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judy smith Nov 2016
Whether in Montreal, where she was born and raised, or in Delhi, where her award-winning brasserie sits, the stylish chef’s love for gastronomy has always run deep. She came to India to chase her passion about eight years ago, after leaving behind an engineering career and having trained at the esteemed ITHQ (Institut de tourisme et d’hôtellerie du Québec). In 2014, she introduced unusual combinations like oysters with charred onion petals, tamarind puree, and rose vinegar when she became the first Indian chef to be invited to host a solo dinner at the James Beard House in New York City. Also presented there was her very own coffee-table book called Eating Stories, packed with charming visuals, tales and recipes.

In pursuit of narratives

“I am studying Ayurveda so, at the moment, I’m inspired by the knowledge and intuition which comes with that, but otherwise I completely live for stories. Those of the people around me — of spices, design forms, music, traditions, history and anything else I feel connected to.”

Culinary muse

“I truly believe that nature is perfect, so I feel privileged to use the ingredients that it provides, while adding my own hues, aromas and combinations…it feels like I get to play endlessly every day.”

After-work indulgence

“My favourite places to eat at are Cafe Lota and Carnatic Cafe in Delhi, and Betony and Brindle Room in NYC.”

Dream dish

“This salad I created called ‘secret garden’. It’s so beautiful to look at and has such a unique spectrum of flavours…all while using only the freshest, most natural produce to create something completely magical.”

Reception blooper

“Most people make the mistake of over-complicating the menu; having too much diversity and quantity. Wastefulness isn’t a good way to start a life together.”

A third-generation entrepreneur from a highly distinguished culinary family, she runs a thriving studio in Khar where state-of-the-art cooking stations and dining tables allow her to conduct a variety of workshops and sessions. Her grandfather is remembered as the man who migrated from Africa to London to found the brand that brought curry to the people of the UK — Patak’s. She took over as brand ambassador, having trained at Leiths School of Food and Wine and taught at one of Jamie Oliver’s schools in London. What’s more, Pathak is also the author of Secrets From My Indian Family Kitchen, a cookbook comprising 120 Indian recipes, published last year in the UK.

Most successful experiment

“When I was writing recipes for my cookbook, I had to test some more than once to ensure they were perfect and foolproof. One of my favourites was my slow-cooked tamarind-glazed pork. I must have trialled this recipe at least six times before publishing it, and after many tweaks I have got it to be truly sensational. It’s perfectly balanced with sweet and sour both.”

Future fantasy

“As strange as it sounds, I’d love to cater my own wedding. You want all your favourite recipes and you want to share this with your guests. I could hire a caterer to create my ideal menu, but I’d much prefer to finalise and finish all the dishes myself so that I’m supremely happy with the flavours I’m serving to my loved ones.”

Fresh elegance

“I’m in love with microgreens for entertaining and events…although not a new trend, they still carry the delicate wow factor and are wonderfully subtle when used well. I’m not into using foams and gels and much prefer to use ingredients that are fuss-free.”

This advertising professional first tested her one-of-a-kind amalgams at The Lil Flea, a popular local market in BKC, Mumbai. Her Indian fusion hot dogs, named Amar (vegetarian), Akbar (chicken) and Anthony (pork), sold out quickly and were a hit. Today, these ‘desi dogs’ are the signature at the affable home-chef-turned-businesswoman’s cafe-***-diner in Bandra, alongside juicy burgers, a fantastic indigenous crème brûlée, and an exciting range of drinks and Sikkim-sourced teas.

Loving the journey

“The best part of the job is the people I meet; the joy I get to see on their faces as they take the first bite. The fact that this is across all ages and social or cultural backgrounds makes it even better. Also, I can indulge a whim — whether it is about the menu or what I can do for a guest — without having to ask anyone. On the flip side, I have no one to blame but myself if the decision goes wrong. And, of course, I can’t apply for leave!”

Go-to comfort meal

“A well-made Bengali khichri or a good light meat curry with super-soft chapattis.”

What’s ‘happening’

“This is a very exciting time in food and entertaining — the traditional and ultra-modern are moving forward together. Farm-to-fork is very big; food is also more cross-cultural, and there is a huge effort to make your guest feel special. Plus, ‘Instagram friendly’ has become key…if it’s not on Instagram, it never happened! But essentially, a party works when everyone is comfortable and happy.”

A word to brides

“Let others plan your menu. You relax and look gorgeous!”

This Le Cordon Bleu graduate really knows her way around aromas that warm the heart. On returning to Mumbai from London, she began to experiment with making small-batch ice creams for family and friends. Now she churns out those ‘cheeky’ creations from a tiny kitchen in Bandra, where customers must ring a bell to get a taste of dark chocolate with Italian truffle oil, salted caramel, milk chocolate and bacon and her signature (a must-try) — blue cheese and honey.

The extra mile

“I’ll never forget the time I created three massive croquembouche towers (choux buns filled with assorted flavours of pastry cream, held together with caramel) for a wedding, and had to deliver them to Thane!”

Menu vision

“For a wedding, I would want to serve something light and fresh to start with, like seared scallops with fresh oysters and uni (sea urchin). For mains, I would serve something hearty and warm — roast duck and foie gras in a red wine jus. Dessert would be individual mini croquembouche!”

Having been raised by big-time foodie parents, the strongest motivation for their decision to take to this path came from their mother, who had two much-loved restaurants of her own while the sisters were growing up — Vandana in Mahim and Bandra Fest on Carter Road. Following the success of the first MeSoHappi in Khar, Mumbai, the duo known for wholesome cooking opened another outlet of the quirky gastro-bar adjoining The Captain’s Table — one of the city’s favourite seafood haunts — in Bandra Kurla Complex.

Chef’s own

AA: “We were the pioneers of the South African bunny chow in Mumbai and, even now, it remains one of my all-time favourites.”

On wedding catering

PA: “The most memorable for me will always be Aarathi’s high-tea bridal shower. I planned a floral-themed sundowner at our home in Cumballa Hill; curtains of jasmine, rose-and-wisteria lanterns and marigold scallops engulfed the space. We served exotic teas, alcoholic popsicles of sangria and mojito, and dishes like seafood pani puri shots and Greek spanakopita with beetroot dip, while each table had bite-sized desserts like mango and butter cream tarts and rose panna cotta.”Read more at:http://www.marieaustralia.com/formal-dresses-2016 | www.marieaustralia.com/red-carpet-celebrity-dresses
Helen Sep 2014
Hey guys

I have found several Daily Poems from this site being shared externally with no acknowledgement to the rightful owner :(

Head over here....

http://thepoetryden.wordpress.com/author/thepoetryden/

and if you find your original work there then I highly encourage you ask this person to either a) link the poem back to your original or b) remove them from his site. He claims to be a poet and is misleading people by not putting original names/original links to the works he is posting!

Go through them carefully as the titles of the poems have been changed.

Please share this because I have read at least 3 poems from this site from 3 different people over there with no acknowledgement to the original author!

Update ~ Sept 6th 2014 ~ You are NOT going to believe this. I found Shane Linville on Facebook and you will never guess who is one of his favourites! Chris G Vaillancourt! That's right, the very same well known plagiarist from days gone by at HP. He was such an insidious piece of work

*******! Not the way I'd like to see my name next to a Daily Poem but getting the awareness out there is a nice thing too :)
Update... To those listed below with stolen poetry who can't access the link to the blog because its been made private you can still contact word press to advise them and they can check the blog to make sure it's been removed. His name is Shane Linville! I'm just sorry I didn't have time to go through everything he had posted :(
The link above contains the following stolen poetry (that I know so far)
Indifference by Purple Orchid is posted as Her Soul
The Bells of Civilizations Ring by Sjr1000 is posted as World of Disease
Morning Light by Silas is posted as Morning Light (no name change but no link to the original)
I am Stone by imadeitallup (no name change but no link to the original)
A Fool for You by MYstro mAdden posted as Your Love
These a just a few... If you know any of the above poets... please share with them
An evening all aglow with summer light
And autumn colour—fairest of the year.

The wheat-fields, crowned with shocks of tawny gold,
All interspersed with rough sowthistle roots,
And interlaced with white convolvulus,
Lay, flecked with purple shadows, in the sun.
The shouts of little children, gleaning there
The scattered ears and wild blue-bottle flowers—
Mixed with the corn-crake's crying, and the song
Of lone wood birds whose mother-cares were o'er,
And with the whispering rustle of red leaves—
Scarce stirred the stillness. And the gossamer sheen
Was spread on upland meadows, silver bright
In low red sunshine and soft kissing wind—
Showing where angels in the night had trailed
Their garments on the turf. Tall arrow-heads,
With flag and rush and fringing grasses, dropped
Their seeds and blossoms in the sleepy pool.
The water-lily lay on her green leaf,
White, fair, and stately; while an amorous branch
Of silver willow, drooping in the stream,
Sent soft, low-babbling ripples towards her:
And oh, the woods!—erst haunted with the song
Of nightingales and tender coo of doves—
They stood all flushed and kindling 'neath the touch
Of death—kind death!—fair, fond, reluctant death!—
A dappled mass of glory!
Harvest-time;
With russet wood-fruit thick upon the ground,
'Mid crumpled ferns and delicate blue harebells.
The orchard-apples rolled in seedy grass—
Apples of gold, and violet-velvet plums;
And all the tangled hedgerows bore a crop
Of scarlet hips, blue sloes, and blackberries,
And orange clusters of the mountain ash.
The crimson fungus and soft mosses clung
To old decaying trunks; the summer bine
Drooped, shivering, in the glossy ivy's grasp.
By day the blue air bore upon its wings
Wide-wandering seeds, pale drifts of thistle-down;
By night the fog crept low upon the earth,
All white and cool, and calmed its feverishness,
And veiled it over with a veil of tears.

The curlew and the plover were come back
To still, bleak shores; the little summer birds
Were gone—to Persian gardens, and the groves
Of Greece and Italy, and the palmy lands.

A Norman tower, with moss and lichen clothed,
Wherein old bells, on old worm-eaten frames
And rusty wheels, had swung for centuries,
Chiming the same soft chime—the lullaby
Of cradled rooks and blinking bats and owls;
Setting the same sweet tune, from year to year,
For generations of true hearts to sing.
A wide churchyard, with grassy slopes and nooks,
And shady corners and meandering paths;
With glimpses of dim windows and grey walls
Just caught at here and there amongst the green
Of flowering shrubs and sweet lime-avenues.
An old house standing near—a parsonage-house—
With broad thatched roof and overhanging eaves,
O'errun with banksia roses,—a low house,
With ivied windows and a latticed porch,
Shut in a tiny Paradise, all sweet
With hum of bees and scent of mignonette.

We lay our lazy length upon the grass
In that same Paradise, my friend and I.
And, as we lay, we talked of college days—
Wild, racing, hunting, steeple-chasing days;
Of river reaches, fishing-grounds, and weirs,
Bats, gloves, debates, and in-humanities:
And then of boon-companions of those days,
How lost and scattered, married, changed, and dead;
Until he flung his arm across his face,
And feigned to slumber.
He was changed, my friend;
Not like the man—the leader of his set—
The favourite of the college—that I knew.
And more than time had changed him. He had been
“A little wild,” the Lady Alice said;
“A little gay, as all young men will be
At first, before they settle down to life—
While they have money, health, and no restraint,
Nor any work to do,” Ah, yes! But this
Was mystery unexplained—that he was sad
And still and thoughtful, like an aged man;
And scarcely thirty. With a winsome flash,
The old bright heart would shine out here and there;
But aye to be o'ershadowed and hushed down,

As he had hushed it now.
His dog lay near,
With long, sharp muzzle resting on his paws,
And wistful eyes, half shut,—but watching him;
A deerhound of illustrious race, all grey
And grizzled, with soft, wrinkled, velvet ears;
A gaunt, gigantic, wolfish-looking brute,
And worth his weight in gold.
“There, there,” said he,
And raised him on his elbow, “you have looked
Enough at me; now look at some one else.”

“You could not see him, surely, with your arm
Across your face?”
“No, but I felt his eyes;
They are such sharp, wise eyes—persistent eyes—
Perpetually reproachful. Look at them;
Had ever dog such eyes?”
“Oh yes,” I thought;
But, wondering, turned my talk upon his breed.
And was he of the famed Glengarry stock?
And in what season was he entered? Where,
Pray, did he pick him up?
He moved himself
At that last question, with a little writhe
Of sudden pain or restlessness; and sighed.
And then he slowly rose, pushed back the hair
From his broad brows; and, whistling softly, said,
“Come here, old dog, and we will tell him. Come.”

“On such a day, and such a time, as this,
Old Tom and I were stalking on the hills,
Near seven years ago. Bad luck was ours;
For we had searched up corrie, glen, and burn,
From earliest daybreak—wading to the waist
Peat-rift and purple heather—all in vain!
We struck a track nigh every hour, to lose
A noble quarry by ignoble chance—
The crowing of a grouse-****, or the flight
Of startled mallards from a reedy pool,
Or subtle, hair's breadth veering of the wind.
And now 'twas waning sunset—rosy soft

On far grey peaks, and the green valley spread
Beneath us. We had climbed a ridge, and lay
Debating in low whispers of our plans
For night and morning. Golden eagles sailed
Above our heads; the wild ducks swam about

Amid the reeds and rushes of the pools;
A lonely heron stood on one long leg
In shallow water, watching for a meal;
And there, to windward, couching in the grass
That fringed the blue edge of a sleeping loch—
Waiting for dusk to feed and drink—there lay
A herd of deer.
“And as we looked and planned,
A mountain storm of sweeping mist and rain
Came down upon us. It passed by, and left
The burnies swollen that we had to cross;
And left us barely light enough to see
The broad, black, branching antlers, clustering still
Amid the long grass in the valley.

“‘Sir,’
Said Tom, ‘there is a shealing down below,
To leeward. We might bivouac there to-night,
And come again at dawn.’
“And so we crept
Adown the glen, and stumbled in the dark
Against the doorway of the keeper's home,
And over two big deerhounds—ancestors
Of this our old companion. There was light
And warmth, a welcome and a heather bed,
At Colin's cottage; with a meal of eggs
And fresh trout, broiled by dainty little hands,
And sweetest milk and oatcake. There were songs
And Gaelic legends, and long talk of deer—
Mixt with a sweet, low laughter, and the whir
Of spinning-wheel.
“The dogs lay at her feet—
The feet of Colin's daughter—with their soft
Dark velvet ears pricked up for every sound
And movement that she made. Right royal brutes,
Whereon I gazed with envy.
“ ‘What,’ I asked,
‘Would Colin take for these?’
“ ‘Eh, sir,’ said he,
And shook his head, ‘I cannot sell the dogs.
They're priceless, they, and—Jeanie's favourites.
But there's a litter in the shed—five pups,
As like as peas to this one. You may choose
Amongst them, sir—take any that you like.
Get us the lantern, Jeanie. You shall show
The gentleman.’
“Ah, she was fair, that girl!

Not like the other lassies—cottage folk;
For there was subtle trace of gentle blood
Through all her beauty and in all her ways.
(The mother's race was ‘poor and proud,’ they said).
Ay, she was fair, my darling! with her shy,
Brown, innocent face and delicate-shapen limbs.
She had the tenderest mouth you ever saw,
And grey, dark eyes, and broad, straight-pencill'd brows;
Dark hair, sun-dappled with a sheeny gold;
Dark chestnut braids that knotted up the light,
As soft as satin. You could scarcely hear
Her step, or hear the rustling of her gown,
Or the soft hovering motion of her hands
At household work. She seemed to bring a spell
Of tender calm and silence where she came.
You felt her presence—and not by its stir,
But by its restfulness. She was a sight
To be remembered—standing in the straw;
A sleepy pup soft-cradled in her arms
Like any Christian baby; standing still,
The while I handled his ungainly limbs.
And Colin blustered of the sport—of hounds,
Roe, ptarmigan, and trout, and ducal deer—
Ne'er lifting up that sweet, unconscious face,
To see why I was silent. Oh, I would
You could have seen her then. She was so fair,
And oh, so young!—scarce seventeen at most—
So ignorant and so young!
“Tell them, my friend—
Your flock—the restless-hearted—they who scorn
The ordered fashion fitted to our race,
And scoff at laws they may not understand—
Tell them that they are fools. They cannot mate
With other than their kind, but woe will come
In some shape—mostly shame, but always grief
And disappointment. Ah, my love! my love!
But she was different from the common sort;
A peasant, ignorant, simple, undefiled;
The child of rugged peasant-parents, taught
In all their thoughts and ways; yet with that touch
Of tender grace about her, softening all
The rougher evidence of her lowly state—
That undefined, unconscious dignity—
That delicate instinct for the reading right
The riddles of less simple minds than hers—
That sharper, finer, subtler sense of life—
That something which does not possess a name,

Which made her beauty beautiful to me—
The long-lost legacy of forgotten knights.

“I chose amongst the five fat creeping things
This rare old dog. And Jeanie promised kind
And gentle nurture for its infant days;
And promised she would keep it till I came
Another year. And so we went to rest.
And in the morning, ere the sun was up,
We left our rifles, and went out to run
The browsing red-deer with old Colin's hounds.
Through glen and bog, through brawling mountain streams,
Grey, lichened boulders, furze, and juniper,
And purple wilderness of moor, we toiled,
Ere yet the distant snow-peak was alight.
We chased a hart to water; saw him stand
At bay, with sweeping antlers, in the burn.
His large, wild, wistful eyes despairingly
Turned to the deeper eddies; and we saw
The choking struggle and the bitter end,
And cut his gallant throat upon the grass,
And left him. Then we followed a fresh track—
A dozen tracks—and hunted till the noon;
Shot cormorants and wild cats in the cliffs,
And snipe and blackcock on the ferny hills;
And set our floating night-lines at the loch;—
And then came back to Jeanie.
“Well, you know
What follows such commencement:—how I found
The woods and corries round about her home
Fruitful of roe and red-deer; how I found
The grouse lay thickest on adjacent moors;
Discovered ptarmigan on rocky peaks,
And rare small game on birch-besprinkled hills,
O'ershadowing that rude shealing; how the pools
Were full of wild-fowl, and the loch of trout;
How vermin harboured in the underwood,
And rocks, and reedy marshes; how I found
The sport aye best in this charmed neighbourhood.
And then I e'en must wander to the door,
To leave a bird for Colin, or to ask
A lodging for some stormy night, or see
How fared my infant deerhound.
“And I saw
The creeping dawn unfolding; saw the doubt,
And faith, and longing swaying her sweet heart;
And every flow just distancing the ebb.

I saw her try to bar the golden gates
Whence love demanded egress,—calm her eyes,
And still the tender, sensitive, tell-tale lips,
And steal away to corners; saw her face
Grow graver and more wistful, day by day;
And felt the gradual strengthening of my hold.
I did not stay to think of it—to ask
What I was doing!
“In the early time,
She used to slip away to household work
When I was there, and would not talk to me;
But when I came not, she would climb the glen
In secret, and look out, with shaded brow,
Across the valley. Ay, I caught her once—
Like some young helpless doe, amongst the fern—
I caught her, and I kissed her mouth and eyes;
And with those kisses signed and sealed our fate
For evermore. Then came our happy days—
The bright, brief, shining days without a cloud!
In ferny hollows and deep, rustling woods,
That shut us in and shut out all the world—
The far, forgotten world—we met, and kissed,
And parted, silent, in the balmy dusk.
We haunted still roe-coverts, hand in hand,
And murmured, under our breath, of love and faith,
And swore great oaths for one of us to keep.
We sat for hours, with sealèd lips, and heard
The crossbill chattering in the larches—heard
The sweet wind whispering as it passed us by—
And heard our own hearts' music in the hush.
Ah, blessed days! ah, happy, innocent days!—
I would I had them back.
“Then came the Duke,
And Lady Alice, with her worldly grace
And artificial beauty—with the gleam
Of jewels, and the dainty shine of silk,
And perfumed softness of white lace and lawn;
With all the glamour of her courtly ways,
Her talk of art and fashion, and the world
We both belonged to. Ah, she hardened me!
I lost the sweetness of the heathery moors
And hills and quiet woodlands, in that scent
Of London clubs and royal drawing-rooms;
I lost the tender chivalry of my love,
The keen sense of its sacredness, the clear
Perception of mine honour, by degrees,
Brought face to face with customs of my kind.

I was no more a “man;” nor she, my love,
A delicate lily of womanhood—ah, no!
I was the heir of an illustrious house,
And she a simple, homespun cottage-girl.

“And now I stole at rarer intervals
To those dim trysting woods; and when I came
I brought my cunning worldly wisdom—talked
Of empty forms and marriages in heaven—
To stain that simple soul, God pardon me!
And she would shiver in the stillness, scared
And shocked, with her pathetic eyes—aye proof
Against the fatal, false philosophy.
But my will was the strongest, and my love
The weakest; and she knew it.
“Well, well, well,
I need not talk of that. There came the day
Of our last parting in the ferny glen—
A bitter parting, parting from my life,
Its light and peace for ever! And I turned
To ***** and billiards, politics and wine;
Was wooed by Lady Alice, and half won;
And passed a feverous winter in the world.
Ah, do not frown! You do not understand.
You never knew that hopeless thirst for peace—
That gnawing hunger, gnawing at your life;
The passion, born too late! I tell you, friend,
The ruth, and love, and longing for my child,
It broke my heart at last.
“In the hot days
Of August, I went back; I went alone.
And on old garrulous Margery—relict she
Of some departed seneschal—I rained
My eager questions. ‘Had the poaching been
As ruinous and as audacious as of old?
Were the dogs well? and had she felt the heat?
And—I supposed the keeper, Colin, still
Was somewhere on the place?’
“ ‘Nay, sir,’; said she,
‘But he has left the neighbourhood. He ne'er
Has held his head up since he lost his child,
Poor soul, a month ago.’
“I heard—I heard!
His child—he had but one—my little one,
Whom I had meant to marry in a week!

“ ‘Ah, sir, she turned out badly after all,
The girl we thought a pattern for all girls.
We know not how it happened, for she named
No names. And, sir, it preyed upon her mind,
And weakened it; and she forgot us all,
And seemed as one aye walking in her sleep
She noticed no one—no one but the dog,
A young deerhound that followed her about;
Though him she hugged and kissed in a strange way
When none was by. And Colin, he was hard
Upon the girl; and when she sat so still,
And pale and passive, while he raved and stormed,
Looking beyond him, as it were, he grew
The harder and more harsh. He did not know
That she was not herself. Men are so blind!
But when he saw her floating in the loch,
The moonlight on her face, and her long hair
All tangled in the rushes; saw the hound
Whining and crying, tugging at her plaid—
Ah, sir, it was a death-stroke!’
“This was all.
This was the end of her sweet life—the end
Of all worth having of mine own! At night
I crept across the moors to find her grave,
And kiss the wet earth covering it—and found
The deerhound lying there asleep. Ay me!
It was the bitterest darkness,—nevermore
To break out into dawn and day again!

“And Lady Alice shakes her dainty head,
Lifts her arch eyebrows, smiles, and whispers, “Once
He was a little wild!’ ”
With that he laughed;
Then suddenly flung his face upon the grass,
Crying, “Leave me for a little—let me be!”
And in the dusky stillness hugged his woe,
And wept away his pas
Rai Oct 2015
She wants to feel the softness of feathers upon the tips of her toes
Reaching out for comfort that will surely come
She caresses the moments before midnight
With suger kisses so sweet
Like honey coated forgiveness
She smiles into her lovers eyes of crystal dew
Beyond
Her sences reeling
Twirling, dancing
Like the figurine within an ancient music box
As the music surrounds the childs mind so pure
And yet
There is more captured within
The sweetness is soured only by memories
She paints with fingers in the suger
To forget
There are things so worth forgetting
She sees him sleeping and places
mirrors where his eyes once looked upon her
For now she will see herself
The way he see's
The blood from the girl child dried as he slept
There was to be no more sugered moments
No more honey for him to savour
she had seen
Her worth in his eyes
Such a shame sweet child
She should of loved herself with toes touching feathers
Reaching for a comfort
That would only be found in forgiveness of self
Far beyond the place he sleeps
With mirrored eyes of crystal dew

He awakes to find his beloved drenthed in death
He reaches for moments which never come
Her projection of him so false upon this moment
As in a moments seperation
She sees with her angel presence
The suger he tastes on lips so pure
His tears now mingle with the blood
As he tears her mirrors from his eyes
He understands not
The reason
Why white feathers are falling from the sky
Candice Mar 2016
your sweet lies are my favourite,
they are like sugar on my bitter cake.

your sweet fake actions are my favourite, too,
they make me love you harder even if they're not true.

your sweet imaginary love is also my favourite,
you make me believe that they can be true and real.

but your defection is not one of my sweet favourites,
for it made me realize that I'm not really permanent in your life.

I'm just your sweet favourite temporary source of happiness.
Nigel Morgan Apr 2013
after the painting by Mary Fedden

I kept seeing her around and about, but mostly on the beach. This is a small community and after five years or so I know who everyone is, except those who visit in the summer, though I am getting to know some of the regulars. I reckon she’s my age. When she looks at me in the store, and I look at her and smile, her smile tells me these things.

I have trouble with my hair. It’s thinned and doesn’t grow quite as it should. When I was pregnant and then nursing my children it was positively luxuriant. But later, and despite medical advice (and treatment I was unsure about and abandoned) it became an embarrassment, until he reassured me (just once) and I became an ‘adored woman’. He never ever spoke of it again and loved me so wholly and beautifully I had no reason for it to matter in his company, in his arms.

But seeing her, and often on the beach, more and more regularly, seeing her with her mane of strong dark brown hair flowing behind her in the wind, I felt a curious desire for such a wealth of hair. In fact, I began to feel something stir in me that was desire of a different kind. I can’t think I had ever looked at a woman in quite that way in any previous life. It was always men I sought, I wanted.

Her name is Sara, no h, just an A at the end. She said that when I eventually introduced myself. We were walking towards each other, barefoot both on that glistening skin of water the sea creates between the tides coming and going. It was about midday and I was, I was thinking and walking. I do this now. I don’t bring my sketchbook, I don’t look everywhere I can and more so, I have begun to retreat into my most private self. Perhaps it’s my age and so many years of feeling I had to be wholly attentive and active. Being in this remote place, almost permanently, has slowed me down, and I have begun to dream, to see beyond what I usually would have seen moment to moment. I’ve been re-reading the prose and poetry of Kathleen Raine, who understood this sea-swept place and was haunted by its ghosts, and who dreamed.

Never, never, again
This moment, never
These slow ripples
Across smooth water,
Never again these
Clouds white and grey
In sky crystalline
Blue as the tern’s cry
Shrill in the light air
Salt from the ocean,
Sweet from flowers

Oh yes,  
‘the sun that rose this morning from the sea will never return . . .’* I have become a watcher, no longer an observer. I put my camera away last winter and now hold moments in my memory. Here I can sketch. I can have all the time I need, and more. And I knew when I began to talk to Sara I wanted beyond anything else to sketch her, to know her line by line with the pen, and later bring the texture of her into paint.

Painting is where I am now. It’s direct, mesmeric, challenging, wholly absorbing. My needles and thread only deal with our clothes, my clever printing and collaging lies dormant in my studio, a studio I rarely enter now. I have a room upstairs in the loft that is all light and sky. There’s just an easel, a table, a chair, a small bookcase, a trolley-thing of paints and brushes. Even that’s too much. I always collected things around me. I brought so much in from outside and now I’m trying, trying to have as little as possible. This is where I will paint Sara. I’m already thinking this as we take the first tentative steps towards knowing one another. Names, where we live, (we both know). Partners, family, children? I have all this, but not here, only my companion, my love who caresses me with such care and attention. There are my cats and my hens. She has no one, or rather she talks of no one. She asks the questions and avoids giving answers. She just nods and doesn’t answer. Otherwise, she’s a straight yes / no person. She doesn’t feel she has to qualify anything.

We’re standing together. We’re intent on looking at each other. Words seem a little unnecessary because what we both want to do is look. ‘I can tell you paint’, she says, ‘It’s your finger nails’. My perfect nails and the pads of my fingers hold the evidence of a morning at my easel. ‘I have seen your work’, she says, ‘One could hardly not. You’re well known beyond these shores.’ I feel myself blushing slightly. I thought blushing had stopped with the menopause, not that it troubled me much, the menopause that is. Blushing though was a torturous part of my adolescence, but let’s not go into that.

‘Your husband,’ she says, ‘he’s up very early. I see him sometimes here, on the beach.’
‘Do you get up at five?’ I am surprised. My husband gets up before five.
‘Sleep is difficult sometimes. I walk a lot. I need to be out, and walk.’

Her face, her head is larger than mine. She is a larger woman altogether, bigger *****, long-legged, but with youthful ******* that seem taut and well-rounded under her brown frock, no, her brown dress. I only think frock because that’s what he says – ‘I love that frock.’ And he means usually whatever I am wearing now that’s old and rich in memories of his hands knowing me through a dress, sorry a frock, which remains for me (and possibly for him) the most sensuous of sensations, still. Au nature has its place, and I love the rub of his skin and body hair. But when we are lovers, and we are still lovers and usually when travelling, in hotel rooms or borrowed cottages, or visiting friends and dare I say it, staying with our various children. Last autumn in Venice, in this large, amazing marble-tiled room, with this huge bed, he undressed me in front of a window opening onto our own terrace, and I was beside myself with passion, desire, oh all those wonderful things. And for months afterwards I would return to that early evening, remembering the lights coming on all over the watered city as he kissed and stroked and brushed my body through my Gudrun Sjödén frock. I would replay, find again over and over, those exquisite moments of such joyful touching as he then undressed me, and with such care and tenderness I felt myself crying out. Well, he says I did. In one of his poems (for your eyes only, he had whispered) he admits to his own celebration of those moments again, again.

Sara’s dress is calf-length. There’s nothing else. As the breeze wraps itself around the loose-fitting brown cotton her naked figure is revealed inside itself. No ring, no jewellery, nothing to hold her hair now flowing behind her. She has positioned herself so it does; flow out behind her. This is so strange. Am I dreaming this? We have become silent and together look in silence at the sea. I can hear her short breathes. She turns to me with a smile and looks straight into my eyes – and says nothing – and then walks backward a few steps – still with her warm smile – turns and walks away.

I tell him I met Sara today and ask if he sees her on the beach in the early mornings. Yes, he has, in the distance, mostly. He has said good morning to her on a few occasions, but she has smiled and said nothing. Five o’clock is far too early to say anything, he says. She swims occasionally. I keep my distance, he says with a grin.

I tell him I would like to paint her. I should, he says, You should go and ask her, do it, get it done and out of your system. It’s time you stopped being afraid of the face, the portrait, the figurative. I’d give so much to have been able to paint you, he says ruefully, my darling, my dearest. And he strokes my arm, kisses my cheek, then, he slowly and carefully kneels down beside my chair, places his arm across the top of my thighs so when I bend to kiss him his bare forearm touches the edge of my *******. He puts his head in my lap, and I caress his ears, his quite white hair.

Sara’s door is open. She’s living in Ralph’s cottage, a summer-let habitable (just) in the nearly autumn time it is. I call, ‘Sara, it’s me’, thinking she’ll recognize my voice, not wishing to say my name. She appears at the door. ‘I have the kettle on, she says, ‘I had a feeling you might be by.’ Her accent is, like mine, un-regional, carefully articulated, a Welsh tinge perhaps. There’s an uplift and a slowness in some of the vowels. ‘You will come in’, she says, more a statement than a question. It’s rather dark inside. There’s a reading lamp on, but she has the chair, her chair, close by the window. There are letters being written. There are books. Not Ralph’s, but what she has brought with her. Normally, I would be hopelessly inquisitive, but I can’t stop myself looking at her, wondering even now, in these first few moments in this dark room, how I will position her to paint her form, her face, her nature. What will I paint? I look at her still-bare feet, her large hands.

And so, with mugs of tea, Indian tea I don’t drink, but here, as her guest I do, but without milk, we sit, I on the only other chair (from the kitchen) she on the floor. And she watches me look about, and look at her.

‘I’m rather done with talking, with polite conversation. That’s why I’m here to be done with all that for a while.’
‘I came to ask you to sit for me. To let me draw you, paint you even. You can be completely quiet. I won’t say a word. I’ve never, ever asked anyone to sit for me. I’m not that sort of painter. But when I saw you on the beach it was the first thing that came into my head.’
‘I should be flattered. Though I have sat for artists before, when I was a little younger,’ surprisingly she mentions two names I know, both women. ‘I know how to be still. But, those are days in a different life.’
‘I only want to paint you in the life you have now.’ And I realise then that what I want to paint was Sara’s ‘aloneness’. I think then I have never been truly alone since he came into my life and took any loneliness I had from me. Whenever we are apart, and still there are times, he writes to me the tenderest letters, the most touching poems, he quotes his Chinese favourites down the telephone. We always, always speak to each other before bed, even when we are on different continents and time-zones. He told me I was always his last thought before sleep. And I wonder if I would be his last thought . . .

‘Do you want to do this formally?, said Sara.
‘I don’t know. Yet. I’d like to draw you first, be with you for a little while, perhaps to walk. A little while at a time. Whatever might suit you.’
‘Would you pay me? I have little money. It would be useful.’
‘Of course’, I say this directly, having no idea about what one pays a model. He will know though. He knew Paula Rego and didn’t she have a female model? I think of those large full-length figures rendered in pastels. Her model’s name was Lila, who for more than 25 years, had sat for her, stood for her, crouched for her, hour after hour and day after day. I remember a newspaper piece that went something like this: since 1985 Lila has helped to give life, in paint, and pastel, and charcoal, to the characters in Paula Rego's head. Lila was all Paula Rego’s women.

‘Sara’, I said, ‘help me please. It’s taken more than a little courage to come to see you, to ask you. My husband says I should do this, finally get myself painting the person, the face, body, not as some exercise in a life class, but the real thing.’
‘Of course’, she says, ‘Let’s go and walk to the point.’

And we did. Not saying very much at all, but I suppose I did. She made me talk and gradually I laid my life out in front of her, and not the life she would have found in those glossy monographs and catalogue introductions, and God forbid, not in those media features and interviews that I suppose have made me a name I’d always dreamed of becoming, and now could do without.

‘I suppose you have a studio’, she said suddenly, ‘Is that where you’d want me to come?’
‘Yes, I have a studio. No, I don’t think I want you to come there. Not at first anyway.’ I was floundering. ‘ I’d like to draw you, paint you possibly on the beach, where we met, so there would be sea and sky and breeze blowing your hair.’
‘And a steamer out on the horizon belching smoke from its funnel and the sea blowing white horses and dancing about. I’d be right by the seastrand with waves and spray and foam, and under a greyish sky. Not a sunny day. A breezy day. In my brown dress, sitting on the sand by the tide marks, looking out to sea, looking at the steamer away in the distance, sitting with my left hand behind me holding myself up, and the shape of my legs akimbo bent slightly under my brown dress. How would that be?’
‘Perfect’, I said.

And it was.
vanessa marie Apr 2022
i went to the market today
i bought myself a fresh bundle
not of your favourites, but of mine
of yellow and blue with green stems

tonight i will fill the mason jar fresh
with water and petals floating alongside
and i will watch as the petals drop
one by one i save them, dried

tomorrow i will go to the market
i will walk to the water and smile
i will skip rocks on the shore
and watch the waves stretch out for miles

i will keep those petals in a jar
those of green and yellow and blue
i will remember their place on my shelf
i will always remember you
Which of your Favourites you take to Trust
And hoping One of them will fill your Void
So Alone, though in Many you Adjust
Though their trifle pertinence you carry
Those Nerds ahead just consider you Strange
Yet Groupies counteract with their own Praise
Now who is Correct? They sit at the Lounge
Then settle to offer your own Fresh Space
That around your College are Ideals formed
When Some in Prayer may publish their Book
Took you as a Model; And Critics scorned
See their Used Lives in a Better Outlook.
You just have to Smile; And Happy you did
Fan their Frustrations of that Love you hid.
#tomdaleytv #tomdaley1994
judy smith Apr 2017
It’s the tail end of fashion week in Paris, the busiest week of the year for fashion buyers.

When I meet Clodagh Shorten, owner of Samui, the game-changing boutique that put Cork on the fashion map, she’s already been here four days and is on her tenth buying appointment — there’ll be at least another five before she leaves in a couple of days time.

These appointments, private bookings with designers, allow her to get up close and personal with the clothes that have just been showcased on catwalks.

She’s deciding which pieces will best suit her customers.

Today, we meet at Schumacher, the stunning German label known for its easy chic look.

A beautiful white space, with lush cream velvet sofas, bare walls and white rails (nothing here to distract from the main event — the clothes), this room, prime space in Paris, is rented by the designer year-round just so they have the right venue to sell at Fashion Week.

It gives some indication of the power Fashion Week wields.

Clodagh is here with her right-hand woman, Samui manager Mary-Claire O’Sullivan.

There are two rails — the keepers and the ‘ones that got away’.

They’ve already seen this collection in London.

Today they are here to fine-tune.

This is unusual, Mary-Claire explains — at most appointments, they are seeing the clothes for the very first time.

“This is a big spend,” they tell me, and they’ll stay as long as they need “to get it right”.

Piecing together a collection is something akin to a jigsaw puzzle.

All the items are photographed — later they will be analysed back in the apartment they rent during Fashion Week.

The mix has to be right.

So the coats, a sleeveless waistcoat, are moved to the rail on the right.

They won’t make it to Cork.

Coats were already picked up this morning at another appointment.

Like I said, a jigsaw puzzle.

Two models are on hand to try on clothes when requested — I hear ‘can I just see this on one more time’ a lot.

There’s no haggling over prices in these sales negotiations — it’s all too civilised.

The price is set, as is the instore mark-up. These lauded designs must cost the same the world over.

Clodagh and Mary-Claire share a language and a wavelength. They can finish each other’s sentences and, while I don’t so much as sniff a hint of tension, they tell me they can disagree on buys.

“Clodagh doesn’t want a yes woman,” Mary-Claire says simply.

From Schumacher, Clodagh leads the way through the Parisian cobbled streets, phone held aloft, Google Maps to direct her.

Her wheelie bag is constantly behind her — inside there’s the laptop for orders and a camera for instant access to photographs of collections.

Her calculator is another permanent fixture in the showroom.

Today, Clodagh is dressed in an Australian label coming soon to Samui, Ellery. The lush black fabric sways and moves with her body; an outfit like that makes you really appreciate her eye for fashion. It’s sensational.

For this 5.30pm appointment we are heading to see another new label for Samui — Paskal (Clodagh will wear a piece from this line tomorrow).

The Ukrainian designer is looked after by an agency so in this showroom there are pieces by a handful of brands.

Again, the setup is the same — private appointments, models on hand.

Clodagh and Mary-Claire have to be more careful here — this is a new label and it’s more fashion forward so black is prioritised.

Not every client at Samui will wear this line. Every purchase, I realise, is a gamble.

“We’ve made mistakes, of course we have,” says Mary-Claire though you get the feeling that could be a rare event.

Pieces bought by these two women rarely end up in Samui’s sales rack.

They know their customer, plain and simple.

There is so much trust there, some clients are simply sent collections each season, allowing Clodagh to make the call for them.

So much of their day is spent discussing various clients (never by name in my presence) — what they might like, the best size.

It is effectively the ultimate personal shopping experience.

The number of items and sizes are limited, so customers know they are truly getting one-off pieces.

As we leave, kisses over, the agency head tells them, “you’re our favourites” and you just know it’s not empty fashion talk.

People genuinely love Clodagh and Mary-Claire. And they respect what they do.

Samui is open 16 years now. Clodagh mastered her trade at Monica John before stepping out on her own. Mary-Claire joined her eight years ago.

It has been one of the few boutiques in Cork to not just survive the downturn but to positively thrive.

As the economy spluttered around her, Clodagh very masterfully decided to go high end.

First came Moncler — the top people here had to come and view Samui to see if it was the right match for their esteemed label.

It was — and, increasingly, doors began to open.

Carven, Marni, Rick Owens — people really began to sit up and take notice of Samui.

Now labels are often vying for space on the shop floor. Still though, it takes work to secure the big new names.

Clodagh spends a lot of time on planes, networking, meeting the key players. And it’s not as simple as a visit to Fashion Week twice a year either.

These days pre-collections are key too: these pieces will be on the shop floor for longer.

So Clodagh and Mary-Claire travel in January to Paris for pre- collections, Milan in February for Moncler, Paris in March. The same cycle begins again in June for A/W pre-collections, with S/S Fashion Week in September.

Clodagh is always pushing, always striving for new.

She was devastated to say farewell to Transit, the brand with her from the very beginning. It was simply time for a change she tells me.

They love seeking out new labels, nurturing them, sharing them with their customers.

The next morning we meet at 9am for Dries van Noten.

Clodagh stocks around 50 different labels, most exclusive to Cork. This Belgian designer is one of them.

Here again is a very fashion forward line.

There’s a minimum €20,000 spend here, and that’s the amount Clodagh and Mary-Claire can play with.

This is a much busier showroom, a slick operation. Buyers are everywhere, the models weaving between them.

They are assigned a seller and a table, laptop at the ready to secure the sale.

Sophie, today’s seller, walks them through the long rails and talks to them about the collection, the fabrics, the colour, the catwalk, the vision.

Clodagh and Mary-Claire repeat the process a second time alone, a third time again with Sophie.

There are little standing breaks for coffee — refreshments and lunch are provided by the designer.

Clodagh and Mary-Claire know to carry snacks everywhere. The buying process can be a long one; Dries could be an all-day event.

The price point is much higher here so, again, each piece has to be carefully thought out. Checked and checked again.

These A/W deliveries will land in store in July.

Watching them make their Samui edit on that March morning, I just know the Dries selection will be a show-stopper this Autumn.

I leave them to sign on the dotted line, wishing them success for the rest of their gruelling schedule as I head for Charles de Gaulle.

“People don’t realise what goes into this,” says Clodagh. And she’s right.

None of us can possibly grasp what it must have taken for one woman to put Cork on the fashion radar.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Kathleen Jun 2014
We are surrounded by shatter broken  beer bottles, wine coolers gone to waste.
We've gone to war inside our own heads, pulling ourselves into corners and kitchens and couch cushions where all I can think is how pretty you look tonight
I can feel my heart beat to the technicolor rhythm of your butterfly gas leak eyes
"This music hurts my heart I want to leave now" is what you whisper to me under dropped basses and stepped dubs
"I know" is what I whisper back alongside the same sad forget-your-worries rhythm
So we leave, floating over alcohol puff swollen bodies left behind by unreliable boy-girlfriends sick of cleaning ***** out of the back of their pickup trucks
And we roll our sickly drunken souls to the Mcdonalds where they give  you coffee to get rid of wasted smashed faces if you're underage and alcohol-laced
we sober up over cold coffee and scalding fries
We sober up,
But I get drunk on your candy stained mouth as you pour out lies you've never told anyone before
I want to let you know all my favourites, all my secrets, all my everythings
But I don't.
And after that pretty pretty night
where we sobered up
but I got drunk on you
The only time I see you
Is past someone else's head
As I smash my drunken lips to theirs.
From caribou, sheep,
and seal skin linings,
to modern leather,
and endless refining.

Boots have come
so far in a hurry-
once thin and essential,
now stylish and furry.

From Doc Martins moving
on mosh pit floors,
to fireman's boots,
and kicking down doors.

Buckles and laces
and straps and steel toes.
Patterned, simple,
they fit with your clothes.

Each boot has a story,
a personality too.
They help you dress up,
and with the things that you do.

We all have our favourites,
our boots we don daily,
The boots that add to
our own story, maybe.

For me, it's my gumboots,
you may ask yourself, why?
Simple: they keep
my blue jeans dry.
Quick poem for a local fall fair
Doo baa doo dweeb man without woman
and ye vee la lovisha woman without man
be like a tree w/o leaves, & flowers w/ no seed;
******* w/o hash; dat hash w/o ******;
**** w/o crystal & drugs w/o tranquilin;
my favourites! - smack...! without brown sugar like sugar with no sweets;
showered on her yummy sweats.
swetean ******* aye plead!
gravity w/o **** be like her **** w/o dopping
bars w/o beers; night clubs w/o Hi-ladies;
hookah w/o "chillam"; & "madira" w/ no trekkies
like a cigarette w/o lighter, & dark jungle w/o lantern,
us men & you women be so incomplete w/o love like me - the Homewrecker w/ no affairs with love dieties.
Last sonnet i posted on my LinkedIn a/c. Was about to post its IInd part either on there, but guess what? - LinkedIn banned me on their site & got my account RESTRICTED "permanently". This be the most absurd thing happened to me because i used to post my live vlogs/videos & all poetic stuffs & raps on linkedin... even i was connected with my crush either on linkedin because she is not on any other site but on linkedin... and whatsapp. Unfortunately & sadly, i can't text her on whatsapp cos the catch is - she's already married... and i don't want her get into trouble. Another funniest thing is, she doesn't even know, i have got crush on her. Poor unluckiest me - still one of the favourites of Devil's Nephew alias Phantom's Rap Devil.
George Krokos Apr 2013
If you don’t seem to have much worldly ambition
and yet your life to date has been one of transition
as you move along without any clear steadfast decision
it’s like drifting about with no interest in any position.

There are many people who’re in the same boat
it’s a wonder how on earth they’re able to float
as the currents of life steer them here and there
making them go through things difficult to bear.

To live each day as it comes along without any plans for the future
isn’t so bad if you can get by and not be caught being a moocher.
Life doesn’t have any favourites and can be one compromise after another
as it really depends so much on what we think and do towards each other.

It’s very hard to always keep on the right track and so easy to go astray
as we’re lured in many different directions during the course of the day.
Though the tendency of all life is to go forward and make some progression
we should maintain a balance with nature being mindful of any regression.

Without a healthy desire to occupy our time here life can be a real drag
and any effort put forward in that direction we turn into habit and brag.
If we’ve built relationships with certain people they often do turn sour
in this age the emphasis is on enjoyment experienced within the hour.

As we look back then over our life all those years
and there doesn’t appear to be very many cheers
that we can associate with any good worldly success
it’s because without any ambition there’s no progress.
_____________
Private Collection - written late '90's.
nivek May 2017
it can be surprising to learn that the person you cannot stand is loved just as much as yourself
nicole Aug 2017
today i learnt that 3am is witching hour
i think back to the 3ams we spent together
our thoughts growing louder
as the world grew silent

witches would have had nothing on me
with you, my fears remained shrunken
a rock, a stone, a gem
my rock, my stone, my gem

remember how i picked at your mind
remember how you learnt my idiosyncrasies
remembering intimacies and depth
remembering limits and being apart

‘patience is a virtue’
i never understood that till i saw it reflected in you
but then again, patience. . .
the very thing that made me tear us apart

we used to fit ourselves into each other’s schedules, like puzzle pieces
now remote acquaintances at the very least
strangers and driftwood
torn apart, all on my part

consider this a shout to an endless void
a scream into an abyss
a plea to your heart
all that you will never witness

but if i ever cross your mind even for a millisecond
do accept my last selfish request
promise they’ll be good thoughts
or maybe, at the very most, promise you’ll call

after all 3am was always ours
two of us fending against the dark
an incessant, hopeful memory (yet one of my favourites)
3am will always be ours
this one's for you; an unheard apology amidst regrets. your friendship meant more to me than you know.

i just wish i could quote a thousand apologies in different languages, albeit out of my own selfish desires, just to speak to you again. if i can’t, this will be the closest way i know how.
kim bye Feb 2012
each night in bed
wrestling with the moon
and my sheets
i write poems in my head
intellectual one night stands
forgotten in the morning
just words whispered away
in the cool breeze of the AC
before i fall asleep
these are my favourites
the stillborn prose
my own dark harvest
lingering like a sweet hangover
of imploding thoughts
they are mine now
gone in the dark
lost forever in my head
Let those who are in favour with their stars
Of public honour and proud titles boast,
Whilst I, whom fortune of such triumph bars,
Unlooked for joy in that I honour most.
Great princes’ favourites their fair leaves spread,
But as the marigold at the sun’s eye,
And in themselves their pride lies burièd,
For at a frown they in their glory die.
The painful warrior famousèd for fight,
After a thousand victories once foiled,
Is from the book of honour razèd quite,
And all the rest forgot for which he toiled.
    Then happy I that love and am beloved
    Where I may not remove nor be removed.
Djs Jul 2013
Talking twenty-four-seven
Kissing like there's no end
Being around your presence all the time
And you say we're just friends.

You forbid me to see other guys
Yet I could just see jealousy in your eyes
Wanting to be my only one
Then you toss me away, is that so wise?

Crossing the lines of being protective
With me, you're just beyond possessive
But when we get down to business,
**** you're more than aggressive.

But the way your eyes travel around me
How your hands linger all over my body
Doing the exact same routine twice a week
Making love, just friends, steadily.

One night you treat me like a princess
And the morning I wake up you say I'm a mess
We've got to stop this, whatever this is
We're too loose, fragile, and reckless.

And aside from our enclosed relationship
We still manage to keep a friendship
But whenever you mention your other "friends"
It just makes my heart rip.

Within our complications and misfits
We're still each other's favourites
And you say we're just friends?
I'm tellin' you, that's bullsht.

-djs
I'm only me that's all I can be
No more no less no second guess
I love I live I laugh I cry
Ive wished sometimes that I could die
Some days I'm funny, others I'm not
Sometimes I'm in overdrive and I can't stop
You may not like me but that's okay
Because this is me and that's how ill stay
- unknown
Edna Sweetlove Jan 2015
A smile from a stranger,
A gentle, loving thought,
A child's "thank you Daddy",
A family supper,
A puppy dog's brown eyes,
A lover's first blushing kiss,
A selfless act of kindness,
A thoughtful deed,
A Christmas card with holly,
A warm handshake,
A really good **** in the morning.
Aaaaaah, that's so much better.
Society's light is one of oppression,
It hides in the shadows the manipulation,
Of likes, favourites and ratings,
And of course, the TV stations,
That tell us how to live.

But there will be a time,
When someone opens up their mind,
And notices the signs,
That dictate our every step.

Why not today?

Let's smash up the light bulbs,
And pull out the fittings,
Let's switch them off at the mains.

Let's wreck up the power stations,
And cut all the wires,
So only darkness remains.

It's time to listen to the crying stars,
It's time to listen to the silent cars,
It's time to listen to the city at night.

Because the city at night is shouting:
Louder!
Louder!

And the rain on the pavement's calling:
Stronger!
Stronger!

And tribal rhythms,
Inspire the buildings,
To get up and walk.
And driving heartbeats,
Persuade the dark streets,
To rise up and talk.

"It's time to stand up for what we believe in!
It's time to show the world how we're feeling!
Because the light has blinded them from our point of view!
From our vantage point beneath your feet,
We've observed the city that never sleeps,
And realised it needs to change and let the darkness through!"


And all the onlookers and sympathisers,
Respond with a chant,
That shakes society's foundations to bring it down.

We don't want to fit in!
We don't want to give in!
To peer pressure within
Every waking day!

We all want to regress!
To when we all had less!
When money hadn't quite messed
Up every word we say!


As every light goes out,
Each with a bolder shout,
Those in charge watch in awe as the revolution wins.

The entire city unites,
To bring about the night,
A dusk to match the dawn of humanity's sins.

But in the morning the sunrise,
Brings the reform to its demise.

And light obscures the strings that control our minds.
*disclaimer* This poem is almost entirely metaphorical, I take no responsibility for anyone who decides to smash up light bulbs and power stations.
Ottar Apr 2015
Places unnamed, faces blur
coffee so thick, dressed floor swims
mermaid knows what needs
to be met,
not conversation

Quiet can give
couched restful head thoughts,
back flat all else elevated
poking sky holes ball point pen size

Eyes already closed
body drapes bed linen
pillows, with sides of cold
now plate my heavy head

need to get sated, not sedated

Where ever I am sate,
Ear bones move to vibrate,
to the secret code of songs
pen touches paper,
                                                  spill ink in
that moment,
calm
is balm,
fear becomes vapour.

A poem is born.
Challenge today was today take normal prose type information I chose, my favourite places to write, and by dropping some words  (the , at, that) anything that is not CONTENT,you might be able to go to prose to poetry.... So my favourites;
Coffee shops, couches, bedroom naps, music, in combination writes my poetry sanctuary  written while listen to Good For Grapes, one of BC's finest groups, I would call them young, but they have been at it for about sure 8 - 10 years...
betterdays Aug 2014
there are some things,
that just smell so good:
corn freshly shucked, potatoes roasted in campfire coals, carrots fresh from the ground, then washed   and stovetop roasted
basted with butter
and lavender honey.

the nape of my toddlers neck,
that clean fresh hopeful little boy smell.
coffee, straight up, freshly brewed
caramel warming,

passionfruit, strawberries, citrus any type, zested. freshly planed fennel curls, mint crushed for a mojito, roast lamb and rosemary gravy.

the smell of planed wood in the palms of my man's hands as i kiss them. frangipani, coconut tanning oil,
earth newly rained upon. popcorn popping, chocolate melting,
jasmine, orange blossoms,
a grove of pine trees.
warm gingerbread and mulled wine.

salt tang on the morning breeze.
the smell that lingers after the lovin.
garlic and ginger in a hot wok.
salt tang on the evening breeze.
prawns all sea salty and
a crisp cold beer.

sandlewood and citrus aftershave lotion on your smoothed cheek.

nectarines, apricots,
a yellow juicy peach,
freshly bitten.

apple scented shampoo daphne & lilac my nana's smell,
bay *** newspaper print and palmolive soap,
my pop's study.

rose petals crushed.
earl grey tea,
toast just before burning damper and cocky's joy
crisp fresh linen warm from the sun.

so many scents, so many smells...
these are my favourites please feel free to add your's, as long as it's clean
and above board.
damper=camp fire bread similar to soda bread
cocky's joy=goldensyrup.
s Jul 2013
it was anything but that for us to be holding hands along the river
it was anything but that before we could sing with abandon to our favourites
it was anything but that but now
now this love is easy, my smiles are easy
and happiness is easy.
to z, my easy love.
A year or so from now,
when you hear thunder in the sky,
pretend it is me talking to you.

Think of me, from time to time.
Remember me, remember me.
When a song plays that was
one of my favourites, sing along
with it for me. Sing loud and clear.
I'll be with you. I'll be with you.

Do not grieve for long. Instead,
play again those funny moments
when life was long and years
of sharing stretched ahead.
Hear the humour we shared,
and smile again at old jokes.

A year or so from now,
when you are looking at pictures,
see again how happy we were.

These are what matter, I think.
The joyful seconds that make
the mundane easy to bear.
Those scattered, silly
laughing things that stay
eternally present in the mind.

We are only hands that clap
in harmony for a limited time.
Touches of spaces that are
full of vigour, than are empty.
Hesitant to leave what we
know, knowing it must be so.

A year or so from now,
remember me. Remember me.
Written when I was first diagnosed with stage 4 cancer...informed that I had a year, or two, to live.
Francie Lynch Nov 2016
I will pen a real long poem,
One that goes on and on.
It will  be Universal,
Get added to all categories:
There's two thousand plus
Themes we write on,
From first breath
To the dust we lie in.

My poem would weave
The Fabric of Love,
Dripping from
A Heart that Hurts,
To offer solace and love's comfort.

It couldn't be one of
Ten Words,
But myriads in
A Sea of Thoughts;
Added to
All Time Favourites,
And Words Worth a Thousand Pictures.

If you like Beautiful Tragedies,
I'll jot a verse on Life Stories.
I'd pen a stanza for Love for the Moon,
Lines to make An Exceptional Poem.

The keen reader adds it to Genius Speaks,
The younger hearts to Sweets for the Sweet.
The darker side clicks Macabre and Mayhem,
They too are Becoming Human.

I'd accept a like for Best Sweet and Sour,
I'd  be happy with Whatever, Whenever.
The weird add it to Psychopath,
The regular to Treasureworth.

It may contain the Inspired Word
To advise those trapped in Parenthood.
Oh My Goodness, it's A Poem to Keep,
One to read, then Read and Repeat.

But mine will lie in Buried Treasures,
Disappear in Endangered Species...
Hey, I got a Thank You For Sharing,
This Made Me Smile.

I think you get my drift, indeed,
I've written The Best of Hello Poetry.

So, Poets Speak Loud on **** Good Stuff,
Write The Story of Life, The Ultimate Poem,
On Love is the Purpose, or Who We Are,
I'll add your verse to Top Notch,
And yours is one of *My Favourites.
Edit and repost.
With so many themes, who can claim writer's block.
It's his eyes. It must be his eyes. I continue to speculate as I light and take a drag of my cigarette before looking back over to him, peering up through my eyelashes. The scrutiny must be showing in my expression, as he opens his mouth to speak. “What are you thinking about?” His eyebrow raises. That must be it. It always gets me when he does that. No. There's more. So much more.
I realise it has been a matter of seconds since his question, and he is still watching me, expectantly. I need to speak. “You.” Well, it's an honest answer. It's just cutting out the part that makes me sound ******. 'Yes I'm just watching your every move and trying to work out what it is that makes you so beautiful' doesn't quite have the same ring to it. Beautiful is an odd word to use for a guy. Controversial I suppose. But that's definitely the right word for him. He laughs, and moves his cigarette into his lips. I watch closely as he slowly inhales with a look of concentration. I love that look. It's one I've seen painted on his face on numerous occasions; smoking, reading, drawing and whenever he concentrates on anything at all. It's completely accidental, mind you, which makes it that bit more interesting. He looks back over to me. I love it when he does that too... Y'know, looks at me. “And what exactly are you thinking?”. At first I think he is flirting, he must know that I am thinking something perfectly wonderful about him. But he has a look of sincere curiosity (and maybe a hint of worry?) on his face. I begin to question what my expression is, and whether I am achieving the calm and collected look that says 'I'm mysterious and ****', or the 'I'm currently processing a million different thoughts about you and putting full effort into trying to make it seem otherwise' expression. The first would be the better of the two options, however I'm starting to doubt that hope as he laughs again. ****.
So, I give up trying to hide my ******. I turn my body to face his, stretch up onto my toes and wrap the arm that isn't currently occupied by a cigarette around his neck. I pull him down towards me, and pause. “In short, I'm thinking of all the reasons I love you,” He barely gets to smile before we are kissing. As his arms tighten around my back and I get pulled up against him, I realise that this must be it. This feeling. It's funny, trying to describe the feeling you get when that one person that fills up your thoughts, and that you dream of holding like this, wants you close to them. Sort of mind-blowing actually. The kiss is intense, and I'm almost certain that this could lead to something more if we weren't stood in his back garden, fully clothed and freezing. I change my direction of thought.
I should be used to it by now. Kissing him, I mean. But still, it gets me every time. I swear, there isn't a single time he's kissed me that hasn't taken my breath away. I take a second to recover afterward. He wraps his arms around me and pulls me tightly into him. I feel so safe here, protected and secure. I peer up once again, and look at him from a lower angle than before. He has his eyes closed, and from my height, I can see how his eyelashes curve upward. It is this feature, and the shape of his upper lip that I always look at when I'm close to his face and he can't see me looking. They're my favourites. There's something about seeing the tiny details and knowing him this well that make me feel sort of honoured. No-one else gets this, to know him that well. To know how his breathing changes in his sleep or what pattern his heartbeat makes. Which must make me pretty ******* special, right? Yes. That's it. The fact that he lets me see how beautiful he is, makes him beautiful. Because no-one else can feel like this about him, because they don't see any of it. He pulls me out of my sudden realisation by a small kiss on my forehead. I want to get lost in him, and this moment but, with opening my eyes, I realize my cigarette is burning down, fast. I reluctantly wriggle out of his arms, and take another drag. Trying subtly to look good as exhale. Though not subtly enough; he notices. ****. And now, he's looking at me. Really looking at me, as if there is something on his mind. I wonder if this is the same look I have been giving him for the last 4 minutes. I give him a questioning expression.
“I love you”. He states quietly; almost a whisper. I feel... alive. This is another of the things I should be used to. I tend to always feel very overwhelmed when he tells me this fact. I still stand by the fact that he deserves more than little old me. But he won't have any of it. Not that I'm complaining,
We stand, our free hands intertwined, smoking our cigarettes and laughing for another 3 minutes, then flick the remains and turn to face each other again. He pulls me back against him, and kisses me with a little more intensity than last time. After catching our breath, he turns, holding my hands in his, and pulls me towards the door to re-enter his house.
Only now do I allow my thoughts to continue in that direction...
Lorraine day Aug 2013
Soft white feathers
Ribbons n bows
Icing on cakes
Baby fingers n toes
Beautiful sunsets
Hot summer days
White turtle doves
An innocent child's gaze
Star studied skies
The light from the moon
Sweet melodies
From a beautiful tune
Christmas tree lights
That twinkle and shine
All these pretty things
Are favourites
Of mine
(20 minute poetry)

Part of the underground underground
do not confuse this with the overland overground it's not quite the same,

fir trees don't grow down here in the dark,
the carriages are light enough
packed tight enough
trolleys and cases right enough
but it's different up top
there's a buzz
usually from the saw mills at three mills and not forgetting the rolling hills which are in my opinion much better than rolling stock,
better than being cooped up in a cattle truck although to be fair
cattle get more air to breathe
can you believe that?

In just sitting here and writing I see from the corner of my weak eye a young woman biting her nails
I guess if all else fails and you're a vampire,
higher, I want to say
but I don't and pay attention to the writing again.
another thing that's not quite the same

I realise that everything's copied even imagination
and that brings me into the new Stratford station
home again
home again
we all want a home again
a regular place
a loving face
to welcome us in.
betterdays May 2014
these words, i read
in quiet, stolen moments
are like....

exquisite little confections,

chocolates for my mind. somedays,
i am gluttonous and gorge myself.
somedays,
more circumspect,
cherry-picking, those well loved favourites.

some are, cream filled,
sweet to the tongue,
a hit of syllabalistic sugar.

others caramel and chewy requiring more -
a harder chomp,
a grind, a gnaw, before releasing the yummyness within.

then the dark,
the hard,
the bitter -not for all,
these concoctions
but to those who desire,
they become an addiction.

sometimes, there are
those tasted and discarded, not often i will say.
for i love,
the sweet, the bitter,
the smooth, the nutty.

my favourite, favourites have to be, those brandy filled chocolates,
cognac phrases with cherrylicious twists,
aged liqueured thought, distilled with care.
so to taste on the tongue
and burn to the core.
always leaving me,
wanting more...
                          more...
                       ­             more...
Mateuš Conrad Aug 2016
i'm actually writing in Turkish akimbo on the floor,
****** uncomfortable,
can't do the hunched monkey spine of Blitzkrieg...
the problem lies with my cat,
a Maine **** that's actually a bloodhound
come bed time... his ******* operatic meows
get to me... he will meow down any werewolf's howl
any night of the week, with 200 variations...
he's like a dog when bedtime comes,
he rapes his way into my room,
takes comfort in my writing chair,
keeps me up listening to βετo βετα's
between two selves - i call this the reason
for never stealing from Hinduism...
outside of Hinduism the economic model works
just as effectively as Auschwitz with cows...
come to petted animals, putting yourself
second doesn't... you get to see the many variations
of character in these buggering fur-*****;
****** got gassed, i see it as a natural karma...
because why would he have a Jewish girlfriend
who committed suicide with him the bunker?
i won't pity them... ****** knew the measure
of things, having been gassed himself
he knew the wounds: and so will millions who
thought world war i was fought in vain...
remind me... as once the northern invaders
accommodated the Roman alphabet and dropped
the runes... what you conquer you express
as an incorporation of certain qualities...
luckily the German work ethic was unshaken...
but it shook the English sensible life:
work! work! work! ready meals in between:
two favourites! two! cheese cauliflower and lasagne.
to keep up the once colonial Herrwettlauf in
charity limbo... you ain't donating to any Africans...
Bobbie Geldof fooled you...
it goes into milking the ivory skinned skin-heads
once retired... Africa is more than just a suntan...
it goes back into ensuring we don't work
in Chinese factories under lynching-contracts...
case no. 0 (or contract) - we'll just call you when we need you,
otherwise we'll contract the cheap steel and cheaper
salt from the Dead Sea:
new social order... after all that colonial piracy i'm sure
we can afford investing in a body mass indexes...
is this how efficiency is structured?
quality control and quantity control...
well, capitalism knows quality control...
but it does't have the foggiest about quantity control:
hence so much waste, and supermarkets throwing out
food into the gutter... the quality control is there,
but the quantity control is missing: always excess, always
excess, always excess... sure i get the Muslim
argument about drunken Brits in Spain and Leicester...
but what about those Saudi children speeding
in their sports cars? no one going to criticise them?
after 50 years... our shame will be a greater
instigator of global warming than a diesel engine...
cheeks puffing up into rose and rose and everything's
finally not so rosy as we thought.
so here i am, writing in uptight akimbo without
the writer's hunch of reverse Darwinism,
all because my Maine **** is acting like a bloodhound,
gets depressed before bedtime...
why are these animals needing my bogus company?
when it comes to music i'm selfish; ah! he
doesn't like the night and the modern orchestra of
grizzly exhaust engines doing the baritone with rasping
the new church bell (phlegm) with a hark uvula...
it's called Irish poker for a prayer...
the van de graaff toy generator is on in the darkened room -
then the typing ****** him off, he's off...
thank **** for that...
but why is it that the once infamous Axis strategies
are creeping into those that strove to defeat them?
we are getting Japanese karaoke culture,
we're getting welcoming euthanasia programs spanning
the dicta of Belgium and Switzerland,
as people want dignity in their death...
they're queuing up to the once known enemy...
maybe it's because these Axis powers were
never colonialists...
                                 just finishing watching Indian
Summers
season two you get the picture...
god and the dodgy monkeys...
stay... sit! stay... sit! **** it, let's lynch that Eton ****
of privy accents... ol chap... ol chappy...
trot along... the turban bomber and half
the thought that a Pole learning obedience from
Russian and German would learn to be cinnamon
skinned in England... i'm almost suspecting the
Irish are the SS in the project.. generation of the Vietnam
saint soaked in gasoline... oddly enough
that has no place in Europe, apologies that i don't
share the sentiment... it's obviously the
counter crucifixion scene and emblem,
but only in: LET'S MAKE AMERICA GREAT AGAIN...
i told you be afraid of the blonde ferret...
i see the prognosis just like Britain exiting the European
union... California is not even America,
who gives a **** about the American Secular Vatican, anyway?
it will be like as if Canada was part of America
and resembled Scotland in the Jackshit Union...
gross the vote on the puppet...
the Democrats will get New York (the equivalent
of London) - i don't know how to twin Reading,
and that blue belt of remain campaigners linking the two,
half of who would speak as much of French
as an advert concerning the sales of socks...
or enough German to order a pint of beer in a Bavarian
pub... well, Canada would vote like Scotland,
one revolutionary figure (who was actually Muslim,
and never cared for African-American concerns
of Baptism... singing hallelujah was never part
of the do)... can't be replaced with another revolutionary
figure... he was never exactly a Martin Luther King Jr.,
more of Malcolm X than you thought...
that strip between London and Reading
will be translated into Ronald Reagan's resurrection...
a billionaire is more ridiculous than
an actor? well... who we going to call the pretty boy
and the favourite of media cartoonists? boots on the ground,
a society that doesn't practice dialectics is not
only rude, but out-of-date...
the debate of the park bench now resides in separate
stadiums, monologues that involve something
that physics unearthed: two sources of negativity
existing in two places, at the same time...
if this is a debate, then i got the postal code wrong...
the dialectics of knowing nothing became: i still know
nothing, but i have 4 million people supporting me.
i imagine the cavemen to be less subjective that we
try to imagine ourselves as resembling, Michael Palin
in the Sahara... cavemen worked on instinct, not on
appeal to the intellect... that thing
about the jokes of the vibrating lips and the index finger
moving against them to invent the Mongolian harmonica...
given the complication of urban life... well...
you'll hardly revise that bit... that part of life is gone...
i assumed that the more we evolved the less
naked we became... but given evolution and having
created this parasitic symbiosis with the natural
elements... the more i think of it: the more naked we're
becoming - the more dependent -
the original sin as conceived from the delusion that we
were disabled by our originally conception of nakedness...
it only comes now... once the dependency kicks in
and we're all in bow-ties and cocktail dresses...
hello Herr Fetish and page 3 milking of the farmyard
cows of our imagination - Islamic eye-fetish,
we heard of footfetish... must be about oral ***...
knees baby knees, Arab has eyefetish on your knees...
i have a fetish for hands... see how the cameraman zoomed
in on the hands of the women fencing?
once instinct governed us... and instinct's expression
of intelligence was: i challenge the alpha male,
i'll get **** with his concubines in the harem...
these days intellect governs us... and intellect's
expression of instinct is: i challenge the alpha male,
i'll whip up a horde of lawyers, file a lawsuit
and get away it because he nudged me in a supermarket...
honestly, i don't think educating people was a great
evolutionary step forward...
we have more law-prose liposuction on the pages of
history than a Tolstoy could muster a novel -
and because we taught everyone literacy,
the once necessary backbone of our economy,
the workers... well... let's just say that the Founding
Fathers made their muscles into oysters and molluscs,
floppy protein spaghetti... wiggle wiggle, yeah, wiggle wiggle, yeah...
defeating Communism in a place of the world that was
prone to some sort of religiosity, enzyme John Paul II -
i'd bruise his forehead and lips against those airport tarmacs
i'd get to be the inventor of sand-paper and
the Antichrist's assault on the biblical reference:
it only takes on saint to defeat the congregation... it starts with him...
or with that Calcutta Lady and Hitchens...
and oh... lookie here... up pops Hydra China:
America will be great again... but chances are...
the hot dog and the hamburger will never be re-invented...
watch the pendulum... op op oop oops here it swings
while the Hawaii communal laugh about starving
on coconuts.
dan hinton May 2012
I hadn’t seen you for quite a few days
And instead of ringing up the search party
I called you up on the phone;
Hoping you’d chased your dreams
And would come back and
Realise how much I loved you.
You whispered sweet nothings
Down the phoneline
You told me,
Quite frankly
Bitter-sweetly,
I could go to Hell
But honey, why would you want
Me to go down to the fires down below?
With the Hell I’m living here on Earth.
I hung up the receiver
And saw shadows of your humour
Firstly on the fridge door;
A post-it read:
I’m having the house and the cat
Your favourites, lychees
Are on the top shelf.
I didn’t want them.
They’re so bitter, so sweet.
Terry Collett Sep 2012
As you went by
the girl’s playground
after getting off

the school bus
Christina called to you
through the wire fence

and said
my mother said
you can come home

for lunch today
if you like
ok

you said
where shall I meet you?
Cedric will bring you along

she said
and so when
the lunch time

recess bell rang
you followed Cedric
out of the school

and saw Christina
by the outer fence waiting
are you sure

your mother doesn’t mind?
you asked
of course not

she said
Cedric walked on in front
leaving you and Christiana

to walk on behind
she talked about some girl
in her class who had a boyfriend

and claimed
to have had ***
and then she went on

about the teacher
who had been expelled
for taking pupils home

in his lunch hour
it was boys though
she added

and then you came
to her house
and she took you in

and there was her mother
in the kitchen
nice to meet you

she said
Christina has talked
about you so much

Cedric behind
his mother’s back
was making gagging gestures

with his fingers
down his throat
Christina looked at you

and smiled
nice to be here
you said

are you sure it’s all right
me coming?
of course it is

Christina’s mother said
now sit down
and I’ll serve up for us all

and so you all sat down
around the table
and Cedric looked at you

then looked down
at his knife and fork
and Christina said

glad you’re here
and she put a hand
over yours

and gave your hand
a squeeze
then removed it

when her mother
set down the plates
and then sat down herself

and you all began to eat
in an unusual silence
Christina giving you

a bright eyed stare
and Cedric looking
over your shoulder

as if you weren’t there
after lunch their mother
cleared the table

of plates and went off
and Cedric went
into the lounge

leaving you and Christina alone
what do you think?
she asked

about what?
you asked
my mother

what do you think of her?
she seems nice
you said

she gets depressed a lot
Christina said
but today

she was at her best
oh right
you said

sorry she gets depressed
come on
Christina said

I’ll show you my room
you raised your eyebrows
won’t your mother mind?

you asked
not if she doesn’t know
Christina replied

isn’t it a bit risky?
you said
yes

she said
that’s what makes life
so interesting

so you followed her
and tiptoed up the stairs
and she showed you

her bedroom
and her favourite doll
and other favourites of hers

lined along her bed
then she kissed you quickly
and then stood back

and smiled and said
best go down now
or she’ll wonder

where we are
and so that was it
and as you followed her

down the stairs
you could hear the radio
playing some classical music

and her mother
humming along
and sounding quite happy

and Christina giving you
another kiss
behind her mother’s back

and after saying thank you
to her mother
you all left

to return to school
the clouds promising rain
and so back to school

and the boring lessons
once again.
Set in 1962 during the midday recess break.
Àŧùl Aug 2013
Do you remember that date,
It was 27 April the year '13,
And it was really very late.

We had a communication-gap cropped-up,
An unavoidable communication-gap it was,
Some misunderstandings had cropped-up.

Though both had our respective liabilities,
I had been overtly angry much to your fears,
I'm still sorry for what I said had brought tears.

I had lamely prophesized in anger,
When we had a no-fun word-war,
I had said very dramatically,
That you'll be married,
Exactly 7 years, 7 months & 7 days later.

Even you yourself were upset at that time,
And we didn't talk for many days.
You felt cheated & even I felt scandalized.

We knew that this tiff will have to end one day,
So we sub-consciously thought we'd test ourselves.
Maybe we knew that it'll end someday if not that day.

Because we are like our favourites Tom & Jerry,
Fighting very seriously but loving all the way along,
So probably that too is an indispensable part of love!

We have laughed it over and left that tiff back,
But hey that prophecy must come true!
Not at all like that you should worry about it,
About having to marry somebody else,
It will be me only who marries you!
Do you remember that day, darling?
:-P ^_^ :-D
Probably a free relationship advice for everyone who is true in their relationships.
Keep it truthful and sweet, it should come through.

Special thanks to Mrs. & Mr. Bruffy who helped us as we held to the strings so delicate.

My HP Poem #405
©Atul Kaushal
nivek Mar 2014
jelly beans and ice cream
Chocolate and apples
unexpected sweetness
incarnate
A few of my favourites
and
The very best of all surprises.
Tonight we dance like pagans
Take my wrist with your tongue
******* words like the perfect combination of salty and sweet
Lift me high so I may crumble in your arms
Beads of sweat as much of a story to tell
As the tears you and I have shed over habits and heartache
Floating like a swift mist as heavy as dew
It doesn't have to make any sense
It's the soul finally letting go in random spores of silk
Simply titled but definition entwined
Like the calmest you in my arms
The deity's declare us their favourites tonight
So take my eye with your hand
Let's pray we never have to be alone again
bekha l kershaw Sep 2013
Candles smell best when the day is nearing its end and you feel the weariness in your bones. Favourites flicker like moods and the way the fire dances upon the wick; fresh scents mostly. Zingy citrus and sweet melon and cucumber, and sometimes sweet spice and serenity which smells like old memories.

2. As a sister, I do no know what kind of attributes I wish for a sister. Even though I adore and get annoyed in equal parts by the girl who calls me big sissie, I could not name what it is that I exactly would want. Perhaps, I would enjoy some one such as Nana Visitor as my sister, although one wonders if having actors for a family member is the best.

Kelly Rowland comes to mind, and perhaps I would adore her as a sister the most.

3. I have longed for a brother for a long time, wished I had one just to experience it, mostly. I’d want someone fierce, but someone understanding too. Someone who would not treat me like I could look after myself, and under much consideration, I do not believe there is someone I’d truly want as a celebrity as my brother. Perhaps Olly Murs, if I had to really answer this.

4. Marriage is not something I would wear well, I do not think. It’s not a comfy pair of sweats or a too big sweater. It’s a very pretty dress, or a dapper suit and it doesn’t fit like colourful beanies or a rather fluffy scarf.

5. Books lay in piles about the space entitled my room, old bottles from years before I was born live in their own special cupboards. Piles of intricately made teaspoons and bone-handled knives tuck into boxes upon boxes upon boxes. Old text books barely squeeze into my shelves. I hoard like I breathe.

6.When young and flexible I managed to tie myself in knots; I’d fit in spaces I only dream about now and stretch like I was reaching for the light. Doing such things like the splits doesn’t occur to me anymore, I’ve got a book to read, an emotion to write and a song to hum under my breath.
they answer questions. of what, i can't remember.

— The End —