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Spectrous aberrations of youth
Surround him, embrace him
Leaving him disoriented, dismayed
Amidst sultry belongings
He’s tethered to that pole of vicissitude
Draped by disfavor
Postmarked Valhalla
Addressed to Folkvangr
Teased by irreverent lovers
In pursuit of contentment
His chronicles restart
In an unpublished testament
Bound by leather, cows unfettered
One lifeless body stationary
Crimson streams part chalk-dry lips
As love’s guillotined victim drips
His future’s fortune forsaken
Willingness to triumph in battle
Leaks from this dimension
With each fluxing discharge
Of her stream’s outgoing apathy
And his fluid permeates alluvium
In streambeds near life’s summit
PJ Poesy Apr 2016
Find me peeled and threadbare at Grizzly Creek
Past a bend of Yuba's middle fork
A twisting force with incredible torque
Come to auric memory where hankerings seek
Express your desire for, disrobe, bespeak

I am skipping rocks and charming rainbow trout
Flitter sunrays off cherry dragonflies
Glitter as they do, they like to dandify
Join my hide and seek, be silent , do not shout
If I spot you first, ensnared you know, no doubt

Here I am, so please ask spring fiddleheads
If they not mind to spare a few
I'll saute them with lavender just to eat with you
Running water's stream bank, to me you are led
Let live oaks shelter us, for there our love be wed
vircapio gale Sep 2013
i can't know

my artifice of kneeling doesn't change the fact
at Delphi
gasping words
from wide silken eyes
mating doubt and trust

in seizmic gnosis
fissures claim
even olive sky
freefalling streambeds

tossed
chests of gold heave
spill with ******* lovers

mingle debts
and portents laid
denuded
over cool marble
shimmered under earthquake suns




===

ἓν οἶδα ὅτι οὐδὲν οἶδα
    Hèn oîda hóti oudèn oîda
    "I know one thing, that I know nothing"
    Socrates, paraphrased from Plato's Apology.

===
This always was an acoustic gig;
A wood and wire affair
Steeped in the fresh folklore
And worn wool
Of our little streetlamp operas.

Our voices would ring rustic
(And rusted like tarnished brass)
Out open windows,
Through the rustling of haloed leaves,
And down into the streambeds of romantic recollection.

Our coffee was stiff;
Mixed with chicory
And spiked with shots
Of sure-footed tomfoolery—
But richer than our years should have allowed.

All the goodhearted ladies
And all the rye bottle boys
Would smile warm, backs reclining,
And sing out for all the years.
And we knew our songs well;

Our highways west blacktop ballads—
Our San Joaquin sunset sonnets--
Our arms-around-you-till-the-end tunes—
Our songs for new companions—
Our eulogies for our dearly departed.

Yes, this always was an acoustic gig.
But there’s no sense in penning an epilogue
To a story that’s still alive (though wounded).
So let’s continue the tale, friends,
And usher in another folk revival.
Tom McCone May 2013
weather splinters in
      to fragments, repeating, like
          dense recollections of
what's already
    happened,
                 and
change dissolves indefinitely,
                      into all
streambeds, like        calcium
cycles              backwards out
               of my diet
these days and lately
         of course, being I, the mess,
am not
or ever
                     doing anything to fix this,
                                     and it's
               not like I don't need the
                sustenance, like
                                            all
warm               confusions
              you so graciously
                      endow upon my
                                    life.
Tsunami Jan 2019
My hands trace rivers down his back
Soft silt streambeds
My tongue follows the waveforms of his hips
Warm skin with lazy currents
My ears feel your heartbeat resonate in your chest
Strong swells crash into stone cliffs
My lips taste honey and saltwater dripping from yours
A mix of dalliance and mischief
Our bodies meld into sea foam
making love is like making land
Mike Markes Jan 2020
yes, our music drowns on the tenement rooftop
as the cicadas droned hymns dedicated to libido
from trees at piercing decibels, shedding nymph exuviae,
mourning warmth and dirt womb
flaunting stained glass wings—
i wonder, do they ever fly?

no, she says, at least not well.
she used to put them on her shoulder in summer
along streambeds before knotting them to balloons.
string-to-flesh, she’d make them fly.
like ground to sky, like up from down, was inevitable,

as fated as abandoned skin left on bark,
a skeletal leaf, rotting for dear death or death after,
moon-drunk, drunk-drunk, in elongated breaths,
we listen to their endless cries, now
the morning’s cold or maybe early afternoon.
Zywa May 2021
The level is rising around
the islands of silt
in the swamp, the fishermen
see their world widening
Old streambeds are also filling up
The wetlands become accessible
by rivers from the mainland

It is a ******* void
a gate to the sea, a chance
for the peat farmers and the forest people
to start trading, to build
dikes, quays, a city
with a dam
in the middle

People are flowing over
from the prosperous villages
to the impoldered land
with the new port –
not an old core that hungrily
conquers the surrounding lands
but their colony
• AD 1100, the beginning of Amsterdam
• Almere = Big Lake

Collection “New Ago"
The reflected is
the real.
The river
and sky
are portals that bear us
toward the eternal.
Through stfeambeds of frogs
or streambeds of stars
our love will go from us, singing
the dawn of the great escape.
The real is
the reflected.
There is only one heart
and one single wind.
Don't you weep! It's the same
from close up
as far out.
Nature: eternal
Narcissus.

— The End —