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"hoofs" poems
How beautiful is the rain! After the dust and heat, In the broad and fiery street, In the narrow lane, How beautiful is the rain! How it clatters along the roofs, Like the ***** of hoofs! How it gushes and struggles out From the throat of the overflowing spout! Across the window pane It pours and pours; And swift and wide, With a muddy tide, Like a river down the gutter roars The rain, the welcome rain! * * * * In the country, on every side, Where far and wide, Like a leopard’s tawny and spotted hide, Stretches the plain, To the dry grass and the drier grain How welcome is the rain!
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Rain In Summer
“T'was the night before Christmas ...” and Santa was busy. The reindeer were antsy the elves in a tizzy. The missus was tending the ovens like mad And turning out cookies to make children glad. The wood chips were flying the sawdust was thick The workshop was bulging with toys from St. Nick. Contractors from Sega, Nintendo and Sony Were working on games (and a robotic pony). Iphones and Ipads (with virus removal) Were packed in their boxes and stamped "Elf Approval". Last minute touches were added with flair While elf stylists tended to Santa's white hair. Elf tailors were making some last alterations To Santa's red coat and his waist tribulations. The weather was fair as the weather-elf stated The routes were approved and departure was slated. Bells had been polished and harnesses buffed While repairs were addressed for the hoofs that were scuffed. The antlers were festooned with ribbons and bells And the reindeer were covered with elf flying spells. The clock approached midnight as Santa was seated. The countdown began as the flight crew was greeted. H-hour neared and the tension was growing. Outside it grew cloudy and then, began snowing. But Santa just grinned as the weather-elf winced. "Don't worry, my friend.   Our time has commenced." For the weather was nothing to Santa's conveyance. His reindeer and sleigh were immune to"delay-ance". With a whirl of his whiskers and a flick of his wrist The reindeer were launched in a flash of white mist. And I heard him exclaim through his teleport ray: "ALERT TSA. Tell 'em I'm on my WAY!"
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Dec 22, 2017
Dec 22, 2017 at 9:27 AM UTC
T’was The Night Before Christmas
“T'was the night before Christmas ...” and Santa was busy. The reindeer were antsy the elves in a tizzy. The missus was tending the ovens like mad And turning out cookies to make children glad. The wood chips were flying the sawdust was thick The workshop was bulging with toys from St. Nick. Contractors from Sega, Nintendo and Sony Were working on games (and a robotic pony). Iphones and Ipads (with virus removal) Were packed in their boxes and stamped "Elf Approval". Last minute touches were added with flair While elf stylists tended to Santa's white hair. Elf tailors were making some last alterations To Santa's red coat and his waist tribulations. The weather was fair as the weather-elf stated The routes were approved and departure was slated. Bells had been polished and harnesses buffed While repairs were addressed for the hoofs that were scuffed. The antlers were festooned with ribbons and bells And the reindeer were covered with elf flying spells. The clock approached midnight as Santa was seated. The countdown began as the flight crew was greeted. H-hour neared and the tension was growing. Outside it grew cloudy and then, began snowing. But Santa just grinned as the weather-elf winced. "Don't worry, my friend.   Our time has commenced." For the weather was nothing to Santa's conveyance. His reindeer and sleigh were immune to"delay-ance". With a whirl of his whiskers and a flick of his wrist The reindeer were launched in a flash of white mist. And I heard him exclaim through his teleport ray: "ALERT TSA. Tell 'em I'm on my WAY!"
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64
Forth into the forest straightway All alone walked Hiawatha Proudly, with his bow and arrows, And the birds sang round him, o’er him, “Do not shoot us, Hiawatha!” Sang the robin, the Opechee, Sang the blue bird, the Owaissa, “Do not shoot us, Hiawatha!” Up the oak tree, close beside him, Sprang the squirrel, Adjidaumo, In and out among the branches, Coughed and chattered from the oak tree, Laughed, and said between his laughing, “Do not shoot me, Hiawatha!” And the rabbit from his pathway Leaped aside, and at a distance Sat ***** upon his haunches, Half in fear and half in frolic, Saying to the little hunter, “Do not shoot me, Hiawatha!” But he heeded not, nor heard them, For his thoughts were with the red deer; On their tracks his eyes were fastened, Leading downward to the river, To the ford across the river, And as one in slumber walked he, Hidden in the alder bushes. There he waited till the deer came, Till he saw two antlers lifted, Saw two eyes look from the thicket, Saw two nostrils point to windward, And a deer came down the pathway, Flecked with leafy light and shadow. And his heart within him fluttered, Trembled like the leaves above him, Like the birch-leaf palpitated, As the deer came down the pathway. Then, upon one knee uprising, Hiawatha aimed an arrow; Scarce a twig moved with his motion, Scarce a leaf was stirred or rustled, But the wary roebuck started, Stamped with all his hoofs together, Listened with one foot uplifted, Leaped as if to meet the arrow; Ah! the singing, fatal arrow, Like a wasp it buzzed and stung him! Dead he lay there in the forest, By the ford across the river; Beat his timid heart no longer, But the heart of Hiawatha Throbbed and shouted and exulted, As he bore the red deer homeward, And Iagoo and Nokomis Hailed his coming with applauses. From the red deer’s hide Nokomis Made a cloak for Hiawatha, From the red deer’s flesh Nokomis Made a banquet in his honor. All the village came and feasted, All the guests praised Hiawatha, Called him Strong-heart, Soan-ge-taha! Called him Loon-Heart, Mahn-go-taysee!
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Hiawatha’s Hunting
Forth into the forest straightway All alone walked Hiawatha Proudly, with his bow and arrows, And the birds sang round him, o’er him, “Do not shoot us, Hiawatha!” Sang the robin, the Opechee, Sang the blue bird, the Owaissa, “Do not shoot us, Hiawatha!” Up the oak tree, close beside him, Sprang the squirrel, Adjidaumo, In and out among the branches, Coughed and chattered from the oak tree, Laughed, and said between his laughing, “Do not shoot me, Hiawatha!” And the rabbit from his pathway Leaped aside, and at a distance Sat ***** upon his haunches, Half in fear and half in frolic, Saying to the little hunter, “Do not shoot me, Hiawatha!” But he heeded not, nor heard them, For his thoughts were with the red deer; On their tracks his eyes were fastened, Leading downward to the river, To the ford across the river, And as one in slumber walked he, Hidden in the alder bushes. There he waited till the deer came, Till he saw two antlers lifted, Saw two eyes look from the thicket, Saw two nostrils point to windward, And a deer came down the pathway, Flecked with leafy light and shadow. And his heart within him fluttered, Trembled like the leaves above him, Like the birch-leaf palpitated, As the deer came down the pathway. Then, upon one knee uprising, Hiawatha aimed an arrow; Scarce a twig moved with his motion, Scarce a leaf was stirred or rustled, But the wary roebuck started, Stamped with all his hoofs together, Listened with one foot uplifted, Leaped as if to meet the arrow; Ah! the singing, fatal arrow, Like a wasp it buzzed and stung him! Dead he lay there in the forest, By the ford across the river; Beat his timid heart no longer, But the heart of Hiawatha Throbbed and shouted and exulted, As he bore the red deer homeward, And Iagoo and Nokomis Hailed his coming with applauses. From the red deer’s hide Nokomis Made a cloak for Hiawatha, From the red deer’s flesh Nokomis Made a banquet in his honor. All the village came and feasted, All the guests praised Hiawatha, Called him Strong-heart, Soan-ge-taha! Called him Loon-Heart, Mahn-go-taysee!
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63
1473 We talked with each other about each other Though neither of us spoke— We were listening to the seconds’ Races And the Hoofs of the Clock— Pausing in Front of our Palsied Faces Time compassion took— Arks of Reprieve he offered to us— Ararats—we took—
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We talked with each other about each other
THE BUFFALOES are gone. And those who saw the buffaloes are gone. Those who saw the buffaloes by thousands and how they pawed the prairie sod into dust with their hoofs, their great heads down pawing on in a great pageant of dusk, Those who saw the buffaloes are gone. And the buffaloes are gone.
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Buffalo Dusk
The devil howls at the winter moon Screams with ecstasy at the hunt His shrill cry piercing those around His hoofs shake the ground. The devil sees all around him Profiles all upon the earth His gaze hypnotises everyone Will never retire until his evil work is done.
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Mar 5, 2016
Mar 5, 2016 at 12:36 PM UTC
The devil
They made me a racehorse Blinders and all Huffing and scuffing my hoofs Impatiently at the dirt The open track ahead But against my chest a wooden board I heave and pant but it won't break I wish it gone but here it stays Twisting turning, turning red Hot air balloons within my head Wet steam rising from my nose My chest is raw and splintery But I will break it Break through to the open track Spreading my legs as long as I can Forward, sideways, any way I want to go Heaving and panting just the same But free, this time
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Mar 31, 2015
Mar 31, 2015 at 11:31 PM UTC
Racehorse
That time of drought the embered air burned to the roots of timber and grass. The crackling lime-scrub would not bear and Mooni Creek was sand that year. The dingo's cry was strange to hear. I heard the dingoes cry in the scrub on the Thirty-mile Dry. I saw the wedgetail take his fill perching on the seething skull. I saw the eel wither where he curled in the last blood-drop of a spent world. I heard the bone whisper in the hide of the big red horse that lay where he died. Prop that horse up, make him stand, hoofs turned down in the bitter sand make him stand at the gate of the Thirty-mile Dry. Turn this way and you will die- and strange and loud was the dingoes' cry.
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Drought Year
The Centaur, Sagittarius, am I, Born of Ixion’s and the cloud’s embrace; With sounding hoofs across the earth I fly, A steed Thessalian with a human face. Sharp winds the arrows are with which I chase The leaves, half dead already with affright; I shroud myself in gloom; and to the race Of mortals bring nor comfort nor delight.
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The Poet’s Calendar: 11 - November
What was he doing, the great god Pan, Down in the reeds by the river? Spreading ruin and scattering ban, Splashing and paddling with hoofs of a goat, And breaking the golden lilies afloat With the dragon-fly on the river. He tore out a reed, the great god Pan, From the deep cool bed of the river: The limpid water turbidly ran, And the broken lilies a-dying lay, And the dragon-fly had fled away, Ere he brought it out of the river. High on the shore sat the great god Pan, While turbidly flowed the river; And hacked and hewed as a great god can, With his hard bleak steel at the patient reed, Till there was not a sign of the leaf indeed To prove it fresh from the river. He cut it short, did the great god Pan, (How tall it stood in the river!) Then drew the pith, like the heart of a man, Steadily from the outside ring, And notched the poor dry empty thing In holes, as he sat by the river. “This is the way,” laughed the great god Pan, (Laughed while he sat by the river) “The only way, since gods began To make sweet music, they could succeed.” Then, dropping his mouth to a hole in the reed, He blew in power by the river. Sweet, sweet, sweet, O Pan! Piercing sweet by the river! Blinding sweet, O great god Pan! The sun on the hill forgot to die, And the lilies revived, and the dragon-fly Came back to dream on the river. Yet half a beast is the great god Pan, To laugh as he sits by the river, Making a poet out of a man: The true gods sigh for the cost and pain— For the reed which grows nevermore again As a reed with the reeds in the river.
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A Musical Instrument
What was he doing, the great god Pan, Down in the reeds by the river? Spreading ruin and scattering ban, Splashing and paddling with hoofs of a goat, And breaking the golden lilies afloat With the dragon-fly on the river. He tore out a reed, the great god Pan, From the deep cool bed of the river: The limpid water turbidly ran, And the broken lilies a-dying lay, And the dragon-fly had fled away, Ere he brought it out of the river. High on the shore sat the great god Pan, While turbidly flowed the river; And hacked and hewed as a great god can, With his hard bleak steel at the patient reed, Till there was not a sign of the leaf indeed To prove it fresh from the river. He cut it short, did the great god Pan, (How tall it stood in the river!) Then drew the pith, like the heart of a man, Steadily from the outside ring, And notched the poor dry empty thing In holes, as he sat by the river. “This is the way,” laughed the great god Pan, (Laughed while he sat by the river) “The only way, since gods began To make sweet music, they could succeed.” Then, dropping his mouth to a hole in the reed, He blew in power by the river. Sweet, sweet, sweet, O Pan! Piercing sweet by the river! Blinding sweet, O great god Pan! The sun on the hill forgot to die, And the lilies revived, and the dragon-fly Came back to dream on the river. Yet half a beast is the great god Pan, To laugh as he sits by the river, Making a poet out of a man: The true gods sigh for the cost and pain— For the reed which grows nevermore again As a reed with the reeds in the river.
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42
P is for pony F is for friends, but M is for magic where fun never ends. why is this pony wearing a dress, why is she singing that friendship is best? Just watch them dance and sing and fly, some ponies have wings and some are quite shy. why I once saw a pony so colorful and cool, she beat up a dragon with hind hoofs and a stool. but in all of Equestria there stands one above the rest, her name is Twilight Sparkle and she's simply the best.
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Dec 23, 2012
Dec 23, 2012 at 3:11 PM UTC
P is for Pony
White snow falls onto the roofs as we strain to hear reindeer hoofs hoping for some of the Christmas joys that Santa brings to good girls and boys We dream of the toys that his helpers made Trucks and dolls, trains and ***** stockings stuffed with goodies and the jingle of bells and the many boxes wrapped by elves The room cools as the fire dies and we strain to not close our eyes but we slowly drift away into dreams visions of the North Pole and it's magical things and when we wake in the morn' sun we find the milk and cookies gone with presents stacked under the tree and stockings full of fun and glee White snow falls onto the roofs but we didn't hear reindeer hoofs yet we know Santa came with Christmas joys and he shared with all of the girls and boys
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Dec 24, 2010
Dec 24, 2010 at 7:23 PM UTC
Waiting for Santa
Love is a war; a battlefield looking for something real in this world strewn with shattered dreams. Bombs and grenades blow holes in innocent victims and leave them to their pain and despair. I wait for my knight on horseback to spare me. I can hear the heavy hoofs and breathing of horses as my army comes to stay the enemy of distrust. My heart skips a beat as I can almost feel salvation. Holding my breath I wait for that which holds my heart captive, to be slain. Then you are here,along with hope, joy, and freedom, your faithful companions, to fill my heart and replace the blood that has been spilt, with trust once again.
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Aug 21, 2013
Aug 21, 2013 at 1:33 PM UTC
THE BATTLEFIELD
When Mr. Apollinax visited the United States His laughter tinkled among the teacups. I thought of Fragilion, that shy figure among the birch-trees, And of Priapus in the shrubbery Gaping at the lady in the swing. In the palace of Mrs. Phlaccus, at Professor Channing-Cheetah’s He laughed like an irresponsible foetus. His laughter was submarine and profound Like the old man of the sea’s Hidden under coral islands Where worried bodies of drowned men drift down in the green silence, Dropping from fingers of surf. I looked for the head of Mr. Apollinax rolling under a chair Or grinning over a screen With seaweed in its hair. I heard the beat of centaur’s hoofs over the hard turf As his dry and passionate talk devoured the afternoon. “He is a charming man”—”But after all what did he mean?”— “His pointed ears…. He must be unbalanced,”— “There was something he said that I might have challenged.” Of dowager Mrs. Phlaccus, and Professor and Mrs. Cheetah I remember a slice of lemon, and a bitten macaroon.
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Mr. Apollinax
Thrill with lissome lust of the light, O man ! My man ! Come careering out of the night Of Pan ! Io Pan . Io Pan ! Io Pan ! Come over the sea From Sicily and from Arcady ! Roaming as Bacchus, with fauns and pards And nymphs and styrs for thy guards, On a milk-white *** come over the sea To me, to me, Coem with Apollo in bridal dress (Spheperdess and pythoness) Come with Artemis, silken shod, And wash thy white thigh, beautiful God, In the moon, of the woods, on the marble mount, The dimpled dawn of of the amber fount ! Dip the purple of passionate prayer In the crimson shrine, the scarlet snare, The soul that startles in eyes of blue To watch thy wantoness weeping through The tangled grove, the gnarled bole Of the living tree that is spirit and soul And body and brain -come over the sea, (Io Pan ! Io Pan !) Devil or god, to me, to me, My man ! my man ! Come with trumpets sounding shrill Over the hill ! Come with drums low muttering From the spring ! Come with flute and come with pipe ! Am I not ripe ? I, who wait and writhe and wrestle With air that hath no boughs to nestle My body, weary of empty clasp, Strong as a lion, and sharp as an asp- Come, O come ! I am numb With the lonely lust of devildom. ****** the sword through the galling fetter, All devourer, all begetter; Give me the sign of the Open Eye And the token ***** of thorny thigh And the word of madness and mystery, O pan ! Io Pan ! Io Pan ! Io Pan ! Pan Pan ! Pan, I am a man: Do as thou wilt, as a great god can, O Pan ! Io Pan ! Io pan ! Io Pan Pan ! Iam awake In the grip of the snake. The eagle slashes with beak and claw; The gods withdraw: The great beasts come, Io Pan ! I am borne To death on the horn Of the Unicorn. I am Pan ! Io Pan ! Io Pan Pan ! Pan ! I am thy mate, I am thy man, Goat of thy flock, I am gold , I am god, Flesh to thy bone, flower to thy rod. With hoofs of steel I race on the rocks Through solstice stubborn to equinox. And I rave; and I **** and I rip and I rend Everlasting, world without end. Mannikin, maiden, maenad, man, In the might of Pan. Io Pan ! Io Pan Pan ! Pan ! Io Pan !
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Hymn to Pan
Thrill with lissome lust of the light, O man ! My man ! Come careering out of the night Of Pan ! Io Pan . Io Pan ! Io Pan ! Come over the sea From Sicily and from Arcady ! Roaming as Bacchus, with fauns and pards And nymphs and styrs for thy guards, On a milk-white *** come over the sea To me, to me, Coem with Apollo in bridal dress (Spheperdess and pythoness) Come with Artemis, silken shod, And wash thy white thigh, beautiful God, In the moon, of the woods, on the marble mount, The dimpled dawn of of the amber fount ! Dip the purple of passionate prayer In the crimson shrine, the scarlet snare, The soul that startles in eyes of blue To watch thy wantoness weeping through The tangled grove, the gnarled bole Of the living tree that is spirit and soul And body and brain -come over the sea, (Io Pan ! Io Pan !) Devil or god, to me, to me, My man ! my man ! Come with trumpets sounding shrill Over the hill ! Come with drums low muttering From the spring ! Come with flute and come with pipe ! Am I not ripe ? I, who wait and writhe and wrestle With air that hath no boughs to nestle My body, weary of empty clasp, Strong as a lion, and sharp as an asp- Come, O come ! I am numb With the lonely lust of devildom. ****** the sword through the galling fetter, All devourer, all begetter; Give me the sign of the Open Eye And the token ***** of thorny thigh And the word of madness and mystery, O pan ! Io Pan ! Io Pan ! Io Pan ! Pan Pan ! Pan, I am a man: Do as thou wilt, as a great god can, O Pan ! Io Pan ! Io pan ! Io Pan Pan ! Iam awake In the grip of the snake. The eagle slashes with beak and claw; The gods withdraw: The great beasts come, Io Pan ! I am borne To death on the horn Of the Unicorn. I am Pan ! Io Pan ! Io Pan Pan ! Pan ! I am thy mate, I am thy man, Goat of thy flock, I am gold , I am god, Flesh to thy bone, flower to thy rod. With hoofs of steel I race on the rocks Through solstice stubborn to equinox. And I rave; and I **** and I rip and I rend Everlasting, world without end. Mannikin, maiden, maenad, man, In the might of Pan. Io Pan ! Io Pan Pan ! Pan ! Io Pan !
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67
Torrent of light and river of the air, Along whose bed the glimmering stars are seen Like gold and silver sands in some ravine Where mountain streams have left their channels bare! The Spaniard sees in thee the pathway, where His patron saint descended in the sheen Of his celestial armor, on serene and quiet nights, when all the heavens were fair. Not this I see, nor yet the ancient fable Of Phaeton’s wild course, that scorched the skies Where’er the hoofs of his hot coursers trod; But the white drift of worlds o’er chasms of sable, The star-dust, that is whirled aloft and flies From the invisible chariot-wheels of God.
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The Galaxy
I shall go away To the brown hills, the quiet ones, The vast, the mountainous, the rolling, Sun-fired and drowsy! My horse snuffs delicately At the strange wind; He settles to a swinging trot; his hoofs ***** the dust. The road winds, straightens, Slashes a marsh, Shoulders out a bridge, Then -- Again the hills. Unchanged, innumerable, Bowing huge, round backs; Holding secret, immense converse: In gusty voices, Fruitful, fecund, toiling Like yoked black oxen. The clouds pass like great, slow thoughts And vanish In the intense blue. My horse lopes; the saddle creaks and sways. A thousand glittering spears of sun slant from on high. The immensity, the spaces, Are like the spaces Between star and star. The hills sleep. If I put my hand on one, I would feel the vast heave of its breath. I would start away before it awakened And shook the world from its shoulders. A cicada's cry deepens the hot silence. The hills open To show a slope of poppies, Ardent, noble, heroic, A flare, a great flame of orange; Giving sleepy, brittle scent That stings the lungs. A creeping wind slips through them like a ferret; they bow and dance, answering Beauty's voice . . . The horse whinnies. I dismount And tie him to the grey worn fence. I set myself against the javelins of grass and sun; And climb the rounded breast, That flows like a sea-wave. The summit crackles with heat, there is no shelter, no hollow from the flagellating glare. I lie down and look at the sky, shading my eyes. My body becomes strange, the sun takes it and changes it, it does not feel, it is like the body of another. The air blazes. The air is diamond. Small noises move among the grass . . . Blackly, A hawk mounts, mounts in the inane Seeking the star-road, Seeking the end . . . But there is no end. Here, in this light, there is no end. . .
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Road and Hills
I shall go away To the brown hills, the quiet ones, The vast, the mountainous, the rolling, Sun-fired and drowsy! My horse snuffs delicately At the strange wind; He settles to a swinging trot; his hoofs ***** the dust. The road winds, straightens, Slashes a marsh, Shoulders out a bridge, Then -- Again the hills. Unchanged, innumerable, Bowing huge, round backs; Holding secret, immense converse: In gusty voices, Fruitful, fecund, toiling Like yoked black oxen. The clouds pass like great, slow thoughts And vanish In the intense blue. My horse lopes; the saddle creaks and sways. A thousand glittering spears of sun slant from on high. The immensity, the spaces, Are like the spaces Between star and star. The hills sleep. If I put my hand on one, I would feel the vast heave of its breath. I would start away before it awakened And shook the world from its shoulders. A cicada's cry deepens the hot silence. The hills open To show a slope of poppies, Ardent, noble, heroic, A flare, a great flame of orange; Giving sleepy, brittle scent That stings the lungs. A creeping wind slips through them like a ferret; they bow and dance, answering Beauty's voice . . . The horse whinnies. I dismount And tie him to the grey worn fence. I set myself against the javelins of grass and sun; And climb the rounded breast, That flows like a sea-wave. The summit crackles with heat, there is no shelter, no hollow from the flagellating glare. I lie down and look at the sky, shading my eyes. My body becomes strange, the sun takes it and changes it, it does not feel, it is like the body of another. The air blazes. The air is diamond. Small noises move among the grass . . . Blackly, A hawk mounts, mounts in the inane Seeking the star-road, Seeking the end . . . But there is no end. Here, in this light, there is no end. . .
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58
Blow, blow your trumpets till they crack, Ye little men of little souls! And bid them huddle at your back - Gold-sucking leeches, shoals on shoals! Fill all the air with hungry wails - "Reward us, ere we think or write! Without your Gold mere Knowledge fails To sate the swinish appetite!" And, where great Plato paced serene, Or Newton paused with wistful eye, Rush to the chace with hoofs unclean And Babel-clamour of the sty Be yours the pay: be theirs the praise: We will not rob them of their due, Nor vex the ghosts of other days By naming them along with you. They sought and found undying fame: They toiled not for reward nor thanks: Their cheeks are hot with honest shame For you, the modern mountebanks! Who preach of Justice - plead with tears That Love and Mercy should abound - While marking with complacent ears The moaning of some tortured hound: Who prate of Wisdom - nay, forbear, Lest Wisdom turn on you in wrath, Trampling, with heel that will not spare, The vermin that beset her path! Go, throng each other's drawing-rooms, Ye idols of a petty clique: Strut your brief hour in borrowed plumes, And make your penny-trumpets squeak. Deck your dull talk with pilfered shreds Of learning from a nobler time, And oil each other's little heads With mutual Flattery's golden slime: And when the topmost height ye gain, And stand in Glory's ether clear, And grasp the prize of all your pain - So many hundred pounds a year - Then let Fame's banner be unfurled! Sing Paeans for a victory won! Ye tapers, that would light the world, And cast a shadow on the Sun - Who still shall pour His rays sublime, One crystal flood, from East to West, When YE have burned your little time And feebly flickered into rest!
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Fame's Penny-Trumpet
Blow, blow your trumpets till they crack, Ye little men of little souls! And bid them huddle at your back - Gold-sucking leeches, shoals on shoals! Fill all the air with hungry wails - "Reward us, ere we think or write! Without your Gold mere Knowledge fails To sate the swinish appetite!" And, where great Plato paced serene, Or Newton paused with wistful eye, Rush to the chace with hoofs unclean And Babel-clamour of the sty Be yours the pay: be theirs the praise: We will not rob them of their due, Nor vex the ghosts of other days By naming them along with you. They sought and found undying fame: They toiled not for reward nor thanks: Their cheeks are hot with honest shame For you, the modern mountebanks! Who preach of Justice - plead with tears That Love and Mercy should abound - While marking with complacent ears The moaning of some tortured hound: Who prate of Wisdom - nay, forbear, Lest Wisdom turn on you in wrath, Trampling, with heel that will not spare, The vermin that beset her path! Go, throng each other's drawing-rooms, Ye idols of a petty clique: Strut your brief hour in borrowed plumes, And make your penny-trumpets squeak. Deck your dull talk with pilfered shreds Of learning from a nobler time, And oil each other's little heads With mutual Flattery's golden slime: And when the topmost height ye gain, And stand in Glory's ether clear, And grasp the prize of all your pain - So many hundred pounds a year - Then let Fame's banner be unfurled! Sing Paeans for a victory won! Ye tapers, that would light the world, And cast a shadow on the Sun - Who still shall pour His rays sublime, One crystal flood, from East to West, When YE have burned your little time And feebly flickered into rest!
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48
i ran without looking back left all those i loved behind the last words i said still haunting and echoeing my ears and i know the further i go its going to be a long road home i never made them cry before but when i left i heared the weeps and the tears hitting the floor like a stampede of hoofs stomping my heart a mile away yet i continued on never looking back because i knew if i went back my world would be black thier hearts would be cold and the truth would remain untold i couldnt live a life like that i had to escape but my ties to this life remain in the object of my love the soul hier to my heart the one whom i never thought to leave she stands under an oak using the leaves as an umbrella for the rain has started covering her tears she now sheds as realization that i will not show sets in she sits at the beginning of a long road home i got a long road home but the troubles i faced will be worth it when i find what i've searched so hard for my sanity that was stripped at birth my soul that left a pair of hollow eys and i know this road will only get longer
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Oct 31, 2012
Oct 31, 2012 at 10:43 AM UTC
A Long Road Home
Thousands of sheep, soft-footed, black-nosed sheep-- one by one going up the hill and over the fence--one by one four-footed pattering up and over--one by one wiggling their stub tails as they take the short jump and go over--one by one silently unless for the multitudinous drumming of their hoofs as they move on and go over-- thousands and thousands of them in the grey haze of evening just after sundown--one by one slanting in a long line to pass over the hill-- I am the slow, long-legged Sleepyman and I love you sheep in Persia, California, Argentine, Australia, or Spain--you are the thoughts that help me when I, the Sleepyman, lay my hands on the eyelids of the children of the world at eight o'clock every night--you thousands and thousands of sheep in a procession of dusk making an endless multitudinous drumming on the hills with your hoofs.
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2.5k
Sheep
He travels after a winter sun, Urging the cattle along a cold red road, Calling to them, a voice they know, He drives his beasts above Cabra. The voice tells them home is warm. They moo and make brute music with their hoofs. He drives them with a flowering branch before him, Smoke pluming their foreheads. Boor, bond of the herd, Tonight stretch full by the fire! I bleed by the black stream For my torn bough!
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2.4k
Tilly
I am weary of lying within the chase When the knights are meeting in market-place. Nay, go not thou to the red-roofed town Lest the hoofs of the war-horse tread thee down. But I would not go where the Squires ride, I would only walk by my Lady’s side. Alack! and alack! thou art overbold, A Forester’s son may not eat off gold. Will she love me the less that my Father is seen Each Martinmas day in a doublet green? Perchance she is sewing at tapestrie, Spindle and loom are not meet for thee. Ah, if she is working the arras bright I might ravel the threads by the fire-light. Perchance she is hunting of the deer, How could you follow o’er hill and mere? Ah, if she is riding with the court, I might run beside her and wind the morte. Perchance she is kneeling in St. Denys, (On her soul may our Lady have gramercy!) Ah, if she is praying in lone chapelle, I might swing the censer and ring the bell. Come in, my son, for you look sae pale, The father shall fill thee a stoup of ale. But who are these knights in bright array? Is it a pageant the rich folks play? ‘T is the King of England from over sea, Who has come unto visit our fair countrie. But why does the curfew toll sae low? And why do the mourners walk a-row? O ‘t is Hugh of Amiens my sister’s son Who is lying stark, for his day is done. Nay, nay, for I see white lilies clear, It is no strong man who lies on the bier. O ‘t is old Dame Jeannette that kept the hall, I knew she would die at the autumn fall. Dame Jeannette had not that gold-brown hair, Old Jeannette was not a maiden fair. O ‘t is none of our kith and none of our kin, (Her soul may our Lady assoil from sin!) But I hear the boy’s voice chaunting sweet, ‘Elle est morte, la Marguerite.’ Come in, my son, and lie on the bed, And let the dead folk bury their dead. O mother, you know I loved her true: O mother, hath one grave room for two?
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2.2k
Ballade De Marguerite (Normande)
I am weary of lying within the chase When the knights are meeting in market-place. Nay, go not thou to the red-roofed town Lest the hoofs of the war-horse tread thee down. But I would not go where the Squires ride, I would only walk by my Lady’s side. Alack! and alack! thou art overbold, A Forester’s son may not eat off gold. Will she love me the less that my Father is seen Each Martinmas day in a doublet green? Perchance she is sewing at tapestrie, Spindle and loom are not meet for thee. Ah, if she is working the arras bright I might ravel the threads by the fire-light. Perchance she is hunting of the deer, How could you follow o’er hill and mere? Ah, if she is riding with the court, I might run beside her and wind the morte. Perchance she is kneeling in St. Denys, (On her soul may our Lady have gramercy!) Ah, if she is praying in lone chapelle, I might swing the censer and ring the bell. Come in, my son, for you look sae pale, The father shall fill thee a stoup of ale. But who are these knights in bright array? Is it a pageant the rich folks play? ‘T is the King of England from over sea, Who has come unto visit our fair countrie. But why does the curfew toll sae low? And why do the mourners walk a-row? O ‘t is Hugh of Amiens my sister’s son Who is lying stark, for his day is done. Nay, nay, for I see white lilies clear, It is no strong man who lies on the bier. O ‘t is old Dame Jeannette that kept the hall, I knew she would die at the autumn fall. Dame Jeannette had not that gold-brown hair, Old Jeannette was not a maiden fair. O ‘t is none of our kith and none of our kin, (Her soul may our Lady assoil from sin!) But I hear the boy’s voice chaunting sweet, ‘Elle est morte, la Marguerite.’ Come in, my son, and lie on the bed, And let the dead folk bury their dead. O mother, you know I loved her true: O mother, hath one grave room for two?
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My faint spirit was sitting in the light Of thy looks, my love; It panted for thee like the hind at noon For the brooks, my love. Thy barb, whose hoofs outspeed the tempest’s flight, Bore thee far from me; My heart, for my weak feet were weary soon, Did companion thee. Ah! fleeter far than fleetest storm or steed, Or the death they bear, The heart which tender thought clothes like a dove With the wings of care; In the battle, in the darkness, in the need, Shall mine cling to thee, Nor claim one smile for all the comfort, love, It may bring to thee.
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2.1k
From The Arabic (An Imitation)
Galloping through the apparently calm meadows, My springbok hoofs were touching the grass softly. How I rejoice hopping in the air above the cool moisty grass, Hopping feels so ecstatic after a cool shower on the rainy season. Maybe it's in the rain now that I feel so addicted to, but then I stop, And probably it's the Anaconda's coil that siphons up on me now.
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Oct 29, 2014
Oct 29, 2014 at 1:07 AM UTC
The Siphoning
after the Anacreontea Liberal Nature did dispence To all things Arms for their defence; And some she arms with sin’ewy force, And some with swiftness in the course; Some with hard Hoofs, or forked claws, And some with Horns, or tusked jaws. And some with Scales, and some with Wings, And some with Teeth, and some with Stings. Wisdom to Man she did afford, Wisdom for Shield, and Wit for Sword. What to beauteous Woman-kind, What Arms, what Armour has she’assigne’d? Beauty is both; for with the Faire What Arms, what Armour can compare? What Steel, what Gold, or Diamond, More Impassible is found? And yet what Flame, what Lightning ere So great an Active force did bear? They are all weapon, and they dart Like Porcupines from every part. Who can, alas, their strength express, Arm’d when they themselves undress, Cap a pe with Nakedness?
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Beauty