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From low to high doth dissolution climb,
And sink from high to low, along a scale
Of awful notes, whose concord shall not fail;
A musical but melancholy chime,
Which they can hear who meddle not with crime,
Nor avarice, nor over-anxious care.
Truth fails not; but her outward forms that bear
The longest date do melt like frosty rime,
That in the morning whitened hill and plain
And is no more; drop like the tower sublime
Of yesterday, which royally did wear
His crown of weeds, but could not even sustain
Some casual shout that broke the silent air,
Or the unimaginable touch of Time.
We are as clouds that veil the midnight moon;
How restlessly they speed, and gleam, and quiver,
Streaking the darkness radiantly! -yet soon
Night closes round, and they are lost for ever:

Or like forgotten lyres, whose dissonant strings
Give various response to each varying blast,
To whose frail frame no second motion brings
One mood or modulation like the last.

We rest.—A dream has power to poison sleep;
We rise.—One wandering thought pollutes the day;
We feel, conceive or reason, laugh or weep;
Embrace fond woe, or cast our cares away:

It is the same!—For, be it joy or sorrow,
The path of its departure still is free:
Man’s yesterday may ne’er be like his morrow;
Nought may endure but Mutablilty.
Raven Jan 2019
"Do you have a lighter? Am I dancing **** yet? Are you watching me because I move alone?"
Well, look a little harder, because as glass reflects on me I reflect back revealing the other side of me.
Two-sided.
She dances with ease.
Do you feel the pain because it's pain that I unleash.
I am the inner workings of your mutability.
I switch up as I am never at true peace.
Look at me, watch me...
Feed on me as I feed onto you.
The perplexities of my intentions are at it's core when I move.
Lost, but just a crazy ***** with the master ability to play with your mind baby.
Do you see it?
I do.
And she's nasty.
Taste her, lick her, **** her.
She's the dark side of me and she's waiting to play.
Tear me up like I'm your doll and grasp onto my insides like the strings have been attached so the grip cannot lose itself in your sins of your sinful embellishment.
Dress me up, move me.
You are my puppet and I only want to tease your mind.
**** me like a twist of your mad insanity.
Play with me.
Taste me, and watch me because, I move alone.
Distance brings proportion. From here
the populated tiers
as much as players seem part of the show:
a constructed stage beast, three folds of Dante's rose,
or a Chinese military hat
cunningly chased with bodies.
"Falling from his chariot, a drunk man is unhurt
because his soul is intact. Not knowing his fall,
he is unastonished, he is invulnerable."
So, too, the "pure man"-"pure"
in the sense of undisturbed water.

"It is not necessary to seek out
a wasteland, swamp, or thicket."
The opposing pitcher's pertinent hesitations,
the sky, this meadow, Mantle's thick baked neck,
the old men who in the changing rosters see
a personal mutability,
green slats, wet stone are all to me
as when an emperor commands
a performance with a gesture of his eyes.

"No king on his throne has the joy of the dead,"
the skull told Chuang-tzu.
The thought of death is peppermint to you
when games begin with patriotic song
and a democratic sun beats broadly down.
The Inner Journey seems unjudgeably long
when small boys purchase cups of ice
and, distant as a paradise,
experts, passionate and deft,
hold motionless while Berra flies to left.
The awful shadow of some unseen Power
Floats through unseen among us,—visiting
This various world with as inconstant wing
As summer winds that creep from flower to flower,—
Like moonbeams that behind some piny mountain shower,
It visits with inconstant glance
Each human heart and countenance;
Like hues and harmonies of evening,—
Like clouds in starlight widely spread,—
Like memory of music fled,—
Like aught that for its grace may be
Dear, and yet dearer for its mystery.

Spirit of Beauty, that dost consecrate
With thine own hues all thou dost shine upon
Of human thought or form,—where art thou gone?
Why dost thou pass away and leave our state,
This dim vast vale of tears, vacant and desolate?
Ask why the sunlight not for ever
Weaves rainbows o’er yon mountain-river,
Why aught should fail and fade that once is shown,
Why fear and dream and death and birth
Cast on the daylight of this earth
Such gloom,—why man has such a scope
For love and hate, despondency and hope?

No voice from some sublimer world hath ever
To sage or poet these responses given—
Therefore the names of Demon, Ghost, and Heaven,
Remain the records of their vain endeavour,
Frail spells—whose uttered charm might not avail to sever,
From all we hear and all we see,
Doubt, chance, and mutability.
Thy light alone—like mist oe’er the mountains driven,
Or music by the night-wind sent
Through strings of some still instrument,
Or moonlight on a midnight stream,
Gives grace and truth to life’s unquiet dream.

Love, Hope, and Self-esteem, like clouds depart
And come, for some uncertain moments lent.
Man were immortal, and omnipotent,
Didst thou, unknown and awful as thou art,
Keep with thy glorious train firm state within his heart.
Thou messgenger of sympathies,
That wax and wane in lovers’ eyes—
Thou—that to human thought art nourishment,
Like darkness to a dying flame!
Depart not as thy shadow came,
Depart not—lest the grave should be,
Like life and fear, a dark reality.

While yet a boy I sought for ghosts, and sped
Through many a listening chamber, cave and ruin,
And starlight wood, with fearful steps pursuing
Hopes of high talk with the departed dead.
I called on poisonous names with which our youth is fed;
I was not heard—I saw them not—
When musing deeply on the lot
Of life, at that sweet time when winds are wooing
All vital things that wake to bring
News of birds and blossoming,—
Sudden, thy shadow fell on me;
I shrieked, and clasped my hands in ecstasy!

I vowed that I would dedicate my powers
To thee and thine—have I not kept the vow?
With beating heart and streaming eyes, even now
I call the phantoms of a thousand hours
Each from his voiceless grave: they have in visioned bowers
Of studious zeal or love’s delight
Outwatched with me the envious night—
They know that never joy illumed my brow
Unlinked with hope that thou wouldst free
This world from its dark slavery,
That thou—O awful Loveliness,
Wouldst give whate’er these words cannot express.

The day becomes more solemn and serene
When noon is past—there is a harmony
In autumn, and a lustre in its sky,
Which through the summer is not heard or seen,
As if it could not be, as if it had not been!
Thus let thy power, which like the truth
Of nature on my passive youth
Descended, to my onward life supply
Its calm—to one who worships thee,
And every form containing thee,
Whom, Spirit fair, thy spells did bind
To fear himself, and love all human kind.
Carlo C Gomez Mar 2022
jaeger.
chasseur.
foxtail.
seduction of fascism in mind,
like tumbling autumn leaves
ever and always
on the steps of a country house.
always and ever
just outside the aix-les-bains dance hall.
his blousy new bride
and her old lover
aware of his sympathies and
  the danger he presents to them.

jaeger.
chasseur.
foxtail.
seduction of fascism in mind,
ever and always
on a deserted alpine road.
always and ever
one trail of blood,
remnant of the preyed upon.
she screams against the glass,
quiet devil in the backseat
haunted by the disorder
  of his own mind.

eyes opened to
his own mutability.
alienation is immanent,
bred in the bone.
a desperate need for gravitas,
built upon vaporous credulity.
and she is pursued through the woods
ever and always,
through iridescent fields
always and ever,
until finally in his crosshairs
  she falls.

those like him have not suddenly
vanished from the earth, but
  are merely lying in wait.
Blair Griffith May 2012
Topped in decadent
Impermanence,
Fleeting, ephemeral truths
As to composition, weight,
Significance of aromas
Precision and remain
La clé du succès

And yet, Middling amongst these
Quantities of victory, the variable,
The individual, whose own mark
Shall define that meticulously crafted
Breeze of leaves, mosses, and tree bark

Based in such mutability, Shelley himself
Might wonder why it is
These artistes de parfum
Create as they do.
Tom McCone Aug 2015
the moon had a fingernail-split underline and
there, in small heights, you could hear the sea
from anywhere. the lamps cast shadows from
objects that were, and are always, beautiful and
ugly. a lone soft life, calling, from out over grass
& then in, rippling through the curtains.

and, there in my bones, was the familiar ache:
the vastness of the ocean, its comprehensibility
appearing only in glimpses as each other fibre
untangled. little warm dissolution. comforting
tiny mutability of the world, and all its associated
weights. laid down in so many russet fields, was
each time-kept glance, gone-stale motion,
fervent belief, or undenied hope:
the breadth of humanity
lay, still.

the world was and is and will, for ever, be
the backlit glow of sunrise over a picture-book
we chose colours for, and reference, followed
by names and indices: here, the paint peeling,
the rain, settled on long grass outside of the kitchen,
the undiscoverable full fear and joy of living,
the cluttered expanse of patterns in the chaos.
the light we only see with half-open eyelids, as
the skyline burns from ahead or behind.

and i firmly insisted i was lying or
standing here, that my eyes were
closed or lying to their ordinance;
that there was nothing but more or
less to life, and that it was not my
decision, anymore, and sat cross-
legged in either sun or snow, and
it did not matter which, at all, for
i had no compass to find bearing, no string
to twist between fingerprints and tie
knots like milestones, just the lasting
impression of my own impossible and
shining inevitability. in the dust of river-
beds or the debris of sanctity, insects
broke down my flesh and the unbroken
rays of sunlight bleached my bones and
finally, all else burnt down& out, the
meaning of life precipitated from an
empty sky, running streams over the
cracked surface.
                              the soil set to loam,
and the dried roots engorged, so swollen
that gravel once again became sand, and
canopies burst from everything: in the
array, in my emptiness, there was still
nothing to know, and my ferned jaw
turned upwards to know, as part of all,
that i, too, was meaning, and i woke,
on a park-bench,
in the streams of the momentary dawn
that punctuate the endless night, as
a mother puts child, sweetly, to rest.

so, finally,
hook was cast into sea or
pick was cast into ground and
life, in its infinite meaninglessness,
struck another second-hand and
bundled its arms tight around,
in this season without relent.

and i, at once, knew:

for all the stars, stuck in that firmament,
or cloudlines, unalgebraically shuffling
against that paling blue, those i'd been lost in;
the uncountable nights and days spent toiling
in bliss and woe, for each unfurling front,
i was not forgetting a single iota, but
simply recollecting all i'd so long lost.
out where dawn and dusk touch lips
Reading a slim book of poetry
Of life and it's mutability
Poems from inside of
A safe, cosy middle class cocoon
The words have no sharp edges
To burst the balloon
Poems about flowers
To while away the hours
Between the visit of the vicar
And the next *** of tea
Not poetry for you and me
Or anything like reality
Poetry as a gentle hobby
Like baking
Or flower arranging
Not poetry from the gut
That comes​ raging
Like fists planted upon the page
Poems of love or loss or rage
But tenderly placing
Each word on the page
Like a delicate flower to be arranged
I don't hate the woman
Who wrote this stuff
For her this obviously is enough
I envy her easy life
It's lack of struggle
It's lack of strife
Perhaps one day it will be me
Writing of such superficialities
When I'm fat, well fatter
Rich and content
And all of my life- force has been spent
I will sit in my garden and smell the flowers
Then while away my hours
On my hobby, writing poetry
Between the visit of the vicar
And my next *** of tea
vircapio gale Aug 2012
words signifying nothing
                             call questioning into question,
                                                       ­         make vociferous doubt a ruse
                                                            ­                                               played upon itself;
the diversion of division appears,
                                         an emptiness clothed with fullness,
                                                       ­                               the semantic womb called void.
there lies a trans-truth
                             between truths our grammar cannot harness,
                                                        ­                                    and a 'meta-truth' we imagine.          
trusting in the world that spoke to us,
                                                           we speak,
navigating riddles with nascent symbol-shifting
                                                 ­                   beyond speech,
                                                         ­                         revealing the artifice of words
                                                           ­                                                               an­d the mutability of true thought.                                                
to encompass only by dividing the always-already encompassing~
in gathering this,
                      there hints a ceaseless gathering
do you feel me?
Jonathan Finch Feb 2017
A neat disjointing:

Frost pricked by heat
melts; the rut of stone
jags at the eye no more.

A universal harmony
creates unnumbered stems:
the earth was never ******.

Condoning the green
mutability of things, he corners
baby pheasants (**** and hen calloohing in the scrub),
twists at the neck. Their eyes
pop with surprise. The good earth
will maintain this spawn gone wrong two ways.

He does not hear the clapping wings,
the hawk big with the misery of things.
about cruelty & sadism
in "Poems People Liked (2)"
ConnectHook Apr 2023
With a host of furious fancies
Whereof  I am commander,
With a burning spear and a horse of air,
To the wilderness I wander
.

                                    Tom O’Bedlam

Born of tobacco, borne on air,
Heeding the piper’s fragrant call,
Rising, as they lose their form
Circles waft aloft then fall
Shimmering ghosts of dead ideals
Magnificent in their demise
(Unlike most human enterprise.)

Wraiths emerge, phantasms form, mutating, dissipating; organic ephemera swirl and dissolve, interpenetrate in airborne Eros, a pas de deux to the power of three, wherein polylectic philosophy is revealed as a dissolving circle:

Rings must rise. There are fires to stoke:
An unnameable emotion
Mutability in motion…
Pipe enthroned in seraphic smoke.
The glowing altar: an abyss
As coals illuminate the dark
The wicked burn: a smoldering spark
Below the briar’s rim, a hiss . . .
Omniscience, celebrated, burns
To send forth children on the air
While grace eternally returns
Specifically to . . .  everywhere.
Exhaled, philosophy’s sad ghosts
Bow down before the Lord of Hosts.
Batchelor Apr 2020
Beauty** :
A lapse in judgement brought to life.

(Some actors in the story bear resemblance to what we imagined lost)


Lust  :

A soft growl into a low roar.

(Come here often?)



Rage  :

The cacophonous tears of grief turned into fuel for fire.


(You cannot possibly understand the hate I have.)


Joy  :

Their faces turned up just as quickly as their skin prickled, and their eyes shone with primal brilliance.


(Smile.)



Bitterness  :


The hard, long gulp going down your throat as you feel yourself slowly choking.


(Her uncertainty led to such)



Acceptance   :


A man who thought he had everything under control, and realising he doesn't.

(Nothing ever, stays the same.)

Sadness  :


A mourning dove.


(Looking at you through the glass)



Grief  :


Head down, arms raised towards the sky.



(But all I want is you.)


Her  :


The intensity of fire, with none of its ire.
The promise of earth, without diminish.
The mutability of water, yet soothing.
The vastness of air, and space for us.
Our basic space.
"A little more
Every day
Falls apart and
Slips away
I don't mind
I'm okay
Wish it didn't
Have to end this way"

July 2017.
bulletcookie Apr 29
How  fleeting the sandy grains that drop
through narrow remembering of yesterday
ephemeral flowers that graced a table vase
now dehydrated still life, garden scattered

How the vaporous past presumes the future
lensed by present reflection’s myopic trust
further receding into hammered glass icons
erected edifices to a longing life portrait

Unpredictable, unstable, a butterfly vortex
arising from a bottle of smokey possibility
constant in ever capricious choice and predictability
a mutual mutability of then and now’s  protean toss

-cec
4/29 - NaPoWriMo -  Taylor Swift has released a new double album titled “The Tortured Poets Department.” In recognition of this occasion, Merriam-Webster put together a list of ten words from Taylor Swift songs. We hope you don’t find this too torturous yourself, but we’d like to challenge you to select one these words, and write a poem that uses the word as its title.

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