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 Apr 19 Evan Stephens
blank
it’s easy to miss the juncos’ slow, sudden departure in spring;
messengers from colder warming worlds

they arrive a dulling autumn:
peppering notations of life in a landscape encased,
each deep dark demitasse
brewed on increasingly tardy dawns
painting a night sky inverted

standing ankle deep in first snows
searching for leftover springs beneath the detritus

but then they finally emerge with the warblers,
orioles, robins, and buntings

and pointillism fades beneath impressionist palettes
that flash over treetops and underbrush

but the last juncos linger:
quiet familiar trills outside my window each morning
disrupting stillness till it disappears
an ode to the dark-eyed junco

i just ******* love birds idk what else you need to know. about time i wrote a proper poem about them
I was starving in
Pennsylvania.
One night, I had
enough.
Done with it all.
The poverty and
sickness.
The drunken mad
nights
and dog-fight days.
Brutality for breakfast.
Served sunny side up
runny yolks with
butterflies trapped in
the yellow sunshine.
Spiders built webs in
my soul.

I stood on the torn-up
couch in my living room and
yelled at the walls.

Listen, you devil.
You want me, you better be
ready for a fight.
I paced the floor like a
washed-up heavyweight champ,
eyeing the ceiling like a
drunken sparrow in a cat's mouth.
https://www.youtube.com/watch?v=8k5NY8ZMx3I
Here is a link to my YouTube channel, where I read poetry from my recently published books, Seedy Town Blues Collected Poems and It's Just a Hop, Skip, and Jump to the Madhouse, available on Amazon.

www.thomaswcase.com
i want to peel your skin back
and reveal your deepest sweetness.
to look at your veins
and memorize their paths.
maybe then i’d understand
why you are so rough on the outside.
it takes a lot of work,
digging your fingernails into the flesh,
pulling and pulling until you are bare.
but it is all worth it;
to visit your center,
to break past what conceals you,
and take you apart
slice by slice.
You were making the weather, I think
when you found me alone, all tethered in sinuous seaweeds
You had brought the sky inside with you.
What else could you do?

Damascus steel, your snarl
Hard, beautiful, sharp, distinct. An art.
You let the rain have your heart, for a moment, didn't you?
What else could you do?

Your footsteps are music that I can't quite hear
But your face is a season of songs--lyrics screamed at God.
Tear me from my torpor, please, no matter the violence.
What else could you do?

Distance means more than one thing, I suppose; and separation
Of land. Of daring. Of intent and of want.

List holy places and honey their names...
Eden, Asgard, Avalon,
Camelot, Elysium (Aluminum! Linoleum!)
I'd settle for Akron if you'd meet me there,
or Butte, even.

Your eyes buzz and hum or retreat and freeze over
and I? I follow their lead when I see them.
I can do nothing other.

Whenever I wander, I think of your shape
or the shape of your thinking.
I can do nothing other.

This, then, is a prayer now.
I pray with your name, which I'm always whispering.
I can do nothing other.
 Apr 16 Evan Stephens
Debbie
My eyes, throbbing with agony,
bore through the window,  
desperately seeking the freedom of sky.  

To my surprise the crabapple tree  
possessed joyous magenta flowers,  
providing an unexpected  
jubilant assault of my mind.  

Lush leafy erratic branches,  
a turmoil of spring beauty  
stood in striking empathy of my silent cries.  

The afternoon sun pales the majesty of magenta.
As only love can pale agony.  
Memories live forever, is a haunting horrible lie.  
Unlike me, those magenta flowers don't need a why....

My love for her will never die.  
The majesty of those magenta flowers,  
if only for a moment, seizes and saves me deep inside.
Memories live forever is a lie. My mom suffers dementia and has lost most of her short term and long term memory. It's shattering.
Grief is a filled cloud,

vapor.
Limp.

  reaches

failed prisms.

are
easy when
night and day figures
debit
your

Balance.

my
Observation:
you

Gone.


Caroline Shank
April 15, 2025
All alone in an unhappy place
Where all the walls are mirrors
And ugliness is looking back
No matter which way I may turn.

There doesn’t seem to be a door-
Just only mirrored walls and ceiling.
The cold floor hurts my shoeless feet
As endlessly I pace in circles.

The crowd of people in the glass
Have followed me for many years
Behind the curtains - in the shade-
Never coming face to face.

But here they now encounter me
With looks of reprehension…
And all I have to offer them
Are bitter tears of sad regret
ljm
having trouble leaving the theatrical trope behind.
I am not The Last Spring Overture
My birth name was Spring, not Greig
And I am not the last of us
Although I soon may sadly be.
I gave my violin away
To someone who abused it
And died with it still in its case
And unavailable to me.
I loaned my autoharp to one
Who never gave it back to me.
My mandolin was somehow stolen
Off my wall during a party.
Years have brought me dolorosa
For the music I’ve not made
On instruments I never learned to play,
The voice that wouldn’t do my will.
My mind can play that Overture
And does it almost once a week
So maybe what I said was wrong
I am The Last Spring Overture
ljm
challenge: to write a self-portrait poem, in which you explain why you are not a particular piece of art (a symphony, a figurine, a ballet, a sonnet), use at least one outlandish comparison, and a strange (and maybe not actually real) fact.
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