Stare out blankly
Focus on the dots
Violets and blues dancing across the walls
As I perfect the art
Of actually caring
Disillusionment in action
Distortion at
Its utmost perfection
As the eyes see
Only what they want to see

There are times when the Lord will take from us every familiar thing and send all the others away to have us to Himself, uprooting and dismantling our earthly anchors until we find no safe place of attachment but to Him alone. And though we search feverishly to secure another, He will faithfully cut off our efforts at every pass and every attempted by-pass, almost as though we could see them being escorted out the door, marching one after the other in file and possibly taking our sanity with them. “No, not another one! Where are they all going and why am I not invited?” But it is His alone to give or not to give, to give and take away.

The One Who took up the cross and took the cup of the Father’s wrath for us has the absolute right to take anything and everything from us at any time for whatever reasons might please Him. But know this for certain: concerning His redeemed, those reasons will always involve two things—glory and intimacy. They are the overriding answers to every lingering question of “Why?”.

But if we fail to understand His glorious and intimate intentions we may misconstrue our losses to be a sign that He is actually withdrawing His affection from us. The very things which He is doing for love’s sake to perfect our pathway to intimacy might be taken instead for obstacles blocking it, causing us to doubt His love. We could not be more wrong, but sometimes it's so hard to see through the veil of pain.

For it's a strange and bewildering thing to feel that you belong to no place and no person in this world, to have nowhere to call home and no one to share it with if you did. A severe untethering indeed that though meant to prepare us for flying can seem to us more like drowning. The sobering truth is that none of us belong to this life or the things of this earth; all sense of it is only an illusion, and pain and loss are simply the dispelling of the myth—the rude awakening from a bewitching dream we once had. But oh how we fight the disillusionment.

Maybe we remember a time when we had prayed to be refined, to be made more like Jesus, but we didn’t know it would have to hurt so bad and take so long and look so dark and feel so lonely. Even if we have understood and embraced His call to deeper intimacy we may after a while, when nothing seems improved either around us or in us, start to resent our belonging to such a determined and jealous Lover, though He is doing exactly what we had once asked Him to. We may start to think we can no longer bear anything except that which superficially distracts us from our grief. We may even start to give up hope, for if not anchored exclusively “behind the curtain” and if repeatedly crushed it threatens to **** our hearts for good should we have to face one more disappointment.

We may feel very much like we are flailing around in a deep and darkening ocean, repeatedly pulled under by the powerful tow and thrashing waves of overwhelming emotion and continuously knocked back by the brutal winds of confusion. Yet we can still see the unshakable boat of faith and truth standing solidly only a small distance away. We know it is real and that if we could just reach it we would be safe. We hear someone shouting through the din, “Just hold onto the boat! The boat will save you. Look beyond your feelings and walk by faith. Hold onto truth!” But can’t they see that as hard as we may try we have no strength to swim to the boat? Can’t they see that we are sinking?

And so we are left with nothing but to cry out to Jesus, to cry out to Him to bring the boat to us, to come Himself and rescue us. Do we have that much faith? Enough to just say, “Jesus, help me! I’m drowning!”? Enough to see that He is our only hope and nothing else matters apart from Him?

Because when we do, we will understand that this hope in Him alone is the very lifeline by which He will pull us to safety—back to faith, back to truth, back into His intimate arms of love, back into a peace which passes all understanding and into a joy that gives us strength for the journey.

As difficult as it can be in our grief to hear the Lord whispering truth to our hearts above the constant clanging of our feelings, we must now more than ever choose to take the time to be still and seek our soul’s rest in Him and in His promises. But how amidst such clamor and confusion?

Simply decide to cast your cares on Him, if only for the moment, by climbing into His Shepherd’s lap to look and loiter and listen. And if you have no energy to climb up, then just lift your arms and ask Him to pick you up. And if you haven’t the strength even for that, only raise your eyes toward Him and you will soon find your sanity restored as you behold His love for you. Ask Him earnestly to let you see it afresh, for perhaps you have been temporarily blinded from recognizing it.

Stop everything; cease just for this minute from all worry, anxiety, fear and anger. Forget the past and do not look toward the future. Focus only on this moment right now, as if you knew it would be your last, as if it were the very one to lead you into eternity. Inhale like fresh air the powerful promises of God’s Word. Soak in their grace and drink in their healing, keeping your eyes fixed on Jesus’ face. Can you see Him longing for you? Exhale every distraction, conflict and uncertainty of this world. Then listen... What is He saying to you right now? Wait for it, then let your soul rest in it, and let go of everything else. Rest in the grace of this present moment and in His strong, sure arms. Let Him take care of you, wounded one, for you are His beloved, and He longs to tend your broken and needy heart.

Disillusionment encompasses the night.
Your warm breath tickles my ear,
Firm hands caress my skin
leaving no part of my body untouched.
All other distractions, extraneous characters,
everything else is irrelevant.
It is just you, with your smooth dark skin,
comforting embrace,
and those entrancing brown eyes,
and me, with my silky pale skin,
soft curves,
and sad but hopeful eyes.
It is just us and our apprehension in this room,
isolated from reality.
You indulge in my coquettish laugh,
and I take solace in the warmth of your touch.
The contours of my body complement yours
as we both try to savor this feeling of ecstasy.
But the hourglass runs out,
and this moment is fleeting.
The illusion is shattered
when the protagonist reappears,
and I am demoted to understudy.
I am left to replay this scene
in my disillusioned mind
hoping to one day again feel
the softness of your lips
pressed against my bare skin,
but until then, I will replay these events,
ignoring this void in my soul
and embracing the momentary nirvana.

for Those who eat ramen by choice, or not.*

I saw the best minds of my generation destroyed by disillusionment,
lacking egotistical sold, dragging themselves through the hip streets at dawn
looking for a socially self-aggrandizing fix.
Poets, as they sit in desks and discuss discourse
about discourse about discourse about discourse,
who fear that thinking itself was buried with Vonnegut,
who are lost in forests of brick walls,
inviting, because they block the wind of dying fall,
who swim in cesspools filled with academic sewage, yearning for freedom,
for truth, as they always have,
mining their minds for images, and searching for words to describe
-a reality which is virtual at its core and each act, another chore./
-a scene of life which reflects all that is poignant and sacred.
Poets seek musicians while musicians seek poets.
and the dog chases its tail, endlessly
and the dog chases its tail, endlessly
and the dog chases its tail, endlessly

These poets who search aimlessly for the feeling of feeling,
who are overwhelmed with meaning to the point where meaning
has no meaning in itself.
Who claim this poem as their own and continuously write themselves into it.
It is those who suffer in truth that live the poetic.
Those who sit in front of space heaters eating peanut butter sandwiches in winter,
who sweat unknowingly in summer, comforted in each’s odor.
Those who open Macbooks while squatting in empty flats.
Signing up, logging in and zoning out, forever disengaged.
Those who type prophecy on keypads and let keyboards gather dust-
stratification, signs of long nights spent in century-old homes still not renovated,
ceilings sinking at the sides while those above pogo to punk rock long dead,
or grind genitals to old soul, simulating all that is sensual.
Those who play archaeologist to their own layers of makeup, grimed on the sink.
Those who share their food with the roaches and the mooches who all have keys,
who use the books as shelves to hold ceramic mugs, stained with a single drip-drop,
who, with arms crossed, watch bands in basements play noise.
Those who replaced their nu-metal records with folk but kept the unkempt beards.
Those who drink stale beer on stranger’s rooftops.
Those who live with bags under eyes, themselves asleep, lacking a body,
sleeping naked together to stay warm,
sleeping naked together to stay sane,
sleeping naked together to stay touched.

Those who leave coffee in unplugged automatic pots, decaying rapidly.
Those who eat pizza for breakfast, cold or microwaved, as an act of ultimate indulgence.
Those who prance about in un-matching socks
from hardwood floors to vinyl floors to tile floors, all under the same popcorn ceiling,
dancing to the sound of rhythmic silence.
Those who fight with lovers about acts, but never once mention the act of love itself.
Those who don flannel plaid in springtime color, constructing Williamsburg,
who consider gentrification a new form of landed gentry,
who live in poverty as if it were a novelty,
capitalist martyrs sacrificing employment to hide being non-hirable,
who shop in online surplus department stores for unique vintage.
Those who, who, who hoot like the owls framed on their walls, eyes wide but beaks small.
Those who are oppressed by nonexistent kings ruling in imaginary suits.
Those who crave something new, not tired-as the form of this very poem-
something which is not-yet auto-tuned.
Those who, faux-hawked and shredded, rock and bop to Bowie doing Lou
on Sunday Morning from Station to Station shooting ******,
who walk swiftly with denim skin on their legs and refuse socks.
Those who, in their rightest mind, are the wrongest-minded.
Those who can reject privilege only because they are privileged,
who, in their uniform whiteness, denounce racism,
who, in their uniform straightness, claim immune to homophobia
who, with their ***** ***** in a row, claim to be feminists.

And those who search for revolution in a time when rebellion is conformity.
Listening to the  pounding sound of blog-protesters typing n o w.
who, in claiming to accept, don’t accept the unaccepting,
who got veggies tattooed on their sides while snapping bacon in their teeth,
who ironically infiltrated asylums and performed madness until the shocks came
and they were maddened, for good, eaten alive by volts resounding
ka-ching, ka-ching, ka-ching.
Who sleep naked together to be together but end up being alone,
exchanges from lips that move in pretentious drone,
and the dog chases its tail, endlessly.
When the abnormal is normal and the whole structure is inverted and
heaven is here and flames under the soil are no longer hell burning for soles of the
Converse, Adidas, and Nike sneakers on the bicycle pedals of poets who ride at night,
listening to the sound of owls that question:
who?
whoo?
whooo?

for Tascha

deep in the pond of unhappy, swimming,
drowning the next contemporaneous
depression thought quickly swallowed,
desperation in quick glances everywhere,
dawn is no consolation but just another
daily drawing tighter of twine cutting
disillusionment


dear god, commences every thought,
delayed answers have yet to arrive,
**** the deity's non-responsivness,
dare not say out loud lest,
deserved fates be worse, be realized,
didn't know? how can that be?
disguiser par excellent, I am the original
deceiver

But I never think about

death or dying, for that would be
defeat finale, a statute to, a status of none, a
destiny some wick spark, still insists can be
deferred

differed always,
diffidently, but grasping yet at the
double entendre that is my
dark vision of a future already past

May 2015

I had something special
Once upon a time
I held her dear
Once upon a time
I made us one
Once upon a time
And then the fight begun

Rough roads
Rocky tumbles
The split began with a tear
and one by one
The inches divided
Inches, to miles, to years

Now we pretend to be tender
We treat each other with care
But in the back of my mind
The sirens still blare
They scream away the warnings
I should have heeded long ago
No, I know more
Now then before
And I use my knowledge so clear

You're all filled up with God knows what
You wanna dump it out, just to pick it back up
A pack rat of emotion
A dealer of brokens
Be it hearts
Be it promises
Be it *****
You don't care
As long as you get to be heard

All to make it one way
So you can yearn for the alternative
Promising to make it come
But you know it's not true
Change the world
The one in your head
And demand the rest to do the same
When reality strikes
And you know you're not right
Complain
Complain
Complain

A fictional vision
Of the world you live in
What you thought it would be
Disillusionment ***** big.

The houses are haunted
By white night-gowns.
None are green,
Or purple with green rings,
Or green with yellow rings,
Or yellow with blue rings.
None of them are strange,
With socks of lace
And beaded ceintures.
People are not going
To dream of baboons and periwinkles.
Only, here and there, an old sailor,
Drunk and asleep in his boots,
Catches tigers
In red weather.

Stick with me, friend.
I’d like to make a distinction:
I revere writers but do not deify them.
My heroes and role models must be grounded,
Must have so-called feet of clay.
And there’s always something more in my craw,
Whenever I see scribblers carved in marble,
Glorified to the point of divinity and magic.
Because in my heart of hearts,
Reverence for writers,
Is an odyssey of disillusionment and

I fancy myself a man of letters,
Although “Humanoid of Keystrokes,”
Might be more apt; an appellation,
Digitally au courant.
I am a man on verbal fire,
Perhaps, I am of a Lost Generation myself.
And don’t you dare tell me to sit down, to calm down.
You stand up when you tell a story.
Even Hemingway--even when he was sitting down--knew that.
Let us go then you and I.
Moving our moveable feast to Paris,
To France, European Union, Earth, Milky Way Galaxy.
(Stick with me, Babaloo!)
Why not join Papa at a tiny table at Les Deux Magots,
Savoring the portugaises,
Working off the buzz of a good Pouilly-Fuisse
At 10:30 in the morning.
The writing: going fast and well.

Why not join that pompous windbag ******* artist?
As he tries to convince Ava Gardner,
That writers tienen cajones grandes, tambien—
Have big ***** too—just like Bullfighters,
Living their lives all the way up.
That writing requires a torero’s finesse and fearlessness.
That to be a writer is to be a real man.
A GOD MAN!
Papa is self-important at being Ernest,
(**** me: some lines cannot be resisted.)
Ava’s **** is on fire.
She can just make him out,
Can just picture him through her libidinous haze,
Leaping the corrida wall,
Setting her up for photos ops with Luis Miguel Dominguín,
And Antonio Ordóñez, his brother-in-law rival,
During that most dangerous summer of 1959.
Or, her chance to set up a *******,
With Manolete and El Cordobés,
While a really *******,
Completely defeated & destroyed 2,000-pound bull,
Bleeds out on the arena sand.

Although I revere writers,
I refuse to deify them.
A famous writer must be brought down to earth--
Forcibly if necessary--
Chained to a rock in the Caucasus,
Their liver noshed on by an eagle.
In short: the abject humiliation of mortality.
Punished, ridiculed and laughed at.
Laughing himself silly,
******* on one’s self-indulgent, egocentric universe.
If not, what hope do any of us have?

Writing for Ernie may have been a divine gift,
His daily spiritual communion and routine,
A mere sacramental taking of dictation from God,
But for most of us writing is just ******* self-torture.
The Hemingway Hero:
Whatever happened to him on the Italian-Austrian front in 1918
May have been painful but was hardly heroic.
The ******* was an ambulance driver for Christ’s sake.
Distributing chocolate and cigarettes to Italian soldiers,
In the trenches behind the front lines,
A far cry from actual combat.
Besides, he was only on the job for two weeks,
Before he ****** up somehow,
Driving his meat-wagon over a live artillery shell.
That BB-sized shrapnel in his legs,
Turned out to be his million-dollar wound,
A gift that kept on giving,
Putting him in line for a fortunate series of biographic details, to wit:
Time at an Italian convalescent hospital in Milano,
Staffed by ***** English nurses,
Who liked to give the teenage soldiers slurpy BJs,
Delirious ******* in the middle of the night,
Sent to Paris as a Toronto Star reporter,
******* up to that big **** Gertrude Stein,
Sweet-talking Sylvia Beach,
At Shakespeare & Company bookstore,
Hitting her up for small loans,
Manipulating and conning Scott Fitzgerald—
The Hark the Herald Jazz Age Angel—
Exploiting F. Scott’s contacts at Scribners,
To get The Sun Also Rises published.
Fitzgerald acted as his literary agent and advocate,
Even performing some crucial editing on the manuscript.
Hemingway got payback for this friendship years later,
By telling the world in A Moveable Feast,
That Zelda convinced Scott he had a small ****--
Yeah, all of it stems from those bumps & bruises,
Scrapes & scratches he got near Schio,
Along the Piave River on July 8, 1918.
Slap on an Italian Silver Medal of Valor—
An ostentatious decoration of dubious Napoleonic lineage—
40,000 of which were liberally dispensed during WWI—
And Ernie was on his way.

Was there ever a more arrogant, world-class scumbag;
A more graceless-under-pressure,
Sorry excuse of a machismo show-horse?
Look: I think Hemingway was a great writer,
But he was a gigantic gasbag,
A self-indulgent *****,
And a mean-spirited bully—
That bogus facade he put on as this writer/slash/bullfighter,
Kilimanjaro, great white hunter,
Big game Bwana,
Sport fishing, hard drinking,
Swinging-****, womanizing,
*** I-******-Ava-Gardner bragging rights—all of it—
Just made him a bigger, poorer excuse for a human being,
When the chips were finally down,
When the truth finally caught up with him,
In the early morning hours,
Of July 2, 1961, in Ketchum, Idaho.
I can’t think of a more pathetic writer’s life than
Hemingway’s last few years.
Sixty electric shock treatments,
And the ******* still killed himself.

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So why am I still mesmerized by,
The whole Hemingway hero thing?
That stoicism, the grace under pressure,
That real men don’t eat quiche,
A la Norman Mailer crap?
I guess I can relate to both Hemingway the Matador,
And Hemingway the Pompous *******,
Not to mention Mailer who stabbed his second of six wives,
And threw his fourth out of a third-floor window.
One thing’s for sure: I’m living life all the way up,
Thanks to a steady supply of medical cannabis,
And some freaky chocolate chip cookies
From the Area 51--Our Products are Out of this World—Bakery
(“In compliance with CA prop 215 SE 420, Section 11362.5,
And 11362.7 of CA H.S.C. Do not drive,
Or operate heavy equipment,
While under the influence.
Keep out of reach of children,
And comedian Aziz Ansari.”)

So getting back to Hemingway,
I return to Cuba to work on my book.
During the day--usually in the early morning hours--
When “the characters drive me up there,”
I climb to my tower room,
Stand up at my typewriter in the upstairs alcove.
I stand up to tell my story because last night,
Everyone got drunk and threw all the ******* furniture in the pool.
By the way, I’m putting together my Nobel Prize acceptance speech.
I can’t decide between:
“I may be defeated but I’ll never be destroyed,” or
“You can destroy me but you’ll never defeat me.”
The kind of artistic doublespeak they love in Sweden.
Maybe: “Night falls and day breaks, but no one gets hurt.”
God help me.
I need to come up with a bunch of real pithy crap soon.
Maybe I’ll just smoke a joint before the speech and,
Start riffing off the cuff about literary good taste:

“In my novel, For Whom the Bell Tolls, for example, I had Maria tell Pilar that the earth moved, but left out the parts about Robert Jordan’s ******* and the tube of Astroglide.”

Stockholm’s only a month away,
So I’m under a lot of pressure.
Where’s Princess Grace under Pressure when I need her?
I used to work for the Kansas City Star,
Working with newspaper people who advocated:
Short sentences.
Short paragraphs.
Active verbs.
Authenticity.
Compression.
Clarity.
Immediacy.
Those were the only rules I ever learned,
For the business of writing,
But my prose tended to be a bit clipped, to wit:
A simple series,
Of simple declarative sentences,
For simpletons.
I’m told my stuff is real popular with Special-Ed kids,
And those ******* that run
The International Imitation Hemingway Competition,
AKA: The Bad Hemingway Contest.
The truth is: I always wanted to get a bit more flowery,
Especially after I found out I got paid by the word.
That’s when the *** and **** proved mighty useful.
        
I live at La Finca Vigia:
My house in San Francisco de Paula,
A Havana suburb.
My other place is in town,
Room #511 at the Hotel Ambos Mundos,
Where on a regular basis I _
(Insert simple declarative Anglo-Saxon expletive)
My guantanmera on a regular basis.
But La Finca’s the real party pad.
Fidel and Che and the rest of the Granma (aka “The Minnow”) crew
Come down from the mountains,
To use my shower and refresh themselves,
On an irregular basis.
At night we drink mojitos, daiquiris or,
The *** & coke some people call Cuba Libre.
We drink the *** and plan strategy,
Make plans for taking out Fulgencio Batista,
And his Mafia cronies,
Using the small arms and hand grenades,
We got from Allen Dulles.

Of course, after the Bay of Pigs debacle,
You had to go, Ernesto.
Kennedy had the CIA stage your suicide,
And that was all she wrote.
And all you wrote.
Never having had a chance,
To tell the 1960s Baby Boomers about class warfare in America.
Poor pathetic Papa Hemingway.
Lenin and Stalin may have ruined Marxism,
But Marx was no dummy.
Not in your book.
Or mine.