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By this, sad Hero, with love unacquainted,
Viewing Leander’s face, fell down and fainted.
He kissed her and breathed life into her lips,
Wherewith as one displeased away she trips.
Yet, as she went, full often looked behind,
And many poor excuses did she find
To linger by the way, and once she stayed,
And would have turned again, but was afraid,
In offering parley, to be counted light.
So on she goes and in her idle flight
Her painted fan of curled plumes let fall,
Thinking to train Leander therewithal.
He, being a novice, knew not what she meant
But stayed, and after her a letter sent,
Which joyful Hero answered in such sort,
As he had hope to scale the beauteous fort
Wherein the liberal Graces locked their wealth,
And therefore to her tower he got by stealth.
Wide open stood the door, he need not climb,
And she herself before the pointed time
Had spread the board, with roses strowed the room,
And oft looked out, and mused he did not come.
At last he came.

O who can tell the greeting
These greedy lovers had at their first meeting.
He asked, she gave, and nothing was denied.
Both to each other quickly were affied.
Look how their hands, so were their hearts united,
And what he did she willingly requited.
(Sweet are the kisses, the embracements sweet,
When like desires and affections meet,
For from the earth to heaven is Cupid raised,
Where fancy is in equal balance peised.)
Yet she this rashness suddenly repented
And turned aside, and to herself lamented
As if her name and honour had been wronged
By being possessed of him for whom she longed.
Ay, and she wished, albeit not from her heart
That he would leave her turret and depart.
The mirthful god of amorous pleasure smiled
To see how he this captive nymph beguiled.
For hitherto he did but fan the fire,
And kept it down that it might mount the higher.
Now waxed she jealous lest his love abated,
Fearing her own thoughts made her to be hated.
Therefore unto him hastily she goes
And, like light Salmacis, her body throws
Upon his ***** where with yielding eyes
She offers up herself a sacrifice
To slake his anger if he were displeased.
O, what god would not therewith be appeased?
Like Aesop’s **** this jewel he enjoyed
And as a brother with his sister toyed
Supposing nothing else was to be done,
Now he her favour and good will had won.
But know you not that creatures wanting sense
By nature have a mutual appetence,
And, wanting organs to advance a step,
Moved by love’s force unto each other lep?
Much more in subjects having intellect
Some hidden influence breeds like effect.
Albeit Leander rude in love and raw,
Long dallying with Hero, nothing saw
That might delight him more, yet he suspected
Some amorous rites or other were neglected.
Therefore unto his body hers he clung.
She, fearing on the rushes to be flung,
Strived with redoubled strength; the more she strived
The more a gentle pleasing heat revived,
Which taught him all that elder lovers know.
And now the same gan so to scorch and glow
As in plain terms (yet cunningly) he craved it.
Love always makes those eloquent that have it.
She, with a kind of granting, put him by it
And ever, as he thought himself most nigh it,
Like to the tree of Tantalus, she fled
And, seeming lavish, saved her maidenhead.
Ne’er king more sought to keep his diadem,
Than Hero this inestimable gem.
Above our life we love a steadfast friend,
Yet when a token of great worth we send,
We often kiss it, often look thereon,
And stay the messenger that would be gone.
No marvel then, though Hero would not yield
So soon to part from that she dearly held.
Jewels being lost are found again, this never;
’Tis lost but once, and once lost, lost forever.

Now had the morn espied her lover’s steeds,
Whereat she starts, puts on her purple weeds,
And red for anger that he stayed so long
All headlong throws herself the clouds among.
And now Leander, fearing to be missed,
Embraced her suddenly, took leave, and kissed.
Long was he taking leave, and loath to go,
And kissed again as lovers use to do.
Sad Hero wrung him by the hand and wept
Saying, “Let your vows and promises be kept.”
Then standing at the door she turned about
As loath to see Leander going out.
And now the sun that through th’ horizon peeps,
As pitying these lovers, downward creeps,
So that in silence of the cloudy night,
Though it was morning, did he take his flight.
But what the secret trusty night concealed
Leander’s amorous habit soon revealed.
With Cupid’s myrtle was his bonnet crowned,
About his arms the purple riband wound
Wherewith she wreathed her largely spreading hair.
Nor could the youth abstain, but he must wear
The sacred ring wherewith she was endowed
When first religious chastity she vowed.
Which made his love through Sestos to be known,
And thence unto Abydos sooner blown
Than he could sail; for incorporeal fame
Whose weight consists in nothing but her name,
Is swifter than the wind, whose tardy plumes
Are reeking water and dull earthly fumes.
Home when he came, he seemed not to be there,
But, like exiled air ****** from his sphere,
Set in a foreign place; and straight from thence,
Alcides like, by mighty violence
He would have chased away the swelling main
That him from her unjustly did detain.
Like as the sun in a diameter
Fires and inflames objects removed far,
And heateth kindly, shining laterally,
So beauty sweetly quickens when ’tis nigh,
But being separated and removed,
Burns where it cherished, murders where it loved.
Therefore even as an index to a book,
So to his mind was young Leander’s look.
O, none but gods have power their love to hide,
Affection by the countenance is descried.
The light of hidden fire itself discovers,
And love that is concealed betrays poor lovers,
His secret flame apparently was seen.
Leander’s father knew where he had been
And for the same mildly rebuked his son,
Thinking to quench the sparkles new begun.
But love resisted once grows passionate,
And nothing more than counsel lovers hate.
For as a hot proud horse highly disdains
To have his head controlled, but breaks the reins,
Spits forth the ringled bit, and with his hooves
Checks the submissive ground; so he that loves,
The more he is restrained, the worse he fares.
What is it now, but mad Leander dares?
“O Hero, Hero!” thus he cried full oft;
And then he got him to a rock aloft,
Where having spied her tower, long stared he on’t,
And prayed the narrow toiling Hellespont
To part in twain, that he might come and go;
But still the rising billows answered, “No.”
With that he stripped him to the ivory skin
And, crying “Love, I come,” leaped lively in.
Whereat the sapphire visaged god grew proud,
And made his capering Triton sound aloud,
Imagining that Ganymede, displeased,
Had left the heavens; therefore on him he seized.
Leander strived; the waves about him wound,
And pulled him to the bottom, where the ground
Was strewed with pearl, and in low coral groves
Sweet singing mermaids sported with their loves
On heaps of heavy gold, and took great pleasure
To spurn in careless sort the shipwrack treasure.
For here the stately azure palace stood
Where kingly Neptune and his train abode.
The ***** god embraced him, called him “Love,”
And swore he never should return to Jove.
But when he knew it was not Ganymede,
For under water he was almost dead,
He heaved him up and, looking on his face,
Beat down the bold waves with his triple mace,
Which mounted up, intending to have kissed him,
And fell in drops like tears because they missed him.
Leander, being up, began to swim
And, looking back, saw Neptune follow him,
Whereat aghast, the poor soul ‘gan to cry
“O, let me visit Hero ere I die!”
The god put Helle’s bracelet on his arm,
And swore the sea should never do him harm.
He clapped his plump cheeks, with his tresses played
And, smiling wantonly, his love bewrayed.
He watched his arms and, as they opened wide
At every stroke, betwixt them would he slide
And steal a kiss, and then run out and dance,
And, as he turned, cast many a lustful glance,
And threw him gaudy toys to please his eye,
And dive into the water, and there pry
Upon his breast, his thighs, and every limb,
And up again, and close beside him swim,
And talk of love.

Leander made reply,
“You are deceived; I am no woman, I.”
Thereat smiled Neptune, and then told a tale,
How that a shepherd, sitting in a vale,
Played with a boy so fair and kind,
As for his love both earth and heaven pined;
That of the cooling river durst not drink,
Lest water nymphs should pull him from the brink.
And when he sported in the fragrant lawns,
Goat footed satyrs and upstaring fauns
Would steal him thence. Ere half this tale was done,
“Ay me,” Leander cried, “th’ enamoured sun
That now should shine on Thetis’ glassy bower,
Descends upon my radiant Hero’s tower.
O, that these tardy arms of mine were wings!”
And, as he spake, upon the waves he springs.
Neptune was angry that he gave no ear,
And in his heart revenging malice bare.
He flung at him his mace but, as it went,
He called it in, for love made him repent.
The mace, returning back, his own hand hit
As meaning to be venged for darting it.
When this fresh bleeding wound Leander viewed,
His colour went and came, as if he rued
The grief which Neptune felt. In gentle *******
Relenting thoughts, remorse, and pity rests.
And who have hard hearts and obdurate minds,
But vicious, harebrained, and illiterate hinds?
The god, seeing him with pity to be moved,
Thereon concluded that he was beloved.
(Love is too full of faith, too credulous,
With folly and false hope deluding us.)
Wherefore, Leander’s fancy to surprise,
To the rich Ocean for gifts he flies.
’tis wisdom to give much; a gift prevails
When deep persuading oratory fails.

By this Leander, being near the land,
Cast down his weary feet and felt the sand.
Breathless albeit he were he rested not
Till to the solitary tower he got,
And knocked and called. At which celestial noise
The longing heart of Hero much more joys
Than nymphs and shepherds when the timbrel rings,
Or crooked dolphin when the sailor sings.
She stayed not for her robes but straight arose
And, drunk with gladness, to the door she goes,
Where seeing a naked man, she screeched for fear
(Such sights as this to tender maids are rare)
And ran into the dark herself to hide.
(Rich jewels in the dark are soonest spied).
Unto her was he led, or rather drawn
By those white limbs which sparkled through the lawn.
The nearer that he came, the more she fled,
And, seeking refuge, slipped into her bed.
Whereon Leander sitting thus began,
Through numbing cold, all feeble, faint, and wan.
“If not for love, yet, love, for pity sake,
Me in thy bed and maiden ***** take.
At least vouchsafe these arms some little room,
Who, hoping to embrace thee, cheerly swum.
This head was beat with many a churlish billow,
And therefore let it rest upon thy pillow.”
Herewith affrighted, Hero shrunk away,
And in her lukewarm place Leander lay,
Whose lively heat, like fire from heaven fet,
Would animate gross clay and higher set
The drooping thoughts of base declining souls
Than dreary Mars carousing nectar bowls.
His hands he cast upon her like a snare.
She, overcome with shame and sallow fear,
Like chaste Diana when Actaeon spied her,
Being suddenly betrayed, dived down to hide her.
And, as her silver body downward went,
With both her hands she made the bed a tent,
And in her own mind thought herself secure,
O’ercast with dim and darksome coverture.
And now she lets him whisper in her ear,
Flatter, entreat, promise, protest and swear;
Yet ever, as he greedily assayed
To touch those dainties, she the harpy played,
And every limb did, as a soldier stout,
Defend the fort, and keep the foeman out.
For though the rising ivory mount he scaled,
Which is with azure circling lines empaled,
Much like a globe (a globe may I term this,
By which love sails to regions full of bliss)
Yet there with Sisyphus he toiled in vain,
Till gentle parley did the truce obtain.
Wherein Leander on her quivering breast
Breathless spoke something, and sighed out the rest;
Which so prevailed, as he with small ado
Enclosed her in his arms and kissed her too.
And every kiss to her was as a charm,
And to Leander as a fresh alarm,
So that the truce was broke and she, alas,
(Poor silly maiden) at his mercy was.
Love is not full of pity (as men say)
But deaf and cruel where he means to prey.
Even as a bird, which in our hands we wring,
Forth plungeth and oft flutters with her wing,
She trembling strove.

This strife of hers (like that
Which made the world) another world begat
Of unknown joy. Treason was in her thought,
And cunningly to yield herself she sought.
Seeming not won, yet won she was at length.
In such wars women use but half their strength.
Leander now, like Theban Hercules,
Entered the orchard of th’ Hesperides;
Whose fruit none rightly can describe but he
That pulls or shakes it from the golden tree.
And now she wished this night were never done,
And sighed to think upon th’ approaching sun;
For much it grieved her that the bright daylight
Should know the pleasure of this blessed night,
And them, like Mars and Erycine, display
Both in each other’s arms chained as they lay.
Again, she knew not how to frame her look,
Or speak to him, who in a moment took
That which so long so charily she kept,
And fain by stealth away she would have crept,
And to some corner secretly have gone,
Leaving Leander in the bed alone.
But as her naked feet were whipping out,
He on the sudden clinged her so about,
That, mermaid-like, unto the floor she slid.
One half appeared, the other half was hid.
Thus near the bed she blushing stood upright,
And from her countenance behold ye might
A kind of twilight break, which through the hair,
As from an orient cloud, glimpsed here and there,
And round about the chamber this false morn
Brought forth the day before the day was born.
So Hero’s ruddy cheek Hero betrayed,
And her all naked to his sight displayed,
Whence his admiring eyes more pleasure took
Than Dis, on heaps of gold fixing his look.
By this, Apollo’s golden harp began
To sound forth music to the ocean,
Which watchful Hesperus no sooner heard
But he the bright day-bearing car prepared
And ran before, as harbinger of light,
And with his flaring beams mocked ugly night,
Till she, o’ercome with anguish, shame, and rage,
Danged down to hell her loathsome carriage.
Tupelo Sep 2015
Heaven faced
Angel of the night
Wings and all
Took me to Hesperides
Dropped me amongst the willows
I sang her songs
Mourned her sorrows
Got drunk on her words
Slept along the riverbank
Woke to the silence of winter
The lonely of the rain,
Wishing for your gentle wings
To take me once more
Once more
Love looked back as he took his flight,
And lo, his eyes were filled with tears.
Was it for love of lost delight
Love looked back as he took his flight?
Only I know while day grew night,
Turning still to the vanished years,
Love looked back as he took his flight,
And lo, his eyes were filled with tears.

  II
(Written in a copy of “La Vita Nuova”.  For M. C. S.)

If you were Lady Beatrice
And I the Florentine,
I’d never waste my time like this—
If you were Lady Beatrice
I’d woo and then demand a kiss,
Nor weep like Dante here, I ween,
If you were Lady Beatrice
And I the Florentine.

  III
(Written in a copy of “The Poems of Sappho”.)

Beyond the dim Hesperides,
The girl who sang them long ago
Could never dream that over seas,
Beyond the dim Hesperides,
The wind would blow such songs as these—
I wonder now if she can know,
Beyond the dim Hesperides,
The girl who sang them long ago?

  IV

Dead leaves upon the stream
And dead leaves on the air—
All of my lost hopes seem
Dead leaves upon the stream;
I watch them in a dream,
Going I know not where,
Dead leaves upon the stream
And dead leaves on the air.
Often I think of the beautiful town
That is seated by the sea;
Often in thought go up and down
The pleasant streets of that dear old town,
And my youth comes back to me.
And a verse of a Lapland song
Is haunting my memory still:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

I can see the shadowy lines of its trees,
And catch, in sudden gleams,
The sheen of the far-surrounding seas,
And islands that were the Hesperides
Of all my boyish dreams.
And the burden of that old song,
It murmurs and whispers still:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

I remember the black wharves and the ships,
And the sea-tides tossing free;
And Spanish sailors with bearded lips,
And the beauty and mystery of the ships,
And the magic of the sea.
And the voice of that wayward song
Is singing and saying still:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

I remember the bulwarks by the shore,
And the fort upon the hill;
The sunrise gun, with its hollow roar,
The drum-beat repeated o’er and o’er,
And the bugle wild and shrill.
And the music of that old song
Throbs in my memory still:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

I remember the sea-fight far away,
How it thundered o’er the tide!
And the dead captains, as they lay
In their graves, o’erlooking the tranquil bay
Where they in battle died.
And the sound of that mournful song
Goes through me with a thrill:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

I can see the breezy dome of groves,
The shadows of Deering’s Woods;
And the friendships old and the early loves
Come back with a Sabbath sound, as of doves
In quiet neighborhoods.
And the verse of that sweet old song,
It flutters and murmurs still:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

I remember the gleams and glooms that dart
Across the school-boy’s brain;
The song and the silence in the heart,
That in part are prophecies, and in part
Are longings wild and vain.
And the voice of that fitful song
Sings on, and is never still:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

There are things of which I may not speak;
There are dreams that cannot die;
There are thoughts that make the strong heart weak,
And bring a pallor into the cheek,
And a mist before the eye.
And the words of that fatal song
Come over me like a chill:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

Strange to me now are the forms I meet
When I visit the dear old town;
But the native air is pure and sweet,
And the trees that o’ershadow each well-known street,
As they balance up and down,
Are singing the beautiful song,
Are sighing and whispering still:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”

And Deering’s Woods are fresh and fair,
And with joy that is almost pain
My heart goes back to wander there,
And among the dreams of the days that were,
I find my lost youth again.
And the strange and beautiful song,
The groves are repeating it still:
“A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.”
We crave the last
of the sunlight
before it sinks
beyond the horizon
to hide us
from our fellow dusklings.

Got to break out   Get busy living
Of/In these patterns      Even if I die young
Chasing them down                  I am trying so hard
☙  to get lost  ❧
here in our garden.
Hecate blessed us
with illusive change.
Hesperus haunts us
as dusk overtakes
the day, his light drawn
ever-west unto Phosphorus
who arose ever-east. That mythic
dawn othering us by the majesty of dusk.
Hark! The sea-faring wild-fowl loud proclaim
My coming, and the swarming of the bees.
These are my heralds, and behold! my name
Is written in blossoms on the hawthorn-trees.
I tell the mariner when to sail the seas;
I waft o’er all the land from far away
The breath and bloom of the Hesperides,
My birthplace.  I am Maia.  I am May.
We shall launch our shallop on waters blue from some dim primrose shore,
We shall sail with the magic of dusk behind and enchanted coasts before,
Over oceans that stretch to the sunset land where lost Atlantis lies,
And our pilot shall be the vesper star that shines in the amber skies.

The sirens will call to us again, all sweet and demon-fair,
And a pale mermaiden will beckon us, with mist on her night-black hair;
We shall see the flash of her ivory arms, her mocking and luring face,
And her guiling laughter will echo through the great, wind-winnowed space.

But we shall not linger for woven spell, or sea-nymph's sorceries,
It is ours to seek for the fount of youth, and the gold of Hesperides,
Till the harp of the waves in its rhythmic beat keeps time to our pulses' swing,
And the orient welkin is smit to flame with auroral crimsoning.

And at last, on some white and wondrous dawn, we shall reach the fairy isle
Where our hope and our dream are waiting us, and the to-morrows smile;
With song on our lips and faith in our hearts we sail on our ancient quest,
And each man shall find, at the end of the voyage, the thing he loves the best.
With favoring winds, o’er sunlit seas,
We sailed for the Hesperides,
The land where golden apples grow;
But that, ah! that was long ago.

How far, since then, the ocean streams
Have swept us from that land of dreams,
That land of fiction and of truth,
The lost Atlantis of our youth!

Whither, ah, whither? Are not these
The tempest-haunted Orcades,
Where sea-gulls scream, and breakers roar,
And wreck and sea-**** line the shore?

Ultima Thule! Utmost Isle!
Here in thy harbors for a while
We lower our sails; a while we rest
From the unending, endless quest.
1067

Except the smaller size
No lives are round—
These—hurry to a sphere
And show and end—
The larger—slower grow
And later hang—
The Summers of Hesperides
Are long.
Andrea Molina Nov 2014
The first time i saw you, your stare lingered beneath
My mind went blank, it's as if i was recovered from the river Lethe
Eros and Ananke took the longest time on fashioning you
Apollo would befriend you because in my mind, you are the greatest view

To gain your love, i am willing to carry the world like Atlas
If you ask me, i will suffer the pits of Tatarus and come back to be your lass
I wouldn't mind staying with you in the island of Calypso
To be with you, i would face Charybdis and jump inside her tornado

Everytime you smile, it's as if the gates of Olympus open just for me
Your face will launch a thousand ships and i won't mind bringing my army
If i have no chance, my grief would reach the river Cocytus
And my heart would wander in the labyrinth of Daedalus

In the most confusing maze, you are my Ariadne string
You are the melody of the three muses when they sing
To get to your love how i wish i could be the goddess, Aphrodite
And maybe you can be Odysseus and i will be Penelope

With my kind of desire for you, Artemis and her hunters would never approve
If i am not for you, i would persuade Aphrodite and deny Cupid's reprove
Like Zeus and his lightning bolt, i can never leave your side
Poseidon's angry seas would compare to my feelings which will take long to subside

For your honor, i will fight like Hector of Troy
But like the giant, Typhon, someone will always destroy
Like Paris and Helen, we were doomed from the start
You are Cassandra and I, Apollo so you will never give me your heart

I am not Aphrodite, not Hestia, Helen and Hera
You can compare me to Circe, The Fates or even Medusa
Not as important as Hercules, Odysseus and Achilles
I might as well have a tea party with Achlys

No ship will be launched for my sake
In the garden of Hesperides, i am ignored even by a snake
In Olympus, you feast with the twelve goddesses and gods
Together with Hephaestus who was shunned, i share his odds.
I.
I contemplate nom de plume (a).
The nomenclator (b) pax (c) kiss of peace (d) .
Coddle (e) the dowry (f) , the dowsables (g) pas de deux (h) .
Fill the kyack (i) with tidytips (j) from California , that land lease (k) .
No irrational number (l) , reality two (m) .

Definitions:
(a) non de plume - pen name.

(b) nomenclator - a book containing a ciollection of lists of words or names .

(c) pax - from Latin pax vobis (peace to you) or pax vobiscum (peace with you). A pax is a liturgical object used in the Middle Ages and Renaissance for the Kiss of Peace in the Catholic mass . It began to replace the actual Kiss of Peace in the 13th century .

(d) Kiss of Peace - An ancient traditional Christian greeting.

(e) coddle - treat in an indulgent or overprotective way .

(f) dowry - property or money brought by a bride to her husband on their marriage .

(g) dowsables - obsolete word for sweetheart or lady love .

(h) pas de deux - a dance for two people , typically a man and woman . A duet in ballet.

(i) Kyack - a packsack to be swung on either side of a packsaddle . Two connecting sacks .

(j) tidytips - an annual wildflower native to western North America .

(k) land lease - leasing the land upon which a tenant may own the home but not the land .

(l) irrational number - is a real number that cannot be expressed as a ratio of two integers . A number with an infinite number of digits .

(m) reality two - Jen Oliver Meiert - two realities . One is the physical reality . And the other is psychical reality .


II.
Fatten on krass (a) and farina (b) , fanfaronade (c) , mordancy (d) , honey and beurre noir (e) on toast .
Nothing to ambsace (f) !
The guidon (g) carried by a guidon betraying the one ,
"one's fancy" only to be crushed by a juggernaut (h) . . . promace (i) .


(a) Krass - German for gross or coarse .

(b) Farina - name in the U.S. for milled wheat .

(c) fanfaronade - arrogant or boastful talk .

(d) mordancy - a biting or caustic criticism .

(e) beurre noir - French for black butter .

(f) ambsace - the lowest throw of the dice .
Something worthless or unlucky .

(g) guidon - a pennant typically attached a pole that narrows to a point or fork at the end . A standard for light calvary .

(h) juggernaut - huge and overpowering force .

(i) promace - animal tranquilizer .


III.
Could I quintuplicate (a) the subdebutante (b) becoming tag end (c) ?
Would I cozen (d) the bulblet (e) from the branch Circe (f) ?
The Elaine (g) of long ago evanescent (h) my Hesperus (i) friend .
To Hesperides (j) especially , the Jinni (k), lowball comedy (l) .


(a) quintuplicate - fivefold . To multiply by five .

(b) subdebutante - a girl in her mid teens about to become a debutante .

(c) tag end - the last remaining part of something .

(d) cozen - to trick or deceive . Obtain by deception .

(e) bulblet - small bulb produced on a larger bulb .

(f) Circe - Goddess , nymph , enchantress or sorceress of magic . Daughter of Helios and either Oceania or Hecate . Able to change people into animals with potions or incantations .

(g) Elaine - the women of Arthurian legend who died of unrequited love for Lancelot . From Greek , a girls name meaning "sun's rays or shining light" .

(h) evanescent - soon passing out of sight , memory , or existence . Quickly fading or disappearing .

(i) Hesperus - the planet Venus . Evening star .

(j) Hesperides - legendary garden found at the western extremity of the world that produces golden apples . The nymphs that with the aid of a dragon guard the garden that grows the golden apples .


(k) - Jinni - also Genni . In Arabian and Muslim mythology the intelligent spirit with less ranking than an Angel that can appear in human or animal form for the purpose of possessing humans .

(l) lowball comedy - a deceptively crude comedy with underlying meanings .


IV.
My Maginot Line (a) , my Magen David (b) . . . before you board mae west (c) .
The squirting sea cucumber .
The Sammum Bonum (d) goes .
It's Watch Night (e) like a watch pocket (f) .
Zombism (g) we have digressed (h)
The incunable (i) mickle (j) , the  micawberish (k) pentagram (l)
exposed .


(a) Maginot Line - weaponized concrete fortifications built by France in the 1930's to keep Germany out .

(b) Magan David - originating from Medieval
Arabic literature . A hexagram (overlapping equivalent triangles) that was used as a talisman on protective amulets and was known as the Seal of Solomon . In the 18th century it was adopted by Jewish interest as the Star of David .

(c) Mae West - Personal flotation device (PFD) , life preserver . First inflatable life preserver created by Peter Markas in 1928 .

(d) sammum bonum - Latin . From Rome's greatest orator meaning 'The highest good' . Virtue .

(e) Watchnight - a service also called Watchnight Mass is a late night Christian church service . Held on late New Year's Eve . Also called Freedom's Eve service , a celebration and remembrance of the Emancipation Proclamation (enacted January 1 , 1863) which freed the slaves in the Confederate States during the American Civil War .

(e) watch pocket - extra fifth pocket on the right side of blue jeans made for a size 16 pocket watch .

(f) Zombism - the Kongo and Kimbundu system of religious rites . Characterized by worship of a snake diety during Voodoo rites .

(g) digressed - leave the main subject temporaryly in speech or writing .

(h) incunable - a book , pamphlet , or broadside ( a critical response) printed in Europe before the year 1501 .

(i) mickle - a very large amount .

(j) Micawberish - resembling the character of Wilkins Micawber in the Charles Dickens novel
David Copperfield . Especially optimistic to the point of being irrisponsible .

(k) Pentagram - five pointed star used in ancient Greece  and Bablyonia . Which is used today as a symbol of faith by many Wicans and said to have magical powers and associations .


V.
While the rabalo (a) swims the tropical seas
succes de scandale (b) .
While the Exmoor (c) ponies exert , ****** (d) in-and-out (e) .
And the Langur (f) from Laos
lies lethargic , drinking meadowsweet (g) ale .
The Nereids (h) tease and pase (i) in polyrthym (j) .


(a) Rabalo - common snook or sergeant fish .

(b) succès de scandale - a success due to notoriety or things of a scandalous nature . Public controversy .

(c) Exmoor - an area of hilly open moorland in west Somerset and north Devon in South Wales England named after the river Exe . Ancient royal hunting grounds .

(d) ****** -  Queen of Asgard and wife of Odin . Stepmother of Thor and adoptive mother of Loki .

(e) in-and-out - copulation

(f) Langur - long tailed aboreal monkey with a characteristicly loud call .

(g) meadowsweet - or mead wort is a perennial herb that grows  in damp meadows in Europe used to make medicine .

(h) Nereids - In Greek mythology the Nereids are sea nymphs , daughters of Nercus and Doris and known to be friendly and helpful to sailors .

(i) pase - a maneuver with a cape used in bullfighting meant to get the attention of the bull .

(j) polyrthym - a rthym which makes use of two or more different rthyms simultaneously .



VI .
The enchantress in a jaded jodhpur (a) .
So kitsch (b) with the live stream (c) mouth .
A menu (d) with folded mantis hands , a Nazarene (e) .
An à outrance (f) , an abstraction (g) .
***** envy (h) , reach-me-down (i) , rest house (j) south .
The simoon's (k) coming , simon pure (l) in simony (m) .


(a) Jodhpur - also called riding breeches . Tight fitting trousers that reach the ankles ending in a snug cuff worn primarily for horse riding .

(b) kitsch - German meaning ****** art . Excessively garish or sentimemental art usually considered in bad taste or lowbrow .

(c) live stream - to stream digital data . Data that is delivered continuously and is usually intended for immediate processing or playback .

(d) manu - (Sanskrit) is a term found in Hinduism . In early texts it refers to the first men , (progenitor of humanity) .

(e) Nazarene - native of Nazareth . A member of a group of German painters
working mainly in Rome who from 1809 sought to revive the art of Medieval Germany and early Renaissance Italy .

(f) à outrance - exorbitance .To the limit .

(g) abstraction - freedom from representational art . Dealing with ideas rather than events .

(h) - ***** envy - the supposed coveting  of the male ***** by a young female according to Sigmund Freud .

(i) reach-me-down - second hand clothing

(j) rest house - shelter for travelers especially when there are no hotels available .

(k) simoon - a hot dry dust-laden wind blowing in the desert , especially in Arabia .

(l) simon pure - untainted purity or integrity . Absolute pure , genuine or authentic . Also used negatively as pretentiously or hypocritically pure .

(m) simony - the buying or selling of ecclesiastical privileges . Such as something spiritual . Taken from Simon Magus
(Act 8:18) who endeavored to buy from the Apostles the power of conferring the gifts of the Holy Spirit .



VII .
Come Nisus (a), Lord of misuse.
With your Ibizan (b) hounds
and ewer (c) .
Your ebulient (d) ectomorphic (e)
mentality .
Board a carrack (f) to Chad breastbeating (g).
Put your thoughts on skewer (h) .
While seeking an essoin (i) , flannel-mouthed (j) idyllic (k) .


(a) Nisus - Greek mythology , King of Megara , son of Pandion of Athens . When King Minos of Crete beseiged Megara , Nisus's daughter Scylla fell in love with Minos . She betrayed her city by cutting off her father's purple lock . The purple lock of hair held magical powers if preserved . Nisus was killed and became a sea eagle . Scylla later drowned , said by the hands of Minos and was changed into a sea bird pursued by the sea eagle .

(b) Ibizan hound - named for an island off the coast of Spain . Ancient breed of hounds once kept by the Pharoahs around 3400 B.C.

(c) ewer - a large jug or pitcher with a wide mouth used for carrying water for someone to wash in .

(d) ebulient - cheerful and full of energy . Archaic - of liquid or matter boiling or agitated as if boiling . From Latin ebullire - to bubble out which is the stem of the word Bullire which is the ancestor of the word boil .

(e) ectomorphic - body having a build with little fat or muscle and long limbs .

(f) - Chad - a landlocked country in north central Africa . One of the poorest and most corrupt nations in the world .

(g) breastbeating - a loud emotional expression of remorse , grief , anger , or self recrimination .

(h) Skewer - stick or metal pin used to hold meat .

(i) essoin - old English . An excuse for nonappearance in court .

(j) flannel-mouthed - smooth and persuasive in speech in order to deceive or manipulate .

(k) idyllic - extremely happy , peaceful , or picturesque .



VIII .
Through the eyes of yashmak (a) ,
below the eyes of  yarmulke (b) .
Whey-faced (c) tunneled half-caste (d)  in a white haik (e) .
Genuflection (f) to Baal (g) , Jehovah (h) .
A docudrama (i) , carbunckled (j) .
As the cross hair sweeps
across professed
liturgist (k) .


(a) yashmak - veil concealing all of the face except the eyes . Worn by some Muslim women in public .

(b) yarmulke - a skull cap worn by orthodox Jewish men or during prayer by other Jewish men .

(c) whey-faced - pale , especially as a result of ill health , shock , or fear .

(d) half-caste - a person whose parents are of different races in particular a European father and an Indian mother .

(e) Haik - a large outer garment or wrap typically white and worn by people from North Africa's Maghreb region .


(f) genuflection - lowering of one's body briefly by bending one knee to the ground . Typically in worship or as as sign of respect .

(g) Baal - was a title honorific meaning "owner" , "Lord" in the Northwest Semitic languages spoken in the Levant during antiquity . From its use among people it became to be applied to Gods of fertility , weather , rain , wind , lightning , seasons , war , and patron of sailors .

(h) Jehovah - a form of the Hebrew name  of God . Means  "I am that I am" or "I am the one who is".

(i) docudrama - a dramatized TV movie based on real life events .

(j) carbunckled - to make painful , sore , or irritated .

(k) liturgist - one who practices liturgy . A form to which public religious worship is conducted . In ancient Greece a public office or duty performed voluntaryly by a rich Athenian .
Nielsen Mooken Jun 2014
Sentient beings, or puppets of fate
When, by free will or by command,
They- with vehement threads of hate-
Decant the numbness of my hand
To be Acheron's vicariates.

Black sentinels of my torment
They haunt every abode of rest
And flaunt their hoary adornement
Over the arch of my behest;
A crumbled wall of laments.

Giant companions by my side,
They shade the embers of joys
Of when I danced with Etesians' tide
And tasted the feeling that cloys,
In the garden of the Hesperides.
Brandon Conway Jun 2018
You’re impenetrable my little
Nemean lion
You have cauterized your skin my brittle
Lernaean hydra
Forever I'll chase my crippled
Ceryneian hind
Where ever you lay waste my graceful
Erymanthian boar

Even if you never come clean my *****
Augean stable
No matter how many you eat my hungry
Stymphalian bird
No matter your myth my covetous
Cretan bull
No matter how many you’ve ate my cannibalistic
Mare of Diomedes

Even if blood has to shed my bellicose
Belt of Hippolyta
I built this field for us to grow my starving
Cow of Geryon
I will hold your world up my poisoned
Golden apple of the Hesperides
I will travel to the depths of hell for you my frightening
Cerberus
I don't think this works so well, may need to expand on it.
Michael Marchese Jan 2018
How wise we’d all be
If life was a service
If human the union
Could be how we learn this
Unlimited truth
Is to simply be me
Don’t be her, don’t be him
Just enjoy what you see
As another story
That begins and then ends
With some greater god’s glory
A hunger for power
And global dominion
Though mortals imbue them
With what they envision
As happiness wealth
And more land than they need
For a place for the self
And a garden for Eve
Venarth says: “After alternating with the Erythrai, I climbed the top of the ship, and began to experience changes in my philosopher's dermis, from a permanent continuous present independent of the post-period, leaving the dogma of the numbers that would cause me an existence capable of only obsessed with supporting him, with the weight of a drunken Lepidoptera who spoke to me close to the invariance of the incorruptible dense layer that covered the sea on the cornice of heaven, making them a continual delay of time. The facets of invariability would begin the notorious oceanic areas that fractured when the Eurydice divided the hemispheres, causing them to doze in the time of her crystal ball, up on the crown which would make her base the extra personalities of the sunset on me. The present allows me to eternalize my memories or memorare, of my existential eclipses, making of its faculty to speak of a super conscious overwhelming and constrained to the hermeneutics that invited me to drink Ouzo among the few beings that accompanied me in the height of the ship, increasing its gradation every time a sip multiplied with the puffs of the Hesperides that passed me by, inviting me to bag their naked spring figures wintering, given the temporary stagnation that entered through the hole in my pectoral of the sinister right scapula, where some probes of the Mythical elderberry paused my outraged finite human, who got stuck in my chest when he couldn't apprehend the amount of my second lieutenants who sifted through the Bereshit voices of the Torah, who lamented pre-late and tonal that they never finished, that they became prey condensed from each sip I drank into his Ouzo harvest timeline, tracking the tiny sips that That I would not be able to count, before drinking them, after never having drunk them harshly, thus not understanding the mats blown by the reefs of the infinite twilight sapphire, carrying away the burps, that the naiad Arhanis saw coming out between my central incisors and from my mouth numbed by the heat of Zeus's anger, and from the dawning of potential between fallen, hanging from the sky of Arhanis, holding between the hands of the one who supports him. The clouds and geometric masses in vapors fell on distinctive chromatic ropes and cords of volumes supporting the infinite, which today eliminated itself blinded, falling into the void of an ex-vaporous corporation.

This succession in status of perenniality, made me hold vigorously from the top, as I began to fall into an unknown void where I would meet Elpenor in hypersomnia, but rather, from a song of the Odyssey that invited me to a straw next to him and the liquid chemo of the Ouzo, asking him to give him the worthy food of his oblations and the liquor broth, to make me advise him in the last sip, before the sirens sing, where I would affirm my golden hoplite elbow so that the status of eternity, dispense with the ford runs of the taps that exude their Cretan Ouzo, through the navel that swallows the entire boats and my "Pectoral that puts the stopper of time so that it does not pass supra into infra existentialist"

Elpenor, already burning before him, continued with a glass in his hands, pressing the heads of the Taurus who prolonged substitute immaterial lapses, which turned into ouzo vapor vomited by both, running through the sequence of the masts of the crowns, which it would begin to weaken somewhat  from so much distillation of the vineyard test tube, as it cooled down after a succession of events that began with the severed head of the beginning of the emotional initial moment, in which I am still wounded between crossbows and moments that undermine all origin, under a toast of heavy eyelids that pretended a Bing Bang, before taking the float towards a mound that would allow me to fall into the unsustainable gravitant, in which the acceleration causes me, and that weatherizes everything, even though I am not the one that transports myself. Before Elpeneor, I witnessed three uncorrupted deaths, one with the scythe on his shoulders cutting the fences of the impiety of raising micro-times in the Odyssey, another as a prey of biological dowels that debate science that fall incapable before the granule of the involved brain similarly to the multisectoral questioning of conscious conflicts; and final hunger within my contradiction and inconveniences of the loss of the sense of taste, cloistering myself as I live in its metempsychosis, losing the sensitivity of my hands and trying to leverage my swords and spears, not defending my defenseless body from immortal carcinogenic fears , of a lost sacred soul and in sequence of losing reason of seven times plus another seven that remain for my way to paradise, evacuating primary psychic elements and codes of life that rest in formalin, before those who do not fear revive me when drowning  in Ouzo, for all my phalanx soldiers who live in me still dying in my arms.  Constituting the triple of the human being, which affirms the transfer of certain psychic elements of my body to another after my death that does not allow me to walk in the threads of the dust of my bones that wish to be taken back from the corners, from the old and sticks of the termites that eat my crow. I am still in creationism, dressed in yellow, so that the poet who only ***** and breathes me with his great senses, is closer to Christmas than millions of years I have lived, before the Christmas carol woke me up as a divine child, being only a large hoplite cop entangled in an igloo of Panentheism, deifying me or perhaps semi-deifying me, to house the stars that would walk out of my intellectual herd, creating my own low hills of consciousness, that look through the balustrades of the flint of Saint Peter in their Altozano, self-creating vital, but immanent. Transfigured, I decant my teeth in the crottals, on the carpet before the scarcity of their dilapidated embryos, before the Biblical Revelation that tells me that, among all creatures, I will be the only man capable of daring to apprehend the concept of eternity, in between of the serpents. As in one of the theological versions of Ecclesiastes imploring God: “He has made everything beautiful in my time. He has placed my eternity in the hearts of men”.

When I hail Heidegger after a sense after lingual ..., with the amphora ***** in his philosopher pipe, and with Wittgenstein I ***** half – half brain tobacco. Averaging Newtonian ignorance’s, before an absolutism that are revealed in the universal psychic drama, while God awaits me early in his catechesis, ordered, gummed and omniscient of myself, I am agreeing with the precious perfidious date still in my Eurydice's crown, that it looks eloquent of my new date of birth without a month that fits in any calendar that is known, to then go after the capitol in Athens itself, running aground with my ship after my hurricane, possessing its great reliquary itself Parthenon, with my ship over all this stiff structure that is reborn together with my eternalist suicide "Perpetua et incorruptibilis, in æternum vive"

"... Vernarth, breathes unfathomably and comes down from the Euridience crown, as if nothing had happened, when he sets foot on the deck full of liquors and ambrosias, he joins the others and dances Zorba without stopping next to them
Perpetua  et incorruptibilis, in  æternum lives
Mish Nov 2018
I dreamed a dream of glory
That I’d reached the mountain’s summit
With the fears of the ignorant a fading, threadbare backdrop

And I rested with the hush of innocence
Basking in the garden of Hesperides reborn
In harmony with the nymphs of sunset

The atmosphere was steeped in a fragrant peace
And Ladon the dragon was sincerity and sound embrace

Reaching warily, I plucked a golden apple from a blushing perfumed branch
Its juice was tangy, its flesh sweet radiance
My eyes saw clearly and my heart filled with joy
And my mind awakened and I did not die
The tree of knowledge had laid bare its timeless secret: god is a liar.

(mish 2017)
Says Etréstles: “The immortality Aeternitas trepanned the fury of enchanted isolation after descending from the crow's nest on a trip to Rhodes, sinking haggard towards an underworld dressed without pain or ischemia that complained to me originating from transient cellular fatigue. This was enchanting me towards another pseudonym that renews it under the pretext of digging itself into the eternity of unspeakable silence full of possessions in shallow Beech leaves, and above all those ungerminated senses. Abbreviated topic and placebo speeches that were exerting a cluster of cloaks of once fermented and materialized in disconnected lapses disintegrating towards their perpetual movement, exiled and physical-dynamic, but not eternal. Aeternum was boring itself into the continuity of perpetual preaching where nothing and no one emits it out of everything unknown chaos overwhelmed or becoming independent of its effects full of irony and tragic moans sniffing out its dying flat lux, and separating into double archetypes torn from the rehearsal of the thousandth life like all reflective floaters not being afraid of being in a substance that was seeing itself crazy and seduced from its imaginary. For everything that is intolerant, unable to see rolling chariots of fire and not evolving with the exactness of an eternal minstrel. When we were on the deck of the Eurydice I saw how they danced through some diaphanous fingers when observing how the same color of the Ouzo was fading all over its sudden and rebellious sphinx, falling from its own feet insinuated to others that they were apprehended when counting of the cheers and emotions to be later discerned in Aion's ashes. Powers of a potential beginning became a cautious being In Aeternum in a straight line to his clone without beginning or end, without time or matter, being himself his own deity rebelling from the correlated fractal dam. What notion is born from the concept of “Instantaneous being, immune to the cloistered effective and continuous knowledge when materializing as a god…, God of Bern-Gethsemane, among the songs of abyssal seas before the perfection of a hymn, ceases to exist, falling out of tune in the court of Aionius”. I stresses; mandated the zeal to stay in the twelfth cemetery being able to get rid of the symptoms of ****** and Harpies with the flourishing of venerable pious beings like Vernarth, behind these beautiful winged women remaining lustful just by looking at him, and subsequently being swallowed with all their evil thickness resulting from snowy genius. All of them rested with their sharp claws breaking their intrinsic heart in everything that is sometimes a tear before moving through banal philosophical philanthropy, which was lightening their days to discount it in what they learned from another pair, not being the subsequent ones same. Nothing is suffering like the jubilant flute that solfeggio when its sounds are randomly listless making ****** in its trepidation with harmonious notes and emaciated tears on the surface of a mask. Behold, his parallel face is a disfigured universe, not being possible to count distances between his equidistant eyes, and formerly sighs that go unchecked with his physiognomy at the end of the egress that rubs against his relative beloved, disintegrating his own turned into nothing. All these ailments are melified universal emotions that stand out in harbingers of destroyed futures described in some Olivacea Bern branches, made up of the precepts of multiple physiognomies, father and son hating of so much affection and orbiting in lasting decadent cycles with areas and divine contained rootlets of Beech tubers satiated in reliefs of insane emancipating curves..., called Empresses of Vernarth, just like In Aeternum with spaces falling from various inter-tempos to its high grace and radiant help towards the final pinnacle that was ready in the will to lighten him up and go cornering leaf after wasteful leaf.

Everything was recreated in minuscule variations between Romanzas Tchaikovskianas, recent and terse when they divulged him near the Volga. Vernarth planned with the facade of him to resist amid musty and gutted late musical papyri; called scores of illusion and fervor at the sound of the celestial harp that was nothing more than another harpy, coming close to him as it fell on the pegs that struck a Muscovite bell. The borders in themselves became a reality in his space and accompanied him, making him feel that he was still outside the spaces of the Hermitage when he remembered it..., even though he did not know anything or the coolness that attenuates him indistinctly from the Bern-Time that was frolicking in his emotional cover, making him feel such hypothetical compunction at realizing a deadly thread. His life mechanics hesitantly fell off V.V.'s lectern. Gogh, developing in un concretized models with singular embarrassments that have not yet stopped in its squalid rind, on the way to uncovering and then imagining knowing whose it is or was, knowing that no precedent would model its sensation of hyper-Ouzo, aggravated with maledicence in his space Bern-Time, and surrounded by his **** hysteria coming out of the bellows of his veins and ferocious ******, singing to cruel people who laughed with great art for whoever challenged him and concentrated his sorcerer's trick. Ferocious evil devils were still in their remnants rolling through some cracks that ask to circulate in Florence, in Tuscany among some Diavolo with multiform cosmogony, "Possibly reliving" that has decayed from himself, and resorting to himself to facilitate the last parallelism of the variable molecule and lung protervo balanced in grim expansive hopes by validating him..., perhaps of a false revival. From here he will have to absorb himself with hepatic gargles, and seriously insulted desires as he gets drunk from the unknown universe, pretending to decipher the encrustations on his back full of particles that were hidden in residues without mass or gravitations, overestimating the heart that hangs from a hedonistic Longines and from a mischievous ending outlined towards the woods of Hylates longing for him. His verses are confused with ailments and consciences without trace or trace or firmament that remains ephemeral before closing the cousin Lux that was passing in front of In a Gadda Da Vida, whose symbol is the one who outlines it in darkness highlighting his metaphorical soul intangible solemnity and portraying his adolescent face that dozes under the attentions of his ascendants, removing intemperances, and prophetic doping that was torturing and invading him on the fold of Alikantus's haunches when he was annoyed that his own steed would carry him in his arms resting on his disturbed property endorsed in an equine Hoplite. Its iconology is and will be in the hexagonal baptistery of Ein Karem, solfa templar choirs and choirs that thunder from the spawn of the sheaves to a sanctuary that nothing calms in infinite and allegorical deities with tortuous moratoriums enduring the resistance of the obtuse sprains of the ineffable.

Vernarth Antithetical to an Auric medal, it rested superimposed on his arms, wrapped in well-tempered cymbals, nourished by turpentine allied with Ouzo caramel, minced after thick Hellenic toasts when they began to perpetuate themselves with sagacious heretical attacks and narcissistic bravery as they went cloistering himself in maturity that dressed in an imposed narrow law fame, which was expiring under immutable and succulent decrees perched on the same aphrodite in love with himself. Meanwhile, Vernarth stocked up on medallions chained to garments of happiness they were inscribed with precise digits and sighs that would name him as Vernarth, "Son of Sisyphus perhaps", the guru of pending conclaves and hesitations "Here is who I spoke of allowing him to delight in named feat and with trivial branches in plunges that were varying in the spheres that were degenerating into heavy lightness towards their alter confusion. He bites the line of a comet falling on him, knowing that the Sotíras or Sóter has done penance within it that will not let him sleep on the motionless stars. Unstable from a primordial advance, then starting from the worst chaos that could have engulfed Vernarth In Aeternum. From this adolescent temptation that will launch meteorites and elegies at the castle of his courtship, telling him to remain confined in the solidity that he will postpone for other winters and the same passages that will make him come from the northern *****. The sweet necropolis would then light up by not being lost among the living, rather by the fallen who would have to seek the living among the fallen to help them and reciprocate between nearby verses by resurrecting them from In Aeternum…, seducing them from his active life! Vernarth denies coming and going along the aforementioned hillside with his courted delay... she will have to remove his dagger from his wrists, more or less restricting soporific arteriosus threads, smoothing the scaphoid and pyramidal, permeating with tender fire and playful irrational object "instigate In Aeternum to my onerous mind, whose world map and impolite split in the valleys of Berna-Universal..., as Adonis planted that was perceived in agreed cycles,... only by alternating his instigations..."

In æternum Auream Consecratam, Vernarth defoliated after the axis mundi and exaltation of the Bern-Universe world, encrypting in the engravings of all the memories of the Harpies, even in their finished archetypal capital where they moved through the midst of trunks cosmogonic footsteps and of the gods with spare hearts in frank wandering architecture, rebuilding themselves with new gods of consecrated aura. The party continued with decreed dialogue and continued with the medallion on the drag chain that went under the draft of the ship indicating the message to verify and rest in the preciousness of one who can balance his man's maneuverability with his Lynothorax open to the world so that Zeus in this day of utilitarian morality makes it part of his infinite use, but with orderly practical use. In this proportion, St. John the Apostle warns him of the sighting of Cape Koumbournous, approaching Prassonissi, not far from these two appears the third, Karpathos, all this limited to the south of Rhodes in the concordant uniform of his entire work, transforming integrally according to the conception of St. John for the predicaments of maximizing the weight of his alliance with Vernarth; now converted into a dogmatic designer, placing Gnomic poetry to help his memory. For all the themes of wisdom and conversion in each stone on another with a liturgy of construction of the temple that extended them to Patmos, in intelligence biblical verse was explaining the versed maxims converted from the prior cadence of poems in sequence, and legacies of stanzas of wolves that save lives to their hunters with prosaic testimonies delivered in hilarious argumentative eagerness, but not transgressing the expository towards Bernese-Hellenic poetry, with rhythm and cadence of the hours of the day that the centuries do without questioning its cyclical beauty, although I walk on it in a drama of lost revelry.

Saint John says: “The maxims, aphorisms, and apothegms will be where they differ from their charm like the beloved fugitive that Werther awaits from Goethe, like Vernarth, threatened by his madness to escape from the harpies emitting in his apothegm “His intensity is neither worthy nor irritable, but abhorrent." Vernarth is detested by large masses of clones of war comrades who make their apothegm young death in the hands of abhorrent old age, which falls into trends of compromising verses, and circumstantial that require doses of Ouzo on those levels of the classic apothegm, seated on a Klismós with a bald and contoured ***** on the four legs of Vetrubio, and a backing of light Rembrandt being born of all equal synchronicities at the dawn of a preceded and pseudo-literature, which more than letters will be retractable symbols of his bellicose artistic memory that bears of the tabulator of its reflective collections, leaving divine blood in the claws of the Griffin that slices blood of vermin that bind the light with its red pupils, like Werther and Vernarth swallowing the divine gesture that differentiates from those who are not prey to the erratic intensity of the wolf wise, who pursues his prey beyond cold and hunger, finely leaving his victim between nearby hooks and his neighbors Garfed Family members making enemies of natural blood relatives. Here is every part of our challenge in every listless use that is consistent with our entire works since the trade winds put us in the best climatic emotional mode, towards those who live on the food of wisdom more distant than the ignorant fools, but rather for those who they make their species our own variety in good moments that will be intense, but nothing that we cannot moderate with this greatness of small lux, but with great expressive mechanics dissecting interstices and remains of sediments that will remain for us to reassemble with public voices a Messiah as a great speaker, even with nubile apothegms that do not allow to be portrayed. We are sailing here slowly with the force of the blows that drag us to the Koumbournou cape, we can look at the highest peak that can be seen, being devoured by our own expectation that makes us go beyond what we thought we could achieve as a founding prize in the new religious laws that we have to refound, after the phylogeny of Olivos Berna. Not only does the Greek landscape manifest itself to us with the mythical laws to re-study them, but they also make them possible with our overseas proximities on cliffs that fill us with courageous courage towards one end of the stranded ship heeling upward, and towards the lavish waves that speak of coasts and white waters on the same waves that sang denominated in verses of the renewed goddess Hera, and who are related by a hero like Vernarth glorified. Neither illustrious nor villainous, but an aristocrat of Nymphs, Muses, Harpies, and Hesperides taking the sun deck with them in the Eurydice triaconter, stripped of benefits to the one who is just beginning to rule over him with his pious song. ”

The Vernarth-Werthian Tragedy was crossing the overseas challenges of Koumbournou, witnessing before his eyes the storms and effects of the intensity of an adult youth with his apothegm “My intensity is neither worthy nor irritable, but it is abhorrent”. But of Werthian scope, with the intention of competing with all the leaders of the courtship and of the sources of its antiquity similar to one more degraded of charm, leaving those who love and those who have been bewitched by all those who have been abandoned by adhesions of love unrequited. Cycles of horrors over the ship expelled the worst that made the ship list with rattles from Vernarth's gouges that made three-dimensional the superfluous darkness of the birch that was anointed on the mainmast, causing populated voices from minor to major near the Koumbournou cape. Certain temperamental harpies perversely wooed him from high to the freest confines of the scale of sarcastic incantation and countless love affairs. He is forced to witness his own indomitable fictions with an adorable room in the peasants where the harpies and their corsets licked the bobbins of some tonal hypocoristic words, contrary to the euphemistic of his apothegm that bordered on the most abhorrent apocalyptic when he found it in his practices mental manipulators and in the fictitious reality of loving beautiful women who do not correspond to those who love them! They knew this interdict that is hidden in the pavilion of some rockeries that hit the doublets of the minor harpies presenting themselves to everyone in the skylights of the sky, which were overshadowed by contested intimacy since they could not correspond to the final linguistic sounds of the lipped apothegm, adjoining in full love and colorful operatic stillness. Vernarth continues with his gouges inscribing his name and the name of his harpy that would finally rid him of ****** ailments. Arhanis; the harpy looked at herself in three glasses simultaneously, giving Vernarth sorrow for the attachment that escaped through the hiding places of the matrix fairies with delirium tremens when they submerged themselves under the decorated breaths of the floripondium that lingered from the totemic censer, recomposing itself in an incomplete wagon with areas of hydro-monoxide heaps overheating and producing viscosities, smearing his chest and mouth in the vortex as he softens the flow spilled by warm lightning rods in each abandonment, while nothing consoled him when everyone attended to them to overcome his catatonic course. The ursids who embraced the females would be outraged by his laziness, and the hopes of finding them would take them to the shore of Aphrodite with her final dirge defragmented and out of tune. Werther, with obvious elegy, appears with essences and disappeared in anxiolytic body parts. Werther says: “Here is Koumbournou, here is Wahlheim where our docks would still like to house rising boats that cut their bows and keels leaving each other in nothingness. Both pontoons would kiss in their death locked up near the In Aeternum, adjacent to the openwork where the auric medallion grieved. For the first time before committing suicide I saw that the heavy doors that led me to Lotte were opening, letting joy fall on my eyes, being the harpy that every female bears with a name similar to the one who fills her cup with desire and vanity. The harpies whimpered with their bellies full of harsh tears, asking Vernarth for two harpoons from the coarse cellophane of the flimsy sea of her soul, still standing before him dressed as a Werthian organism. Until the Panagia Ipseni, the monastery of Rhodes, cries of projectiles were felt that crossed each other in the swift flight of the desires of the immolation of both, whose ballad melted the rows, tying themselves to two naves like bushes grafted onto the hands of the suicide's executioner. The one who speaks here is entangled in Lotte's glottis, still alive to ******, and he calls me with eagerness and regrets my death in the whole world, not for my Werthian love for her. Vernarth says Werther, this rots me with uneasiness, I let myself fall into its obscenities to decay from Lotte's apnea, which is still in all those who suffer when two harpoons cross for the same destiny..., the victim chooses the first " Says Lotte: "Even after the Vernarthian time, both who dare a rude hostility as a way of harpooning doubt and who are not prone to suicide, it is that hope itself sweetly lingers in the one who receives the wound that bears my name..., that of Werther that grapples with the spur of the Eurydice, and that of Wernarth that crosses paths before both of us were lost in the midst of oblivion. I am still in Wahlheim, but I give birth to those who in the evenings after the bells still come to claim my destiny, perhaps their tragic destiny was taken by the princess Eurymedusa who will take them to Rhodes and Patmos, following the path of the myrmidons between them whom I envy and the princess herself loving him in her Rhodes prose”
In æternum
I witnessed chalk clouds touching the Hesperides orange shroud , they in turn crossed nightfalls navy blue horizon ..
The shadows of Hereford cattle returning home , moonshine enveloping brown sugar brome
Evening songsters and prominent whippoorwills calling the day to close* ...
Copyright November 26 , 2017 by Randolph L Wilson * All Rights Reserved
Tupelo May 2021
Dear ex lover,
I see you everywhere
Your name etched on the insides of my life
everywhere I look there are traces of you

Dear ex lover,
I hope you are well
The angel that you are
took me, a broken thing bruises and all
plucked me from hesperides and brought me back
to the land of the living
Just to hold me close and whisper all the good into my ear

Dear ex lover,
I know that on the surface I was silver and strong
but the devil never liked a quiter
and those demon's arms have a long reach

Dear ex lover,
I used to love the grocery store
Linoleum and fluorescents
The way you moved so effortlessly

Dear ex lover,
I used to love the grocery store
But my aisles are filled with ghosts
and my pantry is a tomb

Dear ex lover,
I know I hurt you
My decisions were not the best ones
This body has felt so heavy for so long
and these demons scratch at my skull

Dear ex lover,
I hope you are well
I hope you laugh
I hope your belly is full
and you have a warm bed to come home to

Dear ex lover,
I wish you well
always
After the axis mundi for the excellence of the Bern-Universe world, the engravings in all the memories of the Harpies became more cryptic, which even in its finished archetypal capital, moved between the cosmogonic footsteps of the gods with their spare hearts in frank nomadic architecture, rebuilding themselves with their new gods, with a consecrated aura. Conferencing the decreed dialogue to continue with the medallion in the drag chain that went under the draft of the ship, indicating the message to verify, resting on the preciousness of someone who can balance himself with his maneuverability, of a man with his chest open to the world, so that Zeus in this day of utilitarian morality, make it part of its infinite use, but of orderly practical use.

In this proportion Saint John the Apostle warns him of the sighting of Cape Koumbournous, approaching Prassonissi and not very far from these two appears the third, Karpathos, all this limiting to the south of Rhodes, in concordant uniform of his entire work, transforming itself according to the conception of Saint John for the predicaments of maximizing the weighting of his alliance with Vernarth; now become his dogmatic designer, placing Gnomic poetry to help his memory. For all the topics of wisdom and conversion in each stone on another, with a liturgy of building the temple that extended them in Patmos, in biblical intelligence explaining the versable maxims converted from prior cadence of his poetry books in sequence, and legacies of stanzas of wolves that save the lives of their hunters, with testimonies of prose delivered in the hilarious argumentative endeavors, but transgressing the expository towards a bernese-Hellenic poetry, with the rhythm and cadence of the hours of the day, which centuries make without questioning its cyclical beauty, Even if I walk on it in lost spree drama.

Saint John says: “The maxims, aphorisms and apothegms will be where they differ from their charm like the beloved fugitive that Werther from Goethe awaits, like those of Vernarth, commanded by his madness to escape the harpies, emitting in his apothegm“ His intensity does it is dignified or irritable, but it is abhorrent. " Vernarth is detested by large masses of clones of war comrades, who make of their apothegm, the young death at the hands of abhorrent old age, which falls into the tendencies of transient, conjunctural versologies that require doses of Ouzo on the levels of a classic apothegm, seated on a bald outlined wooden chair, on four Vetrubio legs, and a Rembrandt light back, all born equal and synchronous, at the dawn of a retro pseuda literature, which more than letters will be retractable symbols of his warlike artistic memory, which he carries in his reflective collections tabulator, leaving divine blood in the grip of the Griffin, which slices the blood of ****** wolves that block the light of red pupils, like that of Werther and Vernarth swallowing the divine gesture that differs from who is not prey to the erratic intensity of the wise wolf, who pursues his prey beyond cold and hunger, finely leaving his victim between his nearby hooks and neighboring gar family fios, antagonizing natural consanguinees. Here is each part of our challenge, in each reluctant use, matching our entire works since the trade winds put us in the best emotional mode, for those of us who live on the food of wisdom, beyond ourselves ignorant madmen, but rather by those who make their species our own species, the good moments that will be intense, but nothing that we cannot moderate with this greatness that small lux, but with great expressive mechanics, dissecting the interstices and sediment remains, which we have to rearm from the public ones voices of Messias, as a great orator, even of the apothegms that do not allow to be portrayed. We go here sailing slowly, with the force of the blows that drags us to Cape Koumbournou, to look from the highest peak where they can be seen, devoured by our own hope that makes us go beyond what we thought we achieved, as a foundational prize for the new religious laws, which we have to re-found, after the Olivos Berna phylogeny.

Not only the Greek landscape, it manifests itself to us from the mythical laws to be re-studied, also the mythical Berns, which make our overseas surroundings possible, on cliffs that fill us with brave temperance, towards one end of the stranded ship heeling upward, and towards the lavish waves that speak of coasts and white waters, on the same waves that sing verses nicknamed the renewed goddess Hera, and whoever is related by the glorified hero Vernarth. Neither illustrious nor villainous, but aristocrat of nymphs, muses, harpies, and the Hesperides sunbathing on deck in the tetracontero Eurydice, stealing goodness from the one who has just begun to rule himself with pious song. "
In æternum Auream Consecratam
alaric7 Jan 2018
You pile salt to envelop bulls’ flesh but not before bees find lost hive.

Fluctuating Hesperides tangle begats, unknot pearly everlasting’s.

         Starlings, ravens, fill presiding oaks with chutter.

Tall-eyed dandelion, almond-poached porphyry eyelash,

comfort hermitage, every tool a die, every fool a sty.  

Might quick shadowy poesie reproach Castile,

conquer pedestrian, rebut baroque, indent emerald.  

                  Do not explain anything.

Lady Murasaki’s long line reaches beyond September.
peter stickland Jan 2018
Sleep-walking

Having landed here from a far-off isle
And feeling upbeat in my pyjamas,
I follow sleep-walking signs and enquire
About the garden of Hesperides.

A dragon appears, and I stand rigid
In its shadow. I’m present in body,
But wholly absent in spirit and sense.
The brute is huge and I’m beyond weeping.

The golden apple tree bids me onward,
So I send flames from my sleeve and wave my
Arm as though I’m using a wand; I can
Surely banish this hideous monster.

Three women dance around the apple tree,
Causing dusk’s golden light to fill the sky.
I blow breath into their dancing and my
Pulse causes their memory to vanish.

With gusts of air, I decrease the light and
Increase the passing of hours. Then, spraying
Lyrics into the air with a fine sleepy dust,
I sing a lullaby that prompts their sleep.

Like an angel, fearing to tread, I make
My feet walk to the far distance, past the
Lullaby, and find a path through a gale,
Keeping an even keel with my head down.

When I spy the apple tree, the calm night
Welcomes me to its realm. I’m now truly
Ready to be amazed by the golden
Fruit or anything suspended in air.

In the moonlight, I head for the apples,
Never putting a foot wrong; I’m walking
On a moonbeam, being a star, reaching
Up to the golden globes in the branches.

Weighing gravity’s authority, I’m
Poised, ready to pluck my prize, so I grab
A branch, get pricked by thorns and hear my wife
Complain that I’m ruining her roses.
Renée Aug 2021
I’m weak without you and I’m weak
in your presence
Admiring your essence
Like you were sculpted by God to stand in the Garden of Hesperides
Norbert Tasev Sep 2020
What a fertile serenity. Maybe a time of immortal fulfillment, that’s why he’s so content. Harmonious move here now. cherished unnecessary activity as a caring parent of Time! - We're still here; in the realized immortality of the Universe, imprisoned, in each other's hearts, in their consciences.

Walled in the prolific tunnels of our blood vessels. - It's unnecessary to talk here, it's not appropriate. Then come the gray-worn everyday, - voices enviable and jealous of our happiness. Just living for each other, hoping; to forget the Heaven of Existence - the most important moral act: To live and appreciate love, to live as long as possible!

How many hopeless, transient moments chewing on the eternity of error: more and more certain can be given by the unconditional oath of allegiance of a given emotion! The pounding messages of hearts live side by side like ripe apples in the secret gardens of Hesperides!

And when it suddenly cools down, it tears to pieces like an empty, meaningless ******* with the given love, omnipotent emotion, maybe inside and inside, we'll just be like the undead! We all embark on a long journey of emotion: Deceptive, empty promises, free return: where perhaps the answers to promised kisses can be bribed!

"The broken insecurity, the impasse of trust, should be left behind me." It is a great blessing and a rare fortune to confess the sincere Faithfulness, which shakes the blood globules of molecules in the tunnels of cells. With true faith, a raised head, yet human humility!


The Spirit and the Heart want to play drums, effervescence, boil like cauldrons, merge, and merge into one, if we dive into each other's planetary eyes!
Rachel Thomas Aug 25
When I awake and see the fields
and flowers bathed in drops of dew
And all the world is basking in
the pearly lustre of the new

Then when the air is shimmering and
the winds are blowing from the south
With peaches so delectable
they melt like honey in my mouth

'Neath skies as blue and cloudless as
a vault of lapis lazuli
I think of sparkling oceans and
a thirst begins to grow in me

For I have dreams of setting off
aboard a giant sailing ship
And gliding down to Greece to see
the wood nymphs take their morning dip

A languid aura there like mist
weighs heavy on the flowers and trees
And every persimmon is sweet
as fruit of the Hesperides

Then on to Istanbul to see
the ruins in the scorching heat
And cool off 'midst the pillars in
the dripping cisterns neath the street

To sigh beside the Bosporous
beneath a giant yellow moon
And roar off down to Cappadocia
in a painted silk balloon

And where, if not to Persia when
the palace gardens are in bloom?
^Where fountain water tastes of rose
and where the air is like perfume

Then to the dunes of sifted gold
upon those parched Arabian lands
Where camels bear their loads of silk
across the sprawling desert sands

Where merchants trade in tea and jade
and pearls of finest orient
Enticing travellers to their tents
with jars of rich Arabian scent

And so I look towards the East
as yet another day is born
Before me, rising from the sea-
the gleaming palace of the Dawn

— The End —