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Nat Lipstadt Jan 2014
Below is the first of two poems inspired by this piece of music, this one from a few years ago, in the midst of my divorce. The second, the better of the two,  is:

http://hellopoetry.com/poem/pachelbels-canon/

The music:

http://www.youtube.com/watch?v=kllZlF6mB2s&feature;=youtubegdataplayer
~~~~

Bereft of words,
one more time,
concussed by the hammering of
cacophonous silences
disabling my thought processes

In vanity,  
for when denied,
Le Poet-Poseur angrily asks:

Did not Mary  
have her cherries  
by command?^

But when the trees bow to me,
the collective of leaves mockingly
whisper sweet nadas, baby.
each leaf wraps my tongue,
in a sushi compote of sand,  
"hush-a-bye, baby boy poet"

June chilled.
But not chilling

Today, on a  overcast Saturday,
forces have mogged^^ me on,
transmogrified into a
Seventh Day Non-Inventist,
the creativity disrupters

Sadly,
Amazon doesn't sell,
original poems for redistribution

Pilings of papers,
variant demanders re my  
labors past and future,  
**** work-product of
teams of lawyers & harlots

Four years on, demanding now,
300 files subpoenaed,
need I say, they want me to re-tour my life my cuntry,
once more

Dummies!
these esquires ****** for hire,
my greatest invention,
my poetry,
they'll n'ere posses
cause I give it away,
domain denied

In need of a ****** shot,
drink repeatedly from the
Kanon by Pachelbel,
cannons of human-law
surmounted by the one divine

This note,  
the work product of
Pachelbel & Lipstadt,
harmony restoration,
a shared refuge,
a shared refute

Welcome friend to
a place that cannot be
bought, seized, sold

Pleasure thyself with each
note, scale repeated

Though the reign of the heavens  
doth suffer violence, and  
violent men do take it by force,^^^
peace and pardon,
earnest reward of  
poets who lived gently,
giving gentle, freely away
__________________________________________
(1)  http://en.wikipedia.org/wiki/Pachelbel's_Canon

^ Then bowed down the tallest tree, it bent to Mary's hand;
Then she cried: 'See, Joseph, I have cherries at command.'
Then she cried: 'See, Joseph, I have cherries at command.'

^^  Mogged means to have trudged along or moved away. (verb)

^^^ paraphrase of Matthew 10:7

My ex-**** wife lawyers got ever personal thing in my personal life, court ordered,  handed over to them looking for hidden treasure. I warned these *****, that they would find nothing except when I split an uneven amount, I rounded up the penny in her favor...which is precisely true of all the things they spot checked...what amazed me was that I had to go thru years of papers,  thus recalling our lives together, from the chaff came the wheat of poetry bread rising.
Nat Lipstadt Jan 2014
Please, please, first listen to this, if you are unfamiliar with this musical piece*

http://www.youtube.com/watch?v=kllZlF6mB2s


~~~~~~~~~~~
you thought you didn't know it,
but you did

somewhere a wedding, a movie
and you thought how beautiful

I hear it
each note distinct, unique and a
passageway to the next and the next

a transcendence
a generation
an uplifting
an arousal
a smoothing
a calming
a weeping

smithy of words,
I have read,
I have writ
words that gut punch me,
round my mouth into oh's,
cause me weeping endless


but this music
arrests *and
rests me,
miracle each time
I walk on its waters

how utter fools we be
to have "lost" this
for over three hundred years!

I rediscover it each time

somewhere a wedding a movie
and you thought how beautiful

for me, a funeral,

play it for me at
my funeral,

hold it in a
wedding chapel,

so with it,
upon hearing its invocation,
I may thee wed

thereafter, when you stumble on it
our vows be timely renewed,

and
though apart,
together,
we will weep, once more,
transcendent, once again,
ascendant, then and now
Jan. 12, 2014

http://en.wikipedia.org/wiki/Pachelbel's_Canon
His music was "lost" for hundreds of years.

I love George Winston's piano version.   Read about George Winston, fascinating,

http://en.wikipedia.org/wiki/George_Winston

"So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory"
Oscar Wilde
Nat Lipstadt Sep 2013
Then there are these moments

When your constant addition and subtractions,
Not finalized,
But put aside,
For the smallest of tokens become the
Largesse of life.

I am writing a long poem that is yet unfinished,
Of Richard II, Bach, and the death of a king,
King Ego, the battle infernal of vanity, insecurity,
And the constancy, the sense that one is never good enough.

Then sacked, for a loss, behind the goal line,
By the few, the kind, the genteel.

From nowhere, sought not, comes quiet thanks,
Appreciation that makes my angst seem
Petty and childish, smaller than small.

One draws a deep breath,
In no rush to exhale.

Then as luck would have it,
Pachelbel's Canon In D Major arrives,
An uninvited, most lovely, most timely guest,
and I am on the floor

Weeping unashamedly that the kindness of the
Few, the kind, the genteel lift me up and tissue my tears.

Unclear and unknown what I have done to deserve
Such affection, for all I have proffered are a few words,
An insight or two garnered from reading between the lines.

I understand less, emote more, and head spun,
I, poet, defenseless, for I am inadequate to the task.

I feel your hands upon my elbows,
Your arms around my shoulders,
I, am poet risen,
Words not insufficient, for
Words deemed unnecessary.

For I am poet risen,
Up, up, up by the
Uncompromising embrace of the
Few, the kind, the genteel.
You know who you are and I pray that as you read this, a gentle smile eclipses all, as my new minted  demeanor of laughter behind tears, has put this troubled day aside, for me.
Nat Lipstadt Nov 2014
early risen,
life's au courant
contextual issues
are all bad bus driver dream driven,
visualizations of sonograms
of erred memories,
road forks, unwisely chosen,
incorrect in retrospect,
look back notion thoughts,
and fears of the
good works in process
never finished,
these are all the best ****
too early,
highly reliable,
internal/infernal
alarm clock

waken only to plod the dark,
upon the cool wood floors,
without any slippered coverings,
closet buried unavailable
(no treasure noisy hunting
in the dark permitted,
while the party of the second part,
yet sleeps)

the floored bottom chills
do not succeed
in comforting a mind
instant awakened-enflamed
by a long lived life recalled recapped,
of inaction and interactions,
thrones lost by
choices guided by fear and not
risk,
that in summation,
too many debtors-in-possession
of rose colored
minus signs

so the companions constants,
these well-worry-worn floors,
now refuse me,
no more to repeat,
what all too oft
they have before,
wisely spoken:

too early, man,
too late, fool,
the answers
required/sought
upon our ashen wooden countenance
cannot be elicited nor derived,
go back to bed
there, perhaps,
find what you need,
somewhere,
between the day's rising orb,
the Lady Luck of
a woman's heat,
the grand canyoned
Pachelbel cannon,
the Bach adagios
soulful sweet,
the answers could begin,
the endings,
perhaps can find
you and show
the restart signs positively
new directional


yet obedient to the old nether-wisdom
of these inanimate intimates,
(that are classified now as
sourpusses &  ex-best friends),
off to
back-to-bed,
self-dispatched,
arriving amidst the departing darkness,
being infiltrated by new day
dawning light suffusions,
with coffee armed,
pillows plumped,
all done with
church mouse quietude,
lest I wake the
party of the second part

into bed returns
the prodigal son,

uh-oh,

the poem ***** stiffens

cannot be refused,
it offers me
this challenged relief and a challenged
pleasure:

Subtext

commandeering and commanding:

dispense what you cannot say,
but wish for all to understand,
teach them how to write the literary
subtext
of one man's life


his fantasies *******,
thoughts of world-over trips
upon which his poems trip,
thinking thoughts
of meeting you
first time and fittingly,
reunions of longtime knowing
mutual souls, the lovely perfection
of the guarantee of
better days past
and better yet,
of better days
yet to come,
of first embraces,
longingly overdue,
but happily
familial familiar
even upon initial conception

motioned potions notions
of what he would do
when that lottery ticket
comes true,
seeing hazy
visions of loined, coined children babes naves
as someday adults,
from a future past of
a collection of visions
happily well imagined

now in bed,
dancing (quietly) to a Strauss waltz,
all his sisyphean tasks unmasked,
and peace in his heart,
returning to supreme reign,
re-gifting it all forward,
in a subtext contextually
poem within herein

the coffee now cooled,
the mental dispensary instead,
has issued
a scrip
prescribed and commissioned

write yourself,
one poem,
overly long and rambling,
as always,
(knowingly he smiles at his own critique)
this poem
to be issued
from his ******-brain,
amniotic-bathed,
anointed and by appointment
to her majesties,
The Queen of Hearts
and the
Red Queen,
entitled:


Subtext

the scrip reads:
"take once a day,
life clarity should return
sooner than later,
which is to say
medically and medicinally
eventually,
which is far, far better
than never"

the meds imbibed
the coffee reheated,
and while
waiting for its effects,
the subtext of a man
who drinks drams
of lives of poetry
for all
sees his future dreams
and happily awaits
their completed execution
samasati Sep 2012
just because I’m being cute doesn’t mean
you’ll forgive me.

just because I want to talk about what happened doesn’t mean
you want to share your feelings

just because I’m listening to Pachelbel doesn’t mean
I’ll get out of bed.

just because I’m staring at my ukulele doesn’t mean
I’ll write a song.

just because I tell everyone else not to fret the small stuff doesn’t mean
that I won’t.

just because you call me doesn’t mean
I’ll answer.

just because I’m with my friends doesn’t mean
I’m not lonely.

just because I said I ate today doesn’t mean
I actually did.

just because I want to see you now doesn’t mean
I’ll want to see you tomorrow.

just because I’m really honest doesn’t mean
I’m not a good liar.

just because I’m smiling doesn’t mean
I’m not crying on the inside.
onlylovepoetry Aug 2017
a small craft,
barely deserving of such a compliment as
c r a f t e d,
a few boards, just enough caulking,
made quick, with no regard for artistry,
but sturdy none the less,
purposed for naught,
other than to get from there to
here

even, then, all the more,
as if time chose to reverse itself,
solidified it, this ships soul strength
rather than wore~warped
its character essential

unclear who was the wood
and who, the caulking glue,
but they held together in bonding so powerful

when strangers asked
what its purpose be,
this modest boat,
the locals
to a one,
always answered,
answered always consistent:

ancient and ungainly, not shapely,
purposed as if to be, simply
a reminder
that nothing
could ere
be graced more,
complimented, honored as,

seaworthy,
than this human loving crafting,


long-lasting,
maybe ever-lasting,
a tiny notional idea,
that two could get
you from here to
there

it  is in the more stronger strength,
of one thing
created from a loving,
two combinatory realization,
ruled and ruling,
this
craft
came to be
ruler of the sea of humanity



8/15/17 12:36am
born, falling, borne into sleep, to
the music of Johann Pachelbel
combined with a gentling snoring
Nat Lipstadt Mar 2014
alliteration
delving delusory,
a literati shun
thy commissions,
galore,
the line goes around the
corner

Entrusted.
write us a prayer -
as if I were thus worthy

t'is a delusion
which is worse than
Illusion
my fingers command me -
not I, them
I scribe inky,
they write what they deem
the most unfitting fulfilling

thy requests
more crosses to bear,
this Jew has walked the
Via Dolorosa
then, and again,
now

oh yes delve delve
with archaic *****
turn over earth unsubstantiated
long time un~disturbed

"bring us your truths
in whatever form
they spill from you"


Thus, they command me, Lord

"Go back to living,
like it used to be.
No more tortured soul
to slow you down"


Thus, they command me, Lord

sleep restful,
feet bathed,
Pavorotti  & Pachelbel
comforted,
let it go,
live the fleeting,
well,
drink the wine,
wafer, taste,
Jew,
but stay away from the confessional

don't
delve into your own
thesaurus
when opened,
one can vision
right through us

don't
delve in to the recesses
thankfully receding, eroding,
except for the enlightening flashbacks
that stone cold come with no
forewarning

don't
let the sin memories
of ancient words,
black gold bubble up
with the first striking of the blade

Delve
(excavate your soul deep)
Not

I did not come this poem to write
I did not come to repeat
Solomon's poem,
nothing new under the sun

don't,
daunting
wish to delve into my delusions,
my original sin
the deceit
the conceit
I am unique
I am original

but let us weave as I best could
diagrammed prayers
as the sun rises over my eastern river
for it the seventh day,
the sabbath day,
which the commandments
commend as the day to remember and

to keep it holy.
Six days you shall labor,
and do all your work,
but the seventh day is a Sabbath
to the LORD your God.
On it you shall not do any work,
you, or your son, or your daughter,
your male servant, or your female servant,
or your livestock,
or the

sojourner
who is within your gates.
For in six days the LORD
made heaven and earth, the sea,
and all that is in them,
and rested on the seventh day.
Therefore the LORD
blessed the Sabbath day
and made it holy.


no delving today
I will observe thy reader's,
all of them my teacher's,
commandments
rest easy,
spill no truths this day

but on the new born morrow
I shall fresh
delve and sin again
and write them
joyful hymns
to sing
on the profane workweek,
for my torture,
my spilled and soiled truths
shall be
re-presented
to joyous comfort

and then,
I shall sojourn among them
I did not cone to write this poem.
It came and I mere mortalized, transcribed it,
for it too,
just a sojourner.
Then after thus commanded,
the boy,
rested.
HB Feb 2011
When I read, I speak,
And when I speak, I read
Words rolling off my eyes,
Filling my tongue full of free--
Style rhyming and rhythm.

The canons of thought rolling out with a boom.
Pachelbel changing your direction of flow
Through some Perverse, Obscure, Rehearsal

Suddenly Reversed.

Back where you started,
Starting over again,
With a pen in your hand
The words crowding your head.

Gotta jump and tumble
To the jiggle and flow
Of the individualistic,
Unrealistic,
Even cannibalistic

Creations that grow.
From your stylus,
Rife.

Words.

They're the stuff of life.
I recall the faux weddings
That youth had adorn.
We were something like five or six,
Playing in her attic.
They had setup
A whole play marriage altar
Out on the back lawn.
My "bride-to-be"
Was dressed in her attire properly,
White veil & everything.
We had often played at house,
But never at matrimony.
It was always explicitly implied,
In such games,
That we were already married.
I did, she did -
You may kiss;
Sweet pronouncement!
Just as with half of all marriages,
We eventually grew apart.

Maybe it was the economy,
Maybe it was our goals;
Maybe it was because we were children,
Maybe because it was just for fun.

I still remember picking for eggs
At her home on Easter.
Nat Lipstadt May 2015
from the beckoning nookery
a firework sign comes,
a warning bow shot
of summer commencing,
the ever present
natural elemental companions
sun, sky, water, earth and wind
in unison,
their voices commanding,
calling out

write!

poet has painted this vista~poem
so so many times,
all is as before,
yet nature's sirening,
   a compulsed fierce fire catcall
poet once more,
endeavor,

write!

poet resists
for all seems a priori,
impossible to change his older visionaries,
defending himself to them

"all is before"
(except for the poet)

the Nookery is
the poet's corner,
self-proclaimed,
in soul warfare taken,
oasis of composition,
truthfully, a
confessional
seclusion salvation place,
within it heard only
the voices of
twinning earth and water,
sun and sky
striking poet's fomenting
heart~throat beating chest

other poets have been invited here,
for their solacing arrival
this poet attends,
perhaps only  together he thinks,
two poets with luck,
in contra-unison can devise
new ways of capture of  the
unceasing harmonies,
unnaturally eternal
ripened to perfection,
a constancy of hope,
in the unchanging, island setting

river and bay breeze,
sun-warmed waters
bring to him once again as in the past,
Shaker Melodies of West Side Stories,
Air adagio's of rock and roll anthems,
Pachelbel's Canon

this, nature's subtle way
of edging him on,
beseeching the poet

sit, rest,
one more time
upon the Adirondack wood worn throne,
pluck poems from us,
about us

write!

the environmentals,
so persistent -
refuseniks of the tyranny
of the past shout

lay us down to sleep
on coverlets of refreshed verse,
ours to keep,
when to the must of the city,
you
must

the poet,
contented
with the written word of
what has long ago
been removed from him,
fears plumbing yet again
the unoriginal error of repetition,
a sin of cardinals and small minds

the unrepentant wind whips
insistent,
seering sun shines
consistent,
water waves lap speak
one continuous shushing sound
persistent,
all together
demanding, non-stopping,
new homages and sacrifice
deny past connectivity

all is not as before
maintaining, complaining
(even the poet)

poet sees
the elements,
sees that all appear similar
in last year's' form,
and the year's before,
lacking the comprehension
of subtle modifications

eyes uncircumcised
see harder, look closer,
perceive
new combinations of
varicose veined blue shadings
in the waterways and the
fresh waving-hello colored whitecaps,
updated saluting salutations
quite like those of
friends past, rewelcoming him,
more real
than the error of self-delusion of
unchained unchanged
all, nothing
is as before

these waters molecules
have never been here before,
newly flowing nouvelles arrivées
from the South Seas and Antartica,
the Yangtze and the Amazon

today's temperate breeze
so adamant,
boasts of having come here first time
from cold Canada,
or balmy Bombay,
melting as immigrants to his sheltered island

all speak now in
new tongues, new accents,
all a collective
here,
come to me,
all the same quest

write!

the sun same,
yet newly born daily
burnished with a forever glory
send fresh light
to the poet's eyes,
each ray politely suggesting,
this summer's novice poet,
pay them
poetic obeisance dues,
and

write!

all is as surface as before,
but all have changed,
new summer, new elements,
decay wiped away,
man~poet must now speak too,
using uncovered new verbal molecules,,
recreating the ineffable solace
of a new summer
brought to him in the guise only of
familiar friends

all of us
have changed,
though seemingly minimally surficially,
Poet,
self-taught,
acknowledges, he too
evolves

it is this tale then,
the poet proffers
as his first serving of
summer-only fruits,
owning up now,
though man and nature
revolve in planetary unison,
all things change,
even the poet,
when in nature's nookery,
his compulsion
is sun blood heated,
and
skin breathes differently
in the nookery,
his natural old time, revival tent

happily now, he weeps
in tenderest of embraces,
when old, familiar
changelings
charge him

write!

Shelter Island
May 2015
Craig Harrison Mar 2014
When you say I'm not a proper man, what am I then?
I read and write, I like poetry and I like romance
I might not like fighting or drinking like most men
but I'm not ashamed to admit that I have feelings and I'm not scared to express them

I like to watch ballet and listen to Opera
I like a bit of Mozart and some Beethoven
one of my favorites is Pachelbel's Canon in D
I think it's right when a man gets down on his knee

I believe in love, princes and princesses
I watch films like The Notebook and The Lake House
I like walks on the beach and watching the sun set
and I get scared when I come in contact with a threat

I like antiques and museums
I like art and shopping
So I might not be the same as other men
but if I'm not a proper man what am I then

I like football, I like fast cars
I want to take a trip to the planet Mars
I don't like cleaning, I've never had my nails done
I like women and I've always wondered what it'd be like to shoot a gun

So if I'm not a proper man, what am I then?
This is the second one, I hope you like it.
undefined Dec 2012
when Pachelbel makes me want to fly
and I never finished packing, but did burn
all my writing for heat last night
to make it through
just me, my guitar
and youth

if truth was what we seek then
I'd lie to you in breach with
words that make you smile
and ease a need for trials
like a preacher spouting
Van Gogh in syllables
I leave you
impressions
smilingly  
sunny
... just writing you
ThonyRome Apr 2018
The fingers run over black and whites,
while strings are drawn by bow in tights.
The ducts overflow as my heart swims
unto pleasurable heights that never dims.

The sound the Canon of Pachelbel brought,
a memory outside of time in heavenly thought.
A rhythm crafted by angels where harmony lies,
seared into my soul’s entity in euphoric paradise.

The harmonious instruments in waving chorus,
summoning the days when my heart is joyous.
The feel of her hand brushing my once little head,
the love that she cast upon me in words unsaid.
Maggie McLeod Nov 2011
Only through
death
will your silenced words speak as
loud as you wished they would.
That's the only time people will
listen.
The message you’ve been
aching to get out
all your life
will only be recognized after you’re
gone.
It’s the
only way.
So maybe
that’s why people die young.
Although their voices are
already silenced, but in a
different way,
they realize that the
only way others will listen is through
permanence.

But isn’t it funny;
You won’t be there to witness your
recognition, your
fame.
Just like
Sylvia Plath,
Edgar Allen Poe,
Emily Dickinson,
Vincent van Gogh, and
Pachelbel’s Canon.
Look at all of this
recognition, this
fame they got.
All AFTER the tragedy of their
deaths.
Nobody cared to
pay attention at first.
But now that they’re
gone,
it’s all
so much more valuable.
Oh, the irony.

But I think it would be
worth it, at least for
me.
It would be
bittersweet, and it would be
tragic.
All of those people that
hated me, they would
finally feel remorse.
HE would realize what he
could’ve had.
Finally, people would
appreciate me.
Finally, I would be
loved.
Missed.
Noticed.
It’s all so
selfish, but
I’m allowed my
guilty pleasures...
right?

All I want is to be
loved.
No matter the cost.
TOD HOWARD HAWKS Apr 2021
I am one with sensibilities of an adagio. There are few things
I cannot describe with words. A beautiful adagio, I think, is one
of them. Its beauty is ineffable. All are musical poems, but one
is tinged with sorrow. I am thinking of Barber's ADAGIO FOR
STRINGS. PACHELBEL'S CANON, on the other hand,
is gentle and evocative, as is Albioni's adagio. You're sitting on
the sofa holding your sweetheart in your arms listening to
Bach's AIR ON THE G STRING as you give her a sweet kiss
on her neck. You dim the lights. Vivaldi's GUITAR CONCERTO
begins to play followed by Marcello's ADAGIO IN D MINOR
and then you give her another kiss, this one on her lips. It's
getting late, but there's still time to absorb the exquisite PAS DE
DEUX by Tchaikovsky from the NUTCRACKER. Now she
kisses you, not once, but many times. You slip in Beethoven's
MOONLIGHT SONATA, Debussy's CLAIR DE LUNE, Satie's
elegant TROIS GYMNOPEDIES, and Chopin's PRELUDE,
OP. 28, even though they are not adagios, but because they are
etheral. And before you and she go to bed to make love, you listen
to Rodrigo's CONCIERTO DE ARANJUEZ FOR GUITAR AND ORCHESTRA. No better foreplay exists.

TOD HOWARD HAWKS
Victoria Jun 2015
Intuition deciphers the kiss,
And a misplaced hand on my thigh
Conjures the nights I missed,
It's been two-hundred centuries,
And still, intuition deciphers the kiss

I know his kind,
He's the sort of boy
Who reddens white roses,
All the while, fifty-miles away (by train)
His "true love" supposes,

I recall the taste of summer,
And he tells me it's winter,
Through Pachelbel's Canon, I am ******-eyed
And he tells me I haven't realised
'Cos I have not been Spiritualized,

I know his kind,
He's the sort of boy
Who bores with unfathomable proses,
All the while, with him I stay,
As my "true love" supposes

The space between him and I,
Dwarfs the Grand Canyon,
It warps and shrinks then unfolds
Wider than ever before,
For every three steps I take,
It becomes apparent
That nothing has changed
Claire Apr 2018
II.
He ambles up, plunks
his oxygen on the counter.
I notice his veteran's cap
when my eyes flick up to
greet him. He unfolds his
money with long, careful
fingers. "You like the music?"
He asks me. Pachelbel's
Canon in D plays softly
on the radio. I do, and
I tell him so. "Pachelbel,"
He says, half to himself,
then adds, "Only thing I
don't like about him is
when you've heard the first
few measures, you've
heard it all."

— The End —