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"peacoat" poems
Orange peel Thursdays and the Velcro shoes Of children hordes Who spider up Alice on toadstools in Central Park Dusted psilocybin shoots my eyes through With the clarity of ice and sliced mushroom Steeping in stomach acid before finding blood The kids are tripping like madmen or halloween candy Like its time to release and give up to the nonsense And let your young self congeal to a saccharine sludge I don’t stroll in the park to keep my mind sharp I’m here because it’s a riot My head can throb to the jittery birds And the blasts of carsong It’s the right kind of rhythm to walk to ** ** ** Ketamine days and the lolling slums To make sure the insane stay insane And the hobos are washed with spit from the clouds And the subway exhaust always hangs in our hair And the old Coney Island burns again and twice more We don’t pretend to understand what we see In subway grates thirty feet wide Like the earth punching out of work for a bit Opening to you her *** belly So you can check out the strips of metal inside Before she slurps you down and with an esophageal squeeze Shoots you through the turnstiles The train squeals and grinds down our eyes With thoughts as slow as ketamine Makes room for schizophrenia in a conversation We’re listening to ‘til sundown ** ** ** Years full of Brooklyn and the assorted pills Makes offal fit for punks in name brand shoes Squared off with police in the park Being beaten for the fun of being beaten Peacoat locals pass the days in supermarkets And you grow up to the loony mumble Of the woman who knows the boat Moored at the end of the street Mansion of the stray cat colony You help her with her daily chore to feed them Tabbies popping the pills of the homeless And puking in tandem all over their house Living off generous dying folk
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Feb 11, 2010
Feb 11, 2010 at 4:02 PM UTC
Ketamine Days and the Lolling Slums
Orange peel Thursdays and the Velcro shoes Of children hordes Who spider up Alice on toadstools in Central Park Dusted psilocybin shoots my eyes through With the clarity of ice and sliced mushroom Steeping in stomach acid before finding blood The kids are tripping like madmen or halloween candy Like its time to release and give up to the nonsense And let your young self congeal to a saccharine sludge I don’t stroll in the park to keep my mind sharp I’m here because it’s a riot My head can throb to the jittery birds And the blasts of carsong It’s the right kind of rhythm to walk to ** ** ** Ketamine days and the lolling slums To make sure the insane stay insane And the hobos are washed with spit from the clouds And the subway exhaust always hangs in our hair And the old Coney Island burns again and twice more We don’t pretend to understand what we see In subway grates thirty feet wide Like the earth punching out of work for a bit Opening to you her *** belly So you can check out the strips of metal inside Before she slurps you down and with an esophageal squeeze Shoots you through the turnstiles The train squeals and grinds down our eyes With thoughts as slow as ketamine Makes room for schizophrenia in a conversation We’re listening to ‘til sundown ** ** ** Years full of Brooklyn and the assorted pills Makes offal fit for punks in name brand shoes Squared off with police in the park Being beaten for the fun of being beaten Peacoat locals pass the days in supermarkets And you grow up to the loony mumble Of the woman who knows the boat Moored at the end of the street Mansion of the stray cat colony You help her with her daily chore to feed them Tabbies popping the pills of the homeless And puking in tandem all over their house Living off generous dying folk
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45
Memory comes quickly and goes faster still. Childhood blurs and bends from the action to nostalgia to nothing to a surprise visit and ultimately, back to nothing. It's never formal, opting out of knocking before entering with muddy sneakers and corn-butter-dribbled chin. The hues of a late, summer afternoon filled with fireflies and barbecue smell connect the doorbell circuit and make itself at home before ears or legs can bid welcome. Smile and greet one another breathless only to depart at a moment's notice as if the nomad suddenly realized that no crop or solace remains. So distinctly different than that of a severed relationship, which typically takes its bitter, sweet time. For months, that fracture can stay and continue asking for another Earl Grey and bowlful of discontent, adding in spurts of lonely self-conversation every several, silence-ridden hours. Eventually, ever so carefully and quietly, it tip-toes away with lip-marked cup and peacoat at the moment when you've unwillingly returned from the kitchen to fill pained guest's requests but the only thing that remains are indents in the leather armrests and moisture gone cold. Flashed across mind's eye and on its way. The hollow fills itself endlessly with present and distantly connects with past to find that neither can be here while the other exists. Start again and re-ember remembering, drifted away on a silent plane of glazed eyes and wide smile.
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Nov 14, 2012
Nov 14, 2012 at 10:42 PM UTC
Drifted Away
Trees always have to go out with a bang, don't they explosions of bursting color freeze-framed fireworks of fall bursting and cascading, leaving ashes and hot coals to cool in soft grass ...I used bursting twice, didn't I? alright, let me go open up my thesaurus... blast? pop? rupture? just replace it with one of those and call it good. Back to the poem: my popped-collar peacoat straightens my back gotta match my posture to the pompous portrait black wool on an over-scratched scratch paper might as well just pick it all off allow the color some room to expand (I don't even own a peacoat, I just like the metaphor and imagery) you could set the sentinel alight for the same effect a more smokey atmosphere, sure, but the color would be a little brighter and I'd have the mushroom of smoke to match my coat I've substituted my earbuds with the crunch crunch crunch of leaves crunch crunch crunch crunch crunch –––– shoot that one looked good but it just flattened crunch crunch crunch invariable sound back to my Beats by Dr. Dre The arrow of geese points south ... that's really all I have to say about that some sort of metaphor about flapping my arms and following them? I like jacket weather though better stay grounded hands in pockets; arms in long sleeves insert some connection to death to match nature's descent into winter Gosh, this season is too good to stand for something so sad let's go jump off the roof into a pile of leaves drink hot soup and get cuffed watch steam and frost paint picturesque mornings read in a dogpile of blankets Winter may be coming but so is spring ya goof get off your melancholic horsey
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Oct 12, 2018
Oct 12, 2018 at 12:10 AM UTC
Fall for the Facetious
Trees always have to go out with a bang, don't they explosions of bursting color freeze-framed fireworks of fall bursting and cascading, leaving ashes and hot coals to cool in soft grass ...I used bursting twice, didn't I? alright, let me go open up my thesaurus... blast? pop? rupture? just replace it with one of those and call it good. Back to the poem: my popped-collar peacoat straightens my back gotta match my posture to the pompous portrait black wool on an over-scratched scratch paper might as well just pick it all off allow the color some room to expand (I don't even own a peacoat, I just like the metaphor and imagery) you could set the sentinel alight for the same effect a more smokey atmosphere, sure, but the color would be a little brighter and I'd have the mushroom of smoke to match my coat I've substituted my earbuds with the crunch crunch crunch of leaves crunch crunch crunch crunch crunch –––– shoot that one looked good but it just flattened crunch crunch crunch invariable sound back to my Beats by Dr. Dre The arrow of geese points south ... that's really all I have to say about that some sort of metaphor about flapping my arms and following them? I like jacket weather though better stay grounded hands in pockets; arms in long sleeves insert some connection to death to match nature's descent into winter Gosh, this season is too good to stand for something so sad let's go jump off the roof into a pile of leaves drink hot soup and get cuffed watch steam and frost paint picturesque mornings read in a dogpile of blankets Winter may be coming but so is spring ya goof get off your melancholic horsey
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43
Hacked Every hook Every cue Every one of my references and internal pantheon He's wired into it. How did that happen? He's a stranger I didn't even know he existed two weeks ago And yet... He gets it so right every time. ~~ self referential I like it when he writes of me. To me. That curly feeling. His revelations, and the mirror held up. Tribute, affection, the wry smile of a stranger. The slightly bonkers obsession and fascination. Glimpses of a convoluted mind. ~~ Rib Ice Standing on thin ice Peacoat open, arms wide I step into that hug Burned by warm skin and hard ribs Even more by his kiss He likes to hear me moan ~~ Whose mindfuck now? Are my actions consistent with my words? Am I as I say I am? Do I mean what I say, or am I playing you? How's your ******** detector? cards on the table time abdicate or defecate ante up ~~ headlong He leads me on a scavenger hunt, insinuating, enticing, pulling me into dark corners to kiss me and probe me intimately, until we're off to cross the next threshold in this trip... I have no idea how I got here. Turned round, disoriented, down the rabbit hole. ~~ Deep Purple On the way out Curious discoveries Door handle sticky Musk in the air Who's that knocking at my back door? ~~ Goddess, lit I like this intimate touch I have on your mind and emotions. It makes me feel powerful and protective of you. And pulls me closer in. When you say I am a goddess, your goddess, I suspend disbelief and nod in acknowledgment and agreement. Yes, of course. In those times, I know I am powerful, wise, feminine, and mysterious, And that you are before me, kneeling, clasping my legs, leaning on me, head against hip and belly, worshipful. And sometimes, you clasp my wrist as I'm turning to go and pull me back, quietly certain and not to be resisted. Inevitable. And then what? Kisses? Your hand on my breast bone? Gently steadied to meet your gaze, interminably and for no time at all? I begin to believe you won't vanish.
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Apr 13, 2013
Apr 13, 2013 at 11:45 AM UTC
Dia
Hacked Every hook Every cue Every one of my references and internal pantheon He's wired into it. How did that happen? He's a stranger I didn't even know he existed two weeks ago And yet... He gets it so right every time. ~~ self referential I like it when he writes of me. To me. That curly feeling. His revelations, and the mirror held up. Tribute, affection, the wry smile of a stranger. The slightly bonkers obsession and fascination. Glimpses of a convoluted mind. ~~ Rib Ice Standing on thin ice Peacoat open, arms wide I step into that hug Burned by warm skin and hard ribs Even more by his kiss He likes to hear me moan ~~ Whose mindfuck now? Are my actions consistent with my words? Am I as I say I am? Do I mean what I say, or am I playing you? How's your ******** detector? cards on the table time abdicate or defecate ante up ~~ headlong He leads me on a scavenger hunt, insinuating, enticing, pulling me into dark corners to kiss me and probe me intimately, until we're off to cross the next threshold in this trip... I have no idea how I got here. Turned round, disoriented, down the rabbit hole. ~~ Deep Purple On the way out Curious discoveries Door handle sticky Musk in the air Who's that knocking at my back door? ~~ Goddess, lit I like this intimate touch I have on your mind and emotions. It makes me feel powerful and protective of you. And pulls me closer in. When you say I am a goddess, your goddess, I suspend disbelief and nod in acknowledgment and agreement. Yes, of course. In those times, I know I am powerful, wise, feminine, and mysterious, And that you are before me, kneeling, clasping my legs, leaning on me, head against hip and belly, worshipful. And sometimes, you clasp my wrist as I'm turning to go and pull me back, quietly certain and not to be resisted. Inevitable. And then what? Kisses? Your hand on my breast bone? Gently steadied to meet your gaze, interminably and for no time at all? I begin to believe you won't vanish.
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52
I'm tired of written apologies you don't have the guts to speak- Poets use words and letters and metaphors to explain how they feel but you, you use a paint by numbers and it seems to me I've ran out of every color so now you're just a blank page staring back at me tempting me to write my own apologies because I somehow feel bad for you having to say sorry. These days can become the flat tire on your car on the way to a funeral but I will always be there to bring you light even when you take your lack of apologies and use them to knock out the lights on the ceiling fan- I will wait in the dark until you decide to change the bulb. But you never do- so I'm left there picking up shards of lightbulb as my hands bleed and spell out your apologies and I look up at you and ask for help but it seems you are stuck inside your own mind your own world until the mess is cleaned up and the light returns and then I'm stuck here apologizing for getting blood stains on your t-shirt. I understand dismay, and the ability to be distraught- but I don't understand being someone else's peacoat there to keep you warm until its no longer needed. I just want to be appreciated.
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Jan 4, 2015
Jan 4, 2015 at 6:53 PM UTC
clean up the mess you made because I'm tried of being your housekeeper.
You stood there, probably cold, in the frozen foods aisle. Actually, you had a peacoat on. When I first saw you, I only saw your back. Your hair looked wiry and blonde, I thought you were aged and frail. When you turned around with a gallon of milk your face surprised me. I was swept up in awe and stared too long. Your eyes-- blue, kind, and calming-- rested on pillows of roseate cheeks that looked recently swept by winter winds of New England. You looked at me, too, but with an austere expression. I said, "I hope the tempest of your mind soon finds peaceful resolution in tranquil waters," in my head. She walked past me her audible rhythmic steps made with untied, disheveled boots. A beatnik simply keeping a beat.
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Nov 8, 2013
Nov 8, 2013 at 11:04 PM UTC
It Was a Cold Aisle
I've never worn a peacoat in July, until today. Today will be the first time I've ever gotten goosebumps from open subway windows on a lightning blue underground. I'll need a hat too, anxiety and age has removed what was left of my skull cap and if I don't tend to my head I'll catch a chill. Stale summer smell still lingers in the kitchen air. From the balcony I see many men, men walking alongside my building below in shorts and tank tops, pretending they can still feel fingertip rays from the sun. But they know it's gone. For today, maybe the week, the heat has gone off in search of a more deserving city for the time being. Pretending won't make these men feel it, but hope keeps their leg hair raised on point, similar to the hackles of the runt of the litter when he snarls for the last piece of meat in a ***** metal bowl.
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Jul 23, 2013
Jul 23, 2013 at 9:33 AM UTC
Temporary
Every morning plays over like a silent black-and-white film. You wake up and somehow you’ve forgotten how to speak. Your throat feels raw and congested from the disuse of night. The sunlight strikes your eyelids, affecting an obliterating blindness, forcing them apart, drawing you from the velvety embrace of a dream. Your feet sink into dirt-smudged sneakers; they drag across tiles and floors and grains of cement, across blackened splotches of gum tacked to the streets, pressing them ever deeper into earth, into tar. A young woman in a fitted red pea coat stands near you, leaning against the steel column by the edge of the tracks. She is tiny, her olive skin stretches tight across her bulging cheekbones, her eyes are pools of grey, her shoulder-length hair is the color of molasses. It happens slowly: the woman in the red pea coat leans further over the ledge, tilting her head to the side, searching for life in the roaring darkness. It happens briefly: a low rumble beneath your feet, a glint of light, a yellow-white rectangle splays across the tracks. It widens and expands, oppressing you, swallowing the woman in the red pea coat, as she looks up and stares back at the brightness. The train does not strike her – it consumes her, it ***** her up like a vacuum through its sharp metal teeth, and she vanishes, or she becomes a refractory beam of light, or she explodes. A screech hovers above the crowd, shrill, high and clear – the rawness of terror. You cannot help it – you peer into the gap between the platform and the subway, absorbing the darkness. You wonder what moment, precisely, her life left her body, or her flailing limbs surrendered to their inevitable consumption. The paper bag she had been carrying survives, strayed on the platform, an afterthought.
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Dec 15, 2014
Dec 15, 2014 at 8:39 PM UTC
The Woman In The Red Peacoat
Every morning plays over like a silent black-and-white film. You wake up and somehow you’ve forgotten how to speak. Your throat feels raw and congested from the disuse of night. The sunlight strikes your eyelids, affecting an obliterating blindness, forcing them apart, drawing you from the velvety embrace of a dream. Your feet sink into dirt-smudged sneakers; they drag across tiles and floors and grains of cement, across blackened splotches of gum tacked to the streets, pressing them ever deeper into earth, into tar. A young woman in a fitted red pea coat stands near you, leaning against the steel column by the edge of the tracks. She is tiny, her olive skin stretches tight across her bulging cheekbones, her eyes are pools of grey, her shoulder-length hair is the color of molasses. It happens slowly: the woman in the red pea coat leans further over the ledge, tilting her head to the side, searching for life in the roaring darkness. It happens briefly: a low rumble beneath your feet, a glint of light, a yellow-white rectangle splays across the tracks. It widens and expands, oppressing you, swallowing the woman in the red pea coat, as she looks up and stares back at the brightness. The train does not strike her – it consumes her, it ***** her up like a vacuum through its sharp metal teeth, and she vanishes, or she becomes a refractory beam of light, or she explodes. A screech hovers above the crowd, shrill, high and clear – the rawness of terror. You cannot help it – you peer into the gap between the platform and the subway, absorbing the darkness. You wonder what moment, precisely, her life left her body, or her flailing limbs surrendered to their inevitable consumption. The paper bag she had been carrying survives, strayed on the platform, an afterthought.
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47
a walk in the bitter cold just to feel something. on that walk i just might see something beautiful that will make me feel like i did when you were still here. i may see a woman crying, her jet black peacoat throwing a tantrum in the winter wind. her cheeks as cold as the mans heart who caused her this pain. i may know that she will never love again but it won't make me any more sad than i already am. I'm not sure such sadness exists. i may see you walking up from the subway wearing the same hand-me-down coat you covered me in when my walls were crumbling and i was drinking a ****** cup of coffee that i thought would be my last and when you still cared. the sight of you may light my heart on fire and this bitter cold won't be able to freeze me because I'm sweating beads of passionate sweat from the heat you made me feel inside. or i may not see any of this and just feel the twinge of wind hitting my face, like i did last night, and the countless nights before that. after hours of that far too familiar sting, i'll go home and warm up with artificial heat, nothing compared to yours. i'll climb into an empty bed and i'll awake only one or two hours later with an empty mind and heart. then i'll crawl out of bed on an hour of nightmare filled sleep and purposely burn my tongue with coffee just to start off my day with some sort of feeling instead of terrible desolation. all of it just to feel something. just to keep the wraith of you away.
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Sep 7, 2014
Sep 7, 2014 at 4:19 PM UTC
a walk in the bitter cold
we out run the streetlights at dusk clicking on overhead raining urban-orange rays with the dying day hang a tight left down the alley dodging car mirrors and hoses orions belt preaches purity hovering above the city black winter skies wind riled up whipping cigarette butts and plastic cups leaves stain inky brown corpses in the stairwell quickly please my hands are gonna freeze get your keys from your used peacoat and shoulder slam the front door we burrow in the basement kicking off shoes i collapse on the couch warmth wine **** in abundance my slumping tired shoulders hear your laughter from the kitchen and long for you come caress me gently. you've waited so patiently for me and my vials of venom roaches are trickling in from the ceiling and i might really love you
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Jan 12, 2016
Jan 12, 2016 at 10:37 PM UTC
i stopped reading poetry
Your thick rimmed glasses, striped sweater, black peacoat, and white SUV from '98. It's been over a year, and I thought I'd never want you back, but now I see, I can't find the perfect man, because I can't have you. I can't have your intellect, or your dry humor, in my life ever again. Never. The messages you don't answer. The songs I will not play, I cannot play, that I would play.
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Jan 15, 2012
Jan 15, 2012 at 6:38 PM UTC
Sincerely, Jill
One more cigarette One less thought captured by my notebook I know I have two inner-pockets in my peacoat One with Silver Sherman's and one with the little notebook of deeper joys that follow Yet I've spent more time Lighting Maduro paper than sparking ideas onto trees that are utilized for musings rather than consumption I inhale carbon monoxide, (in line following the crowd -- by choice) Rather than exhaling the same for the leaf-lungs of trees I stretch for something A dichotomy of Pockets Paper lined for thoughts or Tobacco twined for my subduing One more, One less One more circus of circumstance, One less bridge to nowhere One more apple to pick, One less bone I wonder, "When the sands of time should be sifted through my hands and not my mind?" But my mind continuously filters, wondering which grains of now-repurposed stone amounts to more or less You fool! Stop staring at the back of the clock Discontinue your prescription to madness! Watch instead the gears turning not in anxious fear, but in wondrous awe Everything: a means to its own end; not an end to its own means And yet, blackened by the smoke, hardened by the repitition, you take another drag And all I can say is that my throat screams for tea and my mind for resolution One more thought, One less execution. -- I know That if I was self-driven enough I could compose a chart (or a melody) that shows the correlation between the distance of you from my thoughts and the intimacy of nicotine to my mouth
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Feb 7, 2014
Feb 7, 2014 at 4:56 AM UTC
One More, One Less
One more cigarette One less thought captured by my notebook I know I have two inner-pockets in my peacoat One with Silver Sherman's and one with the little notebook of deeper joys that follow Yet I've spent more time Lighting Maduro paper than sparking ideas onto trees that are utilized for musings rather than consumption I inhale carbon monoxide, (in line following the crowd -- by choice) Rather than exhaling the same for the leaf-lungs of trees I stretch for something A dichotomy of Pockets Paper lined for thoughts or Tobacco twined for my subduing One more, One less One more circus of circumstance, One less bridge to nowhere One more apple to pick, One less bone I wonder, "When the sands of time should be sifted through my hands and not my mind?" But my mind continuously filters, wondering which grains of now-repurposed stone amounts to more or less You fool! Stop staring at the back of the clock Discontinue your prescription to madness! Watch instead the gears turning not in anxious fear, but in wondrous awe Everything: a means to its own end; not an end to its own means And yet, blackened by the smoke, hardened by the repitition, you take another drag And all I can say is that my throat screams for tea and my mind for resolution One more thought, One less execution. -- I know That if I was self-driven enough I could compose a chart (or a melody) that shows the correlation between the distance of you from my thoughts and the intimacy of nicotine to my mouth
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62
He has sunken, He is flat! (He may just be A bit more fat.) He may have Knees of Plasticine And self-pity like An entire emo scene... But this is a new year! (In mid-May?) This is when we Stop the decay. Let us end The discontent: Let us make Jhonhary great again. "How do I do it?" I hear him ask. Well, here are the steps To accomplish said task. One: Go outside and run As if first dates were after you. Go outside and run each day. You have to. Two: Speak a little slower! You're not a motorboat. You sound like your tongue Is wearing a peacoat. Three: Shave those sickly ****** hairs away. You look as appealing as A plumber's derriere. Quatro: Perfecta tu Francés y español. Aveces te escuchas Como muerto caracol. Five: Just... chill With the self-pity. No manic pixie dream girl Will come sing you a ditty. Six: Learn to play that song You're just letting stall. Don't be that guy That just plays "Wonderwall." Seven: Keep buying clothes! Yes, you look great. No, don't be alarmed by Your wallet's lowered weight. Eight: Come up with More steps! Make fewer jokes that Leave people perplexed. Nine: Keep writing. This is something you enjoy. This is where your thoughts can Come and not be destroyed. Ten: Just be you. Be that well-meaning, uneven guy Who wants to brighten Another person's sky. Eleven: Make this your Open-ended answer, The last step you're Always going after. Write these last lines As you begin your amends. Make this the poem That never really ends.
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May 18, 2016
May 18, 2016 at 10:18 PM UTC
"Make Jhonhary Great Again"
If at ever, it would be winter In the middle of still woods The bleached born settling A wrought wood/iron savior Silhouette ambient reeds mingle stark ska trees, red beaded berries, dragon’s secret thistle cove Heavy overcoat, brown boots, cute hooded peacoat One Christmas colored shell Tidings of comfort and joy
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Jun 7, 2017
Jun 7, 2017 at 2:33 PM UTC
Beauty in Skyward Eyes
Harry bends over the grill, beefy with years of drink and culled anger, scrubbing until silver shines, a bullet waiting for my shift. He believes if the French Toast is perfect, she will appear in a halo of steam, peacoat and Mary Janes, ready to forgive the life they never had. Outside Brother Juniper’s, Peachtree Street is a kingdom of late century's lost: druggies, rent boys, drag queens, pimps preaching Jesus to the homeless in Piedmont Park. The smell of grease stitches it all together. Inside, fluorescent light makes faces soft as wet clay, ready to be remade by morning. French fries sizzle like whips, blintzes bleed cherry onto chipped plates, and Tati, round as a blessing, delivers soup to the sobbing girl whose mascara becomes a confession. I clock in, busting knuckles and boots, young, stupid, just trying to keep up with him. I know he wants her to return. I know she won’t. I know he’s getting older. I watch Harry’s grace and sweat, serving a city that believes in one last plate of salvation. At dawn, he walks out slow, grease still on his arms, orders a drink he won’t finish, lets Ray Charles sing him home, searches the sidewalk for her red hair in every stranger.
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Aug 6, 2025
Aug 6, 2025 at 1:49 PM UTC
French Toast at 3 A.M.