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It is     dawn again in the periphery.
   Slowly beings a rehearsal.

A furious want only brought
the tint of the sky down to its last trinket.
Glides over air – resigns under dissonant skies.
First angle: tiptoe. I admire your machines.
   Second: a song for no one to hear but your presence
          my adulation sings with.
   You are a farewell for no one.

The cotillion undone under pirouette of Suns.
Music still for the mouth to bloom,
awakened at the edge of the world
that tastes nothing like metal.

Housed in reliquary assumed by the hands,
   committed to duty:
  contain the coryphée – body revolving, breath held to count,
  how many days expire to bring

back    the  black of   night.
When I rot,
Will you tend to me?
Will you comfort me?
Will you stay, even at my worst?
When I rot,
Will you hold my hand?
Will you tell me everything's fine,
Even if it wasn't, and never will?
When I rot,
Would you make me feel alright?
Would you lay beside my casket,
And hum my favorite tune?
When I rot,
Would I still be your love?
Would you still be patient,
Enough to see me dwindle to nothing?
When I rot,
Will you still see me as me?
Would you not change for me?
Would you still find the good that's long not within me?
Oh—that's right;
You never felt real;
You weren't even here to begin with.
A prequel to the ramble I shouldn't have written
I will never understand
the happenings of some things.
Like the horrific and horrible
that happens to the innocent,
like the willful and intentional ignorance,
Of death and pain and torture.

I will never understand
how evil is doled out among us.
By chance, by fate, by deliberate decision?

I will never understand
The recovery that happens,
After the unforgivable; forgiveness,
After death; new life.

I will never understand
Love that won't go away,
Even when told,
Even when begged,
Even when commanded.


I will never understand
how you go on.
I will never understand
how I go on.
I will never understand why.
Pardon me while I remember.

  when   sight scathes, used upon,
  this glass shatters I love the sight of you.
  in days the Sun trembles
   through a fist of streaming light.
  I can only think of objects the size
    of my clenched hand

  a pear, an empty basin, a flower deep crimson
   between fingers wanting to break
       stem twice-told pains the sound  of it,
   a flat black disk on the turntable bellowing
       sounds of the bones we made in love.

we are mirror
      facing mirror -- our distinct quiet held us
          shattered,

  standing apart, I running towards, and you, from,
     feeling the wind glaze the wounds retold.
Falling as recalcitrance of movement – seeks completion – yet the ground
   ballasts.
            There is no path that leads forward as I live backwards.
    There is poetry in the way
              a woman carrying a bilao moves away from the vicinity.
       Sound departs.
I took a deep drag and fell into a thick web
    of smoke, recoiled to fetal nature, into the womb of my unbecoming.

       What seems to contain endlessness: dark.
What punctuates this claim: moonlight.
      In a house that continuously aches,
I am grateful for windows.
                             Night-erased repeatedly, the dance of blades of grass.
       There is more stasis when words flay
                 themselves to pass as something more resolute than there is
     the kinesis of life’s steady abbreviations. We shorten like this,
                             when we curse the destinations upon movement’s mindless
                approval.

We collect ongoing afternoons
                         and cohere to trees. Say falling like you mean it,
     the way we commit to breaking though unwanted, feared.
                 Feel the hands accumulate warmth when propped
  into the sun’s permanent daze – face becomes glare,
                            a day becomes a scar.

This    is  where   I do  not know   what moves   to become fully   stationary.
     Days crumble like this.
   In a poem that is not a poem.
   In a sound that is only sound and not music.
     In a dance that is not life, but stillbirth.
   In notes that are purely rambling, not reportage.
     A voice that champions a fiasco.
                             This is where the   throbbing  afternoon becomes   a part
       of me    that falls   into   a chasm of   a fateful night,
                lassitude    of   debris in  tow,

                                       starting     measures  everywhere  we   left and   returned –
One an angel, one a demon.
Love at first sight.
One so broken, dying inside,
The other pure and white.

She hated herself,
With blood on her wrist.
Her wings were ash black as night,
And she didn't want to exist.

He loved all there was,
Cared so much - too much.
His wings lush and lovely,
He was always helping and such.

Time went by - it always does,
As they danced in the moonlight.
The fire blazed on inside them,
Only at first light would they say goodnight.

Later that year the woman looks in the mirror,
And marvels at what she sees.
Wings so lush, so beautiful, so bright,
They were breathtaking in the breeze.

After a while the man looks in the mirror,
And is frightened by what he sees.
His wings were so worn, so dusty, so black,
That he can't help but ask "What are these?"

And so the story normally goes,
It's possible that you may save one,
And though it's great to save that one,
You always must sacrifice a ton.
Hello pplz! The name's Ryker. Feel free to message me if whatever. Use my poems for anything, just make sure to give credit. Umm... Ya. Thanks!
Kiss my salty tears away
Hold me so that i feel protected from harm
Let me slumber in your loving arms with your whispering caress
The soft breeze of the ebony night comforts me
in my sleep tonight
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