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My lips remain unkissed
As does my bliss
Picky, most dismissed
These lips remain unkissed
My own doing of course
I know this
I will know when I feel it
Til then these lips remain unkissed
I have let no one in
Waiting for that buzz again
The connection within
That sighs roll in
Emotional connections begin
Until then my lips remain unkissed
Shannon Soeganda Dec 2020
You are nothing but a pretty face---

and for all the words birthed from your soft,
pouty,
supple,
unkissed sunkissed lips---

or the ones written down with your tiny,
\\ slanted //
handwriting;

they are nothing but empty,

meaningless blatherskites.
Their kisses remind me of all these empty amens.
Sure this one won't be any different.
WS Warner Nov 2013
Part One
Nascent Craving

The insular heart unsealed; pearled eyes
Breach parapets of stone— periled shield,
The sweetest ****—
A threatening wonder and irrefragable synergy,
Nervous routes of cognition  
In this nascent, amorous craving.
Locked and abased,
Dissonance lends pathos — euphoric and onerous,
Disconsolate cries curb sublimation,
The regnant bleed diffusing — fervid lust
Fondled, tactile surfaces in throbbing anticipation.

Sullen, aft a veil of laughter,
Visceral aftermath, out of
The ardent ash,
Burns a thirst;
Insuperable numbness and ache.
Efflorescent intimacy,
Table for two
Enraptured in new alliance,
Élan vital (psyche);
Urgent dialect petitions
Equivocation, jocularity blending
Provocation with indecision,
Noted lilt of descending inhibition.

Adrift, the incessant Now;
As occasion inexorably diminished;
Resonant simpatico tending,
Numinous amity;
Heard conversant, cognitive idioms—
Lassitude, time-eaten pangs of the unhinged heart,
Wounds axiomatic,
In disquieting synergy,
Nibbling, the circumference—
Misery’s permeating truth;
None immune, all trundle incongruously past,
Facing intrepid savages.

Licitly felt, reverberations of Amor
Whence the heart behaves;
Measured cadence, pulse elevating—
Treasured lover, contemplative muse;
Undulating clasp, inflated bone of absence;
Incarnation — a woman,
Beyond prosaic;
Ineffable adoration pours in certitudes of verse,
Elenita, enclothed —virtue unvarnished;
Reservoir intrinsic, poised advocate of the innocent:
The crooked lines of insolence,
Brazen culture of neglected youth.
Perceptive blue stare, sensitized tears—
Plaintively, evincing her injustice ago.

Part Two
Tendered Senses

Siren silence, eruptive blush, ampler between phrases
In dulcet tones — stirring discourse;
Foments rebellion, the strife beneath— his ****,
Out of its vast reserve,
Penetrate the narrowed ambit, vaguely announced.
Groping hands, migrating the sensual member
Stern faces grimacing— mirror in abrasion,
Under the blind surf of consent;
Burrowing ambiguity, emerging torsion,
Plunge, enlisted and content in the sea;
Subsumed in the nonverbal cue,
Persuasion’s plea,
Quelled in the post cerebral assent.

Piercing eyes parallel crystalline waters of Lake Tahoe.

An untouched portion of his awareness remains aloof,
Palpable in the subsequential quiet,
Obsequious and febrile, they sinned on sofas;
Peregrine predilections quenched and viscid—
Serenely requited, the room breathes her presence,
Limp, figures *******, mantled in adolescent torpor.

Erudition in bloom, trust undoubted,
Illuminating, satiating; tempest calm—
Under canvas
Terrain soaked and sodden,
Postliminary — rains of invalidation.
Allowance and permission
Recalibrate, salivate, shortly only—
Initiate, obliged consecration, appraising
Curvatures of the spine,
Stuns him obeisant, her femenine pulchritude,
Propinquity inciting vigor,
Emergent allure, the updriven
Tower of wood sprung from the blanket.


Suffused in ether, purring streams of remembrance
Vaginal honeyed dew, sung into
Orchids, remnants of remember;
Drenched down the cynosure of devotion;
Succulent view, diaphanous pantied bottom;
Halcyon mist, saporous wine — compliance of the will,
Freed fires wander,
Pliable rind, twin plums dripping,
Abject confession, dispatching doubt
In tendered senses,
Pivotal tree, lavender Jacaranda holds the key,
Unfurled, cindered vulnerability.

Half-denuded skin invites confessional savor
Acutely bubbled rear, fleshly furnished denim;
Sultry visit, San Ramon Valley in the fall,
Strewed limbs splendid, flowing filmy;
Imagination yields—
Bursting silk congealed
Across deft thighs, ambrosial thong draping ankles,
Grazing ascension, the curvaceous trajectory
Nose inflamed with fragrance,
Inhaling, climb of acquiescence,
The ****** weal, amid the globed fruit,
Focal intention — ploughed lance thrusting,
Absconding, the ancillary perfume of essence.

Perceiving avid validation,
Swimmingly, amid the monstrous gaze.
  
Humid skies simper dank, set swell the incense of Eros,
Surge of poetry engorged
The flame levened shaft,
Nimble ******* flounce, spill the harboring mouth;
Moist hands merging, unfettered,
Weave in supplication,
Vicinity voicing, enmeshed diversion;
Supple and spherical behind
Posterior arch, milky-skin against the lip—
Ripeness jostling their complacency;
Lapped the mooring, ridden decisively;
Recapitulating— spumed forth, bellied over hips warmth.
Abandon the dirge of self-pity
Late under ego’s trance.
  
Part Three
Present Tenses

Tempting trespass across sacred gardens,
Flowering, scandal set luminous: attachment—
Consensual, their corresponsive fear;
Protean manifestations— evocative, perpetual
Unutterable contention in a fictive resolve,
Deliberating the merits of their widely disparate tastes in coffee,
Amorously touring wine, let’s drowse through the gnarled vine.
Sundry deficiencies pale, once contrasted;
The beatific vision—
Material substance unaccompanied,
Imperceptible, tear-streamed cheeks in synch,
Ventral kiss, peak of carnal perfection,
Reminiscence— flesh violent with Love.

Fiction knew to meander the innominate rift,
A tincture of irony soften misdeeds
Immense as the sea.
Insolvent beast stippled with sapience—
Unmasked, the fabric of delusion;
Dependence smothering the disciplined heart
Resentment put up for release.

Waste of residual years
Fate’s apportion, scars bleakly observed;
Chastened by heartache, engulfing fervor
Too faint to recapture.
Vague glimpses dry—
Hypervigilant his defenses,
Veritable suspensions, embers lit linger;
Slender walls of solidity, the horizoned self,
Faith and reason in concert — stone levels of elucidation.

Fractured bones of distance, emanate a rigid salience,
Another ponderous night of absence—
Lingering, cauldron of dearth as indifference ushers,
The quotidian coil of contrition.
Tearful pallor, sequestered —ciphering time and solitude;
The unkissed mouth, his restive brow;
Suspend in the approximate span.
                      
After Lucid alliterations are spoken
Devoid of her face, his lover’s nudge—
The man nurtures his hurt.

Anxious as seldom unscarred,  
Venus’s susurrations,
In present tenses,
Kissed by her serenades of integration—
Notwithstanding metaphysic intrusion,
No chain stays unbroken,
Postponed drifts of deferment left unspoken,
Reverberations of amor.

© 2013 W. S. Warner
To Eileen
Sometimes I wish you had left me unkissed
So I could have just spent forever imagining how you taste
The curves of your chest
How special you made me feel when you looked at me

But you did kiss me
And I still feel your fingers tracing my lips
How strong your hands were when they grabbed my hips
There's no imagining it because I felt it all

The scars on my heart prove that I felt it
My broken heart is the only proof I have left of us
cozy april Feb 2014
I dreamed of you

kissing me.

I woke up,

Unkissed and

                                 Empty.

a.s.
son
SON
1
making love to make our son I kiss her eyes as if God were inside her
2
my wife gave birth to my son on the floor of the house I built
3
he keeps me up all night ***** on my sleeve feverish cries for his mama until dawn lifts the heads of sunflowers
4
forget poetry going out jazzed our winter born boy needs his diaper changed her ancient *** me house cleaning singing lullabies like a dove
5
wild iris sway as he wades downstream singing
6
one God many stories holding you our son walking the blue earth breathing away the pain with friends
7
amazing the ups and downs my son chasing ducks Sunday eating together my friend’s cancer battle my wife’s selfless moan
8
playing with candlelight my son burnt his finger I warned him
9
shower eat help my son memorize the constellations pay bills watch my wife sleep
10
worried about rats eating wallboard in the dead of night I get up cover my son
11
my son refuses to wear a raincoat in the summer rain
12
in his 2nd grade family drawing: my son gladday ready his mom hugging him me head in the clouds our cat smiling
13
when rains make bitter grass green with laughter my son springs from the winter of his room with his shedding dog and new baseball yelling to his buddies “Wait up!”
14
late afternoon October sycamore shadows blowing elm my son his dog me
15
after days of acid rain the lost sun comes promising heaven sent birds and boys' voices
16
dragged my son up the mountain to watch the meteor shower sons and fathers everywhere I hope
17
my best friend’s grave she loved singing my son asleep now she’s waving grass wildflowers
18
in a vacant lot my freckled face boy floats at the happy end of his 99¢ kite


19
the science of mystical seeds restores your left brain faith in everyday miracles like noisy boys climbing the music of old trees
20
if we could come back her a book of flowers our son blades of grass me the invisible wind
21
6 to 6 deep plowing then wall-to-wall screaming kids a leaky roof the old tractor my darling one naked notebooks full of dreams
22
sling shot boys kick red and gold leaves swirling down the street of locked doors at the tired end of Indian summer
23
my sons reaches for falling snow trampling veined leaves with footloose laughter fearless of winter's night the certain bones
24
true I care more than my son when he plays baseball
25
the orange tree my son planted today will fruit after we’re long gone
26
the bus driver brags about her son’s first home run wishes she could have been there
27
putting flowers on mother’s grave my son holds my hand
28
when night rises I yearn when my son comes home I relax when you sing I surrender
29
WTC on t.v. my son’s face a cloud of tears
30
his father beat him black and blue her husband her their sons their sons
31
the eyes told me that I’d play catch with his sons long after he thought breathed
32
I argued with my son explained the rules he still did what he wanted
33
my boy swaggers down Main St. sure he'll live forever
34
in the back seat good boys brag about good girls what they wanna do with them
35
sleepless until my son comes home late then finally I turn over
and rest
36
the light in my son’s words the silent stones of his tears
37
quiet room unmade bed boys playing in the rain stupid poems awful silence

38
all the dawns evening storms lovely ******* good talk tickled son blow plumeria drift
39
when the stone of night rises I a thief of songs yearn for the music of a woman's light
40
I don't get it gone son lost lover sick friends joyless graying unkissed ******* blood
41
half her half me our son didn't know where to go when she moved out
42
when I'm memory my son might think of me when he's gone I'm only a poem or two
43
bombs hunger lacklove prodigal son abandoned fields come down God get back to work
L B Oct 2016
"There in the midst of it so alive and alone
Words support like bone..."  Peter Gabriel's  "Mercy Street"

Orion abandons the sky
dropping his club
casting his belt toward the horizon
Just once, for a moment, he glanced away
from exalted ****
his vanquished prey

He’d seen the picture—
A girl of sixteen
lying awake—muses in her head
eyes shut, arms thrown back
behind pillow
Tee shirt stretch across lean chest
Hips mingle with blankets
She is scattered there
among the minions of her hair
behind her mouth of unkissed words
____

McCaffery's Coffee is open late
He’s seen the picture
Muses in his head
His arm almost around her
Hers on his shoulder
Small—feather-light fingers
lift the hair of his neck
Reaching around her
his hand searches and slides
along her silk-draped hind
...and the view he has is amazing!
___

Music— and waves pounding and lapping
at the life he fears....

Little boat stranded in gray mists
till a thousand tiny birds alight
in a peppering and fluttering
stir of time
in greens of brine
as the sun pries through….
___

McCaffery’s is ready to close
but the owner, knowing
douses the overheads and turns away
leaving candlelight to crouch and duck
and blink in circles

How long and free we
are allowed to gaze....
so full of wind and riffling water
Stars above and stars below
blooming on the floral silk of night
Vespered lilacs exhale
Votives of warmth
beneath his hand
Silk sweating—
familial in their rocking

Distant lightning loosens eternity
You might listen to this music with it:
https://www.youtube.com/watch?v=DYw9UrsFJa4
"Swear they moved that sign...looking for mercy"
"I am with the Father.  I'm out on the boat, riding the waves--riding the waves--of the sea"
I should have thought
in a dream you would have brought
some lovely, perilous thing,
orchids piled in a great sheath,
as who would say (in a dream),
"I send you this,
who left the blue veins
of your throat unkissed."

Why was it that your hands
(that never took mine),
your hands that I could see
drift over the orchid-heads
so carefully,
your hands, so fragile, sure to lift
so gently, the fragile flower-stuff--
ah, ah, how was it

You never sent (in a dream)
the very form, the very scent,
not heavy, not sensuous,
but perilous--perilous--
of orchids, piled in a great sheath,
and folded underneath on a bright scroll,
some word:

"Flower sent to flower;
for white hands, the lesser white,
less lovely of flower-leaf,"

or

"Lover to lover, no kiss,
no touch, but forever and ever this."
Luce Jan 2014
do you know
i fall asleep
with my hands
touching
together

but I notice the difference
as yours Are tougher
bigger
rougher
but i've never had the pleasure

of falling asleep with
your hands
though ive slept
cocooned
in your scent

do you know
i've never been very good
at confessions

i confess
i could draw
freehand
the shape of your lips
from Memory

(i could show you
      where they curve
       and bend
       and they look like
       the perfect destinatIon
       for my life to end
  killing myself,
        to die upon a kiss
       
        to die upon 
        your kiss
        i'm killing myself
       by even thinking this)

i confess
i could shade
the exact ways
your hair falls
dowN
by your face

(i could explain
    the smelL of your hair
    after a long day at work
    it feels thicker
    as it resists against
my hands
      
     you dO that too
     do you know)

i confess
i could describe
the wonders
in
your eyes
of
your eyes
so accurately
they would be seen
by the blind

(i'd rather not tell you
       how i feel
       when you catch me
staring
       but i just
                       can't
         help myself
i neVer want to miss
       a single blink
a wink
       no time to think)

i confess
words,
the words,
keEp
running
sprinting
dancing
prancing
in my mind
but i cannot find
an acceptable order
to confess them in



love in you i am with



one two three four five six


and, oh father,
there is no need to confess
for We have not sinned

he would not look
upon me
if i was the last to exIst
he merely
glances over to me
now and then

and, oh father,
you know
how i desire
These
tormenting
words
to go

he could barely tell you
the colour of my Hair
i could tell you
the colour of his
when he was five

milky way kid

do You know
me
am i
just a girl
who falls asleep
alone
in the backseat
Of the car

that old red polo
is not so appealing
anymore

and, love,
i confess
or
these words will die
on the lips
yoU leave
unkissed

i am in...

*i cant
four five two one six three
Payton Hayes Feb 2021
I dreamed you kissed me  and when I woke, I was unkissed, and alone.

So darling, kiss me now, kiss me like you did in that dream.

Kiss me with the lips you used to spit daggers and whisper secrets, and soothe souls.

Kiss me like the sky kisses the earth when the sun sets.
This poem was written in 2016.
Vamika Sinha Feb 2016
The rain runs,
spreading the stone polished
and clean.
Like this, you must
let the water slip
on the back of your unkissed neck,
the curved dips between
your fingertips,
nestle
in the soft folds around your waist
that you hate,
and stumble on your collarbones,
your genetic mistakes.

Let it slide on the stretch marks
skimming your thighs
like fog diffusing across the hills,
and inside the grooves of your too-large ears,
form little streams.
Let it wash away
and unearth these parts of you
where you don't want to look,
where your lotion never reaches.

These are the little patches of soil
you must water with care.
Flowers, flaws -
how much is the difference?
One day a lover will give them a kiss
and you will understand
why we are so tender
with broken things.

Let them bloom, and see yourself
wilder, as you grow,
for gardens are most beautiful
with some ferociousness.
find more of my work on my blog La Vie en Rouge (les-etoiles-tombent.tumblr.com
Veronica Smith Jun 2013
The girl’s corneas expand over the small black abyss of pupil
Tides of blue and hazel rising over onyx isles
An unhinged eyelash balances precariously on its neighbor
It evaporates with her quick blink

Directly beneath her right eye
Below the mottled eggplant shadows
The corpse of a capillary drains among the freckles
Subterranean rivers of vein
Pulse under thin skin

Her nose is spherical
Etched by soft papery scars
Pores round and gazing
Culminating in a uniform valley

Lips are soft and pink and unkissed
A source for a  small steady trickle of pride
Her mother’s lips
But behind the outer façade
The seamed surface is rough with nervous nibbles
Ribboned with scars of worries and troubles

She lacks fourteen teeth
Absent since the womb
Those she has are either sickly infants or filled with grainy mystery metallics
Some entirely fabricated with spatulas of amalgam
Yellowed and cracking
Rough and worn
Spongy inner marrow screaming with pain
She hides the stony incisors from view

The hair
Curling and waving
Kissing with reptilian tongues at her cheeks
Neck
Forehead
Framing her face in brambles and cowlicks
Indecisive of its true form
Fuzzy with moisture
Unwilling to obey
The strands of a gorgon
A monstrous tangle of personality
Instantly recognizable
Her hands attempt to soothe the undulating tendrils
But they anger
As stubborn as her
Refuse treatment
She gives up
Rinses her hands
And turns away from the mirror
Sighing
JJ Hutton Oct 2012
Fingernails dug out of steering wheel
in the out door, not enough gin to ****
50 pushups. 50 more. Change my body
Maybe you won't ignore
Ambien, the lull of the ceiling fan,
the crowds of protestors disband --
the blanket warm, cosmos tease and can,
malaise, malaise, I'm trying to be active
and sane, sane for the next promise ring holder
and wine cooler queen, here comes the switch:
ether.
The night brings me back to you
by way of illusion --
you've got lingerie
I've got needs
You've got teeth
I've got shoulder blades
so it begins,
white knuckle, culling songs, strain on scalp --
I sing along, ancient melody, satin dirge --
precursor to your soliloquy and black venom urge
to scatter this bandaged man--
pieces in your hand,
collected and left on 100 dressers
for ill-informed future connivers
conspire
but I'm only tired of trying not
to look like a liar
so I blend into your blood
satisfied smirk from
transparent you
but what is the future
--a present hope
but what is the past
--a present memory
so we abolish each other now
betting on tangible mirages
in this delicious, miraculous night  
the stars align
the planets collide
not an inch of you goes unkissed
not an inch of me goes without an itch
blackness and breath swirl and spit
me into a confetti end time without prophet or priest
only a skinny seed, and then the switch:
wake with a present hope of getting over
my present memory.
john tucker Feb 2010
She sits
- untouched -
Amidst the pyres
Of unconsummated male desires.

Her perfect lips
- cold and unkissed -
Disappoint anticipated bliss.

No lethal weapon will suffice.
All ******* symbols turned to ice.

Yet, all around;
Sad men abound.
Each condemned to spend his days,
Unfulfilled ....beneath her gaze !
Copyright  ©  John Tucker  October 2008    All rights reserved
Makayla Thee Apr 2015
When I met you I was new, raw. Unkissed, unloved, unfucked. I was equal parts young as I was stupid. The day you left I ran around my house and counted every hole in the wall; did you know that not a single one looked like you? My mom is convinced you are a psychopath and your father thinks I was just a crazy ***** but I think you just weren’t strong enough to handle the hurricane that I am. Remember when I swam too close to the boats and you saw your life flash before your eyes?  You taught me how to clean a gun, and I wonder if you knew I thought about what it would be like to shoot you. You weren’t the first person to over-sexualize this body but you were the first person this plump, over-sexualized body loved. My therapist tells me that trying to remember the good times will help remove this lump from my throat but I’m not so sure that’s a good idea. I don’t want to remember the time we danced on the roof as the sun was setting and I laughed so hard about what a cliché that was that I almost fell, I don’t want to remember the time we laid side by side in your room with the lights off and listened to music, I don’t want to remember the night I broke, when you pressed your forehead against mine and swore we would be okay. I don’t want to remember how it felt to love you. I loved you so fully I don’t think I will ever be able to love like that again. I killed myself for you. I guess I’m bitter, I guess I’m broken. I guess I’ll never be the same, but I’m still really glad we broke up. Because for every ounce of love I had for you there was a gallon of fear, and love isn’t supposed to hurt. Love isn’t supposed to be black and blue, and that is the only “love” you know. So yeah, I’m glad you left. I’m glad you ****** her. I’m glad I kissed him. I’m glad we got away from each other before we went too far, I’m glad we got out before it killed us both.
Third Eye Candy Oct 2012
your symptoms are mine. we attach dead cells to living gods, you and i.
Golgotha spawn, writhe in leather trousers
to harlequin the marrow of our dire pipes !
to leap and jeer in tandem
that's how love does the impossible
with your mundane.

we are the abattoir of our stoic cow

your symptoms are mine. i see how you might think me mad; you not i.
but this is the dream fleck of your unkissed
a sweltering bloat of frozen hope
flogging the wolf in a gleam
of campfire exodus

and dust.

your nexus is the heart of the most free, a slim gorge of Krakens
yawning fresh hell and fjords of unconquerable silence.

yours is the tomb I am used too.

where we resurrect
we die laughing.
Sarina Mar 2013
Patchwork, these lightning strike scars
thundering and unkissed
as though in some sort of burlesque swing –
attractive enough to be fondled, still throbbing.
I do not have bandages,
I do have a gun, I do have a tongue
to slick each wound like an envelope I close
shipped cross-country and not to my postal code:
gave foreigners the tornado –
now, we have the flood. Their lungs must
be strong enough or I’ll need to patch them too.
As often-times the too resplendent sun
Hurries the pallid and reluctant moon
Back to her sombre cave, ere she hath won
A single ballad from the nightingale,
So doth thy Beauty make my lips to fail,
And all my sweetest singing out of tune.

And as at dawn across the level mead
On wings impetuous some wind will come,
And with its too harsh kisses break the reed
Which was its only instrument of song,
So my too stormy passions work me wrong,
And for excess of Love my Love is dumb.

But surely unto Thee mine eyes did show
Why I am silent, and my lute unstrung;
Else it were better we should part, and go,
Thou to some lips of sweeter melody,
And I to nurse the barren memory
Of unkissed kisses, and songs never sung.
We are nothing that matters,
created in mystery
while slowly dissolving to dust.
Pretentions and delusions our comfort as reality bites with it's point filed teeth.

We are not made of stars, nor moondust, we are products of all that has gone before and the destruction of all that is yet to be. 

I yearn to see this life through a rearview mirror, it's withered form a speck on the far horizon, for the hurt to stop as this knife in my back plunges further into my sickened depths, severing my spine from all it holds dear. 

I yearn for silence, for these thoughts to stop spewing from my acid tongue, burning my unkissed lips with a million wasted words while attempting to say only one.

Minutes turn into months, decades of meaningless days and miniscule triumphs. 

The stage is set, my role is uncast but the curtain never falls, I stumble wildly through blind utterances, dreaming darkly, while anxiously awaiting the applause that will herald my passing.

This is not living.
Terry Collett Mar 2012
You purloin books from
Monsieur Marteau’s large
Library; you like

The slightly saucy
Ones best; the books he
Hides from his wife. You

Can smell his sweaty
Palms all over them.
He has an eye for

You; you can tell by
The way he follows
You around the room

As you slowly dust
And polish around
The shelves, removing

Books and wiping them
Clean. You are very
Thorough Mimi, he

Says, not all maids are
As dedicated
As you, and he laughs

And you laugh with him
Putting on one of
Your pretend blushes.

Madame Marteau has
The face of a smacked
Bottom; her thin lips

Seldom spread into
A smile; her eyes are
As olives in snow.

Don’t be too long with
That dusting, girl, there
Is much to do and

When are you going
To tidy yourself
Up, you are so slow

And slovenly; not
What I expect from
A maid at all, she

Moans, her haughty voice
Echoing around
The hall. You love to

Read his saucy books,
His fingerprints are
On the edges, dark

And oily; his pipe
Tobacco stinky
Smell escapes from each

Page and you as you leave
The library and
Pull the door behind

You with a gentle
Click, you imagine
Him alone in there

Scanning over the
Saucy books; his lips
Drooling, his dull eyes

Being feed ****
Images and his
Sad wife elsewhere, now

Forgotten or too
Busy or moaning
At you; and while you

Snuggle up in bed
At night with the book’s
Thrilling dark pages,

His wife lies in her
Bed untouched, unloved,
Unkissed and cold and
Has been for ages.
David Williams Jun 2011
Silhouettes

Come; cried the woods
Come; cried the wind
Into the dark night.

The dark silent statues
with fingers grasped tightly
squeezing out the evil air, out
of it’s roof like mouth

Words frozen as they emerge
drifting silently amongst
those who listen. The chosen few
screeching from blood
Red throats. Baying for more

Winters grasp is closing down
Life and leaves are stripped bare
the summer that once was ours
is held in a sealed envelope
and fruitless amongst the unkissed bark
to settle among the Blue and Black.
Madeline Aug 2013
there is an undauntable light in my eyes
and a hickey sliced warmly across the middle of my throat,
and the half-lingered and utter warmth of your hands in mine.
there are murmured "i love you"s
and unsuppressed smiles
and the promise of
soon, soon,
seeing each other again.
there is rewarded patience
and the warming of my long unkissed mouth
to yours
and there is the reassurance that
yes, it was worth it.
for p
FallenAngel93 May 2015
A broken mirror,

A bleeding fist,

A sliver blade against a wrist,

Tears falling down to lips unkissed,

Ignore her and she won't exist,

She's not the kind you'll come to miss..
Ottar Dec 2014
Pen and paper,
touching
sensual for some,
words sure,
where were you,
when is what was too
young,
oh words, oh words,
how do you form
the shape of my
unkissed lips,
we have missed
our time
our chance to
embrace,
nakedness of
meeting
face to face,
you are more than;
a muse to me,
a fantasy,
a touch screen away,
but it is a lie,

past due
what are you doing
in 2016?
lips are numb,
must be drunk
writing free,
rhyme or prose,
do it all,
Even with ugly toes,
verse is free, heart
rock solid,
torrid,
turbulent,
life is *****,
when write is wrong.

If flight of fancy brings me near,
to perfect prose, may we meet,,
it is way past due...
You have no idea.
for those who read this before complete, I beg do forgive me, working on my tablet in transparency...
Nene Moiw Jun 2014
He left me unkissed,
broken on the stairs,
running away,
this time no touching of my hair,

He left me unkissed,
dying from the inside,
now he found another,
the beginning of a new fight

ours was true, and meant be connected
but still you had the courage the left me uninfected...

-nene-
lluvia de abril Mar 2016
A thought indecent
claims to know
the you that I miss most
the you I've not yet met
and long for
prematurely

I miss your skin a day too soon
a kiss before its taste
and so I catch myself falling inertly
in thought consumed
veins first
waiting, waiting
waiting for time to bloom the day when untouched skin
and unkissed lips take form and shape of all indecent thought exposed
lived amidst the tender sounds of rustling sheets
in the warmth and taste
of strangers
known
On a day that I felt uncompromised, but yours before the thought existed and missing you was unacceptably premature.
Mattisen Hecate Jan 2014
In a silent waking
I wish once to be swayed
Left with empty aching
My revery does fade

Biding ‘til the doors close
’Til I am left alone
All diction turns to prose
Voice but a pallid drone

I am a memory
One lost and not still missed
Curdled at your mercy
Hollow and unkissed
brian carlin Apr 2010
Unkissed, these lips keep speaking soft your name

In whispers, falling faintly from my tongue.

So soft I thought unheard, I calling came

Concordant to my kiss, your heart unsprung.

Weary from the wanting and the wooing

And seeking out a seat to sit as guests,

They sat around the source of my undoing        

And suckled on the love beneath your breast.

Yet ‘twere that love to offer up its heart,

Surrender to the kiss and not desist,

No longer would I need impart this Art,

No reason for this Sonnet to exist.

Stay the pen: reward me for my patience-

All my hopes and breathless aspirations.
Sasha Feb 2016
My pink cheeks ache from smiling. My scarlet lips are untouched, unkissed. My big brown eyes are overflowing with tears yet I feel nothing roll down my pink cheeks. My ****** heart is just a toy in your hand. As soon as my heart left my body and made it's home in your hand, you played with it. Your tall and sturdy structure that I so desperately want to wrap myself around came tumbling down. You became a child. A little boy that found his new favorite toy. And I became, do you know what I became? I became your puppet, obeying at your slightest touch. My strings are pulled by you. My voice is silenced. I want to shout. I want to scream at you for stealing my heart. All this sound builds up in my throat but only I can hear it. You rotten thief! You stole my heart. I became your puppet. And yet, even though I put on such a spectacular show. You threw me in your closet and locked me away.
Daan Feb 2014
A year has passed and you don't know.
I admit to the crime of too subtle action
almost forced to go,
never sure,
you enigmatic mystery,
I could never tell what I was meant to see.  

What you think of me is
still a question, I feel its automatic
journey is close to its end, I cannot pause,
cause it never does, not for me.

I guess we are the same but I never came to affirmation.
I end it right here, you had me for a year
and never shifted gear, next levels
never reached. Some doors breached

I'm off to bed. Could I never return please?
Tomorrow is always a disaster, so tell her today.
Today was two days ago.
I am too late.

Doubting about giving up, then she's not the one.
Giving up is for cowards, for guys like me, two days ago.
regret is a horrible state.
Please never make me experience it again, I preach.
I wish you made me feel careless and casual, then it would have worked.

But your sparkling eyes make me insecure,
your cheeky cheeks unkissed and pure,
your perfect shapes and dazzling hair,
your blinding stare, everything around me
vaguely disappears,

an empty feeling sears
through the image that I had
I was just a helpless lad, fallen down, reaching up to you.
But I did not dare to grab your hand for it was too
soft and smooth and perfect for my not so bright ideas.

Now drop me and never lend me that hand again
I will always try to grab it, immobilized by your smile.
addicted, not in love, hooked, not shared, affected and absorbed but not attracted.
attraction has 2 ways, of one I am not sure.
Abruptly looking the other way, my only cure
for how you agonize my being.


I am still thinking about not giving up, so maybe
she could still be
one
just not
the...

I cannot understand myself
why did I not say
what I wanted every single day
for us, it may, but hey, this way,
I did not have to lay
myself on the line,
a risk avoided same goes for love
nothing else to painfully think of
nothing ever broke me like
you did.

My approach was the worst in human history
from afar they'll come and hear his story
of failure and demise, for a month or two
he'll be the talk of school and then it ends.

Either end it or start it, but not this phase of inbetweeness
it's powerful and useless at the same time.

One whole year, you shaped me, reformed, refurbished,
you were my goal, unreached. I need more time, more coal
to keep this ancient bunch of chances from not living forth. To north
instead of south, your words in my mouth, my
songs sang by birds and rippling creeks,
banished and expelled from peaks,
vanished thoughts, so sure they were,
together with the derivative motions they withheld

I spelled your name a thousand times
drew it in my books next to some rhymes
made it pretty to fit your being, even
though I never succeeded to pass breakeven.
shirley temple Aug 2011
Come with me to the side of the moon
Where midnight flowers bloom in the gloom
The side of the moon where troubles melt away
And we won't ever need the light of day
We can lie in the shine of wishes unwished
And breathe in the lies of people unkissed
Come with me, I beg you dear
I promise you'll have nothing to fear
Except for all those spots between
Where raindrops fall behind a subtle smoke screen
Just ignore the lies I'm telling you,
Please believe my falsehoods true...
I'll make you come to my side of the moon
And you'll follow me into the doom.
playing with imagery. too much?
A W Bullen Jun 2016
Too much thigh to go
unkissed
so wet-look fabric
has my tongue
in swollen lip bit
thirst..
A sunrise skirt
eased over arches,
modest drapes of stolen
passing showers...

Your pointed mouth
has come undone, to
curse the moon in
quiet hours, running
with the liquid thought
that through your thumping mind
becomes, the preaching
of the screaming sea...

Heels, held, high over head,
A bristled language empties
you of easy , urban drag....
Alex Apples Jun 2013
Which is worse?

To love and lose
Or to never have been loved?

To know the completeness of sleep, when
bodies click like puzzle fragments
and then wake one day
to feel cold sheets
and an absent puzzle piece

Or to pass a smiling stranger in the street
sense the stirring of your soul and
despite your unkissed lips
simply ache for a kiss
and loathe yourself for not smiling back?

Which is worse?

To wonder why no one on this planet can love you
Or wonder why even love was not enough?
Pain is relative.
just a girl Aug 2014
a broken mirror a bleeding fist
a silver blade against a wrist
tears falling down to lips unkissed
ignore her and she wont exist
she's not hte kind you'll come to miss

**(c.m.h)
Terry Collett Apr 2015
Yiska waits by the fence. The school's on the other side. Yiska waits for Benny; he is at lunch, she waits impatiently. The playing field is crowded with other kids; some girls sit in groups talking and laughing. Yiska sees boys coming out, Benny not amongst them. She waits arms folded,a face on her. Alma said she'd told her brother about her. Alma was her best friend. That's the boy, Yiska had told Alma. He's my brother, Alma said. Good, you can tell him, I fancy him, Yiska said. Alma had said she told him. Yiska waits; walks along the fence; sees other boys. No Benny. She has visions of things going places. Not that she'd tell Alma that. Some things are best not told. She looks towards the playing field; girls and boys in groups or couples or alone. She looks back towards school. He's there, Benny, walking by the fence, hands in pockets, school tie hanging loose, shirt unbuttoned at the neck. Alma said you wanted to see me, Benny says, looking at Yiska, his eyes hazel, his look, steady. Yes, I did, Yiska says, feeling her nerves beginning to unravel. Rick said you wanted to see me, too,  Benny says. My brother? Yiska says. Yes, the very one, Benny says. They stand by the fence, face to face. Only he said, you fancied the socks off me, Benny says, smiling. I never said. She looks past him. Yiska feels undone. Anyway I'm here, Benny says. Only said I liked you, she says, looking at him now, seeing his hair, the quiff, the smile. He looks her over quickly: eyes, hair, lips, hips, thighs shape of. Shall we go for a walk? Yiska asks. Sure, he says. Where? She asks. Benny shrugs. On the field? She nods. They walk off together, apart. His hands are still in his trouser pockets. She walks hands in front, fingers joined, prayer mode .Cat got your tongue? He says. No, no, just thinking, she says. Of what? Me? My socks? She smiles. She looks at him sideways on. What do you fancy? He asks. Who said I fancied anything? Yiska says, blushing slightly. Rick did, Alma hinted, Benny says, My socks, apparently, he adds. She looks at the playing field. Folds her arms. Stops and looks at him. I never said fancied. So what then? He says. She looks at her shoes: black, dull, unpolished. Maybe, a bit, I do, she says, looking at his shoes: black, scuffed. He takes his hands out of his pockets. Touches her arm, feels along until he reaches a hand. Nice hand, he says. She lets him hold it, feels his hand touching hers. Warm, soft. Taking her hand, they walk on. How much? Benny asks. How much what? Yiska says. Do you fancy me? He says, his thumb rubbing the back of her hand. Fancy's an odd word, she says, interested, more, she adds. O, I see, not fancy me at all, he says. She looks uncertain, the blush spreading. If I were in your bedroom would you fancy me there? He asks. What a question, she says, feeling her pulse increasing, imagining him there, in her room, her bed made-unusual for her- but made up tidy. I'd fancy you anywhere, Benny says, in a nice way of course, not necessarily in your bedroom. She looks at the high fence, the road beyond, traffic passing. He looks at her hair, the way her ears are just visible if she moves her head a small bit; lobes, suckable. Alma didn't say you fancied me, Benny says, but Rick did. *******, Yiska says, just like him. She looks at the wooded area to the left of the playing field. Went there once to fetch a rounders ball that got hit there in P.E, she muses. Could go in there, she says, pointing. Best not, he says, people may get wrong ideas. Think things. He sits on the grass, pulls her down, next to him. Safer here, he says, holding her hand, still. She sits next to him, crosses her legs, pulls her school skirt over her knees. She senses his hand there. Warm, wet, heated. How old are you? He asks. Same age as Alma. Thought so, he says. How old are you? She asks. Fourteen, he says, leave school at Christmas, be fifteen, then. She looks at his hand in hers. Wish I could leave school then, too, she says. I can't wait, he says. No more brain-washing. She looks at his eyes. Hazel, bright. I will dream of him tonight, she thinks, I'll dream of him next to me. His hand in mine. Mine hand in his. Will we kiss? She imagines so. Must not make too much noise though. Mother hears things too well, she thinks, looking at his chin, the jawline. What will you do? She says. When? He asks, looking at her school tie, tied in an untidy knot, her small ******* bulbs. When you leave school? She says. Don't know, want to be a mechanic, maybe car mechanic, he says, wondering what she would be like if she was beside him on her bed or his bed for that matter, but then she'd had have his younger brother there, too. Then you won't be here, she says. No, thank God, he says. I'll miss you being here, she says. Can always visit you weekends if I get a bus, he says, wondering if her bed wouldn't be better as she slept alone. She strokes his hand in her as if it were a cat. He looked past her at the other kids on the grass. Reynard was playing football as was Trevor. That'd be good, she says, I could meet you off the bus, if you came. If you like, he says, watching Trevor almost score a goal. She looks at his hazel eyes, the smile, Elvis like, the quiff of brown hair, his hands, she muses, stroking with her other hand. I don't want to appear forward, she says, but could we kiss? He looks back at her. Kiss? He says, looking at her lips and cheek and forehead. Where? He asks. Here, she says. Where, here? He says, homing in on her lips with his eyes. Not here on the field here, she says, blushing, looking around in case others are watching. Where, then? He asks, looking at her eyes, seeing himself there, small and untidy. Maybe, at school, in a corridor that's empty or in a doorway, she says. Why not here? He asks, no one will care a jot if we do. She bite her lip, releases his hand, looks past him, behind him. What will they say? She asks. Who? He says. Others around, she says, returning her gaze on him. Who gives a monkey, he says. I do, she replies, reddening in the face. He gets up to leave. Look, I am missing a game of football sat here, another time maybe, he says. No, no, don't go, she says, clutching at his hand, being pulled up as she does so. She stands beside him, still holding his hand. I can watch, too, she says. He looks at her, feels her hand in his. OK, he says, if you want. I do, she lies, walking with him towards the boys kicking a ball around. She senses the grass was  a bit wet because she is. She feels it. They stand and watch the boys in their game. She feels uncomfortable. Feels slightly undone, but they watch the game, she unkissed, but watching the boys having fun.
A GIRL AND BOY ON A FIRST DATE IN 1962 AT SCHOOL
Since you haven’t seemed to notice
This is my formal pronouncement of love
I have stood by you
I have supported you
I have laughed at all your jokes in front of the people you try to impress
I have loved you since the day that I have met you
And I have not asked for anything in return.
This is me trading in all of my chips at the same time
I am ready for you to love me back,
In fact I have waited for you to love me back,
So I am not asking;
I am telling
Love. Me. Now.
I have gone unappreciated
And unkissed
And now that is over.
Because.
I demand.
Love. Me. Now.

— The End —