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Journal of Darkness: Assassin and Deceptress


Nov 21, 2011, 8:17:32 PM by ~OmegaWolfOfWinter
Journals / Personal




(description of storyline: all characters in this work are dragons, with the ability to change into a human form. they live in present day society, but have a base in the middle of the desert. there is a library with the history of the world, which is operated by stacra, an organization to preserve the peace in the world. there is a rival organization, the dracra, who wish to take it over. the dracra is led by a dragon named Darkheart, a dragon who has haunted the Scar line for millenia.)
"... sahsa...."
what was that mumbled sasha, a small town girl in modern day USA. she was nearly asleep when the voice called to her.
sasha was usually described as a freak. she was a dragon fanatic, and she carried her favorite books wherever she went, Brink of Insanity: journal of the Wild and the Broken; and its companion, Blood curse:  journal of the Destroyer and the Savage. they told of dragons living in new york who had to bear a family curse and sought a way to release it. the author was only known as "Lucian".
"....sasha...."
i'm sure i heard it that time...
"....come to me sasha...."
she didnt know why but she felt as if she absolutely had to find the source. she was barely clothed but quietly snuck out, leaving small footprints in the snow.
"....sasha!...."
she felt panicked. as the voice grew louder so did her heart, beating quickly in her ears. some sort of animal instinct took over and she somehow Managed to run on all fours. her whole body began tingling, her skin writhing. she looked back and nearly choked: wings and a tail... had grown from her body. her whole body turned white as scales etched their way into life over her skin. her body began elongating and enlarging, becoming streamlined and lizardlike. she was transforming...
"...yes!... just as you said, master...."
"...quiet, kovu..."
sashas vision went dark as she stumbled, barrelling through the snow. when she looked up, she saw an enormous dragon, with scars just like the ones in her book. "she will be a fine student."
sasha was dumbfounded as she saw her parents walk up behind them. "greetings, master Lucian, kovu." said her father.
"and you, rydon."
"y-you...know...?" stammered sasha.
"all will be explained in the morning, sasha," replied her mother.
sasha felt tired and her eyes shut as the ground came up to meet her.
sasha sat alone at the picnic table, surrounded by lucian, her father rydon, her mother sophia, and kovu. "so... you're all.... dragons.... like in my books..." she gestured to the two books.
lucian stepped forward and placed a hand on the books. his hand glowed and the glossy books turned to worn, leather journals. "yes, we are dragons. sasha. and you have done well guarding my journals."
"your... journals? but i thought that these were best-selling novels..."
lucian chuckled, "no no. young one, there are only two other copies of each of these in existence."
"wow..."
her father spoke up now, "so what are you here for, master? is it time for her to leave us?"
"leave?! what do you mean leave?!"
rydon looked worriedly at lucian and then at sasha,"you are dragon, and it is tradition for you to be trained."
"but what if i dont want to leave?!"
her father began to become angry,"its not your choice!"
"then whose-"
lucian's eyes glowed red in anger, "rydon, haven't you taught your daughter respect? surely you would know of my ways by now."
rydon nodded, "i- i'm sorry, master. i don't know whats come over her."
sasha ran, shifting to her new dragon form and flying away. darkheart had warned her of this, that lucian was a dictatoria leader. she asked herself, "why had her father taken his side? why did this have to happen so suddenly? and most of all, what was she going to do next?"
darkheart had given her directions to meet her after lucian made contact. sasha flew, tired as she was not used to the extra limbs.
once she reached the spot that darkheart had told her, she waited and thought things through.
once darkheart arrived, she spoke, "i want to join you. i beleive everything you've said."
darkheart chuckled, "i knew you would dear girl, lucian is the same as his grandfather, they both hounded me and tortured me, for their own twisted ways. i've tried to keep as many as possible from falling into their cluthces. i wasn't able to **** scarheart, as he captured me and forced me into his own body as an energy slave. he tortured me even there, and after he died, lucian, his grandson, got me. he too tortured me."
sasha looked at her in sock, "thats terrible. i didnt know..."
"you couldnt have, darling. those evil dragons keep everything from those who should know."
sasha stood, "i want to be trained. by you."
"really? i warn you, it is quite tough. not all survive. you must be willing to do whatever it takes to stop those vile dragons."
*     *     * 3 years later
sasha was 20 years old, and it was time for her to take on her first big mission: infiltrate lucian's schol and learn everything she could.
sasha had already talked to lucian, apologizing for her behavior so long ago. lucian had seemed hesitant but allowed her in. foolish old bat. she thought. she had been at the compund for a year and a half now and had become familiar with their ways.  sasha would often wonder why she was doing this, and she remembered, darkheart had said that lucian killed sashs's father. she always looked at him with scorn and wished to **** him. but she restrained herself and kept on the facade.
today she felt especially hating towards every master she came in contact with. she passed tsai, lucian's right hand dragon, as he went to talk with the master. she tried to eavesdrop but they were speaking in an ancient, coded language. she growled and her white scales flashed in the sun.


"Lucian, somethings not right about that youngling sasha... she's always watching us, like she's gathering information."
"yes, tsai, i know. i know exactly what she is."
"what?" tsai looked skeptical.
"she's an agent, an informant. for darkheart."
tsai stared, incredulous."wha?! how do you know?!"
"ive been under the influence of darkheart before, as have you. something about sasha is of darkheart's doing."
tsai nodded "even still, is she possessed by her or under orders?"
lucian thought for a moment "i beleive under orders..."
both stared as lucian's son, kovu, walked up to sasha.
*       *        
"sasha! hi!" kovu had taken a liking to sasha since his father took her as an apprentice.
"oh, um. hi. kovu..." *i cant let my emotions get in the way of my mission!
"how have you been?" sasha felt herself blush under the gaze of the drake. he wasnt half-bad to look at, and she often caught herself watching him.
"i'm doing great, training with tsai is always fun. what about you and master lucian?"
her eyes darted to her master, her target, then back at kovu. "you mean you're... dad?"
"yeah... my dad... but we students can only call them by their designation. even master scaleweaver calls some elders master."
sasha's ears pricked up as she heard scaleweaver's name. she was assigned to gather information on all of the masters. i must make madame darkheart proud... i am worthy... she must see that...
"is... something wrong, sasha?"
she caught herself, "n-no i'm just tired is all... just tired..."
her master lucian came toward her what a fool, he doesnt even know about me... "sasha, i need to speak with you.... alone."
kovu difpped his head and backed away respectfully.
"sasha, come."
she swallowed her pride and said, "yes... master..." and followed him.
once they were outside, lucian turned to her and said, "i know, sasha. i know that darkheart sent u here to gather information on us."
sasha's eyes widened and her mouth dropped. she thought hard how?! how does he know?! this cant be possible....
"i-i dont know what youre talking about, master..."
lucian turned on her with a peircing gaze, and made her wince as he studied her. "there are better ways to lie, youngling... but not to me. ive known for quite some time now."
sasha felt her legs give out beneath her. she sat, looking into the dust, listening incredulously at lucian. "how... how do you know?!?!"
sasha ran forward, clawing at lucian's throat. she was instantly frozen in place, an immensely strong spell holding her legs in place.  "let me go, lucian!"
"its master to you, youngling. and why would i let you go? you just tried to **** me." sasha struggled helplessly against her bonds. she saw lucian mutter something and felt her legs grow suddenly cold. she looked and gasped as ice started to creep up her haunches.
"lucia-master, please let me go... i was only under orders."
lucian chuckled, "how did darkheart get to you?"
"i can't tell you..."
"oh? then let me guess; theres another informant, a higher up in stacra, who told darkheart about you and she arrived, possibly a week before us? she fed you a story of stacra destroying the world and trying to take over the one that they created. she told you that she was only trying to help restore order. am i close?"
sasha felt naked under the gaze of the elder, who saw straight through her act and through her commander's plan. it made her heart quicken and her scales writhe. she felt a sharp pain as the ice crept up and chilled her thighs, creeping steadily upwards. "how... how can you know these things?! darkheart said you wouldnt be able to know... she said that you held her prisoner... that you tortured her... she said that you- you killed my father."
lucian shook his head and wiped something from his face, revealing gruesome scars. "she altered her face to look like mine... look, and know the truth." he placed a claw on her forehead and she gasped as a flood of memories flooded her, darkheart inside lucian's mind, taking over him, taunting him, and forcing him to do terrible things. she heard lucian say, "she tortured me, she held me captive. its true that stacra destroyed the world, but look also;" she saw the corrupt government of old, and their wretched attrocities. "they brought about their own destruction. we created the world you know, but dont wish it to be taken over, we merely want peace...We act as peacekeepers. darkheart seeks to enslave all to do her bidding. and your father died at darkheart's talons, not mine." sasha saw a gruesome scene as lucian tried to save her father.
she felt him withdraw, and felt the magic and ice withdraw from her, the ice's touch fading from her ****. she shivered and crouched low, warming her body.
"sasha, darkheart is a liar... she's been at it for thousands of years." he watched her shiver and said. "come, sit around the fire."
sasha noddded and followed close behind lucian, hiding her vulnerable state.
"i'm sorry, master."
"all will be okay, sasha... all will be fine.."
lucian brought sasha into his study under his wing. he had her sit down in front of the fire and draped a blanket over her. he sat down behind her, looking over the latest reports, waiting for her to speak. after a few minutes she sighed and looked back at lucian, tears forming in her eyes. "is everything you said true? Is darkheart nothing but a deceptionist?"
lucian looked up at her and nodded. "all of it was true. I'm sorry, sasha. darkheart is a gifted deceptionist and many of us have fallen for her tricks.  including me."
sasha turned back and looked into the fire with sad eyes, tears rolling down her cheek. she shuddered and took a shaky breath. lucian came up beside her and placed a comforting paw on her shoulder.
"darkheart forced me to **** my best friend... a she-drake named Clia... in front of her other followers to show that we must be able to turn on anyone to fulfill the mission..."
lucian nodded, "so I had heard... darkheart has become more cruel than ever."
"l-lucian, what can i do to make her pay?"
lucian thought for a while and then shook his head. "let me think more on this, sasha. for now, let no one know that you are an affiliate of darkheart, it could have deadly consequence. you may remain in here if you wish, or you may return to your own quarters. i have some things to attend to."
sasha nodded to him and gasped as everything went still and dimmed, even the fire seemed grey and frozen.
"wha-"
"sasha... you must tell me now, will you work with me?"
she was stunned. "where are you? what do you mean?"
"you want to get back at her, i know how to. but you must tell me if you will work with me."
"i-i will, lucian. but whhy ask now, and in this way?"
"because, there is someone here, that is going to try to **** you. he was listening to us and is going to attack you with magic. ive cast a spell that will give an apearance of death. just let the magic do its stuff and u'll do fine">
"but wait!"
"you must trust me, sasha."
all of a sudden, everything went back to normal, and lucian was gone, she could hear his fading footsteps.
what was that abou- wait! the killer... she kept facing the fire and listened as she had been taught to the clawsteps of the incoming dragon.
"is it true? you're one of them?!"
sasha turned and gasped, flashing him a shocked, innocent look over her shoulder. "what are you talking about, kovu?"
he was angry, and she was struck with fear. "i overheard you and lucian talking. i heard everything."
sasha turned to face him."y-you, heard everything..."
"then you are one of them! i cant beleive it... i cant beleive i trusted you."
kovu stepped forward and sasha's eyes shifted, trying to find a way out. "kovu, i- i can explain."
"you're nothing but a trickster, a deceptress! dont try to talk me out of this."
her heartbeat quickened, stricken with dread. "out of... out of what, kovu?"
he said nothing but uttered the death spell.
*      *    
sasha let herself go, remembering lucian's spell. but as she did so, she thought about why she was doing this. *to make darkheart suffer...
she heard lucian in her mind. "you'll be going to death-sleep for a while, a few days to make it beleivable. now sleep, sasha... sleep and i will awaken you soon."
"o-okay, master lucian..."
"there is no need to call me master anymore, sasha. from now on, you no longer exist. which is why darkheart will never see you coming. its time... dont worry."
the death-sleep overcame her and she fell to darkness.
*   * *
lucian ran downstairs and saw kovu standing over sasha's body. he put on a facade of dread and said, "kovu.... what have you done?!"
kovu looked at lucian angrily. "you were going to harbor a killer... i took care of the problem."
lucian became angry now, "no, you made more problems. you didnt think... you didnt listen. she was willing to help."
kovu snarled at lucian, "i did what needed to be done. I killed her for you, father."
lucian responded quietly, "you killed a helpless dragoness in cold blood. i have no choice but to arrest you for ******, my son." he muttered a binding spell and blocked kovu's magic. he watched kovu struggle for a moment then went to pick up sasha's seemingly lifeless body. he contacted her mentally, saying, "i'm taking your body in to the infirmary, i'll oversee your examination. in 2 days, i will wake you, when i do, be very quiet."
"yes, sir."
sasha's new appearance was stunning, quite different from the black color of her original scales, she now looked like each scale was a glittering saphire, and her horns and underside were now a shimmering silver. sasha was astonished by what lucian had done, he had also changed her voice and form, making her more slender and agile, he altered her voice in such a way that it seemed that she could charm the heart out of a rock. even lucian who had a mate of his own had to keep himself composed. but he was undoubtedly pleased that things were turning out well. lucian had to change everything about her, her eyes now a deep green, her draconic fingerprint being her tail-tip and spine, were changed to furry mane and a slender diamond tip.
she looked at herself in amirror and remarked how mature she looked.
"you may have to be put in certain situations which may have you exploit some... erm... feminine charms."
"so i'll have to...."
"only if you let it go that far. it depends on you. you said that you'd  do anything to get back at darkheart. these matters are up to your own discretion."
she thought long about this. "i want to g
this is a book i'm still writing.
Terrifying are the attent sleek thrushes on the lawn,
More coiled steel than living - a poised
Dark deadly eye, those delicate legs
Triggered to stirrings beyond sense - with a start, a bounce,
a stab
Overtake the instant and drag out some writhing thing.
No indolent procrastinations and no yawning states,
No sighs or head-scratchings. Nothing but bounce and stab
And a ravening second.

Is it their single-mind-sized skulls, or a trained
Body, or genius, or a nestful of brats
Gives their days this bullet and automatic
Purpose? Mozart's brain had it, and the shark's mouth
That hungers down the blood-smell even to a leak of its own
Side and devouring of itself: efficiency which
Strikes too streamlined for any doubt to pluck at it
Or obstruction deflect.

With a man it is otherwise. Heroisms on horseback,
Outstripping his desk-diary at a broad desk,
Carving at a tiny ivory ornament
For years: his act worships itself - while for him,
Though he bends to be blent in the prayer, how loud and
above what
Furious spaces of fire do the distracting devils
**** and hosannah, under what wilderness
Of black silent waters weep.
st64 Apr 2014
Spring comes little, a little. All April it rains.
The new leaves stick in their fists; new ferns still fiddleheads.
But one day the swifts are back. Face to the sun like a child
You shout, 'The swifts are back!'


Sure enough, bolt nocks bow to carry one sky-scyther
Two hundred miles an hour across fullblown windfields.
Swereee swereee. Another. And another.
It's the cut air falling in shrieks on our chimneys and roofs.


The next day, a fleet of high crosses cruises in ether.
These are the air pilgrims, pilots of air rivers.
But a shift of wing, and they're earth-skimmers, daggers
Skilful in guiding the throw of themselves away from themselves.


Quick flutter, a scimitar upsweep, out of danger of touch, for
Earth is forbidden to them, water's forbidden to them,
All air and fire, little owlish ascetics, they outfly storms,
They rush to the pillars of altitude, the thermal fountains.


Here is a legend of swifts, a parable —
When the Great Raven bent over earth to create the birds,
The swifts were ungrateful. They were small muddy things
Like shoes, with long legs and short wings,


So they took themselves off to the mountains to sulk.
And they stayed there. 'Well,' said the Raven, after years of this,
'I will give you the sky. You can have the whole sky
On condition that you give up rest.'


'Yes, yes,' screamed the swifts, 'We abhor rest.
We detest the filth of growth, the sweat of sleep,
Soft nests in the wet fields, slimehold of worms.
Let us be free, be air!'


So the Raven took their legs and bound them into their bodies.
He bent their wings like boomerangs, honed them like knives.
He streamlined their feathers and stripped them of velvet.
Then he released them, Never to Return


Inscribed on their feet and wings. And so
We have swifts, though in reality, not parables but
Bolts in the world's need: swift
Swifts, not in punishment, not in ecstasy, simply


Sleepers over oceans in the mill of the world's breathing.
The grace to say they live in another firmament.
A way to say the miracle will not occur,
And watch the miracle.
Anne Stevenson (b. 1933)
http://www.anne-stevenson.co.uk



Born in Cambridge, England, Anne Stevenson moved between the United States and the United Kingdom numerous times during the first half of her life.
While she considers herself an American, Stevenson qualifies her status: “I belong to an America which no longer really exists.”
Since 1962 she has lived mainly in the U.K., including Cambridge, Scotland, Oxford, and, most recently, North Wales and Durham.

Intersections and borders are common emblems in Stevenson’s work, though the land on which they are drawn is often mutable or shrouded in mist.
She is as comfortable in strict form as she is in free verse, and her poetry, according to poet George Szirtes, is “humane, intelligent and sane, composed of both natural and rational elements, and amply furnished with patches of wit and fury.”

Initially a student of music, Stevenson earned her undergraduate and master’s degrees at the University of Michigan, where she studied with Donald Hall, who encouraged her to pursue poetry.
Resistant to connections with any particular school of contemporary poetry, Stevenson has honed her art apart from many of her peers but within the larger conversation of the form.
As she says, “If I couldn’t overhear the rhythms and sounds established by the long, varied tradition of English poetry—say by Donne, Blake, Keats, Dickinson, Whitman, Frost—I would not be able to hear what I myself have to say. Poems that arise only from a shallow layer of adulterated, contemporary language are rootless. They taste to me like the mass-produced vegetables grown in chemicals for supermarkets.”

Stevenson slowly lost her hearing years ago, though her poetry continues to come first from sound.
In a 2007 essay, Stevenson wrote, “Although I rarely write in set forms now, poems still come to me as tunes in the head. Words fall into rhythms before they make sense. It often happens that I discover what a poem is about through a process of listening to what its rhythms are telling me.”

“Ever since I can remember, I have been aware of living at what E.M. Forster called ‘a slight angle’ to the universe,” she says.
“I have always had to create my own angular environment or perish. But that’s the whole point about borders. It’s the best place from which to be able to see both sides.”
Brian Oarr Jul 2012
.                                I.

The sand is perfect ripples undulating to the bay,
as the 6:00 A.M sun flashes open a sulfur-eye,
yawns and apologizes for its January warmth.
She emerges her tent, much as she has entered the world,
naked, but filled with wonder and an attitude.
The glassy water winks her an invitation,
morning's blank canvas beach
etched only by random footprints of seabirds.
Taking advantage of the serenity,
haltingly slipping between the waves,
her skin bristles, subsumes cool ocean freshness,
surfboard bobs obediently at her side.

                            II.

On this planet we have friends, who
pose no questions and pass no criticisms,
who the more they trust, the less
we can afford to make a mistake.

                            III.

Like a pat of butter skimming a hot pan,
she lolls blissfully on the board, soaking up scenery,
heedless to the approach from the rear,
yet, sensing she is being watched.
Dorsal fins break the water's surrounding skin,
as a pod of bottlenoses dance and play,
pretend to be oblivious, as she floats within their sights.
Their presence startles, still, she quietly observes their folly,
willing them to come ever closer ...
Her outstretched hand beckons them to
circle with puppy-like curiosity.

                            IV.

Arguably, the perfect couple is a mother and child;
babies do more to females than make them mothers,
they bond them in a sisterhood of knowing recognition,
to which others need not apply.

                          V.

Coriolis swirl of scarred dolphin bodies evades inquiring fingertips,
eye of the alpha-female fixed intently on the floating visitor,
who in turn looks back in shared wonder ---
between two mothers of the Earth, a psychic trust is formed.
The bottlenose rolls a streamlined fusiform body,
revealing  a smaller version of her own,
tucked safely against her white underbelly.
The sun was racing Apollo's arc, as they silently
slipped beneath the plane and were gone.
She knows they've been fending off shark attack,
wishes for a way to fend off trawlers with gill nets.
A singled tear rolls down her cheek,
trickles off the board to merge with salty blue beneath,
reaching compassionately for her sister in the sea.
This is the true life story of the talented Australian poet Rachel McManis.  I was honored to assist her in writing this piece.
Tatiana Dec 2015
It was 11 o'clock when they told me you were gone. 11 O'clock and I thought my dog had died or my dad's car had broken down or he lost his house maybe gotten sick and was in the hospital but it was at 11 o'clock that they told me you were gone. It's a feeling I'll never forget, one that I hope no one will have to encounter in their life. You were gone for a day before I knew. By a hand so familiar to you. A hand that had rubbed your stomach when it was upset trying to calm it, a hand that had made you soup when your nose was stuffed and sticky, a hand that created beautiful masterpieces no matter the canvas. You wrote a different kind of line, one with pink and purple and blue. They crossed and conjoined and streamlined across the world. You wrote a different kind of story. A story where you had it all together. A story where the main character never lost his smile even though he faced troubles unbeknownst to everyone. You painted a story of strength and virtue and people of all ages (young and old) hoped to be like you when they grew up. It was 11 o'clock and nothing could have prepared me for the news of your departure. All of the pain I've felt, all of the books I've read, news articles with similar stories, NOTHING could have prepared me for this one. Because this time the story was mine. Uncle Darrell, it was at 11 o'clock when they told me you left us. 11 o'clock is no longer a time I wish to be awake. 11 o'clock was on a Friday. I no longer like Friday's. At 11 o'clock I realized I hadn't been awarded the chance to see you one last time before it all came to a halt for you. At 11 O'clock I took in the fact that I will never see you again, nobody will. At 11 O'clock I found out I would not be making it to your wake. 11 O'clock has turned into both a time and a place since then. 11 O'clock is now a time when tears dare to fall from my eyes. 11 O'clock is now a place, it's a world without you in it. A place where people come to commemorate your life; where people come to celebrate the fact that someone as angelic as you once walked this earth. You were a blessing unto every person you have met and you will never be forgotten. I love you Uncle Darrell I hope that one day I will see you again.
I want to write a poem
but I have to write code instead
There can be a kind of poetry in code
especially my code
I'm proud of the elegant design
of my loops and logics
my streamlined systems
My code flows

pulling the User along effortlessly
guiding them gracefully from one end of the black box to the other
and out again
No Errors
My code flows

secret haikus left in comment blocks
for other programmers to find
like digital hieroglyphics on virtual cave walls
test data populated with pantheons and
mystical chants from faraway lands
My code flows

water of ones
in sea of zeroes
pouring through me
from aether to mind to muscle to machine
bit by bit
block by block
stacked upon stack
module into module through function and parameters passed
My code flows

flows through me
until the integer flips
the Boolean switch
change of state
status update
now compiled and crystallized
Executable
and then passed on
leaving me
out of my hands
disseminated to The Users
like a prayer to a congregation
I hear the clicking fingers of their choir
singing the song of my code
now flowing through Them
Julian Apr 2023
4/14/2023
JERBOA NEKTON SYNAPHEA BRIMBORIONS SCOWLING AT FRIGHTED PARASELENES OF THE DARKEST DIMMEST SATURNINE JANSKY OF JANITRICES ENDOWED WITH THE NOMOGENY OF FUTURE NOMENCLATORS THAT SWERVE WITH NOTAPHILY BECAUSE OF  NOTITIA ATTEMPT THEIR GALLANT  NICCOLIC GAMBOLS AND SPRAUNCY SPECULAR RETROMORPHOSIS OF PHUGOID VISAGISTS URANOPLASTY ELECTS TO THE OBSOLAGNIUM OF DIESTRUS AMONG HEAVENLY AUDIENCES ENRICHING THE HEGUMENES OF EARTH WITH THE WIDDERSHANCY AGAINST WIDGEONS BECAUSE THE WAPENSHAW SCAMMONY OF STEPNEYS OF STEMSON REGARD THE ZALKENGUR OF GAINSAY IN RENGALL COMEUPPANCE ARE MASTERATE MATACHINS DANCING WITH TERPSICHOREAN CACOETHES BECAUSE OF CALUMETS OF CORTEGE BLANDISHMENTS EXCEL AT TRANSFORMATIVE REVALORIZATION RATHER THAN REGELATION BY CLEPSYDRA HONORS CERACEOUS TROPISMS IN THE VINSKY OF SHIBBOLETH THAT A KAPSTONE PAPER SOCIETY GRIDLOCKED BY THROTTLEBOTTOMS OF MELOPEPON MENSURATION IN RIVETED AUDISM FOR THE COMPLEX TRUTINATION OF THE CERBERIC WILL OF DEMASSIFICATION IN THE CNICNODES OF CTETOLOGY THAT EMPOWER NASONS WITH NASUTE INDOLENCE IMPUDENT ONLY UPON TAMBURITZAS OF TANGORECEPTORS AMONG THE FLOCKS OF MEN BECAUSE THEY FEAR THE NORSELS OF NEMBUTSU THAT ANOINTED ESBATS WITH A PEDIGREE OF CHICANERY AROUND THE MORSES OF VARSAL HEGEMONY OF WHELKY BEATEN BY WALLETEERS SPARING IN TIMES OF FAMINE THE STRAIN IN TIMES OF DESICCATED THIRST IN THE GEOSCOPY OF THE DELIVERANCE OF PYCNOSTYLE PYRETOLOGY TO BECOME FREESTANDING CETACEAN CAMBERS THAT AVOID THE CAIMANS LIKE THEIR LIFE DEPENDS ON IT TO ESTABLISH A VESTIGIAL VENTANA UPON THE VARDLES OF ALL FINESSE IN “CALL IT WHAT YOU WANT”MIKE BOSSY BOSE THAT SPURTLED OFTEN IN THE FAMIGERATION OF WRIKPOND RINKOMANIA SUCH THAT RUBEFACTION IN TRITANOPIA OR MULIEBRITY IN PROTANOPIA MIGHT STORGE THE SALMAGUNDI OF THE BORTS OF THE SARSENET SOCIETY OF COMPOSURE REGALING COMFORTS THAT “THE CREATURE WALKS”PRANCES WITH A DILATORY CALCULUS IN BALEFIRE SUCH THAT THE BOWDLERIZATION OF POTAMOLOGY FOR SQUARSON REGARD IN ABRAXAS SYNERGY FORESEEN BY VENTRAD CHIRKS OF ANTI-HEROS BECOMING VENDETTA VIGILANTES OF THE BRONTEUM OF PLUTOMANIA SUCH THAT NEGOTIOSITY BECOMES A TRIFLE OF THE CLORENCE OF CEPHALIGATION NEWLY INVENTED INTO STREAMLINED TIMMYNOGGIES THE WASTRELS AND WASE OF BARNSTORM THAT UPON THE SERENADE OF LINCOLNS LAST STROLLS OF PURPRESTURE IN THE INCONVENIENCE OF PRE-GALVANIZATION FOR THE DURAMEN TO TRICOTEE WASSAILING THE FORTUNES OF WELDS OF WELLAWAY WANGS AND KENSPECKEL SATURATION OF FLUMINOUS FOGRAM FILEMOTS IN CASEFIED CORDWAINERS THAT AFFIX THEIR STEPWISE CLIMB INTO IMPARLANCE IMPAVID BECAUSE OF THE KLENDUSIC SURVIVAL OF THE VEES AND MOULIN ROUGE GLACIOLOGY OF ARCTICIANS SURMOUNT A SPECULATIVE SPATTEE THAT IS LOUDLY WAILING AND BEMOANING THE ANTIPODES OBLATED IN THEIR OWN NACREOUS NAGORS OF NEMBUTSU CAVERNOUS IN THEIR CHUCKWALLA ACCLAIM OF THIGMOTAXIS FOR MIGNONS OF CHIRAPSIA SPARRING AGAINST THE UPSTART PRESBYTERY CUT AWAY AND RESECTIONED ENDLESSLY IN THE MARAUD OF BENIGHTED KNIGHTS SURVEYING THE EMPTY EXPANSE OF QUIDCUNX OF COLORATION SOLVING THE EQUIPOISE OF STOCKINETTE SUCH THAT  RADICALISM BY BLESBOKS IS STERNLY REPRIMANDED BY THE STERNWAY OF EQUESTRIAN SYNCOPATION UPON BEBLUBBERED ATRABILIARY ABAXIAL CONUNDRUMS THE SALVATION OF THE FEW AND THE FAMISH OF THE POISON IVY SOCIETIES OF COGNOSCENTI RHIZOGENIC TO ALL SURDS AND SURDOMUTE SURQUEDRIES SUCH THAT BLAZING CONFLAGRATION OF BONHOMIE BONFIRES ALWAYS ENTITLES THE WHIFFETS AND WHIPSTAFF OF THE WAPENTAKE OF THE REJOINDER GENERATION TO EXALT AND EXCEL DESPITE PRIMORDIAL IGNOMINIES ESTABLISHED BY EMOTIVISM BECAUSE THE EISOPTROMANIA OF ONE IS THE PANOPTICON TO MANY A SECRET TROVE AND MORE VIKING MARAUDERS OF THE DISTANT APOSTIL TO APOSTLESHIP DEFINING THE SOTERIOLOGY OF MAGNANIMITY BARMCLOTHS OF BARMASTERS IN THE OLD BRIQUET ARRANGEMENT OF HOLOCRYPTIC HOLTS BECOMES STRIGINE ONLY IN LAMBENT ALPENGLOW TWILLS OF BOREALIS TEMPER AND THE PHLEGMATIC HUMOR OF THE TEDIUM OF THE PRETECHNOLOGICAL ARGALI OF MASTERWORKS BY MOUNTENANCE ALONE SCURFY IN THE HALLSWALLOP OF “PRINCE OF JERUSALEM”CELLARERS IN THE MAMMOCK OF DEPREDATION SWERVING FROM INCOHERENCE IN DRIVEL TO THE LIVELIHOOD OF THE SAINTS UPON THEIR MORTAL METENSOMATOSIS BECAUSE OF MALABATHRUM ATTEMPTS TO BECOME INVICTIVE IN FUTURE SCENARIO FOR WILDING ALBENTURE THAT DISCOVERS ALL WOOLFELL MALAPERT QUANDARIES OF JAWHOLE AND JATO SUCH THAT STREAMLINED MILITARIES IMBREVIATED CENOTES OF CENTROBARIC COBALTIFEROUS COMBUVIROUS CHERNOZEMS OF THE ARTICULATE FRINGES OF THE EXTRAMUNDANE SHALLOPED UPON THE EARTH AND JOGGLING WITH EACH SEISMIC SVEDBERG ROLLICKING THE ROIL OF ROORBACKS OF ROARING 20S VERDURE MIGHT THE SCAPPLE OF SOVENANCE AND THE VEILLEUSES THAT DEPEND ON WHEATENS OF MUGIENCE BASED ON SQUAMATION AND WAINAGE FROM WANIGANS THAT THE NEXILITY OF FUTURE GROMATIC PRECISION ALIGNS THE SYZYGY OF GALLANT GAMESMANSHIP FOR PLACKIQUES OF THE PLECKIGGER TO ASSUME A SUBERIC VALUE IN THE VAULT OF NOSTALGIA THAT ENTOMBS TO MANY AUDISMS OF IAMATOLOGY FOR IATRALIPTIC ASCERTAINED CERTAINTIES OF SOCKDOLAGER TO SUBSUME A TYRANNY OF CUCULINE AND CUNICULOUS SWARF SPAWNED UPON THE ARENEIDAN ARENOIDS THAT SURVIVE AMONG THE LAST REGNANT HUMANISM RECENSED ON BRACHYDACTYLOUS REVANCHE TO THE ELLIPSOIDS OF TURBINATED BUT TUBIFACIENT PIRACY OF CONTEMPORARY REVELATIONS UPON THE ENGROSSED BOX OFFICE SOCIETIES THAT SCAFFOLD TO THE PINNACLE THE ABRAXAS OF ALBATROSS TRUSTS OF JALOUSIES OF CAMBERS BELONGING TO THE HIGHER ORDERS OF HISTORICAL REFINEMENT BECAUSE OF THEIR FLAIRS IGNOVIMOUS UPON THE PAST IN MASTERY OF BUSHWHACKER FUTURISM THAT BEAMS WITH BARNSTORM AND STEAM ENGINES THE WAY FOR CALVERS EVEN WHEN CALVOUS TO MOUNT EMOLUMENT AND PILOT AGAINST PILATES OF OUR MODERN AGE IN THEIR LASSITUDE AND LACHRYMOSE LAODICEAN AGATHISMS SUCH THAT ENDANGERED GLEBES ORBITING THE HYPAETHRAL GLANCE AND LEER OF LEARY TRAMONTANE WHERRETS OF RASPY TEARS BEMOANING THE SQUINTIFEGOS THAT BELEAGUER THEMSELVES ON “BLUEPRINTS OF THE BLACK MARKET” “24K MAGIC”SOCIETIES THAT SIMPER AMONG THE REST AS SUPREME PROMACHOS ENTILTING THE FUTURE TO WOBBLE IN SYNCOPATION WITH HETEROCHRONY ITSELF SUCH AS AITCHBONES AND THE CORDWAINER ADVOWSONS WHO UNDERSTAND THE THERMODYNAMICS OF RACIAL STRIFE MUST HEAL OUR DIVISIONS TO RECLAIM THE LAND OF DEPREDATED JAMDANIS SUCH THAT YELEKS OF YARAKS BECOME THE HABITUES OF EVERY CAVERNILOQUY OWNED BY EVERY STANJANT MUSEUM OF ATHENAEUM IN SUPEREROGATORY FRUITION. SEMAPHORES OF ACCOLENT ABATJOUR ANOINT THE MASONS OF OUR TIME THROUGH SUBLIME CURRENCY SUGGESTIONS THAT REIFY THE HYPOSTASIS AGAINST HYPOCRISY BECAUSE TOO MANY WIDGEONS ARE DELUDED BY THE HENOTHEISM OF MISGUIDED BAHUVHRIS OF SECULAR BEDIZENED DENIZENS OF GINNELS AMONG RUDENTURE GIMCRACKS SUCH THAT STARVELING IGNOMINY BECOMES THE STEEPEST CLAMBER IN DILATORY ANFRACTUOUSNESS BLATTERNOPHONES OF BACILISUM SUPINE IN INTERREGNUM THE OBROGATION OF THE VESTIGIAL PROMONTORY OF MARTINGALE BECAUSE OF PROFOUND JASPERATED DESPERATION AMONG JARVEYING WORLDS ORCHESTRATED BY PRIMIPARAS OF SIMULTAGNOSIA SUCH THAT SCENOGRAPHY OF DYSCHROA OFTEN SUBSUME THE BRUNT OF THE WORK OF CONSCIENTIOUS ATTEMPTS TO REFORM THE COLLEGIAL ESTEEM OF GRADGRIND STATOLITHS THAT AFFLICT THE FEWER LIMACINE CATAPLEXIES RATHER THAN CEMENTUM BURROWED INTO HYPOGEIODY’S BLINDEST INSTINCTS INFORMED BY HEAPSTEADS OF STAMMERING STANNARIES SUCH THAT THE CEILOMETERS OF CELSITUDE BECOME AN ARTIFACT NOT MERELY OF OUR HUBRIS BUT OUR TOTEMIC CONCERN FOR SUBALTERN MEGALOGRAPHY THAT CAESARAPROPRISM SLELLUMS IN MODERATION OF MODALISM AROUND KINGS AND QUEENS OF THE “NO SLEEP UNTIL BROOKLYN”SECRECY BECAUSE THE WORLD IS ONLY YOURS WHEN THE BORDARS OF BARKENTINE TITRATING AN ATTEMPERED SOCIETAL TRIAGE TO SWAPE WITH MAJORITARIAN HUES A COBBLED CONTRAPLEX SOLUTION TO THE ACCIDIA RATHER THAN EUPRAXIA AMONG THE ARRIVISTES OF VIRILITY CONSOLED AND CAJOLED BY A COMPROMISE OF PATRIARCHY TO THE ECCLESIASTICAL RENEWAL OF MULIEBRITY TO STOP SLEEK MAXIMALISM IN THE LAXISM OF PERVERSE LOVE AND ASKEW COCARDENS THAT BELONG TO THE REALM OF VENTRALABRAL AMNESIA SUCH THAT THEY STOPE AROUND RHEOTAXIS TO STERNWAY THE CABOOSE OF EVERY CUCULINE MALFUNCTION PRICKLY ON TRIBULOID DIETS OF JAUNDICE SUCH THAT EVENTUAL REPARTEE SEGUES WITH ZALKENGUR OF AGRIOZIATRY THAT FORESEES THE POTENTIAL OF ABAXIAL NAZES AND NAVES TO RAMPART THE NYALAS INTO INDEMNITY BECAUSE OF JINGOISM GONE ASTRAY AND A “VIEW ASKEW”PARODY OF SELF-IMPORTANT RIGORS TO DROWN IN A NOYADE NEVER ABAFT ENOUGH TO SURVIVE THE THROTTLED THREMMATOLOGY OF TOFTS BECOMING SUMPTERS OF SUNBITTERN REGALIA WHICH CAMPAIGN A SYBOTIC LABARUM OF ANNEALED SWANK AND REGIMENTED METAPHORS OF BYWORD ARISTOCRACY MANAGED OFTEN WITH  OVERHAILED FORCE BY NEOPHRONS WHO MISCAST EVERY VILLAINY IN AN ATTEMPT TO SQUELCH INTO SILENCE THE CORYPHAEUS OF CIVILIZED REFORMS IN A SOCIETY BUILT ON SPHACELATED BEAUTY AND RAPACIOUS BOODLE. THE ARGALIS OF GALLIVANTED FREEBOOTERS OF STRICT CABOTAGE IN THE VENOCLYSIS TO THEIR TITRATED ADDICTION TO THE NEW YORK TIMES AFFECT ON MAN LIVE INEVITABLY IN THE SCRUTINY OF PALLOR SUCH THAT ESCAPING THIXOTROPY BY MIGNONS OF NOTAPHILY SUSTAINED BY “HOT TUB TIME MACHINE”RIGORS OF ENTHUSIASM NEVER CURBED BY THE CURGLAFF OF NESCIENT IGNAVIA IN PARVANIMITY SUCH THAT THEIR GENIUS JOCKO BOYAUS OF JOLTERHEADS SQUIRMING IN PISCIFAUNA MIGHT THAT SPAR AGAINST SPARTANISM ITSELF—A PARCHMENT OF THE MOST DELIBERATE WIDGEON SUBVERSION OF PROTANOPIA BECAUSE OF AN INVETERATE TRUST IN BRAINTRUST ALLEGORIES CAVORTING WITH BLUSHING INFAMIES SUCH THAT IMPUDENT GAIN BLAINS THE BLUNGE OF OPERATIVE FULGURANT RATOMORPHISM BECOMING A COSTERMONGER SALVATION OF A TERMINAL TERMINUS BUSBOATING A BUMICKY BADIGEON OF MAGICAL TAGHAIRM THAT ANOINTS DEGREES OF PRESTIGE FOR AN AUTOBAHN STREAMLINE RATHER THAN A MUDDIED ROAD OF ROARING 20S FINIFUGAL CALCIFUGE CALCARIFEROUS CARNALITY INDOLENT UPON RICHES AND INCUMBENT UPON COCARDEN SUCH THAT THE SLAYING TITANS HYDRAHEADED IN FORESIGHT OF THE MACHIAVELLIAN PLOTS BY NECROTYPES AGAINST NECROLOGUES BUT OK WITH THE LYCEUM OF MORTIFEROUS MORTMAINS TO BROOK STREAMLINED REPUGNANCE MIGHT EVENTUALLY ALABASTER IVORY TOWER VERDURE OF THE BOSCHVELDT CHARGE THE PROPER CHIMINAGE FOR CHIMNEYS OF THE WHIMPER OF THE MASCARON IN THE FETED “ARMY OF ME”DENTICLES AND FORSOOTH THE GAINSAY OF TITANISM OF DWIZZENED BRUTALITY MIGHT SUCCOR THEIR WAY TOWARDS SUSSULTATORY FORESIGHT FLICKERING IN ALPENGLOW VORAGINOUS VISAGISTS OF VRAISEMBLANCE IN THE VUGS OF SAXIFRAGOUS CONTUMELY AND CONTUMACY MET WITH THE DIRIGISME OF LACKADAY RIMOSE STEPNEYS ON THE STAIRWAY TO HEAVEN RATHER THAN THE HIGHWAY TO HELL. WE RAPIDLY PERUSE EVERY TRIBUNE OF BERLINE COMPLICITY IN THE MACARISM OF MACROBIAN LONGEVITY OF PROSPEROUS STREAKS OF BUOYANT TRICOTEES THAT WILL ALWAYS REMEMBER THE SCORIAS OF IMAGINATIVE GLANCES AT FUTURE VIEWERSHIP OF TRICHOSIS IN DURATIVE FORMATION PROMINENT AMONG  DURAMEN STRICKLES THAT SWERVE FROM SWARTH AND RENEW THE PLEDGE TO REMAIN “PEOPLE OF THE BOOK”LASSOING “RAIDERS OF THE LOST ARC”CARRACKS TO THE ENTHUSIASTIC PASTORAULING PURPRESTURE OF INSOUCIANCE THAT GALLOPS FROM PRECIPICE TO APOGEE AND BACK AGAIN IN RETROGRADE LIMELIGHT BLARING BLATTERNOPHONES OF THE “PANOPTICON OF THE MASTER CLOCK”BECAUSE NEMBUTSU BOWS BEFORE GOD AND MAN THAT IS SLIPSHOD IN ITS DIRIGISME IN BERGAMASK CULVERTAGE OF ICEBLINKS OF VERGLAS THAT MEMORIALIZE THE PLIGHT OF THE PRESENT AND THE REMORSE OF THE PAST TO THE INEVITABILITY OF FLASHBANG FUTURISM SUCH THAT SAXHORNS COULD NEVER MORE STRONGLY EXHORT A UNIFIED DEMARCHE RATHER THAN A TILTED TWILL OF TWADDLED HOLOCRYPTIC METEMPIRICAL PLEONASMS THAT REITERATE THE SELF-FULFILLING PROPHECY ALL TO THE GLORY OF THE SAINTS AND ANGELS OF THE HEGUMENE AND THE ROODS THAT RUDELY INTERRUPTED OUR STARLIT DAYDREAM BELIEVING MAZUT AND THE SADDER MAZOPATHIA OF RECKLINGS OF TURTLEBACK SLOWLY BURNING AWAY THEIR FLAMBEAUS OF DELUSION INTO THE PARALYSIS OF GINGLYMUS AMONG THE SYNAPHEA STELLIONS THAT ARE STANDPIPES TOWARDS ALL HUMAN LIBERATION BECAUSE OF NACREOUS CABRILLA SUCH THAT NEVER TOLD BARCAROLES OF THE CAUDLE OF COSSETED CATHEDRA THAT CATHEAD CLOTURE SEEKS TO FINALLY ABRIDGE THE SUFFRAGE OF SUFFERING CONSPUED MINORITIES IN THEIR PLEDGE OF PATRIOTIC ENRICHMENT OF A TRICKLE DOWN SYSTEM OF FATIDICAL FASHIONS NOW IN THE HEYDAY OF  THEIR TRANSPARENCY TO ANOINT THE MESCULONIES THAT WERE STALWART THICKETS OF PRISTINE ASYLUM AND SILENTIUM SUCH THAT THE FEWER WERE INFORMED OF THE GREATER TRAVESTY OF HISTORICAL DEFECTS TOO SUPERNAL AND SUPERLATIVE TO EVER EVADE BY TIME’S HONEST DESIGN. THE STRATEGY OF THROTTLEBOTTOMED WAPENTAKE IN ILKENGOR WITH ILLAQUEATION THAT CANNULAR HEISTS OF CANQUE THAT NOTARIZE THE NOTAPHILY OF NOTITIA IN NICCOLIC DEMUR SUCH THAT NIDAMENTAL CARDIOGNOST BARRULETS OF SIRENS OF BRASH QUISQUILOUS LANDFILLS OF TOXIC NUCLEARITY AGAINST NUCLEOTIDES OF NEPIONIC OIKONISUS BECAUSE IN INCONVENIENT THRESHES OF IMMERGENCE WE SLAKE ONLY THE APPETITES OF INSATIABLE MEN BROWBEATING THEIR JOGGLED SVEDBERGS MIGHT THEY ENCOUNTER THE DUTIFUL AGGIORNAMENTO NOT OF RICHES OF MATERIAL EMOLUMENT BY THE CONTRITE AND PENITENT HEART OF ACCOLENT NOTORIETY BECOMING LIP BALM FOR FAMISHED FAME SPARKLING WITH FIREWORKS WIDELY HARROWING AND TRIED BY THE CRUCIBLES OF TAGHAIRM GOETICS FOR THE BAEDEKERS OF THE TIMEPIECES. GODS GREATEST SWITH IN MAGNANIMITY FOR PRICKLY BLACKGUARD BLEMISHED BY TOADY PEOPLE WHO WORSHIP STARFISH URCHINS OF TEN FOOT PARKAS AND SOUTH PARK LITURGIES MIGHT EVENTUALLY THEIR SQUARSON CONSCIENCE OWING ALL TO SALVATION NOT OF RICHES BUT OF CARDIOGNOST MAINSAIL SUBINTELLIGENTUR REVELATIONS THAT SQUAWK ON EVERY CROWDED BARRISTER OF THE STREETS SUCH THAT THE FANFARONADE BECOMES THE ANSWER TO ALL UNIVERSAL PRINCIPLES OF SYNCLASTIC BORDARS OF SINECURE PAYING FEALTY TO PASTIMES BECOMING GHAWAZIS AND RIGORS BECOMING FLUENT IN THE EASY DREARY DAYS OF ZEITGEIST OF GELOGENIC CACKLING CREVASSES ON AN EVEREST PATHWAY OF PROMISELAND TITANS AND EMERGING IMPERIAL REGARDS BECAUSE THE “TEACHERS”SOCIETY THAT “OVERTHROWS ALL THE PIRATES”FROM “FALLING POISON IVY”BECOMES THE TALISMAN TO REJUVENATE THE CORTEGES OF BELIEF IN THE MOST SUPREME GOD RATHER THAN THE MOST ESTEEMED MAMMON BECAUSE WE DENOUNCE WIDGEONS AND WE ELEVATE THE CAUSES OF GAMMERSTANGS EVERYWHERE THAT ARE CONTECKED WITH STRIDULATION OF STADIOMETERS BECAUSE THE WANIGANS OF WANGS OF SHANTUNG OF WONDERWORK PRODIGIES OF BINTURONG FAME SUCH THAT THE IDEOGENY OF HISTORY BELONGS TO CETACEAN KNIGHTS WORKING TOGETHER WITH SPRINGBOKS AGAINST MURENGERS OF SPRINGHARES TO FORM AN ABDERVINE MERIT BUILT ON TRIAGE AND POKERISH CHARADE ALWAYS CONSCIENTIOUS OF NIDOR RATHER THAN NIDIFUGOUS SCRAWLS OF INTEMERATION THAT PANDER ENDLESSLY IN PROVINCIAL WASES OF THE TRACASSERIE OF STERILE PROVIDENCE RATHER THAN AUSTERE VENERATION FOR THE MIRACULOUS SECUNDINE GROWTH OF REVENANT  SPIRITS EVICTED FROM THE LAND OF THE DEAD SUCH THAT THE ANACAMPSEROTES OF LIFE MIGHT ENDOW THEM AGAIN AGAINST PENURY AND POVERTY THE RICHES OF HEAVEN RENOWNED BY URANOPLASTY RATHER THAN SUCCEDANEUM OF SCAMPERING ATTEMPTS BY VARDLES AND VARDO OF PROXENETES WHO TEAM WITH ICICLES FOR ICEBLINKS SUCH THAT SUTLERS THAT MOBILIZE LIBERATION WILL ALWAYS BE DENOUNCED FOR THEIR TEMERITY DESPITE ISOGENS OF VALOR FOR ISOKERAUNIC SQUEAMISH MASCONS BECAUSE GEOCARPY IS A CONSUMERIST SPORT OF HOBNOBBING AT MALLS WHICH SATIATE THEIR EVERY REGARD AND SINK SLOWLY INTO THE ABYSS OF HOLOBENTHIC CONVERSIONS BECAUSE THE TREACLE OF THE SECULAR IS A FLAGRANT MISTAKE. WE MUST ENLIST THE MORAL RIGORS OF LITURGY TO ENHANCE THE AGGIORNAMENTO OF THE HOLIEST OF CHURCHES AND THE MOST BENEFICENT MOSQUES AND THE MOST INVETERATE SYNAGOGUES THAT WE MIGHT OBEY DIVINE PREROGATIVES SYLLABATIM ENUMERATED BY THE ORIGINAL “KING OF KINGS”WHO LEAD A PEACEFUL EFFORT TO PROSELYTIZE THE WORLD TO A WORLD OF NEIGHBORLY WELCOME RATHER THAN AUSTERE NEGLECT AND DERELICT BOWERIES NIVELLATED BEYOND THE REACH OF STANDPIPES BECAUSE GOD IS AN AUTHOR OF WISDOM THAT IS CONSCIENTIOUS OF THE WISEACRES TOLD IN THE TOMES THAT ALWAYS VOUCHSAFE PROMACHOS CORYPHAEUS SUCH THAT DELIMITED DEMARCATIONS OF THE NOVANTIQUE FALL UNDER THE DIVINE CULTIVATION RATHER THAN A RITCHIE RICH OBSESSION ONLY WITH THE VANGUARD ANARCHY OF ALLODIC SUPREMACY IN WHEREAGAINST FICTIONS.WHEN WE LOOK AT GIOVANNI PICO MIRANDOLA’S ORATION OF THE DIGNITY OF MAN WE FIND THE CULPABLE VENDETTA OF VIGILANTES AND THE TEDIUM OF THE PRIMIPARAS THAT WITH BEBLUBBERED AND LACHRYMOSE SATURNINE FEARS OF FETED AGIOTAGE OR DISAGIO IN ALTERNATION AROUND SIMULTAGNOSIA FORMED BY THE HETEROCHRONY OF PRECISE RUMORS REFINED BY THE VIRTUOSITY OF THE WORLDS BEST NEMBUTSU DESIGNED FOR A HEAVENLY KINGDOM OF THE PERDURABLE WE MUST FORSAKE OUR PISMIRISM AND OUR PILPULS OF THE APIKOROS IDOL WORSHIPPERS THAT FOUND ARTWORK TO BE THE EMBODIMENT OF GOD RATHER THAN THE COMMANDMENT AGAINST GRAVEN IMAGES THAT WE MIGHT RETHINK THE PAST AS A CONVENTICLE OF BABLYONIAN IDEALS THAT RESURRECTED ROMAN HEDONISMS AND RECAPITULATED GREEK IMAGINATIONS SUCH THAT NOW WE CAN DEFEAT THE PNYX AND RENEW THE RENAISSANCE CREATED BY PLUTOMANIA IN COMPETITION WITH THE INSUBORDINATION OF COGWHEEL CODSWALLOP OF WHEELHOUSE BELLARMINE MIGHT WE ALWAYS REGARD THIS ZEITGEIST AS THE PROMINENT THICKET AT THE EDGE OF THE PROMENADE THAT MOBILIZES THE CENTURIONS OF ALL MAJOR CENTURIES OF REVERENCE AND OBEISANCE TO BE SEQUESTRATED FROM THE REMAINDER OF TIME SUCH THAT EVENTUALLY THE ACCOLENT WEALTH OF THE ACCOSTED NEVER BECOMES A PRISMATIC PISMIRISM THAT NEGLECTS THE PISCIFAUNA. WE MUST DEVOTE OUR RICHES TO THE TRUE RELIGION OF THE ORPHAN AND THE WIDOW AND WITH RENOWN CELEBRATE ALL OF OUR NEIGHBORS WITH A FRIENDLY CAMARADERIE RATHER THAN A DISTANT UMBRIL OF SACROSANCT CLEPSYDRAS BLEEDING THE PARCHMENT OF ITS INK THAT  THE BAHUVHRI OF NEW WORLD WISDOM MIGHT BE THE CONCLAMATION OF A BEAMING CITY UPON A HILL BUILT TO LAST SO THAT EVENTUALLY THE CRYPTADIA OF GLIB PARLANCE AND PAR FOUR ELEMENTS OF THE ELEMENTARY SCHOLASTICATE MIGHT WE REFORM THROUGH STRIDULATION AND PETITION THE GLORY OF ALL THE LORDS THAT GRACED THE PROVENANCE OF EARTH THAT ORBIT AROUND THE HEGUMENES THAT GUARD THE TREASURES OF WOOLFELL AND WOOLPACK OF WOOLDS OF WOONERF SUCH THAT SARANGOUSTY PROFITEERS AT THE EDGES OF REVOLUTE AND FRAYED SCHMEGGEGY MIGHT BE DEFEATED BY THE SONDAGE OF THE SEDERUNT AND AVIZANDUM OF THE REGAL PROPRIETOR BRACKISHLY CONVENING THE TAMARAW OF A COUP RATHER THAN A CODDLED HENPECK MOONLIGHT DRIVE HEAVEN THAT IS SO BLINKERED WITH PRESTIGE IT FORGETS THE CALIPACE OF ITS OWN MORAL ENDURANCE IN THE CHILIARCHY OF WORDBOUND WINDCHEATERS THAT BOOMERANG AROUND CENTRIPETAL CYNOSURE SIGNIFICAT AND ECLAT SUCH THAT THE LIONIZED MUSEUMS OF MOSES NEVER FALL FALLOW WITH TURGID DISREGARD IN AN ERA OF PINACOTHECA BECAUSE WE OWE IT ALL TO THE STEWARDSHIP OF ARCEATED OCREATED WILLOWISH MARTINGALES MIGHT THEY BY GIRDLED BY THE FESTOON OF NEVER A LUKEWARM REGARD FOR ANTEBELLUM SUMPTERS OF DIVINE DESTINY. GOD BELONGS CENTRAL TO OUR CONSIDERATIONS AND HE EXHORTS ALL TOWARDS PUSHFUL AMBITION RESIGNED TO THE FACT THAT PAST ATROCITY IS THE PROGENITOR OF PRESENT FELICITY BUT EVEN IN STREAKY CITIES BENIGHTED BY WROX AND THE WROTH OF RAMPAGING VEILLEUSES AND THEIR RAGGED CULVERTAGE MIGHT WE CALVER OUR WAY INTO GROWTH RATHER THAN SUBSIDE LIKE LIMACINE COWARDS INTO THE BUSHWHACKING BYRE OF BUSHWAS THAT ONLY SURVIVE SCRUTINY IN THE GNOTOBIOLOGY OF DENIAL AND THE GEITONOGAMY OF SACRILEGE BECAUSE OF THE SACRIFICES THE PLAGUES OF FAMINE ARRESTING THE PHAROAHS OF ILLUMINATION IN GINGLYMUS MIGHT THEY ARRAY THEMSELVES VANGUARD IN VENTRAD HOPES TO COUNTERMAND THE EVIL UNDERBELLY AND YEDDA OF JOUGS THAT ENTRAP JORDANS BECAUSE THEIR SPOKESHAVEN ECONOMETRIC SCALES RATHER THAN FINIFUGAL FRIGHTS OF RHADAMANTHINE ESBAT OLMS OF SACRIFICE BECOME THE BEAM OF THE BEATIFICATION OF THE WORLD UNDER GODS MAJESTIC MANDATES. AMEN
brooke Jan 2013
There was too
much hope in
that brownie
with the single
candle but I
wished on it

anyway
(c) Brooke Otto
It is believed to exist;
It is often what we as people strive for;
Something for which we are prepared to persist.
Perfection is a drug, perfection is a demon;
Perfection is what often makes us forget that we are human;
By virtue of expectation,
We engulf one another in clouds of smoke;
Creating a screen for ourselves,
Causing one another to choke;
We make it a burden for others;
Make their lives unbearable,
Yet we ourselves never want to bear this yoke.

Perfection as an ideal isn’t bad,
It has brought man to, and through,
Millennia where men believe in themselves.
Man, as a creature, will never fly,
But we have inventions that bring us perfectly close.
We’ve created environments that allow us to do things at lightning speed;
We’ve more or less streamlined our every need.

But that’s what we don’t get!
Perfection, however lovely, will forever be an ideal;
We all need to understand that it isn’t real;
Like most things on earth, perfection is relative.
I’m not , for one moment, suggesting that we stop being competitive!
No, not at all!
All I suggest is that we stop burdening one another;
Be it you friend, wife, husband, father, mother, sister or brother.
The societal norm of giving each other 10 crosses at a time,
With no apparent reason, is only going to cause the issue to deepen;
Propagate itself, as we bid humanity adieu.
Do not expect what you cannot give,
That, for me, is the better way to live;
And if you can give something to others,
Try and not expect it back always.
For we are all human,
And can only dream of perfection in any case.......
Hal Loyd Denton May 2013
Words found in the wind supreme telling boisterous antagonistic they form in the great ocean they
Come they challenge everything and much is changed the sea cleanses land and its tenuous hold
Everything fair and precious must find a harbor a defiant manner to endure broken trees exemplify the
Hardy the uncompromising bend you must if broken it only gives up the dead and weak branches if up
Rooted it only shows the growth of deception that presented itself as truth all trivia superficial living will
Be reveled in the wind that which is rock solid and is built on a solid foundation will only flourish the
Storm is its bestowing gift these matters deeply rotted in the emotional center of the heart heeds the
Elemental force brought to bear by the wind it stands and shows its power that is not fake or foreign
But has a lasting place that grows because it is pure and is undaunted by assailing contradictions its
Value claims a root system born of time and reason compromise and injustice has never been found in
The hidden places of the heart there is no hidden agenda friend or foe is welcome to look and see to a
Friend it speaks of deep comfort knowing that all is open and it will stand any test and afford great help
In time of trouble the enemy will find a formidable foe not all enemies are without worth in the struggle
You can acquire skill and knowledge that will give you resources that will guide you to hidden veins of
Gold that can be found in no other way a rich life compared to one of poverty is to be much desired in
The lax uncommitted world of anything goes but that is about to change our enemies have found the
Formula that no one can win against its deadly poison the nation so grandly founded will turn on its own  
People to try to survive it will survive but a different streamlined and hardened one we believe it will be
An Outcome of good as weakness and folly are thrown off and the core values in much smaller form will
Continue sadness will pervade our world because of lost glory and our guilt that brought the big
Upheaval that reduced the heritage our children should have inherited this started with the sea wind so
I will insert this earlier piece and then continue
Sea Thoughts
Oh stand thy great waters contained in thee is mirth and terror some you have beguiled and then
Have taken them to your depths of destruction but by your benevolence the sea breeze blows
Inland from this moisture rain is called from its dwelling place the earth is refreshed the tides
Have cosmic ties by gravity the lone solitary moon is entreated and responds one speaks if only
There was a love potion that I could give my beloved so she would respond to me favorably it
Can never be created it already exists go out into the mysterious night stand under a great tree its
Dark silhouette will be more bewitching than the days shade speak your heart as you do take her
Hand and stroll out into the moon beams that drew magic from the great waters as it passed over
Does not wonder advance in this light softer exquisite the hardness of life bows and retreats to
Wait the daylight hours where harshness has its intrepid way so it leaves you with the volumes’
Darkness of night every person desires excursions into intrigue shadows will touch your faces
As tender as the willow then the soft glare of the moons love the mind and heart as its signature
Equation that old crazy moon has moves that are centuries old that birth love every time romance
And her broadest throne follow and are attended by moon light to develop a relationship
Correctly don’t go to the artificial neon lights that are futile and tinged with wickedness but
Sea side strolls are the ultimate inducement a pure stimulus that thwarts the too often knotted
World that keeps everyone at odds with one another everyone knows a great deal of love and
Romance when they are younger to revisit those cherished memorable times that started your
Life of promise with your beloved is invaluable mature love needs to feel the saturation of sea
Breezes the moons ghostly sights will fill in deep shadows where hurts have collected they need
To be free so they can go back to the darkness that gave them life your lives shouldn’t be defined
by them But the deep calleth to the deep set sail for Trafalgar not to war with enemy ships but to
sign With tender’s hand a peace accord to stitch the soft fabric of love that life’s mean elements
can rend in this you will find the sea’s glory and the moons positive glow has become a true part
of your life it is time the spring of renewal is in the offing and it sways to love’s song this speaks
Of man and women’s love this speaks of God’s love they saw the works of the LORD, his wonderful deeds in the deep.
____________
Sing to the LORD a new song, his praise from the ends of the earth, you who go down to the sea, and all that is in it, you islands, and all who live in them
I inserted this because the piece was running hard and it’s not my purpose to be negative or black
With troubling thoughts but at the sea you will find tumult and danger and at this time it echoes
Financial woes that are buffeting are precious nation there will be a resolution but not a pretty
One there are laws mathematic ones that you dare not trifle with but we have people who
Arrogantly hold office and think they can do as they please and all will magically fall into place
Because they wish it to be so it has never been true since earth began and will be no different
Now all will suffer as the same as the guilty but in extreme hope and faith possibly those seeds
Of greatness that was our true heritage will weather the storm and will re surface with pure
Power and grace that will create within each of us the true an unending love of country that will
Give us an arching back to the hearts and minds of our forefathers we will bestow a new
Beginning that Lincoln spoke of in the Gettysburg address after strife and winds that carry
Destruction there will be a new tomorrow from children who owns up to the mistakes and turns
Back to the true paths that will always assure glory and victory too many generations just like
before
Zach Gomes Aug 2010
There is an electric hum from traffic lights
Barely audible to the people waiting at the corner
Overwhelmed with confusion over the former
Condition of the economy in spite
Of the surplus of traffic signs
So they stare at traffic signs
The signs don’t mind
They stare right back and watch and contemplate crossing, too
But the signs will stay behind
Because people go
As they please
Under an ashy sky
And flickers
Of lightning
Appearing in the clouds

Consider the aerodynamics of taxicabs
You wish humans were so streamlined and yellow
We’re not so bad!
Said a fellow
Accountant using an algebraic formula to attempt to derive
Why you smile for us and I’ve
Noticed, though no one else has, the electric storm churning
Miles above
Polarizing the sky
In silence

They tremble, these, the not-so-poor
It’s that fearful tic, the one we’ve seen before
But you tremble, too
Do you see me quiver
We’ve got that quick jitter
Like a prickling under the skin that’s pulsing through
Our blood the way that caffeine does
Or the wattage exploding in death throes or birth throes
Above us now
Hypnotic
And powerful
Though I cannot tell
Exactly how far away
Kara Rose Trojan Sep 2011
Inside this plastic orifice pulsates the vibrations of flies
Around the frontal lobe of the brain,
A honking trumpet of confusion and
Fake self-confidence,
            With that fake eyebrow raise of condescending question.
A drunk woman’s loop just spilling insecurities.
I remember when I was 18 years old
and so much more sure of myself
than I am now.
Now, my questioning analysis turns to stammering cindersm
My voice to quivering gibberish,
My spine to a trembling cane.
This is the age we were worried about,
Shaking coats off to try on new ones.
To be fearless again, a ****-talking hardass
With no reason to five a ****, no reason
To be ashamed of words I spit, the norms
I shatter, the growing genuine demeanor
I cherish.
My words leak off the page and down
The spinal column of answers,
Stacked and jacked for another gear change.
Green lime crime in a gray lipsticked
Lip-lock torn asunder in cheap talk.
I’ll stop apologizing for nature’s wrongs.
I’ll forsake the jumbled up mumbled mess
            That drooled down the spider fingers of
            Those lonely, lost days.
And for a coin, I’ll stake my life
On the candle that refused to burn
Because now the reason crests the waves of
Pedantic experience.
Made past the overly-viewed statistics.
The curves now drip away the
            Remnants of fabricated wool
            Into a bed of once exhausted syllables
            And frequented sobs.
Without a known ending, I’ll know this much:
            The insecurities are a bottomless chalice
            Full of the Catholic’s guilt
And the people you see around you
            Are warriors bred without Fathers.
Streamlined sick in a wonderbread coffeehouse,
These are the hours worth reckoning.
Elemenohp Mar 2016
With each breath drawn, the distance which parts our bodies will evaporate, like dew after dawn.

And with each exhale of humid breath, the time taken slipping out of fabrics slows to a streamlined unveiling; that could entwine me until death.
Mike Hauser Sep 2015
It has come into question
My love for the Croc
Whether it be in bare twinkle toes
Or with knee high socks

Rubber on rubber
From top end to sole
Soft spongy comfort
To take on the road

Yes they're here for the comfort
Not here for the speed
Certainly not for the fashion
If that's what you seek

You might have already guessed
That left long ago
Trying hard to impress
Those in the know

The older you get
The less that you care
Hence my love for the Croc
And fur underwear

But back to my Crocs
Like it or not
It's all that I wear
They're all that I've got

Ask me which style
That I mostly own
(Inquiring minds want to know)
I'd have to say
Why, "The Original"

It's streamlined to date
With the perfect number of holes
I even wear them on dates
These Crocs got it going on

So let me be the first
To let you all in on this
My love for Crocs
Is just what it is

Be it in the bare feet
Or with paisley socks
You need to get over it
Cause I love my Crocs
Every now and then my daughter and her friends will make fun of me about, well....you know. I think they're talking behind my back...
TonyC Sep 2014
I was snorkeling in the Galapagos
surrounded by diving  *******
when some fun friendly angels
visited, they had  flippers not wings
and flapped and glided
  streamlined  through the ocean
  on their backs, sides and fronts
They were curious
about me, this goggled wide-eyed beast
and would come so close
I could see their bright eyes and whiskers
I thought they would collide
but at the last second they would downwards swoop
I was in heaven at this communion
Suddenly I saw from the corner of my eye
a massive grey giant crash into the water
I front crawled away like a man possessed
The bull was probably jealous of my dalliance
it's about sea lions, ******* are birds
Ottar Jan 2015
Wheels turning 'round, asphalt below,
Wings a flappin' up and down, in blows
Wind as a friendly fowl plaything ... Fly!

Wander the streets, on feet, restless, seek...
Ways to strengthen the heart, lungs deep,
Breathing, an exchange of fresh for stale...Air!

Water pulled and pushed, streamlined, the mind,
Wanting to believe, what body won't accept, finding
Joy, in going beyond what the senses signals send...Stimuli!

Live
In
The
Moment

No monuments, never be found standing still,
Unless the time to collect and assemble what
It takes, to shake the foundation, to make a plan,

For
Peace
For
Acceptance

Of who, you are, ...of
Who will, you become! So free.
JoJo Nguyen Apr 2013
I wanted to kiss
her knee-- a sharp
edged, angular,
comic book, superwomen
clean cut, streamlined
down to tapered calf,
to pointing toe-type knee.
Hers wasn't a square
worker's padded joint
for kneeling down.
Under sheet and pillow
I once found it
giggling with spastic
warnings!
Her knee was ticklish!
My heart never did
smooch her there,
fearing some reflexive,
paroxysmal laughter
would kick me in mouth.
Ouch. No kisses on the knee.
Andrew Kerklaan Mar 2012
He catches an upward blast and is cascaded toward the heavens  

A plume of feathers both grey and blue  

Soaring high above, riding the draft  

Elegant and careless like the Valkyrie's flight  

Sailing onward to certain victory!  

The drums roll and the trumpets shout  

Beating to the crest of the aerial knight

Streamlined magnificence fit for a king

A slave to no one -- A peasant to all  

The overpass pigeon takes flight
Salil Panvalkar Oct 2013
heres to another night spent writhing about in bed
like a serpent in the vast cosmic ocean bearing its fangs at each tiny source of light
a plethora of thoughts come to mind right when the head hits the soft stack of pillows
the trees and the leaves rustle as if sandpaper being scraped against a human face

and it leaves behind a deep unhealing **** that will last till the end of each sleepless night
be healed by the time the head leaves its nightly resting place to go out and take on the world
and the wait for the endless repetitive cycle to begin will begin once again
trudging through miles of globulous bile will again have the same lasting effect

as that of half eaten railway platforms and ground up browser tabs
elongated letters as they appear on the windowed capillaries of one's ignited violin
repossessed keyboards that belonged to aspiring writers who could never fill a page
with words that failed to even capture the imagination of the wittiest troll by the bridge

more words will flow through the sphincters present in half alive lighters
it seems this one needs to rhyme, so raise one to the brave baby fighters
streamlined thoughts finally arise as the mind clears up a little
here's another rhyme, this one might come off as a bit brittle

henceforth thoughts shall be placed with greater precision
there are ants residing in the laptop; sleeping with the laptop, a great decision
back into the depths of insanity shall we delve again
sleeping with a colony of ants equals terrible, piercing pain
Valsa George Jul 2016
Sudden, as a bolt from the blue,
Came down a humming bird, tantalizing
Skimming down and darting up
As an ever revolving top

It reeled round and round
Before it alighted on a shoe flower;
That hung from a drooping branch
In a corner of my front yard garden

It precariously clung on to it
Like a small pendent on a chain
A sight so cool, now so rare
That lighted up my dull spirits!

      Once they showed themselves up
On almost every sunny day
Promptly after the monsoon rains
When the plants en mass in resplendent bloom

Oh! How I love this tiny bird
Not larger than a bumble bee
Dressed in a cloak of gold and black
Flitting round on fluttering wings

It literally dances and pirouettes in the air
Before descending down closer to its target
      Swirling, gliding n’ moving back and forth
      As if unsure of what it should do

      Then with a terrific **** and swiveling move
      It hovers close to hanging blooms
Balancing itself sans any support
And draws out nectar with its long needle bill

When the zephyrs carry a sweet scent
It flits from flower to flower
And having enjoyed the ambrosial treat
It flies back well satiated like a shooting missile
      
      My eyes fail to capture its lightning move
As it goes whizzing through the lambent air
Quickly disappearing like a mote of soot
Losing itself in the vast expanse of the blue

Being less than an ounce of fat
So light, sleek and well streamlined
It travels faster than the light of speed
In a fleeting dash, moving out of sight

Can any other bird rival it in agility?
Or vie with it in its simple grace?
How cute, this spirit of ‘disembodied joy’
This winged diminutive denizen of the sky!
,
S.R Devaste Sep 2012
It is a silver snail between the lips,
cold as a quarter bitter as a penny,
Not even the aftertaste of chlorine.
Patchy F# smoker’s exhalations
Grit the teeth and the ball of cork
lolls in its belly.
Look down your nose
it looks back at you,
Blurred.

Look back at you.
On sticky tile bare toes clenched,
and chin lowered to chest, pool-parched lips
Took the Acme Thunderer and—
Blew.

echoes whipped from ceiling to surface to
bare-slick backs of streamlined swimmers.
Spines curved into fins—
Lungs collpasing slow as a circus tent
Even the bubbles tittered with reverberation
Faster.

Not a splash as pointed feet flicked at the ankle
Casting expanding triangles of wakes
And lips kiss-close to the plastic lane line
Breathed.
And finger-tips yearned for that two hand touch.

And now—
Blow.
Only shivers of sound.
Just spit it out.

That unmusical clang as it hits the desk.
Exposing distresses of is and was
escher-impossible to tell which is which.
Waiting for that hollow echo
of high ceilings and deep water.
I only wish I had a better memory...

Everything just became too monotonous, even with the light glittering on the surface of the water, casting thousands of facets across the pool deck like shattered glass.

So I went out for a bike ride.

All was quiet and seemed to sleep in the sweeping hand of the warm breeze that traveled all the way from the beach, and I can smell the faintest smell of the ocean waves, in the midst of all the jumbled pollutions and crashing smoke of smokestacks and exhaust pipes.

Then I saw.

On the side of the road there was a small black rag, that was not a rag, but a tangled mess of feathers twisted into a grotesque shape like the claws of death. Little threads of raw life all dried up seeping through shining fibers that had lost their sheen, turned into dull blackness, like strings of tar forgotten on the roadside.

So it goes.

And I rode on, into a large expanse of concrete, dotted at intervals down the center with trees covered in purple blossoms, standing out boldly against the dark grayness and stark white lines. A silver car was parked lazily in the shade of a purple tree, with sunlight shining off its streamlined hide. The shiny metal surface was being whisked to even greater heights of polished perfection by a rainbow colored duster, its wispy hairs blown sweeping gently across the Civic as the small lady in the purple shirt that matched the trees dusted busily. With her trimly cut black dress pants and pointy shoes, she moved quickly, half of her face hidden in a pair of expansive brown sunglasses that perched on her nose. What she was doing, no one knows.

Will no one remember?

I will time travel.

Now I am gone, and her existence still is, and was, and will be until it is gone. So will the sorry little rag of feathers by the side of life's unknown road, and the policeman parked across the lot, eating a donut.
judy smith Mar 2017
There is something discombobulating about feeling a shudder and a tilt, the models in front of you apparently moving slowly sideways, as the stand with your show seat starts to move in circles.

At the same time, the models at the Céline show seemed to be going off in all directions. Popping in and out of the black holes of space were models - young or older - wearing a smart green masculine trouser suit, a striped shirt, a white belted raincoat, something furry and - unexpectedly - a tunic and trousers printed with black wheels and checks skittering before your eyes.

All this and the bodies and arms of shadowy people behind the plastic backdrop. I rushed backstage to try to make sense of the show chaos (sorry: artistic intrigue), but designer Phoebe Philo did not want to talk when I asked her the point of her dramatic presentation of her Autumn/Winter 2017 collection.

"Just ideas coming together with lots of ideas," said the designer. "Just lots and lots of ideas and how they impact each other."

Around me, Phoebe's team were hugging and sobbing and clutching each other, as if this show were their last. Overview notes provided by the public relations people seemed even more confusing, apart from telling me that the installation (that required more electric cables and wires than I have ever seen above a fashion runway) was by French artist Philippe Parreno.

''The Céline AW17 collection explored Phoebe Philo's storytelling design process of how a collection is created and the notion of how changes result in impact," read the statement. "Further, the collection relates closely to the interconnected nature of women's lives and possibilities for women."

Before I read this, I had thought of Phoebe as the English designer who has her children running around backstage and who made practical but classy clothes for today's woman. She threw into the mix a few charming pieces like the fluffy flat sandals that have been picked up by other designers across the world.

With all that on offer, why did the new Céline collection have to complicate things so much?

Take away the moving seats and impossible-to-follow criss-cross of the models and there was the Céline look that any woman would crave: the bold, floor-length tailored coat; a tuxedo with its hemline sweeping right down to the ankle. The tailoring looked bigger, oversized even, which is in tune with the Eighties-style square shoulders that we have seen elsewhere this season.

Phoebe seemed to be offering a hardened version of the serenity she once found in streamlined clothes. An example of the new severity would be a plain, long sleeved dress with a hemline at mid-calf. Its softer side was a blue shirt elongated to the ankle and worn with trousers.

Ultimately, Phoebe offers 21st century elegance with the smooth lines disrupted by a tangle of fringe at the hem or what appeared to be a big blanket over one arm.

I received an overall impression of longer - to the ankle - length, a sense of sobriety and a few fanciful things for evening. What I missed in the hurdy-gurdy of the presentation, is, as yet, unknown.

With exquisite workmanship and Victoriana melded with pop, Pierpaolo Piccioli had a new vision of romance for the digital era.

Prudishness and pop - can the two really meld together? Yes! If the Victorian-style cape is in a vivid, sugary, postmodern pink and the dress underneath a colourful geometric pattern, recalling the Memphis era.

At Valentino, the 1880s met the 1980s with sensational results as designer Pierpaolo Piccioli dismissed the feminist vibe that has reverberated through the Autumn/Winter 2017 season yet created a collection that was respectful to and joyful for, women.

Just looking at the designer's four moodboards was a history lesson, as Pierpaolo whizzed me through dark Victorian carved birds, bright Memphis furniture, coral with a religious connection to Medusa - so much from the past crammed into one collection.

Yet on the runway, the result was far from overloaded, as the history of coral was subsumed into the necklaces all the models wore and the deflated Victorian silhouette - long and high waisted, but slim where a crinoline once was, seemed perfectly acceptable as a romantic vision of the 21st century.

"I wanted to add deepness and romanticism to the modernity of the shapes, so these are absolutely items that you can wear separately - a white shirt or the skirt with your own sweater," said Pierpaolo. "I think fashion is made for dreams, but sometimes you want a dream that is daywear."

The Valentino studios are at the heart of the matter, apparently finding it as easy to toss off a tailored coat with a mid-calf hemline nudging Victoriana bootees, as it is to make a soft, light dress to flow underneath. The detail and delicacy of the dresses seemed like an extension of the haute couture, but the designer was eager to point out that the clothes came from the Italian factory dedicated to Valentino.

Whether it is so easy visually to mix a sorbet pink top with tiny ruffles down the arms that flowed into a cherry ripe panelled skirt, the result was surprisingly calm. Even the dresses patterned with Memphis pop blended in with the plainer, pleated versions. And just when you thought that the show's high romance was over blown, the designer would slip in a black top over a pair of sloppy velvet trousers or calm a Memphis patterned dress with a tailored coat. A severe black jacket could be worn with anything already in the closet from an LBD to blue jeans. Like the tailored coats, it kept ripe femininity in check.

"For me it is important to keep the lightness, otherwise it doesn’t feel confident and if you don’t feel that you don’t feel beautiful," said Pierpaolo. "I think if you feel confident you can even be able to show your sensibility and really feel stronger."

However you rated the clothes - too fancy, too froufrou, too historical - there is no denying that Pierpaolo has created a vision that is respectful to women and which makes them feel beautiful. In a churning political universe, Valentino offers a small, still voice of calm.

Demna Gvasalia revisited Cristóbal’s silhouettes with surges of modern colour, print and volume.

Balenciaga haute couture has been revived for the first time since Cristóbal himself closed the house nearly half a century ago. The last nine outfits shown by creative director Demna Gvasalia, on the huge carpet patterned with the word 'Balenciaga,' had their roots in the legacy of grandeur left by the noble Spanish-born couturier, who died in 1972.

Demna, who started in fashion by building street-smart, unadorned clothes, deliberately named just Vetements (the French word for clothing), has turned towards the grandeur of the original designs that are part of the Balenciaga legacy.

“I thought 100 years was a good reason to make couture available again,” said Demna backstage. “We're not going to do a couture line or show during couture, but these pieces will be made to order – basically for people who want to buy a couture dress from Balenciaga.”

The grand offerings – the polka dot dress with bustle back, the layers of dark pink taffeta, and a slim black gown, all with large back bows, were not the only historic links. The show opened with tailored coats which were worn with a drape over the left shoulder, reminiscent of the way that the models of an earlier era would walk with their heads up, shoulders rounded and stomachs sunk in.

“I studied how the pieces are worn and I found these images from old mood boards of Cristóbal where women are standing with their coats like this,” the designer explained. “The idea was to bring this kind of elegance, the gesture of wearing those pieces, but take it into a kind of cool and make it more modern. You can also wear it in a normal way, but it is constructed so that one part is larger and then you can also pin it up. And this is what you see basically in all these books.”

Demna's way of rethinking with his brain what he had seen with his eyes is exceptional – and the reason why he seems able to update the house as if he were growing new shoots from existing roots.

The arrival of vivid colour signalled a change of pace, as every figure stood out in the farthest reach of the enormous sports stadium. The hosiery especially perhaps, in grass green, and cut-away waistcoats like harnesses in pastel colours, took the image of Balenciaga back to the early days of Nicolas Ghesquière and his futuristic period at the house.

Demna is also drawn by the flowers that were a part of the Cristóbal Balenciaga look; by showing a patterned skirt with big, bold, brightly coloured sweaters, he gave print a modern feel.

The show was not perfect. Mini dresses in the floral patterns and bright hose looked out of place. But the overall effect was precise but theatrical, with the couture creating a dramatic ending.

Choosing Demna may have been a gamble by François-Henri Pinault, CEO of Kering, the luxury group that owns Balenciaga. But the designer has turned out to be able to answer fashion's most difficult challenge: finding the balance between old and new, tipped towards the future.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/****-formal-dresses
Lauren Sage Sep 2013
It's the knife of not getting what I want it's
Smelling your chest, inhaling your scent
Your sweat drives me wild, I'm jealous I'm not the same for you and

Feeling you on me, your palms tracing down my skin,
Christening shivers with your fingerprints,
My body melding into yours
Frustratingly unfair, and you don't feel the same, and why-

In the library, when I disconnected myself from your chest
Even though every smell of you was ****** and
Every heartbeat was a syringe,
I lean up and whisper I want you,
And you tell me to be quiet.

You slay romance.

And in over a year of us, and no one else
(And I wonder, what would elses be like?)
Under a thousand days but more than 500
In an imperfect symmetry of silent games and angry longing

I want to make love to you quietly,
I want you to instigate it
I want to lie and feel wanted, not be reprimanded for every stray moan
I want you to want to hear me
With such a burning anger,
The unfairness that I want it all for me, and all for you

I want us to be seamless.

So fluid and streamlined that it's impossible to tell where

You begin and I end.
Joel M Frye Jan 2011
A wind cold and bitter blows in from the west
and stirs up old storms in you.  May we suggest
one cure for the lonely most highly regard -
a tour of the local relation-shipyard.

Our newer relation-ships being built daily
can catch the wind nicely, their sails snapping gaily.
But others we've built have met rougher sailing;
our flagship line shows up a few of our failings.

The first liner christened, the R.S. Obsession,
sank during a storm in the Sea of Depression.
The Intimate's hull you'll see later today
aground on the shoals of Old Fantasy Bay.

The pilot of Dreamboat just plain lost his sense;
ran full speed ahead through the Reef of Defense.
Only one came back whole, the relation-ship Reason;
she's in dry-dock now after only one season.

We're taking the trouble to change her design
and model her after our new Friendship line.
Our new Friendships are (if you'll pardon the gloating)
the match of any relation-ship floating.

We've shaken her down and worked her way up
to running through trials for the Real Lover's Cup.
Though she'll take on a gale yet be pushed by a breeze,
we're not really sure how she'll handle those seas.

Whatever the outcome, we'll learn even more
and strive to build better than ever before.
Cleaner, more streamlined, a true thoroughbred;
let form follow function, with no figurehead.

The storms are subsiding, the wind's dying down;
you're welcome whenever you're this side of town.
And what's more, you're welcome whenever you're ready
to work on this Friendship we've started already.
(c) 1985 Joel M. Frye
Fah Aug 2013
As a consequence of my conscious decision to rendevouz with self centering mind
the power of words to create , to compose the unheard symphonies of small time intricacies and fast ride hair raising cold brushing feet failing wing taking heart soaring , bone marrow crushing delectable yet disgusting .... it's a strange place , yet made streamlined still by the number of multi dimensional  infinities on the horizon sitting on one window sill one space filled,
known in time,
moment of wondering reason and wondering rhyme

no sordid or morbid tune keeps up to long and even then - feeling is feeling's tune
feeling is feeling undue,

feeling all the while whenst the secret encloses of mind unravel and intertwine
check list.

Fretboard harmonies strike bass line discord to form in own accord relations
and relate to late lives past and on time lives present

always running with time not out of it
in dew dipped grasslands
wild horses run free
dragonflies in hair and silver teeth glimmer against the rising sun

pushing each other to the best we can be , we are just the lost kids, found.
gaping holes in chests that need no name or can't be pinpointed by a single needle
that can't be filled by the love of one
but only a pack
only a tribe

running , 40/40 home .... and this time YOU are my homie , i've already run the distance
made it.

gotta feeling , we are gunna win
all of us, in whatever endeavor we feel - beings of this oh so gracious earth whose abundance is a burning flame within the vast cold depths of spaces in refutable habitat , children who never grow up from the mother earths arms - no need - no need - no need - no need for any more running
we've reached the home

and now ,

it's time to Party!!!!!!!!!!!!!!!!!!!!!!!!!
LD Goodwin Mar 2013
He's a streamlined man,
now on the road to return.
The spirit farmer,
taking breakfast in the fields,
found his sister soul
and his woman of the world.
He was running blind
with no aerial boundaries.
To communicate
he would watch his life go by
because it was there,
the taproot, the naked stalk.
Free swinging soul, with
silent anticipations.
A Phoenix fire
torched, is once again spring buds.
And ready or not,
the Gospel, the Oracle.
Harrogate, TN  March 2013
Michael Alden Hedges
Born: 12/31/53-Died: 12/2/97,  was an American composer, acoustic guitarist and singer-songwriter. http://www.nomadland.com/
Sam Temple Jul 2017
~
Far out past the breakers
a group of sea otters roll and play
in kelp beds.
nearby seafaring ducks and gulls
frantic for scrap
dive and squawk
splashing and throwing a sardine fit.
I stand upon the shore
wishing to participate
but the cold of the Oregon Pacific
keeps me safe and warm on the beach.
Still, I find myself imagining a streamlined body
riding currents and waves
a natural surfer never needing a leash or wetsuit.
The sun lowers and changes the patterns
shadows play between whitecaps
and I no longer can see shiny heads
pop through the surface
scan for friends or food
and duck again beneath the waves
where I can only imagine what is happening.  /
Icarus M Feb 2013
_ cannot write what _ want to say,
_ cannot paint the image in _ mind.
Or the feelings bound inside with thickened ropes,
used to hold a steamer ship to dock,
with diameter of a sailor's mid-waist,
encrusted with salt from the ever pressing fault
pulling its weight down compressing faces to frown
scrunching together in depressing formation as a flock of gull feathers
incessantly wash ashore bringing round to the lessening image
that draws you back from the metaphorical,
analogical, imaginary
oceans edge,
to the starboard side of a deck on a steamer ship,
to the battered ropes
that suppress emotions under.

Under an ocean,
occasionally escaping through thimble-sized samples
freed from the depths to race upwards in streamlined-bubbles
to break the surface and burst
that released
category three, Hurricane Miriam
which harmed no one but herself
because though she roared at one-hundred twenty miles an hour,
no one took warning.
Because who would be wary of her,
when she didn't even break land,
she didn't even break surface,
didn't even break in,
even break through,
break her,
broken.
My friend shared her name with a hurricane this past season. Took the chance.
© copy right protected
Julian Aug 2015
Affinity for the sharks attraction to the squeeze
Apotropaic lyrics cure an ineluctable terminal disease
Traversed time repent and rhyme
For every dollar exists a crime for every penny lost cured with wine
I serenade the world with lore threadbare and cloying but earnestly transcendent
Linger longer in evanescence so I can see the rainbow’s intent
Confederate putsch subverted by transnational push and supreme wonder
Tactless assault on the unadulterated truth a sheepish blunder
Ennobled and regal they gentrify the legal
A European tyrant fishes the sky to capture the preeminent eagle
Kings of the jungle turning us gradately into desert
Desiccated promises elicit the thirst but **** myself they can be so curt
One eye to see them all
One conqueror beyond the confines of linearity hogs the ball
Shoot the three when two will do
Missing every time when the sky is completely blue
Shrouded in the clouds are souls wafting to the sky
Concealed in the Dow a dry rain turns the dust extra wry
Moments clash with movements and chaos erects a monolithic lie
Sold in every shop consumed by every cop it keeps us landlocked on the verge of flight
Rescue the contempt needed to override the wrong and enshrine the right
Abdicate the war, annex the score and appear to soar
Words cannot corral the present anymore than the future can ignore
The past becoming present presents us throttled to the wire
Cartels own the news but the periphery is harder to conspire
We scour the earth looking for rebirth
We tower over the worthy with a catchy mirth
To all law belongs the defeat of malcontent with a begrudging consent
To any miser nothing is more miserable than avaricious but impotent intent
Invisible prison with visible prisoners beset by bars established by BAR exams that we fail to apprehend
Zero sum collapse contingent on the motives of the tyrants that cannot break or bend
So stand to grow the earth with elapsing sand and synchronize the beating of the drum with the actions of the best possible invisible hand
Choice monopolized by a garbled voice trying his best to be the lead singer of the smartest brand
Wary of the scary and contemplative before the boast
We align with design streamlined in serpentine time and on that sinuous path we coast
So we find time for a dream that proves God is a dreamer
Only to find out that all the teams play for the teamsters
Bribe yourself and renege your own wage
Depriving yourself of the ink needed to fill the page
But many words are impotent
When few will do
All you truly need in this world is an emboldened you and a chosen few
Zach Mooney May 2013
I, the bird, to this marine world
looked back up at the bastion of mine
from a new perspective.
The brass propellers,
the ‘streamlined’ shape of the beast,
seemed insignificant, to the beasts of God below.

I insignificant,
out of place,
in a way that awed a part of me
A vortex of swelling frigidity replaced the air of my world,
I spit out the tube
lurched back to my reality

My scape.
I saw the bright yellow
pale blue, above,
and a squadron of orange tipped tubes floating
about the rippling white capped sea.
The pearl again white, and pure.
The Voices fluttered about, and grins were sent our way.
I looked inside for my knot of fear,
it dissipated,
impossible to reassemble as dry sand.

water drained from my tube
outstanding figures below were gone.
All that was left was the shadow of the boat,
a couple dozen still to my rear approaching.

But the serenity and rush were gone.
The perception of the sea’s attitudes on my weak flesh,
the fear of the unknown,
vaporized like boiling ice.

The whole experience lost, and replaced.
Urgency lost, I floated about on the plane between two of God’s worlds.
Neither of which we truly understand.
Nike Kaffezakis Sep 2010
I can write haikus
Without the least bit trouble,
And with quite some skill.

Couplets are not too hard either for me
They are energetic and flow easy.

It’s not very difficult at all
To bring laughs big and small
With limericks clever
But the reader never
Sees past his mental wall.

Cause everyone wants to see free verse.
***** blank verse and sonnets;
They are much too ancient to give a **** about.

But personally,
I like to write patterns
And pictures,
And various forms galore.
I measure each stanza
With mathematical perfection
And streamlined beauty.
It was with ultimate mechanical accuracy
That I wrote my pieces,
But it seems no one cares to read
poems like that anymore.

So cut rhyme scheme
And syllable counting
And rhythm
And tempo
And iambic meter
And metaphor
And reason
And purpose
And stanzas
And lines
And words

Scratch it all out
Until even a hung-over
Shaking hand
Can write “poetry

— The End —