It's lunch time
And I'm in my math teachers' room
Writing godawful poetry
When I have a math test next period.
Our health class
Just watched a video about cyber-bullying
And the girl forgives her lying backstabbing ***** of a friend
I just called my friend
Who is absent
I called her twice
And she hung up twice
          Sixteen seconds
          Eleven seconds

I'm sitting in the library now
On a circular table
          Table for four.
I am one
But I always sit on a table with empty seats
So that I always know I am alone
This red ink looks darker in this lighting
A much more appealing shade
In comparison to how it looks in my bedroom

I'm thinking that I all I should be doing for the next few years of my life
Is math and music
          More of both

I'm really scared one of my friends will come and sit next to me  
I'm pretending the monsters from Six Skies are there
This might be unhealthy

Some ***** Megan just sat here
           She's not really a *****
But can't she see that my monster friend is angry
Because she just took his ******* seat

Whenever I'm in math class
I always feel like writing poetry
When I am writing poetry
I don't want to do anything else
Math class is over in five minutes
I think I did okay on my test
But Spanish is next
And I know I won't be doing okay there

My stomach feels as if
The acids that are supposed to be breaking down my food
          There is none shh
Are killing the lining of my stomach tissue
I have a self-destructing *****.

Once upon a time
This used to be a math notebook
That's all I ever write about in here
          math.

This is satisfying
My monster friends from Six Skies
           aren't here
           and
           I really wish they were.

I'm sitting encased in a red velvet colored blanket
It's actually my brothers
This is his third blanket
He got it for Christmas
Its his for a while, and then I take it
          even though I already have one of my own
So I guess he'll be getting a new one soon

The monsters from Six Skies
           are here
           watching me
           protecting me
I quite like their company
I don't want them to leave
           even at school
It's not a metaphor
But then again some days I look at myself in the mirror from several different angles of view
More satisfying than I'd imagined.

I forgive everyone for everything
             and I don't angry
Before it was anger and unforgiveness
Slowly I realized feelings like these
            were just too unnecessary for me
I think I do too many unnecessary things things like that
And I want to cut all of it up
I like basic
But I also like intricate

I have been writing poetry
           for three years.
           since I was in the sixth grade
They all used to rhyme
And my parents would be proud
Because I was proud
           as I grinned while I read them to them
And they were proud because it was about things
            like sunshine
I wonder if they would be proud now
Because I never even show them
And the only time I write about sunshine
            Is when something else is eating it away.

Liturgy in Time of War

I will go to the altar of God
To God who gives joy to my youth

ENTRANCE ANTIPHON

The dawn (evening) is coming, another hot, filthy, wet dawn (evening).  Let us arise, soaked in sweat, exhausted, to speak with sour, saliva-caked mouths, to meet the deaths of this day (night).

GREETING

In the name of Peace in Our Time,
For the Hearts and Minds of The People,
For the Land of the Big PX
For round eye and white (black) (brown) thigh,
I greet you, brothers.

PENITENTIAL RITE

All:

I confess to almighty God
And to you my brothers
That I have sinned through my fault
In my thoughts and in my words
In what I have done
And in what I have failed to do,
And I ask Blessed Mary…

But how can I ask Her anything now?

My brothers,
Pray for me to…

But how?
Priest: (But there is no priest)

KYRIE

Lord, have mercy
Christ, have mercy
Lord, Lord, have mercy on us now

Have mercy, Lord, on a generation
That sits smugly in college lecture halls
And protests endlessly in coffee shops
The war they hear, see, on T.V., for free
Justice and peace by the semester hour
Like, y’know, peace, love, Amerika sux
Play the guitar, ****, apply to law school

Have mercy on us
Who crouch behind sand bags
And clean our weapons
And protest nothing
And **** in the heat
And die in the hear
And throw ham and lima beans away

GLORIA

Glory to God in the highest
how many bodies yesterday?
And peace to His people on earth
Vietnamese? Or us?
Lord God, heavenly King, almighty God and Father
ham and lima beans?
We worship you, we give you thanks, we praise you for your glory
Doc, I can’t go home to my wife with this clap
Lord Jesus Christ, only Son of the Father
cigarette, canteen cup of instant coffee
Lord God, Lamb of God, you take away the sins of the world
******* magazine
Have mercy on us
relief behind the sand bags
You are seated at the right hand of the Father
i rot
Receive our prayer
i want to be clean and dry
For You alone are the Holy One
clean and dry.  just once.
You alone are the Lord
why do they chew that?
You alone are the most high
you mean the betel nut?
Jesus Christ, with the Holy Spirit, in the glory of God the Father
incoming!
Amen


PRAYER

A

Father, you make this day holy.
Let us be thankful for
The many little joys of
This day, for life, for
The chance to worship
You.  In the end, bring
Us to you, so that we
May be cleansed of mud
And sweat and filth and
Guilt, and live with you
In peace forever.

B

Father, just get me through
Another day of this mess.

LITURGY OF THE WORD –

FIRST READING

From the Intensive Care Unit, NSA DaNang

A twilight world
Of neither peace nor battle
And of both

A man world
Embracing life and the grim death
Both

Peering into infected wounds
Night building shiver
Down from the black sky flares float

Broken bodies from the war somewhere
Eyes of a shattered nineteen-year-old Marine
Staring at the door to Yokosuka

PSALM

A Song of Descents

I cast down my eyes
Into the mud
Into the blood
It seems cleaner than death and drugs and casual ***
Drink Coca-Cola

I turned my eyes away from you, O Lord
And made this
Build this
Came to this
Samantha and Darren on Bewitched

Have mercy on…but how can we ask?  How dare we ask?

SECOND READING

Old Man, Viet Nam

Old man, a dog is barking at your heels
Old man, with the tired, weathered face
Are you afraid to turn around and deal
This dog a kick, to put him in his place?

Or is it, old man, that you’re just too tired?
Just too tired to turn and show anger
Just too tired to have your temper fired
Beaten by years of contempt and danger

Where are you going, trudging so slowly?
What are you thinking, behind those tired eyes?

Probably not about ham and lima beans

GOSPEL

In the Cold White Mist

After an all-night run on the river
Our boats arrive in the village at dawn
Dawn is never cold along that rive
Along that steaming, green, hell-hot river
But the mist is cold, the grey-green dawn mist
And after the engines are cut – stillness
Foul brown water laps at the mudding bank
Sloshing softly with fertile, smelly death

In the cold white mist

The boats are secured, and watches posted
We step off the boats and onto wet land
And follow the track into the deep mist
It becomes the street of a little town
A dairy lane along which cows slopped home
And where dogs and chickens and children
      played
Bounded by carefully swept little yards
And little wooden houses with tin roofs

In the cold white mist

But some of the houses are burnt.  The smoke
Still hangs heavily in the whitening mist
The lane is littered with debris.  A lump
Resolves itself into a torn, dead child
Across a smaller lump, a smaller child
Their pup has been flung against the fence, its
Guts early morning breakfast for the morning
      flies
We smoke cigarettes against the death-smells

In the cold white mist

Beneath a farm tractor rots a dead man.
When they – they – had come at sunset
He had hidden there.  And they shot him there
A man with bare feet and work-calloused
      hands
His hair is black; his teeth need cleaning
They shot him beneath the village tractor
His blackening blood clots into the mud
And our lungs choke in the white mist of death

In the cold white mist

White mist.  The path disappears into it
Smoky skeletons of little houses
In which there will be no tea this morning
No breakfasts of hot tea and steaming rice
No old widows to smile in betel-nut
No children to mock-march alongside us
Pointing at our ******* boots, and laughing
At us, for wearing shoes in the summer

In the cold white mist

They are dead and rotting in the white mist
On the edge of the jungle on the edge
Of the world, here along the Vam Co Tay
And the people pour out of their houses
To greet us on the fine summer morning
A corpse across a doorway, another
******-doubled across a window sill
Still another strewn down the garden path

In the cold white mist

The other patrol doubles back to us
And they tell us that the Ruff-Puff outpost
Must have been overrun the night before
He had heard their radioed pleas, and had
Run the river at night to get to them
And the ARVNs had fled through the village
And the VC had stormed in behind them
And it was knife-and-gun-club night in town

In the cold white mist

A little girl is the lone survivor
She looks may six.  Cute, except for the
Bubbling, *******, bayoneted chest wound
We patch her, and tube her, and use suction
Sort of like fixing a bicycle tire
And in the wet, gasping heat take her back
With us downriver, where a charity
Hospital leaves her on the steps to die

In the cold white mist

It will be our turn again tomorrow
Not a one of us died today.  Today.
But a village is gone, burnt and rotting,
Soon to disappear into the jungle
Along the green Cambodian border
Up some obscure river.  Up there.  Somewhere.
A few hundred people.  Their ancestors’ graves
Will fade with them untended, forgotten

In the cold white mist

Radio Hanoi might blame it on us.
But maybe not.  We made our report and
Nobody really noticed; no one cared
The talk is of the VC battalion
And where it has gone, and where it might go –
Maybe into death under an air strike
“And you guys better get in some sack time,”
Says the C.O. as he turns to his maps.

In the cold white mist

HOMILY

I’m scared, and I want to go home.  I don’t care any more about justice or fighting Communism or winning the hearts and minds of the people.  I can’t think about all that right now, because I’m scared, and I want to go home.
I don’t care about truth or loyalty or bravery or honor.  If Miss March were here she wouldn’t get cold, but she sure would get sunburnt.  And in a few days her skin would start rotting.  Then nobody would want to see her in the **** anymore.  
I’m scared, and I want to go home.
Up the Vam Co Tay, everyone is scared, everyone is tired, everyone is sick, everyone could die: sailor, soldier, officer, priest, farmer, fisherman.  Everyone rots in the wet heat.  The skin bubbles and flakes and peels, and is pink again, to bubble and flake and peel again.  
I’m scared, and I want to go home.
I’m Doc.  I’m a scared, stupid kid with an aid bag and a few months’ training.  But I’m Doc.  I’ve got to fake it.  I’ve got to be cool and calm because this other kid with his guts hanging out will probably make it if I don’t ***** up and if the dust-off from Saigon can get out here now.
I have an old dog at home, and my folks write and tell me she sleeps outside my window at night, waiting for me to come home.  Someday we’re going to run and play in the woods and fields again.  She’ll bark and run wide circles, and dare me to catch her.  I will laugh under the autumn leaves.  But now my nights are glaring darkness, fits of sweat-soaked half-sleep, then sirens and falling glares and falling mortars, and then the Godawful racket of all our engines of destruction.  There isn’t any use in all this.
I’m scared, and I want to go home.

And I don’t want any ham and lima beans.

CREED

We believe in the Land of the Big PX
In presidents in suits, and generals,
In makers of economic strategies
We believe in flak jackets and .45s and peace

We believe in swing ships and dust-offs, yes
In the dark, green omnipresent Huey
Eternally begotten of technology
Blades to rotor, windscreen to machine guns
Made, not begotten, one in being with us
Through it all things are transported to us
For us men and our hunger and our hope
It comes down from the skies
By the high power of technology
It was born of the long assembly line

For whose sake are we crucified today?
Who suffers, and who dies and is baggied?
And on the third will arrive back home
To be neatly packaged in stainless steel

But not in ham and lima beans

LITURGY OF THE EUCHARIST

Preparation of the Gifts

Celebrant:

Blessed are you, Lord, God of all creation.
Through your goodness we have this cheap Algerian wine to offer,
Fruit of the vine and work of human hands.
It will become anaesthesia for our souls.

People:

Blessed be…we just don’t know

Celebrant:

Pray, brothers, that our sacrifice may be acceptable to God, the almighty Father, to somebody.  Maybe.

People:

May the Lord, or the baggies, accept the sacrifice we offer with
our own burnt hands
For the praise and glory of…of what?
For our good, and the good of all His Church.

PRAYER OVER THE GITS

Little green cans, and I don’t care
Little green cans, and I don’t care
Little green cans, and I don’t care
Air cover’s gone away.

EUCHARISTIC PRAYER

Preface for the Monsoon Season:

Father, all-powerful
And ever-living God,
We do well always and everywhere
To give You thanks
Through Jesus God our Lord
Even with diarrhea
thanks
When the mail doesn’t come
thanks
When we rot
thanks
When the heat ***** at our brains
thanks
When the mud ***** at our boots
thanks
When the horror ***** at our souls
thanks
We’re alive
thanks

SANCTUS

Holy, holy, holy, Lord, God of power and might
The bunkers are full of blood and death.
Hosanna in the mud.  Blessed is he who comes with the mail.  Hosanna in the mud.

EUCHARISTIC PRAYER

The Kien Tuong Province Canon:

A sailor is silhouetted against the dawn
Along a steamy river
Mostly helmet and flak jacket
Above dark plastic gunwales

The sailor has lost his New Testament
But there’s a ******* around somewhere
Naked, willing women –
Miss March wants to be an actress

He also carries an old plastic Rosary
To touch occasionally
While whispering a hurried Hail Mary
He hopes She understands

Those who in bell-bottoms and head-bands
Fight Fascism
In Sociology 201
Will never forgive him

A sailor is silhouetted against the dawn
This day he is to be elevated
His body broken and his blood shed
For you and for all men

OUR FATHER

Our Father, who art in Heaven
this ain’t it
Hallowed be thy name
Thy kingdom come
this ain’t it
On earth as it is in Heaven.
Give us this day…
not ham and lima beans
And forgive us our trespasses
as we shoot them that trespass against us
And lead us not into ambush
But deliver us from evil

SIGN OF PEACE

Peace on you.

AGNUS DEI

Lamb of God, you take away the sins of the world: have mercy on us.

Lamb of God, you take away the sins of the world: have mercy….

Lamb of God, you take away the sins of the world: grant us peace.

Priest:

(But there is no priest)

People:  

Lord, I am not worthy to receive you,
But only say the word and I shall be killed.

COMMUNION ANTIPHON

They ate, and were not satisfied
They killed, and were not without fear.

PRAYER AFTER COMMUNION

Lord,
If we do not get out of this
Make some sense of it to those who remain
May we go home.  Home.  Or if not,
Take us unto you, in mercy.
Home.  Where you reign, for you are Lord
Forever and ever.  Amen

BLESSING

May you walk on grass that does not explode
May you sleep without rot
Without fear
May you never see or smell ham and lima beans again.
May you live
May you play with puppies
May you find forgetfulness
May you find peace
In the Name of Him who took your death for you

DISMISSAL

This is to certify that____is Honorably Discharged from the____on theday of____.  This certificate is awarded as a testimonial of Honest and Faithful Service.

CLOSING HYMN

Old men, smoking in the sunshine
Exiled outside the doors of life
Old uniforms, old pajamas
The chrome of wheelchairs, shiny, bright

Inside, polished wooden handrails
Line the hot, polished passages
Something to cling to on the way
To the lab, to x-ray, to death

And more old men, shuffling along
In a querulous route-step march
From Normandy, from The Cho-sen,
From the Vam Co Tay, from the deserts,
Past the A.I.D.S. ward and the union signs
On waxed floors to eternity

Portions previous published:

“Closing Hymn” is from “Outpatient Surgery – Veterans’ Hospital,” Juried Award, Houston Poetry Fest 1993

“In the Cold White Mist” is a Juried Award, Houston Poetry Fest 1991

“Old Man, Viet-Nam,” was published in Pulse, Lamar University, 1982

Only an angel can know there's love to find behind closed doors
In time you'll know when you're ready for more
Though you have not a lot to say, let me roll the
stone away
Through you I am saved...
Thank the good Lord
For those godawful things
That brought you to me

When I got to the hospital, the nurses told me he was still recovering from surgery for some internal injuries and this and that, but I could go see him for a bit. So I went up to his room and realized that I didn't really know what he looked like, other than blood and bruises, but I could still tell it was him by the way the bandages were wrapped around his head. "Hey Chief," I said, "howya doin'?" This time I knew he was conscious but he didn't say anything. He just gave me this look like he was saying, "Who are you?" and "How do I get rid of you?" at the same time. So I replied, "I know your name is Mitchell, but I figured the only way you'd remember me is if I called you 'Chief,' like I did before." That got his attention and he threw me this sudden, glowering stare for what seemed like a real long time, like he was trying to make up his mind about something. I thought I had ****** him off with that "Chief" crack, but then he said real soft,  "My name's not Mitchell."

     That suprised me a bit, so all I could say was, "But that's who's room this is, according to the nurses."

     "Maybe so. But that's not my real name . . . It's just a name I made up."

     "What, you on the run or something?"
    
     "Something like that."

     "And you ain't a Marine?"

     "How'd you . . . ?" Another stare, and then, "Nope. Not now. I was though."

     "I don't get it."

     "Mitchell was a name I made up when I joined the Corps . . . "

     "So, why did you make up a name? . . . You got a record?"

     "Nothin' like that . . . My real name is Irniq . . . It's an old Inuit name. When I joined up, I thought I was puttin' those days behind me."

     "Inuit . . . What's that, a kind of Indian?"

     "It means, 'People' . . . but you prob'ly think of us as 'Eskimos.' We don't like that name, so we don't use it."

     He stopped looking in my direction and kinda tilted his head back and rolled his eyes back before closing them. Then he took a few real deep breaths, and said, "I grew up in a village that was mostly hunters and fishermen. It was fun, when I was little, kind of like goin' on an adventure all the time. But as I got older, I realized how dirt poor we were and how we seemed to catch less game every season. And then I learned that our tribe owned land that the oil companies wanted to drill, and that the oil money could end our need to hunt, and get us modern, comfortable lives, but the tribe kept clingin' to their old ways. My father said it was oil that wiped out the herring habitats, and caused the seal population to crash, and was keepin' the ice away. I didn't care and thought he was a fool fightin' a losin' battle. I thought I saw the future and that he was goin' down with the past. We had terrible fights and I believed that the man who had once been this mighty hero of mine had turned into a pathetic has-been, and I didn't want to get dragged down with him. I thought that by leavin', I could somehow be part of the future. I didn't have too many places to go, so I joined the Marines."

     "Then what are you doing here?"

     He dropped his head forward, opened his eyes, locked them right on to mine, and said, "I left the Corps a couple of months ago. When I joined up, my father told me he no longer had a son. I guess I didn't really hear those words until I went back home and he shut the door in my face. My mother came out and tried to welcome me home, and get me to stay, but I knew that my father had been right all along, and that it was me who was pathetic. So I got on a bus and went as far as I could until my money ran out, and here I am."

     "What do you mean, about your father being right?"

     He closed his eyes again, brought both hands up to the sides of his face, and said, "When I was in the Corps, I got sent to Iraq. I was pretty gung ** at first, and thought I was fightin' for freedom and the way of life that I wanted, but then it just seemed to get pointless. Day after day of cat-and-mouse with an enemy hidin' in plain sight and no real purpose other than bein' there and gettin' into firefights. Then one day I was on this mission clearin' some homes of insurgents. I was leadin' a squad goin' door-to-door and not havin' much trouble 'til we went to this one house and there's this woman screamin' and tryin' to get past us. A couple of my guys had to hold her down while the rest of my squad got her family to kneel down beside her. The woman kept on screamin' and we didn't have an interpreter, so I went up to her and tried to calm her down. I told her in as soothin' a voice I could that we weren't goin' to hurt anyone, we were just lookin' for bad guys, when I saw this blur out of the corner of my eye. The woman started screamin' louder, and I turned and yelled, 'Stop!!! Stop!!!' a couple of times, but it kept movin' fast and I just reacted . . . I didn't have any time to think . . . it just kept movin' . . . and I was yellin', 'Stop!!! Stop!!!' . . . but it wouldn't stop . . . it wouldn't stop . . . it just kept movin' . . . . . . and I reacted . . . I just reacted . . . . . . and then there was my muzzle flash and this red mist . . . . . . this red mist that just erupted . . . and kind of hung there . . . . . . . . . . . . . . . and then the woman wasn't screamin' . . . and I wasn't yellin' . . . . . . . . . and there was just this little boy . . . . . . . . this little boy, lyin' on the ground . . . . . . with this mush where his face used to be . . . . . . . . . . . and it was quiet . . . . . . . . . . . . . . . so quiet . . . . . . . . . . . . . . . until I heard this sound like nothin' I ever heard before . . . this kind of moan . . . this deep, hollow, primeval moan that kind of rumbled at first . . . . . . . . and then it grew louder . . . and louder . . . and the pitch got higher and higher . . . . . . until it turned into this ferocious gut-wrenchin' shriek that filled my head and reached way down and ripped my insides out . . . . . . . . . . . . . . . . . . and every day I try to put that boy back together in my mind . . . . . . I try to see his face . . . but I can't . . . . . . . . . . . . I can't see his face . . . . . . and I can't get that sound out of my head . . . . . . . . . . . . every single day . . . . . . . . . . . . and all I can see is my muzzle flash . . . and that mist . . . . . . . . . . . . . . . that godawful red mist."

She sat in an empty booth. It was a Tuesday, mild, with a thin veil of cirrus clouds on the horizon. Somewhere a dog barked. Outside, the Commercial Street Flower Market opened for business. A ******* stood on the corner.
        With one the sitting woman opened the menu, scanned it, and dropped it back on the table. A bleach-blond waitress arrived. Before the waitress spoke, the sitting woman cut in.
“I’d like home fries, fruit salad, and a cup of earl grey, please.” The waitress nodded, slightly wary, and scribbled the order on her yellowed order pad. The woman went back to staring at her fingers. The waitress left.
She opened her purse, rummaged around, and grasped a worn paperback of Vonnegut’s Slaughterhouse Five. A small likeness of a snake twirled up her left index. She wore beige eye shadow and a full set of fake lashes. Her nails were lacquered candy apple red. There was a large scar on her neck. Sighing, she settled in to read. The snake ring’s eyes were rubies; as she turned the page, they glistened brightly. The café’s door jangled. Seconds later, a man slid in to the seat opposite her.
“You’re late,” she said. The man smiled. He had lidded Egyptian eyes and a set of straight, white, fluoridated teeth.
“So terribly sorry. Pressing issues.” He tapped a finger on the plastic table. The woman licked a finger and turned a creased page.
“Still reading that blasted book, are we? How many times has it been now, Laura? Twelve?”
“Fifteen, to be exact.” The waitress arrived with plates of bright fruit and steaming potato. She waitress had poorly tattooed eyebrows. They rose.
“Can I get you anything?” she said to the man.
“Strong cup of coffee. Two cubes sugar, slice of lemon on the side. Thanks.” The waitress smiled.
“Certainly. Your tea will be in, miss.” Laura nodded. The waitress sashayed off and the man leaned in, breaking the barrier between them.
“Why are you still reading that godawful book? Wasn’t once in Junior year enough?”
“No, it wasn’t. If you don’t mind, let’s get to the point. What are you doing here, Jack? I know it has nothing to do with harassing me over my literary opinions.” The book closed with a muffled snap. She slid it back in to her large purse and adjusted her dress.
“I got the part.” He said the two words with barely veiled excitement; they sounded unnatural and foreign.
“What in the name of God are you talking about?” she asked. She stabbed a home fry with her fork and sprinkled it with salt.
“I’ve made it in, Laur.” He said. She dragged the fry through a small puddle of ketchup and smiled. She leaned back and drew her hands through her hair, bit her lip.
“Who’s directing?” she asked. The waitress arrived again and they both leaned back, away from each other. He nodded his thanks, blew on his coffee, and drank deeply. She dipped her finger in the cup of tea.
“Some guy by the name of Cranston. Will, I think. He’s good. Directed a film called The Devil in Whitethorn. You might call him an artist.”
“Oh, Christ. You’ve made your big break, have you? With a ****** arthouse director no one’s heard about? I’m impressed, Jack. Real impressed.” She sipped her tea. “What’s your deep, philosophical movie about, Jack?”
“A man dragged wrongfully in to hell who has to prove to the Devil that he is a good man,” Jack said. His chin rose slightly. “he goes through his life as an invisible man, observing all of his human mistakes. Eventually he discovers that Hell is just another version of Heaven and it’s all a test to get him to look at his life as an outsider. I play the college version of the lead. I’m third-highest billed.” He reached over and snatched a strawberry from her plate. She smirked.
“Wow,” she said, “sounds deep. Almost like one of the sappier episodes of The Twilight Zone, twist and all. Tell me, does Shatner play a PTSD-riddled man who sees monsters on an airplane? Is the Devil a fan of billiards? How many aliens are in this movie of yours?” she smiled at him, exposing a line of somewhat crooked teeth. “A movie, huh? Congrats.”
“Many thanks. I thought that someone who appreciated the subtle insanity of Vonnegut might appreciate a good deep film. Are you going to finish those?” he gestured at the fries. Six of them remained. Laura slid them across the table and tucked in to the fruit plate. “No more awful local commercials for me, love.” She scoffed at that.
“You’re a crap commercial actor. How much money are you getting for this little highbrow film of yours? One K or two?” She stabbed a honeydew square and crunched it between red lips.
“Four, doll. More than you make in a month.” Her cheeks reddened.
“I don’t need much, Jack. You of all people should know that.” She coughed lightly in to her napkin. “You’re a tricky *******. How long have you known?” He licked a spot of ketchup off of his  finger.
“Oh… Five weeks? Six? Somewhere around there. We start shooting next month.” He leaned forward, lightly brushing the back of her hand with his fingers. “It’ll premier downtown on the seventh of July. Be prepared, since I’m dragging you out there with me. You’ll need a cocktail dress and modest makeup.”
“How modest is modest?” she asked. He surveyed her face, scanning with his eyes squinted slightly. Her face flushed a touch more.
“Hmm…” he said, “drop the red lipstick, add a few more spots of cover-up, light champagne eye shadow and less blush. Also, ditch the falsies.” She laughed, a light trill.
“I don’t leave the house without them. I suppose I can scour my collection for some more… What was the word you used? Modest pairs.” His fingers stopped rubbing the thin, veined skin on the back of her right hand for a short moment.
“In other words, you’ve said yes.”
“Yes, I have.” He dropped a ten-dollar bill on the table and stood up. “Call me some time. You haven’t forgotten my number, have you?” Laura grinned. He picked up the lemon, separated the meat from the rind, and rubbed the white flesh on his teeth.
“No, I haven’t.” He dropped a single white envelope on the table. She surveyed it, placing it next to the tattered paperback in her purse. He walked away.
“Oh, and Jack?” she called without looking back at him. He stopped mid-step. “I wasn’t wearing blush today.”
He grinned harder, waved his goodbyes to the waitress, and left. The door jangled. She finished the last dregs of her tea, dropped a twenty dollar bill on the table, and stood up. It was a beautiful morning. She walked outside. The bells on the entrance jangled, stilled, and their song died.

it's another autumn
migrating geese bark like dogs in distant clouds
marking their journey for earthbound creatures;
tree-crowns browning in rust
frame liquid skies neither of us reached,
though, our younger selves tried

from shelves of every Beatles' album ever made
organized alphabetically by noon after a vetted maid left;
we imagined rock stars strumming guitars,
turning our godawful poems into even worse lyrics
to make us feel important
in hungry aftermaths of disappointments

five star dinners cloistered within the entourage
of strongmen your father sheltered;
they would close restaurants for us
he spoke hushes of business from a stead at the head of table,
and broke men like you,
ordering salads made only from tender hearts of lettuce,
the rest set on plates of those less demanding

I remember blinking away teenaged intoxication like fever,
a world without rules for behavior,
a sixty mile drive to buy Italian hoagies in Atlantic City after midnight
because there was no one to deny an urge
to bend night to daylight; they reopened business for the son...
you knew they had no choice...

you showed me how to climb to my second story window once home again
leaving me hanging from the sill 'till Mom woke to let me in -
mind spinning, mumbling my drunkenness -
goodfellas never worry over consequences
she thought she hated you then,
I learned a measure of self-assurance

but there, in a too-small pup tent
you bought one summer by the sea
to work a job flipping burgers at the boardwalk for money
otherwise spent like water at the public shower
you bathed in

to be near any nagging mother
who set out an extra plate at dinner, because she secretly loved you, too
to be close to broke, dangling brothers like me
I felt the poverty of family

this morning I found the black suit and shoes in back of the closet-
abandoned search for lost yarmulkes that lived among mated socks
and wondered when my shadow disappeared
so many agos, this beard gray, time a dead skin I live in today

we'll lower a set of mortal remains into yet another Gethsemane -
under the cemetery canopy,
covering a carpet-rimmed hole still moist with yesterday's rain
I'll see the blue tent you sheltered in that season at the beach
feel closeness again as if there were no
intervening ocean of living between

there will be neither memorial service nor repast, after ...
only this

If God don't like ugly
God don't like me.
Which is why
I'm so unlucky.
It's like my money
telling jokes in my pocket
because it knows it's funny.
I live in Texas but
My days are never sunny.
They are much rather gloomy
and the darkness consumes me
until I get a bit wreck less.
Faded
till I'm speechless.
Smoking
till I'm breathless.
Til my mind isn't restless.
Sippin the devils elixir
made me far from quicker
but I feel deathless
because I'm high
off of **** and antidepressants.
God don't like ugly
and the people
walk about corruptly
in this world of vanity.
That grips the sanity
til it produces
a lack of empathy
for its fellow man.
This world of vanity
has me trapped
In my own reality
because I'm not
appealing to the eye
and my words
not appealing to the soul.
Still dress to impress
to catch a lost ******* soul
lackin control
to ride this ****
like a slippery *****.
God don't like ugly.

If God don't like ugly
God don't like me.
Like a ******* child
that's he's forgot about.
Made in his image
but far more warped.
Who realized his potential
and leaped from the porch.
Into a sea of fakes
trying to achieve an image
sharp as a sword.
Just as mighty as the lord
but they always come up short
because they are mortals
between the portals
of heaven and hell.
So the paranormals ******
the brains of the godawful children.
Until everything is up for sale
including their soul.
To feel a feeling that will never bail.
This life has been hell.
Yet, we bask in the heat
of the moment.
When temptation rains upon us
we always lose focus.
How can we resist it
when him and his enemy
sent it.

If God don't like ugly
God don't like me.

-Klash

I must
run,
escape from all this.

I need an oasis
to get me away from this desert,
this cruel, godawful desert.

I can't survive,
always living in a daze,
just breathing in and out.

Why can't my oasis appear?
my mind is a gnarled, jumbled mess,
of unfinished thoughts, evaporating sentences.

Why can't it end?
the pain, the suffering, the state of perpetual fear,
the sleepless nights, the hazy days.

My oasis,*
is self inflicted, like my pain,
so why am I gone before ever seeing it?

My fingers roll around the handle
Holding tight, I twist
Slowly, I make my way around the can
All of the sudden
Her hands
Cover mine
Stroking, squeezing
Not guiding
No
Not guiding
But
Her, warming up
Me, cooling down
Yes, freezing me
With the knowledge of what is
To come
With her other hand
She makes a fist
And punches straight through my sternum
Blood sprays and
Shattered fragments of my ribs
Litter the floor
Reaching in
Her poisoned fingers
****** my heart
Leaving behind
Black prints
Red streaks
Evidence
But only I can see it
Within seconds
My spine is tingling
Every muscle in my body
On edge
This gaping hole
These fingers
Draped around,
Constricting the one thing
I thought she couldn't touch
Yes,
It's too much
I am ice cold
I am about to close my eyes
Forever
But before I can succumb
The air in punctuated by a palpable
Pop!
I lift the lid of the can
Set it off to the side
And pour the thick liquid into the ***
The stench is overpowering
It crawls it's way all over the room
Cramming into the very crevices of the wall
Behind me
Above me
Beneath me
I can not escape this smell
I am smothered in a blanket of this decaying odor
I am boiling up
Hot and steamy
With every inhale
My nose is filled with the tendrils of this pungent aroma
Soon I can feel it
Gnawing through my flesh with no set course
I can do
Nothing
I am at the mercy of this smell
It will do with me
Whatever it desires

Please, finish!

Her voice breaks through the fog
Scratchy and distant
But there

You need to finish!

Again, it comes
This horrendous voice
But I don't want to
I know what will happen when
I finish
I know
And I don't want that
I will never want that
I am sick to my stomach
Really, I am
You make me sick
You and that godawful smell

I can't even pick up my spoon

All I can think is
Tomato soup is served
Way too often here