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Jonathan Moya Feb 2020
Ay, florecitas
clouds of white
frozen in sugary divine,
little flowers of my soul,
taste of sweet desire
of little boys in
San Juan, Moroves, Ponce,
exiles in Miami and the Bronx
tasting the beauty
of their mother’s youth—

knowing love by the rattling
of small blooms in the big tin,
the maternal hand scooping
pastels of confection perfection,
passions hard creamy diffusion
dusting her, making her
a florecita of love—

until florecitas became the way
they interpreted the sky—
there a lavender snail,
an erupting volcano,
a devouring whirlpool,
a burst of flame
a feeding octopus—

until all became
the florecitas
of their beloveds form:
her lips a strawberry florecita
splitting apart to his
first hesitant probing,
her ******* a pink florecita
waiting for his sweet consumption,
her *** a light brown florecita
gently swirling open
to his tongue’s taste,
*** a fleshy little flower
to be split in
his sweet embrace,
all of her earthy and ****
as a Neruda sonnet—

until all that is left
for themselves,
for my self,
is the fading scents
of all the florecitas
never tasted.
Jonathan Moya Feb 2020
We tell our children not to wander in the woods,
never to stop or enter the cottage with
the peppermint scent and gingerbread façade
for a naked witch is sleeping inside.

Beware the milk weeping from an axe handle outside,
the tingling inside that stretches from heart to toes
that neither sinks nor swims if tied with heavy stones,
the ointment on your back that makes you feel flight.

If you are sickened by the scent of roasting meat
kissing your nostrils, we tell them, do not enter there.
If she gazes at you and you see her reflection in the frosted panes,
hear her voice sweetly echo in the glittering fireflies of night, turn away.

Better to crush her bones to paste and use them to mason your new house
less you close your eyes and she be on top in your dream bed,
her pointed ******* caressing down, her black familiar nearby,
we tell them, never noticing the rancid butter on the neighbor’s sill.

If she smiles and you dream the image of a child inside her,
especially after barren decades of hope, many more watching her
tying knots at the end of your bed, muttering an unknown language,
do not ever let her in, we repeatedly tell them.

If she smiles and you see a frown, cast her out, we tell them.
If she marries you in heart and soul and never gets engaged,
If she weeps at the sight of every child in ambulation,
If she takes on the face of Norma Desmond, she is an evil thing.

If she lives in air, fire, ice and water, sees planets in the day;
Insists on walking when old and frail and fragile with age;
looks intently at every small thing, do not let her hair
touch your cross lest she curse you with an unhappy life.

Check your children’s hair lest there be witch powder there.
Beware their nightmares lest they be witch’s dreams.
They may be be-spelled if they struggle with things
greater than themselves, especially those you believe.

if they have contrary opinions, want to tour strange cities,
plea for mercy for the poor soul exiled on death row,
give a drink to a thirsty man, cry for the forever war,
they are surely bewitched and need to feel the switch.

Watch your children lest they slip the things they want
but can not afford into their gloves and pockets
for they are part of her infernal coven and it is time
to collect them together, find the matches and burn the wood.
Jonathan Moya Feb 2020
I am Jonah in the belly of Leviathan
living only when the beast surfaces,
exchanging liquid grief, heavy air
for the unwanted gasps of new life.

I pray out of this belly for gills
and only the ocean hears my voice,  
It deepens and encompasses me,
its  waves billowing me in absolution.

The beast vomits me out to her caress,
a body of weeds penetrating to my soul.
I dream of sinking, my thoughts fainting,
lungs releasing their corruption.

I relax and the waters reject me.
It refuses me gills knowing
that land creatures were meant
to see only mountains and sky.
Jonathan Moya Feb 2020
It was chanted for five Sabbaths in a row
in the small synagogue with the charred bimah,
ashes staining the tzitzits of the rebbe’s tallit,
as he raised his arms above his head, closed his eyes
and sang the first alaf of seven thousand dabars,
the oral memory passed down six generations,
a psalm for a hundred sabas and savtas,  
abbas and eemas, nursery rhymes for ben and bat,
stopping, receding, picked up again, one by one
from cantor to congregant in a low moan
until all nine hundred thousand silenced voices
of Treblinka sang in the knesset’s bright light.  
    

bimah-  lectern from which the Torah is unscrolled on
tzitzit- the knotted fringes of a Hebrew prayer shawl
tallit- a Hebrew prayer shawl worn by rabbis
alaf- the first letter of the Hebrew alphabet
dabar- Hebrew for word
saba- grandfather
savta- grandmother
abba- father
eema- mother
ben- son
bat- daughter
knesset- the members of a synagogue
Jonathan Moya Feb 2020
1.   Greensboro boys at a counter
watch dead astronauts rain on Texas,
2. hear the scream of eight states  
being ripped from Hidalgo’s belly,
3. imagine themselves the first black hand
to cast a ballot in front of snarling mastiffs-
4.  Cochise chanting a war chant
in front of white captors-
5. A free Mexican crossing the Rio Grande-
6. the black Babe Ruth circling the bases-
7. a dark Sinclair Lewis accepting the Noble-
8. an Eagle Scout-
9. their fathers fighting in Guadalcanal,
10. receiving the Medal of Honor from FDR,
succeeding him as President,
11.  even Nelson Mandela blinking in the bright light,
12.  grateful no Lincolns need ever be born.

13. They paint American Gothics,
14. write Valentines to their sweets,
15. take the A-train,
16. score 30k dunks like Wilt the Stilt,
17. toil for minimum wage,
18. are jailed and freed a la the Chicago Seven,
19. speeding free in a T-bird singing Smokey Robinson,
20. imagining they’re Batman and Robin,
21. knowing their bodies will wash ashore on Zawiya,
22. no WEB Dubois,
23. just American casualties of Desert Storm,
24. wishing upon a star,
25. the nightmare that has Liston beat Clay,
26. nobodies never seeing the Grand Canyon,
27. never playing Ebony and Ivory on a Baby Grand,
28. everyone saying “Goodbye, farewell and amen”,
as the last episode of MAS*H fades off

29. as they die on the bonus day in February
no one wishes to be born on.
The day Gone With the Wind wins it all.


This is not only a February poem but also a black history month one as well.  Note the numbers 1-29 denote events that happened on that particular day in. February history.
Jonathan Moya Jan 2020
In the shadow of Lincoln
he heard Mahalia shout out
“Tell them about the dream, Martin!
Tell them about the dream.”

He remembered the vision
and the words that came to him
on that long walk to freedom
on that 75 degree June Detroit day.

It was evident as the clear water
of the mall’s reflecting pool,
the Washington monument in front,
the declarations of Jefferson behind him.

He again heard Mahalia’s words sing in him,
the dream of 12 thousand 500 score faces,
wanting to listen, pleading to listen
but only Mahalia’s rising above this soul’s choir.

He pushed the papers to the lectern’s left
and his old preacher voice remembered Detroit,
Montgomery, Albany, Birmingham.
He rose, called to them and the mountains beyond.
Jonathan Moya Jan 2020
Southern justice is the snake
that slithers up the tree
before the buzz
of  the lumberjack’s saw,
the duck of the head
to  fit it into the squad car,
the dark voice  
singing in a  dark cell
put on death row
before his trial,
convicted for the
color of his skin
before he was even born,
living everyday,
never hoping
for just mercy.
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