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"sultan" poems
There are three versions of this poem. only one of them is available on the internet. This first version is from the New Yorker in a 1941 issue. It is the earliest version and the one that is quoted all over the internet. To My Valentine     by Ogden Nash (1902-1971) More than a catbird hates a cat, Or a criminal hates a clue, Or the Axis hates the United States, That's how much I love you. I love you more than a duck can swim, And more than a grapefruit squirts, I love you more than gin rummy is a bore, And more than a toothache hurts. As a shipwrecked sailor hates the sea, Or a juggler hates a shove, As a hostess detests unexpected guests, That's how much you I love. I love you more than a wasp can sting, And more than the subway jerks, I love you as much as a beggar needs a crutch, And more than a hangnail irks. I swear to you by the stars above, And below, if such there be, As the High Court loathes perjurious oaths, That's how you're loved by me. The next version is the lyric of a song from the Broadway musical "One Touch of Venus" (1943) by Ogden Nash, J S Perelman and Kurt Weill. Nash wrote this lyric. It is not on the internet that I could find. I got it from the sheet music. HOW MUCH I LOVE YOU More than a catbird hates a cat, Or a criminal hates a clue, Or the Axis hates the United States, That's how much I love you. As a sailor's sweetheart hates the sea, Or a juggler hates a shove, As a wife detests unexpected guests, That's how much you I love. I love you more than a wasp can sting, And more than a hangnail hurts. I love you more than commercials are a bore, And more than a grapefruit squirts. I swear to you by the stars above, And below, if such there be, As a bride would resent a blessed event, That's how you are loved by me. More than a waitress hates to wait , Or a lioness hates the zoo, Or a batter dislikes those called third strikes, That's how much I love you. As much as a lifeguard hates to swim, Or a writer hates to read, As Hays office frowns on low cut gowns, That's how much you I need. I love you more than a hive can itch, And more than a chilblain chills. I yearn for you in an ivy clad igloo, As a liver yearns for pills. I swear to you by the stars above, And below, if such there be, As a dachshund abhors revolving doors, That's how you are loved by me. The third is from the book "Marriage Lines: notes of a student husband" It was published in 1964 and contains a revised version of the poem with a much different ending. This too is not on the internet. I got it from the book. TO MY VALENTINE More than a catbird hates a cat, Or a criminal hates a clue, Or an odalisque hates the Sultan's mates, That's how much I love you. I love you more than a duck can swim, And more than a grapefruit squirts, I love you more than commercials are a bore, And more than a toothache hurts. As a shipwrecked sailor hates the sea, Or a juggler hates a shove, As a hostess detests unexpected guests, That's how much you I love. I love you more than a wasp can sting, And more than the subway jerks, I love you truer than a toper loves a brewer, And more than a hangnail irks. I love you more than a bronco bucks, Or a Yale man cheers the Blue. Ask not what is this thing called love; It's what I'm in with you.
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Feb 14, 2018
Feb 14, 2018 at 2:51 PM UTC
TO MY VALENTINE Ogdon Nash three versions
There are three versions of this poem. only one of them is available on the internet. This first version is from the New Yorker in a 1941 issue. It is the earliest version and the one that is quoted all over the internet. To My Valentine     by Ogden Nash (1902-1971) More than a catbird hates a cat, Or a criminal hates a clue, Or the Axis hates the United States, That's how much I love you. I love you more than a duck can swim, And more than a grapefruit squirts, I love you more than gin rummy is a bore, And more than a toothache hurts. As a shipwrecked sailor hates the sea, Or a juggler hates a shove, As a hostess detests unexpected guests, That's how much you I love. I love you more than a wasp can sting, And more than the subway jerks, I love you as much as a beggar needs a crutch, And more than a hangnail irks. I swear to you by the stars above, And below, if such there be, As the High Court loathes perjurious oaths, That's how you're loved by me. The next version is the lyric of a song from the Broadway musical "One Touch of Venus" (1943) by Ogden Nash, J S Perelman and Kurt Weill. Nash wrote this lyric. It is not on the internet that I could find. I got it from the sheet music. HOW MUCH I LOVE YOU More than a catbird hates a cat, Or a criminal hates a clue, Or the Axis hates the United States, That's how much I love you. As a sailor's sweetheart hates the sea, Or a juggler hates a shove, As a wife detests unexpected guests, That's how much you I love. I love you more than a wasp can sting, And more than a hangnail hurts. I love you more than commercials are a bore, And more than a grapefruit squirts. I swear to you by the stars above, And below, if such there be, As a bride would resent a blessed event, That's how you are loved by me. More than a waitress hates to wait , Or a lioness hates the zoo, Or a batter dislikes those called third strikes, That's how much I love you. As much as a lifeguard hates to swim, Or a writer hates to read, As Hays office frowns on low cut gowns, That's how much you I need. I love you more than a hive can itch, And more than a chilblain chills. I yearn for you in an ivy clad igloo, As a liver yearns for pills. I swear to you by the stars above, And below, if such there be, As a dachshund abhors revolving doors, That's how you are loved by me. The third is from the book "Marriage Lines: notes of a student husband" It was published in 1964 and contains a revised version of the poem with a much different ending. This too is not on the internet. I got it from the book. TO MY VALENTINE More than a catbird hates a cat, Or a criminal hates a clue, Or an odalisque hates the Sultan's mates, That's how much I love you. I love you more than a duck can swim, And more than a grapefruit squirts, I love you more than commercials are a bore, And more than a toothache hurts. As a shipwrecked sailor hates the sea, Or a juggler hates a shove, As a hostess detests unexpected guests, That's how much you I love. I love you more than a wasp can sting, And more than the subway jerks, I love you truer than a toper loves a brewer, And more than a hangnail irks. I love you more than a bronco bucks, Or a Yale man cheers the Blue. Ask not what is this thing called love; It's what I'm in with you.
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79
*If I could have you for a night I’d stop the dawn from bringing light I’d make the stars stay out and play And make the moon hold back the day If I could have you in my arms I’d unleash my southern charms I’d unlock every fantasy And be all that you want of me If I could have you in my bed With sweet seduction you’d be fed I’d give you treats and pleasured sighs And let you taste of sugared thighs I’d make you glutton of this feast Your every whim would be released I’d let you do just what you will And let your body taste my thrill I’d bind you up, and make you crave And tease your sights and make you slave Then I would let you conquer me And stake your claim of victory I’d bathe your body, lick you dry In covered dreams I’d let you lie Then gently I would make you wake My hungry love to satiate I’d dance before you, undulate You’d reach for me, I’d hesitate I’d belly dance before your eyes Your harem girl, in veiled disguise My sultan, I’d be bound to do just everything you’d want me to I’d let you take me one more time In candle light, you'd be just mine Each moment tasting of divine My every kiss dipped in sublime My every touch would bring delight If I had you for just one night*
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Jan 31, 2018
Jan 31, 2018 at 10:08 AM UTC
If Only...
The stink of fish on earthen streets A hot wind blows from ochre hills Black faces shine with brilliant teeth Street market ***** doth cure all ills. Redness in her plaited hair Rhythm in her steady tread A harmony of balance, she carries Water jars on her head. A market girl is singing As she sits among bananas The drama in her music Is as dusty as the street, It fills the air with magic As it lilts above street chatter In the atmosphere of Africa Where new and ancient meet. The goat boy herds his docile flock Through camel trains and bales The steamer tethered at the dock Announces that she sails With billowed steam and mournful wail It echoes through the town And the planter and his agent Bargain with a harried frown. The bleating of the goat herd And the stench of fish and dung Is as ordinary as Africa In the searing mid day sun. Zanzibar is spices, Zanzibar is Stone. Club Zanzibar is whiskey on the rocks Consumed alone Or shared upon the balcony In the shadow of a palm With the turquoise Indian ocean Reaching out beyond the arm. Do you see the dhows are sailing? Do you see the fishing nets? Do you hear the oarsmen chanting? Did you see black muscle flex? Have you watched the dripping sweat Cascade on alabaster brow? Have you inhaled the scent of Africa And allowed it to allow? Colobus monkeys in the treetops Narrow lanes in the bazaar Dull white walls adorn stone buildings And the rupee is by far The favorite tenure of the Island Since the days when slaves were sold By Arab camel caravaners Who traded coin for young black gold. East and west collide in concert Africa and Asia blend The Sultan's mix of race and spice In Zanzibar, beyond lands end. Marshalg Mangere Bridge 3rd June 2008
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Oct 13, 2009
Oct 13, 2009 at 11:06 PM UTC
Zanzibar
The stink of fish on earthen streets A hot wind blows from ochre hills Black faces shine with brilliant teeth Street market ***** doth cure all ills. Redness in her plaited hair Rhythm in her steady tread A harmony of balance, she carries Water jars on her head. A market girl is singing As she sits among bananas The drama in her music Is as dusty as the street, It fills the air with magic As it lilts above street chatter In the atmosphere of Africa Where new and ancient meet. The goat boy herds his docile flock Through camel trains and bales The steamer tethered at the dock Announces that she sails With billowed steam and mournful wail It echoes through the town And the planter and his agent Bargain with a harried frown. The bleating of the goat herd And the stench of fish and dung Is as ordinary as Africa In the searing mid day sun. Zanzibar is spices, Zanzibar is Stone. Club Zanzibar is whiskey on the rocks Consumed alone Or shared upon the balcony In the shadow of a palm With the turquoise Indian ocean Reaching out beyond the arm. Do you see the dhows are sailing? Do you see the fishing nets? Do you hear the oarsmen chanting? Did you see black muscle flex? Have you watched the dripping sweat Cascade on alabaster brow? Have you inhaled the scent of Africa And allowed it to allow? Colobus monkeys in the treetops Narrow lanes in the bazaar Dull white walls adorn stone buildings And the rupee is by far The favorite tenure of the Island Since the days when slaves were sold By Arab camel caravaners Who traded coin for young black gold. East and west collide in concert Africa and Asia blend The Sultan's mix of race and spice In Zanzibar, beyond lands end. Marshalg Mangere Bridge 3rd June 2008
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58
*Italic drumroll... imperial cavalcade with Roman horns, eagle standards raised*; ♪ ♫♪♫ ♪♪♫♫♪♪♫♫♪♪♫♫♪ ALL HAIL ! Ye screen-fed sacrificial citizens, seething simpletons and volatile voters: attend now, with republican fervor, tempered by democratic zeal, to the golden-tongued orator of our epoch, gallant guardian of American greatness, avatar of avarice, the Jeffersonian gentleman, anointed autocrat and Sultan of Swell, windswept Wazir of Wonderful, emissary of towering eminence in empire, The Anti H-Rod: Donald J. TRUMP ! (Plebeians look up from their circus-bread for a second—) And may Our Sovereign Savior & Almighty God also bless his worthy opponent and adversary *HILLARY ("H-Rod")* (Patricians murmur, nod; a few salute)
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Oct 19, 2016
Oct 19, 2016 at 5:22 PM UTC
Of Debatable Importance
Sinbad’s sea-battered ship was poised on the edge of annihilation, The Sultan's brow furrowed with curiosity, then without warning Scheherazade stilled her narrative and lived to see the morning sun. When the moon and stars next owned the sky, Sinbad was snatched from the jaws of death then the saga of Prince Kalandar seized the king's soul with wonder but Scheherazade left the tale unfinished and sang with the birds at dawn. Rimsky-Korsakoff turned the pages at his desk - consumed by Scheherazade’s charms then etched his pen across the waiting staves: The violin must weave her spell once more and bassoon and oboe take the prince’s part. Trombone and trumpet led the martial call and all the rest enlisted for the cause. Russian bravura fused with the seductive allure of exotic tunes born of the dust on the silken road. A sonic whirlwind filled Saint Paul Church, as winds and tremolos grew to cyclonic force. A wall of brass completed Kalandar’s tale. capped by an exuberant clash of cymbal plates. The silence yielded to tender violins chanting a hymn to the princess in all her grace. Tambourine and winds wove a tapestry of her debonaire and most virtuous prince. As the final pizzicato chord faded, the Sultan turned to Scheherazade with tear-filled eyes and beheld his immortal princess and she her valiant and eternal prince and so it would be as long as night preceded dawn. She kissed away his tears of joy and whispered in his ear, “My beloved husband, I will tell you stories forever. Tomorrow you shall learn of the Feast at Baghdad.”
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May 21, 2016
May 21, 2016 at 11:27 PM UTC
A Thousand and One Nights
Sinbad’s sea-battered ship was poised on the edge of annihilation, The Sultan's brow furrowed with curiosity, then without warning Scheherazade stilled her narrative and lived to see the morning sun. When the moon and stars next owned the sky, Sinbad was snatched from the jaws of death then the saga of Prince Kalandar seized the king's soul with wonder but Scheherazade left the tale unfinished and sang with the birds at dawn. Rimsky-Korsakoff turned the pages at his desk - consumed by Scheherazade’s charms then etched his pen across the waiting staves: The violin must weave her spell once more and bassoon and oboe take the prince’s part. Trombone and trumpet led the martial call and all the rest enlisted for the cause. Russian bravura fused with the seductive allure of exotic tunes born of the dust on the silken road. A sonic whirlwind filled Saint Paul Church, as winds and tremolos grew to cyclonic force. A wall of brass completed Kalandar’s tale. capped by an exuberant clash of cymbal plates. The silence yielded to tender violins chanting a hymn to the princess in all her grace. Tambourine and winds wove a tapestry of her debonaire and most virtuous prince. As the final pizzicato chord faded, the Sultan turned to Scheherazade with tear-filled eyes and beheld his immortal princess and she her valiant and eternal prince and so it would be as long as night preceded dawn. She kissed away his tears of joy and whispered in his ear, “My beloved husband, I will tell you stories forever. Tomorrow you shall learn of the Feast at Baghdad.”
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37
SAD VALENTINES FOR BREAKFAST Oh my how red **** struts(thinks he's a sultan)     striding in and out among his harem-scarum hens talking to themselves like some lost senile sentimental souls. Foolish fowl! They lay eggs for gentlemen and kids on long hot summer holidays they hide their eggs like broken hearts like old love letter secrets safe in unseen places. But see Auntie Nellie willy-nilly as a fox stalk the chickens and expose them cruel as the NEWS OF THE WORLD. See her raid the haystacks (backseat of the old car)     rain rusting machinery her apron pregnant and precious with the warm and brown gift of eggs. Red **** crows loud against the morning marigolds while children's voices babble sleepily into wide awakefulness love letter secrets staining their lips sad valentines for breakfast.
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May 21, 2019
May 21, 2019 at 3:37 PM UTC
SAD VALENTINES FOR BREAKFAST
Before the Dawn Of Agriculture men like ME where slapped into the shadow of ****** shame but now who needs muscles or chiseled chins, great size or strength, a lover’s passion or a manly countenance ‘cause for ten thousandyears now I can persecute any female for infidelity towards ME and hold paternity privilege over MY biological children because we exceptional farmers invented marriage to destroy human sexuality by enslaving women with MY property for *** so I no longer need to share or compete or settle for an alpha males’ sloppy seconds within foraging groups that are forced to share what they carry with them instead of our enforced legal couplings that takes the innocent, primal pleasure and mystery out of *** by connectingshtooping to birth thanks to dirt MY dirt MY very own thousand acres of seeded soil littered with pens full of MY trapped sheep, cattle, goats and pigs which means I can pork any female I fancy and destroy any man who thwarts MY desire as simply as the bulls I castrate into submission to easily herd into MY slaughterhouses that feed all the inferior people no longerdependent on their hunting and gathering skills but on ME to stay alive so not only am I not considered a sociopath by hoarding food but am praised at harvest time like a ********* Babe Ruth hero because I have legally claimed and legally ***** those precious few life giving inches of topsoil with rotating crops and extended grasslands that exhausts and shrinks the earth, MY earth MY reign of forcing agricultural workers to bend over in the fields, stupidly exposing hairless backs to sun poisoning instead of their protective hunters’ heads of hair harvesting MY food that shrinks the testicles of everyone who is forced to feed on the cheap calories of MY industrialized plants and animals that lowers fertility, but who needs big ***** anymore when you don’t have to **** larger animals in order to survive or attract females with your superior physical attributes proving I am the social parasite Sultan of Swat who grows fat on the food I’ve seized by stealingPaleo land in the name of government protected ownership.
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Feb 28, 2017
Feb 28, 2017 at 8:43 AM UTC
D.O.A.---Dawn of Agriculture
Before the Dawn Of Agriculture men like ME where slapped into the shadow of ****** shame but now who needs muscles or chiseled chins, great size or strength, a lover’s passion or a manly countenance ‘cause for ten thousandyears now I can persecute any female for infidelity towards ME and hold paternity privilege over MY biological children because we exceptional farmers invented marriage to destroy human sexuality by enslaving women with MY property for *** so I no longer need to share or compete or settle for an alpha males’ sloppy seconds within foraging groups that are forced to share what they carry with them instead of our enforced legal couplings that takes the innocent, primal pleasure and mystery out of *** by connectingshtooping to birth thanks to dirt MY dirt MY very own thousand acres of seeded soil littered with pens full of MY trapped sheep, cattle, goats and pigs which means I can pork any female I fancy and destroy any man who thwarts MY desire as simply as the bulls I castrate into submission to easily herd into MY slaughterhouses that feed all the inferior people no longerdependent on their hunting and gathering skills but on ME to stay alive so not only am I not considered a sociopath by hoarding food but am praised at harvest time like a ********* Babe Ruth hero because I have legally claimed and legally ***** those precious few life giving inches of topsoil with rotating crops and extended grasslands that exhausts and shrinks the earth, MY earth MY reign of forcing agricultural workers to bend over in the fields, stupidly exposing hairless backs to sun poisoning instead of their protective hunters’ heads of hair harvesting MY food that shrinks the testicles of everyone who is forced to feed on the cheap calories of MY industrialized plants and animals that lowers fertility, but who needs big ***** anymore when you don’t have to **** larger animals in order to survive or attract females with your superior physical attributes proving I am the social parasite Sultan of Swat who grows fat on the food I’ve seized by stealingPaleo land in the name of government protected ownership.
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1
. these are things that make me Sad:.. imagining how sad that Powder must be... ...after Labor day. imagining how sad rabecca Black must be... ...on Wednesday. imagining how sad quasiModo would be... ...in Gattaca. imagining how sad rosie oDonnel would be... ...in Ethiopia. imagining how sad benjamin Button woulda been.. ...in Neverland. imagining how sad sleeping Beauty would be... ...finally waking Up........n seeing meDusa. imagining how scared free ***** must be... ...of sunshine aQuarium. imagining how scared jimmy Neutron would be... ...in sleepy Hollow. imagining how scared that Pingping musta been... ...of Sultan. imagining how scared that Avatars woulda been... ...of ****** imagining how scared that Petrified wood would be... ...of paul Bunyan. (Dumb xD) imagining how scared six jodie Fosters would be in a Panic room with seven Hannibals. imaging how bad trig Palin would be... ...at Trigonometry.  (too Much..) imagining how bad epiLeptic children are... ...at Laser tag. imagining how bad steven Hawking would be... ...at Roller derby. imagining how bad that Rainman woulda been... ...at Rain dancing. imaginging how bad helen Keller woulda been... ...at Karaoke. imagining how bad desiree Jennings musta been... ...at Hopscotch. imaginging how effortlessly, robin willams was Acting... ...in will Hunting. too Soon?... ...Oh........Sorry. "Thats okay... ...its not your Fault." Thanks babe. .
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Sep 13, 2014
Sep 13, 2014 at 7:44 PM UTC
Sad
Here, from the king's mountain view; here, from the wild dream come true; feast like a Sultan, I do, on treasures and Flesh, never few; but I, I would wish it all away if I thought I'd loose you just one day. The Devil and his had me down, in love with dark side I'd found. Dabbling all the way down, up to my neck, soon to drown; but you changed that all for me, lifted me up, turned me 'round. So I; I; I; I; I would, I would, I would, wish this all a- way. Prayed like a martyr dusk 'til dawn. Begged like a ****** all night long. Tempted the Devil with my song, and got what I wanted all along; but I, and I would, if I could, then I would wish it away, wish it away, wish it all away; wanna wish it all away, no cross that could hold, sway, or justify kneeling away my Center, so if I could I would wish it all away if I thought Tomorrow would take you away: you're my peace of Mind, my Home, my Center; I'm just tryin' to hold on one more day. Dim my eyes; dim my eyes. Dim my eyes, if they should compromise our fulcrum if wants and need divide me then I might as well be gone- [Most epic instrumental section in 6 ever] Shine on forever, shine on, benevolent Sun. Shine down upon the broken; shine until the Two become One. Shine on forever, shine on, benevolent Sun. Shine upon the severed, shine until the Two become One. Divided, I'm withering away. Divided, I'm withering away. Shine down upon the Many, light our way, benevolent Sun. Breathe in union. Breathe in union. Breathe in union. Breathe in union. Breathe in union. So, as one, survive another day in season. Silence, legion, save your poison! Silence, legion, stay out of my way!
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Jan 18, 2014
Jan 18, 2014 at 6:39 PM UTC
Jambi - Tool
Here, from the king's mountain view; here, from the wild dream come true; feast like a Sultan, I do, on treasures and Flesh, never few; but I, I would wish it all away if I thought I'd loose you just one day. The Devil and his had me down, in love with dark side I'd found. Dabbling all the way down, up to my neck, soon to drown; but you changed that all for me, lifted me up, turned me 'round. So I; I; I; I; I would, I would, I would, wish this all a- way. Prayed like a martyr dusk 'til dawn. Begged like a ****** all night long. Tempted the Devil with my song, and got what I wanted all along; but I, and I would, if I could, then I would wish it away, wish it away, wish it all away; wanna wish it all away, no cross that could hold, sway, or justify kneeling away my Center, so if I could I would wish it all away if I thought Tomorrow would take you away: you're my peace of Mind, my Home, my Center; I'm just tryin' to hold on one more day. Dim my eyes; dim my eyes. Dim my eyes, if they should compromise our fulcrum if wants and need divide me then I might as well be gone- [Most epic instrumental section in 6 ever] Shine on forever, shine on, benevolent Sun. Shine down upon the broken; shine until the Two become One. Shine on forever, shine on, benevolent Sun. Shine upon the severed, shine until the Two become One. Divided, I'm withering away. Divided, I'm withering away. Shine down upon the Many, light our way, benevolent Sun. Breathe in union. Breathe in union. Breathe in union. Breathe in union. Breathe in union. So, as one, survive another day in season. Silence, legion, save your poison! Silence, legion, stay out of my way!
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83
it's fascinating how our moods swing back and forth, from dark to light from gloomy to cheerful from suicidal to bubbly from hate to love from anxious to calm
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Nov 15, 2015
Nov 15, 2015 at 1:35 PM UTC
sultan of swing
I deal in Ultimatums I am the Scorcher of the Sky By any other name God My Dreams sway the movement of the People Crowned Eternal for all to See In My right hand , the World My left, Reality I conquered the saviors of the People I've fed on the Blood of Sin's Virginity I gave them fire and Greed then showed them how to deconstruct the Seas these Sacrificial heads roll just for me I am the Sultan of the Sand from me Spawned the most decadent brand bombs and ticks, clocks and rickets are merely the Product of my Seed I made the Sun weep blood I made the Stars shine in ecstasy I built upon Avalon I broke the Roman Siege no Empire on this Earth will stand against me creation and destruction is my creed I Am Ego Bow Before Me
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Oct 20, 2010
Oct 20, 2010 at 8:26 PM UTC
Rickets
I could be playing chess With the sultan I could be watching Cockfighting I could be waves and blue And waves and blue I could be trees of cherry Blossom red cherry I could be a princess Or I could be her prince I could be voice and sound Echoes of the past But instead Here I am Here I am Here I am
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May 25, 2013
May 25, 2013 at 6:18 PM UTC
Here I am
Of splendid thrones of gold   or treasures manifold      Of jewelled caskets   or lavish banquets      Of Emirs and rajahs   Of Sultan and Shahs      Of kings and queens   Of rulers and emperors      Of sparkling crowns   or flowing gowns      Of their subservient stewards and obedient pages   Of their stalwart squires and servile knaves      Of poor humble, docile minions   who tended to regal pavilions   And obeisantly carried royal palanquins   Oh and some were real life harlequins      Of castles and palaces   of abounding gold and silver   in ostentatious regal splendour      The sidelined fanning maids in waiting   Yet to me only one thing worth noticing   The minstrels who came to sing   from afar for the queen and king      For I'd rather be a poetess for kings   so to my tunes swayed a kingdom   than I be the king of mere subjects   and be filled with regal boredom!      So I could join ranks of   troubadours   and sing for the king   some folklores.
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Dec 7, 2017
Dec 7, 2017 at 3:37 AM UTC
The Royals vs the poet's realm
You ignite the papaya scent of Zanzibar romances spiced woods behind ears seducing the body's non-senses like kisses enticed from hints formed in a humid land kneading your cat pad toes into my kicked off sandals soft sinking warm as sand spreading on golden embers smoking like a slow glowing dhow sailing wine tumblers spilling Matemwe beach rays of crystal rain in sunshine tinkling against my skin like the random meditation in wind chimes tuned by the slight twitch of Mnemba Atoll frangipani to unwind my fire into an isle of leaves singing sunny somewhere mysterious through winding alleyways we kissed on shady curves sprung open on to Stone Town seas your weather beaten hair waving in Forodhani Gardens showered into labyrinthine storms travelled blue-black horizons infused with times of thunder roaming lost in alluring plans mindful I look back to check your coral stone directions we swept into an unclipped tent of Salamah **** Saïd's eating hot shwarma like I was the Sultan and you princess your attractions slipping a cargo off of precious unguent wet essentials drying to flow a silken scarf around Darajani Market thrills floating in a dark continent on each kiss to my needy neck leaning in the white wake of Zani-bar dreams which seek to push the boat out on your shoulder once you're moored on to my arms longing for you swaying now under sweating hot Gizenga road palms
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Aug 5, 2014
Aug 5, 2014 at 12:26 AM UTC
Salām to Zanzibar
you are both the art & the artist *every move you make is painted in color* you are both the poem & the poet *you speak in ballads* ***inspired & inspirational motivated & motivational*** you have purpose you have drive you're not scared you strive that fire in your soul the spark in your eyes enough to set the world ablaze a mind bound by no limits a body willing to test new parameters untethered never going to surrender philosophy makes up your very being your words deserve to be written in volumes you are inches away from touching the stars i suspect you were made of stardust invaluable, irreplaceable, shining in the night sky you belong to a different era & you're not afraid to speak the ancient language you are from both the future and the past at the same time inside you are both fireworks and candlelights you are a greek statue in a museum you are a sultan in the ottoman empire you are both the soldier and the war all at once you are a wonder & never will I be able to fathom the fact that you are mine
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Aug 21, 2015
Aug 21, 2015 at 11:44 AM UTC
a r t ( i s t )
FEAR TO PART... ASIF SULTAN MATTA Monday, 28th September 2015 Once more the fear engulfed my heart, the fear to part, ever abides; The fear, that makes my nights cry and quivers within me intense tide; Once more my eyes may leak the tears And drown my world, wrench dry inside shivering usual and rest just rare Is dread of death or love's chide? forlorn and fearful seems my fate no one to share no one is guide. Should I once more console my wits? snub  the  dark  and  show  it  sky? passion to stand and zeal to fight, but heart is chained and hands tied.
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Nov 8, 2015
Nov 8, 2015 at 12:14 PM UTC
Fear to Part by Asif Sultan Matta
Tales of riches in sequins Like a lavish cloak of red Swirling around to catch The soft touch of raw skin Each begins far away A swarm of bees you can hear But cannot see And draws closer Capturing your mind And holding it In an oscillating state Between trance and attention You see the rubies Wish to steal them yourself From the merchant You wish to seek council From the Grand-Visir Thwart the wicked Sultan And trick the Genius The tales weave from one to another They are a stream Dispersing in a delta But following each small stream Meeting back at the source In an unending circle Of stories large or small Stories of old men passing by Of brother princes splitting land Of merchants voyaging to trade Of cunning daughters plotting No corner of the world to far No event not to be believed No action too kind No punishment too severe No journey too long No treasure too hidden These tales are the life within human blood The life that has no boundaries And looks only for the sun
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May 14, 2014
May 14, 2014 at 10:45 PM UTC
Arabian Nights
So long foggy atmosphere. Hello reality? Is this really it? The life I believed I’d lead was far greater. The lord of kings, or the sultan of squat?   A hoard of useless things, and a chest wound that was mustered from a buck shot. The timing was perfect, as was the definition, no, AMMUNITION that I tattooed on my chest. Truth. "I failed to believe anyone and this is what it got me?" "What?!" Man I need to rethink this strategy. The majesty of thy cunning has left my soul beside itself. And I beseech your attention, cuz. Well, because I need you now.
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Dec 16, 2013
Dec 16, 2013 at 9:38 PM UTC
*&^ %^::DoNTT:cliCK:hEre!@#$$$
Colin gardait un jour les vaches de son père ; Colin n'avait pas de bergère, Et s'ennuyait tout seul. Le garde sort du bois : Depuis l'aube, dit-il, je cours dans cette plaine Après un vieux chevreuil que j'ai manqué deux fois Et qui m'a mis tout hors d'haleine. Il vient de passer par là-bas, Lui répondit Colin : mais, si vous êtes las, Reposez-vous, gardez mes vaches à ma place, Et j'irai faire votre chasse ; Je réponds du chevreuil. - Ma foi, je le veux bien. Tiens, voilà mon fusil, prends avec toi mon chien, Va le tuer. Colin s'apprête, S'arme, appelle Sultan. Sultan, quoiqu'à regret, Court avec lui vers la forêt. Le chien bat les buissons ; il va, vient, sent, arrête, Et voilà le chevreuil... Colin impatient Tire aussitôt, manque la bête, Et blesse le pauvre Sultan. A la suite du chien qui crie, Colin revient à la prairie. Il trouve le garde ronflant ; De vaches, point ; elles étaient volées. Le malheureux Colin, s'arrachant les cheveux, Parcourt en gémissant les monts et les vallées ; Il ne voit rien. Le soir, sans vaches, tout honteux, Colin retourne chez son père, Et lui conte en tremblant l'affaire. Celui-ci, saisissant un bâton de cormier, Corrige son cher fils de ses folles idées, Puis lui dit : chacun son métier, Les vaches seront bien gardées.
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1.1k
Le vacher et le garde-chasse
A Sultan set out on a journey one week, when back to his harem he did sneak. It startled his wives, who scrambled for their lives and let out a terrified sheik.
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Jan 16, 2013
Jan 16, 2013 at 11:15 PM UTC
The Sultan
Beginning in the evergreens, Where the waters run sweet as wine, The skies sing out shattering, The ground spins down below His marching feet. One thousand and one years Left him in the earth, And raised up Typhon, Come lightning staff, Come thunder breath. Moving through the mountains, Purpled by the sun, Floods cutting through the rock, Come traveling through the caverns, Through the cloud's rain that tear down. Eagles eating gods, And green, green trees stretching hands, He stumbles through the paths, Going all martyr in the shades. Eventually, his progression meets the sun, That scorches shadows from their place, Plumes of fire preaching, Here he finds the meadows, Melting all gone in the red and stubborn sand. Oh and there he fights the priests, Oh and there he summons hell, From the sun that never dies, And the seasons never change. There go I, Through the paradises of elephants, (White and rouge) Palaces of sultans in the sultan shade. Armageddon heavens twisting, Where the spindle-bound spires raise. There go I, Vagrant feet forging, The miles in meter And the deserts in their damnation. Eventually, the vagrant finds the rivers. Eventually, there he claims all Moses, Running wild through these waters, Cutting heel into valleys pale and pink. Golden Hordes, and god-kings, And paisley patterns branded in the eye; There are the journeys going unhindered, Where the snow meets the soul. The vagrant with his body, Naked in the mind, Storm by boat in the dead of winter, Warmed by sails in the dead of spring. The vagrant going east, Then around again and west, There shores of silver, Horns of plenty fallen found. One thousand and one years Gilded in the green, Fluorescent accents smiling, Sounds smelting in the foreign forests. The vagrant meets the sea After his trials in their numbers, Blankets thrown up, White sheets waving, Clairvoyance in antiquity. The sea is blue and washing, The vagrant's eyes are marbled, As the notes progression goes The water kisses the air. Pillars taller than the stars Stretch to heaven forgetting, There oceans rising, And the tranquil music dancing. Tripped out not wanting, Rise and risen, The scavenger surface And the molten mound. Poor traveler, In his vision where all eyes meet, The savage and sacred nature, The hurricanes and blissful storms. Poor traveler, Not meet your end, One foot in the grave, Where a million, million angels Carry you down. And poor traveler, King in concert, There hills and crevasses crawl to him, Call to him, Leave all their pasts searching.
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Sep 9, 2016
Sep 9, 2016 at 8:04 PM UTC
The Vagrant
Beginning in the evergreens, Where the waters run sweet as wine, The skies sing out shattering, The ground spins down below His marching feet. One thousand and one years Left him in the earth, And raised up Typhon, Come lightning staff, Come thunder breath. Moving through the mountains, Purpled by the sun, Floods cutting through the rock, Come traveling through the caverns, Through the cloud's rain that tear down. Eagles eating gods, And green, green trees stretching hands, He stumbles through the paths, Going all martyr in the shades. Eventually, his progression meets the sun, That scorches shadows from their place, Plumes of fire preaching, Here he finds the meadows, Melting all gone in the red and stubborn sand. Oh and there he fights the priests, Oh and there he summons hell, From the sun that never dies, And the seasons never change. There go I, Through the paradises of elephants, (White and rouge) Palaces of sultans in the sultan shade. Armageddon heavens twisting, Where the spindle-bound spires raise. There go I, Vagrant feet forging, The miles in meter And the deserts in their damnation. Eventually, the vagrant finds the rivers. Eventually, there he claims all Moses, Running wild through these waters, Cutting heel into valleys pale and pink. Golden Hordes, and god-kings, And paisley patterns branded in the eye; There are the journeys going unhindered, Where the snow meets the soul. The vagrant with his body, Naked in the mind, Storm by boat in the dead of winter, Warmed by sails in the dead of spring. The vagrant going east, Then around again and west, There shores of silver, Horns of plenty fallen found. One thousand and one years Gilded in the green, Fluorescent accents smiling, Sounds smelting in the foreign forests. The vagrant meets the sea After his trials in their numbers, Blankets thrown up, White sheets waving, Clairvoyance in antiquity. The sea is blue and washing, The vagrant's eyes are marbled, As the notes progression goes The water kisses the air. Pillars taller than the stars Stretch to heaven forgetting, There oceans rising, And the tranquil music dancing. Tripped out not wanting, Rise and risen, The scavenger surface And the molten mound. Poor traveler, In his vision where all eyes meet, The savage and sacred nature, The hurricanes and blissful storms. Poor traveler, Not meet your end, One foot in the grave, Where a million, million angels Carry you down. And poor traveler, King in concert, There hills and crevasses crawl to him, Call to him, Leave all their pasts searching.
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89
Sumer, the people of ancient Mesopotamia. Known to us as nascent humanity; Spreading across the world quickly, Like news of a calamity. They existed thousands of years ago, A civilisation truly gifted, Knowledge of whom many of us forgo. They were but one shade in a kaleidoscope of human presence. Kings of the Fertile Crescent – Establishing empires or mastering commerce, Starting fires or learning to converse. Mankind in its infancy, A bloom of activity and artistry. In our attempts at deciphering our history, We turn to the relics of their poetry, Discoveries that are a historian’s ultimate victory. ‘The love song of Shu-Sin’ – The world’s oldest, known reference to love. Written thousands of years ago, Possibly older than we do know. It is a rite of marriage, a recital; In it lies a passage, one that needs a revival. It is about a vow that we have now twisted, An exquisite message that leaves one’s spirit lifted. The bride promises the following to the groom; To act as a refuge when all that seems to loom is doom and gloom. To caress, love, and soothe. To savour beauty and intimacy, To be like honey, sweet and smooth. The king - a man who was thought divine, A man whose life was valued more than yours or mine, A man who could eternally wine and dine – That man was still no sultan to love. His heart was still in the palms of his beloved, Their naked frames intertwining, arched and cusped. His hold on her is not one of force, Nor a promise of power, But rather earned in due course, Like the development of a beautiful flower. I grieve beyond words when I think Of how love, nowadays, is on the brink. The glue that holds life itself together, Discarded by many, like an ex’s letter. I look at the eyes of people I’d love to be with, And in their expression, I discover a graveyard of sad memories. Scars that feel indelible, past histories - Souls that look like war-torn territories. I look at my own eyes in the mirror, And see a starving spirit, growing thinner. I see a window for restoration, becoming slimmer. Sometimes I hopefully wonder – is there a glimmer? Is there another hungry apparition, On a desperate search for heavenly admission? I seem to have forgotten how to love, And do not know how to rid myself of this condition.
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Aug 22, 2018
Aug 22, 2018 at 7:11 AM UTC
I forgot how to love
Sumer, the people of ancient Mesopotamia. Known to us as nascent humanity; Spreading across the world quickly, Like news of a calamity. They existed thousands of years ago, A civilisation truly gifted, Knowledge of whom many of us forgo. They were but one shade in a kaleidoscope of human presence. Kings of the Fertile Crescent – Establishing empires or mastering commerce, Starting fires or learning to converse. Mankind in its infancy, A bloom of activity and artistry. In our attempts at deciphering our history, We turn to the relics of their poetry, Discoveries that are a historian’s ultimate victory. ‘The love song of Shu-Sin’ – The world’s oldest, known reference to love. Written thousands of years ago, Possibly older than we do know. It is a rite of marriage, a recital; In it lies a passage, one that needs a revival. It is about a vow that we have now twisted, An exquisite message that leaves one’s spirit lifted. The bride promises the following to the groom; To act as a refuge when all that seems to loom is doom and gloom. To caress, love, and soothe. To savour beauty and intimacy, To be like honey, sweet and smooth. The king - a man who was thought divine, A man whose life was valued more than yours or mine, A man who could eternally wine and dine – That man was still no sultan to love. His heart was still in the palms of his beloved, Their naked frames intertwining, arched and cusped. His hold on her is not one of force, Nor a promise of power, But rather earned in due course, Like the development of a beautiful flower. I grieve beyond words when I think Of how love, nowadays, is on the brink. The glue that holds life itself together, Discarded by many, like an ex’s letter. I look at the eyes of people I’d love to be with, And in their expression, I discover a graveyard of sad memories. Scars that feel indelible, past histories - Souls that look like war-torn territories. I look at my own eyes in the mirror, And see a starving spirit, growing thinner. I see a window for restoration, becoming slimmer. Sometimes I hopefully wonder – is there a glimmer? Is there another hungry apparition, On a desperate search for heavenly admission? I seem to have forgotten how to love, And do not know how to rid myself of this condition.
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55
Beaucoup de ces dieux ont péri C'est sur eux que pleurent les saules Le grand Pan l'amour Jésus-Christ Sont bien morts et les chats miaulent Dans la cour je pleure à Paris Moi qui sais des lais pour les reines Les complaintes de mes années Des hymnes d'esclave aux murènes La romance du mal aimé Et des chansons pour les sirènes L'amour est mort j'en suis tremblant J'adore de belles idoles Les souvenirs lui ressemblant Comme la femme de Mausole Je reste fidèle et dolent Je suis fidèle comme un dogue Au maître le lierre au tronc Et les Cosaques Zaporogues Ivrognes pieux et larrons Aux steppes et au décalogue Portez comme un joug le Croissant Qu'interrogent les astrologues Je suis le Sultan tout-puissant Ô mes Cosaques Zaporogues Votre Seigneur éblouissant Devenez mes sujets fidèles Leur avait écrit le Sultan Ils rirent à cette nouvelle Et répondirent à l'instant À la lueur d'une chandelle.
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907
Beaucoup de ces dieux ont péri
In you lies Zeus. You’re your own God of thunder. Striking lighting that Peirce through hearts. I wonder! The world believe you have it all panned out, it sometimes forget you have blood too Its notion of you, unintentionally gives a standard as high as mountain Society views you as fearless, it forgot the boy in you Asking you to man up and keep your tears, I ask aren’t they humans too? My love, Tune out the cruel noise and listen just to my voice For you are my king, the Igwe of my clan so I call you EZE The eyes of the gods in you I find EZENMOR You are the Ohi of my land so come home to me OHINOYI The hand that gives never lacks what do you say? ADEIZA! As a woman I love to dream and I know we have an empire… of which you’re SULTAN Our sons learn from your steps they are our little YUVRAJ My audacious husband, an aggrandize doer. Mighty is the Arm that I find comfort, for you are the most uxorious man I ever met. A gregarious lover… For days you find the fog too thick, take a break Catch your breath Think again. Remember you’re Cheesable   too And you are loved with all that comes with it. @BELLAH
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Nov 18, 2022
Nov 18, 2022 at 10:37 AM UTC
My dear Man!!!
Sultan of Swing He was a rocker and a roller, always had a plan loved beautiful women, yes he was a full-blooded man drove a fast fancy car, had plenty of bucks when times went bad, he'd just say "aw shucks" a great attitude, he cared about the world tried giving his time, as causes unfurled gave freely his money, and offered his mind yes he was a prince, always so kind music was his calling, his goddess of life more passionate with notes, then most with their wife he would listen and play, and lift his voice to sing happy dancing feet, he was the Sultan of Swing   whenever a cloud, would pass in front of the Sun he took it as a challenge, a reason for some fun a happy little tune, would somehow appear he would whistle and hum, until resolution was near rock tunes were great, loud cruising guitars he'd play anywhere, on the street or in bars making people smile, was his favorite thing jazzy dancing feet, he was the Sultan of Swing Morpheus aka Gomer LePoet
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Sep 23, 2011
Sep 23, 2011 at 5:08 AM UTC
Sultan of Swing