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Shrishti Ambani Aug 2014
Dictated by society and obligations, a steered life we lead; we are an adulterated people.
We don’t know what is in our heart, we don’t want to peer inwards, we are fearful.
Strip everything down.
Can you see yourself raw?
Can you face what you see?
Bitter we are past the looking glass.
Peel off the layers and you will find a quivering truth rejected too often, born and bred in denial.
Can you accept what you have let go?
Confrontation was never our forte.
We escape, emotional Houdinis.
Routine takes over.
We work mechanically, if we do the same thing long enough, everything else will lose meaning.
We bury, not burn.
Ashes scatter to never come back but bones stay forever.
Regret lingers on us.
You'll catch faint sniffs of it even now when we’re alone.
Prose, poetry, music and I am foolish enough to be Pandora.
I am not deep. Loss is deep.
People. Things. Our attachment to them.
Cut the ropes and the bridge will fall.
You will fall with it.
Yes.
But you will return scarred, disfigured.
Will you ever be able to make peace with that?
Because I still struggle.
A hollowness which is detected only when knocked upon the seemingly solid exterior.
The strongest are the emptiest.
We are not who we are. We are a mixture of what we want to be, what we should be and what we shouldn’t be.
Our love as materialistic as the dead things that surround us.
Broken. It’s all broken.
The moment we were born, we started dying.
Fragments hold us together, glued together by memories and dreams, fueled by hope.
Falling apart and being pieced together again and again and again till we are claimed by what created us and we shall be purely whole again.
We are an adulterated people.
We are sellotaped souls.
eatmorewords Jan 2013
The onion doesn't have layers
it has panels
nailed to its skin.

On occasions
he goes back to the warehouse
where he stores broken typewriters,
unfinished narratives of the campaign,
unexploded bombs.
sellotaped wires.

He audits his feelings
keeps them neatly arranged
on shelves and spreadsheets and

he examines them against the light
and is pleased with his investigations.
Donall Dempsey Aug 2018
ME ALRIGHT!

She watches as
I write.

The soft wheeze of lead
leaving words in its wake

like seagulls following
the trail of a ship

clamouring after
the refuse of the mind.

Soon the page is
littered with words.

They crawl across the page
in their best 4B.

It pleases her to see
the graphite leave these

tracings of me
upon...beyond...the white.

She looks at the journey of my hand
as if writing were a magic rite.

She asks if she can
draw.

"Sure..." I say
and the words cease.

I just put the tittle
on an small i and j.

The words splashed across the page
like puddles of thought drying in the sun.

I hand her the pencil.

She shakes it and shakes it.
And shakes it.

"What's that for?"
I dare to ask.

"The pencil is too full of words.
I want a pencil full of lines."

"I see..." I say
even though I don't really.

Well, it seems  to work for
nothing comes out but line after line.

She lost in the little planet of
her intense concentration.

She throws in the odd curve
and a wonky circle every now and then.

The lines look confused
not too sure just what

they are doing
on this scrap of paper.

I ask her what
the lines mean.

"The lines are you of course.
See...?"

"I see..." I say
although I don't really.

But indeed in this
drawing I am

very much
as she sees me.

The page never lies.
These are scribbles that were my eyes.

I have as it happens
eyes five

stuck on the side of
what appears to be a head.

And yes only one leg.
One leg with seven toes.

An abstract alien
bird father.

It takes pride of place
sellotaped to the fridge.

"Yep...that's me
alright!"
Terry Collett Apr 2015
Without God we cannot and without us God will not, Sister Bonaventure, the Italian  said, in R.E  at the school, where Fay sat looking at the nun's plump features and a second chin that lay on the nun's wimple. Cannot what? a girl said from beside Fay, a thin girl whose hand was raised above her head. Others stared in Fay's direction as did the nun. What do you think it means, Gloria? the nun asked, her dark eyes peering at the girl. The girl shrugged her shoulders. Salvezza, the nun said, salvation. Fay took the word and tongued it in her mouth like a boiled sweet. Salvezza. The other girls in the class sat mute; some looked at each and smiled either out of indifference or bewilderment, but Fay sat straight-faced, the words in her mouth, both Italian and English. Salvation? A girl asked, pushing her luck, seeing the nun's features harden like cement on a hot day. To be saved, the nun said, saved from damnation. The girls all Catholic and bought up from the cradle knew this, but it was a hot day and they had lost interest as soon as Sister Bonaventure had entered the class with the ease of a hippo into a muddy swamp. But Fay took the words and packed them away inside her head to **** upon in her nightly hours when she failed to sleep. After school, walking along St George's Road, she saw Benedict standing by the subway waiting for her. He stood with hands in his pockets, his school tie untied, hanging loose, his shirt collar unbuttoned. She smiled when she saw him; her stomach did a somersault; her eyes moved over him like hawks seeking prey. He smiled like Elvis, which he had mastered by studying the photograph in the paper and had cut it out and sellotaped it to his wall. Didn't know you were going to meet me, Fay said, thought you said you were busy. Benedict smiled. Wanted to surprise you, he said. Did you run home from school to get here by this time? No, got the bus, he said. She touched his arm with her thin fingers, felt the cloth of his school blazer. He looked at her; took in her fair hair, straight, but pinned at the sides with hair slides; at her eyes that were as pure as silk; at her features that he wanted to capture in his mind so he could conjure up in bed at night when he found it hard to dream about her. She looked past him, making sure her father-who didn't like Benedict- wasn't around; making sure that her father wasn't amongst the crowd across the way or in a passing bus. They walked back towards the flats together, side by side, hands not touching, but close, near touching. She told him of her day at school, about the Italian nun and the words that she had captured that day in R.E lesson. Salvation? he said, taking the word and moving it around his head and mouth like a puzzle to be solved. Sounds like something you put on if you've got a sore spot, he said. She smiled. It means saving our souls from sin and the consequences of sin, she said. They walked down the subway side by side, the words echoing along the walls. He looked at her as they walked, his hand near touching hers. Sins? What are they when they're at home? he asked, probably knowing the answer, but wanting her to say. Violation of God's will, she said. Violating our relationship with God, she added. He allowed his knuckles to brush against hers gently, letting her words float about his ears. Violate God's will? He said. She nodded. Defy, God's will, she said. Mm-mm, Benedict said, got you. Whether he had or not, Fay had no idea, she sensed his knuckles brush against hers, gentle, soft, skin on skin. They came out into the late afternoon sunlight, on to the New Kent Road, passed the Trocadero cinema, their hands brushing close. Changing the subject, before Fay could venture further into the words, he said, do you anything about periods? She stopped by the entrance to the cinema and gazed at him. Periods of what? History? Geographical times of changes? She said. No idea, a boy at school was talking about it, said his big sister was having her periods and was a dragon when she was, Benedict said, gazing past, Fay, at the photographs in the framed areas inside the cinema walls. She blushed, looked at the photographs, too. How old are you, Benny? She said. Same as you, twelve, he replied, taking in the photo of a cowboy, at how the cowboy had his guns set in his holster. And you don't know? she said, shyly, looking at him, blushing. He tried to copy the cowboy's stance ready to draw his imaginary gun from imaginary holster. No idea, he said, looking at her briefly before gazing at another photo. What do you learn in biology? she asked. O usual ******* about plants and sunlight and butterflies and bees and so on, he said. About butterflies or birds, then? he said, taking in the cowboy's stance again. Yes, she said quickly, not wanting to elaborate further.  They walked on passed the cinema and the used car area and walked over the bomb site towards Meadow Row. So what's the connection between this kid's sister and ****** birds or butterflies and periods? Benedict asked. She shrugged and smiled. Ask your mum, she said, she might know. He smiled, leaned down, picked up a few stones from the bomb site for ammunition for his catapult later, guess so, he added, taking in her blushing features. They paused half way across the bomb site and stared at the the coal wharf where a few stragglers of coal men loaded up the lorries and wagons again for last bit of business. He wanted to kiss her, but didn't want to take the liberty of just plunging his lips on her cheek as he'd seen them do in the cowboy films. She watched the coal men at work. She sensed him beside her, his closeness, his hand brushing against hers, skin on skin, flesh touching flesh, but she didn't want her father to see her touching Benedict's hand, because he'd go mad at her. I  want you to focus on your school work and what the nuns tell you about matters, not gallivanting with the likes of him, he said last time he saw her with Benedict, even though they lived in the same blocks of flats, he downstairs and she upstairs. Likes of him? What did that mean? She mused, looking away from the coal men and taking in Benedict beside her. God knows what her father would say if she kissed Benedict and he saw them. A few years ago he would have spanked her, but nowadays he just threatens her with it. Benedict turned and looked at her. Are you coming to the cinema for Saturday's matinee? Don't know; depends, she said. Depends on what? he asked. My dad and what he's up to and if he'll let me, she said. She paused, looked past Benedict to see if her father might be around. What's wrong with Saturday matinee? Benedict asked. She looked at him. Daddy thinks it's sinful to stare at those kind of films, although he did take us to see the Ten Commandments with Yul Bryner and Charlton Heston  a few years ago, she said. But you've been with me before, Benedict said. I know but only if Daddy's away on business or is away on religious retreat. Benedict raised his eyebrows and pulled a face and pouted his lips. She smiled. See what I can do, she said, looking over at Meadow Row making sure her father wasn't in sight. He wanted to kiss her, but didn't want just to plunge at her as he'd seen them do at the cinema, but what to do? She gazed at him, her body tingling for reasons she couldn't fathom. Best get home I suppose, she said, in case Daddy's there wondering where I've got to. They walked on across the bomb site slowly. Could I? He asked, pausing by the wall of  bombed out house. Could you what? Fay asked. Benedict looked at her. Kiss your cheek? She blushed and looked around her then back at Benedict. Why would you want to kiss my cheek? She asked. I've seen cowboys do it to women in films I just wondered what it was like, he said. Is that all? she said. All what? He said. That reason? She said. No, he said, looking past at the coal wharf, I like you a lot, wanted to show you how by kissing you. She felt out on a limb, beyond her comfort zone, yet something about it seemed satisfying, the gesture, the idea, the reason he wanted to kiss at all. She knew she was blushing, knew that her body was reacting in away unknown to her before. She looked across at Meadow Row, at the people passing over the way. Do I dare? She asked herself. What if Daddy sees? Not here, she said, maybe on the staircase of the flats if no one is around. He nodded, looked at her, touched her right hand, warm, silky soft. He wasn't sure of himself as he usually was; felt as if he were in bandit country and bad cowboys were at large. They walked on down Meadow Row, passed the public house with doors open and the smell of beer and a piano playing out of tune, passed houses and the crossed over by the corner leading into Rockingham Street. Their hands were apart from each other just in case. Her father in her case and other boys seeing, in his case, thinking he was breaking the schoolboy code into cissiness. They walked up the ***** and into the Square and walked towards the block of flats where they lived. She talked about Sister Bonaventure and sin and he talked about the boy's sister's period problem whatever it was. Half way up the second staircase landing they paused. Now? He asked. She looked up the stairs then down. Ok, she said softly. He kissed her cheek, damp, soft. She looked at him, then for reasons she didn't know she drew him to her and kissed his lips, then let him go. What happened to her or him they didn't understand just felt the inner glow.
A BOY AND GIRL IN LONDON IN 1960 AND A KISS.
I sat with a blue emblem of bruised hollows
Voice....fractionless in the gap between words
Fresh out of rhymes caught up in a grey scenario
Sellotaped up for the time being.  Until 'They' create the story
Board.  Temporary measures, I called in its truth
Asked it to surface.  It could not; remaining submerged
Seeping into human unknowns.  I sprinkled an ounce of
Salt on the wound.  It stung like hell, in healing hibernation
The billboards flapped their curiosity, taking on the sellers
Argument. Advertising its limits, search parties calling
Out to investigate.  We sat down with disbelief, about what,
We were unsure.  Clusters of acidic thoughts back dropped
Our vantage point and poured sour silence into our sentences
The near on tragedy catered for by reapers in hooded outcomes
Sell me another box of tricks I asked, one I can enter into without
Criminalising your purchase, slinking off on a day trip of borrowed time
Poetic T May 2015
Pages of my mind once torn, sellotaped together,
A mind now mended, frayed within thoughts.

Ink is my plaster, my stresses now released
Upon empty white spaces they now sleep.

Mended with each word that's released, I'm  
A man of my word, always a friend when in need.

Family is everything, manners mean just as much,
3, 2, 1 little smiles opening hearts of all they touch.

My life is many tales of darkened moments, but in
Their is more moments that shined peace in light.
[Some of my life was not all roses but I grew through it stronger than I was before and my life is so much better now]
yasmin xu May 2014
i don't want to sit on teraces or chill at the park
i don't want to drink alone at 1:30am with patti smith playing
i don't want to go to sicily like a sellotaped body
i don't want any dried out tulips in *** on the table today

i just want some confirmation
to know if it's still possible
to know if it's still real
to know if i'm it
and if you miss me
like i do right now
and forever
J J Dec 2023
Hard times are nothing to brag about
Thirteen years old
Kitchen knife sellotaped to torso
I reminisce on that being the worst of it

Soon it'll be a whole year since you left
   well I guess I left but really what choice did I have
Some nights I'm sleepless I no longer miss u I'm just still burnt over what u did
I'm ok I breathe, I smell blood and my heart beats in my chest

Victim complex no longer my priority
I believe it's better I believe this is how we get happier
I've said goodbye so many times and surely I'll say it so many more
Goodbye my love, goodbye
But truthfully, now I am bored

Why romanticise a mess when there's no longer any need to adress it?

Late april
I was going to do a redraft of my suicide note
But truthfully, my handwriting is too messy
I think the action says enough.
But truthfully, I've got cats u gave me I can't leave.

Thank you,
     I felt stupid for being sad and missing you all last month
But I don't anymore,
  thoughts swirl, moods crash and people collide or grow cold and standoffish
When too familiar.

Dumb ***** chipped teeth lies lies pleading i need you please don't cry i want us to last like our words promised
But like-- we were kids and like-- I've already
      went over all this in my head;
Again and Again;
I swear I force myself sad sometimes just to feel something.
It's all finished and all so boring now
You both look cute
Your aimed posts are cringe-inducing but I don't think either of us have ever been thought to be stable
     beforehand.
I'm happy for you I hope you are happier but hopes only come true with care and care comes from home
You were home once
And I've had to leave so many homes in the last few years
    yet with my heart beating in my chest I will never be homeless again.
I do not care anymore.
What my life amounts to--
I do not care anymore.
What I'll do tomorrow--
I do not care anymore.
I should not sleep I have things to do--
I do not care anymore.
Whatever we didn't say made up what we did--
I do not care anymore.
Possession is my favourite film of all time. Asta luego
Lynn Hamilton Jun 2017
Stripped
Back
Broken
Down

Curled
Up
Wrapped
Up

Placed
On a
Shelf

To be
Located

By
A sticky
Note

Tattooed
With
Smelly ink
Injected
By
Felt tip

Sellotaped
Securely
To the side

Stayed
For
A while

Rooted
Through
Spare parts

Repaired
Uncurled

Located
By a
Sticky
Note
SiouxF Nov 2020
Bucket list item,
A dream come true,
In my 50th year
An extra in a film,
Not just any film,
But big feature film with famous stars!
5:30am early start,
Breakfast in individual covid pods,
Undergarments on,
Hair and makeup,
Outer clothes on,
Boots brushed,
Creases steamed,
Lipstick touched up,
Hair curled and sprayed within an inch of its life,
Top to tail inspection,
Bussed to holding area,
Hours of waiting,
Deep and meaningful conversations,
Histories divulged,
Books devoured,
Ping pong with sellotaped paper ***** and paper plates!,
Sleeping,
3 meals a day
Preened and touched up some more,
Line up
Yet another inspection,
Walk to set.
Back to holding area.
Walk to set,
This time we’re on.
Sometimes told where to start,
Other times make it up yourself,
With very little direction.
1930’s German,
Unshapely winter coat and thick woollen tights
Looking 20 years older ******!
Walking along German street
Trams and old cars,
And mashed paper snow!,
Glancing in shop windows
As the main protagonists walk on by,
Sometimes repeat after repeat after repeat after repeat
Of 10 seconds of filming from every angle,
And others wrapped after 1-2 takes.
Freezing cold, rain, sun, never puts us off,
******* screens to block out the sun
Blue screens at the end of the street and the top of buildings,
Sheltering from the rain in shop doors in between takes,
Bonnets on, masks on,
Get in position, bonnets off, masks off.
“Rolling” they shout,
Klaxon sounds,
“Action vehicles”,
“Action background”,
“Action”
Here we go again.

— The End —