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Robert Zanfad Dec 2013
there's a fat plastic tube taped sub-clavian carrying ruby fluid
from a clear bag that hangs overhead
draining mysteries of modern alchemy
into your body, its lifetime measured, silent droplets
inside a hermetically sealed hourglass we can only watch, not touch
but they don't change you

by protocol your nurse wore her nitrile gloves doubled-up
lest she get this stuff on her fingers - it's toxic -
advised you to flush the toilet twice,
making certain to eliminate stray molecules that might
be exposed to sitting innocents

i should be in the next chair, holding your hand

we might share complimentary raspberry danish,
stare at a silent TV on the wall
as it broadcasts flashing pictures of calamity from
the latest war or storm savaged country
but we’ve been living there for years already
our home not populous enough to draw serious media attention;  

we’d wrestle sips of anemic coffee from free paper cups
yours going into a red can when you've finished
because that brilliant color insinuates itself into saliva, eventually
as it does to blood and *****;
i could take mine home

i'd read moving captions at the bottom of the screen
to know what's going on in the images
while you'd feign interest in this tedious world and remind me, again,
how life is tenuous

ask me the name of that dripping liquid just to see if i was listening,
an appellation alien - if life were fair it would be easier
but i’d get the pronunciation wrong
maybe it could be a French word i remember reading to you from a menu in Paris
we might paste it thickly, soft cheese onto torn chunks of baguette
savored between sips of cabernet from long stemmed glasses;
pronounce it “good” as if we could own it

****** and gigolette -
we’d stolen the whole earth that moment,
grinning like a pair of cat burglars at a cafe table where i'd held your hand
but here we are, old again, bitter enemies
for the moment, i'm glad for Ativan and Motrin,
the only names i can remember from your tray of saltines and ginger ale

instead, i'm sitting alone at home with cigarettes and bourbon,
more congenial poisons
staring at a white, unmoving ceiling, pretending I’m working
we're like that, you know, tug and tow - where you go,
i'm heart-bound to follow
Doctor Jack insists i'll live much longer, a little sicker after
i might adjust expectations for a worn-out liver, headaches,
possible blood pressure elevations; short warnings written on the label

while yours smile, with more tricks than carnival barkers
they say, now, a handful - or only two - more tricks up their sleeves,
the grinning, white-coated thieves
Jack smiles, pats my hand, a warm man

smoking is prohibited in the clinic
i'd hang from the window ledge to get the next nicotine fix,
but it won't open to alive, mowed grass outside -
these proceedings always sequester hidden behind curtains in private,
a secret art of undertakers doctoring flesh to look still-living,
love making in mid-evening darkness we've long forgotten

i’d draw deeply chemically-treated air, forget it’s now happening
remind myself a paternal need to stay healthy for survivors
while trying to avoid living in midst of your horrors,
a preoccupation that subsumes my mind

if you’re right - and you always are - how could i bury you?
when the dog died,
i dug her hole in our garden myself, deep through tree roots to bedrock,
then beyond, depth a measure of devotion;
carved a stone with my own fingernails, her name in a crossed heart
and we two cried like shivering babies
as we shoveled all the dirt back in to cover her

these are words of a weak man, selfish ******* that i am
and really, all of life's slumped over in my lap right now,
just this little girl sleeping
but i should be in the next chair
if you'd only let me sit there
again
Self-Examination
Check your vitals

Snap the Nitrile
Up to the elbow

we're gonna stretch and
pull the protector down.

Play an Avant-garde film
no sound, but

I noticed
you spoke it

credits were rolling'
down your cheek

nothing certain but death and taxes
left handed laughing' laxatives
In the coffee of mothers
Who pump out politicians.

This year You scavenged for Christmas
a life worth living
by killing intuition

stash it
in an Easter basket
in silicone lashes

push the ashes together
then burn the mattress
That's the sand.

through fingers, you make a fist
3rd grade principal

pulled you from detention
In a stretcher

white royal flush in the trenches
You fought to be human
all you needed was
a breath of attention

who said you could end it
win it, prescription of tribulations

from whatever God you'd scavenge for Christmas
he put you through it

all the abuses
habits

black and white canvas
silent obscuring angles

You're more than mannequin

who prayed for this madness
who pays for the therapist
If you even have it
who kept you out of church
And into church basements
writes the book of curses
force fed sedative

Says he went to college.
His Suit is stained in coffee
Yet you're the burden with the vices?

The film is over
the light flickers darkness
we sit in the coffin

smoking' and screaming'
blood is flowing, but there's

no fire
we're just speaking'

what happens after 3AM
witching hour that one scene

when the camera angle was
blurry.

it spoke to me
said self examination can't be

latex
you gotta s
nitrile

they're cut resistant
cover five fingers

not just one appendage.
Blue hands protect you

more than a stranger
so button your blanket

take down the black curtains
sun was always shining,

closed it
to blurry our focus

could take our Macguyver theater
wallpaper canvas stretching

hit us in the temple
like a parshah

finished another session
the blessing of human language

the messenger
malakh, without expectation

we fumble to understand
Scalpel in hand,

ventricle in tact
we're just holding' a feather pen
stick our hands in the past

take a look in the mirror
And write it all down.

https://soundcloud.com/nicholas-coulombe/self-examination
Original Freestyle Recording of Nicholas Mercier Coulombe's poem" Self-Examination" in his car over the Chillhop song "It's Ok" by Yuutsu off of the Album Transience. [BEFORE REVISIONS]

Album Art by Rush Brown


Updated Poem Below
as of: 9/21/18
---
Self examination
snap the nitrile

blue gloves up in your ventricles
grab a *******

or two
we're gonna stretch and

pull down the protector
3,2,1 avant garde

no sound, but your life was hard
I noticed

you spoke it
credits were rollin'

down your cheek
so you smoked it

and laughed at
nothing certain but death and taxes

laxative breakfast served
a generation

you miss it you miss it
a life that hurt because you

scavenged for Christmas
the little blessings

a life worth living
by killing optimists

penetrating defense
to pillar high with indifference

to intent
now you can't ascend

you stash it
in Easter baskets

in sillicone lashes
push the ashes together

then burn the mattress
dust to sand

through fingers, a fist
3rd grade principal

pulled from detention
a stretcher pulled you

white to trenches you fought in
when all you needed was

a breath of attention
who said you could end it

win it
prescription of tribulations

from whatever God you'd scavenge for Christmas
he put you through it

all the abuses
the habits

the black and white canvas
silent obscuring angles

of mannequins
30 seconds of a dancer

who prayed for this madness
who pays for the therapist

who even lets you have it
who kept you out of church

and into church basements
who writes the book of curses

that force fed you the sedative
given by laxatives

that say they went to college.
their Suit is stained in coffee

Yet you have the vices
The film is over

the light flickers darkness
we sit in the coffin

smokin' and screamin'
blood is flowing, but there's

no fire
we're just speakin'

what happens after 3PM
witching hour that one scene

when the camera angle was
blurry.

it spoke to me
said self examination can't be

latex
you gotta get nitrile

they're cut resistant
cover five fingers

not just a lover
a stranger

they protect you from more than danger
so button your blanket

take down the ink curtains
sun was always shining,

closed it
to blurry focus

could take our macguyver theater
wallpaper canvas stretching

hit us in the temple
like a parsha

finished another session
the blessing of human language

the messenger
malakh, without expectation

we fumble to understand
Scalpel in our hand,

ventricle in tact
we're just holdin' a feather pen

talkin' in white and black
we stick our hands in the past

take a look at examination
then take a look at our self.
david mitchell Jul 2022
hair tied with
a nitrile glove cuff
carved a sacred space adorned with muffled tile
porcelain throne pod amongst the ruckus
hohumdrum gods stampeding towards
a visionary empty meeting with screens
greeted with massed bodies, butter, and dust
the divine light behind the porthole still shines
even as crowds continually shuffle forwards
backwards and past, that bouquet of projection rays
remains sheening with eye to light machè heaven
until thunderous overstrokes over indulge and begin
to over and undertone every feather upon ears
resignation of a certain kingship upon standing
and yet wealth of ethic remains demanding
so, stand.
it is what it is. sometimes you have to **** at work, sometimes you aren't excited to stop.
Del Maximo Dec 2011
ingredients were chopped
cleanly, neatly
with care
cutting tools were pre-sterilized
and pre-packaged
then wiped clean after use
he arrived in blue scrubs
and donned blue nitrile gloves
for mutual protection
it had been a while for her
her nails were long
she sat in an easy chair
with her feet up on an ottoman
a towel was spread before he began
to make clean up easier
the scent of an alcohol wipe
wafted as he worked
little did he know
we would finish what he started
after he left we gathered up the clippings
thick and fungal
we put them in a *** to boil
with sautéed celery, onions and seasonings
salt and pepper to taste
hmmmmm...delicious, home made
toe nail soup!
© December 7, 2011
Abigail Ella Sep 2014
I belong to the Church of Goethe,
where on the sabbath we
remove our nitrile gloves
and ****** up our means and trends and hypothesis
to rinse them with metaphor.
coming always hungry,  we feast on leavened conclusions
and look to the sky through many a lens--
having traded brushes for pens, pens for brushes
to paint and compute a new sort of hymn
and not in unison, but in harmony
sing: this is religion.
T Jul 2018
Beet crumbles clinging to the hand in mine brush off familiarly between our fingers.
A sight for sore eyes evokes memories of a time where calloused hands created palettes, wroughting elements together over the canvas of faultless white platters. The pang through my soul twinges inward at the pruneyness of my nitrile stifled hands, echoing stymed passion. I envy how you still get to curate palates wholesomely from the roots.

My watch chimes over reminiscent conversation admonishing us of our obligations.

I like to think that in another stage of another life our passions will cross again.  Just as I hope it will in this one.

— The End —