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Nat Lipstadt Aug 2019
The Deepest Twist

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for my friends who know that when HP says this my 1300th
poem, it’s off the mark by hundreds; nonetheless
1300 is worthy number to celebrate your affections
nat
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you return back my older children, fully grown,
my eldest word babies who never ever visit,
blessing them anew, lavishly, with special wishes

I,
take them,
with both hands, a reacquainting occurs,
the old words, deep twist, now hurtful hurt because
reimagining when and how easy they came to be birthed and
how the replication of that process is now a
practiced impossibility

how they burst forth, in purple majesty, wheat waving,
wholly formed, bathed in holy water, leaving no stretch marks,
only just an empty sac inside instantly needing,
needling me into auto-refilling right away

even the twenty four hour, hard deliveries,
long and arduous, were so easy created faust-fast,
that the errors of typography contained,
became lasting hall marks, iconic nomenclatures of
passionate loving-nonpareil

now, well past point of urgent addiction,
unlike then every glance, each sidewalk cracking,
lamppost shadow casting was
a sea story for a deep dive delving asap

I,
supplied answers for the internal badgering incessant
happy ****** need, mine, to go, spill the words,
cab or bus motion nursing them,
now they come slowly strolling,
semi-formed, needy, inconclusive, reused,
and feeling as trite as a cloth coat from an old thrift shop,
so wanting for tender loving care,
which is to provide when you are
four score

wondering how easy it was in prior times when inspiration
fell like a deciduous tree’s fall colorings gifts or
as little children’s nightly multitude variety of dream tales,
when whole worlds uncovered, nay, universes,
hidden between summers green grass blades,
or in unique snowflakes

the semi-forgot love affairs that parented poems
by the score of scarred orchestral scores,
now love circle-turn in holding patters in the
crowded skies above nyc,
awaiting for a trafficked man to give permissions
to “run-away”land that rarely is granted

once, poems in turbulent fluid born, noisy ripping of skin,
****** by the emitting of  constant calming tenderous words,
wonderful drippings, so many multiple births in a moment,
even the OBGYN is complaining,

give other poets a chance at parenthood!

the awesome anger of human tragedy is now so shopworn
from over experience,
even god visits less and less, for it is written,
nothing new under the sun*

though soon his annual visitors day approaches (Day of Atonement) and god will require new
words of human comforting,
a new poem acknowledging that being godlike
is ******* hard work,
for humans are annoyingly capable of incredulous kindness

how can one justify allowing unlacing acts of insane violence to tear
the hand stitched lacing fabric that’s ever ready
to bring us together in an instant elegiac joining

the truth is every one of todays poem are clawed,
shovel dug out from cavities and crevasses,
your new words of recognition of the oldies but goodies,
iron of irony, make it hard, hard, painful to write
without an epidural to numb the painful
dumbing down

when I am breaching my waters, I am hard to spot,
we ancient humpbacks live beneath the deep distanced,
cold waters for many more minutes
than we need surface for breathing,
the show-off fluking, less and less,
and when we birth,
every two years,
must bring the calf-poem to the surface instantly,
to breath, lest it die,
all the while repeating to ourselves:

what was miraculous writing is now nearly invisible,
to blinded fingers that arrhythmically cane tap,
words difficult to recall, recalculate, recalibrate
into a wholly poem

only the **** tears,
that same shameful violin permanent-accompaniment,
they laugh at me when now, they alone
come first quickest, all too easy,


appearing nataurally,

without a formal
written
invitation
“He says, "Son, can you play me a memory
I'm not really sure how it goes
But it's sad and it's sweet and I knew it complete
When I wore a younger man's clothes"

Sing us a song, you're the piano man
Sing us a song tonight
Well, we're all in the mood for a melody
And you've got us feelin' alright”
Told at age 18 she's gonna go blind at 26
Wrote it down in her notebook
Tucked it away in a junk drawer
full of glass eyes
one for every outfit
pearl for the wedding
Ebony for Halloween
Nine to five on Saturday
She rents out the left socket to local businesses
sold that part of herself to make a quick buck.
Quickie
Quickly get his fix
sting
Won't feel him in the morning.
doesn't feel anything anymore
Epidural
Gave her spine away too
replaced it for a zipper to better access her marionette ribcage
thought she could cut out the strings
left a scar so big it needed more then buttons and thread
goes by cupcake
puts her frosting on every morning
has to taste sweet
boys like the red dye
dripped into batter
battered
almost without notice.
Nobody will notice
when it goes off
comes out
Red dye blood splotch
the epidural
won't feel anything
doesn't feel anything anymore
sting
a part she can't even feel
the wedding dress she still hasn't picked up
or canceled
paid for
By renting out space.
white with ebony lace
beautiful pearl jewelry
like glass eyes
drawers full of glass eyes
she plucked out so she didn't have to look
watch it grow
the hospital didn't reimburse her for this feeling
they didn't warn her about the ticking clock
screaming mothers
mirage houses with white picket fences
only barren desert wastelands
tumbleweeds taunt her in the worst of nightmares
Screaming churn crying soft
Cribs and cages
Marbles clinked as she pulled out the junk drawer
rolled past the frosting colored pistol
around a notebook
the notebook she wrote every picture she didn't want to see anymore down in.
the notebook she picked up first.
Sam Ciel Aug 2016
It doesn't matter if you're wrong or right.
It only matters that people hear you.
It doesn't matter if you cower, or fight.
It only matters that people fear. Who
Are we to have an opinion? How dare
We voice our own thoughts and care
About matters that matter to more
Than our own life?

Strife runs rampant and the source is "unknown."
Every problem we face is unrealistically blown
Out of proportion. The right to free speech
has become "the right to blindly preach"
What we think is right to those we deem wrong
And everyone joins this cacophonous song.
We cannot hear their cries through our screams
We cannot hear their sorrow.

Though it seems
As if we are taking a stand
All I see is a contraband market where
People get off to the pain they inflict
Where individuality is slowly stripped away.

You're left, or you're right
You're right or you're wrong
There's only black or white
The grey area is gone
You're with me or against
Blind obedience is the best defense
Against the constant oppression
Like a Catholic in confession
We are down on our knees
Worshiping over their pleas.

And nobody's listening!

Two sides with no purpose
You're just another number
Not another person
And the numbers don't add up
No matter how much you know
And you look at all the data
It just goes to show we
Like share and comment
More than we
Might care to stop it
Our six seconds of fame
Matter more than the shame
We might bring to other parties
When we play our party games
Our brains are electronic
Our hearts made of stone
There's an ice in our veins
And a chill through our bones
We are a nation that doesn't care
About the lives of any other
We are a people who won't share
In anything but the belittlement of our brothers.
Divided in arms, United we stand.
Black white and red
Are the colors in this land.

So let's paint a mural.
Color this pain with epidural
colors and strains to color the gains
and not the losses.
Let's put down all these guns and crosses
The bullets, blood, and vindication
Let our voices and hearts
be the "Shot felt 'round the nation."
And not just one anesthetic *****
But an allergy test. Like the child so quick
To forgive the pain he's endured
When his gaze is lollipop-licorice lured
We have to grin and bear it if we want our reward.

This burden is ours, let's share it and move toward
A brighter future. A colorful tomorrow.
An energetic empathy to replace all of this sorrow.

There's blue for when you're sad
A purple tinge for melancholy
Scarlet, crimson mad
For all the times they said they'd call me

A bright-pink first kiss
Gently laced with gold
The silver tinge of wisdom
That comes when time has told
Your story to the world
Thrown your colors on display
Shown that who you are is compounded
Across a spectrum of yesterdays.

There's green for when you're sick,
Dark hues when you're alone
A white fog that falls so thick
When you don't know where to go.

There's the violet throes of passion
The infinite shades of art
The color that seems so quick to change:
The fickle human heart.

Let's condemn the colors we're supposed to be
And forget our indignation
Let's make a mosaic we're proud to see
Out of the true colors of this nation.

And when the rest of the world looks at this state
Let us show them we are United.
Our palette is a blend of every shade
And we will no more be divided.
Kate Lion Jan 2013
I don't think we needed an epidural
I mean
Maybe we did afterwards, at the sight of all the afterbirth
But somehow
I feel
We didn't
And I don't think a cesarean was necessary
We sort of slipped into this other world so easily
A place all our own
But it's so sad to see how things change
How two lovers
(Born side by side, into a world they never could have imagined)
Don't even recognize each other anymore
MJS Jan 2018
I lay awake
1000 thoughts stealing my only relief
For when I sleep I feel no grief
I am
not sad
not angry
I am
alone
I feel nothing

I crave the nothingness like a ****** his fix,
the internal bliss of this illness
an epidural for the mind.
Cydney Something Dec 2019
I love you
So much
That I want
To have your
Dozens
Of kids
With no epidural
Cydney Something Jul 2023
I am paint over masking tape
To create sharp lines
That never turned out right

I am fingers pressed to screens
And screens
And screens

I am who not to be

I am who I am
And I know what I want

I am drunk,
But not really anymore
So I'm sober
I guess

I am a girl giggling
As her second real boyfriend
Tried to get her to **** his ****
After getting her high
For the first time

I am a mother
Who cheated
By getting an epidural

I am the worst thing
That's ever happened
To too many people

I am poem
After poem
After poem
About boys who probably
Don't remember my name
And whose names
I don't remember

I am dust in the wind
On a dead end highway
In Oklahoma
Where the wind comes sweeping down the plains

I am all the love
And mania
Of a collection
Of bad decisions

I am the screaming
And wretching you hear
Within the walls of a jail

I am wrong so much more often than I am right

I am the acrid smell of
****
Burning through the walls
Of a not-so-happy home

I am dying of thirst
Where the only source of water
Is thousands of miles
Away

You aren't real anyway
Bard Oct 2020
Bullet proof vests to go to school
Future is full of automatic tools
Streets got kids played like fools
And killers enforce the rules
While kings collect gold coins and jewels

War machines grind youth into years
Watch grown men get juiced for tears
Death in the mirror closer than she appears
Meanwhile and idle fool tries to keep his cheer
Its out of fear as his lover she draws near

Masks on in public no longer metaphoric
Ignore the pandemic you'll still catch it
Faceless claims made baseless face it  
Maskless heartless degenerates
They got an epidural so they cant feel ****

**** with negligence while pleading allegiance
Twenty twenty decade of the convergence
Some say year of the divergence
Glaciers lurk below the Dow index
the Titanic awash in market resurgence

Oh woe is me woe is me, woe is they
We won is what the slow in the head say
Cause we're all sitting in Pompeii
Don't matter if your candidate won yesterday
We all gonna be toe tagging today  

Whatchu you know about management, a delegate, a canidate
What your told what you heard its ****** sad isn't it
Don't know about Gadaffi, Benghazi, just emails from Hilary
Their propaganda prattle blaming the soup kitchen ladles
Act like cattle and they got you saddled and addled
sandra wyllie Feb 14
in the mirror? She walks
nearer to the glass. But doesn't
look. In fear she'll pass. Wrinkles
replace the pimples on her face. Hair,

gray as a squirrel. She can’t get up
fast, like she’s had an epidural. Her waist
is spread like a jellyroll or a loaf of
bread. Her *******, flat as crepes. What

happened to her milky *****,
the one that fed both her children? Lips
are thin and pale. Nails are short and
cracked. She’s packed on the pounds over

the years. Her eyes are water wells
collecting her tears. The circles under them
are dark as moons. Her stomach is a hot air
balloon on fire making sounds like a screeching tire.
cher Feb 14
when he told me
he was taking back the words
‘i love you’
that he said back to me however many moons ago
my womb withered alongside
its comrade of my heart.

it was rushed: he hadn’t meant it yet.
he wanted to, hadn’t grown to,
couldn’t lie - forced a premature delivery unto me;
the crowning burned as it ripped
flesh from muscle from skin from flesh.
it pained him to swallow my travail.

i called him,
asked him if we could meet that night.

those unwelcome contractions curled my spine
as i sat placid in the hard bottomed seat of the train
mostly empty - this was the dark of juvenile midnight.
unboarding, i carried my labour to him up the shallow hill
rising to where he lived. he came down to meet me.

we sat on the biting metal platforms
(supported by their metal pole husbands,
raising their plastic roof offspring)
dotted with circular holes
in the sour sarcasm of a child’s playground;
i called him out here asking him
to let me cry with him, in lieu of over.

the epidural he administered to me
bit me as the needle pierced my giving skin.
the stinging truth: how he lied to please me,
caught up in the moment without thinking.
i asked him if he ever felt love for the girls before me.
he told me no. not like that.

the painkiller worked fast in its cruel irony.
how strange that his directness: impregnated me and
forced midwifeless accouchement down my throat.
and how strange still that it be that very same truthfulness
to comfort and soothe away those selfsame pains.
hark! pay attention to the devil in the details—
i found solace and relief in his candour.

he pampered me with a sprinkling of kisses
dotted below my brow, dabbing away
softly at my tears. my breathing was heavy,
encumbered, but i was no longer pained.

this was the first time he spoke to me for real.
what it all was that we said, i can’t say:
those words are to me precious as gold to a goblin;
they belong to us - those memories are ours. i bit down on
my hand to distract myself - i knew i had to push hard
through the ring of fire. i tore down my middle.
hell - dante’s dreams were my reality.

know this. listen and know the tumultuous labour
- how it was through loving him that i had to
wake through my own childbearing cries -
i got through. but know this. listen and know that it
was only through loving him that the child was safely
born unto me.

this child was for us our honesty.
age 16 (old work)

— The End —