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preservationman Oct 2018
“Weights to the body that want all too exercise
Your Muscles want you to energize
Two Fitness Enthusiast were known as the “Iron Brothers”
The movie was centered around Exercise, Physical Transformation, Muscles and Bodybuilding
Yet it was a creation forming a Fitness Enterprise and Bodybuilding Affiliation Organization
Weider Muscles want your attention please
Stand and Flex but move with ease
But there was Rivalry between two George and Joe Weider all having a mission for Bodybuilding with a Higher Recognition Bodybuilding Prize
The convince being a hard realize
So George had a title that was called “Mr. Universe 1940”
Bodybuilders were all competing for the title
However, Weider was denounced to have anyone from his organization to compete, and there was a struggle
But Joe Weider saw a bigger picture of Bodybuilders in creating the “Mr. Olympia 1950”

Victory being on Joe Weider’s mind
But having a magazine that will enhance
The mission was about giving all Bodybuilders the competing chance
Bodybuilding Magazine relaying Bodybuilders and Bodybuilding coverage
Expressing to the world Bodybuilding was a sport
But don’t cut the sport short
It was going to take persuasion and instilling Bodybuilding appreciation
So the journey being a determined mission

Yet, it was on to discover Arnold Schwarzenegger Whose name Joe Weider had heard of
This Writer actually met Arnold Schwarzenegger personally when he was competing during his Bodybuilding days and the title was “Mr. Olympia” in New York City
I met Mr. Schwarzenegger at the Mid-City Gym in New York City
Arnold would often have trouble saying my name Anthony
Today, he would have no trouble saying my name because he was once a California Governor and a Movie Star
However, I was intrigued to see Sergio Olivia, Jr playing his Father in the Movie, Sergio Olivia, SR
What a combination?
Now the Sergio Olivia, Sr was a Cuban Weightlifter, and became a high Ranking Bodybuilder standing with Arnold Schwarzenegger
What makes Sergio Olivia, SR was when he posed in the ***** pose with humongous Lats when it came to Bodybuilding competition
So Sergio Olivia, Jr was following in his father’s footsteps with destination being stardom
But the Mr. Olympia is still the number one Bodybuilding competition today
Joe Weider saw the vision and how Bodybuilding will make the Mr. Olympia competition worthwhile
Are your muscles pumped to perfection?
Joe Weider’s legacy left behind, “Muscles pumped to Victory”
There’s training to be done
It’s Bodybuilding Victory I want all too be among
Yet, remember what I accomplished in looking upon.
Paul Butters Dec 2014
Sergio Aguero:
He’s my hero.
Title-winner against QPR,
The man sure is a Super Star.

Paul Butters
Discovered the Clerihew recently on a quiz show...!!!
preservationman Dec 2015
Wax captured in all the flex
Structured detail with all the contour molds
Realistic in looks of behold
Wax of Bodybuilding champions at their best
Craftsmanship in not settling for less
It’s all about the pose
All angles covered I suppose
Imagine seeing Arnold Schwarzenegger captured at the time he won the 1970 Mr. Olympia
Then Sergio Olivia comes to mind
A waxed monster in the crab pose
All the veins looking like an intense fire hose
It would be competition in being prepared
The time vintage bodybuilders stepping on stage, and commotion in making the competition mad
The idea of muscles captured in pure wax
To attend I hope they don’t add any tax
But Bodybuilding is about facts
Achieve with a will and it’s no matter what age being still
Picture weights molded into wax
A bodybuilder lifting feeling a little perplexed
But it is true strength and dedication that makes bodybuilding work
This would be the message that the vintage Bodybuilding Wax Museum would convey
Bodybuilding exposure in every way
A vintage bodybuilding wax museum encouraging people to give Bodybuilding a try
I am quite sure there are questions of why
It is the intensity with effort that would make one cry
But the most important aspect would be “Stay away from drugs”
This should be captured on every souvenir mug
If anyone is caught taking drugs, we will just pull the plug
Well vintage bodybuilding wax museum it does have appeal
Now if we could just make it happen being for real.
Eli Bar May 2020
At the   gay bar    everyone tipsy   jell-o shots
We   watched   the drag queens    perform   and then
We watched    the male dancers   all beautiful    sculpted
They all    knew  how to tease     and we met
Sergio      and this kid from    Venezuela    we asked him
First     are you Russian?     And then this kid from North Carolina,
Seemed    deep    but the more we spoke to him    the more
Empty he appeared    and I felt sad     staring into his
Big blue eyes      grazed his strong thigh    he was a sweet boy
His left  ear was pierced      and before you know it    i’m  running
Back stage,    the drag queens   saying   honey, you can’t come in here
And I’m crying my eyes out       saying i need to find Sergio from North
Carolina     and    they can’t seem to find him   well, because
He wasn’t Sergio     from  NC     everyone we met that night
Seemed to   have merged     only afterwards,      did I begin
To remember      individual      stories.
Juego mi vida, cambio mi vida,
de todos modos
la llevo perdida...
Y la juego o la cambio por el más infantil espejismo,
la dono en usufructo, o la regalo...
La juego contra uno o contra todos,
la juego contra el cero o contra el infinito,
la juego en una alcoba, en el ágora, en un garito,
en una encrucijada, en una barricada, en un motín;
la juego definitivamente, desde el principio hasta el fin,
a todo lo ancho y a todo lo hondo
-en la periferia, en el medio,
y en el sub-fondo...-
Juego mi vida, cambio mi vida,
la llevo perdida
sin remedio.
Y la juego, o la cambio por el más infantil espejismo,
la dono en usufructo, o la regalo...:
o la trueco por una sonrisa y cuatro besos:
todo, todo me da lo mismo:
lo eximio y lo rüin, lo trivial, lo perfecto, lo malo...
Todo, todo me da lo mismo:
todo me cabe en el diminuto, hórrido abismo
donde se anudan serpentinos mis sesos.
Cambio mi vida por lámparas viejas
o por los dados con los que se jugó la túnica inconsútil:
-por lo más anodino, por lo más obvio, por lo más fútil:
por los colgajos que se guinda en las orejas
la simiesca mulata,
la terracota rubia;
la pálida morena, la amarilla oriental, o la hiperbórea rubia:
cambio mi vida por una anilla de hojalata
o por la espada de Sigmundo,
o por el mundo
que tenía en los dedos Carlomagno: -para echar a rodar la bola...
Cambio mi vida por la cándida aureola
del idiota o del santo;
                                        la cambio por el collar
que le pintaron al gordo Capeto;
o por la ducha rígida que llovió en la nuca
a Carlos de Inglaterra;
                                        la cambio por un romance, la cambio por un soneto;
por once gatos de Angora,
por una copla, por una saeta,
por un cantar;
por una baraja incompleta;
por una faca, por una pipa, por una sambuca...
o por esa muñeca que llora
como cualquier poeta.
Cambio mi vida -al fiado- por una fábrica de crepúsculos
(con arreboles);
                              por un gorila de Borneo;
por dos panteras de Sumatra;
por las perlas que se bebió la cetrina Cleopatra-
o por su naricilla que está en algún Museo;
cambio mi vida por lámparas viejas,
o por la escala de Jacob, o por su plato de lentejas...
¡o por dos huequecillos minúsculos
-en las sienes- por donde se me fugue, en grises podres,
la hartura, todo el fastidio, todo el horror que almaceno en mis odres...!
Juego mi vida, cambio mi vida.
De todos modos
la llevo perdida...
Yo, Beremundo el Lelo, surqué todas las rutas
y probé todos los mesteres.
Singlando a la deriva, no en orden cronológico ni lógico -en sin orden-
narraré mis periplos, diré de los empleos con que
nutrí mis ocios,
distraje mi hacer nada y enriquecí mi hastío...;
-hay de ellos otros que me callo-:
Catedrático fui de teosofía y eutrapelia, gimnopedia y teogonía y pansofística en Plafagonia;
barequero en el Porce y el Tigüí, huaquero en el Quindío,
amansador mansueto -no en desuetud aún- de muletos cerriles y de onagros, no sé dónde;
palaciego proto-Maestre de Ceremonias de Wilfredo el Velloso,
de Cunegunda ídem de ídem e ibídem -en femenino- e ídem de ídem de Epila Calunga
y de Efestión -alejandrino- el Glabro;
desfacedor de entuertos, tuertos y malfetrías, y de ellos y ellas facedor;
domeñador de endriagos, unicornios, minotauros, quimeras y licornas y dragones... y de la Gran Bestia.

Fui, de Sind-bad, marinero; pastor de cabras en Sicilia
si de cabriolas en Silesia, de cerdas en Cerdeña y -claro- de corzas en Córcega;
halconero mayor, primer alcotanero de Enguerrando Segundo -el de la Tour-Miracle-;
castrador de colmenas, y no de Casanovas, en el Véneto, ni de Abelardos por el Sequana;
pajecillo de altivas Damas y ariscas Damas y fogosas, en sus castillos
y de pecheras -¡y cuánto!- en sus posadas y mesones
-yo me era Gerineldos de todellas y trovador trovadorante y adorante; como fui tañedor
de chirimía por fiestas candelarias, carbonero con Gustavo Wasa en Dalecarlia, bucinator del Barca Aníbal
y de Scipión el Africano y Masinisa, piloto de Erik el Rojo hasta Vinlandia, y corneta
de un escuadrón de coraceros de Westmannlandia que cargó al lado del Rey de Hielo
-con él pasé a difunto- y en la primera de Lutzen.

Fui preceptor de Diógenes, llamado malamente el Cínico:
huésped de su tonel, además, y portador de su linterna;
condiscípulo y émulo de Baco Dionisos Enófilo, llamado buenamente el Báquico
-y el Dionisíaco, de juro-.

Fui discípulo de Gautama, no tan aprovechado: resulté mal budista, si asaz contemplativo.
Hice de peluquero esquilador siempre al servicio de la gentil Dalilah,
(veces para Sansón, que iba ya para calvo, y -otras- depilador de sus de ella óptimas partes)
y de maestro de danzar y de besar de Salomé: no era el plato de argento,
mas sí de litargirio sus caderas y muslos y de azogue también su vientre auri-rizado;
de Judith de Betulia fui confidente y ni infidente, y -con derecho a sucesión- teniente y no lugarteniente
de Holofernes no Enófobo (ni enófobos Judith ni yo, si con mesura, cautos).
Fui entrenador (no estrenador) de Aspasia y Mesalina y de Popea y de María de Mágdalo
e Inés Sorel, y marmitón y pinche de cocina de Gargantúa
-Pantagruel era huésped no nada nominal: ya suficientemente pantagruélico-.
Fui fabricante de batutas, quebrador de hemistiquios, requebrador de Eustaquias, y tratante en viragos
y en sáficas -algunas de ellas adónicas- y en pínnicas -una de ellas super-fémina-:
la dejé para mí, si luego ancló en casorio.
A la rayuela jugué con Fulvia; antes, con Palamedes, axedrez, y, en época vecina, con Philidor, a los escaques;
y, a las damas, con Damas de alto y bajo coturno
-manera de decir: que para el juego en litis las Damas suelen ir descalzas
y se eliden las calzas y sustentadores -no funcionales- en las Damas y las calzas en los varones.

Tañí el rabel o la viola de amor -casa de Bach, búrguesa- en la primicia
de La Cantata del Café (pre-estreno, en familia protestante, privado).
Le piqué caña jorobeta al caballo de Atila
-que era un morcillo de prócer alzada: me refiero al corcel-;
cambié ideas, a la par, con Incitato, Cónsul de Calígula, y con Babieca,
-que andaba en Babia-, dándole prima
fui zapatero de viejo de Berta la del gran pie (buen pie, mejor coyuntura),
de la Reina Patoja ortopedista; y hortelano y miniaturista de Pepino el Breve,
y copero mayor faraónico de Pepe Botellas, interino,
y porta-capas del Pepe Bellotas de la esposa de Putifar.

Viajé con Julio Verne y Odiseo, Magallanes y Pigafetta, Salgan, Leo e Ibn-Batuta,
con Melville y Stevenson, Fernando González y Conrad y Sir John de Mandeville y Marco Polo,
y sólo, sin De Maistre, alredor de mi biblioteca, de mi oploteca, mi mecanoteca y mi pinacoteca.
Viajé también en tomo de mí mismo: asno a la vez que noria.

Fui degollado en la de San Bartolomé (post facto): secundaba a La Môle:
Margarita de Valois no era total, íntegramente pelirroja
-y no porque de noche todos los gatos son pardos...: la leoparda,
las tres veces internas, íntimas, peli-endrina,
Margarita, Margotón, Margot, la casqui-fulva...-

No estuve en la nea nao -arcaica- de Noé, por manera
-por ventura, otrosí- que no fui la paloma ni la medusa de esa almadía: mas sí tuve a mi encargo
la selección de los racimos de sus viñedos, al pie del Ararat, al post-Diluvio,
yo, Beremundo el Lelo.

Fui topógrafo ad-hoc entre El Cangrejo y Purcoy Niverengo,
(y ad-ínterim, administré la zona bolombólica:
mucho de anís, mucho de Rosas del Cauca, versos de vez en cuando),
y fui remero -el segundo a babor- de la canoa, de la piragua
La Margarita (criolla), que navegó fluvial entre Comiá, La Herradura, El Morito,
con cargamentos de contrabando: blancas y endrinas de Guaca, Titiribí y Amagá, y destilados
de Concordia y Betulia y de Urrao...
¡Urrao! ¡Urrao! (hasta hace poco lo diríamos con harta mayor razón y con aquese y este júbilos).
Tras de remero de bajel -y piloto- pasé a condueño, co-editor, co-autor
(no Coadjutor... ¡ni de Retz!) en asocio de Matías Aldecoa, vascuence, (y de un tal Gaspar von der Nacht)
de un Libraco o Librículo de pseudo-poemas de otro quídam;
exploré la región de Zuyaxiwevo con Sergio Stepánovich Stepansky,
lobo de donde se infiere, y, en más, ario.

Fui consejero áulico de Bogislao, en la corte margravina de Xa-Netupiromba
y en la de Aglaya crisostómica, óptima circezuela, traidorcilla;
tañedor de laúd, otra vez, y de viola de gamba y de recorder,
de sacabuche, otrosí (de dulzaina - otronó) y en casaciones y serenatas y albadas muy especializado.
No es cierto que yo fuera -es impostura-
revendedor de bulas (y de mulas) y tragador defuego y engullidor de sables y bufón en las ferias
pero sí platiqué (también) con el asno de Buridán y Buridán,
y con la mula de Balaám y Balaám, con Rocinante y Clavileño y con el Rucio
-y el Manco y Sancho y don Quijote-
y trafiqué en ultramarinos: ¡qué calamares -en su tinta-!,
¡qué Anisados de Guarne!, ¡qué Rones de Jamaica!, ¡qué Vodkas de Kazán!, ¡qué Tequilas de México!,
¡qué Néctares de Heliconia! ¡Morcillas de Itagüí! ¡Torreznos de Envigado! ¡Chorizos de los Ballkanes! ¡Qué Butifarras cataláunicas!
Estuve en Narva y en Pultawa y en las Queseras del Medio, en Chorros Blancos
y en El Santuario de Córdova, y casi en la de San Quintín
(como pugnaban en el mismo bando no combatí junto a Egmont por no estar cerca al de Alba;
a Cayetana sí le anduve cerca tiempo después: preguntádselo a Goya);
no llegué a tiempo a Waterloo: me distraje en la ruta
con Ida de Saint-Elme, Elselina Vanayl de Yongh, viuda del Grande Ejército (desde antaño... más tarde)
y por entonces y desde años antes bravo Edecán de Ney-:
Ayudante de Campo... de plumas, gongorino.
No estuve en Capua, pero ya me supongo sus mentadas delicias.

Fabriqué clavicémbalos y espinetas, restauré virginales, reparé Stradivarius
falsos y Guarnerius apócrifos y Amatis quasi Amatis.
Cincelé empuñaduras de dagas y verduguillos, en el obrador de Benvenuto,
y escriños y joyeles y guardapelos ad-usum de Cardenales y de las Cardenalesas.
Vendí Biblias en el Sinú, con De la Rosa, Borelly y el ex-pastor Antolín.
Fui catador de tequila (debuté en Tapachula y ad-látere de Ciro el Ofiuco)
y en México y Amecameca, y de mezcal en Teotihuacán y Cuernavaca,
de Pisco-sauer en Lima de los Reyes,
y de otros piscolabis y filtros muy antes y después y por Aná del Aburrá, y doquiérase
con El Tarasco y una legión de Bacos Dionisos, pares entre Pares.
Vagué y vagué si divagué por las mesillas del café nocharniego, Mil Noches y otra Noche
con el Mago de lápiz buido y de la voz asordinada.
Antes, muy antes, bebí con él, con Emmanuel y don Efe y Carrasca, con Tisaza y Xovica y Mexía y los otros Panidas.
Después..., ahora..., mejor no meneallo y sí escanciallo y persistir en ello...

Dicté un curso de Cabalística y otro de Pan-Hermética
y un tercero de Heráldica,
fuera de los cursillos de verano de las literaturas bereberes -comparadas-.
Fui catalogador protonotario en jefe de la Magna Biblioteca de Ebenezer el Sefardita,
y -en segundo- de la Mínima Discoteca del quídam en referencia de suso:
no tenía aún las Diabelli si era ya dueño de las Goldberg;
no poseía completa la Inconclusa ni inconclusa la Décima (aquestas Sinfonías, Variaciones aquesas:
y casi que todello -en altísimo rango- tan Variaciones Alredor de Nada).

Corregí pruebas (y dislates) de tres docenas de sota-poetas
-o similares- (de los que hinchen gacetilleros a toma y daca).
Fui probador de calzas -¿prietas?: ceñidas, sí, en todo caso- de Diana de Meridor
y de justillos, que así veníanle, de estar atán bien provista
y atán rebién dotada -como sabíalo también y así de bien Bussy d'Amboise-.
Temperé virginales -ya restaurados-, y clavecines, si no como Isabel, y aunque no tan baqueano
como ése de Eisenach, arroyo-Océano.
Soplé el ***** bufón, con tal cual incongruencia, sin ni tal cual donaire.
No aporreé el bombo, empero, ni entrechoqué los címbalos.

Les saqué puntas y les puse ribetes y garambainas a los vocablos,
cuando diérame por la Semasiología, cierta vez, en la Sorbona de Abdera,
sita por Babia, al pie de los de Úbeda, que serán cerros si no valen por Monserrates,
sin cencerros. Perseveré harto poco en la Semántica -por esa vez-,
si, luego retorné a la andadas, pero a la diabla, en broma:
semanto-semasiólogo tarambana pillín pirueteante.
Quien pugnó en Dénnevitz con Ney, el peli-fulvo
no fui yo: lo fue mi bisabuelo el Capitán...;
y fue mi tatarabuelo quien apresó a Gustavo Cuarto:
pero sí estuve yo en la Retirada de los Diez Mil
-era yo el Siete Mil Setecientos y Setenta y Siete,
precisamente-: releed, si dudaislo, el Anábasis.
Fui celador intocable de la Casa de Tócame-Roque, -si ignoré cuyo el Roque sería-,
y de la Casa del Gato-que-pelotea; le busqué tres pies al gato
con botas, que ya tenía siete vidas y logré dar con siete autores en busca de un personaje
-como quien dice Los Siete contra Tebas: ¡pobre Tebas!-, y ya es jugar bastante con el siete.
No pude dar con la cuadratura del círculo, que -por lo demás- para nada hace falta,
mas topé y en el Cuarto de San Alejo, con la palanca de Arquimedes y con la espada de Damocles,
ambas a dos, y a cual más, tomadas del orín y con más moho
que las ideas de yo si sé quién mas no lo digo:
púsome en aprietos tal doble hallazgo; por más que dije: ¡Eureka! ...: la palanca ya no servía ni para levantar un falso testimonio,
y tuve que encargarme de tener siempre en suspenso y sobre mí la espada susodicha.

Se me extravió el anillo de Saturno, mas no el de Giges ni menos el de Hans Carvel;
no sé qué se me ficieron los Infantes de Aragón y las Nieves de Antaño y el León de Androcles y la Balanza
del buen Shylock: deben estar por ahí con la Linterna de Diógenes:
-¿mas cómo hallarlos sin la linterna?

No saqué el pecho fuera, ni he sido nunca el Tajo, ni me di cuenta del lío de Florinda,
ni de por qué el Tajo el pecho fuera le sacaba a la Cava,
pero sí vi al otro don Rodrigo en la Horca.
Pinté muestras de posadas y mesones y ventas y paradores y pulquerías
en Veracruz y Tamalameque y Cancán y Talara, y de riendas de abarrotes en Cartagena de Indias, con Tisaza-,
si no desnarigué al de Heredia ni a López **** tuerto -que era bizco-.
Pastoreé (otra vez) el Rebaño de las Pléyades
y resultaron ser -todellas, una a una- ¡qué capretinas locas!
Fui aceitero de la alcuza favorita del Padre de los Búhos Estáticos:
-era un Búho Sofista, socarrón soslayado, bululador mixtificante-.
Regí el vestier de gala de los Pingüinos Peripatéticos,
(precursores de Brummel y del barón d'Orsay,
por fuera de filósofos, filosofículos, filosofantes dromomaníacos)
y apacenté el Bestiario de Orfeo (delegatario de Apollinaire),
yo, Beremundo el Lelo.

Nada tuve que ver con el asesinato de la hija del corso adónico Sebastiani
ni con ella (digo como pesquisidor, pesquisante o pesquisa)
si bien asesoré a Edgar Allan Poe como entomólogo, cuando El Escarabajo de Oro,
y en su investigación del Doble Asesinato de la Rue Morgue,
ya como experto en huellas dactilares o quier digitalinas.
Alguna vez me dio por beberme los vientos o por pugnar con ellos -como Carolus
Baldelarius- y por tomar a las o las de Villadiego o a las sus calzas:
aquesas me resultaron harto potables -ya sin calzas-; ellos, de mucho volumen
y de asaz poco cuerpo (si asimilados a líquidos, si como justadores).
Gocé de pingües canonjías en el reinado del bonachón de Dagoberto,
de opíparas prebendas, encomiendas, capellanías y granjerías en el del Rey de los Dipsodas,
y de dulce privanza en el de doña Urraca
(que no es la Gazza Ladra de Rossini, si fuéralo
de corazones o de amantes o favoritos o privados o martelos).

Fui muy alto cantor, como bajo cantante, en la Capilla de los Serapiones
(donde no se sopranizaba...); conservador,
conservador -pero poco- de Incunables, en la Alejandrina de Panida,
(con sucursal en El Globo y filiales en el Cuarto del Búho).

Hice de Gaspar Hauser por diez y seis hebdémeros
y por otras tantas semanas y tres días fui la sombra,
la sombra misma que se le extravió a Peter Schlémil.

Fui el mozo -mozo de estribo- de la Reina Cristina de Suecia
y en ciertas ocasiones también el de Ebba Sparre.
Fui el mozo -mozo de estoques- de la Duquesa de Chaumont
(que era de armas tomar y de cálida sélvula): con ella pus mi pica en Flandes
-sobre holandas-.

Fui escriba de Samuel Pepys -¡qué escabroso su Diario!-
y sustituto suyo como edecán adjunto de su celosa cónyuge.
Y fuí copista de Milton (un poco largo su Paraíso Perdido,
magüer perdido en buena parte: le suprimí no pocos Cantos)
y a la su vera reencontré mi Paraíso (si el poeta era
ciego; -¡qué ojazos los de su Déborah!).

Fui traductor de cablegramas del magnífico Jerjes;
telefonista de Artajerjes el Tartajoso; locutor de la Esfinge
y confidente de su secreto; ventrílocuo de Darío Tercero Codomano el Multilocuo,
que hablaba hasta por los codos;
altoparlante retransmisor de Eubolio el Mudo, yerno de Tácito y su discípulo
y su émulo; caracola del mar océano eólico ecolálico y el intérprete
de Luis Segundo el Tartamudo -padre de Carlos el Simple y Rey de Gaula.
Hice de andante caballero a la diestra del Invencible Policisne de Beocia
y a la siniestra del Campeón olímpico Tirante el Blanco, tirante al blanco:
donde ponía el ojo clavaba su virote;
y a la zaga de la fogosa Bradamante, guardándole la espalda
-manera de decir-
y a la vanguardia, mas dándole la cara, de la tierna Marfisa...

Fui amanuense al servicio de Ambrosio Calepino
y del Tostado y deMatías Aldecoa y del que urdió el Mahabarata;
fui -y soylo aún, no zoilo- graduado experto en Lugares Comunes
discípulo de Leon Bloy y de quien escribió sobre los Diurnales.
Crucigramista interimario, logogrifario ad-valorem y ad-placerem
de Cleopatra: cultivador de sus brunos pitones y pastor de sus áspides,
y criptogramatista kinesiólogo suyo y de la venus Calipigia, ¡viento en popa a toda vela!
Fui tenedor malogrado y aburrido de libros de banca,
tenedor del tridente de Neptuno,
tenedor de librejos -en los bolsillos del gabán (sin gabán) collinesco-,
y de cuadernículos -quier azules- bajo el ala.
Sostenedor de tesis y de antítesis y de síntesis sin sustentáculo.
Mantenedor -a base de abstinencias- de los Juegos Florales
y sostén de los Frutales -leche y miel y cerezas- sin ayuno.
Porta-alfanje de Harún-al-Rashid, porta-mandoble de Mandricardo el Mandria,
porta-martillo de Carlos Martel,
porta-fendiente de Roldán, porta-tajante de Oliveros, porta-gumía
de Fierabrás, porta-laaza de Lanzarote (¡ búen Lancelot tan dado a su Ginevra!)
y a la del Rey Artús, de la Ca... de la Mesa Redonda...;
porta-lámpara de Al-Eddin, el Loca Suerte, y guardián y cerbero de su anillo
y del de los Nibelungos: pero nunca guardián de serrallo ni cancerbero ni evirato de harem...
Y fui el Quinto de los Tres Mosqueteros (no hay quinto peor) -veinte años después-.

Y Faraute de Juan Sin Tierra y fiduciario de
En el recodo de todo camino
la vida me depare el bravo amor:
y un vaso de aguardiente, ajenjo o vino,
de arak o ***** o kirsch, o de ginebra; 1
un verso libre -audaz como el azor-,
una canción, un perfume calino,
un grifo, un gerifalte un búho, una culebra...

      (y el bravo amor, el bravo amor, el bravo amor!)

En el recodo de cada calleja
la vida me depare el raro albur: 2
-con el tabardo roto, con la cachimba vieja
y el chambergo agorero y el buido reojo,
vagar so la alta noche de enlutecido azur: 3
murciélago macabro, sortílega corneja,
ambular, divagar, discurrir al ritmo del antojo...

      (y el raro albur, el raro albur, el raro albur!)

En el recodo de todo sendero
la vida me depare a esa mujer:
y un horizonte para mi sed de aventurero,
una música honda para surcar sus ondas,
un corto día, un lento amanecer, 4
un lastrado silencio hosco y austero,
la soledad, de pupilas redondas...

      (y esa mujer, esa mujer, esa mujer!)

En el recodo de cada vereda
la vida me depare el ebrio azar:
absorto ante el miraje que en mis ojos se enreda
vibre yo -Prometeo de mi tontura pávida-;
ante mis ojos fulvos, fulja el cobre del mar:
su canto, en mis oídos mi grito acallar pueda!
y exalte mi delirio su furia fría y ávida... 5

      (el ebrio azar, el ebrio azar el ebrio azar!)

Y en el recodo de todo camino
la vida me depare un bel morir: 6
despéineme un balazo del pecho el vello fino,
destrice un tajo acerbo mi sien osada y frágil: 7
-de mi cansancio el terco ir y venir:
la fábrica de ensueños -tesoro de Aladino-,
mi vida turbia y tarda, mi ilusión tensa y ágil...-

      (un bel morir, un bel morir, un bel morir!)
Mateuš Conrad Jul 2018
you kidding me, right?
  nachos? tacos? tortilla wraps?
          guacamole molé molé?
sombrero(s)...
  the revised eastern european
moustache?
                    tequila!
that's it?
               well... not if you consider
the second tier of soy boys -
the ones that drink that...
budscheiss that's
         "der könig aus bier"...

one word... no... actually two:
CER-VE(H)-ZA(H) -
probably the spanish word,
that sounds better than all
the other spanish words...

     what did mexíxíxíxíco give
us?
   the orthodox script
of a german beer:
    yeast, hops, barley, malt,
water... fizz: boom!
   a fine summer's day...
   mexíxíxíxíco beer?

MALTED, BARLEY...
     don't ask me how the genius
figured out a smoothness
so subtle,
   that you actually had to shove
a lime wedge into the neck
of the bottle...

  or, as i did - buying an almost litre
sized bottle,
   and a lime -
  looking at this ***** goliath
at the checkout thinking:
   david?
       am i david?
    did we really enslave such people?
david, meet goliath...
goliath wanders off like some
happy ******, giggling and brings
another strawberry milkshake
to the checkout...
         so the west, enslaved these
                           nearing 7ft Baobabs?
king david's audacity,
           nothing more...

so i buy the CO(H)-RHO-NA(H),
and a lime (30 pence a piece)...
****... no knife...
guess teeth will have to do...
shove a whole lime in bits and bites
and walk on...

                   seriously?
guacamole molé molé?
         that's the best you can do?
drinking a beer with lime...
compared to the h'american
budscheiss?
           who... apart from the japanese...
extracts alcohol...
from: ******* rice!
  
    malted, barley...
                   whoever that sergio
sanchez was...
               hats off to him...
     sometimes it's just nice...
to take a break from the heavy cavalry,
orthodoxy brew of german
beers...
   americans?
     know jackshit about brewing
a decent beer...
   mexicans?
              they put a lime in it!
****! you have to drink it!
Orion Schwalm Nov 2014
Saw it happen.
Witnessed it. Did not experience.
Yet, left with a more interesting outlook.
An objectivity can rise above. Settle down. Rework, reword, reward, rewarm.
WHY DID I SEE THIS. WHY WAS I CHOSEN FOR THIS RESPONSIBILITY.
Screaming in the large end of the megaphone.
Screaming for the world to let you down.
Clutching at the door handle, hoping to emerge into a forest of rifles, a city-hive of pollen pushers, an oasis of blood.
Suddenly it makes sense...communication without contact.

Words on a page, worms on a plate.
Wards an’ a cage, words in a place.

This is our medium, through which I can love you, for better or worse, the medium that is.
The medium carries a meaning without judgement.
The judgement, if and when the word is received, is irrelevant.

The last dead deer rises, taking back his rightful place as the last living deer in a dying world.
The green world empties its poison, sheds its thorns, ***** out its parasite.

The glass is half empty.
Now its half full.

The glass is empty of meaning.
Now its full of ****.

My skin is raw and bleeding.
My love is as real as rifles.
They both hurt.
In different ways.
A response to Bone Map by Sara Eliza Johnson.
RW Dennen Sep 2014
Fashionable entourage
people dance in step
to the beat of hidden
native rituals
Hidden here and there
seeing a pair clad up to the hilt
with colored shades
cool as mountain glades
that never
shakes or simmers
on fire
a real deep desirous searching soul

Rapping about nothing
even though
face to face
words bounce off expressions
as cool as mountain glades
that soon melt-fade
into the distance

Rap, tap, clap
never nap
the cannibus-filled room
embellished by flashing lights
on nights
that take spatial flights
into another world that enters upon
lounging everywhere
people lost in space,
in time,
in androgynous acts

In vogue, you speak to me
about fashions
that dazzle, frazzel, razzle,
and lip curl
and eye twinkle
me to you,
in real
but unreal
cannibus-sweet-dusky-dreamy-rooms
MTV blotched, bleached
Sergio Valente dungarees,
then a real feeling child cries
in the background
and is soon hustled off to bed
And never a hurt we laugh
and smile
   and smile
A frozen smile grin;
take it on the chin sport
Keep up the good front
Keep up the grinning fort sport
A sported fort fortified Disneyland
and life's forever
carousel ride
and sweep the dirt under the carpet

A speak about profits
And speak about"ME" yuppie things;
about golden rings
that wrap around ears, around wrists, and cattle noses

Seek time entwined
to search geometrically
the advertisements
that lead you
and nobody but you to you
A love ballad between
one and no one but you
You and you
        and you
         and you
Being good you
                     you being good to you,
Being good to nar-sa-see-you
                                            you being good to only you,
to yoou
     to yoou
                    to yoooooooooou
A typical narcissistic tendency,
the dialogue between one
Don Brenner Oct 2010
You sit on the beach and pick at fish bone
after maggots and flies have had their way,
poke it with a stick, listen to the tide,
wonder what it sounds like underwater.
Whale songs, shark bites, seal birth, and coral
in a circus of clown fish, puffers, and lions.
I dig a hole to bury the carcass,
the bone, no flesh, you name him Sergio.
As the dolphin tide rolls in sand erodes
exposes the burial bone by bone
until it washes to sea like drift wood.

When we were young we captured frogs out back
in the creek in the woods behind your house,
and once I tripped into a small ravine.
We found door sized slabs of concrete or rock
engraved with names and nineteenth century dates.
Civil War gravestones, some professor said,
and they were moved somewhere to some museum.
Later on the news they interviewed us,
and in the background bulldozers dug holes
that exposed some two hundred year old bones,
skeletons and skulls, excavated from burial,
as we smiled to the channel two reporter.
2010
Yo deseo estar solo. Non curo de compaña.
Quiero catar silencio. Non me peta mormurio
ninguno a la mi vera. Si la voz soterraña
de la canción adviene, que advenga con sordina:
si es la canción ruidosa, con mi mudez la injurio;
si trae mucha música, que en el Hades se taña
o en cualquiera región al ***** Hades vecina...
Ruido: ¡Callad! Pregón de aciago augurio!
Yo deseo estar solo. Non curo de compaña.
Quiero catar silencio, mi sóla golosina.

Como yo soy el Solitario,
como yo soy el Taciturno,
dejadme solo.

Como yo soy el Hosco, el Arbitrario,
como soy el Lucífugo, el Nocturno,
dejadme solo.

Mi sandalia (o mi abarca o mi coturno)
no los piséis, tumulto tumultuario,
dejadme solo.

Judeo, quechua, orangutánida, ario,
-como soy de la estirpe de Saturno-
dejadme solo.

Decanto en mi rincón mínimo canto,
silencioso; alquimista soy señero,
juglar oculto, absconto fabulante.
Dejadme solo.

Buen catador (soto mísero manto)
Buen tañedor (sin Amati o Guarniero)
Alto cantor (aunque bajo cantante)
Dejadme solo.

Dejadme solo. Non quiero compaña.
Dejadme esquivo. Non gusto coreo.
Non paventad: non presumo de Orfeo
desasnador de cerril alimaña.

Dejadme solo soplando mi caña
silvestre. Non pétame pueril ronroneo.
Non son adamado. Non son sigisbeo.
Son áspero, másculo. Son rudo, sin plaña.

Sin queja. Más mudo que Beethoven sordo.
Sin laude. Más zurdo que Cervantes manco.
Sin pathos. Más seco que no Falstaff gordo.
Solitario. Adusto. Voy único a bordo.
Espíritu en *****. Corazón en blanco.

Y esquivo dejadme. Soy notas-arranco
de mi clavecino. Soy fábulas-bordo
sobre el cañamazo de mi pentacordo.
Soy facecias-urdo. Por dentro me estanco.
Dejadme señero: jamás me desbordo.

Como yo soy el Solitario,
como yo soy el Taciturno,
como yo soy el Hosco, el Arbitrario,
como soy el Lucífugo, el Nocturno,
dejadme solo.

Como soy Leo Atrabiliario,
como soy Sergio el Estepario,
como soy Proclo Extravagario,
como ya tengo el Cuervo y el Vulturno
de los acerbos choznos de Saturno,
dejadme solo.

Dejadme solo. Non quiero compaña.
Dejadme esquivo. Non gusto coreo.
Non paventad. Non presumo de Orfeo
desasnador de cerril alimaña.

No viene a mí, ni voy a la montaña.
Ni vasallo ni César, Juez ni Reo:
Sergio Estepario, Estrafalario Leo.
Con mi tonel. De mi cruz cirineo.
Rey de Burlas, soberbio: cetro o caña
pares le son a mi elación huraña.
Dejadme solo.
Mateuš Conrad Dec 2016
the humble sloth sees no morning and no worm in the sun -
nor the chittering of a few eager sparrows,
either -
             he sees everything square in
rhombic - squinty eyed, sorta:
should i bother it, or will i wait long
long enough till it bothers me?
that's me, right there, a young man will
idealise women, until he finally idolises
them in the naked form at-moist
sensual... and this will go on and forth,
he'll pass the corridor of a few
teenage pregnancies, because there
was no *****-Nilly & the Eager-******
scenario for him to scream and moan...
until dawn.
                      the natural contract is there
and it will knit & pick out the most
useless lions... until a few lionesses start
to congregate and do what the lion
does... every lion's statue akin to man's
is not even in a state of contemplation...
strange how man glorifies life and sacrifice
and indeed sacrifices the worth of life
by burning incense, and selling goods,
and running around the world
for a worth of a scalpel's worth of
a barber overdoing it... calling the forehead
a man's chin, and bluntly stroking it
until a dentist can take part in the wreckage...
might i say: i am sometimes like a sponge,
i read a bit of e.e. cummings and act on paper,
i don't plagiarise as such,
i merely focus on how one might repeat -
he said, she said,
       and return to: nonetheless, it said
for both of you: without a neuter pronoun:
she'll say eve, and he'll say eve,
    he'll say apple, and she'll say apple,
and you're still both, both! going to sit on a
******* chair... deemed obscure for
the sistine chapel, but indeed worthy to
scribble the lesser findings of graffiti into
a classroom table, like GD GV M GD CCK...
       so i i dabble a lot, in much of what
really is testing the young men who begin
with misogyny comparisons of genitals
at Billingsgate... and later try to find
one and only monocle to a bowler hat and moustache...
that train? long gone...
     so let us find people like me...
who idolised women, who made them divine in
supposed grace, and... well... eventually
all babies look similar, as do old people...
women chop of their locks (unless
they want to be deemed Merlin's brides)
   and the fat embodies them and they all turn out
alike... we all think heaven is the pinpoint -
    governed by an aesthetic democratisation of
all our faults... i just don't trust a world to be
wandering a forest of oak, while in the background
man settles matters of what dwarf eye of the beholder
should be asserted above the immortals' arrogance...
         but there i was... idealising women...
what a horrid affair...
     the moment you encounter woman
you already know she eats, she farts, she snarls
and she stares... after all: what woman is a woman
who isn't building a cosy abode?
            the moment you begin from a fascination
with women, that you state your anti to a misogyny
well... try wiping your nose with paper
   and even bothering debating feminism with anyone
except a homosexual... you haven't got lunch,
you have this seemingly 1970s film from Polish cinema
that states that feminism is equally transcendent
to encompass Aristotle in the present age,
       as it is not encompassing some frivolous
   ancient Greek joke... why women have less teeth
than men... i guess they hide them... then they
practice felatio... n'es pas?
                    i have a wriggly worm, she has a
hollowed out bone to fill with juices of the marrow...
     then she's practical enough to call Aristotle
an autistic astronaut... i say: give the woman! a time-machine!
         why? she has no sense of humour,
or no historicity concerning humour,
    or how there are necessary fluctuations...
men these days tell rapes jokes...
           because the one joke they are afraid to say, is:
at a ceremonial altar, with the punchline: i do.
               i do is hardly synonymous with the more
appropriate: i will.
                i do is a stagnation coordinate:
how can i do all of that if i say i will do such things
only account of mere ceremony? surely
the chaplain gets paid... but what do i get?
alimony checks, court-hearings and how
        i have two testicles, she has two *******
  and we debate the 2 to 3 ratio of d.i.y. holes
     for inviting sinister sergio to do the plumbing;
cos the ******* cobwebs got in the way by way
of leeching on the purse.
              see where misogyny comes from?
not getting an Aristotelian joke... or basically not
getting an ancient Greek joke right...
because off they go! mistaking dualism as a dichotomy...
   you start idealising women, you encounter
a woman and ****! the dream is gone, and out
pops shaggy and ******-doo...
                   and if you retract from idealising women?
you begin with Billingsgate and genitalia...
me? personally? i always thought of marinating my
chicken thigh in a warmed marinate of yoghurt
and tandoori spice - mix the two: you get Coronation
pink... all fluffy and unicorn and wonderful...
           idealism can be hard to shake off...
unless of course you tell either Americans or Russians
how finicky things can get in the bridal-chambers
of Essex on the Grecian isles of Cos,
   or Ibiza (I-beef-ah), or anywhere where there's
contrary speed-dating shakiness that's bound
to be representative of Essex, once upon a time,
when great music played a key-role in merely
utilising all body parts when dancing, i.e. snogging,
and lo and behold... when satan averted his
eyes composing the two serpent composition,
he looked into the mouth of man and a mouth
of woman, and found no resemblance unto his
original investigation: speak no ill of tongues:
for the tongues of men are merely ill-fated
         against themselves: for they revel in
other parts of their anatomy bearing the sting
and quickened step,
   but whether it's politics or uniting two tongues
in a dance: they're sluggish about it
ever becoming fruitful quickly enough to
            sediment into a snail's shell worth of
chattering teeth into old age, for the slug of both
sexes' tongue, having no such allowance,
         and subsequently left wriggling into their
daily trough of the competitive: first come,
first served.
                   but then man want's clarity!
if i idealised women, have i not become a gimmick
to such idealisation in the first place?
              how can i display this with all but words,
well, i can, all the more simpler...
                 by idealising women i have conceded
to a contest that has brought me against my fellow ***...
              and all because by having idealised woman
as a concept: i cannot see any of man's achievements,
i cannot see any achievements worth striving for
   in what could be translated as creating a reverse
idealisation of woman, in that other men might idealise
me, to later idolise me... all saints were fools in
idealising jesus, which is why he's strung to a crucifix
made of termite-wood... the minute they hang him
upright on mt. golgotha the crucifix collapses...
                        how could he be an ideal if
  the obscurity of righteous judgment be so-far removed
from the people? is this the construct of the pharisees
appealing to the reason of the greeks to save them
from the roman "oppressors"?
         can this really be the case? just because the greeks
had so much more to think about, and so many more
things more interesting than the romans to think about
that they would have rather written the "new" testament
in greek?
    i am indeed graced by an incompetence
   of having begun with idealising women, experienced
a woman, and thus begun idealising myself
    to a status of idol, or a moral example of plagiarism
worthy of imitation...
               does a crucifix imply a metaphor of
marrying a difficult woman? how many poetic
angles has a man have to write to rob these filthy
philistines of taking things too literally
      and provoking Islam?!
                      when it comes to the old testament
poets only exploit the book of genesis...
   but with the new testament... it's almost like
this need to create a poetic attack on the established
order... and when the book of revelation appears
as the exodus-equivalent book...
       we get: a democracy of poetics...
           which accounts for escaping the health
of the body, and an inherent illness of the abstracted
brain: the mind, and then that becomes
     cubed and encompasses nothing quiet
once more able to take literalism mind's experience
of the world: back into it.
             sheltered man of civilisation can take
a painting more seriously, and then explore it in
his dream factory, than the man pledged to the land
with no galleries, and instead given a canvas
that might swarm with tornadoes and give him
absolutely: no luxury to dream.
   dreaming is a luxury... the last remaining luxury
most people have these days...
   i don't think people can be artists by simply
dreaming... i think they're luxury hobbyist,
       call them the ones standing in line
            as Joseph's Travel Agents... 7 years in Tibet
     (lean years).... and 7 years in a district of Beijing -
where have the "blind" prophets disappeared to?
      and why do so many seem blind
      and blindingly obey to the prophets of "sight"?
nonetheless: frivolous questions...
                 i idealised woman to the extent that
upon encountering a woman: i could not find
an ideal to suggest idol worship for other men...
or create a continuum of dialectical embedding
or the sight of following the cause toward becoming
a sacrificial lamb: whether under the bachelor's
ideal of becoming a martyr - or indeed
                      the idea of becoming a martyr:
bound to old age... and woman - for where did
the wooing of man recede to?! farting into an armchair
and arthritis... much aplenty about that much
could be said about me too: solo.
Brown-tanned, and muscular
he leans against the wall  at
Senior Frogs, down on the tip
of the Yucatan, at the edge
of Cancun.

She is mad-- the rich-girl,  
college hottie.. who takes
the time out from her dancing
somewhere near the front of
the stage, and sultries over
with her best instagram-sashay
she could put together.

     "Everyone is looking at me but you"

Mhmm.. and take another chug of my Patrón.

     "What. You think you're too good for me?
     You've probably got old *****, anyways.."


And in an instant, I ***** slap
the whining little ****-boy
she calls a boyfriend

and then
**** the ever-loving dogshit  out of her
against the side of the stage--
the whole time, thinking about
how much more substance
a two-pump hit from a bottle of
Jergens and a quality **** vid
would bring  me

As back against that old wall
I stand.. enjoying the show.

She is staring at me now

no doubt,  she'll be bugging me
the whole rest of my trip.
Her friends come traipsing my way
because that's what friends do--
They become mesmerized..
and then  fixated-- wanting to ****
the guy their friends want to ****.
.

There is a Pharmacia on the corner
on my lone taxi ride back to the hotel.
Sergio pulls over, and I walk in...

The Jergens is near the back--
right next to my favorite Patrón.


ah, babe
when everybody loves you..  sometimes,
that's just about as ******-up as you can be

https://youtu.be/48sAQnRYMMo
god I love Mexico

xo
Inaral abogasya ng may matataas na marka
Kay Quezon siya ang Pangalawang Pangulo
Namuno matapos ang Digmaang Ikalawa
Sinimulan pagsasaayos ng bansang ginulo.

-12/19/2014
(Dumarao)
*Pinuno Namin sa Panahong Tanso Collection
My Poem No. 289
Bailey Apr 2017
New York
.
Carnegie Hall
.
I miss who I thought he was
.
I am odd and whimsical
.
Why is it right around this time--right before I'm the happiest, that I remember the ones I loved that made me cry?
.
Sad watermelons
.
Friendiversary
.
Rest in peace Sergio
.
Pushing away my birthday
.
Best friend
.
Losing my beeb
.
"May your coffin be made of one hundred year old wood that I plant tomorrow"
.
He smells like salty sweat and hair and cologne
.
Antique store heaven
.
Please don't take
.
Scuffed shoes
.
Mutt
.
Bubblegum and carmex
.
Enrolled
.
Tattoo
.
He replied, "crazy...would you like to come with me?"
.
Matthew James Jul 2016
When she came into my life, I was missing hope
Just barely released from the end of my rope
And learning again, how to cope

No hope to be loved, no expectations of kindness,
But she told me not liking myself was blindness
And I hoped I could find this

She gave me hope to be loved and respected, reminded me of all of the lives I'd affected, helped me let go of feeling rejected, still without trust, her kindness I tested, to see if my trust could be safely invested... And it could... Entirely

Why can't I see what she sees in me?
Why can't I let go and simply be?
I'm there for her but I'm not there for me.
I'm not free.

My friend Sergio said "the most painful is when you have hope,
When you know it's impossible it's easy to cope,
But unless you're a man with conviction of a pope,
And you're cursed with the dream of a chance to elope,
Hope will eat you up"

Why can't I see what she sees in me?
Why can't I let go and simply be?
I'm there for her but I'm not there for me.
I'm not free.

But I don't want to let go of a hope to love you
I wanted to think that my dreams could be true
That someone could show me my worth like you do
Stay close when I'm a stressed
Remind me I'm blessed
My fears all confessed,
The time you invest,
To make me my best;
It made me believe in me,
And I love you for that
Because I can't do it on my own
Yet

She was my hope,
But I must let go of Hope.
I will miss that hope,
But hoping for hope is hopeless,
And hoping for Hope is just hopeful,
And I hope beyond Hope I can find my own hope,
Without Miss Hope.
KV Srikanth Dec 2021
Complete Creative control
Apart from playing the lead role
I'd rather destroy my career
Than give others the power

Long drawn film making
Big budgets and months of scheduling
Multiple characters and sub plots
Bringing them together on a studio lot

Filmmaking style of his mentor
Spaghetti Western genre creator
Sergio Leone the director
Whose direction he did the trilogy under

Studio backed Actioner
Don Siegel was the auteur
Met his second mentor
Worked 5 films with this Director

Fast paced and minimalistic
Was Siegel' s characteristic
Fewer set ups to shoot
Lesser number of characters to boot

Direct approach to the story
No sub plots to deviate from the itinary
In your face filmmaking
No time wasted in its processing

Audience are intelligent
Premise he learnt to implement
Explanatory scene and dialogues done away
Both the styles he now had under his sway

Dots left unconnected on purpose
Audience watching him global and diverse
Each to their own conclusion
Was the underlying scoring point of his direction

Built a team at Malpaso
Regular Stock company scenario
Editor Cinematographer Designer
Made films like a express luxury liner

Handled various genres
Doubling as Actor and Director
Made everyone wonder
With his output as a Producer

Not low budget fare
But optimally budgeted affair
Restricted shooting days
Edited along the way

Handled off beat themes
Increased his creative esteem
Many remade later
Nothing like this master storyteller

A one night stand
Kept the viewer on the edge
A Drifter seeking vengeance
Ghost or brother left to the thinker

Alcoholic cop sent on purpose
Retrieve a witness who'll cause more trouble
A loser cop as a protagonist
Feather on the cap for this perfectionist

Love for Jazz and Country
Stealing a plane from another Country
Harry Callahan made you day
With Go ahead make my day

Priest saving a community
Disappearing affecting the continuity
Caddiallac comedy
Partnered with Charlie Sheen in the Rookie

Played the legendary John Huston
Premiered at Cannes and won good reviews
An Army film about the Marines
Wonderful film that's more that it seems


Dedicated a film to Sergio and Don
Compounded their skills in this milestone
An Anti Western about a reformed former bounty hunter
Deciding to saddle up to save his children from hunger

Deliberately paced and terse
Classic Western in every frame
Emotional emptiness of killers
Unwilling to conform to society and loners


Conscience is his friend
Whom he looses in the end
Kills those responsible
Regretting every time he triggered his rifle

Clint pays homage to his films
And his mentors in the credits
Reinvented his image  with merit
The film won 4 Oscars to his credit

This only covers half his career
Handled complex themes later
Never deviated from his core principle
Trusting his feelings m he for gut in the middle all the trouble

Never yells Action or Cut
Let's go and that's enough the way he puts
Principal photography ahead of schedule
Compromising on the quality not even miniscule
Lily Apr 10
A is for Abigail, who shared with you a kindergarten trauma and
then forgot who you were in eighth grade, like Belinda, who
left without a word one sunday morning after mass, C is
Catalina, your best friend’s ex-best friend, who went
with you to Daana’s book launch in texas, and
Enrique, who you planned to room with in college but you hear from friends
crashed his car into a tree and joined the saints, but Flores had
another kid and his man bun is
slicker than ever and Gumaro, who you helped teach
english in fourth grade is still
hitting the gym beside Hiris, even as she
works at la perla full time and overtime, beside Isabella who
no white girl would talk to in middle school because they said she
smelled like dirt, or Juliana, punching
numbers into a cash register at the dollar general thinking
of falling in love with Kruz who made a
perfect vanilla cupcake candle in home ec but couldn’t
cook steak to save his life.  
Lucio remembers kissing you on the mouth in the church
nursery but he is now engaged to a white girl you’ve
never met, and he remembers a particular
messy Maria who would draw like her life
depended on it, and a Nadia who would cry in english 11
because her parents couldn’t help her with the homework
but still kiss him after her soccer games, who no longer
bothers to call Olivia, even though they were teammates for
a decade and now she works at her own sports shop with
a daughter who could have gone pro if only.
Profe, who was a migrant “helper” at your elementary school,
laughs at it all, remembering yelling at parents in spanglish,
although you heard her husband yelling at her on the phone at lunch,
laughing when Quito broke one of the chairs that the school bought with
its 4 million dollar bond that drained money and morale, who went
out with Romani and started a band in seventh grade that took
longer than usual to fizzle out, and the bullying stopped for a while, though
Sergio would never forget how it felt to bend down for hours with
bad black bruises up his back, wouldn’t ever stop
reliving every labored breath spent both here and there.  
And Thalia couldn’t even make a living, recalling almost
forgotten days of swingsets and slurping
pelon pelo rico tamarindo under the orange tube slide.  
Her ex-husband Umberto everybody but the feds
forgot about, and V is for Victor, the high school goalie who had to quit because he
strained his wrists in the fields, like Wanita, who is trying to raise
money for her second hip replacement, like father Xavier, who carves statues of
woodland creatures for the children he could never have, and
Yesenia, who sewed and sewed until her fingers curled and her
forehead wrinkled beyond repair, and she tells you that Zaida, who made the
best tamales in town, is now gone to the saints, and no longer
fears anything, even the government and their obsession with
small white slips of paper.

So much in a name, in a hyphen, in a tilde, but no, it
should be under V—“virgulilla,” and their names should be
written in your address book but instead
they’re in a list at some office in
the States underneath “undocumented” and “illegal.”
After John Keene’s ‘Phone Book,’ Dec 2021

hey y'all, it's been a while.  I'm trying to come back from hiatus and get back into writing and also to use my voice for bigger things.  I hope you like this poem and that it makes you think :)
Mateuš Conrad Apr 2018
upper tier of crosswords,
mental rubric,

      s                        a

         t             h            e
    
      r            t     

                      d             e
      
  
       shattered: quasi germanica

lexicon...

                  atom...

warm ***** and the chilled chaser...
or no chaser, hence
***** chilled to the consistency
of gome syrop...
liquidated clear liquorice...

Pazura (actor)
     und Warszawa (a capital
of a European nation...

      dziw... bo bez sfobody,
między... to eN...

ha ha ha ha...

e e Cummings conjuring
up the cOncEPt of orthography
in the native readers...
without exploring diacritical
mark application,
which, orthography rests upon...

    co ma gzyms do
       krawędzi
kiedy pietruszka
        o, zajob...
i ta świcąca trójci Pitta...
nie brody warta,
tylko tego, bolka jolka...
greckiego, fagasa...
    
a piernik do wiatraka?
ujebany, Sergio Pansa...

...to guwno, tzn. prl'u:
co czyni papa new guinea
pierdolonym 'omikiem?

suka morda brud...

    te kurwa... z... kreską!

bilingualist contra the polyglot,
UN of the latter,  
trenches and no man's land
of the former...

       6 Napoleons made
a dozen private Ryans...
      at Jena...
  'alf  frisky Burgundian...
'alf celibate Schwabian...

crosswords and the thesaurus
avenue...
   poetry...
    and the robert frost analogy...
Dante and Virgil...
Homer's solo
with a blind man' stick,
or rather...
Homer and Milton...
sitting in a tree...

      either a tongue bound
to the breath of Horace...
or the leash
      and warden skit...
     of the Minotaur...

somehow...
etymology always was,
and always will be,
the pedantic, bookish
version of history...

      so much so,
that etymology bypasses
the ridiculousness of
Darwinsm, of form, of Plato...

aeons pass before ape
differentiates
the vowel from the consonant
or the onomatopoeia
from the mimic from
the noun...

            then comes the continuum
crushing all genesis
theists, as well as all genesis
atheists...
      love, love... and you typical
Sunday afternoon...
        
slang as an anti-etymology...
           likewise the ape...
ape being slang, for man...
   slang as noun as colloquial,
rather than as proverbial..
staccato...
                  and all sort of
mannerismsms of the,
"less informed"...
  
                            only England scorns
bilingualism it would seem...
unless it has no post-colonial
uncle toms to boast of...

P.T.S.D. of the 1946 Kielce Pogrom...
ever so shocking,  
unlike the biblical credo:
go forth and multiply...
      in any other instances,
less memorable, collateral...
guess not enough cousin fucky-fucky...
1 Chew worth 1000 Chings...
      if not more...
Chew has a name, Ching has a number...
like the good ol' days...
bribing the ß-mann (eszettmann)
for Milka bishop choc bars.
KV Srikanth Mar 2021
Ennio Morricone
Collaboration with Sergio Leone
Whips And Whistles
New sound to background
Sphagetti Westerns backbone
Never left Rome
Music his home
400 plus films scored
Distinct sound endured
Many Auteurs frequently collaborated
Fan favorite for decades
Won Oscar for The Hateful Eight
One of two to
To get the honor
Lifetime Oscar
For Composer extraordinaire
All roads lead to Rome
All notes lead to Morricone

Lalo Schifrin
Argentinian Pianist
Cult following with memorable Scores
Jazz themed band and Grammys Galore
Television Series & Movie themes
Added value with his Name
Superstars  first choice
Studios rejoice
A list Star to Act
Lalo to compose the Soundtrack
Fans across the world
Saw movies for his score

Henri Mancini won 4 Oscar's
Immortal theme for Pink Panther
Baby Elephant Walk
For Howard Hawks
Romeo and juliet love theme
Number one on the Billboard scheme
Partnership with Directors
  Everlasting music created
Deserving Hall of Famer
Years later for many
Still the favorite composer

Elmer Bernstein
Creme de la creme
Only composer
Nominated for oscar
Every decade since the 1950s
Won for Thorough Modern Millie
Versatility the key
Budget did not  affect
Genre did neither
The Magnificent seven & The Great Escape
Tunes stand testimony
For creativity and longevity

Dave Grusin patnership with
Sydney Pollack cruising
Director Composer  combination
Last of the Finest
Grammy s lost count
Oscar made the count
Composed the music for
Columbia TRISTAR logo
Outstanding musical score
Grusin music totally pure

Roy Budd Composer
Who learnt by ear
Could play by Three
At birth a Prodigy
Soldier Blue with Candice Bergen
Gave him the due recognition
Best Pianist Award
5 years consecutive
Soundtrack for films
Each one Superlative
Score for Get Carter
In our memories forever
Brain hemorrhage
Took him away  at an early age

Jerry Goldsmith debuted
in live television
Rambo and Star Trek
Franchise to name a few
His compositions always new
Composers like him
A very few
The Omen finally
got him his due
Paramount & Universal pictures
The music accompanying
The logos of the Studios
Jerry doing his wizardry
With the audio
Grammy and Oscar nominations
To be counted
Four more pairs of hands
Need to be included

Marvin Hamlisch winner
Of three Oscars
All in the same year
The Sting and The Way We were
Nobody does it better
Only one after Richard Rogers
To win The Grammy Tony Emmy Oscar and the Pulitzer

Bill Conti score for Rocky
One of the most Remembered in movie history
Replaced John Barry
In For your eyes only
Scored for the Oscar
Ceremony
19 times a record
envy of many
Won Oscar and Emmy
No Dynasty or Cagney & Lacey
without Conti

John Barry score for Sean Connery as James Bond
The super spy
A permanent legacy
Created by the supremacy
Of his musical ability
5 time oscar winner
From North Yorkshire
Illness threatened career Came back better then ever
Sold out concerts
Arena sized halls
Glory again after a fall
Oscar for The Lion in Winter
His personal favorite Goldfinger

Maurice Jarre  Composer and Conductor
Won 3 Oscars
All collaborations
with David Lean
Big Budget Films
His speciality
The Themes popularity
Showcased his versatility
His music told the story
Close your eyes and
You will know the reality
Appealing to every taste
Was Jarre's forte

David Shire
Winner of the Oscar
For Norma Rae
Composer & Songwriter
Streisands Pianist
Scored for Television & Movies
Conversation and Pelham
Musical confirmation
That his compositions
Will bear the
Test of time

Michel Legrand
son of a Composer
Winner of 3 Oscars
Conductor for many of
The French New Wave directors
Founder of the French Musical
Windmills of your mind
Forever etched in our minds
Over 200 films in a career
Prolific in nature
Select from his repertoire
Of music
Fill the air with Legrand magic

Michael Small son of an actor
Became a composer
Parallax View & Night Moves
Provides you with the mood
Alan Pakula & Arthur Penn
Directors for whom notes he penned
Sidney Lumet Bob Rafelson & John Schleisinger
Legends in their own right
Small' talent shined bright
Prostate cancer
Took away this Great Music Director

Charles Bernstein used Music & Sound effects
To maximum effect
Oscar Winning Documentary
Which had no oral commentary
To tell the story
Scored for horror genre
A cult in the sub culture
Burt Reynolds in White Lightning first chance to
Score for a feature
Charles Bronson in Mr Majestyk
Made these films click

John Williams pianist for
Goldsmith Bernstein & Mancini
Second only to Walt Disney
In Oscar Nominations
52 and counting
Winner greatest Soundtrack
Of all time
Star Wars earned him that name &  fame
Widely regarded as most successful  Musician
Positivity is the key
Particular theme  for different characters
Greatest ever

— The End —