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"magentas" poems
Even plastic collects dust Bright fibres of pink become dull magentas From the countless years and endless days of Still life Sharp lines and smooth contours of artistically machined plastic toys become fuzzy as hazy dust Piles Heaps And overflows From one Single Fact Inactivity? Unappreciated worth? Discontent? Laziness? No None of these The dust collects Piles Heaps Even overflows From USELESSNESS The things that the dust is attracted to That the dust clings to Are the things that in comparison to the things that are imparitive to our existance and our health Are useless Are plastic
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Nov 23, 2014
Nov 23, 2014 at 5:34 PM UTC
Of Plastic and Dust
You told me that the stars were your best friends. That you paint the twilight sky midnights and crimsons and magentas. That each comet tail was a strand of your fallen hair, torn away by your tender fingertips, and that each meteor was a bit of you shedding your broken skin. You screamed to me that there was life, beyond our little self-aware planet. That you had met them all, shook their hands, kissed their babies. You were appreciated, not like home. They loved you. Plutonian dollars held your face, and Pluto was, indeed, a planet- noted, and you screeched; Your favorite, in fact. You told me you were God-- and your eyes those blank, lost eyes, they shone with your smile for the first time in the infinity of the universe. You believed yourself, and I couldn't bring myself to deny your honesty. You can be my God, if it makes any difference.
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Jan 12, 2014
Jan 12, 2014 at 4:56 PM UTC
Honesty
In anticipation of the too-few precious hours in tandem, we divulged our carnal cravings at each others’ hands, but omitted fragments, saving them for some other day, finding them too truthful. When you hold your body to mine, as you have told me you will, I want a flurry of colored breath, peach and magentas and crimsons slipping translucently from every part of me and wafting in and out and between us like a graceful fog, and not just the force of fingers that have waited too long to touch, but the electrostatic brushes of life’s restlessness falling slowly into their own gravity as we learn to trust the moment. Our lips are full of nerves and that is why a kiss is so much more than symbolic. I placed my lips to the skin of an orange and I was met with the sensuality of the whole terrain of this world. Intimacy then, is the slow press that reassures humanity – the invitation into a world with no walls – the rush of blood that comes from being completely receptive – that is the kiss I want with your soul. After all the epochs of lovers, these are all the same words, but they are lanterns bouncing across the plains and sparking anew in the way that the naive are always entranced by the lighter in their hand when they first learn how to light a cigarette, elated and dizzy from the ***** Twinkling. Sometimes all it takes is a breath and I am light and wind and red paper confetti and the moon and a golden orb that turns all it touches into a shining constancy of what’s called love – and I visit your heart knowing that you can’t tell it’s me, and then I must leave– and I know that I was not in my body, but that it must have kept existing while I was gone because I always wake up in tears, and someone had to cry them. Conventionality dies between us and there are no titles or promises to speak of. I once found security in labels, only to find that they leave no room for the inevitable growth and weathering of time. So I ask little of you – only that you are always true with me, and that you occasionally put your hand in mine.
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May 13, 2013
May 13, 2013 at 12:22 AM UTC
Your Hand In Mine
In anticipation of the too-few precious hours in tandem, we divulged our carnal cravings at each others’ hands, but omitted fragments, saving them for some other day, finding them too truthful. When you hold your body to mine, as you have told me you will, I want a flurry of colored breath, peach and magentas and crimsons slipping translucently from every part of me and wafting in and out and between us like a graceful fog, and not just the force of fingers that have waited too long to touch, but the electrostatic brushes of life’s restlessness falling slowly into their own gravity as we learn to trust the moment. Our lips are full of nerves and that is why a kiss is so much more than symbolic. I placed my lips to the skin of an orange and I was met with the sensuality of the whole terrain of this world. Intimacy then, is the slow press that reassures humanity – the invitation into a world with no walls – the rush of blood that comes from being completely receptive – that is the kiss I want with your soul. After all the epochs of lovers, these are all the same words, but they are lanterns bouncing across the plains and sparking anew in the way that the naive are always entranced by the lighter in their hand when they first learn how to light a cigarette, elated and dizzy from the ***** Twinkling. Sometimes all it takes is a breath and I am light and wind and red paper confetti and the moon and a golden orb that turns all it touches into a shining constancy of what’s called love – and I visit your heart knowing that you can’t tell it’s me, and then I must leave– and I know that I was not in my body, but that it must have kept existing while I was gone because I always wake up in tears, and someone had to cry them. Conventionality dies between us and there are no titles or promises to speak of. I once found security in labels, only to find that they leave no room for the inevitable growth and weathering of time. So I ask little of you – only that you are always true with me, and that you occasionally put your hand in mine.
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6
every year she cut the biggest and brightest keeping them in a brown bagged pantry to dry out reaching in to crumble them at season winnowing the chaff to wind like her mother and aunties before her back home in their island paradise a magical notion jostling seeds in slow motion looking like crests on the ocean neither too high nor too low broken petals fly free as seeds fall back of their own gravity the kids would come ‘round as projects kids do to watch and maybe try something new she would pass them an old melamine plate a small handful of crumblings to ply tossing and scooching to catch them again crimson reds and magentas lemony yellows monarch butterfly oranges violet and lavender purples crowning petals layered resembling elizabethan collars they caught the morning protected by snail and slug repellent people came from all around to admire her oversized zinnias occasionally picking one and running garden’s variety of dine and dash we gifted them to mourners small packets of zinnia’s seed extolling them as one of her favorites soil, water and sunshine all you need to sow and grow and watch the memories bloom
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Jan 27, 2016
Jan 27, 2016 at 3:57 AM UTC
HER ZINNIAS
If I could paint the skies I would paint it with the links of my mind I would paint it with cyans and magentas and limes Reds and oranges and yellows Blacks and greys and white All sorts of colours I would paint it with sorrow and happiness alike I would paint it with the voice of my soul alight I would paint the sky with my emptiness... And the result Would be the same night sky I see. Stars shining bright No hint of any other colour but The midnight painted with white spots. Galaxies invisible Shooting stars veiled The moon irrepressible The stars afield Their lights not powerful But gentle on the eyes Caressing the soul Of the weary and tired. If I could paint the skies... And if only I could, I would paint it all colours alike With a thick paintbrush Soaked in a water airy as can be... But, that is, If only.
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Apr 18, 2017
Apr 18, 2017 at 12:02 PM UTC
Sky painting
Greenhouse Scaling flowers A buzzing for pollen Pinks and magentas stroke the space Growing
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Mar 14, 2017
Mar 14, 2017 at 11:06 PM UTC
Greenhouse
for the false, convict, predilection for insane mumblings to cease into a void of hell, Nero indulges in the waters of the lethe, to forget life, the void, god. to burn our cities, temples, is to drink, but to eat. eat, mind you, the key to our temples, and dare not drink, least burn thy gods before unlocking their secrets, delectable enlightenment. eat, and let the void's blackness of death be lit with the magnificent magentas, mauves, and cyans, hue of inconceivable reaches of the potential of empty. the psychedelic ****** frolic and feel, pain sensual and dominating. to the banks with Nero and his abyss of black, let the cruel absence be filled with the blood of Nero, and the spectrum of our minds. eject that horrid emperor for your self and your self's liberation from yourself. the ego, burns with Nero, in the fiery waters of the lethe.
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Dec 4, 2014
Dec 4, 2014 at 4:02 PM UTC
Waters of The Lethe
Everyday we will smile and play Windows will shatter across our platters The morning will come and bid us hello As you can imagine everyday was fantastic All of a sudden the world came crashing Rivers overturn and tress were falling Echoing around me where sounds of animals screeching The colors slowly fadding Light cried goodbye, Night rose awake Now these forbidden colors washed into grays I try to tell everyone but no one listened blinded by their own injustice Green has been replaced by death and i try to bring them back to life all i have are ashes The world grows form the tinniest of seeds And blossoms into the flowers that captivates our sights We pull form the ground and we stop its life And for what? To see it die in a glass container in our house Forbidden colours of a field in full bloom But not anymore Greys have blocked the sky's light from reaching them The world is slowly coming to a screeching halt Winters are longer and summers are hotter I wonder if we will survive Forbidden colours Of ice in the north and south that are melting away Into the blues of oceans that are heating The rush of water that is filling our land into a swamp People try to fight against something they cannot control People will like to blame anything at all But themselves All of these colours fade away as we destroy their homes And become extinct Have filled the world with ash Dark and thick like ink Forbidden colours Of the ocean blue Magentas and purples of coral reefs Red of the uncut redwood forest Forbidden colours Of white mountain tops And cerulean of shining lakes With underground forest vibrating viridian Forbidden colours Meadows that flow of fushia and lavender Or fields of golden corn With the rich brown of dirt Forbidden colours Of our pink lungs not filled with industrial vile © Sofia Villagrana 2018
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Jun 2, 2018
Jun 2, 2018 at 6:15 PM UTC
Forbidden Colours
Everyday we will smile and play Windows will shatter across our platters The morning will come and bid us hello As you can imagine everyday was fantastic All of a sudden the world came crashing Rivers overturn and tress were falling Echoing around me where sounds of animals screeching The colors slowly fadding Light cried goodbye, Night rose awake Now these forbidden colors washed into grays I try to tell everyone but no one listened blinded by their own injustice Green has been replaced by death and i try to bring them back to life all i have are ashes The world grows form the tinniest of seeds And blossoms into the flowers that captivates our sights We pull form the ground and we stop its life And for what? To see it die in a glass container in our house Forbidden colours of a field in full bloom But not anymore Greys have blocked the sky's light from reaching them The world is slowly coming to a screeching halt Winters are longer and summers are hotter I wonder if we will survive Forbidden colours Of ice in the north and south that are melting away Into the blues of oceans that are heating The rush of water that is filling our land into a swamp People try to fight against something they cannot control People will like to blame anything at all But themselves All of these colours fade away as we destroy their homes And become extinct Have filled the world with ash Dark and thick like ink Forbidden colours Of the ocean blue Magentas and purples of coral reefs Red of the uncut redwood forest Forbidden colours Of white mountain tops And cerulean of shining lakes With underground forest vibrating viridian Forbidden colours Meadows that flow of fushia and lavender Or fields of golden corn With the rich brown of dirt Forbidden colours Of our pink lungs not filled with industrial vile © Sofia Villagrana 2018
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53
The American people are lotuses Grown out of the murk We’re periwinkle pretty, but we have residue on some of our petals And one could drain the swamp, but we’d still be in it, withering in the harsh sunlight They could select only the fairest lotuses to be preserved, but nature would be disturbed, mutated The indigo birds that drink our nectar would be betrayed Then they too would leave us And leave the aphids without prey In the absence of deep pink flowers nature would start to cave in on itself and white-hot turmoil would fester and procreate So invaluable to us is our gradient of flowers They were meant to be part of our roots, their magentas and mauves keep us balanced Keep us from turning over into the muddy water where sunlight cannot grace our petals.
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Feb 16, 2019
Feb 16, 2019 at 2:37 PM UTC
If America is a Swamp....
Firestorm The ticking stops And we look around, astonished To be in a forest, surrounded on all sides By charred trees Victims of wild energy At one time or another It is in this corpseyard That brilliantly colored Paper clues lazily drift Down upon the breeze To tangle in your hair And cover my eyes But not until much later Would I realize Had I opened them And not remained fearful Of these new lenses I might have seen through their voices The vibrant hues you brought with you But as is We merely circumvented the beauty Made our way slowly to the gates And, unknown to us The magentas and forest greens Wilted in the darkness As we left.
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Mar 28, 2011
Mar 28, 2011 at 12:00 PM UTC
Crazy
there's green all throughout the silver droplets, coiling about the warmth of powder-blues and roaring magentas. there's green all throughout the golden threads, winding around the jubilee of cream-whites and vibrant citrines. there's green all throughout the copper clays, swirling between the renewal of xantic petals and extatic lilacs. there's green all throughout the joyous weeping of spring.
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Apr 12, 2024
Apr 12, 2024 at 12:03 PM UTC
there's green all throughout
*1951 Manchester in The North West Of England The city was broken after the war. England had won it was said But it didn't feel like that we won. I remember the old smoke stained bricks of the inner city school. I remember it in sepia It had no colors back then. Nothing did. Until she came to teach us. She was beautiful her silks flowed from her like clouds. So many colors reds and magentas and pink and blues I looked at her and I wanted to be with her She was the brightest thing I had seen since the war had ended. She said she was from India. And her dress was a sari. She had my heart with the gentle softness of her voice. Her windchime bracelets on her lovely honeyed skin tinkled. But it was her tranquility that floored me. She would ask what have you learned today? share it with us. We spoke in a cacophony. Hush now children she whispered. listen and learn from each other. You will all get a turn. Then when we were troubled she would drop an important meeting with adult teachers. I have an urgent need to speak with one of my students She said. I remember once i said to her Mrs. Chowdhury. Why should we work so hard? there are no jobs anymore. She said softly but firmly I know you all each and every one of you. Her sari swished even louder I knew I had said the wrong thing. There is a teacher, a doctor, a nurse, a poet, a craftsman, a soccer player, just in this clas, i can see it, I Know this. Then she opened the old classroom  window. and the cool spring air filtered into the chalky room. The lilac perfumes drifted  into the room. What is that fragrance class? It is Lilacs, Mrs. Chowdhury, we sang in unison. Yes, it is lilacs children. Last year they all died with the winter storms. But now they are back as sweet as ever. The jobs died with the war. But they will be back. You must all learn as much as you can to take them. children. She never lost a single chance to teach us something. I get back to the UK every now and then . I am a doctor. perhaps the one she saw in her class so long ago. I call in to see her in her tiny retirement flat in Manchester. She pours me a cup of green tea. Into a delicate china cup. It is grown in the foothills of the Himalayas she whispers it is picked young. so fresh so nourishing. Never losing her chance to teach me something new. Now tell me what new things have you learned in America .?*
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Oct 14, 2016
Oct 14, 2016 at 6:16 PM UTC
Mrs Chowdury
*1951 Manchester in The North West Of England The city was broken after the war. England had won it was said But it didn't feel like that we won. I remember the old smoke stained bricks of the inner city school. I remember it in sepia It had no colors back then. Nothing did. Until she came to teach us. She was beautiful her silks flowed from her like clouds. So many colors reds and magentas and pink and blues I looked at her and I wanted to be with her She was the brightest thing I had seen since the war had ended. She said she was from India. And her dress was a sari. She had my heart with the gentle softness of her voice. Her windchime bracelets on her lovely honeyed skin tinkled. But it was her tranquility that floored me. She would ask what have you learned today? share it with us. We spoke in a cacophony. Hush now children she whispered. listen and learn from each other. You will all get a turn. Then when we were troubled she would drop an important meeting with adult teachers. I have an urgent need to speak with one of my students She said. I remember once i said to her Mrs. Chowdhury. Why should we work so hard? there are no jobs anymore. She said softly but firmly I know you all each and every one of you. Her sari swished even louder I knew I had said the wrong thing. There is a teacher, a doctor, a nurse, a poet, a craftsman, a soccer player, just in this clas, i can see it, I Know this. Then she opened the old classroom  window. and the cool spring air filtered into the chalky room. The lilac perfumes drifted  into the room. What is that fragrance class? It is Lilacs, Mrs. Chowdhury, we sang in unison. Yes, it is lilacs children. Last year they all died with the winter storms. But now they are back as sweet as ever. The jobs died with the war. But they will be back. You must all learn as much as you can to take them. children. She never lost a single chance to teach us something. I get back to the UK every now and then . I am a doctor. perhaps the one she saw in her class so long ago. I call in to see her in her tiny retirement flat in Manchester. She pours me a cup of green tea. Into a delicate china cup. It is grown in the foothills of the Himalayas she whispers it is picked young. so fresh so nourishing. Never losing her chance to teach me something new. Now tell me what new things have you learned in America .?*
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