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Unknown Apr 2014
His mother's dumb face
His father's cold drinks
It's all fun and games
'Till the happiness sinks

He'll walk straight inside
Not announcing his presence
Stare fear in the eye
And inhale killer's essence

Walk up to his room
And open his door
Foreshadowing doom
That box on the floor

Within it? The metal
He stole it for fun
The steel 'shakes his settle'
In the form of a gun

He tugs on the hammer
And pulls back the slide
Waits 'till the clamor
Of anxiety subsides

Remembers the beatings
His father would lay
Remembers the feeding
Of lies in the hay

He waltzes down stairs
With the gun in both hands
At the very last step
He nervously stands

He won't just say 'blam'
And pull back the trigger
His thoughts make a plan
A process much bigger

Confronting them both
At the small kitchen table
He didn't once choke
When he said "I am able"

He pointed the gun
But his resolve soon shattered
And in shame, shot himself
Saying first "It won't matter!"

His plan had recoiled
But his mission still stood
As the bullet hit oil
And caught fire to the wood

And the flames licked and climbed
And the roof burned and caved
And the family died
In the fiery blaze

And the town down the road
Never did realize
The church choir sings odes
And a young lady cries

But never word flew
Of the evil within
'Till the killers mind slew
Just a boy and his kin
e Jul 2014
And I have loved you more than I anyone I have loved before
( How would I know, as there has been no one else )
Perhaps more than I will love anyone, ever
( And I know for sure )
I set up my defences on the outside, but maybe I needed to protect myself from myself
( But what would you have me do )
When you see lightning for the first time, a wonder out of nowhere
The way it streaks across the skies, like you often streaked across my mind
When every subsequent clash of atoms and eons will never equal the first time
Seeing magik marble across your eyelids, a smile adorns your face
And you know you will never be the same again
( So what of this pain, will it ever subside )
Perhaps a memory can transform into a throbbing hurt
One that comes and goes, like the ebb and the flow of the rushing tide
Or triggered by a smell, a perfume, the sound of laughter
that could’ve been yours, or the way someone holds onto their fork
I never thought it would be you, but now you are a throbbing pain
Unmedicated, unattended but a mass of self perpetuating burning questions
Like neurons (mis)firing and kneejerk reactions
Churning out what if’s and propositions and assumptions and empty dreams
You birthed a thousand little cares that linger at the back of my throat
Causing me to gag every so often
But the mast has been set and this rotting ship will continue to sail
Rickety as she is, she searches for replacement parts
All the while creating myths and legends and convulated stories
This tunnel is long but maybe there is a glimmer of hope at the end of it
I can hold out for a breath of fresh air, something must remain
( But what of those questions that still remain )
Maybe I should have tried a little harder
Fought a little more, shouted a little louder
But you can’t stop the path of a tornado
I stood in front of it and was swept off my feet
And it pulled wool over my eyes, but I still saw the light
Filtered as it was through unravelling strands of thread
Pull, pull, pull
Until it all comes undone.
TC Oct 2014
capsized beating purple algorithm
for a heart,
cross-nit aspirations
still taste dirt on my teeth,
the mission creep of eager eyed poets,
carry a briefcase with my levi's --
close cut cigarette encounters,
all brick shantytown of a friendship
them lovelies run on endless,
it's starting to get cold outside.

restless sprites circle our *****
exhaling greek mythopoeics
every sure footed step.
alcoholism echoes in my skin
a depth charge i cannot cut out,
we all have broken thoughts here,
all have blind spots in our stomachs,
they read like a preacher's insecurities:
burly things we warm ourselves with,
the winters sting bitter.

something is wrong with me,
sinkhole of ambition and honey kisses,
all the great thinkers **** themselves,
it's the staunch lack of spotlight,
way the earth drips lackadaisical-like
we just call it a perfect orbit.
shake my hand and feel a goldilocks pulse
anemic shards of a cornered animal,
we cut right
to the bone
here, or so we tell ourselves.

and love is always the answer?
that sure footed toothy angel
so beautiful, it couldn't just be our
churlish blood,
frothing and calming,
frothing and calming,
electrons rise and fall to create light,
they still circle an untapped atrocity
perfectly,
like this, like it must be
god
or something close. something
stopping them from running, free
from bonds ionic or otherwise,
bare feet
beating the pavement until there are
no more stones to throw.

firstborns of the universe,
each star is a setting sun,
blinks staggered,
still grew us up quicker than most,
there is no aphrodisiac like heliocentrism.

them bones cut good
doped up on oxytocin,
those empty thoughts still rattling,
dig sharp -- then nice and numb.

and we cutthroat and glossy,
sharper than ever.

walk outside
smoke a cigarette
know how much you love her,
look at the stars --

it's ******* beautiful isn't it
Terry O'Leary Jun 2013
A beggar clump adorns a dump, his pencil box in hand -
With sightless eyes upon the skies he’s lying there unmanned.

He’s fallen down in Shantytown, his knees too weak to stand,
With no relief and bitter grief too dark to understand.

The Bowery blight is hid from sight, it’s covered up offhand
While Robin Hood and Brother Hood are buried in the sand.
Marshal Gebbie Aug 2013
"Buried in the Sand" by Terry O’Leary

A beggar clump adorns a dump, his pencil box in hand -
With sightless eyes upon the skies he’s lying there unmanned.

He’s fallen down in Shantytown, his knees too weak to stand,
With no relief and bitter grief too dark to understand.

The Bowery blight is hid from sight, it’s covered up and bland,
And Robin Hood and Brother Hood lie buried in the sand.

"A Rebuttal" by Marshalg**

So Hood lied low, despite the show ensueing without help,
One would have thought a British sort would spring forth with a yelp!

Would spring ***** to help deflect contusions which occurred
When beggar Clump adorned the dump confusing all deferred.

Whilst sister Ant, attired in scant, ran forth on spindly legs
And brother Frog with shaggy dog said "****" and drank the dregs.

It all became too much, as such, a meelee did ensue,
So all called HALT and as one did BOLT...to the local for a brew!

Phew...that was FUN & hard work!
M.
What is born of this land?
Nothing is born,
Nothing grows
In this desolate land.

I want to wake up the neighborhood
To hear my screams at dawn
But they do not hear anything,
Do not listen to anything that happens in the morning.
I play my music in the streets,
All my poetry and clichés
But they do not understand anything,
No one understands what happens at dawn.
I walk the streets looking windows,
***** children in their rotten rags
And I cry with those who are hungry,
I do not know who cry or love…
I embrace the poor in spirit
And hear all your stories poor,
These poor and pathetic poor souls
It is my right meeting this cold morning.
I go through the streets and alleys damp and dark
And I hear a child crying…
A repetitive and child crying wretched
What is the worst of all choruses?
I see people and their hurried footsteps
Everywhere, everywhere…
I'm afraid to follow my tracks
And I hasten my steps through this city.
I hear the sirens screaming in the streets
Mixing the sound of nightclubs crowded
And the sound of twisted metal
Creating a new contrast, another type of cry.
I sing with you almost every night
And sometimes I wonder: where are you
He left so early and left me here...
Now I’m alone! I’m alone!
God, I try and cannot understand
Reason to justify this life.
I am a pawn in the game you do not see
Every dawn until dawn.
Something touched my whole being,
Something I do not understand and do not try to understand,
Something that comes up every day when I wake up
And after me until nightfall.
Something happens,
Something moved,
Something incomprehensible,
A new friend?
They say that being is almost live
And living is the limit of what you can want.
In fact, something happens that one wants to be here,
However, not all this desire craves.
Nothing is enough
When no longer feels the aroma of flowers,
When the color no longer thrill
And they cannot be sold to look.
Gave me such rare moments
Feeding the future although at present,
But waking I do in all my steps
Get me the taste of things even in thought.
In my noble and poor land I wander
And I feed the memories of liars,
Get drunk me with joy and gladness
And insistent way in the land of lepers.
In my humble vacant land,
Time is proud, ignorant time.
Hunger is rampant around me,
The flesh is weak and soul idem.
I ask as much as the worst of sinners,
Wasting a time that no longer have,
Not differentiate right from wrong,
Share supper with my detractors.
I do not feel the taste of wine,
I do not recognize a smile,
I do not remember the hugs,
I'm finally alone!
I weigh my conscience in the balance of a butcher
And the butcher tape me with ravenous eyes,
There is no any agreement on the price of the meat,
Nor is the first or second.
God, you who are owner of the ages,
Give me the hours its final minute
And cause the whole world to know
That left miserable after all.
Grant then that desire
And finish time with this work,
Free cities this unfortunate
Who insists on knowing what nobody knows.
When there is fever, it makes no difference,
There are times the blood is poison.
Red is the color of anger and sin:
The poet knows when he is sentenced.
If there is even poetry these avenues
As equal in different cities,
To be recognized
For the sake of pursuing life.
Burial in the deepest memory
The giant concrete towers,
The grotesque glass structures
That mimics a new artery.
A new artery,
A new lifestyle,
A new company
And an early cardiac arrest.
As the cars kissing the avenues
Meeting the perfect companion
That tells me in the ear:
"Accept me as the only one"
Finally, fear runs through my veins
And feeding a forgotten feeling,
An absurd desire to see the next day
And try another outlet.
All the streets are congested.
A whole shantytown has just been set on fire
While some locals try to save
What remains of an entirely bankrupt life?
There is a twist
Around this humble heart,
A carnival,
Almost a provocation.
All veins are old and weak,
There is melancholy at all.
Even without poetry,
Without free will, there is life at all.
This city is just brick,
Metal, sweat, concrete and glass,
Cement stuck to feeling
Often beautiful and often ugly.
This city is sand,
Concrete and feeling,
Sorrows and joys,
Poetry thrown to the wind.
Some people learn early, some not -
Live life day in and day out.
Some dance to the song,
Others are lost before the chorus.
Some are always right, some not -
Many are lost in illusion.
While some running, others sleep
And all seek some direction.
Some dream rock bottom,
Others dream of the river bottom.
Some seek independence,
Others are the exception.
Some people win,
There are people who are lost,
Some people becomes the problem
And others think is the solution.
Digress weather
What about the "types" that encounters in this life.
I lose a second in this lost time
And even with so little sense, how rare is the time!
If you have no idea, nor do I know.
Maybe the hunger that consumes me consumes you too.
Perhaps the addiction that affects equal
Is something that arises only between abnormal?
I addiction with its tapas
And in each sip of his cup,
Each exaggerated affection offered
In exchange for a few bucks.
I ***** me with your lies
And assimilate water from your gutters,
I learn new shortcuts in every way
And erase the traces of my own steps.
I chase you in every church and every home
I swallow my irony,
Visit each elderly
And make friends with the hospice house.
Far reaches thy wickedness
And how many hugs another's grief?
Can evil be so inspired?
The point of the very surprised to be expected?
Life bleeds leaving the left chest
The children of the world that the world does not want,
Spread the news that sadness has hair
And more brown eyes than mine.
I notice refinements of cruelty
In this urban masochism
Where poverty has older
And the lie became just a vanity.
I transform
In all more abhor,
I emerge in the mirror
As my own killer.
I suffocate and tie in the dark of my room
Little souls endangered
And throw in the trash the dreams of those who
He believed devoutly one day be part of reality.
I still feel the skin marked by fire
The brand that hurts the brand of truth
And I pray that one day cease searches
And everything becomes futile.
The happiness of fuel
Corrode and fades away slowly
Gradually me satisfaction
With the balance that sustains me.
When I look at my own face, it hurts.
I exhale the body the rest of fear
And I try not to see how strange the line of truth -
Seeking the path that leads to freedom.
Disguise my desires
And repress my absurd,
Hug each nightmare
And hide my darker side.
I try to see something beyond the abyss,
Find something else beyond the walls,
Transcribe all longings
Hidden behind every dream.
I am eternal,
Sinister,
Land and fraternal
While the world lasts.
There is this chest a divided heart
Created almost between two worlds,
The world is inside the abyss
And what one sees behind the walls.
My corner is stumped
As well as the small voice and uncertain
From the little that is hidden on the other side,
My other side of that wall.
What have other corners?
They also have these sides
But what counts in these corners
Also rhyme in other valleys.
Bright lights bother many people.
Darkness feeds inconsequential.
High walls with brass railings gleaming
Are contrasts in painting a colorless screen?
Urban flowers are so amazing
And this depression is so exciting.
Smiles are bitter and needy
And the pain married to vows of love.
These buildings are so interesting,
Where the wet streets at night shine like diamonds,
Where transiting the fair and honest
Munching vanity and rancor.
The cars pass and illuminate so many people,
Whites, blacks and children without color.
Poets are so tucked the irreverent
Assimilating the pain and all that is.
I see lives that trace the same plane,
joy of generations by mistake ,
Marks of time that are pure desperation
Charting together a colorless future.
I see faces full of hope
Burning in public because of their color,
Those who live without even realizing it,
A cold paint drips without why.
Bodies dancing high parapets
Almost always go so early
Challenging theories and concepts
And ignoring all kinds of love.
My steps are so slow
And so intense movements,
The faces are always the same
And I hope again the sunset.
Justice who is in charge of giving clemency
The presumed innocent
Transiting the streets
Spreading hope and love.
I want to have a chance to see the birth of Venus
And the annunciation in the middle of spring,
I want to be like St. Augustine
And read the scriptures by candlelight.
I want to be like Van Gogh and paint sunflowers
Even in December the ink is red.
I want to have new flower garden in the backyard
And the kiss out of my lips is never accidental.
Just want something passionately
Even being so blind and alone?
That goodbye is worthy
And everything to return finally to dust.
The idea comes suddenly
To celebrate as an illiterate,
Prepare a table and invite
Only those who are hungry.
All this turmoil,
All this protest,
All thefts
This legion inside me...
Melancholy has always had its place,
Love, sadness and bitter returns,
Feeling alone and be like shadow in the crowd
And embrace the darkness itself.
Find it romantic suffer
For pain that recognizes pain that always sees
It is more than a disease, it is a love affair
For all that hurts and causes pain.
I let them think I was defeated
With the unexpected attacks
Of those who cry shouts of victory
And they forgot to be buried.
I leave them to play in my back
The guilt of all blame,
Let it burn my entire story,
It does not matter that much.
My lips run on search words
And my eyes run in search of beauty,
Drawing liar’s feelings
That shut all the bells around.
Words come out like blades
In hoarse voice coming out of my mouth
This other me who hates me so much
And all challenges at first.
In the spring mornings leaves dance
Rehearsing his ballets from the rising of the day,
Is this life?
It’s this they call life?
I want to find the lost word
Among the tasks of the day to day
What is so profane?
The prohibited!
I want to meet a new season
Bring me a sense of relief,
Find what they call happiness
And maybe learn what it is.
An epidemic,
Leukemia,
Rimes illustrating
An eternal melodrama.
You cannot have everything!
Not always beautiful are our days
And we keep waking up.
Roses do not speak, but are also alive.
There is hunger for love!
There is hunger and what will?
There is hunger in this home?
If there is hunger, then there.
There is time for everything!
There is time to smile,
No time to cry,
There is time to leave.
I want to run away from home without a warning,
Running between the wheat fields
And let all afflicted
Trying to understand what had happened.
I want to cause confusion,
The same kind that I bring in my heart.
I want water all around
With the storm inside me.
I want to wake up the sleeping
And those who never agreed,
I want to find out who they are
And spread about us.
Lovers of this pain,
Thirsty without knowing
Where else to enjoy,
Where else to call "home".
I shift my gaze
With all the hatred of this world
Of all the ragamuffins and vagabonds
Who recognize me in a second?
I want to break these chains,
Scratching walls,
Promote anarchy
And imprison noon.
I want rain penknives
While tear my clothes,
I cut my wrists
And count all the drops.
A day can be
Something happens
And make to cease this endless grief
And everything changes, anyway.
So lose the naivety
What remains this morning?
I envision the absurdity that all I see
Is still something to be remembered?
Maybe one day
Poetry is done singing
And the light breeze the corner
Everywhere!
I want to get a perfect world,
I want to love what is defective,
I want to explore my own room,
Make another deal.
I want to shake you violently that coffin
And show where all the mice,
Ignite old blankets
Which now they were pretty.
I want to show you I love you
And I hate you,
I can live alone,
But also not live without you.
My madness is productive
At the same time, destructive:
It satisfies the crowd inside.
I refuse to be part of the pack
Strolling in supermarkets,
Feigning patience as immoderate
The suffered.
I like debris,
I collect dust,
Make enemies,
Cultivation dreams.
I constantly change identity
And lose track of reality,
My state is ill
And I'm terminal and disposable.
I participate in this game,
This novel in decline
This disgusting theater of horrors
Where only the blind are honest.
I am thoroughly enslaved
While deprive me of the privilege of choice,
Burying our will
In the deepest pit.
The wall that separates us is low
And we walked jumping from one side to the other,
Often both exist
And others, only I exist.
We are a nun and a *****
Plotting an eternal dispute
Between the two sides of the coin
To decide who runs and who fight.


As simple as saying your name
Spell out the pieces of your body.
I want to understand what God's grace
If your body will never be only yours.
Your body exudes the morning sweat,
Clouds hid the principle of pain,
Pain discovers a new form of pleasure
And the pleasure is expensive to you.
Your blood runs nearly everywhere
And a new world opens up suddenly,
Frighten the fleeting pain
And wait with his only love the sunrise.
I wipe the sweat oozes from you,
You wipe the tears falling from me,
If you can be in the world some endless love
The only certainty is that there was never before such love.


I want to wake you up
To hear my screams at dawn,
Show you what genuine despondency is
And not left me anymore.
I want to recognize me
And take me to your bed,
Not left with nothing
In addition to beating in his chest.
I want to be part of its history
And I want to be a constant presence in my,
The world spit their prejudices
And the fire that also burns in the heat.
I want to break the mirrors
And heal our sickness,
Assaulting what kills us
Every day, forever.
Serene and calm give you what remains
With my last breath,
What's best in me now rests
And rest my mind.
My sweat is true
It is also all the pain.
Blood is final
And it goes to the last vows of love.
The entire storm inside me
Now relax my heart,
Soothes My Soul
And feeds the reason.
I walk by this peaceful land
And growing a new crop of wheat,
I do a incognita a new partner
And the fear is not definitive.
I harvest hope
Where before there was only bitterness.
I am ashamed
And regret.
I accept the entire cross
And fight against the serpent.
I heal my wounds.
And my success is violent.
Time is short
And I want to scream that entire plan,
There is still a flame inside
And only her surrender.
What was misery,
What was despair,
What was hungry,
What was fear…
What was pain,
What was love,
What it had value
And when there was time…
What is born of this land?
Nothing is born,
Nothing grows
In this desolate land.


What is born on this land?
What grows in this land?
Nothing is born on this land,
My private wasteland.
MY LAND OUR LAND is the result of years of work. Written at different times, eventually leading nineteen years in reaching the outcome that now lies in your hands.
Numerous times this poetry was abandoned and then resumed, forgotten at the bottom of a trunk or discarded due to the complexity. Not ready and may never be. The comforting passages are rare. Virtually none, to be more specific. There is no time to be afraid. We mask our feelings and weave remarks about everything.
This is just a work of poetry. Do not be afraid to consume it. Not to care be consumed by it.
My land cannot be invaded. It can be understood, compared, discussed, studied, trivialized, ridiculed or criticized by anyone. But this is my land!
Zemyachis Nov 2014
I saw a brown boy in Mexico
couldn't have been more than eight years old
he was wearing jean overalls, face covered in ash
using an axe to chop up the wood of his burned down home
helping his father make room to build anew

we said we're giving away clothes
can you take us to the center
of this shantytown
he said sorry no, I have to work

so his smiling little sister waved to her mom
and said cheerfully, I can give you directions
as she sat next to Sister Jodi in the van and led the brigade
I looked out the back window and saw that little man
still focused,
chopping.
Marshal Gebbie Mar 2020
Jottings from David Bagerow's "Quickie"

Shame on she, the selfless *****
Who caused your temperature to fire,
caressed your sandy, sweated brow
To rivers of desire,
Tho she fled at poignant time
To leave you in the lurch.
Best you weave your magic touch
And promise her, the church.
Then woo her and caress her
In your happy, carefree way
Then at that moment of exultance,
Laugh and run away.

David Lessar's "To an Unread Poet"

Dave, You are right ,of course, once committed you raise an expectation and once that expectation is released to the world you are obliged to maintain face...but that damnable thing called "Life" intervenes and totally stuffs up the programme. Take the current interlude of coronavirus...the whole world has been taken by the scruff of the neck and jammed, inconveniently and complaining, into seclusion, all systems ground to a halt, production lines vacated, malls and city centres deserted, blown newspaper cascading across the deserted pavement...a testament to mans ultimate frailty when his house of cards collapses, without a whimper.
So you see, as life intervenes...we are excused from maintaining face.
But fear not, like McArthur, we shall return.
Cheers mate M.

Fawn's "Happy Trails"

Were it not the touch profound
That doth caress my feathered ear
Would thou wish a thousandfold
That I should shed a tear?

A glistened tear suspended there
in iridescent light,
While you, my love, with parted lips
Await, the ruby night.

Victoria's "Wherefore Art Thou"

Strides, he does, through corridors of lust bound lessers,
through forests of small penised dwarfs, through canyons of would be's who could be.....just to countenance the promise within your words....Dear Vix!

Terry O'Leary's "Sweet Butterfly"

You enter the portals of entomology where bugs, flies,butterflies and moths are the true rulers of the planet.
A world vastly magnified by compound eyes, of lightening lifetimes and vivid, saturated colour. A world where life and death are synonomous with the culmination of a single ****** union and the reproduction of a batch of precious pearly eggs. Yea Brother thee hath entered the portal...rejoice!
M.

Fun with Terry O'Leary

"Buried in the Sand" by Terry O’Leary

A beggar clump adorns a dump, his pencil box in hand -
With sightless eyes upon the skies he’s lying there unmanned.

He’s fallen down in Shantytown, his knees too weak to stand,
With no relief and bitter grief too dark to understand.

The Bowery blight is hid from sight, it’s covered up and bland,
And Robin Hood and Brother Hood lie buried in the sand.

"A Rebuttal" by Marshalg

So Hood lied low, despite the show ensueing without help,
One would have thought a British sort would spring forth with a yelp!

Would spring ***** to help deflect contusions which occurred
When beggar Clump adorned the dump confusing all deferred.

Whilst sister Ant, attired in scant, ran forth on spindly legs
And brother Frog with shaggy dog said "****" and drank the dregs.

It all became too much, as such, a meelee did ensue,
So all called HALT and as one did BOLT...to the local for a brew!

Phew...that was FUN & hard work!
M.

Singing the Devil's Song*

There is no Makers formula
This life depends on chance,
The way you play your given cards
Depicts your daily dance.

Oh dogma flows in utterance
From pulpits far and wide
From those who claim to understand
Eternity's vast hide.
From those who hold damnation
As a weapon from on high,
From those who claim a judgement
As their finger points to sky.
The good, the bad are absolute,
The right bedevils wrong,
Redeemed shall live eternally
The bad shall singe for long.

Old men stand in pulpits
Across this Sunday's land
To threaten with damnation
If you should cross God's hand.
"Belief" is now their catchword
Abomination's wrong
Is to seek to proffer proof of claim
....to Sing the Devil's Song.

So gather all ye faithfull
Go listen to your man,
Sing the Gospel loud and long
And pay your tithe, as planned.
...But should you find you're dying
From cancer's frozen claw
And the the Godly fail to sweep you
To eternity's gold door?
Remember my clear message
Your life depends on chance,
You live within your own good sphere
....There is no Maker's Dance.

Marshalg
After an overdose of Pulpit hogwash.
10 March 2013

Singing the Song of Angels:
A Response to Marshal Gebbie's "Singing the Devil's Song"
By Luca Anselm
There’s a church in the city with pillars of stone
And windows like sea-glass, still and alone,
A fountain, and cloisters of ivy, away
From the noise of the street, and the hum of the day.
There my father would tell me of Christ, how he died
Surrounded by soldiers and thieves, crucified,
How he wept for the women, and fell in the sands,
And loved those who hammered the nails in his hands.  

Marshal, dear poet, you have heard the priests tell
Of a god who left heaven to walk into hell?
Of a god who wept softly for men he had known?
Of a god who dripped blood in a garden alone?
Of a god who sent men with book and with sword
With eyes bright as fire for love of their Lord,
With limbs dressed in black, on altars of stone
By windows of sea-glass, still and alone?

So they give up their lives for a lie, as we say,
And toiled for centuries, long as each day--
And our money built palaces, lofty and tall
With frescoes and candlesticks, gold on the wall--
They preach with words awful and deadly and free,
Of gorgons and hell-fire, worms and the sea,
Of the last day of judgment, and mankind amassed
By the wailing of angels and bright trumpet blasts…

But Marshal, they preach something sweeter and kind--
Of a mother’s soft love, of a father resigned,
Of a still, soft voice, that comes with a light,
And gives hope to the hopeless, and conquers the night.
Of charity, piety, sweetness and love
Like fiery ***-cakes, but soft as a dove,
Spicy as Christmas, solemn and grand--
(Like throne-rooms or magic or the roar of the strand)
Then you wake, and the house smells of peppermint-pine,
And a child is laid in the crèche, now a shrine.  

And all that I long for, dear Marshal, you see,
Are the gold-blooming gardens that soar by the sea,
The mountains and dragons, the prophets and kings
And Icarus falling with fire-fraught wings,
The grey-shifting sea-lanes, the flutter of sails,
Temples on mountaintops, graves in the vales,
And Dido who bleeds from her breast as she cries
For her Love, and stares helplessly into the skies.
But more than the shadows of worlds that might be
Of fairies or phantoms or rocks by the sea,
Dear Marshal, I long for who made me a man.
And would love and give glory as best as I can.

But these days oh! sad days, the loss and the shame
In which all of my loveliness falls into flame--
Where gardens have withered, and sails have been furled,
And kings plodded off in the dust of the world.
Our cities rise higher, and burn through the night
And rear into heaven with noise and with light,
The palisades echo with horns and sound
And the churches with voices and quarrels resound.
But the statues sit silent, and some say they cry
For the shame of the sins against children. Oh! My God, Why?

And those old men—well—they taught me the loveliest things
Of my gardens of gold, and the sunsets of things,
They told me of kindness, and honor, a way
That winds to the West, where the end of the day
Breaks bright like fresh bread, and crimson like wine,
And the sun sets to purple and green in the brine.

And still I remember their words and their songs
And the churches which taught me so well and so long--
Though I’ve turned my head, to the lands where the sun
Will rise again brighter when starlight is spun,
Somewhere fresher and pale, where the cold and the air
Spreads the dew like a lawn paved of crystal, and there,
In the meadows of silver, with light in my eyes,
I will honor my god in the dome of the skies.

Marshal Gebbie's poem "Singing the Devil's Song" inspired this. It's in anapestic tetrameter, for you metric buffs. If you haven't, you should absolutely check out Marshal's stuff--it's awesome and poetry-inspiring--seriously amazing. Thanks again, Marshal!

Sepia Sown

Sepia sown as best it can
Where you and I, as one, once ran
Across, beyond a savored sea
Where lust became reality.
Where spiraled lust, entwined, entrenched
Left you gasping, pale, en benched...
a figment of a thought, now lost
Forever..at what cost, what cost?
M.

Addenum to "obituary" by V

So no one notices, at all
When golden greys of aged fall?
Except perhaps, for those who stay
To blend with every ordinary day

Plus you and I as time flies by
And too, those starlings flocking high.
That old man loitering in street,
Who eyes the million passing feet.
And she too at corner store,
Toothless face and wrinkled maw,
Exchanging cigarettes for coin
(With surreptitious scratch of groin).
Mailman, fat, long, loop mustache
Complaining long and rather harsh,
That they, gone, without a word,
Should vanish into air...absurd!

Someone in their every day
Feels the absence in the way
Details don't fall into place
And warmth is absent from the face.
M.

The Kraken Arises

From blue tranquillity where turquoise waters wash white golden sand, where brilliant fish school in myriad colour and shape, where magnificent squadrons of sleek tarpon and barracuda dash in perfect formation, grazing schools of silver mackeral through diamond flecked deep green shallows, to plunge vertically down to the depths of the black abyss and security.

Calm tropical waters which shimmer like aqua blue glass in the mid day heat and turn to simmering,red fire at the setting of the enormous, ovate, orange sun.

Sea birds flock above wind blown waves, their sharp cries a symphony of the sea, to suddenly wheel and dive en mass, to dine amidst teeming schools of flashing, shiny minnows.

The idyllic picture of a calm blue infinity of ocean framed, in brilliant sunshine, by white sands and gracefully bowed coconut palms.....and suddenly, at the horizon, a thin black line appears, It approaches with steadily, mounting speed, the coastline surf recedes dramatically seaward leaving exposed coral, mountains of seaweed and frantic flapping, beached fish everywhere. A sudden, oppressive silence becomes a distant roar. The sea birds, as one, take panicked flight... and a massive wall of water rears up and rises like a giant beast, to rush headlong, raging, at the coastline.

What once was blue and serene is now a huge cascade of violent black death and destruction, gigantically it destroys the coast, snapping huge trees like twigs, surging ashore, a tsunami of unimaginable violence it obliterates, housing, streets, bridges, vehicles, shipping, aircraft and people, thousands of panicked, helpless, struggling people, killed in a titanic, black, swirling maelstrom of inexorable violence. The wave is followed by another...and another, extending right along the coastline and beyond. Each wave larger and more violent than the last...surging inland for miles  until defeated by the accident of gravity in rising land.

Those who have survived, on high land, on tall buildings, in treetops....cling to each other and look on in horror and utter helplessness. They can only wait, in fear, for the monster to retreat before venturing down to the devastation below to render help where ever they possibly can.

Twice in the space of the last forty thousand years the Kraken has awaken and risen from the depths of the Tasman Sea to the west of New Zealand. It has risen to gigantic proportions and driven right across the Auckland isthmus to the Pacific Ocean. It has twice flattened gigantic primeval Kauri forests laying them waste, all lying in one direction, each time beneath twenty feet of debris and black mud.

Born in innocence from a natural tectonic adjustment of the earth plates, the Kraken doth arise at any time, in any place to wreak it's dreadful work upon we, who reside in our comfortable, seemingly secure and beautiful coastal idylls.

Marshalg
Dedicated to all the coastal population exposed to the threat of inevitable tectonic induced tsunami.
JAPAN. WEST COAST, USA. WEST COAST, SOUTH AMERICA. ALL PACIFIC ISLANDS. NEW ZEALAND. INDONESIA. AUSTRALIA. SOUTH AFRICA. EAST COAST, CHINA. MALAYSIA.
KOREA. THAILAND. PAPUA NEW GUINEA, VIETNAM. PHILIPPINES. TAIWAN. BURMA.

Part of My Job (A love Poem) by Nat Lipstadt

A little embarrassed by all the attention but great to hear from you Sweetheart...all fine and dandy, here...except for being forbidden to go to the beach and the park..and anywhere else except in cases of dire need..(And on punishment of prison time if caught out!)...but hey, I'm not really complaining...All for he common good, aint that right?
M.

Bridges Burnt....

Bridges burnt in Winter rain
Holds a saddened felt refrain,
Holds a touch of muted horn
Blown in passion unadorned.
Blown away in errant winds
Where no truthlessness rescinds,
Where a lie begat the night
Interceding lost love's plight.

Bridges burnt in Winter rain
Sacraments of loss remain,
Sacraments fragmented drift
Redemption clad in bloodied shift,
Redemption worn as wrong slays right
Till wrongfulness blots out the night,
Till no return this path can be
Until they torch eternity.

M.
SE Reimer's words float before me in his impassioned poem "Bridges"
allowing me to wallow in this, my own dark tangential refrain.
M.

Perchance, in a Bus Shelter

Here I sit amidst the ruin of a white winters' day
Convulsive rain and harsh wind outside, contribute tumult.
And in here, in this small shelter, there is a tension in the air.

We two sit apart, uncommunicative, remote and quite detached.
Not for any reason other than the fact that we are strangers,
We have never met, nor are we ever likely to.
She has an elegance and a stylish angularity whilst I am bald, bearded, unfashionable and somewhat overweight.
She is singularly indifferent to my presence, whilst I am uncomfortable with the circumstance that placed us in this small proximity.
We would, in truth, rather both be elsewhere.

I break the ice in throwing her a small smile and complain about the weather,
Her eyes flick across my face and immediately resume their distant focus on the rain,
She adjusts her seating to face,ever so slightly, askance.
Her choice of course, to assume an air of indifference or superiority...or adopt a measure of defense..or perhaps a combination of a bit all three.  
Regardless... I wipe my backside in exactly the same manner as does she, I  am definitely no less a person for my dumpy demeanor and friendly overture
And I really feel that I don't have to share my space with coldness and impertinence,
Better, I think, to be wet and content with my own company
..So, donning my cap and jacket, I stride out into the deluge to leave the remote and uncommunicative young woman alone and dry with her thoughts.

And then....
Howling rain and shards of wind
Pelt me as I walk
Along the foreshore wild and white
As hovered seagulls squark.
When all at once she's by my side
Walking pace for pace,
Her linen suit a sodden mess
Hair plastered to her face.

"Thought I ought to make it right"
She told me with a smile
I threw my coat upon her back
And walked another mile.
We called into a coffee shop
And sat down by the fire
And sipped a steaming latte
As she told her story dire,

"The cancer's all but killed me
My husband's left the home,
The baby's gone to mother
And I'm facing death alone."
We quietly spoke for ages
I held her hand in mine
Then suddenly she stood to leave
And thanked me for my time.

I sat there in a stupor
Recalling how it played
And felt the guilt impact on me
For judgements I had made.
Those callow, shallow judgements
Made in ignorance, my friend,
Will haunt me as she girds herself
To boldly meet her end.

Marshalg
On a bleak and blustery cold winters day.
Titirangi
5th September 2010

The Old Café by Steve Yocum

It's my go to place,
has been for years,
The Wildwood Café,
an eclectic tiny place
with a mix of old dinette
tables and mismatched chairs.
the cutlery also unmatched
and well used, old photos
and signs adorn the walls
and there is usually a line
of people waiting patiently
on benches outside.

Best of all there is this pleasant
girl, always wearing a welcoming
smile, who seems to know us all.
She knows my order by heart,
Ham and eggs over medium,
a half ration of potatoes, home baked
slice of bread, well toasted, well buttered,
home made salsa on the side, a cup of
"hot" Black English Tea. Tall water no ice.

If I arrive between the busy times, she may
sit down at my table and we talk a while,
It's not a big thing, just chitchat, I'm old
enough to be her grandfather, it's the
dessert before my meal served with genuine
friendliness and unforced civility, not often
encountered in these strange days and times, it's a slice of small town America at it's purest best, she and folks like her help sustain my belief that basic human decency is far from dead.

The food is always good, but it's the comforting embrace of familiarity and
simple warm kindness that assures my frequent return.
It's the little things in life that make living
wonderful, small moments in time felt and
recorded, this is but one of those.
written by Steve Yocum

It's the little things in life that make living
wonderful, small moments in time felt and
recorded, this is but one of those

Marshal Gebbie
  That old world touch suits you Stevo,
When I come visit your beautiful state of Oregon, We shall partake this delightful repast in the company of your fair maid.... and we shall tip her well!
M.

Scoot the Streak
One must believe in something be he misanthrope or gambler
In tomorrows omniscience or the future proof of God
The penance in a drunk's decay sets self destruct's imposer
Wether speaker phone's on disconnect or cellphone's in the bog.

Conveyance of a threat to adherents of St Selfwise
Show atheist's are proof here, in belief of disbelief,
Haunted by the images painting painful retribution
Picture sympathetic **** star's allocated hand relief.

A moments allocation of a syllogist abstraction
Shows perspective of the caliber we now reserve for Saints
A paradox regarded as autistic fascination
In a one act play of living disregarding all restraints.

Deliberately indicative of fraternal heat's expression
Notebook at the ready and deep frowning at the brow,
Question definition's collage of confusion's contribution
Do we sit it out pretending or just catch the late bus now?

Marshalg
13 February 2014
© 2014 Marshal Gebbie
Marshal Gebbie
Written by

victoria  Intriguing work...so I search the comments for help... Ah
0
Feb 2014
Terry O'Leary  Marshal, I kinda like this (I read it several times since yesterday)... but I'm still not sure what it says... maybe I'll down a shot tonight and try again... ;-)) Terry
0

3 replies

Feb 2014
Marshal Gebbie
Marshal Gebbie   A confession Terrance.. I was half cut when I wrote it!
I have no idea what it means.
Feb 2014
Terry O'Leary   :-)) Great... I'll be back in a bit... T
Feb 2014
Terry O'Leary   Well, in the meantime I've had a few shots... now I think I know what it means... hic°°.... hope I remember in the morning... ;-)) Terry
Feb 2014

Pradip Chattopadhyay
Residues
By the night one long dark road
the houses are deep in slumber.

Lucky I'm alive and awake,
can see the stars
in their vast magnitude of silence
gentle and not drunk
have love to count upon
filled with a will to live
feeling I'm almost done.

Having a life is a great reward
and with the residues
gets more valuable.

I won't cry over the lost years
would rather think
have been blessed with enough.

The stars grow blurry dots
as I slip into dreams.

I had a once upon place
and I'm grateful.

With dewy eyes
I hurry to the warmest space
beside her.

You slip into your years well, Pradip.
Your woman must relish your peace, your contentment.
Cheers mate
M.


Tony Grannell
Autumn's Sonneteer
Behold, upon yon ivy bunch, my darling blackbird sings;
I know not why nor shall I try to understand such things.
For born this morning on a song, pray hark, her sweet refrain;
to chance a sigh, oh, dare not I, for this is God's domain.

Out of the night the art of song in tuning in the day;
unknowed afore or evermore such music on display.
'Tis love begad, a lover's song, a diva, I declare,
in soaring o'er both vale and moor, this morning's love affair.

In wonder's charm, this precious bird in song to comfort me.
Alone I stroll, no proffered soul to share my company.
Yet rare this morn, in splendours all, true love like none afore;
let passions roll, in song extol, in verse the morn's rapport.

Be succour in such music found for autumn ails me so,
when summer's run, the harvest done, to rest my scythe and ***.
Of idle lands and nowt ado, to wait without employ.
Yet, hail the sun, my kingdom won, when sings that bird of joy.

Behold her charm and charmed, I am while autumn leaves still fall.
'Tis life anew, a sweeter brew when hear the songstress call.
Though winter’s nigh, with strength and will, we’ll bear our pain and fear;
'tis all to do, good hearts and true, sings autumn's sonneteer.

Written by
Tony Grannell  62/M/Spain

Marshal Gebbie  I stood out at the rock wall and gazed at the splendour of Autumn in Taranaki, as I read, aloud, your sonnet.
...and my heart sang.
M.

Dr Peter Lim
When?
When is the when
of when?  
rampant still is the ravage
which will not relent-

the claustrophobic shut-in
hearts toward gloomy moods they bend
no happy voices of kids heard outdoors
the green fields do not comfort lend-

the downcast look, the sinking feeling
are the joys and delights of yesterday years all spent?
the spectre of pain brings bitterest tears
in the faces of every continent-

oh, when is the when
of when?
such a wash-down
we could never comprehend.

Marshal Gebbie:  But isn't that the way, Dr Pete? Mankind builds his castles in the air, thrusts out his chest and proclaims himself, King of all!
...to be decimated, in an instant, by a microbe of infinitesimal stature. Oh! the fragility of it all.
Life cometh, life goeth....but somewhere, down the track, life shall come again.
M.


Al Drood
The Merman of Orford Ness

So long ago in King Hal’s time, our nets we cast upon the wave;
and drawing in did stand a-feared at what we’d caught in Orford Bay.

Entangled ‘midst our dripping catch, with eyes that stared all hellish green,
enscaléd like some creature deep, a Merman writhed as one obscene.

All webbéd were his hands and feet, his body dripped with ocean bile;
upon his head the ****-wrack grew, green-bearded was this demon vile.

Fast to the shore with awful haste we sped before the wind and tide;
Lord Glanville for to summon forth, the Merman’s fate all to decide.

Upon the quay his Lordship stood with men at arms and shriven priest,
and all did cross themselves in fear before this strange unholy beast.

“Enchain it,” cried Lord Glanville loud, “then to God’s Kirk with all good speed!”
The shriven priest prayed long and hard as to the church we did proceed.

With Holy Water, cross of gold, with candle and with testament,
the priest then exorcised the beast, who knew not what was done nor meant.

To all’s dismay he would not bow before the Host on bended knee;
and so to dungeon was he dragged to dwell upon his blasphemy!

The silent Merman beaten was, and hung in chains in for seven weeks,
and fed was he on fish and shells, yet never did he sleep nor speak.

And so at length his Lordship said, “Across the harbour tie a net,
and we shall see how he shall swim, but by his ankles chainéd, yet!”

The net a-fixed, the village folk came down to see the Merman’s plight;
into the sea they threw him then, with foam and wavelet flashing white.

He vanished ‘neath the waters like some seabird in pursuit of prey,
then surfaced laughing, chain in hand, and to his Lordship he did say;

“You thought to make me such as you, who walk in blindness o’er the land!
You’d punish me for difference!  You thought to treat me like a Man!”

So long ago in King Hal’s time our nets we cast upon the wave;
and drawing in did stand a-feared at what we’d caught in Orford Bay.
Al Drood
Written by
Al Drood  M/North Yorkshire

Marshal Gebbie:  Tones here of the Rhyme of the Ancient Mariner.
An original work in time honoured rhyme and metre.
I devoured every syllable..Bravo!
M.

G Alan Johnson
Kafka's Bug

When I shed the last skin
last year
there was left a hardened shell
protecting a patched up heart
and a petrified husk
of a soul.

You can throw your bombs
if you wish
and they will hurt inside
but I will just eat them
and **** them out
flushed and forgotten.

Sometimes my antennae
come out in a social setting
and people look at me
with an odd expression
or look off into space
a kind of awkward acceptance,
(the ones that know me).

My mandibles will at times
spit out a divine stupidity
a slacker kind of opinion
and no amount of saliva
can dissolve it
so it sits in the heavy air
stinking like a butterfly corpse.

It was an attempt
at transformation
that failed
(I'm too weak with ego),
and I'm glad that I tried
otherwise I would always wonder.

Vincent Price in a cheap suit
and a lost puppy daydream
a world full of flies, wasps and failed caterpillars
patient spiders and polished leeches...
and all I can do is write.
Written by
G Alan Johnson  65/M/USA

Response by Marshal Gebbie

Pelting rain adheres to soil
As spiders sprint and earthworms roil,
World in turmoil stinkbugs, stink
And Satan beetles disgorge ink
But thee, my budding, sodden flea,
Hath entertained quiescent....me.
M.

Nat Lipstadt
Pandemic Poems: Unclaimed bodies, There’s ain’t no anonymity in heaven.

There are more poems inside me, but I intuit it is longer fair to impose on you by sharing more.  The deep seeded infection of my spirit waxes and wanes, and there is no antidote, and unlike the virus itself, there never will be, a future cure, an inexpensive replacement cost for the spirit spent, the time and futures spirited away.

Perhaps you recall I was one mile away from Ground Zero on September 11th.  Rarely do I walk there.

The coronavirus poetry inserts itself unaided, never asking permission, a like minded, but a contra-cousin to the coronavirus.

I live in New York City, the epicenter where now, close to 800 die daily.

Normally, about 25 bodies a week are interred on Hart island, mostly for people whose families can't afford a funeral, or who go unclaimed by relatives.  In recent days, though, burial operations have increased from one day a week to five days a week, with around 24 burials each day.^^

Each dies with no last words, no Kaddish recited, Last Rites, too late, no Ṣalāt al-Janāzah or Om Namo Narayanaya.  Each one, a numbered pine coffin, and each one will have at the very least, a poem of their own, so help me god.

Buried side by side in large trench, room plenty for new arrivals,
I hear the banging, protesting, resisting, this is not the way, I was promised, my ears left pounding!  Hillel, the great scholar in this dream, reminds that “the time is short, and the work is great.”          

He paraphrases, though, “the bodies many, the poems too few.”

There ain’t no anonymity in heaven, but I’ll reconfirm that with you later.

Written by
Nat Lipstadt

Marshal Gebbie
God! It's harrowing to feel the raw spirit in a New York City man's soul.

You speak for the dead, the ailing and the fearful.

You speak for beggar in the street, the broker, quaking in his plenty, imprisoned on the 14th floor.

You speak for the cop, in face mask, on 24th and Vine, doing, as always what he must, with authority.

And you speak for the White Clad Angels who carry the dead to Hart Island and who forgive you, your fear and safer seclusion.

You speak also for we, who watch and sorrow from afar your agony, in our own fear and seclusion.
M.

Nat Lipstadt
raw is the word, oft need to lie down midday to escape the the viral infection of every outlet we use to pass these days. don’t know when i’ll go outside again, because the virus kills and wounds in horrible ways... thank u MG for the kind appreciation natty

Sally A Bayan
Conduits
In distance and in proximity...in despair
and joy...in existing and in dying...in the
bliss of love reciprocated, and in the pain
of love unrequitted...verses dance and call,
awaiting......

poetry has its own pulse, its own heartbeat,
it calls, taps the shoulders any moment,
awake, or adrift, it just can't be ignored...
even in a tangled, or weird circumstance,
it sparks like a bulb or a comet, curving
in a rainbow...riotous some days, teasing, fleeing,
then, turning up at unexpected times and places.

in every bit and breath of life, in every seed,
in every drop of dew, in every ember burning,
there is poetry birthing, growing...

deep within us flows green, purple, red,
glum gray, darkened inspirations...fleeting,
but, when time is ripe, they linger long,
giving us time to capture them all
.............................................
we sense them...we give space
we speak them, or we write them,
:::::::we are conduits:::::::


Sally

©Rosalia Rosario A. Bayan
February 11, 2020

Marshal Gebbie

  A touch, so light,
So sensitively slight
As to be caress,
In dead of night


Don Bouchard
And then
We become old men
And old women, and

We look back wistfully, and
We look forward hopefully, and

We wonder....


Written by
Don Bouchard  60/M/Minnesota

Marshal Gebbie
  Slipped betwixt the then and now
Methinks, with finger on the brow,
Thee needs a shot of earthy ***
And a wanton ****, to rub your tum.
Thee needs a cheery pick me up,
Some hairy mates to help you sup
Elixir from the joy of life
To salve tomorrows' threat of strife.
Cheers mate M.
0
Tommy Randell
From a young man's parlance, tripping from an old man's tongue; Right On, brother, Right On!
z Dec 2016
from the cold road: houses visible (without wires)
entrenched in white snow: sherd forest archaeology.
car parked, bananas and bars packed, we hike.
a magnesium flame painting, freezing. a collage. a frenzy.
now, various floaters organized in armies playing war
or grazing, flamingo legs embalmed and crooked
and cooked, charred and glazed in a kiln, kin amid
the cold air, the ground is a movie screen.
the sun, sidelong, bruises our pilgrimage
and lays shadows in place to dissect and incise.
light like a plague, a pear flesh, a frozen swarm of locusts.
the forest opens, we reach aforementioned rural shantytown.
those houses when we parked and hiked to them
were not houses, they were barns, the windows, doors
all were painted in detail on pieces of plywood,
some big movie set gone missing (headline: found!
deceptive, chipping curtains hung out in the cold
).
Joseph Mart Apr 2017
Captain Rackstraw ~
Log entry 05
Today off the cost of shantytown, we saw a group of pirate ships passing by. They did not give us any trouble; in fact, they even offered to buy some fish from us. You see the pirates are not the bloodthirsty group of thieves that many British officers portray them to be. They are only strong-willed men who dare to venture the great sea and make their fortunes by praying upon the naval fleets. If only they could be remembered for the strong souls they are.
           ~Close Log
but for some unknown reason
more tired than usual...,
without daily twenty four hours
proper rest, I feel haggard.

I strongly suspect (a hunch acquired
upon returning home
after visiting Notre Dame)
deep sleep interruptions...
attributed to uncontrollable need:
tap a kidney, micturate, spend a penny
(thee last mentioned British, informal)...
quite displeasing... yea urinate kidding.

Methinks perhaps to purchase adult diapers
(or fashion/repurpose water absorbent material)
in an effort to stave off awakening groggily
after experiencing an awesome dream, cuz
REM (rapid eye movement cycle) interference

courtesy natural function versus external
noise, which when slumbering both equally
affect bringing about onset of fatigue,
yet herewith yours truly intent to hone in
on former.

Meanwhile, he hoops to entertain thee dear
anonymous reader with the following poem
posthumously dashed off while falsely
believing himself to transition into afterlife

So sit back and kick up dem heels
without falling on yar crown
and/or bare stocking feet
and/or if ye prefer by all means lie down
attempting moost impossible mission

to flip (i.e. reverse) any lurking frown
other than standing on head whereby gown
and/or other stitch of clothing (casual wear)
preparatory to embarking on scheduled hoedown,
perchance participating among other groupies

(a gratefully deadset of fervent beastie boys
and goo goo dolls) join fracas intown
where martial law heightened surveillance
police able, ready and willing with Billy clubs
to crack then scramble noggins, and knockdown

civilly disobedient citizens in dire straits
politely courtesy coronavirus
(COVID-19) lockdown,
which heavily truncated livingsocial options
inextricably linkedin with societal meltdown

psychological fallout endemic among Caucasian
or hue men/women talking heads of natural nutbrown
persuasion, which madding crowd (think Woodstock)
where little upstate New York town
of Bethel hmm became quickly overgrown

with peaceable folks across gamut
regarding age, nationality, race, religion...,
rendered superfluous strong arm of law to putdown
and/or quell any anarchistic uprising
(perhaps even top brass
military industrial complex)

incognito as... beetle browed brothers
of some contraband slated to perform
and eventually gain world wide webbed renown
donating their unexpected proceeds
to upgrade and gentrify

one after another shantytown
even boosting fame and (mis)fortune
of Matthew Scott Harris
at long last, he could relocate
out his tumbledown abode to parts unknown.
Welcome to the shantytown
the penny-ante town
a place your dreams turn down
the chance to get away,

where they'll rob you blind
then sell you back your sight
and under cover of the night
they'll rob you blind again,

it could be home to me
could be the death of me
and for the life of me
can't think  of
why I'd want to go.
Shapes become shapeless and the shapeless are the homeless on the pavements that undress them and put them to bed, reforming and naming the nameless if reforming's the word or reshaping the ones that are shapeless making the idea of homelessness absurd would if we could be ideal.

there's a countdown to the shantytown and the clock's ticking on.

We're just a handout to the landfill hardly holding our own,
waiting for the theatre crowd and the seeds have been shown
to be sown in the grimaces and sneers that have grown in the
gardens of England which we've never known.

But it's sunny, how laughably funny that things always look brighter
when the weather turns nicer.
Onoma Jun 12
a six story door,
made of compressed wood--
darkish brown.
upright & unhinged.
shantytown openness.
riddled with keyhole
porousness.
no doorknob.
warped with catalogued
moisture.
a dust pile of bricks
resounding its architecture
in a tumbleweed breeze.
a pod of suns swaying overhead,
like 70s billiard lamps after a
brawl.

— The End —