.
—Hafiz loose translation/interpretation by Michael R. Burch
An unbending tree
breaks easily.
—Lao Tzu, loose translation/interpretation by Michael R. Burch
Little sparks ignite great Infernos.—Dante, translation by Michael R. Burch
Love distills the eyes’ desires, love bewitches the heart with its grace.―Euripides, translation by Michael R. Burch
Once fanaticism has gangrened brains
the incurable malady invariably remains.
—Voltaire, loose translation/interpretation by Michael R. Burch
Booksellers laud authors for novel editions
as pimps praise their ****** for exotic positions.
—Thomas Campion, loose translation/interpretation by Michael R. Burch
No wind is favorable to the man who lacks direction.
—Seneca the Younger, loose translation/interpretation by Michael R. Burch
Hypocrisy may deceive the most perceptive adult, but the dullest child recognizes and is revolted by it, however ingeniously disguised.
—Leo Tolstoy translation by Michael R. Burch
Just as I select a ship when it's time to travel,
or a house when it's time to change residences,
even so I will choose when it's time to depart from life.
—Seneca, speaking about the right to euthanasia in the first century AD, translation by Michael R. Burch
Improve yourself through others' writings, thus attaining more easily what they acquired through great difficulty.
—Socrates, translation by Michael R. Burch
Fools call wisdom foolishness.
―Euripides, translation by Michael R. Burch
One true friend is worth ten thousand kin.
―Euripides, translation by Michael R. Burch
Not to speak one’s mind is slavery.
―Euripides, translation by Michael R. Burch
I would rather die standing than kneel, a slave.
―Euripides, translation by Michael R. Burch
Fresh tears are wasted on old griefs.
―Euripides, translation by Michael R. Burch
Native American Proverb
loose translation/interpretation by Michael R. Burch
Before you judge
a man for his sins
be sure to trudge
many moons in his moccasins.
Native American Proverb
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch
A man must pursue his Vision
as the eagle explores
the sky's deepest blues.
Native American Proverb
loose translation/interpretation by Michael R. Burch
Let us walk respectfully here
among earth's creatures, great and small,
remembering, our footsteps light,
that one wise God created all.
The Least of These...
What you
do
to
the refugee
you
do
unto
Me!
—Jesus Christ, translation/paraphrase by Michael R. Burch
The Church Gets the Burch Rod
The most dangerous words ever uttered by human lips are “thus saith the LORD.” — Michael R. Burch
How can the Bible be "infallible" when from Genesis to Revelation slavery is commanded and condoned, but never condemned? —Michael R. Burch
If God
is good
half the Bible
is libel.
—Michael R. Burch
I have my doubts about your God and his "love":
If one screams below, what the hell is "Above"?
—Michael R. Burch
If God has the cattle on a thousand hills,
why does he need my tithes to pay his bills?
—Michael R. Burch
The best tonic for other people's bad ideas is to think for oneself.—Michael R. Burch
Hell hath no fury like a fundamentalist whose God condemned him for having "impure thoughts."—Michael R. Burch
Religion is the difficult process of choosing the least malevolent invisible friends.—Michael R. Burch
Religion is the ****** of the people.—Karl Marx
Religion is the dopiate of the sheeple.—Michael R. Burch
An ideal that cannot be realized is, in the end, just wishful thinking.—Michael R. Burch
God and his "profits" could never agree
on any gospel acceptable to an intelligent flea.
—Michael R. Burch
To fall an inch short of infinity is to fall infinitely short.—Michael R. Burch
Most Christians make God seem like the Devil. Atheists and agnostics at least give him the "benefit of the doubt."—Michael R. Burch
Hell has been hellishly overdone.
Why blame such horrors on God's only Son
when Jehovah and his prophets never mentioned it once?
—Michael R. Burch
(Bible scholars agree: the word "hell" has been removed from the Old Testaments of the more accurate modern Bible translations. And the few New Testament verses that mention "hell" are obvious mistranslations.)
Clodhoppers
by Michael R. Burch
If you trust the Christian "god"
you're—like Adumb—a clod.
If every witty thing that's said were true,
Oscar Wilde, the world would worship You!
—Michael R. Burch
Questionable Credentials
by Michael R. Burch
Poet? Critic? Dilettante?
Do you know what's good, or do you merely flaunt?
(Published by ***** of Parnassus, the first poem in the April 2017 issue)
*******
by Michael R. Burch
You came to me as rain breaks on the desert
when every flower springs to life at once,
but joy is an illusion to the expert:
the Bedouin has learned how not to want.
Lines in Favor of Female Muses
by Michael R. Burch
I guess ***** of Parnassus are okay...
But those Lasses of Parnassus? My! Olé!
(Published by ***** of Parnassus)
Meal Deal
by Michael R. Burch
Love is a splendid ideal
(at least till it costs us a meal) .
Long Division
by Michael R. Burch as Kim Cherub
All things become one
Through death's long division
And perfect precision.
i o u
by mrb
i might have said it
but i didn't
u might have noticed
but u wouldn't
we might have been us
but we couldn't
u might respond
but probably shouldn't
Mate Check
by Michael R. Burch
Love is an ache hearts willingly secure
then break the bank to cure.
Incompatibles
by Michael R. Burch
Reason's treason!
cries the Heart.
Love's insane,
replies the Brain.
(Originally published by Light)
Death is the ultimate finality
of reality.
—Michael R. Burch
Stage Fright
by Michael R. Burch
To be or not to be?
In the end Hamlet
opted for naught.
Grave Oversight
by Michael R. Burch
The dead are always with us,
and yet they are naught!
Feathered Fiends
by Michael R. Burch
Fascists of a feather
flock together.
Why the Kid Gloves Came Off
by Michael R. Burch
for Lemuel Ibbotson
It's hard to be a man of taste
in such a waste:
hence the lambaste.
Housman was right...
by Michael R. Burch
It's true that life's not much to lose,
so why not hang out on a cloud?
It's just the bon voyage is hard
and the objections loud.
Ah! Sunflower
by Michael R. Burch
after William Blake
O little yellow flower
like a star ...
how beautiful,
how wonderful
we are!
Descent
by Michael R. Burch
I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.
Reading between the lines
by Michael R. Burch
Who could have read so much, as we?
Having the time, but not the inclination,
TV has become our philosophy,
sheer boredom, our recreation.
Ironic Vacation
by Michael R. Burch
Salzburg.
Seeing Mozart's baby grand piano.
Standing in the presence of sheer incalculable genius.
Grabbing my childish pen to write a poem & challenge the Immortals.
Next stop, the catacombs!
Imperfect Perfection
by Michael R. Burch
You're too perfect for words—
a problem for a poet.
Expert Advice
by Michael R. Burch
Your ******* are perfect for your lithe, slender body.
Please stop making false comparisons your hobby!
Thirty
by Michael R. Burch
Thirty crept upon me slowly
with feline caution and a slowly-twitching tail;
patiently she waited for the winds to shift;
now, claws unsheathed, she lies seething to assail
her helpless prey.
Biblical Knowledge or "Knowing Coming and Going"
by Michael R. Burch
The wisest man the world has ever seen
had fourscore concubines and threescore queens?
This gives us pause, and so we venture hence—
he "knew" them, wisely, in the wider sense.
Snap Shots
by Michael R. Burch
Our daughters must be celibate,
die virgins. We triangulate
their early paths to heaven (for
the martyrs they'll soon conjugate) .
We like to hook a little tail.
We hope there's decent *** in jail.
Don't fool with us; our bombs are smart!
(We'll send the plans, ASAP, e-mail.)
The soul is all that matters; why
hoard gold if it offends the eye?
A pension plan? Don't make us laugh!
We have your plan for sainthood. (Die.)
I sampled honeysuckle
and it made my taste buds buckle.
—Michael R. Burch
The Editor
A poet may work from sun to sun,
but his editor's work is never done.
The Critic
The editor's work is never done.
The critic adjusts his cummerbund.
The Audience
While the critic adjusts his cummerbund,
the audience exits to mingle and slum.
The Anthologist
As the audience exits to mingle and slum,
the anthologist rules, a pale jury of one.
Athenian Epitaphs
How valiant he lies tonight: great is his Monument!
Yet Ares cares not, neither does War relent.
by Anacreon, loose translation/interpretation by Michael R. Burch
Here he lies in state tonight: great is his Monument!
Yet Ares cares not, neither does War relent.
by Anacreon, loose translation/interpretation by Michael R. Burch
Mariner, do not ask whose tomb this may be,
But go with good fortune: I wish you a kinder sea.
Michael R. Burch, after Plato
We who left behind the Aegean’s bellowings
Now sleep peacefully here on the mid-plains of Ecbatan:
Farewell, dear Athens, nigh to Euboea,
Farewell, dear sea!
Michael R. Burch, after Plato
Passerby,
Tell the Spartans we lie
Lifeless at Thermopylae:
Dead at their word,
Obedient to their command.
Have they heard?
Do they understand?
Michael R. Burch, after Simonides
Does my soul abide in heaven, or hell?
Only the sea gulls in their high, lonely circuits may tell.
Michael R. Burch, after Glaucus
They observed our fearful fetters, braved the overwhelming darkness.
Now we extol their excellence: bravely, they died for us.
Michael R. Burch, after Mnasalcas
Blame not the gale, nor the inhospitable sea-gulf, nor friends’ tardiness,
Mariner! Just man’s foolhardiness.
Michael R. Burch, after Leonidas of Tarentum
Be ashamed, O mountains and seas: these were men of valorous breath.
Assume, like pale chattels, an ashen silence at death.
Michael R. Burch, after Parmenio
These men earned a crown of imperishable glory,
Nor did the maelstrom of death obscure their story.
Michael R. Burch, after Simonides
Stranger, flee!
But may Fortune grant you all the prosperity
she denied me.
Michael R. Burch, after Leonidas of Tarentum
Now that I am dead sea-enclosed Cyzicus shrouds my bones.
Faretheewell, O my adoptive land that nurtured me, that held me;
I take rest at your breast.
Michael R. Burch, after Erycius
I am loyal to you master, even in the grave:
Just as you now are death’s slave.
Michael R. Burch, after Dioscorides
Stripped of her stripling, if asked, she’d confess:
“I am now less than nothingness.”
Michael R. Burch, after Diotimus
Dead as you are, though you lie still as stone,
huntress Lycas, my great Thessalonian hound,
the wild beasts still fear your white bones;
craggy Pelion remembers your valor,
splendid Ossa, the way you would bound
and bay at the moon for its whiteness,
bellowing as below we heard valleys resound.
And how brightly with joy you would canter and run
the strange lonely peaks of high Cithaeron!
Michael R. Burch, after Simonides
Having never earned a penny,
nor seen a bridal gown slip to the floor,
still I lie here with the love of many,
to be the love of yet one more.
Michael R. Burch, after an unknown Greek poet
I lie by stark Icarian rocks
and only speak when the sea talks.
Please tell my dear father that I gave up the ghost
on the Aegean coast.
Michael R. Burch, after Theatetus
Everywhere the sea is the sea, the dead are the dead.
What difference to me—where I rest my head?
The sea knows I’m buried.
Michael R. Burch, after Antipater of Sidon
Constantina, inconstant one!
Once I thought your name beautiful
but I was a fool
and now you are more bitter to me than death!
You flee someone who loves you
with baited breath
to pursue someone who’s untrue.
But if you manage to make him love you,
tomorrow you'll flee him too!
Michael R. Burch, after Macedonius
Sunset
by Michael R. Burch
This poem is dedicated to my grandfather, George Edwin Hurt
Between the prophesies of morning
and twilight’s revelations of wonder,
the sky is ripped asunder.
The moon lurks in the clouds,
waiting, as if to plunder
the dusk of its lilac iridescence,
and in the bright-tentacled sunset
we imagine a presence
full of the fury of lost innocence.
What we find within strange whorls of drifting flame,
brief patterns mauling winds deform and maim,
we recognize at once, but cannot name.
The Greatest of These ...
by Michael R. Burch
for my mother, Christine Ena Burch
The hands that held me tremble.
The arms that lifted
fall.
Angelic flesh, now parchment,
is held together with gauze.
But her undimmed eyes still embrace me;
there infinity can be found.
I can almost believe such love
will reach me, underground.
Love Is Not Love
by Michael R. Burch
for Beth
Love is not love that never looked
within itself and questioned all,
curled up like a zygote in a ball,
throbbed, sobbed and shook.
(Or went on a binge at a nearby mall,
then would not cook.)
Love is not love that never winced,
then smiled, convinced
that soar’s the prerequisite of fall.
When all
its wounds and scars have been saline-rinsed,
where does Love find the wherewithal
to try again,
endeavor, when
all that it knows
is: O, because!
Stay With Me Tonight
by Michael R. Burch
Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.
And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.
Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine
and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.
That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.
And so lead me back tonight
through bright waterfalls of light
to where we shine as one.
Originally published by The Lyric
Ali’s Song
by Michael R. Burch
They say that gold don’t tarnish. It ain’t so.
They say it has a wild, unearthly glow.
A man can be more beautiful, more wild.
I flung their medal to the river, child.
I flung their medal to the river, child.
They hung their coin around my neck; they made
my name a bridle, “called a ***** a *****.”
They say their gold is pure. I say defiled.
I flung their slave’s name to the river, child.
I flung their slave’s name to the river, child.
Ain’t got no quarrel with no Viet Cong
that never called me ******, did me wrong.
A man can’t be lukewarm, ’cause God hates mild.
I flung their notice to the river, child.
I flung their notice to the river, child.
They said, “Now here’s your bullet and your gun,
and there’s your cell: we’re waiting, you choose one.”
At first I groaned aloud, but then I smiled.
I gave their “future” to the river, child.
I gave their “future” to the river, child.
My face reflected up, dark bronze like gold,
a coin God stamped in His own image―BOLD.
My blood boiled like that river―strange and wild.
I died to hate in that dark river, child,
Come, be reborn in this bright river, child.
Originally published by Black Medina
Note: Cassius Clay, who converted to Islam and changed his “slave name” to Muhammad Ali, said that he threw his Olympic boxing gold medal into the Ohio River. Confirming his account, the medal was recovered by Robert Bradbury and his wife Pattie in 2014 during the Annual Ohio River Sweep, and the Ali family paid them $200,000 to regain possession of the medal. When drafted during the Vietnamese War, Ali refused to serve, reputedly saying: “I ain't got no quarrel with those Viet Cong; no Vietnamese ever called me a ******.” The notice mentioned in my poem is Ali's draft notice, which metaphorically gets tossed into the river along with his slave name. I was told through the grapevine that this poem appeared in Farsi in an Iranian publication called Bashgah. ―Michael R. Burch
The Folly of Wisdom
by Michael R. Burch
She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.
We are walking somewhere that her feet know to go,
so I smile, and I follow ...
And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes―
I can almost remember―goes something like this:
the prince is a horned toad, awaiting her kiss.
She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me
rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.
Originally published by Romantics Quarterly
Departed
by Michael R. Burch
Already, I miss you,
though your parting kiss is still warm on my lips.
Now the floor is not strewn with your stockings and slips
and the dishes are all stacked away.
You left me today ...
and each word left unspoken now whispers regrets.
Roses for a Lover, Idealized
by Michael R. Burch
When you have become to me
as roses bloom, in memory,
exquisite, each sharp thorn forgot,
will I recall―yours made me bleed?
When winter makes me think of you,
whorls petrified in frozen dew,
bright promises blithe spring forgot,
will I recall your words―barbed, cruel?
Ibykos Fragment 286, Circa 564 B.C.
loose translation/interpretation by Michael R. Burch
Come spring, the grand
apple trees stand
watered by a gushing river
where the maidens’ uncut flowers shiver
and the blossoming grape vine swells
in the gathering shadows.
Unfortunately
for me
Eros never rests
but like a Thracian tempest
ablaze with lightning
emanates from Aphrodite;
the results are frightening—
black,
bleak,
astonishing,
violently jolting me from my soles
to my soul.
Deor's Lament (circa the 10th century AD)
loose translation/interpretation by Michael R. Burch
Weland endured the agony of exile:
an indomitable smith wracked by grief.
He suffered countless sorrows;
indeed, such sorrows were his ***** companions
in that frozen island dungeon
where Nithad fettered him:
so many strong-but-supple sinew-bands
binding the better man.
That passed away; this also may.
Beadohild mourned her brothers' deaths,
bemoaning also her own sad state
once she discovered herself with child.
She knew nothing good could ever come of it.
That passed away; this also may.
We have heard the Geat's moans for Matilda,
his lovely lady, waxed limitless,
that his sorrowful love for her
robbed him of regretless sleep.
That passed away; this also may.
For thirty winters Theodric ruled
the Mæring stronghold with an iron hand;
many acknowledged his mastery and moaned.
That passed away; this also may.
We have heard too of Ermanaric's wolfish ways,
of how he cruelly ruled the Goths' realms.
That was a grim king! Many a warrior sat,
full of cares and maladies of the mind,
wishing constantly that his crown might be overthrown.
That passed away; this also may.
If a man sits long enough, sorrowful and anxious,
bereft of joy, his mind constantly darkening,
soon it seems to him that his troubles are limitless.
Then he must consider that the wise Lord
often moves through the earth
granting some men honor, glory and fame,
but others only shame and hardship.
This I can say for myself:
that for awhile I was the Heodeninga's scop,
dear to my lord. My name was Deor.
For many winters I held a fine office,
faithfully serving a just king. But now Heorrenda
a man skilful in songs, has received the estate
the protector of warriors had promised me.
That passed away; this also may.
Infatuate, or Sweet Centerless Sixteen
by Michael R. Burch
Inconsolable as “love” had left your heart,
you woke this morning eager to pursue
warm lips again, or something “really cool”
on which to press your lips and leave their mark.
As breath upon a windowpane at dawn
soon glows, a spreading halo full of sun,
your thought of love blinks wildly ... on and on ...
then fizzles at the center, and is gone.
The Toast
by Michael R. Burch
For longings warmed by tepid suns
(brief lusts that animated clay),
for passions wilted at the bud
and skies grown desolate and gray,
for stars that fell from tinseled heights
and mountains bleak and scarred and lone,
for seas reflecting distant suns
and weeds that thrive where seeds were sown,
for waltzes ending in a hush
and rhymes that fade as pages close,
for flames’ exhausted, graying ash,
and petals falling from the rose,
I raise my cup before I drink
in reverence to a love long dead,
and silently propose a toast—
to passages, to time that fled.
Originally published by Contemporary Rhyme
Veiled
by Michael R. Burch
She has belief
without comprehension
and in her crutchwork shack
she is
much like us . . .
tamping the bread
into edible forms,
regarding her children
at play
with something akin to relief . . .
ignoring the towers ablaze
in the distance
because they are not revelations
but things of glass,
easily shattered . . .
and if you were to ask her,
she might say:
sometimes God visits his wrath
upon an impious nation
for its leaders’ sins,
and we might agree:
seeing her mutilations.
Published by Poetry Super Highway and Modern War Poems.
Twice
by Michael R. Burch
Now twice she has left me
and twice I have listened
and taken her back, remembering days
when love lay upon us
and sparkled and glistened
with the brightness of dew through a gathering haze.
But twice she has left me
to start my life over,
and twice I have gathered up embers, to learn:
rekindle a fire
from ash, soot and cinder
and softly it sputters, refusing to burn.
Originally published by The Lyric
Prose Epigrams
We cannot change the past, but we can learn from it.—Michael R. Burch
When I was being bullied, I had to learn not to judge myself by the opinions of intolerant morons. Then I felt much better.—Michael R. Burch
How can we predict the future, when tomorrow is as uncertain as Trump's next tweet? —Michael R. Burch
Poetry moves the heart as well as the reason.—Michael R. Burch
Poetry is the art of finding the right word at the right time.—Michael R. Burch
The State of the Art (?)
by Michael R. Burch
Has rhyme lost all its reason
and rhythm, renascence?
Are sonnets out of season
and poems but poor pretense?
Are poets lacking fire,
their words too trite and forced?
What happened to desire?
Has passion been coerced?
Shall poetry fade slowly,
like Latin, to past tense?
Are the bards too high and holy,
or their readers merely dense?
Your e-Verse
by Michael R. Burch
—for the posters and posers on www.fillintheblank.com
I cannot understand a word you’ve said
(and this despite an adequate I.Q.);
it must be some exotic new haiku
combined with Latin suddenly undead.
It must be hieroglyphics mixed with Greek.
Have Pound and T. S. Eliot been cloned?
Perhaps you wrote it on the ***, so ******
you spelled it backwards, just to be oblique.
I think you’re very funny—so, “Yuk! Yuk!”
I know you must be kidding; didn’t we
write crap like this and call it “poetry,”
a form of verbal exercise, P.E.,
in kindergarten, when we ran “amuck?”
Oh, sorry, I forgot to “make it new.”
Perhaps I still can learn a thing or two
from someone tres original, like you.
Haiku Translations of the Oriental Masters
Grasses wilt:
the braking locomotive
grinds to a halt
― Yamaguchi Seishi, loose translation by Michael R. Burch
Oh, fallen camellias,
if I were you,
I'd leap into the torrent!
― Takaha Shugyo, loose translation by Michael R. Burch
The first soft snow:
leaves of the awed jonquil
bow low
― Matsuo Basho, loose translation by Michael R. Burch
Come, investigate loneliness!
a solitary leaf
clings to the Kiri tree
― Matsuo Basho, loose translation by Michael R. Burch
Lightning
shatters the darkness―
the night heron's shriek
― Matsuo Basho, loose translation by Michael R. Burch
One apple, alone
in the abandoned orchard
reddens for winter
― Patrick Blanche, loose translation by Michael R. Burch
The poem above is by a French poet; it illustrates how the poetry of Oriental masters like Basho has influenced poets around the world.
Graven images of long-departed gods,
dry spiritless leaves:
companions of the temple porch
― Matsuo Basho, loose translation by Michael R. Burch
See: whose surviving sons
visit the ancestral graves
white-bearded, with trembling canes?
― Matsuo Basho, loose translation by Michael R. Burch
I remove my beautiful kimono:
its varied braids
surround and entwine my body
― Hisajo Sugita, loose translation by Michael R. Burch
This day of chrysanthemums
I shake and comb my wet hair,
as their petals shed rain
― Hisajo Sugita, loose translation by Michael R. Burch
This darkening autumn:
my neighbor,
how does he continue?
― Matsuo Basho, loose translation by Michael R. Burch
Let us arrange
these lovely flowers in the bowl
since there's no rice
― Matsuo Basho, loose translation by Michael R. Burch
An ancient pond,
the frog leaps:
the silver plop and gurgle of water
― Matsuo Basho, loose translation by Michael R. Burch
The butterfly
perfuming its wings
fans the orchid
― Matsuo Basho, loose translation by Michael R. Burch
Pausing between clouds
the moon rests
in the eyes of its beholders
― Matsuo Basho, loose translation by Michael R. Burch
The first chill rain:
poor monkey, you too could use
a woven cape of straw
― Matsuo Basho, loose translation by Michael R. Burch
This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
― Matsuo Basho, loose translation by Michael R. Burch
Like a heavy fragrance
snow-flakes settle:
lilies on the rocks
― Matsuo Basho, loose translation by Michael R. Burch
The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
― Matsuo Basho, loose translation by Michael R. Burch
Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
― Matsuo Basho, loose translation by Michael R. Burch
The sea darkening,
the voices of the wild ducks:
my mysterious companions!
― Matsuo Basho, loose translation by Michael R. Burch
Will we meet again?
Here at your flowering grave:
two white butterflies
― Matsuo Basho, loose translation by Michael R. Burch
Fever-felled mid-path
my dreams resurrect, to trek
into a hollow land
― Matsuo Basho, loose translation by Michael R. Burch
Too ill to travel,
now only my autumn dreams
survey these withering fields
― Matsuo Basho, loose translation by Michael R. Burch; this has been called Basho's death poem
These brown summer grasses?
The only remains
of "invincible" warriors...
― Matsuo Basho, loose translation by Michael R. Burch
An empty road
lonelier than abandonment:
this autumn evening
― Matsuo Basho, loose translation by Michael R. Burch
Spring has come:
the nameless hill
lies shrouded in mist
― Matsuo Basho, loose translation by Michael R. Burch
The Oldest Haiku
These are my translations of some of the oldest Japanese waka, which evolved into poetic forms such as tanka, renga and haiku over time. My translations are excerpts from the Kojiki (the "Record of Ancient Matters"), a book composed around 711-712 A.D. by the historian and poet Ō no Yasumaro. The Kojiki relates Japan’s mythological beginnings and the history of its imperial line. Like Virgil's Aeneid, the Kojiki seeks to legitimize rulers by recounting their roots. These are lines from one of the oldest Japanese poems, found in the oldest Japanese book:
While you decline to cry,
high on the mountainside
a single stalk of plumegrass wilts.
― Ō no Yasumaro (circa 711), loose translation by Michael R. Burch
Here's another excerpt, with a humorous twist, from the Kojiki:
Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
― Ō no Yasumaro (circa 711), loose translation by Michael R. Burch
Here's another, this one a poem of love and longing:
Onyx, this gem-black night.
Downcast, I await your return
like the rising sun, unrivaled in splendor.
― Ō no Yasumaro (circa 711), loose translation by Michael R. Burch
More Haiku by Various Poets
Right at my feet!
When did you arrive here,
snail?
― Kobayashi Issa, loose translation by Michael R. Burch
Our world of dew
is a world of dew indeed;
and yet, and yet...
― Kobayashi Issa, loose translation by Michael R. Burch
Oh, brilliant moon
can it be true that even you
must rush off, like us, tardy?
― Kobayashi Issa, loose translation by Michael R. Burch
A kite floats
at the same place in the sky
where yesterday it floated...
― Yosa Buson, loose translation by Michael R. Burch
The pigeon's behavior
is beyond reproach,
but the mountain cuckoo's?
― Yosa Buson, loose translation by Michael R. Burch
Plowing,
not a single bird sings
in the mountain's shadow
― Yosa Buson, loose translation by Michael R. Burch
The pear tree flowers whitely―
a young woman reads his letter
by moonlight
― Yosa Buson, loose translation by Michael R. Burch
On adjacent branches
the plum tree blossoms bloom
petal by petal―love!
― Yosa Buson, loose translation by Michael R. Burch
Picking autumn plums
my wrinkled hands
once again grow fragrant
― Yosa Buson, loose translation by Michael R. Burch
Dawn!
The brilliant sun illuminates
sardine heads.
― Yosa Buson, loose translation by Michael R. Burch
The abandoned willow
shines
between rains
― Yosa Buson, loose translation by Michael R. Burch
White plum blossoms―
though the hour grows late,
a glimpse of dawn
― Yosa Buson, loose translation by Michael R. Burch; this is believed to be Buson's death poem and he is said to have died before dawn
I thought I felt a dewdrop
plop
on me as I lay in bed!
― Masaoka Shiki, loose translation by Michael R. Burch
We cannot see the moon
and yet the waves still rise
― Shiki Masaoka, loose translation by Michael R. Burch
The first morning of autumn:
the mirror I investigate
reflects my father’s face
― Shiki Masaoka, loose translation by Michael R. Burch
Wild geese pass
leaving the emptiness of heaven
revealed
― Takaha Shugyo, loose translation by Michael R. Burch
Silently observing
the bottomless mountain lake:
water lilies
― Inahata Teiko, loose translation by Michael R. Burch
Cranes
flapping ceaselessly
test the sky's upper limits
― Inahata Teiko, loose translation by Michael R. Burch
Falling snowflakes'
glitter
tinsels the sea
― Inahata Teiko, loose translation by Michael R. Burch
Blizzards here on earth,
blizzards of stars
in the sky
― Inahata Teiko, loose translation by Michael R. Burch
Completely encircled
in emerald:
the glittering swamp!
― Inahata Teiko, loose translation by Michael R. Burch
The new calendar!:
as if tomorrow
is assured...
― Inahata Teiko, loose translation by Michael R. Burch
Ah butterfly,
what dreams do you ply
with your beautiful wings?
― Fukuda Chiyo-ni, loose translation by Michael R. Burch
Because morning glories
hold my well-bucket hostage
I go begging for water
― Fukuda Chiyo-ni, loose translation by Michael R. Burch
Spring
stirs the clouds
in the sky's teabowl
― Kikusha-ni, loose translation by Michael R. Burch
Tonight I saw
how the peony crumples
in the fire's embers
― Katoh Shuhson, loose translation by Michael R. Burch
It fills me with anger,
this moon; it fills me
and makes me whole
― Takeshita Shizunojo, loose translation by Michael R. Burch
War
stood at the end of the hall
in the long shadows
― Watanabe Hakusen, loose translation by Michael R. Burch
Because he is slow to wrath,
I tackle him, then wring his neck
in the long grass
― Shimazu Ryoh, loose translation by Michael R. Burch
Pale mountain sky:
cherry petals play
as they tumble earthward
― Kusama Tokihiko, loose translation by Michael R. Burch
The frozen moon,
the frozen lake:
two oval mirrors reflecting each other.
― Hashimoto Takako, loose translation by Michael R. Burch
The bitter winter wind
ends here
with the frozen sea
― Ikenishi Gonsui, loose translation by Michael R. Burch
Oh, bitter winter wind,
why bellow so
when there's no leaves to fell?
― Natsume Sôseki, loose translation by Michael R. Burch
Winter waves
roil
their own shadows
― Tominaga Fûsei, loose translation by Michael R. Burch
No sky,
no land:
just snow eternally falling...
― Kajiwara Hashin, loose translation by Michael R. Burch
Along with spring leaves
my child's teeth
take root, blossom
― Nakamura Kusatao, loose translation by Michael R. Burch
Stillness:
a single chestnut leaf glides
on brilliant water
― Ryuin, loose translation by Michael R. Burch
As thunder recedes
a lone tree stands illuminated in sunlight:
applauded by cicadas
― Masaoka Shiki, loose translation by Michael R. Burch
The snake slipped away
but his eyes, having held mine,
still stare in the grass
― Kyoshi Takahama, loose translation by Michael R. Burch
Girls gather sprouts of rice:
reflections of the water flicker
on the backs of their hats
― Kyoshi Takahama, loose translation by Michael R. Burch
Murmurs follow the hay cart
this blossoming summer day
― Ippekiro Nakatsuka (1887-1946), loose translation by Michael R. Burch
The wet nurse
paused to consider a bucket of sea urchins
then walked away
― Ippekiro Nakatsuka (1887-1946), loose translation by Michael R. Burch
May I be with my mother
wearing her summer kimono
by the morning window
― Ippekiro Nakatsuka (1887-1946), loose translation by Michael R. Burch
The hands of a woman exist
to remove the insides of the spring cuttlefish
― Sekitei Hara, loose translation by Michael R. Burch
The moon
hovering above the snow-capped mountains
rained down hailstones
― Sekitei Hara, loose translation by Michael R. Burch
Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
― Kakio Tomizawa, loose translation by Michael R. Burch
Spring snow
cascades over fences
in white waves
― Suju Takano, loose translation by Michael R. Burch
Tanka and Waka translations:
If fields of autumn flowers
can shed their blossoms, shameless,
why can’t I also frolic here —
as fearless, and as blameless?
—Ono no Komachi, loose translation by Michael R. Burch
Submit to you —
is that what you advise?
The way the ripples do
whenever ill winds arise?
—Ono no Komachi, loose translation by Michael R. Burch
Watching wan moonlight
illuminate trees,
my heart also brims,
overflowing with autumn.
—Ono no Komachi, loose translation by Michael R. Burch
I had thought to pluck
the flower of forgetfulness
only to find it
already blossoming in his heart.
—Ono no Komachi, loose translation by Michael R. Burch
That which men call "love" —
is it not merely the chain
preventing our escape
from this world of pain?
—Ono no Komachi, loose translation by Michael R. Burch
Once-colorful flowers faded,
while in my drab cell
life’s impulse also abated
as the long rains fell.
—Ono no Komachi, loose translation by Michael R. Burch
I set off at the shore
of the seaside of Tago,
where I saw the high, illuminated peak
of Fuji―white, aglow―
through flakes of drifting downy snow.
― Akahito Yamabe, loose translation by Michael R. Burch
ON LOOKING AT SCHILLER’S SKULL
by Johann Wolfgang von Goethe
loose translation/interpretation by Michael R. Burch
Here in this charnel-house full of bleaching bones,
like yesteryear’s
fading souvenirs,
I see the skulls arranged in strange ordered rows.
Who knows whose owners might have beheaded peers,
packed tightly here
despite once repellent hate?
Here weaponless, they stand, in this gentled state.
These arms and hands, they once were so delicate!
How articulately
they moved! Ah me!
What athletes once paced about on these padded feet?
Still there’s no hope of rest for you, lost souls!
Deprived of graves,
forced here like slaves
to occupy this overworld, unlamented ghouls!
Now who’s to know who loved one orb here detained?
Except for me;
reader, hear my plea:
I know the grandeur of the mind it contained!
Yes, and I know the impulse true love would stir
here, where I stand
in this alien land
surrounded by these husks, like a treasurer!
Even in this cold,
in this dust and mould
I am startled by an a strange, ancient reverie, …
as if this shrine to death could quicken me!
One shape out of the past keeps calling me
with its mystery!
Still retaining its former angelic grace!
And at that ecstatic sight, I am back at sea ...
Swept by that current to where immortals race.
O secret vessel, you
gave Life its truth.
It falls on me now to recall your expressive face.
I turn away, abashed here by what I see:
this mould was worth
more than all the earth.
Let me breathe fresh air and let my wild thoughts run free!
What is there better in this dark Life than he
who gives us a sense of man’s divinity,
of his place in the universe?
A man who’s both flesh and spirit—living verse!
To the boy Elis
by Georg Trakl
translation by Michael R. Burch
Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.
Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.
Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.
A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?
A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss
from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:
the lost gold of vanished stars.
TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.
Farewell to Faith I
by Michael R. Burch
What we want is relief
from life’s grief and despair:
what we want’s not “belief”
but just not to be there.
Farewell to Faith II
by Michael R. Burch
Confronted by the awesome thought of death,
to never suffer, and be free of grief,
we wonder: "What’s the use of drawing breath?
Why seek relief
from the bible’s Thief,
who ripped off Eve then offered her a leaf?"
Anyte Epigrams
Stranger, rest your weary legs beneath the elms;
hear how coolly the breeze murmurs through their branches;
then take a bracing draught from the mountain-fed fountain;
for this is welcome shade from the burning sun.
—Anyte, loose translation/interpretation by Michael R. Burch
Here I stand, Hermes, in the crossroads
by the windswept elms near the breezy beach,
providing rest to sunburned travelers,
and cold and brisk is my fountain’s abundance.
—Anyte, loose translation/interpretation by Michael R. Burch
Sit here, quietly shaded by the luxuriant foliage,
and drink cool water from the sprightly spring,
so that your weary breast, panting with summer’s labors,
may take rest from the blazing sun.
—Anyte, loose translation/interpretation by Michael R. Burch
This is the grove of Cypris,
for it is fair for her to look out over the land to the bright deep,
that she may make the sailors’ voyages happy,
as the sea trembles, observing her brilliant image.
—Anyte, loose translation/interpretation by Michael R. Burch
Nossis Epigrams
There is nothing sweeter than love.
All other delights are secondary.
Thus, I spit out even honey.
This is what Gnossis says:
Whom Aphrodite does not love,
Is bereft of her roses.
—Nossis, loose translation/interpretation by Michael R. Burch
Most revered Hera, the oft-descending from heaven,
behold your Lacinian shrine fragrant with incense
and receive the linen robe your noble child Nossis,
daughter of Theophilis and Cleocha, has woven for you.
—Nossis, loose translation/interpretation by Michael R. Burch
Stranger, if you sail to Mitylene, my homeland of beautiful dances,
to indulge in the most exquisite graces of Sappho,
remember I also was loved by the Muses, who bore me and reared me there.
My name, never forget it!, is Nossis. Now go!
—Nossis, loose translation/interpretation by Michael R. Burch
Pass me with ringing laughter, then award me
a friendly word: I am Rinthon, scion of Syracuse,
a small nightingale of the Muses; from their tragedies
I was able to pluck an ivy, unique, for my own use.
—Nossis, loose translation/interpretation by Michael R. Burch
Excerpts from “Distaff”
by Erinna
loose translation/interpretation by Michael R. Burch
… the moon rising …
… leaves falling …
… waves lapping a windswept shore …
… and our childish games, Baucis, do you remember? ...
... Leaping from white horses,
running on reckless feet through the great courtyard.
“You’re it!’ I cried, ‘You’re the Tortoise now!”
But when your turn came to pursue your pursuers,
you darted beyond the courtyard,
dashed out deep into the waves,
splashing far beyond us …
… My poor Baucis, these tears I now weep are your warm memorial,
these traces of embers still smoldering in my heart
for our silly amusements, now that you lie ash …
… Do you remember how, as girls,
we played at weddings with our dolls,
pretending to be brides in our innocent beds? ...
... How sometimes I was your mother,
allotting wool to the weaver-women,
calling for you to unreel the thread? ...
… Do you remember our terror of the monster Mormo
with her huge ears, her forever-flapping tongue,
her four slithering feet, her shape-shifting face? ...
... Until you mother called for us to help with the salted meat ...
... But when you mounted your husband’s bed,
dearest Baucis, you forgot your mothers’ warnings!
Aphrodite made your heart forgetful ...
... Desire becomes oblivion ...
... Now I lament your loss, my dearest friend.
I can’t bear to think of that dark crypt.
I can’t bring myself to leave the house.
I refuse to profane your corpse with my tearless eyes.
I refuse to cut my hair, but how can I mourn with my hair unbound?
I blush with shame at the thought of you! …
... But in this dark house, O my dearest Baucis,
My deep grief is ripping me apart.
Wretched Erinna! Only nineteen,
I moan like an ancient crone, eying this strange distaff ...
O *****! . . . O Hymenaeus! . . .
Alas, my poor Baucis!
On a Betrothed Girl
by Erinna
loose translation/interpretation by Michael R. Burch
I sing of Baucis the bride.
Observing her tear-stained crypt
say this to Death who dwells underground:
"Thou art envious, O Death!"
Her vivid monument tells passers-by
of the bitter misfortune of Baucis —
how her father-in-law burned the poor ******* a pyre
lit by bright torches meant to light her marriage train home.
While thou, O Hymenaeus, transformed her harmonious bridal song into a chorus of wailing dirges.
*****! O Hymenaeus!
Sophocles Epigrams
Not to have been born is best,
and blessed
beyond the ability of words to express.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
It’s a hundred times better not be born;
but if we cannot avoid the light,
the path of least harm is swiftly to return
to death’s eternal night!
—Sophocles, Oedipus at Colonus, loose translation/interpretation by Michael R. Burch
Never to be born may be the biggest boon of all.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
Oblivion: What a blessing, to lie untouched by pain!
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
The happiest life is one empty of thought.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
Consider no man happy till he lies dead, free of pain at last.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
What is worse than death? When death is desired but denied.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
When a man endures nothing but endless miseries, what is the use of hanging on day after day,
edging closer and closer toward death? Anyone who warms his heart with the false glow of flickering hope is a wretch! The noble man should live with honor and die with honor. That's all that can be said.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
Children anchor their mothers to life.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
How terrible, to see the truth when the truth brings only pain to the seer!
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
Wisdom outweighs all the world's wealth.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
Fortune never favors the faint-hearted.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
Wait for evening to appreciate the day's splendor.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
Homer Epigrams
For the gods have decreed that unfortunate mortals must suffer, while they themselves are sorrowless.
—Homer, Iliad 24.525-526, loose translation/interpretation by Michael R. Burch
“It is best not to be born or, having been born, to pass on as swiftly as possible.”
—attributed to Homer (circa 800 BC), loose translation/interpretation by Michael R. Burch
Ancient Roman Epigrams
Wall, I'm astonished that you haven't collapsed,
since you're holding up verses so prolapsed!
—Ancient Roman graffiti, loose translation/interpretation by Michael R Burch
There is nothing so pointless, so perfidious as human life! ... The ultimate bliss is not to be born; otherwise we should speedily slip back into the original Nothingness.
—Seneca, On Consolation to Marcia, loose translation/interpretation by Michael R. Burch
Keywords/Tags: elegy, eulogy, child, childhood, death, death of a friend, lament, lamentation, epitaph, grave, funeral, epigram, epigrams, short, brief, concise, aphorism, adage, proverb, quote, mrbepi, mrbepig, mrbepigram, mrbhaiku
Published as the collection "Epigrams"
Conformists of a feather
flock together.
—Michael R. Burch
(Winner of the National Poetry Month Couplet Competition)
My objective is not to side with the majority, but to avoid the ranks of the insane.—Marcus Aurelius, translation by Michael R. Burch
Epitaph for a Palestinian Child
by Michael R. Burch
I lived as best I could, and then I died.
Be careful where you step: the grave is wide.
(Published by Romantics Quarterly, Poetry Super Highway, Poets for Humanity, Daily Kos, Katutura English, Genocide Awareness, Darfur Awareness Shabbat, Viewing Genocide in Sudan, Better Than Starbucks, Art Villa, Setu, Angle, AZquotes, QuoteMaster; also translated into Czech, Indonesian, Romanian and Turkish)
Childless
by Michael R. Burch
How can she bear her grief?
Mightier than Atlas, she shoulders the weight
of one fallen star.
Stormfront
by Michael R. Burch
Our distance is frightening:
a distance like the abyss between heaven and earth
interrupted by bizarre and terrible lightning.
Laughter's Cry
by Michael R. Burch
Because life is a mystery, we laugh
and do not know the half.
Because death is a mystery, we cry
when one is gone, our numbering thrown awry.
(Originally published by Angelwing)
Autumn Conundrum
by Michael R. Burch
It's not that every leaf must finally fall,
it's just that we can never catch them all.
(Originally published by The Neovictorian/Cochlea, this poem has been translated into Russian, Macedonian, Turkish and Romanian)
Piercing the Shell
by Michael R. Burch
If we strip away all the accouterments of war,
perhaps we'll discover what the heart is for.
(Originally published by The Neovictorian/Cochlea, this poem has been translated into Russian, Arabic, Turkish and Macedonian)
*** Hex
by Michael R. Burch
Love's full of cute paradoxes
(and highly acute poxes) .
(Published by ***** of Parnassus and Lighten Up)
Styx
by Michael R. Burch
Black waters—deep and dark and still.
All men have passed this way, or will.
(Published by The Raintown Review and Blue Unicorn; also translated into Romanian and published by Petru Dimofte. This is one of my early poems, written as a teenager. I believe it was my first epigram.)
Fahr an' Ice
by Michael R. Burch
(apologies to Robert Frost and Ogden Nash)
From what I know of death, I'll side with those
who'd like to have a say in how it goes:
just make mine cool, cool rocks (twice drowned in likker) ,
and real fahr off, instead of quicker.
Lance-Lot
by Michael R. Burch
Preposterous bird!
Inelegant! Absurd!
Until the great & mighty heron
brandishes his fearsome sword.
Multiplication, Tabled
or Procreation Inflation
by Michael R. Burch
for the Religious Right
"Be fruitful and multiply"—
great advice, for a fruitfly!
But for women and men,
simple Simons, say, "WHEN! "
The Whole of Wit
by Michael R. Burch
If brevity is the soul of wit
then brevity and levity
are the whole of it.
(Published by Shot Glass Journal)
Nun Fun Undone
by Michael R. Burch
Abbesses'
recesses
are not for excesses!
(Published by Brief Poems)
Saving Graces, for the Religious Right
by Michael R. Burch
Life's saving graces are love, pleasure, laughter...
wisdom, it seems, is for the Hereafter.
(Published by Shot Glass Journal and Poem Today)
Skalded
by Michael R. Burch
Fierce ancient skalds summoned verse from their guts;
today's genteel poets prefer modern ruts.
Not Elves, Exactly
by Michael R. Burch
Something there is that likes a wall,
that likes it spiked and likes it tall,
that likes its pikes' sharp rows of teeth
and doesn't mind its victims' grief
(wherever they come from, far or wide)
as long as they fall on the other side.
Self-ish
by Michael R. Burch
Let's not pretend we "understand" other elves
as long as we remain mysteries to ourselves.
Piecemeal
by Michael R. Burch
And so it begins—the ending.
The narrowing veins, the soft tissues rending.
Your final solution is pending.
(A pale Piggy-Wiggy
will discount your demise as no biggie.)
Liquid Assets
by Michael R. Burch
And so I have loved you, and so I have lost,
accrued disappointment, ledgered its cost,
debited wisdom, credited pain...
My assets remaining are liquid again.
**** Brevis, Emendacio Longa
by Michael R. Burch
The Donald may tweet from sun to sun,
but his spellchecker’s work is never done.
Cassidy Hutchinson is not only credible, but her courage and poise under fire have been incredible. — Michael R. Burch
Brief Fling
by Michael R. Burch
Epigram
means cram,
then scram!
To write an epigram, cram.
If you lack wit, scram!
—Michael R. Burch
Fleet Tweet: Apologies to Shakespeare
by Michael R. Burch
A tweet
by any other name
would be as fleet.
@mikerburch (Michael R. Burch)
Fleet Tweet II: Further Apologies to Shakespeare
by Michael R. Burch
Remember, doggonit,
heroic verse crowns the Shakespearean sonnet!
So if you intend to write a couplet,
please do it on the doublet!
@mikerburch (Michael R. Burch)
Love is either wholly folly,
or fully holy.
—Michael R. Burch
Civility
is the ability
to disagree
agreeably.
—Michael R. Burch
****** Most Fowl!
by Michael R. Burch
“****** most foul!”
cried the mouse to the owl.
“Friend, I’m no sinner;
you’re merely my dinner.
As you fall on my sword,
take it up with the LORD!”
the wise owl replied
as the tasty snack died.
(Published by Lighten Up Online and Potcake Chapbooks)
The Beat Goes On (and On and On and On ...)
by Michael R. Burch
Bored stiff by his board-stiff attempts
at “meter,” I crossly concluded
I’d use each iamb
in lieu of a lamb,
bedtimes when I’m under-quaaluded.
(Originally published by Grand Little Things)
Midnight Stairclimber
by Michael R. Burch
Procreation
is at first great sweaty recreation,
then—long, long after the *** dies—
the source of endless exercise.
(Published by Angelwing and Brief Poems)
Love has the value
of gold, if it's true;
if not, of rue.
—Michael R. Burch
Teddy Roosevelt spoke softly and carried a big stick;
Donald Trump speaks loudly and carries a big shtick.
—Michael R. Burch
Nonsense Verse for a Nonsensical White House Resident
by Michael R. Burch
Roses are red,
Daffodils are yellow,
But not half as daffy
As that taffy-colored fellow!
There's no need to rant about Al-Qaeda and ISIS.
The cruelty of "civilization" suffices:
our ordinary vices.
—Michael R. Burch
Sumer is icumen in
a modern English translation/interpretation by Michael R. Burch
(this update of an ancient classic is dedicated to everyone who suffers with hay fever and other allergies)
Sumer is icumen in
Lhude sing achu!
Groweth sed
And bloweth hed
And buyeth med?
Cuccu!
Originally published by Lighten Up Online (as Kim Cherub)
NOTE: I kept the medieval spellings of “sumer” (summer), “lhude” (loud), “sed” (seed) and “hed” (head). I then slipped in the modern slang term “med” for medication. The first line means something like “Summer’s a-comin’ in!” In the original poem the cuckoo bird was considered to be a harbinger of spring, but here “cuccu” simply means “crazy!”
The Complete Redefinitions
Faith: falling into the same old claptrap.—Michael R. Burch
Religion: the ties that blind.—Michael R. Burch
Salvation: falling for allure —hook, line and stinker.—Michael R. Burch
Trickle down economics: an especially pungent *******.—Michael R. Burch
Canned political applause: clap track for the claptrap.—Michael R. Burch
Baseball: lots of spittin' mixed with occasional hittin'.—Michael R. Burch
Lingerie: visual foreplay.—Michael R. Burch
A straight flush is a winning hand. A straight-faced flush is when you don't give it away.—Michael R. Burch
Lust: a chemical affair.—Michael R. Burch
Believer: A speck of dust / animated by lust / brief as a mayfly / and yet full of trust.—Michael R. Burch
Theologian: someone who wants life to “make sense” / by believing in a “god” infinitely dense.—Michael R. Burch
Skepticism: The murderer of Eve / cannot be believed.—Michael R. Burch
Death: This dream of nothingness we fear / is salvation clear.—Michael R. Burch
Insuresurrection: The dead are always with us, and yet they are naught!—Michael R. Burch
Marriage: a seldom-observed truce / during wars over money / and a red-faced papoose.—Michael R. Burch
Is “natural affection” affliction? / Is “love” nature’s sleight-of-hand trick / to get us to reproduce / whenever she feels the itch?—Michael R. Burch
Translations
Birdsong
by Rumi
loose translation by Michael R. Burch
Birdsong relieves
my deepest griefs:
now I'm just as ecstatic as they,
but with nothing to say!
Please universe,
rehearse
your poetry
through me!
Raise your words, not their volume.
Rain grows flowers, not thunder.
—Rumi, translation by Michael R. Burch
The imbecile constructs cages for everyone he knows,
while the sage (who has to duck his head whenever the moon glows)
keeps dispensing keys all night long
to the beautiful, rowdy, prison gang.
—Hafiz loose translation/interpretation by Michael R. Burch
An unbending tree
breaks easily.
—Lao Tzu, loose translation/interpretation by Michael R. Burch
Little sparks ignite great Infernos.—Dante, translation by Michael R. Burch
Love distills the eyes’ desires, love bewitches the heart with its grace.―Euripides, translation by Michael R. Burch
Once fanaticism has gangrened brains
the incurable malady invariably remains.
—Voltaire, loose translation/interpretation by Michael R. Burch
Booksellers laud authors for novel editions
as pimps praise their ****** for exotic positions.
—Thomas Campion, loose translation/interpretation by Michael R. Burch
No wind is favorable to the man who lacks direction.
—Seneca the Younger, loose translation/interpretation by Michael R. Burch
Hypocrisy may deceive the most perceptive adult, but the dullest child recognizes and is revolted by it, however ingeniously disguised.
—Leo Tolstoy translation by Michael R. Burch
Just as I select a ship when it's time to travel,
or a house when it's time to change residences,
even so I will choose when it's time to depart from life.
—Seneca, speaking about the right to euthanasia in the first century AD, translation by Michael R. Burch
Improve yourself through others' writings, thus attaining more easily what they acquired through great difficulty.
—Socrates, translation by Michael R. Burch
Fools call wisdom foolishness.
―Euripides, translation by Michael R. Burch
One true friend is worth ten thousand kin.
―Euripides, translation by Michael R. Burch
Not to speak one’s mind is slavery.
―Euripides, translation by Michael R. Burch
I would rather die standing than kneel, a slave.
―Euripides, translation by Michael R. Burch
Fresh tears are wasted on old griefs.
―Euripides, translation by Michael R. Burch
Native American Proverb
loose translation/interpretation by Michael R. Burch
Before you judge
a man for his sins
be sure to trudge
many moons in his moccasins.
Native American Proverb
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch
A man must pursue his Vision
as the eagle explores
the sky's deepest blues.
Native American Proverb
loose translation/interpretation by Michael R. Burch
Let us walk respectfully here
among earth's creatures, great and small,
remembering, our footsteps light,
that one wise God created all.
The Least of These...
What you
do
to
the refugee
you
do
unto
Me!
—Jesus Christ, translation/paraphrase by Michael R. Burch
The Church Gets the Burch Rod
The most dangerous words ever uttered by human lips are “thus saith the LORD.” — Michael R. Burch
How can the Bible be "infallible" when from Genesis to Revelation slavery is commanded and condoned, but never condemned? —Michael R. Burch
If God
is good
half the Bible
is libel.
—Michael R. Burch
I have my doubts about your God and his "love":
If one screams below, what the hell is "Above"?
—Michael R. Burch
If God has the cattle on a thousand hills,
why does he need my tithes to pay his bills?
—Michael R. Burch
The best tonic for other people's bad ideas is to think for oneself.—Michael R. Burch
Hell hath no fury like a fundamentalist whose God condemned him for having "impure thoughts."—Michael R. Burch
Religion is the difficult process of choosing the least malevolent invisible friends.—Michael R. Burch
Religion is the ****** of the people.—Karl Marx
Religion is the dopiate of the sheeple.—Michael R. Burch
An ideal that cannot be realized is, in the end, just wishful thinking.—Michael R. Burch
God and his "profits" could never agree
on any gospel acceptable to an intelligent flea.
—Michael R. Burch
To fall an inch short of infinity is to fall infinitely short.—Michael R. Burch
Most Christians make God seem like the Devil. Atheists and agnostics at least give him the "benefit of the doubt."—Michael R. Burch
Hell has been hellishly overdone.
Why blame such horrors on God's only Son
when Jehovah and his prophets never mentioned it once?
—Michael R. Burch
(Bible scholars agree: the word "hell" has been removed from the Old Testaments of the more accurate modern Bible translations. And the few New Testament verses that mention "hell" are obvious mistranslations.)
Clodhoppers
by Michael R. Burch
If you trust the Christian "god"
you're—like Adumb—a clod.
If every witty thing that's said were true,
Oscar Wilde, the world would worship You!
—Michael R. Burch
Questionable Credentials
by Michael R. Burch
Poet? Critic? Dilettante?
Do you know what's good, or do you merely flaunt?
(Published by ***** of Parnassus, the first poem in the April 2017 issue)
*******
by Michael R. Burch
You came to me as rain breaks on the desert
when every flower springs to life at once,
but joy is an illusion to the expert:
the Bedouin has learned how not to want.
Lines in Favor of Female Muses
by Michael R. Burch
I guess ***** of Parnassus are okay...
But those Lasses of Parnassus? My! Olé!
(Published by ***** of Parnassus)
Meal Deal
by Michael R. Burch
Love is a splendid ideal
(at least till it costs us a meal) .
Long Division
by Michael R. Burch as Kim Cherub
All things become one
Through death's long division
And perfect precision.
i o u
by mrb
i might have said it
but i didn't
u might have noticed
but u wouldn't
we might have been us
but we couldn't
u might respond
but probably shouldn't
Mate Check
by Michael R. Burch
Love is an ache hearts willingly secure
then break the bank to cure.
Incompatibles
by Michael R. Burch
Reason's treason!
cries the Heart.
Love's insane,
replies the Brain.
(Originally published by Light)
Death is the ultimate finality
of reality.
—Michael R. Burch
Stage Fright
by Michael R. Burch
To be or not to be?
In the end Hamlet
opted for naught.
Grave Oversight
by Michael R. Burch
The dead are always with us,
and yet they are naught!
Feathered Fiends
by Michael R. Burch
Fascists of a feather
flock together.
Why the Kid Gloves Came Off
by Michael R. Burch
for Lemuel Ibbotson
It's hard to be a man of taste
in such a waste:
hence the lambaste.
Housman was right...
by Michael R. Burch
It's true that life's not much to lose,
so why not hang out on a cloud?
It's just the bon voyage is hard
and the objections loud.
Ah! Sunflower
by Michael R. Burch
after William Blake
O little yellow flower
like a star ...
how beautiful,
how wonderful
we are!
Descent
by Michael R. Burch
I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.
Reading between the lines
by Michael R. Burch
Who could have read so much, as we?
Having the time, but not the inclination,
TV has become our philosophy,
sheer boredom, our recreation.
Ironic Vacation
by Michael R. Burch
Salzburg.
Seeing Mozart's baby grand piano.
Standing in the presence of sheer incalculable genius.
Grabbing my childish pen to write a poem & challenge the Immortals.
Next stop, the catacombs!
Imperfect Perfection
by Michael R. Burch
You're too perfect for words—
a problem for a poet.
Expert Advice
by Michael R. Burch
Your ******* are perfect for your lithe, slender body.
Please stop making false comparisons your hobby!
Thirty
by Michael R. Burch
Thirty crept upon me slowly
with feline caution and a slowly-twitching tail;
patiently she waited for the winds to shift;
now, claws unsheathed, she lies seething to assail
her helpless prey.
Biblical Knowledge or "Knowing Coming and Going"
by Michael R. Burch
The wisest man the world has ever seen
had fourscore concubines and threescore queens?
This gives us pause, and so we venture hence—
he "knew" them, wisely, in the wider sense.
Snap Shots
by Michael R. Burch
Our daughters must be celibate,
die virgins. We triangulate
their early paths to heaven (for
the martyrs they'll soon conjugate) .
We like to hook a little tail.
We hope there's decent *** in jail.
Don't fool with us; our bombs are smart!
(We'll send the plans, ASAP, e-mail.)
The soul is all that matters; why
hoard gold if it offends the eye?
A pension plan? Don't make us laugh!
We have your plan for sainthood. (Die.)
I sampled honeysuckle
and it made my taste buds buckle.
—Michael R. Burch
The Editor
A poet may work from sun to sun,
but his editor's work is never done.
The Critic
The editor's work is never done.
The critic adjusts his cummerbund.
The Audience
While the critic adjusts his cummerbund,
the audience exits to mingle and slum.
The Anthologist
As the audience exits to mingle and slum,
the anthologist rules, a pale jury of one.
Athenian Epitaphs
How valiant he lies tonight: great is his Monument!
Yet Ares cares not, neither does War relent.
by Anacreon, loose translation/interpretation by Michael R. Burch
Here he lies in state tonight: great is his Monument!
Yet Ares cares not, neither does War relent.
by Anacreon, loose translation/interpretation by Michael R. Burch
Mariner, do not ask whose tomb this may be,
But go with good fortune: I wish you a kinder sea.
Michael R. Burch, after Plato
We who left behind the Aegean’s bellowings
Now sleep peacefully here on the mid-plains of Ecbatan:
Farewell, dear Athens, nigh to Euboea,
Farewell, dear sea!
Michael R. Burch, after Plato
Passerby,
Tell the Spartans we lie
Lifeless at Thermopylae:
Dead at their word,
Obedient to their command.
Have they heard?
Do they understand?
Michael R. Burch, after Simonides
Does my soul abide in heaven, or hell?
Only the sea gulls in their high, lonely circuits may tell.
Michael R. Burch, after Glaucus
They observed our fearful fetters, braved the overwhelming darkness.
Now we extol their excellence: bravely, they died for us.
Michael R. Burch, after Mnasalcas
Blame not the gale, nor the inhospitable sea-gulf, nor friends’ tardiness,
Mariner! Just man’s foolhardiness.
Michael R. Burch, after Leonidas of Tarentum
Be ashamed, O mountains and seas: these were men of valorous breath.
Assume, like pale chattels, an ashen silence at death.
Michael R. Burch, after Parmenio
These men earned a crown of imperishable glory,
Nor did the maelstrom of death obscure their story.
Michael R. Burch, after Simonides
Stranger, flee!
But may Fortune grant you all the prosperity
she denied me.
Michael R. Burch, after Leonidas of Tarentum
Now that I am dead sea-enclosed Cyzicus shrouds my bones.
Faretheewell, O my adoptive land that nurtured me, that held me;
I take rest at your breast.
Michael R. Burch, after Erycius
I am loyal to you master, even in the grave:
Just as you now are death’s slave.
Michael R. Burch, after Dioscorides
Stripped of her stripling, if asked, she’d confess:
“I am now less than nothingness.”
Michael R. Burch, after Diotimus
Dead as you are, though you lie still as stone,
huntress Lycas, my great Thessalonian hound,
the wild beasts still fear your white bones;
craggy Pelion remembers your valor,
splendid Ossa, the way you would bound
and bay at the moon for its whiteness,
bellowing as below we heard valleys resound.
And how brightly with joy you would canter and run
the strange lonely peaks of high Cithaeron!
Michael R. Burch, after Simonides
Having never earned a penny,
nor seen a bridal gown slip to the floor,
still I lie here with the love of many,
to be the love of yet one more.
Michael R. Burch, after an unknown Greek poet
I lie by stark Icarian rocks
and only speak when the sea talks.
Please tell my dear father that I gave up the ghost
on the Aegean coast.
Michael R. Burch, after Theatetus
Everywhere the sea is the sea, the dead are the dead.
What difference to me—where I rest my head?
The sea knows I’m buried.
Michael R. Burch, after Antipater of Sidon
Constantina, inconstant one!
Once I thought your name beautiful
but I was a fool
and now you are more bitter to me than death!
You flee someone who loves you
with baited breath
to pursue someone who’s untrue.
But if you manage to make him love you,
tomorrow you'll flee him too!
Michael R. Burch, after Macedonius
Sunset
by Michael R. Burch
This poem is dedicated to my grandfather, George Edwin Hurt
Between the prophesies of morning
and twilight’s revelations of wonder,
the sky is ripped asunder.
The moon lurks in the clouds,
waiting, as if to plunder
the dusk of its lilac iridescence,
and in the bright-tentacled sunset
we imagine a presence
full of the fury of lost innocence.
What we find within strange whorls of drifting flame,
brief patterns mauling winds deform and maim,
we recognize at once, but cannot name.
The Greatest of These ...
by Michael R. Burch
for my mother, Christine Ena Burch
The hands that held me tremble.
The arms that lifted
fall.
Angelic flesh, now parchment,
is held together with gauze.
But her undimmed eyes still embrace me;
there infinity can be found.
I can almost believe such love
will reach me, underground.
Love Is Not Love
by Michael R. Burch
for Beth
Love is not love that never looked
within itself and questioned all,
curled up like a zygote in a ball,
throbbed, sobbed and shook.
(Or went on a binge at a nearby mall,
then would not cook.)
Love is not love that never winced,
then smiled, convinced
that soar’s the prerequisite of fall.
When all
its wounds and scars have been saline-rinsed,
where does Love find the wherewithal
to try again,
endeavor, when
all that it knows
is: O, because!
Stay With Me Tonight
by Michael R. Burch
Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.
And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.
Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine
and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.
That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.
And so lead me back tonight
through bright waterfalls of light
to where we shine as one.
Originally published by The Lyric
Ali’s Song
by Michael R. Burch
They say that gold don’t tarnish. It ain’t so.
They say it has a wild, unearthly glow.
A man can be more beautiful, more wild.
I flung their medal to the river, child.
I flung their medal to the river, child.
They hung their coin around my neck; they made
my name a bridle, “called a ***** a *****.”
They say their gold is pure. I say defiled.
I flung their slave’s name to the river, child.
I flung their slave’s name to the river, child.
Ain’t got no quarrel with no Viet Cong
that never called me ******, did me wrong.
A man can’t be lukewarm, ’cause God hates mild.
I flung their notice to the river, child.
I flung their notice to the river, child.
They said, “Now here’s your bullet and your gun,
and there’s your cell: we’re waiting, you choose one.”
At first I groaned aloud, but then I smiled.
I gave their “future” to the river, child.
I gave their “future” to the river, child.
My face reflected up, dark bronze like gold,
a coin God stamped in His own image―BOLD.
My blood boiled like that river―strange and wild.
I died to hate in that dark river, child,
Come, be reborn in this bright river, child.
Originally published by Black Medina
Note: Cassius Clay, who converted to Islam and changed his “slave name” to Muhammad Ali, said that he threw his Olympic boxing gold medal into the Ohio River. Confirming his account, the medal was recovered by Robert Bradbury and his wife Pattie in 2014 during the Annual Ohio River Sweep, and the Ali family paid them $200,000 to regain possession of the medal. When drafted during the Vietnamese War, Ali refused to serve, reputedly saying: “I ain't got no quarrel with those Viet Cong; no Vietnamese ever called me a ******.” The notice mentioned in my poem is Ali's draft notice, which metaphorically gets tossed into the river along with his slave name. I was told through the grapevine that this poem appeared in Farsi in an Iranian publication called Bashgah. ―Michael R. Burch
The Folly of Wisdom
by Michael R. Burch
She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.
We are walking somewhere that her feet know to go,
so I smile, and I follow ...
And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes―
I can almost remember―goes something like this:
the prince is a horned toad, awaiting her kiss.
She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me
rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.
Originally published by Romantics Quarterly
Departed
by Michael R. Burch
Already, I miss you,
though your parting kiss is still warm on my lips.
Now the floor is not strewn with your stockings and slips
and the dishes are all stacked away.
You left me today ...
and each word left unspoken now whispers regrets.
Roses for a Lover, Idealized
by Michael R. Burch
When you have become to me
as roses bloom, in memory,
exquisite, each sharp thorn forgot,
will I recall―yours made me bleed?
When winter makes me think of you,
whorls petrified in frozen dew,
bright promises blithe spring forgot,
will I recall your words―barbed, cruel?
Ibykos Fragment 286, Circa 564 B.C.
loose translation/interpretation by Michael R. Burch
Come spring, the grand
apple trees stand
watered by a gushing river
where the maidens’ uncut flowers shiver
and the blossoming grape vine swells
in the gathering shadows.
Unfortunately
for me
Eros never rests
but like a Thracian tempest
ablaze with lightning
emanates from Aphrodite;
the results are frightening—
black,
bleak,
astonishing,
violently jolting me from my soles
to my soul.
Deor's Lament (circa the 10th century AD)
loose translation/interpretation by Michael R. Burch
Weland endured the agony of exile:
an indomitable smith wracked by grief.
He suffered countless sorrows;
indeed, such sorrows were his ***** companions
in that frozen island dungeon
where Nithad fettered him:
so many strong-but-supple sinew-bands
binding the better man.
That passed away; this also may.
Beadohild mourned her brothers' deaths,
bemoaning also her own sad state
once she discovered herself with child.
She knew nothing good could ever come of it.
That passed away; this also may.
We have heard the Geat's moans for Matilda,
his lovely lady, waxed limitless,
that his sorrowful love for her
robbed him of regretless sleep.
That passed away; this also may.
For thirty winters Theodric ruled
the Mæring stronghold with an iron hand;
many acknowledged his mastery and moaned.
That passed away; this also may.
We have heard too of Ermanaric's wolfish ways,
of how he cruelly ruled the Goths' realms.
That was a grim king! Many a warrior sat,
full of cares and maladies of the mind,
wishing constantly that his crown might be overthrown.
That passed away; this also may.
If a man sits long enough, sorrowful and anxious,
bereft of joy, his mind constantly darkening,
soon it seems to him that his troubles are limitless.
Then he must consider that the wise Lord
often moves through the earth
granting some men honor, glory and fame,
but others only shame and hardship.
This I can say for myself:
that for awhile I was the Heodeninga's scop,
dear to my lord. My name was Deor.
For many winters I held a fine office,
faithfully serving a just king. But now Heorrenda
a man skilful in songs, has received the estate
the protector of warriors had promised me.
That passed away; this also may.
Infatuate, or Sweet Centerless Sixteen
by Michael R. Burch
Inconsolable as “love” had left your heart,
you woke this morning eager to pursue
warm lips again, or something “really cool”
on which to press your lips and leave their mark.
As breath upon a windowpane at dawn
soon glows, a spreading halo full of sun,
your thought of love blinks wildly ... on and on ...
then fizzles at the center, and is gone.
The Toast
by Michael R. Burch
For longings warmed by tepid suns
(brief lusts that animated clay),
for passions wilted at the bud
and skies grown desolate and gray,
for stars that fell from tinseled heights
and mountains bleak and scarred and lone,
for seas reflecting distant suns
and weeds that thrive where seeds were sown,
for waltzes ending in a hush
and rhymes that fade as pages close,
for flames’ exhausted, graying ash,
and petals falling from the rose,
I raise my cup before I drink
in reverence to a love long dead,
and silently propose a toast—
to passages, to time that fled.
Originally published by Contemporary Rhyme
Veiled
by Michael R. Burch
She has belief
without comprehension
and in her crutchwork shack
she is
much like us . . .
tamping the bread
into edible forms,
regarding her children
at play
with something akin to relief . . .
ignoring the towers ablaze
in the distance
because they are not revelations
but things of glass,
easily shattered . . .
and if you were to ask her,
she might say:
sometimes God visits his wrath
upon an impious nation
for its leaders’ sins,
and we might agree:
seeing her mutilations.
Published by Poetry Super Highway and Modern War Poems.
Twice
by Michael R. Burch
Now twice she has left me
and twice I have listened
and taken her back, remembering days
when love lay upon us
and sparkled and glistened
with the brightness of dew through a gathering haze.
But twice she has left me
to start my life over,
and twice I have gathered up embers, to learn:
rekindle a fire
from ash, soot and cinder
and softly it sputters, refusing to burn.
Originally published by The Lyric
Prose Epigrams
We cannot change the past, but we can learn from it.—Michael R. Burch
When I was being bullied, I had to learn not to judge myself by the opinions of intolerant morons. Then I felt much better.—Michael R. Burch
How can we predict the future, when tomorrow is as uncertain as Trump's next tweet? —Michael R. Burch
Poetry moves the heart as well as the reason.—Michael R. Burch
Poetry is the art of finding the right word at the right time.—Michael R. Burch
The State of the Art (?)
by Michael R. Burch
Has rhyme lost all its reason
and rhythm, renascence?
Are sonnets out of season
and poems but poor pretense?
Are poets lacking fire,
their words too trite and forced?
What happened to desire?
Has passion been coerced?
Shall poetry fade slowly,
like Latin, to past tense?
Are the bards too high and holy,
or their readers merely dense?
Your e-Verse
by Michael R. Burch
—for the posters and posers on www.fillintheblank.com
I cannot understand a word you’ve said
(and this despite an adequate I.Q.);
it must be some exotic new haiku
combined with Latin suddenly undead.
It must be hieroglyphics mixed with Greek.
Have Pound and T. S. Eliot been cloned?
Perhaps you wrote it on the ***, so ******
you spelled it backwards, just to be oblique.
I think you’re very funny—so, “Yuk! Yuk!”
I know you must be kidding; didn’t we
write crap like this and call it “poetry,”
a form of verbal exercise, P.E.,
in kindergarten, when we ran “amuck?”
Oh, sorry, I forgot to “make it new.”
Perhaps I still can learn a thing or two
from someone tres original, like you.
Haiku Translations of the Oriental Masters
Grasses wilt:
the braking locomotive
grinds to a halt
― Yamaguchi Seishi, loose translation by Michael R. Burch
Oh, fallen camellias,
if I were you,
I'd leap into the torrent!
― Takaha Shugyo, loose translation by Michael R. Burch
The first soft snow:
leaves of the awed jonquil
bow low
― Matsuo Basho, loose translation by Michael R. Burch
Come, investigate loneliness!
a solitary leaf
clings to the Kiri tree
― Matsuo Basho, loose translation by Michael R. Burch
Lightning
shatters the darkness―
the night heron's shriek
― Matsuo Basho, loose translation by Michael R. Burch
One apple, alone
in the abandoned orchard
reddens for winter
― Patrick Blanche, loose translation by Michael R. Burch
The poem above is by a French poet; it illustrates how the poetry of Oriental masters like Basho has influenced poets around the world.
Graven images of long-departed gods,
dry spiritless leaves:
companions of the temple porch
― Matsuo Basho, loose translation by Michael R. Burch
See: whose surviving sons
visit the ancestral graves
white-bearded, with trembling canes?
― Matsuo Basho, loose translation by Michael R. Burch
I remove my beautiful kimono:
its varied braids
surround and entwine my body
― Hisajo Sugita, loose translation by Michael R. Burch
This day of chrysanthemums
I shake and comb my wet hair,
as their petals shed rain
― Hisajo Sugita, loose translation by Michael R. Burch
This darkening autumn:
my neighbor,
how does he continue?
― Matsuo Basho, loose translation by Michael R. Burch
Let us arrange
these lovely flowers in the bowl
since there's no rice
― Matsuo Basho, loose translation by Michael R. Burch
An ancient pond,
the frog leaps:
the silver plop and gurgle of water
― Matsuo Basho, loose translation by Michael R. Burch
The butterfly
perfuming its wings
fans the orchid
― Matsuo Basho, loose translation by Michael R. Burch
Pausing between clouds
the moon rests
in the eyes of its beholders
― Matsuo Basho, loose translation by Michael R. Burch
The first chill rain:
poor monkey, you too could use
a woven cape of straw
― Matsuo Basho, loose translation by Michael R. Burch
This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
― Matsuo Basho, loose translation by Michael R. Burch
Like a heavy fragrance
snow-flakes settle:
lilies on the rocks
― Matsuo Basho, loose translation by Michael R. Burch
The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
― Matsuo Basho, loose translation by Michael R. Burch
Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
― Matsuo Basho, loose translation by Michael R. Burch
The sea darkening,
the voices of the wild ducks:
my mysterious companions!
― Matsuo Basho, loose translation by Michael R. Burch
Will we meet again?
Here at your flowering grave:
two white butterflies
― Matsuo Basho, loose translation by Michael R. Burch
Fever-felled mid-path
my dreams resurrect, to trek
into a hollow land
― Matsuo Basho, loose translation by Michael R. Burch
Too ill to travel,
now only my autumn dreams
survey these withering fields
― Matsuo Basho, loose translation by Michael R. Burch; this has been called Basho's death poem
These brown summer grasses?
The only remains
of "invincible" warriors...
― Matsuo Basho, loose translation by Michael R. Burch
An empty road
lonelier than abandonment:
this autumn evening
― Matsuo Basho, loose translation by Michael R. Burch
Spring has come:
the nameless hill
lies shrouded in mist
― Matsuo Basho, loose translation by Michael R. Burch
The Oldest Haiku
These are my translations of some of the oldest Japanese waka, which evolved into poetic forms such as tanka, renga and haiku over time. My translations are excerpts from the Kojiki (the "Record of Ancient Matters"), a book composed around 711-712 A.D. by the historian and poet Ō no Yasumaro. The Kojiki relates Japan’s mythological beginnings and the history of its imperial line. Like Virgil's Aeneid, the Kojiki seeks to legitimize rulers by recounting their roots. These are lines from one of the oldest Japanese poems, found in the oldest Japanese book:
While you decline to cry,
high on the mountainside
a single stalk of plumegrass wilts.
― Ō no Yasumaro (circa 711), loose translation by Michael R. Burch
Here's another excerpt, with a humorous twist, from the Kojiki:
Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
― Ō no Yasumaro (circa 711), loose translation by Michael R. Burch
Here's another, this one a poem of love and longing:
Onyx, this gem-black night.
Downcast, I await your return
like the rising sun, unrivaled in splendor.
― Ō no Yasumaro (circa 711), loose translation by Michael R. Burch
More Haiku by Various Poets
Right at my feet!
When did you arrive here,
snail?
― Kobayashi Issa, loose translation by Michael R. Burch
Our world of dew
is a world of dew indeed;
and yet, and yet...
― Kobayashi Issa, loose translation by Michael R. Burch
Oh, brilliant moon
can it be true that even you
must rush off, like us, tardy?
― Kobayashi Issa, loose translation by Michael R. Burch
A kite floats
at the same place in the sky
where yesterday it floated...
― Yosa Buson, loose translation by Michael R. Burch
The pigeon's behavior
is beyond reproach,
but the mountain cuckoo's?
― Yosa Buson, loose translation by Michael R. Burch
Plowing,
not a single bird sings
in the mountain's shadow
― Yosa Buson, loose translation by Michael R. Burch
The pear tree flowers whitely―
a young woman reads his letter
by moonlight
― Yosa Buson, loose translation by Michael R. Burch
On adjacent branches
the plum tree blossoms bloom
petal by petal―love!
― Yosa Buson, loose translation by Michael R. Burch
Picking autumn plums
my wrinkled hands
once again grow fragrant
― Yosa Buson, loose translation by Michael R. Burch
Dawn!
The brilliant sun illuminates
sardine heads.
― Yosa Buson, loose translation by Michael R. Burch
The abandoned willow
shines
between rains
― Yosa Buson, loose translation by Michael R. Burch
White plum blossoms―
though the hour grows late,
a glimpse of dawn
― Yosa Buson, loose translation by Michael R. Burch; this is believed to be Buson's death poem and he is said to have died before dawn
I thought I felt a dewdrop
plop
on me as I lay in bed!
― Masaoka Shiki, loose translation by Michael R. Burch
We cannot see the moon
and yet the waves still rise
― Shiki Masaoka, loose translation by Michael R. Burch
The first morning of autumn:
the mirror I investigate
reflects my father’s face
― Shiki Masaoka, loose translation by Michael R. Burch
Wild geese pass
leaving the emptiness of heaven
revealed
― Takaha Shugyo, loose translation by Michael R. Burch
Silently observing
the bottomless mountain lake:
water lilies
― Inahata Teiko, loose translation by Michael R. Burch
Cranes
flapping ceaselessly
test the sky's upper limits
― Inahata Teiko, loose translation by Michael R. Burch
Falling snowflakes'
glitter
tinsels the sea
― Inahata Teiko, loose translation by Michael R. Burch
Blizzards here on earth,
blizzards of stars
in the sky
― Inahata Teiko, loose translation by Michael R. Burch
Completely encircled
in emerald:
the glittering swamp!
― Inahata Teiko, loose translation by Michael R. Burch
The new calendar!:
as if tomorrow
is assured...
― Inahata Teiko, loose translation by Michael R. Burch
Ah butterfly,
what dreams do you ply
with your beautiful wings?
― Fukuda Chiyo-ni, loose translation by Michael R. Burch
Because morning glories
hold my well-bucket hostage
I go begging for water
― Fukuda Chiyo-ni, loose translation by Michael R. Burch
Spring
stirs the clouds
in the sky's teabowl
― Kikusha-ni, loose translation by Michael R. Burch
Tonight I saw
how the peony crumples
in the fire's embers
― Katoh Shuhson, loose translation by Michael R. Burch
It fills me with anger,
this moon; it fills me
and makes me whole
― Takeshita Shizunojo, loose translation by Michael R. Burch
War
stood at the end of the hall
in the long shadows
― Watanabe Hakusen, loose translation by Michael R. Burch
Because he is slow to wrath,
I tackle him, then wring his neck
in the long grass
― Shimazu Ryoh, loose translation by Michael R. Burch
Pale mountain sky:
cherry petals play
as they tumble earthward
― Kusama Tokihiko, loose translation by Michael R. Burch
The frozen moon,
the frozen lake:
two oval mirrors reflecting each other.
― Hashimoto Takako, loose translation by Michael R. Burch
The bitter winter wind
ends here
with the frozen sea
― Ikenishi Gonsui, loose translation by Michael R. Burch
Oh, bitter winter wind,
why bellow so
when there's no leaves to fell?
― Natsume Sôseki, loose translation by Michael R. Burch
Winter waves
roil
their own shadows
― Tominaga Fûsei, loose translation by Michael R. Burch
No sky,
no land:
just snow eternally falling...
― Kajiwara Hashin, loose translation by Michael R. Burch
Along with spring leaves
my child's teeth
take root, blossom
― Nakamura Kusatao, loose translation by Michael R. Burch
Stillness:
a single chestnut leaf glides
on brilliant water
― Ryuin, loose translation by Michael R. Burch
As thunder recedes
a lone tree stands illuminated in sunlight:
applauded by cicadas
― Masaoka Shiki, loose translation by Michael R. Burch
The snake slipped away
but his eyes, having held mine,
still stare in the grass
― Kyoshi Takahama, loose translation by Michael R. Burch
Girls gather sprouts of rice:
reflections of the water flicker
on the backs of their hats
― Kyoshi Takahama, loose translation by Michael R. Burch
Murmurs follow the hay cart
this blossoming summer day
― Ippekiro Nakatsuka (1887-1946), loose translation by Michael R. Burch
The wet nurse
paused to consider a bucket of sea urchins
then walked away
― Ippekiro Nakatsuka (1887-1946), loose translation by Michael R. Burch
May I be with my mother
wearing her summer kimono
by the morning window
― Ippekiro Nakatsuka (1887-1946), loose translation by Michael R. Burch
The hands of a woman exist
to remove the insides of the spring cuttlefish
― Sekitei Hara, loose translation by Michael R. Burch
The moon
hovering above the snow-capped mountains
rained down hailstones
― Sekitei Hara, loose translation by Michael R. Burch
Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
― Kakio Tomizawa, loose translation by Michael R. Burch
Spring snow
cascades over fences
in white waves
― Suju Takano, loose translation by Michael R. Burch
Tanka and Waka translations:
If fields of autumn flowers
can shed their blossoms, shameless,
why can’t I also frolic here —
as fearless, and as blameless?
—Ono no Komachi, loose translation by Michael R. Burch
Submit to you —
is that what you advise?
The way the ripples do
whenever ill winds arise?
—Ono no Komachi, loose translation by Michael R. Burch
Watching wan moonlight
illuminate trees,
my heart also brims,
overflowing with autumn.
—Ono no Komachi, loose translation by Michael R. Burch
I had thought to pluck
the flower of forgetfulness
only to find it
already blossoming in his heart.
—Ono no Komachi, loose translation by Michael R. Burch
That which men call "love" —
is it not merely the chain
preventing our escape
from this world of pain?
—Ono no Komachi, loose translation by Michael R. Burch
Once-colorful flowers faded,
while in my drab cell
life’s impulse also abated
as the long rains fell.
—Ono no Komachi, loose translation by Michael R. Burch
I set off at the shore
of the seaside of Tago,
where I saw the high, illuminated peak
of Fuji―white, aglow―
through flakes of drifting downy snow.
― Akahito Yamabe, loose translation by Michael R. Burch
ON LOOKING AT SCHILLER’S SKULL
by Johann Wolfgang von Goethe
loose translation/interpretation by Michael R. Burch
Here in this charnel-house full of bleaching bones,
like yesteryear’s
fading souvenirs,
I see the skulls arranged in strange ordered rows.
Who knows whose owners might have beheaded peers,
packed tightly here
despite once repellent hate?
Here weaponless, they stand, in this gentled state.
These arms and hands, they once were so delicate!
How articulately
they moved! Ah me!
What athletes once paced about on these padded feet?
Still there’s no hope of rest for you, lost souls!
Deprived of graves,
forced here like slaves
to occupy this overworld, unlamented ghouls!
Now who’s to know who loved one orb here detained?
Except for me;
reader, hear my plea:
I know the grandeur of the mind it contained!
Yes, and I know the impulse true love would stir
here, where I stand
in this alien land
surrounded by these husks, like a treasurer!
Even in this cold,
in this dust and mould
I am startled by an a strange, ancient reverie, …
as if this shrine to death could quicken me!
One shape out of the past keeps calling me
with its mystery!
Still retaining its former angelic grace!
And at that ecstatic sight, I am back at sea ...
Swept by that current to where immortals race.
O secret vessel, you
gave Life its truth.
It falls on me now to recall your expressive face.
I turn away, abashed here by what I see:
this mould was worth
more than all the earth.
Let me breathe fresh air and let my wild thoughts run free!
What is there better in this dark Life than he
who gives us a sense of man’s divinity,
of his place in the universe?
A man who’s both flesh and spirit—living verse!
To the boy Elis
by Georg Trakl
translation by Michael R. Burch
Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.
Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.
Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.
A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?
A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss
from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:
the lost gold of vanished stars.
TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.
Farewell to Faith I
by Michael R. Burch
What we want is relief
from life’s grief and despair:
what we want’s not “belief”
but just not to be there.
Farewell to Faith II
by Michael R. Burch
Confronted by the awesome thought of death,
to never suffer, and be free of grief,
we wonder: "What’s the use of drawing breath?
Why seek relief
from the bible’s Thief,
who ripped off Eve then offered her a leaf?"
Anyte Epigrams
Stranger, rest your weary legs beneath the elms;
hear how coolly the breeze murmurs through their branches;
then take a bracing draught from the mountain-fed fountain;
for this is welcome shade from the burning sun.
—Anyte, loose translation/interpretation by Michael R. Burch
Here I stand, Hermes, in the crossroads
by the windswept elms near the breezy beach,
providing rest to sunburned travelers,
and cold and brisk is my fountain’s abundance.
—Anyte, loose translation/interpretation by Michael R. Burch
Sit here, quietly shaded by the luxuriant foliage,
and drink cool water from the sprightly spring,
so that your weary breast, panting with summer’s labors,
may take rest from the blazing sun.
—Anyte, loose translation/interpretation by Michael R. Burch
This is the grove of Cypris,
for it is fair for her to look out over the land to the bright deep,
that she may make the sailors’ voyages happy,
as the sea trembles, observing her brilliant image.
—Anyte, loose translation/interpretation by Michael R. Burch
Nossis Epigrams
There is nothing sweeter than love.
All other delights are secondary.
Thus, I spit out even honey.
This is what Gnossis says:
Whom Aphrodite does not love,
Is bereft of her roses.
—Nossis, loose translation/interpretation by Michael R. Burch
Most revered Hera, the oft-descending from heaven,
behold your Lacinian shrine fragrant with incense
and receive the linen robe your noble child Nossis,
daughter of Theophilis and Cleocha, has woven for you.
—Nossis, loose translation/interpretation by Michael R. Burch
Stranger, if you sail to Mitylene, my homeland of beautiful dances,
to indulge in the most exquisite graces of Sappho,
remember I also was loved by the Muses, who bore me and reared me there.
My name, never forget it!, is Nossis. Now go!
—Nossis, loose translation/interpretation by Michael R. Burch
Pass me with ringing laughter, then award me
a friendly word: I am Rinthon, scion of Syracuse,
a small nightingale of the Muses; from their tragedies
I was able to pluck an ivy, unique, for my own use.
—Nossis, loose translation/interpretation by Michael R. Burch
Excerpts from “Distaff”
by Erinna
loose translation/interpretation by Michael R. Burch
… the moon rising …
… leaves falling …
… waves lapping a windswept shore …
… and our childish games, Baucis, do you remember? ...
... Leaping from white horses,
running on reckless feet through the great courtyard.
“You’re it!’ I cried, ‘You’re the Tortoise now!”
But when your turn came to pursue your pursuers,
you darted beyond the courtyard,
dashed out deep into the waves,
splashing far beyond us …
… My poor Baucis, these tears I now weep are your warm memorial,
these traces of embers still smoldering in my heart
for our silly amusements, now that you lie ash …
… Do you remember how, as girls,
we played at weddings with our dolls,
pretending to be brides in our innocent beds? ...
... How sometimes I was your mother,
allotting wool to the weaver-women,
calling for you to unreel the thread? ...
… Do you remember our terror of the monster Mormo
with her huge ears, her forever-flapping tongue,
her four slithering feet, her shape-shifting face? ...
... Until you mother called for us to help with the salted meat ...
... But when you mounted your husband’s bed,
dearest Baucis, you forgot your mothers’ warnings!
Aphrodite made your heart forgetful ...
... Desire becomes oblivion ...
... Now I lament your loss, my dearest friend.
I can’t bear to think of that dark crypt.
I can’t bring myself to leave the house.
I refuse to profane your corpse with my tearless eyes.
I refuse to cut my hair, but how can I mourn with my hair unbound?
I blush with shame at the thought of you! …
... But in this dark house, O my dearest Baucis,
My deep grief is ripping me apart.
Wretched Erinna! Only nineteen,
I moan like an ancient crone, eying this strange distaff ...
O *****! . . . O Hymenaeus! . . .
Alas, my poor Baucis!
On a Betrothed Girl
by Erinna
loose translation/interpretation by Michael R. Burch
I sing of Baucis the bride.
Observing her tear-stained crypt
say this to Death who dwells underground:
"Thou art envious, O Death!"
Her vivid monument tells passers-by
of the bitter misfortune of Baucis —
how her father-in-law burned the poor ******* a pyre
lit by bright torches meant to light her marriage train home.
While thou, O Hymenaeus, transformed her harmonious bridal song into a chorus of wailing dirges.
*****! O Hymenaeus!
Sophocles Epigrams
Not to have been born is best,
and blessed
beyond the ability of words to express.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
It’s a hundred times better not be born;
but if we cannot avoid the light,
the path of least harm is swiftly to return
to death’s eternal night!
—Sophocles, Oedipus at Colonus, loose translation/interpretation by Michael R. Burch
Never to be born may be the biggest boon of all.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
Oblivion: What a blessing, to lie untouched by pain!
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
The happiest life is one empty of thought.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
Consider no man happy till he lies dead, free of pain at last.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
What is worse than death? When death is desired but denied.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
When a man endures nothing but endless miseries, what is the use of hanging on day after day,
edging closer and closer toward death? Anyone who warms his heart with the false glow of flickering hope is a wretch! The noble man should live with honor and die with honor. That's all that can be said.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
Children anchor their mothers to life.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
How terrible, to see the truth when the truth brings only pain to the seer!
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
Wisdom outweighs all the world's wealth.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
Fortune never favors the faint-hearted.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
Wait for evening to appreciate the day's splendor.
—Sophocles (circa 497-406 BC), loose translation/interpretation by Michael R. Burch
Homer Epigrams
For the gods have decreed that unfortunate mortals must suffer, while they themselves are sorrowless.
—Homer, Iliad 24.525-526, loose translation/interpretation by Michael R. Burch
“It is best not to be born or, having been born, to pass on as swiftly as possible.”
—attributed to Homer (circa 800 BC), loose translation/interpretation by Michael R. Burch
Ancient Roman Epigrams
Wall, I'm astonished that you haven't collapsed,
since you're holding up verses so prolapsed!
—Ancient Roman graffiti, loose translation/interpretation by Michael R Burch
There is nothing so pointless, so perfidious as human life! ... The ultimate bliss is not to be born; otherwise we should speedily slip back into the original Nothingness.
—Seneca, On Consolation to Marcia, loose translation/interpretation by Michael R. Burch
Keywords/Tags: elegy, eulogy, child, childhood, death, death of a friend, lament, lamentation, epitaph, grave, funeral, epigram, epigrams, short, brief, concise, aphorism, adage, proverb, quote, mrbepi, mrbepig, mrbepigram, mrbhaiku
Published as the collection "Epigrams"
Homer Nov 2010
The Homeric Hymns: 3- To Apollo
III. TO APOLLO (546 lines)
TO DELIAN APOLLO --
(ll. 1-18) I will remember and not be unmindful of Apollo who
shoots afar. As he goes through the house of Zeus, the gods
tremble before him and all spring up from their seats when he
draws near, as he bends his bright bow. But Leto alone stays by
the side of Zeus who delights in thunder; and then she unstrings
his bow, and closes his quiver, and takes his archery from his
strong shoulders in her hands and hangs them on a golden peg
against a pillar of his father's house. Then she leads him to a
seat and makes him sit: and the Father gives him nectar in a
golden cup welcoming his dear son, while the other gods make him
sit down there, and queenly Leto rejoices because she bare a
mighty son and an archer. Rejoice, blessed Leto, for you bare
glorious children, the lord Apollo and Artemis who delights in
arrows; her in Ortygia, and him in rocky Delos, as you rested
against the great mass of the Cynthian hill hard by a palm-tree
by the streams of Inopus.
(ll. 19-29) How, then, shall I sing of you who in all ways are a
worthy theme of song? For everywhere, O Phoebus, the whole range
of song is fallen to you, both over the mainland that rears
heifers and over the isles. All mountain-peaks and high
headlands of lofty hills and rivers flowing out to the deep and
beaches sloping seawards and havens of the sea are your delight.
Shall I sing how at the first Leto bare you to be the joy of men,
as she rested against Mount Cynthus in that rocky isle, in sea-
girt Delos -- while on either hand a dark wave rolled on
landwards driven by shrill winds -- whence arising you rule over
all mortal men?
(ll. 30-50) Among those who are in Crete, and in the township of
Athens, and in the isle of Aegina and Euboea, famous for ships,
in Aegae and Eiresiae and Peparethus near the sea, in Thracian
Athos and Pelion's towering heights and Thracian Samos and the
shady hills of Ida, in Scyros and Phocaea and the high hill of
Autocane and fair-lying Imbros and smouldering Lemnos and rich
******, home of Macar, the son of ******, and Chios, brightest of
all the isles that lie in the sea, and craggy Mimas and the
heights of Corycus and gleaming Claros and the sheer hill of
Aesagea and watered Samos and the steep heights of Mycale, in
Miletus and Cos, the city of Meropian men, and steep Cnidos and
windy Carpathos, in Naxos and Paros and rocky Rhenaea -- so far
roamed Leto in travail with the god who shoots afar, to see if
any land would be willing to make a dwelling for her son. But
they greatly trembled and feared, and none, not even the richest
of them, dared receive Phoebus, until queenly Leto set foot on
Delos and uttered winged words and asked her:
(ll. 51-61) 'Delos, if you would be willing to be the abode of my
son "Phoebus Apollo and make him a rich temple --; for no other
will touch you, as you will find: and I think you will never be
rich in oxen and sheep, nor bear vintage nor yet produce plants
abundantly. But if you have the temple of far-shooting Apollo,
all men will bring you hecatombs and gather here, and incessant
savour of rich sacrifice will always arise, and you will feed
those who dwell in you from the hand of strangers; for truly your
own soil is not rich.'
(ll. 62-82) So spake Leto. And Delos rejoiced and answered and
said: 'Leto, most glorious daughter of great Coeus, joyfully
would I receive your child the far-shooting lord; for it is all
too true that I am ill-spoken of among men, whereas thus I should
become very greatly honoured. But this saying I fear, and I will
not hide it from you, Leto. They say that Apollo will be one
that is very haughty and will greatly lord it among gods and men
all over the fruitful earth. Therefore, I greatly fear in heart
and spirit that as soon as he sets the light of the sun, he will
scorn this island -- for truly I have but a hard, rocky soil --
and overturn me and ****** me down with his feet in the depths of
the sea; then will the great ocean wash deep above my head for
ever, and he will go to another land such as will please him,
there to make his temple and wooded groves. So, many-footed
creatures of the sea will make their lairs in me and black seals
their dwellings undisturbed, because I lack people. Yet if you
will but dare to sware a great oath, goddess, that here first he
will build a glorious temple to be an oracle for men, then let
him afterwards make temples and wooded groves amongst all men;
for surely he will be greatly renowned.
(ll. 83-88) So said Delos. And Leto sware the great oath of the
gods: 'Now hear this, Earth and wide Heaven above, and dropping
water of Styx (this is the strongest and most awful oath for the
blessed gods), surely Phoebus shall have here his fragrant altar
and precinct, and you he shall honour above all.'
(ll. 89-101) Now when Leto had sworn and ended her oath, Delos
was very glad at the birth of the far-shooting lord. But Leto
was racked nine days and nine nights with pangs beyond wont. And
there were with her all the chiefest of the goddesses, Dione and
Rhea and Ichnaea and Themis and loud-moaning Amphitrite and the
other deathless goddesses save white-armed Hera, who sat in the
halls of cloud-gathering Zeus. Only Eilithyia, goddess of sore
travail, had not heard of Leto's trouble, for she sat on the top
of Olympus beneath golden clouds by white-armed Hera's
contriving, who kept her close through envy, because Leto with
the lovely tresses was soon to bear a son faultless and strong.
(ll. 102-114) But the goddesses sent out Iris from the well-set
isle to bring Eilithyia, promising her a great necklace strung
with golden threads, nine cubits long. And they bade Iris call
her aside from white-armed Hera, lest she might afterwards turn
her from coming with her words. When swift Iris, fleet of foot
as the wind, had heard all this, she set to run; and quickly
finishing all the distance she came to the home of the gods,
sheer Olympus, and forthwith called Eilithyia out from the hall
to the door and spoke winged words to her, telling her all as the
goddesses who dwell on Olympus had bidden her. So she moved the
heart of Eilithyia in her dear breast; and they went their way,
like shy wild-doves in their going.
(ll. 115-122) And as soon as Eilithyia the goddess of sore
travail set foot on Delos, the pains of birth seized Leto, and
she longed to bring forth; so she cast her arms about a palm tree
and kneeled on the soft meadow while the earth laughed for joy
beneath. Then the child leaped forth to the light, and all the
goddesses washed you purely and cleanly with sweet water, and
swathed you in a white garment of fine texture, new-woven, and
fastened a golden band about you.
(ll. 123-130) Now Leto did not give Apollo, bearer of the golden
blade, her breast; but Themis duly poured nectar and ambrosia
with her divine hands: and Leto was glad because she had borne a
strong son and an archer. But as soon as you had tasted that
divine heavenly food, O Phoebus, you could no longer then be held
by golden cords nor confined with bands, but all their ends were
undone. Forthwith Phoebus Apollo spoke out among the deathless
goddesses:
(ll. 131-132) 'The lyre and the curved bow shall ever be dear to
me, and I will declare to men the unfailing will of Zeus.'
(ll. 133-139) So said Phoebus, the long-haired god who shoots
afar and began to walk upon the wide-pathed earth; and all
goddesses were amazed at him. Then with gold all Delos was
laden, beholding the child of Zeus and Leto, for joy because the
god chose her above the islands and shore to make his dwelling in
her: and she loved him yet more in her heart, and blossomed as
does a mountain-top with woodland flowers.
(ll. 140-164) And you, O lord Apollo, god of the silver bow,
shooting afar, now walked on craggy Cynthus, and now kept
wandering about the island and the people in them. Many are your
temples and wooded groves, and all peaks and towering bluffs of
lofty mountains and rivers flowing to the sea are dear to you,
Phoebus, yet in Delos do you most delight your heart; for there
the long robed Ionians gather in your honour with their children
and shy wives: mindful, they delight you with boxing and dancing
and song, so often as they hold their gathering. A man would say
that they were deathless and unageing if he should then come upon
the Ionians so met together. For he would see the graces of them
all, and would be pleased in heart gazing at the men and well-
girded women with their swift ships and great wealth. And there
is this great wonder besides -- and its renown shall never perish
-- the girls of Delos, hand-maidens of the Far-shooter; for when
they have praised Apollo first, and also Leto and Artemis who
delights in arrows, they sing a strain-telling of men and women
of past days, and charm the tribes of men. Also they can imitate
the tongues of all men and their clattering speech: each would
say that he himself were singing, so close to truth is their
sweet song.
(ll. 165-178) And now may Apollo be favourable and Artemis; and
farewell all you maidens. Remember me in after time whenever any
one of men on earth, a stranger who has seen and suffered much,
comes here and asks of you: 'Whom think ye, girls, is the
sweetest singer that comes here, and in whom do you most
delight?' Then answer, each and all, with one voice: 'He is a
blind man, and dwells in rocky Chios: his lays are evermore
supreme.' As for me, I will carry your renown as far as I roam
over the earth to the well-placed this thing is true. And I will
never cease to praise far-shooting Apollo, god of the silver bow,
whom rich-haired Leto bare.
TO PYTHIAN APOLLO --
(ll. 179-181) O Lord, Lycia is yours and lovely Maeonia and
Miletus, charming city by the sea, but over wave-girt Delos you
greatly reign your own self.
(ll. 182-206) Leto's all-glorious son goes to rocky Pytho,
playing upon his hollow lyre, clad in divine, perfumed garments;
and at the touch of the golden key his lyre sings sweet. Thence,
swift as thought, he speeds from earth to Olympus, to the house
of Zeus, to join the gathering of the other gods: then
straightway the undying gods think only of the lyre and song, and
all the Muses together, voice sweetly answering voice, hymn the
unending gifts the gods enjoy and the sufferings of men, all that
they endure at the hands of the deathless gods, and how they live
witless and helpless and cannot find healing for death or defence
against old age. Meanwhile the rich-tressed Graces and cheerful
Seasons dance with Harmonia and **** and Aphrodite, daughter of
Zeus, holding each other by the wrist. And among them sings one,
not mean nor puny, but tall to look upon and enviable in mien,
Artemis who delights in arrows, sister of Apollo. Among them
sport Ares and the keen-eyed Slayer of Argus, while Apollo plays
his lyre stepping high and featly and a radiance shines around
him, the gleaming of his feet and close-woven vest. And they,
even gold-tressed Leto and wise Zeus, rejoice in their great
hearts as they watch their dear son playing among the undying
gods.
(ll. 207-228) How then shall I sing of you -- though in all ways
you are a worthy theme for song? Shall I sing of you as wooer
and in the fields of love, how you went wooing the daughter of
Azan along with god-like Ischys the son of well-horsed Elatius,
or with Phorbas sprung from Triops, or with Ereutheus, or with
Leucippus and the wife of Leucippus....
((LACUNA))
....you on foot, he with his chariot, yet he fell not short of
Triops. Or shall I sing how at the first you went about the
earth seeking a place of oracle for men, O far-shooting Apollo?
To Pieria first you went down from Olympus and passed by sandy
Lectus and Enienae and through the land of the Perrhaebi. Soon
you came to Iolcus and set foot on Cenaeum in Euboea, famed for
ships: you stood in the Lelantine plain, but it pleased not your
heart to make a temple there and wooded groves. From there you
crossed the Euripus, far-shooting Apollo, and went up the green,
holy hills, going on to Mycalessus and grassy-bedded Teumessus,
and so came to the wood-clad abode of Thebe; for as yet no man
lived in holy Thebe, nor were there tracks or ways about Thebe's
wheat-bearing plain as yet.
(ll. 229-238) And further still you went, O far-shooting Apollo,
and came to Onchestus, Poseidon's bright grove: there the new-
broken cold distressed with drawing the trim chariot gets spirit
again, and the skilled driver springs from his car and goes on
his way. Then the horses for a while rattle the empty car, being
rid of guidance; and if they break the chariot in the woody
grove, men look after the horses, but tilt the chariot and leave
it there; for this was the rite from the very first. And the
drivers pray to the lord of the shrine; but the chariot falls to
the lot of the god.
(ll. 239-243) Further yet you went, O far-shooting Apollo, and
reached next Cephissus' sweet stream which pours forth its sweet-
flowing water from Lilaea, and crossing over it, O worker from
afar, you passed many-towered Ocalea and reached grassy
Haliartus.
(ll. 244-253) Then you went towards Telphusa: and there the
pleasant place seemed fit for making a temple and wooded grove.
You came very near and spoke to her: 'Telphusa, here I am minded
to make a glorious temple, an oracle for men, and hither they
will always bring perfect hecatombs, both those who live in rich
Peloponnesus and those of Europe and all the wave-washed isles,
coming to seek oracles. And I will deliver to them all counsel
that cannot fail, giving answer in my rich temple.'
(ll. 254-276) So said Phoebus Apollo, and laid out all the
foundations throughout, wide and very long. But when Telphusa
saw this, she was angry in heart and spoke, saying: 'Lord
Phoebus, worker from afar, I will speak a word of counsel to your
heart, since you are minded to make here a glorious temple to be
an oracle for men who will always bring hither perfect hecatombs
for you; yet I will speak out, and do you lay up my words in your
heart. The trampling of swift horses and the sound of mules
watering at my sacred springs will always irk you, and men will
like better to gaze at the well-made chariots and stamping,
swift-footed horses than at your great temple and the many
treasures that are within. But if you will be moved by me -- for
you, lord, are stronger and mightier than I, and your strength is
very great -- build at Crisa below the glades of Parnassus: there
no bright chariot will clash, and there will be no noise of
swift-footed horses near your well-built altar. But so the
glorious tribes of men will bring gifts to you as Iepaeon ('Hail-
Healer'), and you will receive with delight rich sacrifices from
the people dwelling round about.' So said Telphusa, that she
alone, and not the Far-Shooter, should have renown there; and she
persuaded the Far-Shooter.
(ll. 277-286) Further yet you went, far-shooting Apollo, until
you came to the town of the presumptuous Phlegyae who dwell on
this earth in a lovely glade near the Cephisian lake, caring not
for Zeus. And thence you went speeding swiftly to the mountain
ridge, and came to Crisa beneath snowy Parnassus, a foothill
turned towards the west: a cliff hangs over if from above, and a
hollow, rugged glade runs under. There the lord Phoebus Apollo
resolved to make his lovely temple, and thus he said:
(ll. 287-293) 'In this place I am minded to build a glorious
temple to be an oracle for men, and here they will always bring
perfect hecatombs, both they who dwell in rich Peloponnesus and
the men of Europe and from all the wave-washed isles, coming to
question me. And I will deliver to them all counsel that cannot
fail, answering them in my rich temple.'
(ll. 294-299) When h
TO DELIAN APOLLO --
(ll. 1-18) I will remember and not be unmindful of Apollo who
shoots afar. As he goes through the house of Zeus, the gods
tremble before him and all spring up from their seats when he
draws near, as he bends his bright bow. But Leto alone stays by
the side of Zeus who delights in thunder; and then she unstrings
his bow, and closes his quiver, and takes his archery from his
strong shoulders in her hands and hangs them on a golden peg
against a pillar of his father's house. Then she leads him to a
seat and makes him sit: and the Father gives him nectar in a
golden cup welcoming his dear son, while the other gods make him
sit down there, and queenly Leto rejoices because she bare a
mighty son and an archer. Rejoice, blessed Leto, for you bare
glorious children, the lord Apollo and Artemis who delights in
arrows; her in Ortygia, and him in rocky Delos, as you rested
against the great mass of the Cynthian hill hard by a palm-tree
by the streams of Inopus.
(ll. 19-29) How, then, shall I sing of you who in all ways are a
worthy theme of song? For everywhere, O Phoebus, the whole range
of song is fallen to you, both over the mainland that rears
heifers and over the isles. All mountain-peaks and high
headlands of lofty hills and rivers flowing out to the deep and
beaches sloping seawards and havens of the sea are your delight.
Shall I sing how at the first Leto bare you to be the joy of men,
as she rested against Mount Cynthus in that rocky isle, in sea-
girt Delos -- while on either hand a dark wave rolled on
landwards driven by shrill winds -- whence arising you rule over
all mortal men?
(ll. 30-50) Among those who are in Crete, and in the township of
Athens, and in the isle of Aegina and Euboea, famous for ships,
in Aegae and Eiresiae and Peparethus near the sea, in Thracian
Athos and Pelion's towering heights and Thracian Samos and the
shady hills of Ida, in Scyros and Phocaea and the high hill of
Autocane and fair-lying Imbros and smouldering Lemnos and rich
******, home of Macar, the son of ******, and Chios, brightest of
all the isles that lie in the sea, and craggy Mimas and the
heights of Corycus and gleaming Claros and the sheer hill of
Aesagea and watered Samos and the steep heights of Mycale, in
Miletus and Cos, the city of Meropian men, and steep Cnidos and
windy Carpathos, in Naxos and Paros and rocky Rhenaea -- so far
roamed Leto in travail with the god who shoots afar, to see if
any land would be willing to make a dwelling for her son. But
they greatly trembled and feared, and none, not even the richest
of them, dared receive Phoebus, until queenly Leto set foot on
Delos and uttered winged words and asked her:
(ll. 51-61) 'Delos, if you would be willing to be the abode of my
son "Phoebus Apollo and make him a rich temple --; for no other
will touch you, as you will find: and I think you will never be
rich in oxen and sheep, nor bear vintage nor yet produce plants
abundantly. But if you have the temple of far-shooting Apollo,
all men will bring you hecatombs and gather here, and incessant
savour of rich sacrifice will always arise, and you will feed
those who dwell in you from the hand of strangers; for truly your
own soil is not rich.'
(ll. 62-82) So spake Leto. And Delos rejoiced and answered and
said: 'Leto, most glorious daughter of great Coeus, joyfully
would I receive your child the far-shooting lord; for it is all
too true that I am ill-spoken of among men, whereas thus I should
become very greatly honoured. But this saying I fear, and I will
not hide it from you, Leto. They say that Apollo will be one
that is very haughty and will greatly lord it among gods and men
all over the fruitful earth. Therefore, I greatly fear in heart
and spirit that as soon as he sets the light of the sun, he will
scorn this island -- for truly I have but a hard, rocky soil --
and overturn me and ****** me down with his feet in the depths of
the sea; then will the great ocean wash deep above my head for
ever, and he will go to another land such as will please him,
there to make his temple and wooded groves. So, many-footed
creatures of the sea will make their lairs in me and black seals
their dwellings undisturbed, because I lack people. Yet if you
will but dare to sware a great oath, goddess, that here first he
will build a glorious temple to be an oracle for men, then let
him afterwards make temples and wooded groves amongst all men;
for surely he will be greatly renowned.
(ll. 83-88) So said Delos. And Leto sware the great oath of the
gods: 'Now hear this, Earth and wide Heaven above, and dropping
water of Styx (this is the strongest and most awful oath for the
blessed gods), surely Phoebus shall have here his fragrant altar
and precinct, and you he shall honour above all.'
(ll. 89-101) Now when Leto had sworn and ended her oath, Delos
was very glad at the birth of the far-shooting lord. But Leto
was racked nine days and nine nights with pangs beyond wont. And
there were with her all the chiefest of the goddesses, Dione and
Rhea and Ichnaea and Themis and loud-moaning Amphitrite and the
other deathless goddesses save white-armed Hera, who sat in the
halls of cloud-gathering Zeus. Only Eilithyia, goddess of sore
travail, had not heard of Leto's trouble, for she sat on the top
of Olympus beneath golden clouds by white-armed Hera's
contriving, who kept her close through envy, because Leto with
the lovely tresses was soon to bear a son faultless and strong.
(ll. 102-114) But the goddesses sent out Iris from the well-set
isle to bring Eilithyia, promising her a great necklace strung
with golden threads, nine cubits long. And they bade Iris call
her aside from white-armed Hera, lest she might afterwards turn
her from coming with her words. When swift Iris, fleet of foot
as the wind, had heard all this, she set to run; and quickly
finishing all the distance she came to the home of the gods,
sheer Olympus, and forthwith called Eilithyia out from the hall
to the door and spoke winged words to her, telling her all as the
goddesses who dwell on Olympus had bidden her. So she moved the
heart of Eilithyia in her dear breast; and they went their way,
like shy wild-doves in their going.
(ll. 115-122) And as soon as Eilithyia the goddess of sore
travail set foot on Delos, the pains of birth seized Leto, and
she longed to bring forth; so she cast her arms about a palm tree
and kneeled on the soft meadow while the earth laughed for joy
beneath. Then the child leaped forth to the light, and all the
goddesses washed you purely and cleanly with sweet water, and
swathed you in a white garment of fine texture, new-woven, and
fastened a golden band about you.
(ll. 123-130) Now Leto did not give Apollo, bearer of the golden
blade, her breast; but Themis duly poured nectar and ambrosia
with her divine hands: and Leto was glad because she had borne a
strong son and an archer. But as soon as you had tasted that
divine heavenly food, O Phoebus, you could no longer then be held
by golden cords nor confined with bands, but all their ends were
undone. Forthwith Phoebus Apollo spoke out among the deathless
goddesses:
(ll. 131-132) 'The lyre and the curved bow shall ever be dear to
me, and I will declare to men the unfailing will of Zeus.'
(ll. 133-139) So said Phoebus, the long-haired god who shoots
afar and began to walk upon the wide-pathed earth; and all
goddesses were amazed at him. Then with gold all Delos was
laden, beholding the child of Zeus and Leto, for joy because the
god chose her above the islands and shore to make his dwelling in
her: and she loved him yet more in her heart, and blossomed as
does a mountain-top with woodland flowers.
(ll. 140-164) And you, O lord Apollo, god of the silver bow,
shooting afar, now walked on craggy Cynthus, and now kept
wandering about the island and the people in them. Many are your
temples and wooded groves, and all peaks and towering bluffs of
lofty mountains and rivers flowing to the sea are dear to you,
Phoebus, yet in Delos do you most delight your heart; for there
the long robed Ionians gather in your honour with their children
and shy wives: mindful, they delight you with boxing and dancing
and song, so often as they hold their gathering. A man would say
that they were deathless and unageing if he should then come upon
the Ionians so met together. For he would see the graces of them
all, and would be pleased in heart gazing at the men and well-
girded women with their swift ships and great wealth. And there
is this great wonder besides -- and its renown shall never perish
-- the girls of Delos, hand-maidens of the Far-shooter; for when
they have praised Apollo first, and also Leto and Artemis who
delights in arrows, they sing a strain-telling of men and women
of past days, and charm the tribes of men. Also they can imitate
the tongues of all men and their clattering speech: each would
say that he himself were singing, so close to truth is their
sweet song.
(ll. 165-178) And now may Apollo be favourable and Artemis; and
farewell all you maidens. Remember me in after time whenever any
one of men on earth, a stranger who has seen and suffered much,
comes here and asks of you: 'Whom think ye, girls, is the
sweetest singer that comes here, and in whom do you most
delight?' Then answer, each and all, with one voice: 'He is a
blind man, and dwells in rocky Chios: his lays are evermore
supreme.' As for me, I will carry your renown as far as I roam
over the earth to the well-placed this thing is true. And I will
never cease to praise far-shooting Apollo, god of the silver bow,
whom rich-haired Leto bare.
TO PYTHIAN APOLLO --
(ll. 179-181) O Lord, Lycia is yours and lovely Maeonia and
Miletus, charming city by the sea, but over wave-girt Delos you
greatly reign your own self.
(ll. 182-206) Leto's all-glorious son goes to rocky Pytho,
playing upon his hollow lyre, clad in divine, perfumed garments;
and at the touch of the golden key his lyre sings sweet. Thence,
swift as thought, he speeds from earth to Olympus, to the house
of Zeus, to join the gathering of the other gods: then
straightway the undying gods think only of the lyre and song, and
all the Muses together, voice sweetly answering voice, hymn the
unending gifts the gods enjoy and the sufferings of men, all that
they endure at the hands of the deathless gods, and how they live
witless and helpless and cannot find healing for death or defence
against old age. Meanwhile the rich-tressed Graces and cheerful
Seasons dance with Harmonia and **** and Aphrodite, daughter of
Zeus, holding each other by the wrist. And among them sings one,
not mean nor puny, but tall to look upon and enviable in mien,
Artemis who delights in arrows, sister of Apollo. Among them
sport Ares and the keen-eyed Slayer of Argus, while Apollo plays
his lyre stepping high and featly and a radiance shines around
him, the gleaming of his feet and close-woven vest. And they,
even gold-tressed Leto and wise Zeus, rejoice in their great
hearts as they watch their dear son playing among the undying
gods.
(ll. 207-228) How then shall I sing of you -- though in all ways
you are a worthy theme for song? Shall I sing of you as wooer
and in the fields of love, how you went wooing the daughter of
Azan along with god-like Ischys the son of well-horsed Elatius,
or with Phorbas sprung from Triops, or with Ereutheus, or with
Leucippus and the wife of Leucippus....
((LACUNA))
....you on foot, he with his chariot, yet he fell not short of
Triops. Or shall I sing how at the first you went about the
earth seeking a place of oracle for men, O far-shooting Apollo?
To Pieria first you went down from Olympus and passed by sandy
Lectus and Enienae and through the land of the Perrhaebi. Soon
you came to Iolcus and set foot on Cenaeum in Euboea, famed for
ships: you stood in the Lelantine plain, but it pleased not your
heart to make a temple there and wooded groves. From there you
crossed the Euripus, far-shooting Apollo, and went up the green,
holy hills, going on to Mycalessus and grassy-bedded Teumessus,
and so came to the wood-clad abode of Thebe; for as yet no man
lived in holy Thebe, nor were there tracks or ways about Thebe's
wheat-bearing plain as yet.
(ll. 229-238) And further still you went, O far-shooting Apollo,
and came to Onchestus, Poseidon's bright grove: there the new-
broken cold distressed with drawing the trim chariot gets spirit
again, and the skilled driver springs from his car and goes on
his way. Then the horses for a while rattle the empty car, being
rid of guidance; and if they break the chariot in the woody
grove, men look after the horses, but tilt the chariot and leave
it there; for this was the rite from the very first. And the
drivers pray to the lord of the shrine; but the chariot falls to
the lot of the god.
(ll. 239-243) Further yet you went, O far-shooting Apollo, and
reached next Cephissus' sweet stream which pours forth its sweet-
flowing water from Lilaea, and crossing over it, O worker from
afar, you passed many-towered Ocalea and reached grassy
Haliartus.
(ll. 244-253) Then you went towards Telphusa: and there the
pleasant place seemed fit for making a temple and wooded grove.
You came very near and spoke to her: 'Telphusa, here I am minded
to make a glorious temple, an oracle for men, and hither they
will always bring perfect hecatombs, both those who live in rich
Peloponnesus and those of Europe and all the wave-washed isles,
coming to seek oracles. And I will deliver to them all counsel
that cannot fail, giving answer in my rich temple.'
(ll. 254-276) So said Phoebus Apollo, and laid out all the
foundations throughout, wide and very long. But when Telphusa
saw this, she was angry in heart and spoke, saying: 'Lord
Phoebus, worker from afar, I will speak a word of counsel to your
heart, since you are minded to make here a glorious temple to be
an oracle for men who will always bring hither perfect hecatombs
for you; yet I will speak out, and do you lay up my words in your
heart. The trampling of swift horses and the sound of mules
watering at my sacred springs will always irk you, and men will
like better to gaze at the well-made chariots and stamping,
swift-footed horses than at your great temple and the many
treasures that are within. But if you will be moved by me -- for
you, lord, are stronger and mightier than I, and your strength is
very great -- build at Crisa below the glades of Parnassus: there
no bright chariot will clash, and there will be no noise of
swift-footed horses near your well-built altar. But so the
glorious tribes of men will bring gifts to you as Iepaeon ('Hail-
Healer'), and you will receive with delight rich sacrifices from
the people dwelling round about.' So said Telphusa, that she
alone, and not the Far-Shooter, should have renown there; and she
persuaded the Far-Shooter.
(ll. 277-286) Further yet you went, far-shooting Apollo, until
you came to the town of the presumptuous Phlegyae who dwell on
this earth in a lovely glade near the Cephisian lake, caring not
for Zeus. And thence you went speeding swiftly to the mountain
ridge, and came to Crisa beneath snowy Parnassus, a foothill
turned towards the west: a cliff hangs over if from above, and a
hollow, rugged glade runs under. There the lord Phoebus Apollo
resolved to make his lovely temple, and thus he said:
(ll. 287-293) 'In this place I am minded to build a glorious
temple to be an oracle for men, and here they will always bring
perfect hecatombs, both they who dwell in rich Peloponnesus and
the men of Europe and from all the wave-washed isles, coming to
question me. And I will deliver to them all counsel that cannot
fail, answering them in my rich temple.'
(ll. 294-299) When h
Martin Narrod Apr 2014
Some of My Movie Collection
Martin Narrod
Apr 2014
12 Monkeys
17 Girls
127 Hours
2 Days in New York 2012
2 Days in Paris 2010
2001 A Space Odyssey
360
A Beautiful Mind
A Bridge Too Far
A Few Good Men
A Single Man
A Perfect Getaway
A Serbian Film
A Very Long Engagement
A.I.
Absolute Power
Adaptation
Airborne
Air Force One
Airplane 1
Airplane 2
Albert Nobbs
Alex Cross
Alpha Dog
American Beauty
American Gangster
Amorres Perros
Amour
Anchorman
Andy Warhol's Bad 1977
Andy Warhol's ******* 1964
Andy Warhol's Eat 1964
Animal Kingdom
Annie Hall
Anti-Christ
Apocalypse Now Redux
Apollo 13
Arachnophobia
Apt Pupil
Armageddon
Babel
Backdraft
Bad Company
Bad Education
Badlands 1973
Barton Fink
Basquiat
Before Night Falls
Being Flynn
Beneath Hill 60
Beyond the Black Rainbow
Billy Madison
Biutiful - Spanish
Blade 1
Blade 2
Blade 3
Blade Runner Final Cut
Blades of Glory
Blood Work
Blue Valentine
Breach
Broken Arrow
Born on the Fourth of July
Boyz in the Hood
Bullet
Bulworth
Brothers
Caddyshack 1 & 2
Career Opportunities
Carlos The Jackal The Movie
Carne by Gaspar Noe - French
Cashback
CB4
Charlie Wilson's War
Chelsea Girls 1966
Cherry
Chinatown
Ciao Manhattan ft. Edie Sedgewick 1972
Cinema Paradiso
City of God
Clear and Present Danger
Closely Watched Trains - Czech
Contact
Corpse Bride
Courage Under Fire
Crazy Stupid Love
Dark Shadows
Dave 1993
Daybreakers
Days of Heaven
Dazed and Confused
Dead Presidents
Defiance
Desperately Seeking Susan
Despicable Me
Detachment
Die Hard Quadrilogy
**** Tracy
***** Harry
Django Unchained
Dogtooth - Greek
Dogville
Doubt
Dracula, Bram Stoker's
Dragonheart
Dream House
Drive
Drop Zone
Dumbo
Dune Extended Edition
Ears Open, Eyeballs Click
Easier With Practice
Easy Rider 1969
Edward Scissorhands
Empire of the Sun
Encino Man
Enter the Void by Gaspar Noe
Eraser 1999
Eyes Wide Shut 1999
Face Off 1997
Fallen
Fantastic Mr. Fox
Fast Times at Ridgemont High
Fight Club
Fill the Void
Fish Tank
Fitzcarraldo
Five Minutes in Heaven
Flickan 2009 - Swedish
Flubber 1997
Folks!
Forbidden Planet 1956
Fracture
Friday 1995
Friday After Next 2002
Frost Nixon
******* Amal - Swedish
Full Metal Jacket
Funny Farm 1988
Funny Games
Fur- An Imaginary Portrait of Diane Arbus
G.I. Jane
G.I. Joe Retaliation
Gangs of New York
Gangster Squad
Garden State
Get Rich or Die Tryin'
Ghostbusters 1
Girlfriend
Girl, Interrupted
Glengarry Glen Ross
Gomorra - Italian
Great Expectations 1998
Greenberg
Grindhouse Death Proof
Grindhouse Planet Terror
Groundhog Day 1993
Grumpy Old Men
Grumpier Old Men
Gummo
Gus Van Sant's Last Days
Half Nelson
Hannibal
Havoc
Haywire
Heartbreak Ridge
Heat
Hell on the Pacific 1986
Hesher
Hitchcock
Holy Rollers
Hook
Honey I Shrunk the Kids
Hyde Park on Hudson
I Am Curious Blue
I Am Curious Yellow
I Heart Huckabees
I Stand Alone by Gaspar Noe - French
If Looks Could **** 1991
I'm Not There
In Bruges
In The Line of Fire
Inglorious Basterds
Inland Empire
Innerspace 1987
Innocence
Interview With the Vampire
Jacob's Ladder
James Bond - Diamonds Are Forever 1971
James Bond - From Russia With Love 1963
James Bond - Goldfinger 1964
James Bond - Never Say Never Again 1983
James Bond - On Her Majesty's Secret Service 1969
James Bond - Thunderball 1965
James Bon - You Only Live Twice 1967
Jane Eyre
Jeremiah Johnson 1972
JFK
Joe Versus the Volcano
Johnny English 2
Julien Donkey-Boy
Juno
Just Cause
Kapringen aka A Hijacking - Icelandic
Ken Park
Killing Season
Killing Them Softly
Kindergarten Cop
Kingpin
Koyaanisqatsi
Krippendorf's Tribe
Kiss the Girls
La Vie En Rose
Last Night
Last of the Dogmen
Leon: The Professional
Leonard Pt. 6
Les Miserables
Lie With Me
Life of Pi
Lincoln
Lions For Lambs
Little Children
Lord of the Rings Trilogy BR Extended
Lord of War
Lost Highway
Love and Other Drugs
Love in the Time of Cholera
Love Liza
Lovers of the Arctic Circle
Mad Max 1979
Mad Max 2 1981
Mad Max 3 1985
Major Payne
Malcolm X
Man on Fire
Manhunter
Maverick 1994
Meet Joe Black
Melancholia
Menace II Society DIrector's Cut 1993
Mesrine 1 Killer Instinct - French
Mesrine 2 Public Enemy - French
Milk
Minority Report
Mission Impossible Ghost Protocol
Mister Lonely
Money Train
Moonrise Kingdom
Moulin Rouge
Mr. and Mrs. Smith
****** By Numbers
Munich
My Sassy Girl 2008
Naqoyqatsi Life As War
National Lampoon's Christmas Vacation
National Treasure Book of Secrets
Never Cry Wolf
Never Let Me Go
New Jack City
New York I Love You
Night on Earth 1991 - Italian
Nixon
Not Fade Away
Notes on a Scandal
O Brother, Where Art Thou
October Sky
Olympus Has Fallen
Ondskan - Swedish
One False Move
Out of Africa
Outbreak
Palmetto
Paris Texas Criterion 1984
Passenger 57
Paths of Glory 1957
Perfect Sense
Peter Pan
Philadelphia 1993
Pinocchio
Pirate Radio
Platoon 1986
Pleasantville
*******
Project X 1987
Proof
Quiz Show
Rabbits
Revolver
Robocop Trilogy
Robot and Frank
Rolling Stone's Gimme Shelter
Romance and Cigarettes
Romeo and Juliet 1996
Sahara
Saving Private Ryan
Schindler's List
Searching For Bobby Fischer
Secretary, The
Seven Years in Tibet
Sgt. Bilko
Shame 2011
Shine
Shooter
Shopgirl
Sid and Nancy
Sin City
Sky Captain and The World of Tomorrow
Skyfall
Slackers
Sleepers
Sleeping Beauty 1959
Sleeping Beauty 2011
Sleepy Hollow
Snow White and the Seven Dwarfs
Somewhere
South Central
Sphere
Spread
Spy Game
Stand Up Guys
Stay
Summer Hours - French
Sweeney Todd - The Demon Barber of Fleet Street
Synecdoche, NY
Syriana
Talk To Her - Habla Con Ella
Taken 1 & 2
Takers
****
Taxidermia
Tetro
Thank You For Smoking
That Thing You Do!
The Adjustment Bureau
The Age of Innocence by Martin Scorcese 1993
The Bad Lieutenant - Port of Call New Orleans 2009
The Basketball Diaries
The Beach 2000
The Believer
The Beverly Hillbillies
The Black Dahlia
The Blue Lagoon 1980
The Book of Eli
The Boxer
The Constant Gardner
The Conversation
The Curious Case of Benjamin Button
The Darjeeling Limited
The Dark Knight
The Dark Knight Rises
The Day of the Jackal
The Diving Bell and the Butterfly
The Fifth Element
The Flock
The Flowers of War
The Fountain
The Getaway
The Girl With the Dragon Tattoo 2011
The Golden Compass
The Good Shepherd
The Good The Bad and The Ugly
The Goonies
The Green Mile
The Grey
The Help
The Hudsucker Proxy
The Hurricane
The Hurt Locker
The Ice Storm
The Ides of March
The Illusionist
The Imaginarium of Doctor Parnassus
The Impossible
The Informers
The Invasion
The Iron Lady
The Island of Dr. Moreau
The Jackal
The ****
The Killer Inside Me
The Kingdom
The Legend of Bagger Vance
The Lost Boys
The Lost Boys The Tribe
The Lost Boys Thirst
The Machinist
The Mask
The Man Who Fell to Earth 1976
The Master
The Mechanic
The Money Pit
The Naked Gun 1
The Naked Gun 2
The Naked Gun 3
The New World
The Pelican Brief
The Place Beyond the Pines
The Prestige
The Queen
The Raven
The Reader
The Red Balloon
The Right Stuff
The Road
The Rock
The Rocketeer
The Rules of Attraction
The *** Diary
The Saint
The Shawshank Redemption
The Silence of the Lambs
The Skin I Live In - Mexican
The Soloist
The Talented Mr. Ripley
The Thin Red Line
The Town
Transformers Trilogy
The Tree of Life
Tron Legacy 2010
The United States of Leland
The Usual Suspects
The Way Back
There Will Be Blood
There's Something About Mary
Three Days of the Condor
Three Kings
Tinker Tailor Soldier Spy
To the Wonder
To Rome With Love
Tombstone
Total Recall 1990
Trainspotting
Trash Humpers
True Lies
Two Lovers
Two Weeks in September(Brigette Bardot) 1967
Tyrannosaur
Unbreakable
Uncle Buck
Unforgiven
Unleashed
Unstoppable
V for Vendetta
Varsity Blues
Vertigo
Vicky Christina Barcelona
Videodrome
Virtuosity
Wag the Dog
Wake Up Ron Burgundy The Lost Movie
Walkabout
Wall Street 1987
Wall Street 2010
Wanderlust
Water World
Wayne's World 1 & 2
We Are The Night
War Witch
We Need to Talk About Kevin
Weekend by Jean-Luc Godard - French
Weekend 2011
West of Memphis
What Doesn't **** You
What's Eating Gilbert Grape
When Harry Met Sally
Where the Wild Things Are
White House Down
White Material Criterion 2009
White Oleander
Who is Harry Nilsson?
Wolf 1992
Womb
You Will Meet a Tall Dark Stranger
Zardoz 1974
Documentaries & Music Videos
BBC - Life in Cold Blood
BBC - Planet Earth
BBC - Rolling Stones Crossfire Hurricane
BBC - Great Bear Steakout
BBC - Ice Age Giants
BBC - Insect Worlds
BBC - Life on Earth 1979
BBC - Lost Cities of the Ancients
BBC - Operation Snow Tiger
BBC - Penguins: Spy in the Huddle
BBC - Polar Bear: Spy on the Ice
BBC - Richard Hammond's Miracles of Nature
BBC - The Life of Birds
BBC - Wonders of Life
David Blaine Collection
**** Proenke Collection - Alone and Solitude, The Frozen North
Encounters at the End of the World 2007
Nanook of the North
National Geographic Wild Kingdom of the Oceans Giants of the Deep: Whales
Shine A Light - The Rolling Stones
Vladimir Horowitz - Der Ietzte Romantiker
Vladimir Horowitz - Live in Vienna 1987
Vladimir Horowitz - The 1968 TV Concert
Whale Adventure with Nigel Marvin
17 Girls
127 Hours
2 Days in New York 2012
2 Days in Paris 2010
2001 A Space Odyssey
360
A Beautiful Mind
A Bridge Too Far
A Few Good Men
A Single Man
A Perfect Getaway
A Serbian Film
A Very Long Engagement
A.I.
Absolute Power
Adaptation
Airborne
Air Force One
Airplane 1
Airplane 2
Albert Nobbs
Alex Cross
Alpha Dog
American Beauty
American Gangster
Amorres Perros
Amour
Anchorman
Andy Warhol's Bad 1977
Andy Warhol's ******* 1964
Andy Warhol's Eat 1964
Animal Kingdom
Annie Hall
Anti-Christ
Apocalypse Now Redux
Apollo 13
Arachnophobia
Apt Pupil
Armageddon
Babel
Backdraft
Bad Company
Bad Education
Badlands 1973
Barton Fink
Basquiat
Before Night Falls
Being Flynn
Beneath Hill 60
Beyond the Black Rainbow
Billy Madison
Biutiful - Spanish
Blade 1
Blade 2
Blade 3
Blade Runner Final Cut
Blades of Glory
Blood Work
Blue Valentine
Breach
Broken Arrow
Born on the Fourth of July
Boyz in the Hood
Bullet
Bulworth
Brothers
Caddyshack 1 & 2
Career Opportunities
Carlos The Jackal The Movie
Carne by Gaspar Noe - French
Cashback
CB4
Charlie Wilson's War
Chelsea Girls 1966
Cherry
Chinatown
Ciao Manhattan ft. Edie Sedgewick 1972
Cinema Paradiso
City of God
Clear and Present Danger
Closely Watched Trains - Czech
Contact
Corpse Bride
Courage Under Fire
Crazy Stupid Love
Dark Shadows
Dave 1993
Daybreakers
Days of Heaven
Dazed and Confused
Dead Presidents
Defiance
Desperately Seeking Susan
Despicable Me
Detachment
Die Hard Quadrilogy
**** Tracy
***** Harry
Django Unchained
Dogtooth - Greek
Dogville
Doubt
Dracula, Bram Stoker's
Dragonheart
Dream House
Drive
Drop Zone
Dumbo
Dune Extended Edition
Ears Open, Eyeballs Click
Easier With Practice
Easy Rider 1969
Edward Scissorhands
Empire of the Sun
Encino Man
Enter the Void by Gaspar Noe
Eraser 1999
Eyes Wide Shut 1999
Face Off 1997
Fallen
Fantastic Mr. Fox
Fast Times at Ridgemont High
Fight Club
Fill the Void
Fish Tank
Fitzcarraldo
Five Minutes in Heaven
Flickan 2009 - Swedish
Flubber 1997
Folks!
Forbidden Planet 1956
Fracture
Friday 1995
Friday After Next 2002
Frost Nixon
******* Amal - Swedish
Full Metal Jacket
Funny Farm 1988
Funny Games
Fur- An Imaginary Portrait of Diane Arbus
G.I. Jane
G.I. Joe Retaliation
Gangs of New York
Gangster Squad
Garden State
Get Rich or Die Tryin'
Ghostbusters 1
Girlfriend
Girl, Interrupted
Glengarry Glen Ross
Gomorra - Italian
Great Expectations 1998
Greenberg
Grindhouse Death Proof
Grindhouse Planet Terror
Groundhog Day 1993
Grumpy Old Men
Grumpier Old Men
Gummo
Gus Van Sant's Last Days
Half Nelson
Hannibal
Havoc
Haywire
Heartbreak Ridge
Heat
Hell on the Pacific 1986
Hesher
Hitchcock
Holy Rollers
Hook
Honey I Shrunk the Kids
Hyde Park on Hudson
I Am Curious Blue
I Am Curious Yellow
I Heart Huckabees
I Stand Alone by Gaspar Noe - French
If Looks Could **** 1991
I'm Not There
In Bruges
In The Line of Fire
Inglorious Basterds
Inland Empire
Innerspace 1987
Innocence
Interview With the Vampire
Jacob's Ladder
James Bond - Diamonds Are Forever 1971
James Bond - From Russia With Love 1963
James Bond - Goldfinger 1964
James Bond - Never Say Never Again 1983
James Bond - On Her Majesty's Secret Service 1969
James Bond - Thunderball 1965
James Bon - You Only Live Twice 1967
Jane Eyre
Jeremiah Johnson 1972
JFK
Joe Versus the Volcano
Johnny English 2
Julien Donkey-Boy
Juno
Just Cause
Kapringen aka A Hijacking - Icelandic
Ken Park
Killing Season
Killing Them Softly
Kindergarten Cop
Kingpin
Koyaanisqatsi
Krippendorf's Tribe
Kiss the Girls
La Vie En Rose
Last Night
Last of the Dogmen
Leon: The Professional
Leonard Pt. 6
Les Miserables
Lie With Me
Life of Pi
Lincoln
Lions For Lambs
Little Children
Lord of the Rings Trilogy BR Extended
Lord of War
Lost Highway
Love and Other Drugs
Love in the Time of Cholera
Love Liza
Lovers of the Arctic Circle
Mad Max 1979
Mad Max 2 1981
Mad Max 3 1985
Major Payne
Malcolm X
Man on Fire
Manhunter
Maverick 1994
Meet Joe Black
Melancholia
Menace II Society DIrector's Cut 1993
Mesrine 1 Killer Instinct - French
Mesrine 2 Public Enemy - French
Milk
Minority Report
Mission Impossible Ghost Protocol
Mister Lonely
Money Train
Moonrise Kingdom
Moulin Rouge
Mr. and Mrs. Smith
****** By Numbers
Munich
My Sassy Girl 2008
Naqoyqatsi Life As War
National Lampoon's Christmas Vacation
National Treasure Book of Secrets
Never Cry Wolf
Never Let Me Go
New Jack City
New York I Love You
Night on Earth 1991 - Italian
Nixon
Not Fade Away
Notes on a Scandal
O Brother, Where Art Thou
October Sky
Olympus Has Fallen
Ondskan - Swedish
One False Move
Out of Africa
Outbreak
Palmetto
Paris Texas Criterion 1984
Passenger 57
Paths of Glory 1957
Perfect Sense
Peter Pan
Philadelphia 1993
Pinocchio
Pirate Radio
Platoon 1986
Pleasantville
*******
Project X 1987
Proof
Quiz Show
Rabbits
Revolver
Robocop Trilogy
Robot and Frank
Rolling Stone's Gimme Shelter
Romance and Cigarettes
Romeo and Juliet 1996
Sahara
Saving Private Ryan
Schindler's List
Searching For Bobby Fischer
Secretary, The
Seven Years in Tibet
Sgt. Bilko
Shame 2011
Shine
Shooter
Shopgirl
Sid and Nancy
Sin City
Sky Captain and The World of Tomorrow
Skyfall
Slackers
Sleepers
Sleeping Beauty 1959
Sleeping Beauty 2011
Sleepy Hollow
Snow White and the Seven Dwarfs
Somewhere
South Central
Sphere
Spread
Spy Game
Stand Up Guys
Stay
Summer Hours - French
Sweeney Todd - The Demon Barber of Fleet Street
Synecdoche, NY
Syriana
Talk To Her - Habla Con Ella
Taken 1 & 2
Takers
****
Taxidermia
Tetro
Thank You For Smoking
That Thing You Do!
The Adjustment Bureau
The Age of Innocence by Martin Scorcese 1993
The Bad Lieutenant - Port of Call New Orleans 2009
The Basketball Diaries
The Beach 2000
The Believer
The Beverly Hillbillies
The Black Dahlia
The Blue Lagoon 1980
The Book of Eli
The Boxer
The Constant Gardner
The Conversation
The Curious Case of Benjamin Button
The Darjeeling Limited
The Dark Knight
The Dark Knight Rises
The Day of the Jackal
The Diving Bell and the Butterfly
The Fifth Element
The Flock
The Flowers of War
The Fountain
The Getaway
The Girl With the Dragon Tattoo 2011
The Golden Compass
The Good Shepherd
The Good The Bad and The Ugly
The Goonies
The Green Mile
The Grey
The Help
The Hudsucker Proxy
The Hurricane
The Hurt Locker
The Ice Storm
The Ides of March
The Illusionist
The Imaginarium of Doctor Parnassus
The Impossible
The Informers
The Invasion
The Iron Lady
The Island of Dr. Moreau
The Jackal
The ****
The Killer Inside Me
The Kingdom
The Legend of Bagger Vance
The Lost Boys
The Lost Boys The Tribe
The Lost Boys Thirst
The Machinist
The Mask
The Man Who Fell to Earth 1976
The Master
The Mechanic
The Money Pit
The Naked Gun 1
The Naked Gun 2
The Naked Gun 3
The New World
The Pelican Brief
The Place Beyond the Pines
The Prestige
The Queen
The Raven
The Reader
The Red Balloon
The Right Stuff
The Road
The Rock
The Rocketeer
The Rules of Attraction
The *** Diary
The Saint
The Shawshank Redemption
The Silence of the Lambs
The Skin I Live In - Mexican
The Soloist
The Talented Mr. Ripley
The Thin Red Line
The Town
Transformers Trilogy
The Tree of Life
Tron Legacy 2010
The United States of Leland
The Usual Suspects
The Way Back
There Will Be Blood
There's Something About Mary
Three Days of the Condor
Three Kings
Tinker Tailor Soldier Spy
To the Wonder
To Rome With Love
Tombstone
Total Recall 1990
Trainspotting
Trash Humpers
True Lies
Two Lovers
Two Weeks in September(Brigette Bardot) 1967
Tyrannosaur
Unbreakable
Uncle Buck
Unforgiven
Unleashed
Unstoppable
V for Vendetta
Varsity Blues
Vertigo
Vicky Christina Barcelona
Videodrome
Virtuosity
Wag the Dog
Wake Up Ron Burgundy The Lost Movie
Walkabout
Wall Street 1987
Wall Street 2010
Wanderlust
Water World
Wayne's World 1 & 2
We Are The Night
War Witch
We Need to Talk About Kevin
Weekend by Jean-Luc Godard - French
Weekend 2011
West of Memphis
What Doesn't **** You
What's Eating Gilbert Grape
When Harry Met Sally
Where the Wild Things Are
White House Down
White Material Criterion 2009
White Oleander
Who is Harry Nilsson?
Wolf 1992
Womb
You Will Meet a Tall Dark Stranger
Zardoz 1974
Documentaries & Music Videos
BBC - Life in Cold Blood
BBC - Planet Earth
BBC - Rolling Stones Crossfire Hurricane
BBC - Great Bear Steakout
BBC - Ice Age Giants
BBC - Insect Worlds
BBC - Life on Earth 1979
BBC - Lost Cities of the Ancients
BBC - Operation Snow Tiger
BBC - Penguins: Spy in the Huddle
BBC - Polar Bear: Spy on the Ice
BBC - Richard Hammond's Miracles of Nature
BBC - The Life of Birds
BBC - Wonders of Life
David Blaine Collection
**** Proenke Collection - Alone and Solitude, The Frozen North
Encounters at the End of the World 2007
Nanook of the North
National Geographic Wild Kingdom of the Oceans Giants of the Deep: Whales
Shine A Light - The Rolling Stones
Vladimir Horowitz - Der Ietzte Romantiker
Vladimir Horowitz - Live in Vienna 1987
Vladimir Horowitz - The 1968 TV Concert
Whale Adventure with Nigel Marvin