Submit your work, meet writers and drop the ads. Become a member
Mariana Seabra Jul 2023
Chegaste a mim em forma de argila, num balde de plástico furado.  
Apanhei-te, de surpresa, embrulhada nas ondas do meu mar salgado.  
Estavas escondida, por entre os rochedos, rodeada pelas habituais muralhas que te aconchegam,  
                                                   ­     as mesmas que me atormentam,  
quando levantas uma barreira que me impede de chegar a ti.  

Segurei-te nos braços, como quem se prepara para te embalar. Sacudi-te as algas, e encostei o meu ouvido à casca que te acolhia no seu ventre.  
Não conseguia decifrar o som que escutava, muito menos controlar a vontade de o querer escutar mais. Algo ecoava num tom quase inaudível. Sentia uma vida...uma vida fraca, sim...mas, havia vida a pulsar. Podia jurar que conseguia sentir-te, para lá da barreira, como se me tivesses atravessado corpo adentro.
Ainda não conhecia o som da tua voz, e ela já me fazia sonhar.  

Pulsavas numa frequência tão semelhante à minha!... não resisti,  
fui impelida a chegar mais perto. Precisava de te tocar, precisava de te ver,
     só para ter a certeza se eras real,
                           ou se, finalmente, tinha terminado de enlouquecer.

Se tinha perdido os meus resquícios de sanidade,  
                                                     ­                                   consciência,
                                                                ­                        lucidez,                              
ou se era verdade que estávamos ambas a vibrar,
no mesmo espaço, ao mesmo tempo, no mesmo ritmo de frequência, uma e outra e outra...e outra vez.  

Vieste dar à costa na minha pequena ilha encantada. Na ilha onde, de livre vontade, me isolava.  
Na ilha onde me permitia correr desafogadamente,  

                                             ­                            ser besta e/ou humana,  
                                                       ­                  ser eu,  
                                                           ­              ser tudo,
                                                                ­         ser todos,  
                                                        ­                 ou ser nada.  

Na mesma ilha onde só eu decidia, quem ou o que é que entrava. Não sabia se estava feliz ou assustada! Mais tarde, interiorizei que ambos podem coexistir. Por agora, sigo em elipses temporais. Longos anos que tentei suprimir num poema, na esperança que ele coubesse dentro de ti.

(…)

“Como é que não dei pela tua entrada? Ou fui eu que te escondi aqui? Será que te escondi tão bem, que até te consegui esconder de mim? És uma estranha oferenda que o mar me trouxe? Ou és só uma refugiada que ficou encalhada? Devo ficar contigo? Ou devolver-te às correntes? Como é que não dei pela tua entrada...? Que brecha é que descobriste em mim? Como é que conseguiste chegar onde ninguém chegou? Como é que te vou tirar daqui?”.  

Não precisei de te abrir para ver o que tinha encontrado, mas queria tanto descobrir uma brecha para te invadir! Não sabia de onde vinha esse louco chamamento. Sei que o sentia invadir-me a mim. Como se, de repente, chegar ao núcleo que te continha fosse cada vez menos uma vontade e, cada vez mais uma necessidade.

Cheiravas-me a terra molhada,  
                                                      ­   depois de uma chuva desgraçada. Queria entrar em ti! Mesmo depois de me terem dito que a curiosidade matava. Queria tanto entrar em ti! Ser enterrada em ti!  

A arquiteta que desenhou aquele balde estava mesmo empenhada                                                        ­                                                             
                                 em manter-te lá dentro,  
e manter tudo o resto cá fora. A tampa parecia bem selada.  

Admirei-a pela inteligência. Pelo simples que tornou complexo.  
Pela correta noção de que, nem toda a gente merece ter o teu acesso.

(...)

Vinhas em forma de argila...e, retiradas as algas da frente, vi um labirinto para onde implorei ser sugada. Estava no epicentro de uma tempestade que ainda se estava a formar e, já se faziam previsões que ia ser violenta. O caos de uma relação! de uma conexão, onde o eu, o tu e o nós, onde o passado, o futuro e o presente, entram em conflito, até cada um descobrir onde se encaixa, até se sentirem confortáveis no seu devido lugar.  

Estava tão habituada a estar sozinha e isolada, apenas acompanhada pelo som da água, dos animais ou do vento, que não sabia identificar se estava triste ou contente. Não sabia como me sentir com a tua inesperada chegada. Não sabia o que era ouvir outro batimento cardíaco dentro da minha própria mente,  

e sentir uma pulsação ligada à minha, mesmo quando o teu coração está distante ou ausente.  

No começo, espreitava-te pelos buracos do balde, por onde pequenos feixes de luz entravam e, incandesciam a tua câmera obscura,  

                 e tu corrias para te esconder!
                 e eu corria para te apanhar!
                 e foi um esconde-esconde que durou-durou...
                 e nenhuma de nós chegou a ganhar.  

Quanto mais te estudava, menos de mim percebia. Mais admiração sentia por aquela pedra de argila tão fria. "Que presente é este que naufragou no meu mar? Como é que te vou abrir sem te partir?"

Retirei-te a tampa a medo,  
                                                a medo que o teu interior explodisse.  

E tu mal te mexeste.  
                                  E eu mexia-te,
                                                           remex­ia-te,
                                                           virava-te do direito e do avesso.  

És única! Fazias-me lembrar de tudo,
                                                          e não me fazias lembrar de nada.

És única! E o que eu adorava  
é que não me fazias lembrar de ninguém,  
                             ninguém que eu tivesse conhecido ou imaginado.

És única! A musa que me inspirou com a sua existência.  

“Como é que uma pedra tão fria pode causar-me esta sensação tão grande de ardência?”

(…)

Mesmo que fechasse os olhos, a inutilidade de os manter assim era evidente.  
Entravas-me pelos sentidos que menos esperava. Foi contigo que aprendi que há mais que cinco! E, que todos podem ser estimulados. E, que podem ser criados mais! Existem milhares de canais por onde consegues entrar em mim.  

A curiosidade que aquele teu cheiro me despertava era imensa,                                                          ­                                                

               ­                                                                 ­                  intensa,
                                                                ­                                                       
         ­                                                                 ­                         então,  
                                          
             ­                                                                 ­                    abri-te.

Abri-me ao meio,  
só para ver em quantas peças é que um ser humano pode ser desmontado.

Despi-te a alma com olhares curiosos. E, de cada vez que te olhava, tinha de controlar o tempo! Tinha de me desviar! Tinha medo que me apanhasses a despir-te com o olhar. Ou pior!  
Tinha medo que fosses tu a despir-me. Nunca tinha estado assim tão nua com alguém.  
Tinha medo do que os teus olhos poderiam ver. Não sabia se ficarias, mesmo depois de me conhecer. Depois de me tirares as algas da frente, e veres que não sou só luz, que luz é apenas a essência em que me prefiro converter. Que vim da escuridão, embrulhada nas ondas de um mar escuro e tenebroso, e é contra os monstros que habitam essas correntes que me debato todos os dias, porque sei que não os posso deixar tomar as rédeas do meu frágil navio.  

(...)

Vinhas em inúmeros pedaços rochosos,
                                                                ­             uns afiados,  
  
                                                   ­                          uns macios,

                                                               ­           todos partidos...

Sentia a tua dureza contra a moleza da minha pele ardente,  
E eu ardia.  
                    E tu não ardias,  
                                                 parecias morta de tão fria.  

Estavas tão endurecida pela vida, que nem tremias.  
Não importava o quanto te amasse,  
                                                       ­          que te atirasse à parede, 
                                                        ­         que te gritasse                                                         ­                                                                 ­                    
                                                                ­                            ou abanasse...

Não importava. Não tremias.  

Haviam demasiadas questões que me assombravam. Diria que, sou uma pessoa com tendência natural para se questionar. Não é motivo de alarme, é o formato normal do meu cérebro funcionar. Ele pega numa coisa e começa a rodá-la em várias direções, para que eu a possa ver de vários ângulos, seja em duas, três, quatro ou cinco dimensões.  

"Porque é que não reagias?"  
"Devia ter pousado o balde?"  
"Devia ter recuado?"
"Devia ter desviado o olhar,
                                                      em vez de te ter encarado?"  

Mas, não. Não conseguia. Existia algo! Algo maior que me puxava para os teus pedaços.  
Algo que me fervia por dentro, uma tal de "forte energia", que não se permitia ser domada ou contrariada. Algo neles que me atraía, na exata medida em que me repelia.

Olhava-te, observava-te,  
                                                absorvia-te...
e via além do que os outros viam.
Declarava a mim mesma, com toda a certeza, que te reconhecia.
Quem sabe, de uma outra vida.
Eras-me mais familiar à alma do que a minha própria família.  
Apesar de que me entristeça escrever isto.  

Eram tantas as mazelas que trazias...Reconhecia algumas delas nas minhas. Nem sabia por onde te pegar.
Nem sabia como manter os teus pedaços juntos. Nem sabia a forma certa de te amar.
Estava disposta a aprender,  
                                                   se estivesses disposta a ensinar.  

(…)

Descobri com a nossa convivência, que violência era o que bem conhecias,                                                       ­                                                         
                    então, claro que já não tremias!  
Um ser humano quebrado, eventualmente, habitua-se a esse estado. Até o amor lhe começa a saber a amargo.  

Só precisei de te observar de perto.  
Só precisei de te quebrar com afeto.

Culpei-me por ser tão bruta e desastrada, esqueci-me que o amor também vem com espinhos disfarçados. Devia ter percebido pelo teu olhar cheio e vazio, pelo reflexo meu que nele espelhava, que a semelhança é demasiada para ser ignorada.

Somos semelhantes.  

Tão diferentes! que somos semelhantes.  

Duas almas velhas e cansadas. Duas crianças ingénuas e magoadas. Duas pessoas demasiado habituadas à solidão.  

Só precisei de escavar através do teu lado racional.
Cegamente, mergulhei bem fundo, onde já nem a luz batia,

                                                               ­    e naveguei sem rumo certo  

nas marés turbulentas do teu emocional. E, algures dentro de ti,  
encontrei um portal que me levou a um outro mundo...

Um mundo onde eu nem sabia que uma outra versão de mim existia,                                                         ­                                                         
       ­       onde me escondias e cobrias com a lua.

Um mundo onde eu estava em casa, e nem casa existia,  
                                                      ­            
                       onde me deitava ao teu lado,                                          
                          onde te deitavas ao meu lado,                                                            ­                                            
                    ­            totalmente nua,
      debaixo da armadura que, finalmente, parecia ter caído.  

Creio que mergulhei fundo demais...  
Ultrapassei os limites terrestres,
                                 e fui embater contigo em terrenos espirituais.  

Cheguei a ti com muita paciência e ternura.
Tornei-me energia pura! Um ser omnipresente. Tinha uma vida no mundo físico e, uma dupla, que vivia contigo através da música, da escrita, da literatura…Tornei-me minha e tua!  
Eu sabia...
Há muito amor escondido atrás dessa falsa amargura.  
Então, parei de usar a força e, mudei de abordagem,  
para uma mais sossegada,
                                               uma que te deixasse mais vulnerável,                                                                    ­                                            
         em vez de assustada.  

(…)

“Minha pedra de argila, acho que estou a projetar. Estou mais assustada que tu! Estar perto de ti faz-me tremer, não me consigo controlar. Quero estar perto! Só quero estar perto! Mesmo que não me segure de pé. Mesmo que tenhas de me relembrar de respirar. Mesmo que me custem a sair as palavras, quando são atropeladas pela carrada de sentimentos que vieste despertar…”

És um livro aberto, com páginas escritas a tinta mágica.
A cada página que o fogo revelava, havia uma página seguinte que vinha arrancada. Mais um capítulo que ficava por ler. Outra incógnita sobre ti que me deixavas a matutar.

Soubeste como me despertar a curiosidade,
como a manter,
como me atiçar,
como me deixar viciada em ti,
como me estabilizar ou desestabilizar.  

E nem precisas de fazer nada! a tua mera existência abana a corda alta onde me tento equilibrar.

Segurei-te com todo o carinho! E, foi sempre assim que quis segurar-te.

Como quem procura
                                       amar-te.

Talvez transformar-te,  
                                        em algo meu,
                                        em algo teu,
                                                                ­ em algo mais,
                                                                ­                          em algo nosso.  

Oferecias resistência, e eu não entendia.  
A ausência de entendimento entorpecia-me o pensamento, e eu insistia...Não conseguia respeitar-te. Só queria amar-te!

Cada obstáculo que aparecia era só mais uma prova para superar,  
                    ou, pelo menos, era disso que me convencia.
Menos metros que tinha de fazer nesta maratona exaustiva!
onde a única meta consistia  
                                                   em chegar a ti.
Desse por onde desse, tivesse de suar lágrimas ou chorar sangue!

(...)

Olhava-te a transbordar de sentimentos! mal me conseguia conter! mal conseguia formar uma frase! mal conseguia esconder que o que tremia por fora, nem se comparava ao que tremia por dentro!
Afinal, era o meu interior que estava prestes a explodir.

"Como é que não te conseguiste aperceber?”

A tua boca dizia uma coisa que, rapidamente, os teus olhos vinham contrariar. "Voa, sê livre”. Era o que a tua boca pregava em mim, parecia uma cruz que eu estava destinada a carregar. Mas, quando eu voava, ficava o meu mar salgado marcado no teu olhar.  
Não quero estar onde não estás! Não quero voar! quero deitar-me ao teu lado! quero não ter de sair de lá! e só quero voar ao teu lado quando nos cansarmos de viajar no mundo de cá.  

“Porque é que fazemos o oposto daquilo que queremos? Porque é que é mais difícil pedir a alguém para ficar? Quando é que a necessidade do outro começou a parecer uma humilhação? Quando é que o mundo mudou tanto, que o mais normal é demonstrar desapego, em vez daquela saudável obsessão? Tanta questão! Também gostava que o meu cérebro se conseguisse calar. Também me esgoto a mim mesma de tanto pensar.”

(...)

O amor bateu em ti e fez ricochete,  
                                                    ­                acertou em mim,  
quase nos conseguiu despedaçar.  

Até hoje, és uma bala de argila, perdida no fluxo das minhas veias incandescentes. O impacto não me matou, e o buraco já quase sarou com a minha própria carne à tua volta. Enquanto for viva, vou carregar-te para onde quer que vá. Enquanto for viva, és carne da minha própria carne, és uma ferida aberta que me recuso a fechar.
Quero costurar-me a ti! para que não haja possibilidade de nos voltarmos a separar.

Não sei se te cheguei a ensinar alguma coisa, mas ansiava que, talvez, o amor te pudesse ensinar.  

Oferecias resistência, e eu não entendia.  
Então, eu insistia...
                                   Dobrava-te e desdobrava-me.
Fazia origami da minha própria cabeça  
                                                e das folhas soltas que me presenteavas,
escritas com os teus pensamentos mais confusos. Pequenos pedaços de ti!  
Estava em busca de soluções para problemas que nem existiam.  

"Como é que vou tornar esta pedra áspera, numa pedra mais macia? Como é que chego ao núcleo desta pedra de argila? Ao sítio onde palpita o seu pequeno grande coração?
Querias que explorasse os teus limites,  
                                                      ­      ou que fingisse que não os via?”

Querias ser pedra de gelo,  
                                                  e eu, em chamas,  
queria mostrar-te que podias ser pedra vulcânica.

(...)

Estudei as tuas ligações químicas, cada partícula que te constituía.
Como se misturavam umas com as outras para criar  

                 a mais bela sinestesia

que os meus olhos tiveram o prazer de vivenciar.


Tornaste-te o meu desafio mais complicado.  
“O que raio é suposto eu fazer com tantos bocados afiados?”.  
Sinto-os espalhados no meu peito, no sítio onde a tua cabeça deveria encaixar, e não há cirurgia que me possa salvar. Não sei a que médico ir.  Não sei a quem me posso queixar.
São balas fantasma, iguais às dores que sinto quando não estás.  
A dor aguda e congruente que me atormenta quando estás ausente.
Como se me faltasse um pedaço essencial, que torna a minha vida dormente.

Perdoa-me, por nunca ter chegado a entender que uso lhes deveria dar.  

(...)

Reparei, por belo acaso! no teu comportamento delicado  
quando te misturavas com a água salgada, que escorria do meu olhar esverdeado,
                                  quando te abraçava,  
                                  quando te escrevia,  
                          em dias de alegria e/ou agonia.
Como ficavas mais macia, maleável e reagias eletricamente.  
Expandias-te,  
                          tornav­as-te numa outra coisa,  
                                                        ­              um novo eu que emergia,  

ainda que pouco coerente.  


Peguei-te com cuidado. Senti-te gélida, mas tranquila...
"Minha bela pedra de argila..."
Soube logo que te pertencia,  
                                                    ­   soube logo que me pertencias.  
Que o destino, finalmente, tinha chegado.
E soube-o, mesmo quando nem tu o sabias.

A estrada até ti é longa, prefiro não aceitar desvios.  
É íngreme o caminho, e raramente é iluminado...
muito pelo contrário, escolheste construir um caminho escuro,  
cheio de perigos e obstáculos,  
                                                   ­      um caminho duro,  
feito propositadamente para que ninguém chegue a ti...
Então, claro que, às vezes, me perco. Às vezes, também não tenho forças para caminhar. E se demoro, perdoa-me! Tenho de encontrar a mim mesma, antes de te ir procurar.  

No fim da longa estrada, que mais parece um labirinto perfeitamente desenhado,
                                      sem qualquer porta de saída ou de entrada,
estás tu, lá sentada, atrás da tua muralha impenetrável, a desejar ser entendida e amada, e simultaneamente, a desejar nunca ser encontrada.  

“Como é que aquilo que eu mais procuro é, simultaneamente, aquilo com que tenho mais medo de me deparar?”

Que ninguém venha quebrar a tua solidão!  
Estás destinada a estar sozinha! É isso que dizes a ti mesma?
Ora, pois, sei bem o que é carregar a solidão às costas,  
a beleza e a tranquilidade de estar sozinha.

Não vim para a quebrar,  
                                   vim para misturar a tua solidão com a minha.

Moldei-te,  
                     e moldei-me a ti.

Passei os dedos pelas fissuras. Senti todas as cicatrizes e, beijei-te as ranhuras por onde escapavam alguns dos teus bocados. Tentei uni-los num abraço.
Eu sabia...
Como se isto fosse um conto de fadas…
Como se um beijo pudesse acordar…
Como se uma chávena partida pudesse voltar atrás no tempo,  
                                                        ­      
                                                         segundo­s antes de se estilhaçar.  

O tempo recusa-se a andar para trás.
Então, tive de pensar numa outra solução.
Não te podia deixar ali, abandonada, partida no chão.

Todo o cuidado! E mesmo assim foi pouco.  
Desmoronaste.  
Foi mesmo à frente dos meus olhos que desmoronaste.  

Tive tanto cuidado! E mesmo assim, foi pouco.
Não sei se te peguei da forma errada,  
                            
                              ou se já chegaste a mim demasiado fragilizada…

Não queria acreditar que, ainda agora te segurava...
Ainda agora estavas viva…
Ainda agora adormecia com o som do teu respirar…

Agora, chamo o teu nome e ninguém responde do lado de lá…
Agora, já ninguém chama o meu nome do lado de cá.

Sou casmurra. Não me dei por vencida.
Primeiro, levantei-me a mim do chão, depois, quis regressar a ti
                            e regressei à corrida.  
Recuperei-me, e estava decidida a erguer-te de novo.
Desta vez tive a tua ajuda,
                                                   estavas mais comprometida.
Tinhas esperança de ser curada.
Talvez, desta vez, não oferecesses tanta resistência!
Talvez, desta vez, aceitasses o meu amor!
Talvez, desta vez, seja um trabalho a dois!
Talvez, desta vez, possa estar mais descansada.
Talvez, desta vez, também eu possa ser cuidada.

Arrumei os pedaços, tentei dar-lhes uma outra figura.
Adequada à tua beleza, ao teu jeito e feitio. Inteligente, criativa, misteriosa, divertida, carismática, observadora, com um toque sombrio.

Despertaste em mim um amor doentio!  
Ou, pelo menos, era assim que alguns lhe chamavam.
Admito, a opinião alheia deixa-me mais aborrecida do que interessada. A pessoas incompreensivas, não tenho vontade de lhes responder. Quem entende, irá entender. Quem sente o amor como uma brisa, não sabe o que é senti-lo como um furacão. Só quem ama ou já amou assim, tem a total capacidade de compreender, que nem tudo o que parece mau, o chega realmente a ser.

Às vezes, é preciso destruir o antigo, para que algo novo tenha espaço para aparecer. Um amor assim não é uma doença, não mata, pelo contrário, deu-me vontade de viver. Fez-me querer ser melhor, fez-me lutar para que pudesse sentir-me merecedora de o ter.

Sim, pode levar-nos à loucura. Sei que, a mim, me leva ao desespero. O desespero de te querer apertar nos meus braços todos os dias. O desespero de te ter! hoje! amanhã! sempre! O desespero de viver contigo já! agora! sempre! O desespero de não poder esperar! O desespero de não conseguir seguir indiferente depois de te conhecer! O desespero de não me conseguir conter! Nem a morte me poderia conter!  
E , saber que te irei amar, muito depois de morrer.  

Quem nunca passou de brasa a incêndio, não entende a total capacidade de um fogo. Prefiro renascer das cinzas a cada lua nova, do que passar pela vida sem ter ardido.  

Já devia ter entendido, as pessoas só podem mergulhar fundo em mim se já tiverem mergulhado fundo em si. Quem vive à superfície, não sabe do que falo quando o assunto é o inconsciente.  
Se os outros não se conhecem sequer a si mesmos, então, a opinião deles deveria mesmo importar? Há muito já fui aclamada de vilã, por não ser mais do que mera gente. E, como qualquer gente, sou simples e complexa. A realidade é que, poucos são os que se permitem sentir todo o espectro de emoções humanas, genuinamente, e eu, felizmente e infelizmente, sou gente dessa.

(…)

Descobriste um oceano escondido e inexplorado.  
Um Mar que se abriu só para ti, como se fosse Moisés que se estivesse a aproximar. Um Mar que só existia para ti. Um Mar que mais ninguém via, onde mais ninguém podia nadar. Um Mar reservado para ti. Parecia que existia com o único propósito de fazer o teu corpo flutuar.  

Deste-lhe um nome, brincaste com ele, usaste-o, amassaste-o, engoliste-o
                      e, cuspiste-o de volta na minha cara.

Uma outra definição. Um Mar de água doce, com a tua saliva misturada.
Uma outra versão de mim, desconhecida, até então.  
Um outro nome que eu preferia.
Um nome que só tu me chamavas, e mais ninguém ouvia,  
Um booboo que nasceu na tua boca e veio parar às minhas mãos, e delas escorria para um sorriso tímido que emergia.

(...)

E, de onde origina a argila?
Descobri que, pode gerar-se através de um ataque químico. Por exemplo, com a água. "A água sabe."  Era o que tu me dizias.  

Era com ela que nos moldavas.
Talvez com a água doce e salgada que escorria do teu rosto
                                                   e no meu rosto caía,
                                                   e no meu pescoço secava,

enquanto choravas em cima de mim,
                                                                ­abraçada a mim, na tua cama.

Enquanto tremias de receio, de que me desejasses mais a mim, do que aquilo que eu te desejava.

“Como não podias estar mais enganada!  
Como é que não vias todo o tempo e amor que te dedicava?  
Tinhas os olhos tapados pelo medo? Como é que me observavas e não me absorvias?”

O amor tem muito de belo e muito de triste.  A dualidade do mundo é tramada, mas não me adianta de nada fechar os olhos a tudo o que existe.  

Ah! Tantas coisas que nascem de um ataque químico! Ou ataque físico, como por exemplo, através do vulcanismo ou da erosão.
Quando moveste as placas que solidificavam as minhas raízes à Terra,  
           e chegaste a mim em forma de sismo silencioso,  
mandaste-me as ilusões e as outras estruturas todas abaixo, e sobrou uma cratera com a forma do meu coração, de onde foi cuspida a lava que me transmutou. A mesma lava que, mais tarde, usei para nos metamorfosear. Diria que, ser destruída e reconstruída por ti, foi a minha salvação.
Sobrei eu, debaixo dos destroços. Só não sei se te sobrevivi. Nunca mais fui a mesma desde que nos vi a desabar.  

E, são esses dois ataques que geram a argila. Produzem a fragmentação das rochas em pequenas partículas,  
                                                   ­                                                             
                                                                ­                         umas afiadas,  
                                                      ­                                                        
                                                                ­                         umas macias,
                                                                ­                                                       
         ­                                                                 ­               todas partidas.  

Gosto de pegar em factos e, aproximá-los da ficção na minha poesia.
Brinco com metáforas, brinco contigo, brinco com a vida...mas, sou séria em tudo o que faço. Só porque brinco com as palavras, não significa que te mentiria. A lealdade que me une a ti não o iria permitir.  

É belo, tão belo! Consegues ver? Fazes vibrar o meu mundo. Contigo dá-se a verdadeira magia! Também consegues senti-la?  
Tudo dá para ser transformado em algo mais. Nem melhor nem pior, apenas algo diferente.  

Das rochas vem a areia, da areia vem a argila, da argila vem o meu vaso imaginário, a quem dei um nome e uma nova sina.  

Viva a alquimia! Sinto a fluir em mim a alquimia!  
Tenho uma capacidade inata de romantizar tudo,  

                                                   de ver o copo meio cheio,  

                                                       ­                          e nem copo existia.  

Revelaste-me um amor que não sabia estar perdido.
Entendeste-me com qualidades e defeitos.
Graças a ti, fiquei esclarecida! Que melhor do que ser amada,
é ser aceite e compreendida.

Feita de barro nunca antes fundido.
Assim seguia a minha alma, antes de te ter conhecido.
Dá-me da tua água! Quero afogar-me em ti, todas as vidas!
E ter o prazer de conhecer-te, e ter o desprazer de esquecer-te, só para poder voltar a conhecer-te,
sentir-te, e por ti, só por ti, ser sentida.  

Toquei-te na alma nua! Ainda tenho as mãos manchadas com o sangue da tua carne crua. E a minha alma nua, foi tocada por ti. Provaste-me que não estava doida varrida. Soube logo que era tua!  

Nunca tinha trabalhado com o teu tipo de barro.
Ainda para mais, tão fraturado.
Peguei em ti, com todo o cuidado...

"Tive um pensamento bizarro,
Dos teus pedaços vou construir um vaso! Tem de caber água, búzios, algumas flores! Talvez o meu corpo inteiro, se o conseguir encolher o suficiente.

Recolho todos os teus bocados, mantenho-os presos, juntos por um fio vermelho e dourado. Ofereço-me a ti de presente."

(…)

Amei-te de forma sincera.  Às vezes errada, outras vezes certa, quem sabe incoerente. Mas o amor, esse que mais importa, ao contrário de nós, é consistente.  

Sobreviveu às chamas do inferno, às chuvas que as apagaram, a dezenas de enterros e renascimentos.  

Nem os anos que por ele passaram, o conseguiram romper. Nem o tempo que tudo desbota, o conseguiu reescrever.

Foi assim que me deparei com o presente agridoce que me aguardava. Descobriste um dos vazios que carrego cá dentro e, depositaste um pedaço de ti para o preencher.
Invadiste o meu espaço, sem que te tivesse notado, nem ouvi os teus passos a atravessar a porta.  
Confundiste-te com a minha solidão, sem nunca a ter mudado. Eras metade do que faltava em mim, e nem dei conta que me faltavas.

“Como poderia não te ter amado? …"

(…)

Minha bela pedra de argila,  
Ninguém me disse que eras preciosa.
Ninguém o sabia, até então.
Não te davam o devido valor,
e, para mim, sempre foste o meu maior tesouro.
Até a alma me iluminavas,
como se fosses uma pedra esculpida em ouro.

  
Meu vaso de barro banhado a fio dourado,  
Ninguém me avisou que serias tão cobiçado,  
                                                     ­             invejado,
                                                               desdenhado,
ou, até, a melhor obra de arte que eu nunca teria acabado.
Ninguém o poderia saber.  
Queria guardar-te só para mim!
Não por ciúmes, além de os ter.
Mas sim, para te proteger.
Livrar-te de olhares gananciosos e, pessoas mal-intencionadas.  
Livrar-te das minhas próprias mãos que, aparentemente, estão condenadas
                       a destruir tudo o que tanto desejam poder agarrar.  

Perdoa-me, ter achado que era uma benção.

Talvez fosse mais como a maldição  
de um Rei Midas virado do avesso.
Tudo o que toco, transforma-se em fumo dourado.
Vejo o futuro que nos poderia ter sido dado!
Vejo-te no fumo espesso,
                                               a dissipares-te à minha frente,
antes mesmo de te ter tocado.

Tudo o que os deuses me ofereceram de presente, vinha envenenado.

  
A eterna questão que paira no ar.  
É melhor amar e perder? Ou nunca chegar a descobrir a sensação de ter amado?

É melhor amar e ficar!

Há sempre mais opções, para quem gosta de se focar menos nos problemas
                     e mais nas soluções.

O amor é como o meu vaso de argila em processo de criação.  
Cuidado! Qualquer movimento brusco vai deixar uma marca profunda. Enquanto não solidificar, tens de ter cuidado! Muito cuidado para não o estragar. Deixa-o girar, não o tentes domar, toca-lhe com suavidade, dá-lhe forma gentilmente, decora os seus movimentos e, deixa-te ser levado, para onde quer que te leve a sua incerta corrente.

Enquanto não solidificar, é frágil! Muito frágil e, a qualquer momento, pode desabar.

Era isso que me estavas a tentar ensinar?  

Duas mãos que moldam a argila num ritmo exaltante!
E une-se a argila com o criador!
                                            E gira! E gira! num rodopio esmagador,  
                                                    ­  E gira! E gira! mas não o largues!
Segura bem os seus pedaços! Abraça-os com firmeza!

Porque erguê-lo é um trabalho árduo
                                                           ­      e se o largas, vai logo abaixo!

São horas, dias, meses, anos, atirados para o esgoto. Sobra a dor, para que nenhuma de nós se esqueça.

                                        E dança! E dança! E dança!...
                             Tento seguir os seus passos pela cintura...  
                                       Se não soubesse que era argila,  
                          diria que era a minha mão entrelaçada na tua.

Bato o pé no soalho.
                                    E acelero!
                                                      e acalmo o compasso...
A água escorre por ele abaixo.
Ressalta as tuas belas linhas à medida da sua descida,
como se fosse a tua pele suada na minha.  

No final, que me resta fazer? Apenas admirá-lo.

Reconstrui-lo. Delimitá-lo. Esculpi-lo. Colori-lo. Parti-lo, quem sabe. É tão simples! a minha humana de ossos e carne, transformada em pedra de argila, transformada em tesouro, transformada em pó de cinza que ingeri do meu próprio vulcão...

A destruição também é uma forma de arte, descobri isso à força, quando me deixaste.  

Acho que, no meu vaso de argila, onde duas mãos se entrecruzaram para o moldar, vou enchê-lo de areia, búzios, pedras e água dourada,
         talvez nasça lá um outro pedaço de ti, a meio da madrugada.
Vou metê-lo ao lado da minha cama, e chamar-lhe vaso de ouro. Porque quem pega num pedaço rochoso e consegue dar-lhe uma outra utilidade, já descobriu o que é alquimia,  

o poder de ser forjado pelo fogo e sair ileso,
renascido como algo novo.
Ston Poet Dec 2015
Ayee..Uhh..(**** a hater let em hate, aye7)..**** em let em hate, **** em..(let em2)..hate **** em let em hate..**** em (let em2)..(hate2)..(**** a hater2)...let em hate, Aye..**** a hater let em (hate2)..**** em..
(Let em)..hate Aye..
/(let em
3)..hate/2
(Let em
5).., you gotta (let em4)..hate, (let em9)..(hate 2).., Aye don't have any worries of what they gotta say..(**** em2)..let em (hate2)..Aye..,(**** a hater, let em hate,aye6)..****   a hater (let em5), hate Yeah , you gotta let em hate, **** em anyway, Aye..(let em *7)..hate.. Don't have any worries of what they say..(**** a hater just let em hate4)..**** a hater, (let em5)..hate, let em hate..Aye

Let em hate, get yo cake, stack it up Yeah mane, Do what ever your spirit desires, don't worry about a hater **** hater..(let em hate
2)..Aye Young Ston, look at me, I'm trying my very best..Yeah I'm making so many **** sacirfices to influence love forget hate..(**** a hater, let em,aye2)..Yeah , I do cuss alot in  my songs, dawg I'm just letting all of my angry, sadness, & my depression, go yo, ****, the kids still need to listen to this still, I'll make a cleaner version for the album soon man called Living Legend.., Imma living legend Yeah mane, Like Christian Rich said man, Only Real music is gonna last all that other ******* is here, today & gone tomorrow mane,Aye..(,**** a hater, let em hate,Aye2)..Im too real to be doing what all of these other fake ***** *** rappers doing mane, They some gangstalicious head *** buster ******..Aye

Forget joining thee Occult, Noo, I won't change my faith for gaining fame my *****, Imma still accumulate billions tho dawg, Yeah man, Aye & Imma split that **** up wit my family equally, Yeah we all equal mane.. OFTR, is  a family business, Yeah its (only for the Real2)..man ..yeah only real ****** , involved in it yeah Aye..
The industry will test yo character, but you can't let Satan destroy you, forget em, Yeah..(**** a hater
2)..(Let em3)..hate, Yeah Uhh..OFTR
We came from the underground & took over Mainstream, Imma lethal weapon my ***** , you rather be with me, Aye me & my brothers stayed going....
Now all we burn up is Dat strong mane,..Noo these hos can't handle it, Noo none of these hoes can handle me, ***** I'm too strong, even tho I'm skinny, I go in lil mama hard..yeah I go in her long,..Aye but this ain't that type of song my *****, This is Only to inspire my brothers & my sisters Yeah..Let's turn Section 8 into Blacc Hollywood mane.., Uhh Yeah, Aye..


**** a hater let em hate..hate..**** em..(let em
4)..hate..
**** em..(let em2)..(hate2)..Aye **** a hater..(let em4)..hate
/(let em
3)...hate../3..Aye
**** em..
Let em hate, Aye
(**** a hater, Let em hate,aye
2)
/..yeah..(let em3),..hate/3

Yeah
Aye don't worry my ***** because (there will always better days2)..Uhh, your worse day ain't your worses of days & it ain't probably gonna be yo last , so just stay strong, keep your head up & keep moving on **** a hater, Let em hate dawg..Uhh, Yeah..Young Ston..
(**** a hater, let em hate
3)..Aye
**** a hater, Let em hate Aye..
(**** a hater2)..(Let em hate2)
stonpoet.tumblr.com
Ston Poet Dec 2015
Uhh,Yeah.. I know times getting harder, but you just gotta get stronger, & keep moving on tho dawg, no matter what a hater gotta say **** em forget em..I said no matter what a hater say (**** em,forget em2)..Uhh..no matter what a hatter gotta say fucc em, forget em, no matter what a hater say (fucc em, forget em2)..Let em talk, let em hate man, They just mad at themselves, **** a hater, forget em, **** a hater Yeah forget em, **** a hater Yeah just forget em, **** a hater Yeah forget em..
I said **** a hater, Yeah just (forget em2)..They not happy with themselves, they hating for nothing man, ****, & I ain't got nothing but love to give away man, so Imma let em hate Yeah (**** em, forget em2)..Yeah , they just mad at themselves,.. They mad at (themselves2)..Aye..(they mad at they selve2)..Yeah just let em be  mad at them selve.s. Man, **** a hater , Yeah just forget em, **** a hater man, just forget em..**** em forget em..Aye

**** a hater, let em hate dawg, we don't stunt em, we don't worry about them losers noo, we just get our cake dawg, my ***** we rolling haze up, they won't make my blood pressure go up, no more worrying & stressing over a hater, ****, Yeah problems do still come my way, dude trials & tribulations, but I'm keeping my head up to the sky man, **** the drama, Uhh,..I don't wanna hear all of dat loud mouthing, shouting Shawty, I just wanna smell that loud (Yeah2)..we stay burning, we puffing 24/7 ***** non stop, our lungs don't clock out,
Uhh, aye They like to talk behind my back how I ain't ****, **** a hater, I just (forget em
2)..I ain't nothing like the past, I'm the future man, I'm way ahead of my time like hovering whips, Aye throw me the pass, Imma catch it of course man, I win the game for the team *****, real spit, Imma young legend, I'm very legit, **** the laws man, I'm playing the industry, & I ain't quitting ever , no man, **** a hater, forget em, let em talk they ****, I do my money dance on them *******, Yeah, Aye, Yeah, Uhh..

Young Ston the man, I keep going in daily, Yeah feet don't fail me now, my ***** I'm on a mission, **** a hater, let them ****** hate man, let them be mad (by themselves2)..They not happy wit (theirselves2)..I'm traveling on this route to wealth, I'm on this route to helping my ****** out that need help aswell, my ***** if you down for the cause then travel along wit me then dawg,No Wizard of Oz type of **** tho, **** that witchcraft magic **** dawg, forget the Devil, I ain't doing nothing enchanted,I'm changing the world.. While I'm chanting in these raps homie..

I'm very passionate about this ****, no hater won't get in my way & if they do that's their last day living, Yeah mane..Don't try me, I'm so blessed Yeah..God giving me so much favor, I'm not gonna be selfish, Imma share it, This song is for the people who spirit been down & need some uplifting.. **** a hater, forget em..Aye
I'm here for you man, I gotchu , we gone be okay, Satan won't stop us, Yeah I'm stumbling through these roadblocks, but I'm still in drive tho dawg, This is inspirational music, I'm inspiring the next generation future leaders, **** a hater just forget em..Aye

When I was younger it shoulda been more rappers like me, but its okay I dun stepped up to the plate, & Imma knock the ball outta the park..home run mane..**** a hater forget em..Aye..
I was so needy, I wanted my own ****, so I started writing raps, hoping that people will need me, I'm tryna save souls homie.. Aye for real mane..**** a hater, forget em..Uhh, Yeah
A young  ***** want a lil mama I can call my own, but **** I ain't that type of ***** that beg for some ***** , I don't wait for no *****, my ***** I handle my business like a grown *** men should (Yeah2)..
I got my fam, OFTR man, they all riding to the end, no to death do us part, we live forever, eternity, **** a hater, forget em, let them hate man, let them ******* hate, go get yo cheddar,

That's my motto,(**** a hater forget em.
3)..Aye ***** thats what I been bout man, always, I'm up in the morning rolling no mollies, & I won't go to sleep till the next morning, I'm on my hustle, I hustle so heavy mane, I get it outta the mud, like Kevin Gates,**** Life my ***** I never been a nerd, but they still picked on me when I was in school..mane, my parents could never afford the expensive brands, Aye but **** a hater Yeah just forget em.., they just mad at themselves, they need to smoke more **** like me, man, Uhh, yo I was such a bad *** kid , a class clown Yeah ,cussing in class & jumping on the classroom tables man, acting a ***, ****..

I'm still that same hyper dude now, but I'm more maturer Yeah,Uhh..my ***** this is spiritual food, I won't fool ya, **** a hater forget em, let em hate man..(Uhh, Yeah3)...

/(**** a hater let em hate man
2)..go & get yo cake Yeah/2


Stay praying stay,stay baking, **** a hater, let em hate man, **** a hater, let em hate Yeah, **** a hater, ***** forget em , Uhh, Young Ston OFTR (Yeah *****
3)..Yeah
stonpoet.tumblr.com
Danielle Furtado Nov 2014
Nasceu no dia dos namorados. Filho de mãe brasileira com descendência holandesa e pai português. Tinha três irmãos: seu gêmeo Fabrício, o mais velho, Renato, e o terceiro, falecido, que era sua grande dor, nunca dizia seu nome e ninguém se atrevia a perguntar.
A pessoa em questão chamaremos de Jimmy. Jimmy Jazz.
Jimmy morava em Portugal, na cidade de Faro, e passou a infância fazendo viagens ao Brasil a fim de visitar a família de sua mãe; sempre rebelde, colecionava olhares tortos, lições de moral, renegações.
Seu maior inimigo, também chamado por ele de pai, declarou guerra contra suas ideologias punk, seu cabelo que gritava anarquismo, e a vontade que tinha ele de viver.
Certo dia, não qualquer dia mas no natal do ano em que Jimmy fez 14 anos, seu pai o expulsou de casa. Mais um menino perdido na rua se tornou o pequeno aspirante à poeta, agora um verdadeiro marginal.
Não tinha para onde ir. Sentou-se na calçada, olhou para seus pés e agradeceu pela sorte de estar de sapatos e ter uma caneta no bolso no momento da expulsão, seu pai não o deixara com nada, nem um vintém, e tinha fome.
Rondou pelas mesmas quadras ao redor de sua casa por uns dias, até se cansar dos mesmos rostos e da rotina daquela região, então tomou coragem e resolveu explorar outras vidas, havia encontrado um caderno em branco dentro de uma biblioteca pública onde costumava passar o dia lendo e este seria seu amigo por um bom tempo.
Orgulhoso, auto-suficiente, o menino de apenas 14 anos acabou encontrando alguém como ele, por fim. Seu nome era Allan, um punk que, apesar de ainda ter uma casa, estava doido para ir embora viver sua rotina de não ter rotina alguma, e eles levaram isso muito à sério.
Logo se tornaram inseparáveis, arrumaram emprego juntos, que não era muito mas conseguiria mantê-los pelo menos até terminarem a escola, conseguiram alugar uma casa e compraram um cachorro que nunca ganhou nome pois não conseguiam entrar em acordo sobre isso, Jimmy tinha também um lagarto de estimação que chamava de Mr. White, sua paixão.
Os dois amigos começaram a frequentar o que antes só viam na teoria: as festas punk; finalmente haviam conseguido o que estavam procurando há tempos: liberdade total de expressão e ação. Rodeados por todos os tipos de drogas e práticas sexuais, mas principalmente, a razão de todo o movimento: a música.
Jimmy tinha inúmeras camisetas dos Smiths, sua banda favorita, e em seu quarto já não se sabia a cor das paredes que estavam cobertas por pôsteres de bandas dos anos 80 e 90, décadas sagradas para qualquer amante da música e Jimmy era um deles, sem dúvida.
Apesar da vida desregrada que levava com o amigo, Jimmy conseguiu ingressar na faculdade de Letras, contribuindo para sua vontade de fazer poesia, e Allan em enfermagem. Os dois, ao contrário do que seus familiares pensavam, eram extremamente inteligentes, cultos, criaram um clube de poesia com mais dois ou três amigos que conheceram em uma das festas e chamaram de "Sociedade dos Poetas Mortos... e Drogados!", fazendo referência ao filme de  Peter Weir.
O nome não era apenas uma piada entre eles, era a maior verdade de suas vidas, eles eram drogados, Jimmy  era viciado em heroína, Allan também mas em menos intensidade que seu parceiro.
Jimmy não era hétero, gay, bissexual ou qualquer outra coisa que se encaixe dentro de um quadrado exigido pela sociedade, Jimmy era do amor livre, Jimmy apenas amava. E com o passar o tempo, amava seu amigo de forma diferente, assustado pelo sentimento, escondeu o maior tempo que pôde até que o sentimento sumisse, afinal é só um hormônio e a vida voltaria ao normal, mas a amizade era e sempre seria algo além disso: uma conexão espiritual, se acreditassem em almas.
Ambos continuaram suas vidas sendo visitados pela família (no caso de Jimmy, apenas sua mãe) duas vezes ao ano, no máximo, e nesses dias não faziam questão de esconderem seus cigarros, piercings ou qualquer pista da vida que levavam sozinhos, afinal, não os devia mais nada já que seus vícios, tanto químicos quanto musicais, eram bancados por eles mesmos.
Era 14 de fevereiro e Jimmy completara 19 anos, a vida ainda era a mesma, o amigo também, mas sua saúde não, principalmente sua saúde mental.
O poeta de sofá, como alguns de nós, sofria de um existencialismo perturbador, o mundo inteiro doía no seu ser, e não podia fazer muito sobre aquilo, afinal o que poderia fazer à respeito senão escrever?
Até pensou em viver de música já que tocava dois instrumentos, mas a ideia de ter desconhecidos desfrutando ou zombando dos seus sentimentos mais puros não lhe era agradável. Continuou a escrever sobre suas dores e amores, e se perguntava por que se sentia daquela forma, por que não poderia ser como seu irmão que, apesar de possuírem aparência idêntica, eram extremos do mesmo corpo. Fabrício era apenas outro cidadão português que chegava em casa antes de sua mãe ficar preocupada, não que ele fosse um filho exemplar, ele só era... normal, e era tudo que Jimmy não era e jamais gostaria de ser; aliás, ter uma vida comum era visto com desprezo pelos olhos dele, olhos que, ainda tão cedo, haviam visto o melhor e o pior da vida, já não acreditava em nada, nem em si mesmo, nem em deus, nem no universo, nem no amor.
Como poderia alguém amar uma pessoa com tanta dor dentro de si? Como ele explicaria sua vontade de morrer à alguém que ele gostaria de passar a vida toda com? Era uma contradição ambulante. Uma contradição de olhos azuis, profundos, e com hematomas pelo corpo todo.
Aos 20 anos, o tédio e a depressão ainda controlavam seu estado emocional a maior parte do tempo, aos domingos era tudo pior, existe algo sobre domingo à tarde que é inexplicável e insuportável para os existencialistas, e para ele não seria diferente. Em um domingo qualquer, se sentindo sozinho, resolveu entrar em um chat online daqueles famosos, e na primeira tentativa de conversa conheceu uma moça do Brasil, que como ele, amava a banda Placebo e sendo existencialista, também sofria de solidão, o que facilitou na construção dos assuntos.
Ela não deu muita importância ao português que dizia "não ser punk porque punks não se chamam de punks", já estava cansada de amores e amizades à distância, decidiu se despedir. O rapaz, insistente e talvez curioso sobre a pessoa com quem se deparara por puro acaso, perguntou se poderiam conversar novamente, e não sabendo a dor que isso a causaria, cedeu.
Assim como havia feito com Allan, Jimmy conquistou Julien, a nova amiga, rapidamente. De um dia para o outro, se pegou esperando para que Jimmy voltasse logo para casa para que pudessem conversar sobre poesia, música, começo e fim da vida, todos os porquês do mundo em apenas uma noite, e então perceberam que já não estavam sozinhos, principalmente ela, que havia tempo não conhecia alguém tão interessante e único quanto ele.
Não demorou muito para que trocassem confidências e os segredos mais íntimos, mas nem tudo era tão sério, riam juntos como nunca antes, e todos sabem que o caminho para o coração de uma mulher é o bom humor, Julien se encontrava perdidamente apaixonada pelo ****** que conhecera num site de relacionamentos e isso se tornaria um problema.
Qualquer relacionamento à distância é complicado por natureza, agora adicione dois suicidas em potencial, um deles viciado em heroína e outra que de tão frustrada já não ligava tanto para sede de viver que sentia, queria apenas ler poesia longe de todas as pessoas comuns, essas que ambos abominavam.
Jimmy era todos os ídolos de Julien comprimidos dentro de si. Ele era Marilyn Manson, era Brian Molko, era Gerard Way, Billy Corgan, Kurt Cobain, mas acima de todos esses, Jimmy era Sid Vicious e Julien sonhava com seus dias de Nancy.
Ele era o primeiro e último pensamento dela, e se tornou o tema principal de toda as poesias que escrevia, assim como as que lia, parecia que todas eram sobre o luso-brasileiro que considerava sua cópia masculina. Jimmy, como ela, era feminista, cheio de ideologias e viciado em bandas, mas ao contrário dela, não teria tanto tempo para essas coisas.
Estava apaixonado por um rapaz brasileiro, Estêvão, que também dizia estar apaixonado por ele mas nunca passaram disso, e logo se formou um semi-triângulo amoroso, pois Julien sabia da existência da paixão de Jimmy, mas Estêvão não sabia que existia outra brasileira que amava a mesma pessoa perdidamente. Não sentiu raiva dele, pelo contrário, apoiava o romance dos dois já que tudo que importava à ela era a felicidade de Jimmy, que como ela, era infeliz, e as chances de pessoas como eles serem felizes algum dia é quase nula.
O brasileiro era amante da MPB e da poesia do país, assim como amava ouvir pós-punk e escrever, interesses que eram comum aos três perdidos, mas era profissional para ele já que conseguira que seus trabalhos fossem publicados diversas vezes. Se Jimmy era Sid Vicious, Julien desejava ser Nancy (ou Courtney Love dependendo do humor), Estêvão era Cazuza.
Morava sozinho e não conseguia se fixar em lugar algum, estava à procura de algo que só poderia achar dentro dele mesmo mas não sabia por onde começar; convivia com *** há alguns meses na época, mas estava relativamente bem com aquilo, tinha um controle emocional maior do que nosso Sid.
Assim como aconteceu com Allan e Julien, não demorou muito para que Estêvão caísse nos encantos de Jimmy, que não eram poucos, e não fazia mais tanta questão de esconder o que sentia por ele. Dono de olhos infinitamente azuis, cabelo bagunçado que mudava de cor frequentemente, corpo magro, pálido, e escrevia os versos mais lindos que poderia imaginar, Jimmy era o ser mais irresistível para qualquer um que quisesse um bom tema para escrever.
--
Julien era de uma cidade pequena do Brasil, onde, sem a internet, jamais poderia ter conhecido Jimmy, que frequentava apenas as grandes cidades do país. Filha de pais separados, tinha o mesmo ódio pelo pai que ele, mas diferente do amigo, seu ódio era usado contra ela mesma, auto-destrutiva é um termo que definiria sua personalidade. Era de se esperar que ela se apaixonasse por alguém viciado em drogas, existe algo de romântico sobre tudo isso, afinal.
Em uma quarta-feira comum, antecipada por um dia nublado, escreveu:

Minhas palavras, todas tiradas dos teus poemas
Teu sotaque, uma voz imaginada
Que obra de arte eram teus olhos
Feitos de um azul-convite

E eu aceitei.


Jimmy era agora seu mundo, e qualquer lugar do mundo a lembrava dele. Qualquer frase proferida aleatoriamente em uma roda de amigos e automaticamente conseguia ouvir sua opinião sobre o assunto, ela o conhecia como ninguém, e em tão pouco tempo já não precisavam falar muita coisa, os dois sabiam dos dois.
Desejava que Jimmy fosse inteiramente dela, corpo e mente, que cada célula de seu ser pudesse tocar todas as células do dela, e que todos os pensamentos dele fossem sobre amá-la, mas como a maioria das coisas que queria, nada iria acontecer, se achava a pessoa mais azarada do mundo (e provavelmente era).
Em uma noite qualquer, após esperar o dia todo ansiosa pela hora em que Jimmy voltaria da faculdade, ele não apareceu. Bom, ele era mesmo uma pessoa inconstante e já estava acostumada à esse tipo de surpresa, mas existia algo diferente sobre aquela noite, sabia que Jimmy estava escondendo alguma coisa dela pois há dias estava estranho e calado, dormia cedo, acordava tarde, não comia, e as músicas que costumavam trocar estavam se tornando cada vez mais tristes, mas era inútil questionar, apesar da intimidade, ele se tornara uma pessoa reservada, o que era totalmente compreensível.
Após três ou quatro dias de aflição, ele finalmente volta e não parece bem, mesmo sem ver seu rosto, conhecia as palavras usadas por ele em todos os momentos. Preocupada com o sumiço, foi logo questionando sua ausência com certa raiva e euforia, Jimmy não respondia uma letra sequer. Julien deixou uma lágrima escorrer e implorou por respostas, tinha a certeza de que algo estava muito errado.
"Acalme-se, ou não poderei lhe contar hoje. Algo aconteceu e seu pressentimento está mais que correto, mas preciso que entenda o meu silêncio", disse à ela.
Julien não respondeu nada além de "me dê seu número, sinto que isso não é algo que se conta por escrito".
Discando o número gigantesco, cheio de códigos, sabia que assim que terminasse aquela ligação teria um problema muito maior do que a alta taxa que é cobrada por ligações internacionais. Ele atendeu e começou a falar interrompendo qualquer formalidade que ela viria a proferir:

– Apenas escute e prometa-me que não irá chorar.
Ela não disse nada, aceitando a condição.
– Há tempos não sinto-me bem, faço as mesmas coisas, não mudei meus costumes, embora deveria mas agora é tarde demais. Sinto-me diferente, meu corpo... fraco. Preciso te contar mas não tenho as palavras certas, acho que nem existem palavras certas para o que estou prestes à dizer então serei direto: descobri que sou *** positivo. ´
Um silêncio quase mórbido no ar, dos dois lados da linha.
Parecia-se com um tiro que atravessou o estômago dos dois, e nenhum podia falar.
Julien quebrou o silêncio desligando o telefone. Não podia expressar a dor que sentia, o sentimento de injustiça que a deixava de mãos atadas, Ele era a última pessoa do mundo que merecia aquilo, para ela, Jimmy era sagrado.

Apenas uma pessoa soube da nova situação de Jimmy antes de Julien: Allan.
Dois dias antes de contar tudo à amiga, Jimmy havia ido ao hospital sozinho, chegou em casa mais cedo, sentou-se no sofá e quis morrer, comparou o exame médico à um atestado de óbito e deu-se por morto. Allan chegou em casa e encontrou o amigo no chão, de olhos inchados, mãos trêmulas. Tirou o envelope de baixo dos braço de Jimmy, que o segurava como se fosse voar a qualquer instante, como se tivesse que apertar ao máximo para ter certeza de que aquilo era real. Enquanto lia os papéis, Jimmy suplicava sua morte, em meio à lágrimas, Allan lhe beijou como o amante oculto que foi por anos, com lábios fracos que resumiam a dor e o medo mas usou um disfarce para o pânico que sentia e sussurrou "não sinto nojo de ti, meu amigo, não estás morto".
Palavras inúteis. Já não queria ouvir nada, saber de nada. Jimmy então tentou dormir mas todas as memórias das vezes que usou drogas, que transou sem saber com quem, onde ou como, estavam piscando como flashes de luz quase cegantes e sentia uma culpa incomparável, um medo, terror. Mas nenhuma memória foi tão perturbadora quanto a da vez em que sofreu abuso ****** em uma das festas. Uma pessoa aleatória e sem grande importância, aproveitou-se do menino pálido e mirrado que estava dormindo no chão, quase desmaiado por culpa de todo o álcool consumido, mas ainda consciente, Jimmy conseguia sentir sua cabeça sendo pressionada contra a poça d'água que estava em baixo de seu corpo, e ouvia risos, e esses mesmos risos estavam rindo dele agora enquanto tentava dormir e rezava pra um deus que não acredita para que tudo fosse um pesadelo.
----
Naquele dia, Jimmy, que já era pessimista por si só, prometeu que não se trataria, que iria apenas esperar a morte, uma morte precoce, e que este seria o desfecho perfeito para alguém que envelheceu tão rápido, mas ele não esperaria sentado, iria continuar sua vida de auto-destruição, saindo cedo e voltando tarde, dormindo e comendo mal, não pararia também com nenhum tipo de droga, principalmente cigarro, que era tão importante quanto a caneta ao escrever seus poemas, dizia que sentir a cinza ainda quente caindo no peito o inspirava.
Outra manhã chegou, e mesmo que desejasse com toda força, tudo ainda era real, seus pensamentos eram confusos, dúvidas e incertezas tão insuportáveis que poderiam causar dores físicas e curadas com analgésicos. Trocou o dia pela noite, já não via o sol, não via rostos crús como os que se vê quando estamos à caminho do trabalho, só via os personagens da noite, prostitutas, vendedores de drogas, pessoas que compravam essas drogas, e gente como ele, de coração quebrado, pessoas que perderam amigos (ou não têm), que perderam a si mesmos, que terminaram relacionamentos até então eternos, que já não suportavam a vida medíocre imposta por uma sociedade programada e hipócrita. Continuou indo aos mesmos lugares por semanas, e já não dormia em casa todos os dias, sempre arrumava um espaço na casa de algum amigo ou conhecido, como se doesse encara
D. Furtado
Classy J Aug 2020
Lets put em down, put em down!
Lets put em down, put em down!
Heavy headed wears the crown.
Lets put em down, put em down!
Lets put em down, put em down!
No longer will they keep us silent,
By constantly shooting us down!
Lets put em down!

Alright,
Imma start running off these pounds,
But not for you bunch of jackals,
Imma start making them rounds,
Shooting up anyone at the table that dare call me an apple.
I am here because I want to be,
The only reason I do anything.
Can you even keep up with me?
Cause this ****, I don’t do for free!
I’m not about to slow down and wait to see.
As I go from A to B.
You can try to attempt to come along with me,
However, I came too far to stop now,
Taking out these fraudulent clowns.
I can’t wait for some burning bush to tell me where to go,
Yeah I wouldn’t have gotten anywhere,
Because, it would take me forty more years to go.
Yeah I’ll do my own thing,
So, when I do become big,
You’ll see that I did indeed achieve everything.
Truth is I don’t even care if I make it;
I just want to take it,
As far it can go.
Doing show after show.
That just how I roll.
Then people start questioning,
But I aint got time bro!
In a falsified world, where rappers demean and objectify women and girls.
I will not forfeit.
As my producer is telling me to change the subject.
But I know my words are worth it.
And though this world is not perfect.
It is something that I will protect.

Lets put em down, put em down!
Lets put em down, put em down!
Heavy headed wears the crown.
Lets put em down, put em down!
Lets put em down, put em down!
No longer will they keep us silent,
By constantly shooting us down!
Lets put em down!

To be clear we are entitled to nothing,
we don’t deserve anything,
Especially not some fifty thousand dollar engagement ring.
Are you humbled now?
Probably not,
You’re probably still thinking you so fresh and tardy as an apricot.
You can count on me unlike the government,
Cause unlike them I am honest and sincere in my testament.
So you may be fresh,
But one of these days you’re going to be real messed up,
Drunk or high in some dumpster in Bangladesh.
Knowing that you really ****** up.
Good people die, bad people die,
Material minds with finical eyes,
Seeing things as symmetrical,
What ever happened to being ethical?
Tell me why do people have to be so one-dimensional?
Goody two shoes like Hansel and Gretel,
Imma bout to boil you in my kettle,
For I am evil like a witch,
Leave ya covered up in stitches.
Or maybe I’ll just leave yawl in the ditch!
Or swimming with the fishes.
For fear is a tool, that keeps fools under control,
You think you free when you vote at those polls.
But really you're just stuck in mouse trap that feeds into the governments goals.
And although society has never once accepted me,
I will use my nightmares to bring therapy,
Woven into words that will last longer than me.
It’s survival of the fittest,
And the world is run by the richest,
Those that also run ******* rings in front of the masses,
Is this truly worth our taxes?
But who can bring justice?
Regular people like you and me who stand up and say **** this.
For I’m tired that the same ones that wear badges,
Be the same ones that be killing us.

Lets put em down, put em down!
Lets put em down, put em down!
Heavy headed wears the crown.
Lets put em down, put em down!
Lets put em down, put em down!
No longer will they keep us silent,
By constantly shooting us down!
Lets put em down!
SøułSurvivør Nov 2023
To be sung to "***** Laundry"
by Don Henley

We have a little story
That we could tell
We have a little poison
In our inkwell
Let's be a gossip
Let's be a shill

Give us the 'ol Pulp *******'.

We peep through the windows
And listen at doors
We buy the "Enquirer"
And "The Star" at the stores
"She ***** herself"
And "She's a *****

***** little minds galore!

Give us the 'ol Pulp *******'.

Have a li'l "lady"
Who's fast and free
I've heard she's been a prossy
That she's easy
Nothin' nice to say?
Come sit by me!

Give us the ol Pulp *******'

Could have been emeritus
Could have been a great
But I pound out nothing
But dreck and spate
So what if it's full of hate?

You don't really want to know
If it's real or true.
It's not what they SAY
it's what you they DOO DOO
DON'T YOU WORRY WHAT
I THINK OF YOU

(THAT YOU ALL POO POO 💩)

Give us the old Pulp *******'

Kick 'em while they're up
Kick 'em while they're down
(1, 000, 000, 000 000, 000 X)


🎯 Write of Passage


***** Laundry"

I make my living off the evening news
Just give me something
Something I can use
People love it when you lose
They love ***** laundry

Well, I coulda been an actor
But I wound up here
I just have to look good
I don't have to be clear
Come and whisper in my ear
Give us ***** laundry

Kick 'em when they're up
Kick 'em when they're down
Kick 'em when they're up
Kick 'em when they're down

Kick 'em when they're up
Kick 'em when they're down
Kick 'em when they're up
Kick 'em all around

We got the bubble headed
Bleached blonde
Comes on at five
She can tell you 'bout the plane crash
With a gleam in her eye
It's interesting when people die
Give us ***** laundry

Can we film the operation
Is the head dead yet
You know the boys in the newsroom
Got a running bet
Get the widow on the set
We need ***** laundry

You don't really need to find out
What's going on
You don't really want to know
Just how far it's gone
Just leave well enough alone
Eat your ***** laundry

Kick 'em when they're up
Kick 'em when they're down
Kick 'em when they're up
Kick 'em when they're down

Kick 'em when they're up
Kick 'em when they're down
Kick 'em when they're stiff
Kick 'em all around

(Kick 'em when they're up)
(Kick 'em when they're down)
(Kick 'em when they're up)
(Kick 'em when they're down)

(Kick 'em when they're up)
(Kick 'em when they're down)
(Kick 'em when they're stiff)
(Kick 'em all around)

***** little secrets
***** little lies
We got our ***** little fingers
In everybody's pie
We love to cut you down to size
We love ***** laundry

We can do the innuendo
We can dance and sing
When it's said and done
We haven't told you a thing
We all know that crap is king
Give us ***** laundry

Don Henley

If the shoe fits...



SoulSurvivor aka
Write of Passage
2022
Terry O'Leary Jan 2014
as the PROPHETS of profits, WE lead and WE’re fair
while WE’re living the life of the poor BILLIONAIRE
– silver yachts, pearly castles, cash (plenty to spare) –
with the world on OUR backs... ah! the burdens WE bear!

being HAVES (not the have-nots) as nature decrees
means WE’re certainly the better (they’re vermin on ******).
if they pray for a lift in their dark fantasies,
WE just kick ’em downstairs, get ’em off of their knees.

yes, WE offer great jobs (much too busy OURSELVES!)
for maintaining the toilets, restacking the shelves,
and WE teach ’em to fear god and play with the elves,
thus dispelling ideas where the dark demon delves.

though they build mighty bridges, twin towers and more,
peddle pizzas and popcorn, sell guns door-to-door,
still they gotta have BOSSES to tell ’em the score
else WE’d never be needed, WE’d thrive nevermore.

when OUR profits are plunging, they do their part too
for they dine on the dole! yes, no hullabaloo!
soon OUR fortunes  redouble, rebound and accrue –
since WE fare well without ’em, WE bid ’em adieu.

’stead of wishing for welfare and standing in queues
or parading with pickets (look! holes in their shoes!),
they’d be better off scabbing to save union dues.
while WE whistle and warble, they’re singing the blues.

whether heroes or hoboes, like spiders and lice
they just crawl all around us in life’s paradise,
but WE’re patient, big hearted and oft sacrifice,
spewing charity, kindness (though each has its price).

if they’re beaten or punctured or suffer assault,
are unhealthy or crippled or walk with a halt,
or ******* or helpless, it’s all their own fault –
just like US they should worship the DOLLAR exalt’!

protesters and loud mouths, you’ll find ’em aplenty
some older, some younger, the worst not yet twenty.
they’re shameless and brazen (unwashed, soiled and scenty)
impugning the prestige of brave COGNOSCENTI.

if they’ve got clashing colors (or shades in between)
or opposing beliefs in the hidden unseen,
well, WE’ll always exploit it, deflecting their spleen,
for with god on each side, would WE dare intervene?

WE maintain many methods to keep ’em in chains –
daily rags and the tube spin OUR circus campaigns:
“to pretend you’ve a voice”, an announcement explains,
“you can vote and decide on which ONE of US reigns”.

OUR policemen protect US, they stay on the ball
(they arrest ’em, no questions per law’s protocol,
and then jam ’em in jail with their backs to the wall) –
if you’ve lucre for lawyers there’s justice for all.

down the ROYAL road of justice WE march all alone
– WE condemn their defiance, set ways to atone –
since WE’re sinless, unsullied, WE cast the first stone
(while WE cloak REGAL fetor with eau de cologne).

politicians, bald bankers, grand idols galore,
attend meetings, fete banquets in which they explore
how to rid US of rodents (the weak and the poor) –
well, just round up the riff-raff, dispatch ’em to war!

ah! OUR wars are, well, just...... just a thing of the past
........... and the present............... and future... WE sure make them last!
if they frown as they gaze (Armageddon!) aghast,
then WE smile back with pleasure, OUR treasures amassed.

useless ranting and raving (in rags, when they’re clad),
leads to losing their teeth (my! their gums are... egad!).
WE’re unselfish, indulgent, WE’d never be mad
if they drowned in the sounds of themselves feeling sad.

as the paupers are princes in midnight’s domain,
they have pipe dreams to lose, certainly nothing to gain
if they’re hoping OUR fortunes will wither and wane –
for “WE’re here by god’s will” as WE often explain.

yes, they wish to be US, with OUR wisdom and grace,
keeping up with ol’ CROESUS, maintaining the pace.  
but perverseness or rancor? they’ll see not a trace –
for WE hold ’em at bay with a fist in the face.

WE’re la CRÈME de la CRÈME, yes! the proud UPPER CRUST,
and OUR clothes are the finest, OUR hair never mussed –
WE imbue ’em with piety, duty and trust
and they’re fed bread and water (if feed ’em WE must).

but they’re thieving, aggrieved, want a piece of OUR PIE
and request WE endure ’em, see EYE to black eye.
since they live in OUR land where OUR strict rules apply,
they must feast on the crumbs that We cast to the sty.

though OUR largesse and bounty WE don’t mean to flaunt,
yet the pittance WE pay ’em they surely can vaunt –
salty peanuts and pretzels (what more could they want?)
thereby keeping their kiddies so healthily gaunt.

yes, there’s room for the rabble (the back of the bus)
’cause WE treat ’em like equals, so what’s all the fuss?
all can rise to the top (yes! it’s always been thus),
to the suites in OUR penthouse (to sweep up and dust).

while OUR CHILDREN have tutors, the finest of schools
(being bred for the forefront, THEY’re nobody’s fools),
their own school of hard knocks teaches: “follow the rules”,
building brawn ’stead of brains and broad backs strong as mules’.

and to keep ’em in line (to ensure WE prevail)
WE now monitor phone calls and read all their mail
(civil rights? what a notion! at best a detail!)
and if worse comes to worst...... well...... guantanamo jail!

WE’ve OUR quandaries and questions and headaches full blown
(like deciding design and decor of OUR throne...
whether diamonds or rubies... to gemstones WE’re prone) .
when WE deign to appease ’em, WE chuck ’em a bone.

now you know all OUR problems, OUR pains and travails
– like preparing foreclosures, evictions  and sales –
but WE’ve no need for worries or gnawed fingernails,
’cause WE’re sailing OUR yachts through tempestuous gales
(with them bailing OUR banks when OUR stock market fails)
sipping daiquiri sours, champagnes, ginger ales.
:-)
(1965) Transcript

Recorded December 12, 1965 (released 1971, produced by John Judnich and Frank Zappa)

Thank you, thank you, thank you.

Hahahaha, you like this? Be weird I have no pants on…

The ecumenical council has given the Pope permission to become a nun…just on Friday’s.

I can’t work with this thing..it’s a…isn’t that funny? Backstage I really loved it and I fooled around with it, but I can’t it’s too…uh…I’ll work around it.

Does it look religious? It looks sorta religious…

Yeah, heh heh…that’s it. That’s faith and goodness. And veneer.

There’s more Churches, and people that work for the Church then I think there are eh, courthouses. And Judges. So actually what it is, Catholicism is like Howard Johnson, and what they have are these franchises, and they give all these people different franchises in the different countries and they have one government and when you buy the Howard Johnson franchise, you can apply it to the geography, whatever’s cool for that area. And then you pay the bread to the Main Office, and you have to keep a certain standard. Which is cool. But it is definitely a government by itself, and I think that’s what we’re doing in Vietnam. Because the Communists are a threat to those jobs. That’s where it’s at, and I think that’s what it’s always been, that those two factions are always *******’ and fighting with each other, and so actually we have the Catholic government inside our government, and they have this ***** with the Communists because they’re always fighting over the work, you know, and when they take over they do them out of a gig, so what happens is that… because Catholicism is here, and the people who work for it are here.

And that’s another big problem, the people can’t separate the authority and the people who have the authority vested in them. I think you see that a lot in the demonstrations, because actually the people are demonstrating not against Vietnam, they’re demonstrating against the Police Department. Actually against police men, because they have that concept of the law that the law and the law enforcement are one, and it started:

“So we’ll have to have some rules, that’s how the law starts, out of the facts, let’s see. I’ll tell you what we’ll do, we’ll have a vote: we’ll sleep in Area A, is that cool? OK good. We’ll eat in Area B, good? Good. We’ll throw our crap in Area C.” So everything went along pretty cool, everyone is very happy. One night everybody is sleeping, a guy woke up pow got a face full of crap, and said, “Hey what’s the deal here, I thought we had a rule? Eat. Sleep. And crap. And uh, I was sleeping and I got a face full of crap.” So they said, well, ah, the rule is substantive. That’s, see, that’s what the 14th Amendment is, it regulates the rights, but it doesn’t do anything about it, it just says that’s where it’s at. We’ll have to do something to enforce the provisions, to give it some teeth. Here’s the deal, if anybody throws any crap on us, while we’re sleeping, they get thrown in the craphouse. Agreed? Guy goes, “Well, everybody?” Yeah. “But what about if it’s my mother?” You don’t understand, your mother will be the fact, it has nothing to do with it, it’s just a rule. eat, sleep, and crap, anybody throws any crap on us they get thrown right in the crap house. Your mother doesn’t enter into it, everybody’s mother gets thrown in the craphouse. Priest, Rabbi’s, they all go. Agreed? OK, agreed. OK, now going along very cool, guy sleeping, pow he got a face full of crap. Now he wakes up he sees he’s all alone this guy, and he looks and everyone is having a big party. He says “Hey! What’s the deal I thought we had a rule? Eat, sleep and crap, and you just threw a face full of crap on me.” He says “Oh it’s a religious holiday! And, uh, we told you many times that you were going to live your indecent life and sleep all day you deserve to be thrown crap on you while you’re sleeping, and the guy said “*******”. A rule’s a rule and this guy started to separate the Church and the State right down the middle pow. Here’s the Church rule and here’s the federalist rule. OK, everything going along very cool, and guy said, “Wait a minute, although we made the rule and…how we gonna get somebody to throw somebody in the craphouse? We need somebody to enforce it. Law Enforcement.” OK, now they put the sign up on the wall WANTED LAW ENFORCEMENT, and guys apply for the job. “Look, here’s our problem, see we’re trying to get some sleep and people keep throwing crap on us. Now we want someone to throw them right in the craphouse, and I’m delegated to doing the hiring here, and, so, here’s what the job is…They won’t go in the craphouse by themselves, and we all agreed on the rule now, and we firmed it up, so there’s nobody get’s out of it, everybody’s vulnerable they get thrown right in the craphouse, but you see, I can’t do it cause I do business with these ******* and it looks bad for me, you know…So I want somebody to do it for me, ya know, so I tell you what, here’s a stick and a gun and you do it. But wait til I’m out of the room, and whenever it happens see I’ll wait back here and watch you know, and you make sure you kick em in the *** and throw them in there. Now, you’ll hear me say a lot of times that it takes a certain kind of mentality to do that work you know and all that *******, but you understand that’s all horseshit, just kick em in the *** and make sure that it’s done. So it happens that…

Now comes the riot, or the marches, and everybody’s wailing and blopblopblopblop. And you got a cop there who’s standing with a shortsleeve shirt on and a stick in his hand, and the people are yelling Gestapo! at him! Gestapo? You *******, I’m the mailman! Gestapo!?

Now. What it is, I think that the people really want to beat the devil. Where that started was with the early, early missionaries. I think that they didn’t really…that’s why the people never could really separate the authority and the people with the authority vested in them. Because, you know with the savages they would teach them the religion, and after the speech the savage would go, “Well, are you God?” “Well, no…but heh heh, what the hell, you know…well, just never mind that, and eh, I can do you a favor, you do me a favor that’s all and, I think that’s the hang up in our country right now, is that, cause you always hear that kind of story about the peace officer who pulled the speeder over and the speeder turned out to be the governor, and he had the audacity to give him a ticket. So the fact that the people repeat that story, so much, that means the people don’t believe that the governor could ever get a ticket, man. So then it’s just the degree of the law that the governor could break. That means he can kick you in the ***, but it’s *******, it’s really not that way, cause everybody’s vulnerable, yeah everybody’s *** is up for grabs. It’s really a groovy, eh… groovy system, and I think that, well the problem I had a long time of understanding the law is because of the language in the law and the fact that instead of taking each word and finding out the case that the word related to, once when I get lazy, and I would apply common sense. And then I got really ******* up.

That’s really weird, I went to the Supreme Court three times trying to get a writ of mandamus, and they kept sending it back, the clerk, they kept saying what the language said append the copy of order in respect of which the writ is sought. And I keep sending this copy of the lower court, they keep sending me back in respect of which the writ is sought. Then I dug, in respect of which, They use the word “of” like I use the word “to”. And ‘respect of’ means this kind of respect. In respect “of it”. So what they wanted, the Supreme Court, we want our judgement that these cats should respect us.

Now the Supreme Court, right now there’s some ******* now with obscenity. There’s an obscenity circus that’s been going on for five years. And I think, I really can’t believe that it’s not settled yet. An illiterate view of the law is that, what’s obscene is ***** ******* and fancy *******. If a guy can tear off a piece of *** with class, then he’s cool. But if the author depicts factory workers, who are not expertise with stag shows, then it’s obscene. Which is just nonsense. A lot of the confusion maybe with the obscenity laws is this: it’s that, the judges who are confused just didn’t read.
Here’s how it works: if a guy gets busted, see, and he raises a federal question and the appellate court answers it, that answer is mine, and yours. That’s equal protection from the law that decision, that one court. So in 1933 when a judge got Ulysses trying to come in the country, you dig, and the customs and tariff people said uh-uh, you can’t bring that book in, you can’t come in the country, it’s obscene. So these people said, no we want the book to come in and we want to knock of the injunction to restrain and they move forward. The judge said OK I’m gonna read the book, but I’m not gonna apply this Hickman rule anymore. The Hickman rule says that, uh, we should judge this book by the part, the portion of it, to the guy who gets *******, quickest. The most corruptible mind in the community. I think, said this judge, we should apply to the average man, the reasonable man, the man with the normal, average *** instincts. To that cat. Then they add the balance, contemporary, to his average age, so to the guy, the average *** instincts, to his average age, his society, that’s all attested. So that means that that rule, when any judge has to judge any work, he always has to apply that rule first, and that was cool. Now goes, they said, well we better narrow it, because what’s happened here is that there is a lot of works of art, that may get people *****, and there’s a Los Angeles ordinance now in 1961 this guy got busted behind, and the judge said “I don’t need any art critics, I know what’s obscene.” But the judge didn’t know in that local court that that wasn’t the question this guy was asking. He said this ordinance is unconstitutional because it doesn’t have knowingly in it, and that’s the principle of the whole American law system, your intent. So how could I know it schmuck when these people told me in the book jacket that this is art. So it, doesn’t, the intent has to be there. So the lower court said *******, and the Supreme Court said ******* to the lower court. And that’s when I started getting into trouble. Because from ’61 on came the argument between petulant lower court judges and the Supreme Court and spoiled rotten D.A.’s. When they lost the case…the city attorney in Los Angeles, every time he’d lose in Washington, I’d get my *** kicked when he got home. Just *******’, *******’, *******’, and still freed the Supreme Court, they keep movin’ ahead, movie’ ahead, their gonna do it their way. Now comes the California legislature, 1961. And the legislature here are geniuses and they came up with some kappa words. They said, what’s the sense of making the artistic merit of a work the defense to a prosecution? Because after the guy’s busted his *** is in jail. Then he has to defend himself. Let’s take it out of the defense to a prosecution move it to an element of the offense. Now it’s a crime to be utterly without artistic merit. That means the guy who makes the complaint the burden is on his ***, to prove it. He’s got to schlep up 50,000 art critics. And after they, if they would accomplish that…You know a lot of people say, well jeez, can’t you find anything that’s obscene, is there nothing obscene? Why we have this desperate need for it now is so many lawyers lost their *** on it, that it seems only right that we should have it. I mean, can you tell me nobody can commit treason? I mean Christ, then to you nothing’s treasonous. No it’s very tough, it’s very tough to stop the information, that’s where it’s all it’s at. Because the word the guy says is of no consequence. What the Constitution forbids is any bar to the communication system. They want nobody to abridge the right to say it one time, and one time to hear it. Nothing in the middle, nobody to tell you before hand that this isn’t too cool, because the information makes the country strong. A knowledge of syphilis is not an instruction to get it. And only if the country can know about…that’s why the Church and the State have to be separated all the time because the Church only wants a certain kind of information from their government, but since we have a lot churches and a lot of different people in this country, we gotta know about all the bad, bad ****, the worst of everything. The knowledge of it to be protected against it. Because if you don’t have a knowledge of it, and you just know about the good, and they just let the good come through, seeping through what they think is good, you end up like ******, cause he really got ******* around by that. He kept saying, “Am I doing it right?” “You’re doing great, they love you.” “Don’t *******, they don’t like me” “They love you, don’t listen to those liars. **** him, who said that?” You really gotta separate the judicial, executive, and the legislative…and the most dangerous department, just the department itself, is the police, the District Attorney. Not the man, but the department is very dangerous for him. Cause it will gobble him up, and the whole reason for the Constitution was that there was like one King, he was the executioner of everything. So they said how we’ll do it now we’ll really make it safe, we vote on the rule, eat, sleep and crap, that’ll be the law constant, then if anybody busts us for eat, sleep, and crap, breaking the rule, they have to go first to the judge, the judge has to look up the book, and then he’ll make a round robin. Otherwise, no one guy. What happens, two hundred dollar police undercover girl investigation. Two hundred dollar call girls. Now there was no warrant for search. Now the Fourth Amendment and all those things because of a bad kiss *** newspaper have been turning into protection for thieves, but it’s not. It’s to protect the executive branch from becoming thieves. Because what happens, without judicial superintendents, in other words, if, if the executive branch can make any inquiry at all without a judge signing it, then he can go the ***** house every night, and he can spend two hundred bucks a night getting laid every night and when he gets caught, “What are you doing?” “I’m investigating.”

But if he’s got a ***** house warrant for search, then there’s no *******. Then when the crap rule comes in, you, you, you, you, and you, no I’m investigating, there it is, cool. Describes particularly what I was searching for, what the complaint was. Because what happens is that you’ve… the money spent on a two month undercover investigation of hookers…maybe $15,000 dollars,, no when you go to court, the ***** is on the stand she’s not gonna say she got $15,000, she’s gonna say “I didn’t get a nickel!” Cops gonna say, “Well, what do you expect from ******.” Maybe he didn’t get the fifteen grand. And that’s where, that’s always the desperate need to control vice. That’s what all the bull, that’s what all the ******* is. If you check the records, there’s not one citizen that bought a ***** book. Every case has been initiated by the police department. So it’s not literature they, just, it’s a big smokescreen. There’s money spent on those books. A fortune ****** away. How many copies of Henry Miller? And they don’t even read em, so it’s all *******. Uh, five dollars, OK, three dollars, certificate…then when it really gets dangerous is, see, what happens, it’s poor people who, like, get hung up with good and evil, except it’s like, right and wrong. It’s like Prohibition. Chicago is still crippled from that, from the disease of Prohibition. What happened is that the moralists who thought they were moral didn’t realize what was happening, they kept saying “yes keep the Prohibition on” meanwhile the cops are making bread on gamblers, and nafka’s and swinging. When it’s the law out in front, then nobody has any excuse. No priests can be in a *******, blessing, kissing them, saving them. No cop can be, no *******, everybody’s up for grabs, that’s it. Stay out of there, that means everybody, no protecting, no local home rule ******. My position is that, since the Constitution says that, there has to be judicial superintendents, that there, no peace officer has any place talking to anyone or making any inquiry whatsoever, search warrant is prerequisite to the inquiry. Because if he’s allowed to make any investigation, for a noise even, then he’s allowed to make determinations of who looks suspicious, and the only people who look suspicious to Jews are Irish drunks, so it’s all ******* conclusions. Who could look suspicious? So we got suspicious looking people, we got N i g g e r Town, ***** Town, ****** Town, **** Town. Yeah, it’s … you can’t hear the noise, unless he sees the crime, solid. Otherwise he can take the police car, and stick in two ex-convicts, friends of his, and say “Look, here’s the area that I’m sworn to protect. We’re gonna break in this warehouse and I’ll lay outside dead. We’ll haul the **** away in my car, if anyone comes on us, we’re investigating, and if we get caught in the interim, we just caught you. Alright, solid? Solid. Well the Sally Stanford thing for Christ sake, they had a different gimmick there, the guy was off-duty, he had an off-duty detective agency, so that gave him an excuse to carry a piece. Yeah, that’s really…that’s a lot of bread, a lot of money. What’s happening, the crime rate see has disappeared almost, and the task force that we hired, are getting bigger and bigger and bigger. There’s never any layoff in the Police Department. Well, here’s what I think happened to the crime rate. First thing, the basic need to steal is like for coal, you know, you’re hungry, alright, so now the economy is up, so that went disappear-o. OK, now there’s a second need to break the law was for some sign of, you’d have some status, there’d be some virility. OK, the fact that now we have health and safety, give these people analysis, that ******* that in the ***, cause no one wants to be sick. So as soon as it could be helped, that ******* up that whole scene. Now there’s just nothing left.

Narcotics, now they finished with ******. I think in 1951 there was like about seven thousand dope fiends in this state and 50 narcotics officers. Today there probably about 15,000 narcotics officers and four dope fiends. 1500 nihiling, testing stations, lupometers…and they got four ***** junkies left. Old time, 1945 hippies. One guy works for the county, undercover, the other guy works for the Federal heat. OK, so finally they went on strike. “Look we don’ use dope anymore, we’re tired.” “C’mon out, we’re just after the guys who sell it.” “Schmuck! Don’t you remember me, you arrested me last week. I’m the undercover guy for the Federals.” “Uh, I thought he was the county guy.” it’s like ***** running around the tree. He works for the Federal, he works for the County. “Look we’re after the guys who sold it to you, OK” “Nobody sold it to me, I bought it from him, I told ya.” “Um, well we…just point out one of the guys.” “Don’t ya know him? There’s four of us, I told ya that.” “Just tell us the names of the guys, cooperate now. Tell us everybody.” “OK, he was a Puerto Rican. He drove a Green Buick.” “OK, we’ll wait for him, OK.” Three days of that schmucky investigation…”Is that him?” “Well I think it’s so an so…I think he was Hawaiian anyway..” “OK, don’t forget, if you hear from him.” “OK, I’ll call you the first thing.” OK, now they finished up with that nonsense, and they says, “Let’s see now, we’ve got all these hospitals, you mean to tell me you guys are going to ***** up that rehabilitation program? You mean to tell me that you’re, if you’re not using any dope, you certainly know some people that need help.” We don’t know anybody, we don’t know anybody, please…I can’t use anymore dope, I don’t like it.” Well, you really are selfish, that’s really, you really don’t care about anybody but yourself. You know we have a center to rehabilitate people with 1500 empty beds?” “I know I’m ****** that way. I’ll try, but…OK.” OK, so now they’ve got dangerous drugs. Now the insanity in that area, is that the reason that ****** is verboten it’s no good for the people. Its…it destroys the ego.
And the only reason we only get anything done in this country, is that, you wanna be proud of it, and build up to the neighbors, and if the ****** schleps all that away, and the guy goes, the top comment he’ll come up with, the guy who builds the building, is “Hey that’s cool..” and that’s it. So it’s no good. It’s no good for everybody, and that’s why it’s out. But that’s…the Source is no good. That’s where it goes right to the source. But dangerous drugs, the connection is Park-Lilly. It’s Olin Mathieson. The source is not bad for the people, so the only difference between the felon is the guy who can’t afford a prescription. So they legislate against poor people, which is really schmucky. Marijuana…I don’t smoke ****, I’m really glad that I don’t smoke it, I’m really gonna…in five years it’ll be legal. But then no one will smoke it anymore, you’ll see. Most of the law students I know smoke marijuana, that’s why it’ll be legal. Yeah.

You know what I’d like to investigate? Zig-Zag Rolling Papers…Yeah, bring the company up on that. Now we have this report Mr. Zig Zag, certainly it must’ve been unusual to you that Zig Zag papers have been in business for 16 years and Bugle tobacco has been out of business for five years. This committee comes to the conclusion that the people are using your Zig Zag cigarette papers to roll marijuana tobacco in it . Aww, ****, that’s right. Lot’s of it. Rolling it and smoking it. You know, I really felt sorry for that cat, what was his name, Wallen….Grand Kleagle cause it’s a repeat of the Communist witch hunt. The fact that the Ku Klux ****, one guy lynched people, that means that anyone who ever belonged to it and knows about it lynched people, which is *******. So what they do, and it’s really… when your *** is on the pan like that I’m sure it’s really frightening, especially when they take you…did, they didn’t…where did they hold that investigation? Oh, that’s really outrageous then, cause they can’t do that, it has to be in the district, he has to be tried by his peers, no matter what, in his district. Because when you take him out of his district, there’s one trauma, cause you take him in a whole different geography, and Southerners are, they’re people of the Earth, they don’t…they’re…it’s a different country. Religious people, and the talk is different then North, and they’re rappin’ questions at him, and he like hears one out of every ten words. And he just, is really frightened, just… Dig those schmucks, they’re ******* – “You’re really not real Ku Klux ****, you’re not spending the money on rope. You’re having good times with it.” Is that ridiculous? This poor cat didn’t want to admit that he was an American citizen. He kept saying I refuse, I refuse, I decline, and that ******* Time magazine, really make always make it seem shabby, the Fifth Amendment. he declined so many times, he mumbled it, and declined, declined. naturally the cat didn’t want to admit anything cause the last time he admitted anything at the Constitutional Convention the carpet baggers ******* his grandaddy ***, that was it, bye-bye, so he’s very weary and wary of the North, because he knows it’s a whole different scene.

And it’s amazing that the Southerner, has no hostility for the *****, the same way as the court has no hostility for me, they have the hostility for the people that defend me. That’s why they yell all that ****/play drop the n i g g e r, to bug them. So it’s the banner fighting between those two people. Oh. Lotta dues. Lyndon Johnson, they didn’t let him talk for the first six months. It took him six months to learn how to say knee-grow. Nig-ger-oh. OK, let’s hear it one more time Lyndon, now… OK, let him pose again, ok..neig-ar-oh…no…can’t you say, look, say it quick, knee-gro! like that. N i g g e r-oh-oh n i g g e r-oh…I can’t help it! i can’t say it that’s all! I can’t say n i g g e r-oh, ******’ in bed and everything, stuttering, I can’t, what the hell, big n i g g r o-oh nahg-raw…let me show em a scar…no no no. Just say it, and say it, that’s it…yeah, he’s completely confused. Well, really, that family is so…that’s really…there’s a certain kind of non-Jewish look, that, they could pass any test. They are the biggest non-Jews in the world. No question they walk right through the line. The wife with the white flannel satchel, a zipper up the front, with red nail polish…she’s beautiful. She looks at home in a trailer park. Yeah. Dig.

There’s…here, it’s so strange. Not the people necessarily involved with the religion but the religion itself, Catholicism. A genius religion. Three years ago I was wondering, I used to do a bit, four years ago, Religions Incorporated, so my view at that time was here’s a rich church, Catholicism, next door is poverty, so it’s hypocrisy. Obvious view, So I started digging, digging, reading really getting into it, and I realized, the reason for the baroque Church, the grand Church in the poverty neighborhood, is that, what the Church is is a school, it’s a method of instruction. And people who have no understanding, who need instruction, don’t know about Philosophy, they can only understand material things. So a raggedy *** guy won’t go into a raggedy *** temple. “I live in a *******, why’d I gotta go in one for?” But if you show him something nice he can understand then you can instruct him. So the ecumenical council really are geniuses and they make some tremendous moves. So I figure there’s a group looks to undermind them. Somebody talked Lyndon Johnson’s daughter into converting. That sent the religion back two-thousand years. That dress she had on, she looked like a Guatamalen slave. Real Philomena at the wedding there, with it’s, terrible, looked like a National Geographic picture. He’s-uh…yeah he’s it’s…showin’ his scar is beautiful, that’s just-uh, that’s just where it’s at, he’s a **** kicker. He’s just a….Yeah, it’s a…it was a mistake. Yeah, cause the presidency is a very sophist….Kennedy was just, yeah just a genius at organization, a sophisticated man, and sophistication just means knowledge, learning a lot of background there. And the other guy is, uh….I’d like to get some tapes of those people, what goes on…yeah, that would really be a treat to hear them. I was just thinking of the guy, you know the picture of Oswald when he got shot. That’s Lyndon Johnson’s relationed face to the other guy, with the big, you know that guy with the hat on? Like a big Texan, “Oh ****”. To be that obvious, to be able to react, “OHHH EAAHHHUH”. Check out that practice, so you don’t get yelled at. “UHHHH UH EAAAHHHUH” You know, why Ruby did it, uh, this is subjective, but….cause he was Jewish, and uh….You know I really wanna…I’d really like to tell you that, I wanna tell Christians that…that….Why I can tell it to you because it’s all over now, ya know. I wouldn’t cop out when it was going on, but it’s, it is all over now. Up to about six-seven years ago there was such a difference between Christians and Jews that, but maybe you did know. But…you…shewww…forget about it, just a line there that was just…And the brotherhood of Christians and Jews was like some fifth column *******, I dunno, it was like a phony dummy board. Yeah, because…No, I don’t think so, I don’t think the Christians did know it, because only the group that’s involved…it’s like the defense council knows it because he has a narrow view, where the D.A., he’s hung up with a bigger practice, so it’s the same with the Jew is hung up with his **** and maybe the Christian…because, uh, when the Christians say, “Oh is he Jewish? I didn’t know, I can’t tell when someone’s Jewish” I say well that’s *******. But he….can’t, because he never got hung up with that ****, you now, who is he Jewish, and Jews are very hung up with that all the time. Why Ruby did it, see…when I was a kid I had a tremendous hostility for Christians my age, the reason I had the hostility is that I had no ***** for fighting, and they could duke. So I disliked them for it, but I admired them for it and there was a tremendous ambivalence all the time of admiring somebody who could do that, you know, and then disliking them for it, and the neighborhood that I came from, there were a lot of Jews so the problem, there wasn’t a big big problem, and my elders were not concerned with punching. But Ruby came from Texas, and a Jew in Texas is a tailor. What went on in his mind, I’m sure….”If I **** a guy that killed the President, the Christians will go ‘Shewww…boy what ***** he had! We always thought the Jews were chicken **** but look at that. A Jewish Billy the Kid rode out of the West!'” And the Christians will hug him and kiss him, and love him, and boy they’ll say ‘Oh boy he saved everybody’. But he didn’t know that it was just a fantasy….from his grandmother, telling him about the Christians, who punch everybody. Even the shot was Jewish, the way he held the gun, it was a ***** Jewish way. Ha ha! Real d’Artagnan. He probably went ‘nah’ too, that means “there” in Jewish, “nah. Nah” Yeah, it’s…and Belli didn’t um…he forgot the geography. No, it’s the same kind of law, it really is in the words, you just have to speak them slower in that area and you have to dress…there’s just a few kinda changes, but they don’t change the substance of the law, it’s like, as good a case as I can have with you, if I pick my nose, although it’s not dishonest, it’s just gonna lose it, ya know. So Belli didn’t wear the right suit, because anybody who’s suit fits em good in the South looks like a **** ****. And he should have known that but the fact that he was offended with the judge chewing tobacco, see, cause that’s the natural thing down there. There was like a ***** picture I saw going around and it said “This is your local Police Department” and it showed some kinda cops in a Southern place, and they were laughing and the guy, oh, smoking a cigar, that’s was it. But that’s just the behavior in the Southern court, and the fact that everyone was laughing they don’t know that Southerners are just…they’re child-like in that area, they’re not sophisticated with picture taking. They see a picture, you smile. That’s why they’re always smiling in the pictures , they’re not arrogant, but they’re just, you’re supposed to smile when you take a picture. And the Northerners are just hipper, they do the cool…So Belli trying to sell those jurors anything, the voir dire must have just broke their *****, you know. That qualifying must have really got ’em good and crazy, you know you have two days to…whadda ya….yeah any attorneys here forget that, the…If I was an attorney I would grab the…here is here’ll be my pitch to the jury. First place, no qualifying, I pick… no challenges at all. First jurors come up, there the jurors. “You jurors, you people think a lot of the community because you vote, and that’s why you’re jurors. Give’em all a hundred bucks a piece and get ’em laid, and that’s it.” I’d be a terrible Law Professor, “What’d he say at the end there?” “Give’em a hundred bucks and get ’em laid.” “Professor, can we talk to ya…the conclusion that you made there, give ’em a hundred bucks and get ’em laid” “Yeah, yeah get ’em laid, it all counts.” “But that don’t fit with the beginning of the conversation.” “Well it’s all *******, you gotta figure round.” “Ah, he’s bottled out, get him..” Yeah, Belli talking to those people, he sounded to that jury like the Southern attorney would sound to Greek-Irish-Italian Northern jurors. “Look here now Jurors, I like Italian people, that’s first off, I see we got some Italian people here by the…I’m gonna take you, a little story now, this buck n i g g e r and this Jew boy wahhhhhh! “What’d the hell everybody get so hot for?” “Just shut up, don’t say anymore.” “What’d I say, it’s a cute story, everybody gets a kick out of it.” “No they don’t, just shut up….I can’t explain it. You look South, you’re hairs wet, I don’t now what it is. Just dummy up, that’s all.” uh-huh….F a g g o t s….Dig, isn’t the argument against ******* that, what the pornog–selling the *******, making it available to the public, is that the man is happily married, or he’s just a happy cat, and you come along now with some matter that the main ****** of the matter, the predominate appeal is to his prurient interest, and what you’re doing is entrapping him, you’re inciting him, something that the guy wouldn’t be thinking about ordinarily, you’re getting him *****. You’re getting it up, and you’re not getting it off, and you’re creating a clear and present danger and it’s worthless…and so that’s the objection to it, and that’s a valid objection. But the consistency necessarily follows that the guy who–when I hear about f a g g o t s who get arrested in toilets, and I say, “How’d you get arrested in a toilet?” “Well, I accosted a peace officer.” Well, ha-ha, that’s certainly no concept of reality there. “Well I didn’t know he was a peace officer.” “Whaddaya mean?” “Well, he didn’t have a uniform on.” “Well he wasn’t wearing a costume was he? He wasn’t wearing a low-cut gown, because what a low cut gown to a f a g g o t must be is tight Levi’s and a padded basket, like uh…I mean, he wasn’t wearing Levi’s and leaning up against the ****** like sultry like that…cause if he was that’s *******. Because he was appealing to your prurient interest, and entrapping you. You can’t do that. It’s a funny thing all the different stages that we’ve all…my generation was, well…me, I’m amazed by any guy who can go into a public toilet and do anything but **** and leave. Guys who can wash their hands are amazing to me. I just go ehuhehuhwwwshhhupout. Don’t ‘I want to talk to you’ “Not in there, are you kidding?” Yeah, cause if someone says, “What are you doing in the toilet?” “I don’t know…” “The hell are you doing in there? Did you make?” “Yeah, I did it…” “Alright, now hang around here, okay..”

So I saw, dig what I saw, a beautiful change. I went to…Phil Spector had like a big rock & roll jamboree at Tammi’s, filming it, so I went there and I see this ten year old kids there all kids, like nine and ten years old, with no parents. So my first thought was like, what the hell, unattended, but I saw it’s like a whole different generation, everything was very cool. Nine and ten year old kids! It’s ten o’clock, eleven o’clock at night…My generation, children out at night, lurking in the bushes….I would never have the nerve to talk to any strange chick. She’s a really beautiful chick, I’d never have the nerve to hit on her. In a house, somebody introduce, solid. But guys who can like drive past in cars and go hello even, the reason I have never had the nerve is that my mother and my aunt, the way they reacted to guys, the way they told me, everyday they would come home and tell me stories about some guy that was behind the bushes exposing himself. There was a band of dedicated perverts who spent their whole life in trick positions…”Ok jim, whoo-hoo hello lady there, eh bup-bup the bushes there, ok aging seven you’ve got your position by the book, eh the newspaper, you flash, the hat, ok…you-hoo here we are here! Find the schmuck in the bush. Yeah. invidious discrimination. All waiting for them. So I know what everything is. I said “Nema, you’ve got the market cornered! We’ll film these guys, I mean they’re amazing how they…the elevator doors open up “Whoo-hoo here we are!” How do, when they separate my mother and my aunt, one’s running and so and heh, and pocketbooks, and they’re ready, boy. That pocketbook. I figured that after all these years they were really ******* stories, like little guys always telling about, “And I said you big ***** you.” Those little guys will always tell you about they knocked the **** outta this big guy, so it’s my mother and my aunt telling me this nonsense story about a pocketbook ‘and I give a hamayoupow.” Maybe that was a ***** lie, telling me they were good women everyday, right. Missed a guy, and I give em a good pocketbook, a ***** ******* pocketbook at everybody. With a good parrot scream byeahhh!! Eh-heh! I know my aunt never did it to anybody. Ever. I just know it, I know I know I know. She was bald. My aunt was bald, the bald headed lady. Little teeny teeny hair. And wrinkled. And a cameo. A little little lady, she was very neat. And go “krinphkrinphkrinph” like that all the time. Krinphkrinph. There aren’t those kind of people with tics anymore, someone who go, guys really like, drive across country with those guys you’ve really had it. Ticcers, heh-ha. They’re gone all those. I think midgets are gone. And they’re only certain kinds midgets who are real midgets. They’re are no Jewish midgets. A true ****** is, he’s got ***** blond hair, and neat as a pin. Little brown shoes and they’re this big. I wonder if….are Pygmies midgets? Colored midgets. Wonder would a colored cat get offended, listen any relation between Pygmies and midgets? Wouldn’t Governor Wallace ****? Demonstrating, a bunch of Pygmies. Ahhhhgh! Give em salt, give em salt, that’s all, that’s a, yeah…yeah, it’s really…Little teeny midgets, those kind I’m talking about, they’re really patties. And where do they get they’re bread from? Who supports them? They don’t pay any income tax at all. There’s a lot of people ******* our government. So don’t be too nice to them. Cause we’ll drag you up before the House of Un-American Activities Committee. Just by encouraging them, by omission. It’s your duty as a citizen to bust their ***, and demand, “Where are you getting your money from?” They hate to be picked up, they hate that. That’s why I hate them, they don’t want to be hugged. Heh-heh, I picked one up, see, and he got mad. “Put me down!” “Ok, but you’re so cute, I pick ya!” They comb their hair with soap. Bela Lugosi’s son is an attorney. Is that weird, he passed the Bar. He must hear those ***** jokes all the time. I loved that, when he got arrested, he was a dope fiend, Bela Lugosi, I almost ****. The Monster. He was the worst advertisement for rehabilitation, he was a dope fiend for seventy years, he cleaned up and dropped dead. The scene is…I was gonna relate him to Christ. Did you read that in the paper? Was it geologists, this is a vague recollection I have of it. That it was the custom at the time, Christ was crucified, for Jewish women to give the people who were about to be crucified a drug that would put them in a death like trance, and that this happened, that Christ’s mother gave him the drug, and that he was…that’s, wow. That’s amazing if that’s true. Ruby gets paid back. How the ***** and the Jew got into Show Business. The ***** had a boss that worked him twenty hours a day. So he wanted to get off a couple of hours, and the guy “Get back to work.” “I don’t feel good today.” “Don’t mind that ******* get back to work, back to work.” He kept coming up with different gimmicks, “my kid’s sick” “back to work.” Couldn’t–kept trying to come up–how can I “Hmmm hmmm ohhh Lord” “Hey! I didn’t know you guys could sing.” “Ohh oh Looord ohohhh Lord.” “Hey, put the *** down, come over here, lemme hear that again.” “Llooord oh my Lloorrdd” “Can he sing? He sings” “Ohhoh Lloorrdd.” “Hey get some wine, this is ok.” They partied, and the weeds went over everybody, right? And sang their *** right off the farm. Now the Jew had a hipper boss. You couldn’t ******* the Egyptian that quick. No. Jew kept working at it, working…”Never mind the horseshit, thank you, we’ve got the pyramids to build and that’s where it’s at. We’re gonna get it up, it takes your generation, next generation, you do a nice workman like job, here.” “Oh thank you.” “Get outta here with that horseshit, now stop it now. Becoming very fine, very fine.” What a gig, right, you know you got another forty years on the job, shewww…what, that’s a, shewww…you still can’t get a piece of straw through there. So the Jew kept working at being charming, working at it, even though he never carried it off, but he got so good at it that was his expertise. “Hey, let’s go watch the Jew be charming. Hey Jew, do that charming bit for us there. We know you’re bullshitting, but you do it so good we get a kick out of it.

So now the Jew has got theater. He’s the actor. He’s the charming actor. Now he has the show business industry knocked up. He has the film industry, he controls it, he’s writing the pictures, making the images that people are the good people and bad people.

Now you never see any Jewish bad guys in movies ever. Ever, ever. And you see a lot of pictures about Christ, a ton of religious pictures. In the most respectful position. And the reason that is, I’m sure, the way of the Jew saying “I’m sorry.” That’s where it’s at. And I wanted to do a film showing, because I’m sure that day in the cell, it’s just like, it’s in the tank, you know like four, five, six people in the cell there, and there was Gestas, Dismas, and okay they’re gonna get crucified, this guy was probably crapped out in the corner, Gestas and uh…”OK, you two.” “What?” “You’re gonna get crucified today.” “Oh, get my file down here, that’s *******.” “Ok, get ready all you guys, you’re all getting crucified in this cell.” “Look, I’m the good thief, what are you bullshitting me for, I’m in here for checks!” “C’mon you get ready, you’re getting crucified.” “Heh-heh, I’m not getting crucified, get my file down here. I’m the good thief, I’m here for petty theft, you understand? Checks. I’m not gonna get crucified now. I don’t know what the hell this guy is doing, but, uh, good luck to him.” OK, now he sees their getting them all ready and they’re moving him. “Hey! What the hell are you kidding with this ****? I’m not getting crucif–hey, mister, do me a favor, there’s a mistake here, they think that I’m with you for some reason here. Christ says, “Don’t worry you’ll be with me.” “C’mon with that, I’m not with you, now tell em, c’mon it’s no joke now, we’re going up the hill here.” He’s praying, and everybody’s praying and pushing him. “Hey c’mon wit—get the Public Defender. C’mon this is ******* now!” Now they’re up on the cross. “Hey mister, please before it’s too late, do me a favor, ok? Tell em?” He says,”Don’t worry, you’re with me…” “Stop saying that, will you? I’m not with you, ok? I mean I’m with you, I like you, but stop telling these ******* that I’m with you. They think I’m with you means that I’m with you, that I conspired with you, I don’t know. Look, don’t be pushy, I like you, ok? I don’t know what you’re talking about, I woke up I’m getting crucified, I’m here for checks, I can’t get crucified. I’m being denied due process, I’m entitled to do my time for checks first. And I don’t wanna get crucified, I can’t go now, ok? I’ll meet you later. C’mon, don’t be pushy now, okay? Okay, mah? they all went. And the guy came back…”Hey? You’re right. I knew you weren’t bullshitting, but heh-heh, I had a lot of faith in you, but you meet a lot of weird people in the joint, you know? You relax, I’ll talk to the press, that’s all. Then he started to wonder about if the Messiah is gonna come back. Moses is hanging it up. They tried to get him back like five times already and he will not come back because he’s embarrassed. Charlton Heston is 6’3, he’s 5’1. And he’s vain. “I can’t I’m a schmuck…” “It’s what ya got up here” “Nah…I ain’t got no clothes anyway, I’ll look weird. And I’ll get my teeth fixed.” “Nah” The Pope is too much. He looks like the Birdman of Alcatraz and Eichman combined, yeah. He waver…”Arrive arrive…” He’s really cute, he’s a little bird, bloobloobloo….I wonder what was goin’ on in his head there. Spellman looks like Shirley Temple. That’s what I got in trouble for in New York, for saying that. Heh-heh…but a Priest told me that! That’s what burns me up. Ha-ha! That’s what really ****** me off. That’s a spynce Shirley Temple. Ha! That’s funny Shirley Temple, that’s good imagery, right? The Post Office. Do you know how much I love the Post Office? I love the Post Man so much. I really feel that’s the only place where the authority and the man are one. That’s the man, they’re incorruptible. I don’t know anybody who knows the Post Man’s name. They’re really snotty man, it’s a…who’d have the audacity, “Come on over have a drink, leave the truck there..” I feel that the Post Man, the people that work for the po–and it’s amazing, no, there’s no, they’re maintaining any order there, no police authority, just cool Post Office. There’s always a Japanese guy behind the registry window and zaszu…Heh, it’s a trick thing to have a treaty, one ***, one szchupbupup, heh! I know, that they’re the true Law, because with the Law, the Law’s not concerned with your purpose, with how noble it is. And the Post Man wouldn’t let a package go three cents light for the Rabbi’s Priest’s ***. He won’t get off it jim. “Are you kidding you want all those people to die for four cents?” “Sorry, knupk” Who would have the audacity to ever to try to cross that line? “Look I know where the package is..” You kidding me with that? “Open the box up right now, it’s mine…” hmm-hm. No one would even say that to him. Even if he had a gun, hmm-hm. There’s always a certain kind of wait, always somebody…if I ever heard of a theft at the Post Office I’d die. “What?” “Oh yeah, they opened up the mail and they’ve been reading letters, and…” “Nyaugch” Like that, Post Office, going through snow and sleet. But they don’t like when dog’s bite them. That’s one thing they won’t put up any ****. The dog bites? That’s it, we’re not delivering anymore mail to you. Dig what ***** the Sheriff in Sacramento county had. His dog bit the Post Man, Post Man said no more mail, he said ******* we’ll give you no more protection. Haha-ha. Schluffa they don’t need it. They got the stamps hidden.

I have a book here I want to show you. Debby is a Nun. It’s another trick, a little Lyndon Johnson trick. This is a Bess magazine. What if he catch me reading this **** all the time? “This is your reading material?” “It certainly is. Photoplay, are you kidding?” “You’ve got guts!” Editorial page, ayda-eda look at the ads, Cutex, World’s Most–oh it’s all lady kinda ads…Adjustable Dress Form…I didn’t finish the story about uh, the Nun story here, lemme find it…there’s no more movie stars. Doris Day. Rock Hudson. Why Elvis locked himself in his bedroom for three days. Patty Duke. The few: There’s too good to be true, that’s the end of the two stories, now the fold out Post Man, heh-heh. Smart. The Study of Art. Hudson. Blew it, there’s not an interesting thing, I can’t lie to you. Try one more time. Okay, let’s see…Dorothy Malone’s First Interview After Her Brush With Death. Frozen. Look at that balcony up there…hope none of you guys are doing your usual chicks in the balcony. Don’t bring any heat on me, you know. Do your pervert stuff in the newsreel theater, but not…no, ya gotta time and a place you know…..heh. Ok, oh ok, I Increased My…With The Fabulous Mark Eden method I increased my bust measurement from a 34-B to a full 36-D i just eight weeks. They always give you time limits right? Just so you know you got something to look forward to. Ding-boom. Barbara Hayes received her Mark Eden Bust Developer and course on April 1, 1965, on which time her bust measurement was 34-B and eight weeks later n May 20, 1965 her bust had increased to a full and lovely *******! A lovely 36-D! That ***** is hunchback. But we kept our promise we didn’t say it was comin’ here somewhere. The Mark Method just builds your back up. This amazing increase–I know that they put–they, the guy that makes the copy for these must know that these are gonna be read in jail because that’s the onlybody who’s got time to read all of that ****…hah. Just forever and ever and ever. This amazing increase in bust size and contour is achieved solely through the faithful use of the Mark Eden bust developer and of course during that time Barbara was adding these firm and lovely inches to her bustling, her weight did not change, her eating and living habits did not change, the only change she made in her life was to spend a few minutes each day practicing the fabulous Mark Eden method. Her bust line developed in the privacy of her own home. As you can see from her after, in quotes, photo, she has certainly achieved a most attractive, full, and shapely bust line for her efforts. She wants real numbers like that, hunch over, elbows pushing forward there, and standing on her head. Uh, Barbara Hayes is one of the many many hundreds of women across the United States who have ordered the Mark Eden Bust Developer and who through its use, are reporting gains–that’s good devious writing. Barbara Hayes is one of the many many hundreds of women across the United States who have ordered the Mark Eden Bust Developer comma and who comma through its use comma are reporting gains of two three four and even more–that one letter we got was tough. She says “You name it, it’s not stopping.” We get letters from women who were flat chested and now feel like real women for the first time because of Mark Eden…Who are you Mark Eden? A **** rascal, you, hah-hah.” Are there any real **** left? **** your silicone. Are they real? I told you they’re real. How will I ever know though? Will you take a lie-detector test that those are your own ****? Yes, I told you. I can’t believe, you can’t….they’re too real to be real. Here’s the thing, this-this, I don’t see any chicks that turn me on anymore, ya know…but think, I ah-h, here’s how I now I’m getting old, cause I really did go through, I says, I haven’t seen any girls that really stimulate me, that look good to me. And you, it’s really corny, but dig what I miss: lipstick and powder. Is that weird? I like em with paint on em, ha-ha! To smell like ladies. Lily, lipstick, and powder. Now if I really get ****, pancake makeup. And a cheap, black, crepe dress that’s low-cut. Make a book up, see, and the book on its face will look like….it’s one of those very erudite How To Make Out, Same-*** Marriage, those kinda nut books, ya know. But if you follow the instruction of this book, you never make out at all. Ever. Really constructed so that’s a zero no-score. Sell it for $45 in plain wrapped brown paper. Now in it says, it says, Instructions: Always go over the house for dinner and meet the folks. And don’t forget when you go over the house and meet the folks, you compliment, and it’s just the dialogue the guy is supposed to use, say, say to the father, you know, “Oh Mr. Johnson, boy your daughter’s got a terrific shape on her, ha. God bless her, boy she gotta a body I’m telling ya. And your wife has got a nice shape on her too.” Then, when you’re out on a date, they like little jokes, it’s, then there’s a certain kinds, maybe not for this generation, my generation, certain kinda things that you just couldn’t say, just verboten, that just cringe, embarrassing things, that no one ever, here’s a kinda….stab your heart joke. Just keep saying’, “Whaddaya got the rag on?” Keep saying that, they like that, they get a kick, they like people who are frank, “Whaddaya got the rag on? Whaddaya got the..” keep saying’ it all night, that’s ah okay. And then, when you’re in the car, if you just ask them in a nice way for it, just say, and be cute about it, use euphemisms, double entendres. Say, “Oh, I wonder if I could get some nookie?” That’s very cute. “Oh boy, I wonder who’d give me some nookie, boy I wonder.” And they just think that’s so cute, and you’ll get it right away. And just say extra things, like “Boy I would, would I appreciate it, hah, that always, boy I’d appreciate that boy. I’d tell everybody what a nice person you were too.” I think that, a lot of marriages went West, ya know they went split up, uh, my generation, ladies didn’t know that guys were different, I mean different…it’s very tough for chicks to realize that although we speak the same language, that yer, you can have babies that’s j-j different ya–your so, it’s like, no guy ever cheated on his wife, ever. But ladies….would get hurt and wanna leave the husband because they thought the husbands cheated and they never did cheat because what cheating means I know. To a lady, it means kissing and hugging and liking somebody. You have to at least like somebody. Guys that doesn’t enter into it, all the time, no. Ladies are one emotion, and guys detach, not consciously detach, but they just do, detach. Like, a lady can’t go through a plate glass window and go to bed with you five seconds later. But guys can have head on collisions with Greyhound busses. In disaster areas. Everybody’s laying dead on the highway, not in the hospital, in the ambulance, guy makes a play for the Nurse. “How could he do a thing in a time like that.” “Well I got *****” “What?” “I got hot.” “How could you be hot when your foot was cut off?” “I don’t know.” “He’s an animal! He got hot with his foot cut off.” “I guess I’m an animal, ess-es-eh…” “What didja get hot at?” “The Nurses uniform..” He’s a *****, that’s all, he’s just an animal, he’s a…. No it’s…guys detach, and has nothing to do with liking, loving. You put guys on a desert island, they’ll do it to mud. Mud. So if you caught your husband with mud, some how you could get over seas there, “Mmuudd!! Don’t talk to me, that’s all….you *******, leave me alone, that’s all. Go with your mud, have fun. You want dinner? Get your mud to make dinner for you” that’s all. That’s-a it’s just that’s you can’t get angry at them, you can’t wanna leave them for that at all, no, it’s hum…You know, and that’s just subjective, in retrospect I really got a kick out of it.

Getting divorced, the only true get even device, because I’m really convinced that no guy ever leaves a chick, you know. When chicks get cold, they really get cold, sshwooo…That’s, it’s over, really, when it’s over with them it’s really over, and guys can’t ever figure that out, they always figure there’s one more time there. And the guy is like, ss-I can’t-ss, well, I boump-boump-boump. Yeah, cause-eh, here’s what I figure it is, you always hear chicks say, ya know, “Oh I wish I could meet a man, someone with some dignity, a guy I can walk all over, you know, can really be a man-a man” but chicks don’t know that, it’s, guys are like dogs. You know you take a dog, you beat the **** out of him pow! ” Keep a “NEUUH-NEUUH-NEUUH”. Pow keep coming back. Ladies are like cats, you yell at a cat once, Siamese cat, shhhht their gone. So that kinda quality that ladies are looking for, you really want a guy to act like a lady. Cause those are lady like traits, that kinda ***** and they don’t need anything. I forgot what the **** I was talking about…heh. I blew it completely. Where was I? I went up to za-zuh…hum…hah. Those television shows, really. Once in a while if I lose it you know and then try to ******* and do this a while but then if it’s really gone it’s gone, so….Ya see, that’s where, the problem of being a performer, and a Judge can get away with that ****, ya know. “Hmmmmmnnn”, you know just completely dunked out, ya know. “That’s, I’ll take that under consideration” yeah, yeah. Let’s see I was here….oh, oh yeah I got it, good. I won’t lose it again but I’m trying to think where the thread of it was…oh yeah, OK. The Get Even. So the only Get Even you can have with a chick, cause they leave you, are the kids. That’s the only Get Even, that’s the sweet revenge: Get the kids. But you can’t be that obvious with it, you know, just get the kids because I want to get even with you, you ******* you. So the, all the struction, the foundation is “I went over there the kids wet” heh. Schmuck, then all of a sudden “The kids, I’m not gonna, the kid’s not gonna live like that, every time I go over the kid’s wet, the kid’s wet. Everytime, the kid she don’t take care of the kid, the kid’s wet, and uh that’s it. I’m taking that kid away from her because the kid’s wet. She’s having guys over there. “You saw any guys?” “No, but, when the kid’s are wet, that’s it. Take the kid, I got custody of my kids now, I love my kids. You’re not gonna be with that ***** anymore, blah-blah-blah…” “Where are the kids?” “With my grandparents.” Very good, uhm-hmm-hm….Now it’s, usually what happens is break up time, just like the first…if you’re gonna break up with your old lady, and ya live in a small town, make sure you don’t break up at three o’clock in the morning cause your *******, there’s nothing to do. You sit in the car all night, park somewhere. Yeah. So make, at least, ya know, make it about nine in the morning so you can go to the five and ten and ******* around and, worry them a little and come back at seven at night, ya know….”Oh, yeah never mind….I’m getting an apartment, that’s all, that’s eh..” Yeah because if you, eh, a bad break up then it’s like a long time break up. If you’re married seven years then you gotta kick for two. Oh yeah. I think there must be a mitzvah time. i think if you’re married fifteen-eighteen years, you get divorced, then you must lose your mind. Yeah they get senile, then they people, they get whacked out. There’s a certain critical area they’re married about seven-eight years where you really throw up for a couple of years. No really just “ORGHJK-YKKGGHH”, you know. And, the weird, if you broke up and you go anyplace alone, there’s always mamzers who ask you about you’re wife. “Where’s your old lady?” and I said, Chinese restaurants, “Where’s Momo? How come you don’t bring Momo in here anymore? Such a beautiful girl, where’s Momo?” “Look, I’m divorced.” “Oh, you better off. You don’t need her.” Where’s Momo…Now if you, go back together, the danger time, and here’s back to the religion again. There’s only one person you’re supposed to confess to. They are. Not anybody else. Priests, solid. But not husbands. They have no authority vested in them to hear any truth. So don’t listen to any of their ****, ya know, because what happens, when this–go back together, guy calls up, “Hello Vera, the only reason I called you, you left some of your crap over here. I don’t know a handkerchief, a gloves. Listen I wanna come over, we’ll shoot the ****, let’s see. Pay the tax bill.” Alright, back together, maybe kissing time, hugging time, in bed time. After bed time. “Hey Vera, uh, when we were broken up, didja make it with a lot of guys? Don’t be silly, said I don’t mind you can make it with anybody, don’t ******* me….what the hell, it’s good for the goose, good for the gander. We were legally separated, I made it with a lotta lotta chicks, you’re entitled to make it with a lot of guys. I’d just like to know, for the hell of it, didja make it with a lot of guys? Howmanynanac’mon don’t ******* me, I’m not gonna hit you now, I wanna know! I’m not gonna get mad, just for the hell of it, who did you make it with?” Don’t tell him, don’t cop out. Never cop out, if they got pictures deny it. Flat out. Just tell ’em it was some *** hair dresser, that’s all…thatsezya. Because if you ever do cop out, oh yeah, shih-shooo! “C’mon I’m not gonna get mad, tell me, I’d just like to know for the hell of it.” See, that’s what chicks don’t know about guys, that they…it’s that entrapment. Maybe it’s because their father’s did that to them. “Just tell me, who? Him? Pfff…I don’t give a **** but, but this is….that’s a shocker, that’s heh…heh, that’s the only thing is that it shocks me, I’m not mad but it, sfyeh what a kick in the *** that is, like…how the hell could you…you know what, you know why it shocks me cause you told me that you didn’t like him, you told me you didn’t want him over to the house, and ya go…how could you make it with him? That fat, disgusting piece of–you **** pow. There’s a Peace Bond, schlepping away time, ah yes, with the Jewish mother in the middle with the teeth flying out vah-vah-vah!! The chenille robe, and uh…Yeah, that’s a…ha-ha. Wouldn’t this be, always wondered if ya get married again, the only problem with ever getting married again, if ya go, you have to go to some country where pfshhh…you have to marry somebody who speaks a different language and doesn’t speak any other language. Cause just in case, no but you’d always be afraid cause when your with the second old lady then you might say something in bed, and your wife would jump up behind the bed, “You aaa—-you said” oh god, “how could you say that to her when you said it to me?” “I just ******* her, I don’t love her…I just said that cause I knew you were behind the bed, that’s all.” Uh-huh…Jewish mothers, there are none that’s the expose. Oh another expose, I really want to confess to you one thing you never knew about me and….I have a pen name. Ralph Gleason. I’m Ralph Gleason. And I always wanted to uh, and you’re taking it good, I always thought you’d get ******* at me for that. In fact I wrote the column for years and just drifted into this and decided I’d like to do a little comedy on the side and uh, you liked me and I thought I was doing good, so what the hell a few write ups don’t hurt anybody. And uh…you’re taking it good, that’s lovely. I want you to know that, another thing too that I’ve never been in jail, never been arrested, that’s all borshit. What it is see, I got a publicity agent that’s dynamite, and we have nine phony cops that work for Pinkerton, and we go from town to town the same *******, ya know. I get busted, I write the column the next day, and that’s where it’s at…heh. A few words now about Alaska and their stupidness…and ind-a…Alaska, don’t know if you know it or not, there are people up there that we’ve given a lot of money to and try to help them. Given a lotta lotta money to Alaska, to create some kind of image, we gave them statehood and they’re morons. They got one image, after all these years, some schmuck in front of a shack holding a fish knock. That’s all they’ve come up with, and some other nonsense fantasy that hookers get two-thousand dollars a minute for talking to people. If you probably go up there there’s ten-million stranded ****** waiting to talk to somebody. “What’s the deal I thought there was supposed to be some talking, or…we just got *******, right, there’s nobody? Just hookers up here….and Admiral Byrd. Heh-heh, he don’t go for a nickel. Now here’s a thought, I-I-I’ve….this is hearsay. Somebody told me–see they were using–the report was monkey glands on people, so you know, rejuvenate them, they live longer. Ok, now somebody told me they came back from Mexico, that they’re using human glands. “So-oh yeah? Well where do they get them?” “Has to be from live people.” Well people, there was–dying, and uh…it’s very expensive. So that’s what I said, what does it costs about a thousand dollars ya now…so I got hip, a lot of people are dying a lilschip-schzzch that’s uh, oh yeah, the hospitals a lil-bop-plah-bup, yuh, he’s dead, he’s almost dead, the hell is-uzza….Sure you’re gonna see is the more demand, the first place the state insane asylums are gonna be emptied out quick psshhhh! Yeah, that’s the first thing, all the nuthouses emptied out. All died very quickly, oh yeah, definitely. Because, all we have to do…see our moral concept is what’s–what, it’s–what’s accepted, what we will agree upon, that’s what the moral concept is. We–if we agree, that…killing a few will save the biggest, then we’ll agree on it. Like that’s–that’s was the objection that Catholicism had for many years, that contraception is ******. It doesn’t matter the degree of the ******, but-but since we all agreed on it now, contraception–*******, it’s cool. So it’s just the degree. So..if it comes right down to it, if we wanna live a little longer, it won’t-it won’t be accepted, just the sophisticated class, the gentry will cook with it first, ya know. Yeah, “Listen, I know a place and it’s ya now…” Yeah, and as soon as–the first time the government control–then they’ll have the farms. Yeah, raising people to, uh, to live. It’s a good liver, good heart, yeah. You’ll accept it, yeah, you’ll see. When it comes right down to the go-you go bye-bye, “These people don’t know anything, they’re raised for that purpose.” “Yeah, ya sure?” “I’m telling you…they like that.” Heh-ha! OK. “I wanna paper saying that he gave it up…oh and I can’t take the guys liver and his heart and his *****, all that stuff?” “Sure, are you kidding, he’s better off without it. He gets it the next time, don’t you know that? Nine thousand years I’ve been living now, it’s a…yeah, it’s a…schhhwoo….”
l - DELÍRIOS ORGIÁSTICOS & ASTRAIS
    
    Participei da festa de Dionísio & as grandes estátuas de Leão plasmático, ergueram – se sobre a Terra. O precipício & o primeiro sinal da despedida cantando juntos a trilha sonora da invasão dos Profetas urrando a serviço das letras. Para todo o sempre o trono partido por ninfas histéricas! Crises contra o amuleto. Gnose fumacê participando celebrando a queda das pirâmides. Alquimistas do Verbo cantem o grito profano da Inquisição! Os sete pergaminhos caíram semeando a destruição da pedra Xamânica. Diadorim buscando solução em Fausto & Orfeu...? (inaudível psicopatia irradiada na vestimenta da alma). Exagerados, contemplavam mensagens infernais de Blake em vozes imagens melancólicas de Rimbaud. Logo as marés baixaram & sobre as ondas a Lua levitava em direção ao rugido do fogo; Dionísio em chamas bacantes! Ausência da queda no tempestuoso ninho levando aos portais da tormenta. Sete anjos cantando o mantra da lágrima metamorfoseada em dor.                                                             ­       
   Dionísio em voz de trovão: Oh! Se a voz do Tudo emanar a língua em torpor saqueando o princípio da guerra; Quando os sentidos estão sacudidos & a alma está dirigindo- se à loucura; quem pode permanecer? Quando as almas estiverem aprisionadas, lutando contra as revoltas do ar, na cor do som, quem poderá permanecer? Quando a brisa da fúria vier da garganta de Deus, quando as fábulas da persistência guiarem as nações, quem poderá permanecer?
    
    Quando baladarem o pecado, acabarem na batalha & navios dançarem em volta do último regozijo no espaço da morte: quando as almas estiverem embriagadas no fogo eterno & os amigos do inferno beberem antes do traço do infinito: Oh! quem poderá permanecer? Quem pode causar isto? Oh! Quem poderá responder diante do trono de Deus? Os Reis & os nobres poetas malditos repousando na caverna por dois séculos, têm permanecido?
    Não escutem, mas o Grito leva à ponte do não-ouvir. Não escutem, mas prazeres congestionados devem esperar. Amanhã. Só amanhã pensando se o tempo foge ao futuro ou se as árvores choram no Tempo & o Vento cantando a antiga canção da essência. A Terra deve esperar as lendas memoráveis sentindo passado & liberdade entre velhas histórias do coração descompassado em dia de vitória movendo ilusões da criação do mundo. Nem um sorriso noturno tremendo escrevendo cartas no oceano desejando amar & morrer ébrio no mar sonoro! Vamos celebrar sua dor& as novas despedidas & as páginas manchadas no lago desespero procurando asas no inferno análogo à soberba contemplando como um feiticeiro histórias orgiásticas em dias perdidos!
||- IMPRESSÕES DO INFINITO
Pequena ninfa exala virtude
Nova percepção é velha chuva
Intrépido céu em força à beira da tormenta
Tempo escasso frente do Tudo!
    Paradoxo abissal em finais absurdos. Doutrinas anti-socráticas poeira do nada embebecido forjado  para a volta. Um caminho é serpente fria salto com Ícaro destoando nobre silêncio ainda que duas palavras atravessem é sinal mágico psiconitróide em míticos fragmentos complexos da grande barriga virtual grande momento, enfim personagens pensantes na corrente capital ilustre ideológica. Nietzsche disse: “ não a intensidade, mas a constância das impressões superiores é que produz os homens superiores”. Dionísio ausente sibilo missionário resquício da grande tempestade transformando nada em músicas eternas músicas pós-Tudo música póstuma aquém de princípios de aura. É grande o Banquete na eternidade alucinógena da erva platônica. Lembranças unidas outras vidas presentes no barulho da dor. A carruagem sem asas foi  o veículo de Dante no purgatório encontrando Beatriz dito anjo de pele sutil com olhos da noite. Ou não. O primeiro grito do mundo foi o verbo, a morte do mundo foi a palavra.

    Acostumei a encontrar palavras atravessando o outro lado realizando caótico passo ao começo do ato simétrico pairando no ar buscando Tudo. Se a palavra antes fim fosse real sem ser palavra psia apenas causadora empírica dos dilemas tristes recortes de outrora pigmentados sem nome em precipício do fim! A ilha colorida geme! É o sinal da passagem da vida filosofal alfa poética plenos estados iluminados na sombra abissal de Rimbaud em crise  de riso & esquecimento sendo expulso da fumaça purgatório vivendo entre o sagrado & o profano com queda para o profano escutando vozes em terríveis silêncios metapsicofísicos abundantes pausas noturnas no vôo da maré. Salve a iluminação mágica fixada na irradiação transcendenastral! Dissonâncias filosóficas,  venham todos! Lamentos proféticos entorpecidos beberei do seu vinho! Indício do apocalipse! Profana histeria caótica levando a contatos xamânicos primitivos míticos em desertos & portais circulares!
             Serei eternamente condenado ao arco-íris do absoluto infinito!
There was this kid in college
pursuing his growth with knowledge
Towards elders he payed his homage
although troubled inside ;

Everyday after classes
fraternities caught em slackin
They told em he should be packin
he should not hold no pride ;

He questioned why they aint like em
they beat em and tried to sike em
Quit often at school he's frightened
out his mind he would go ;

After he called his master
jehovah many don't know off
The holy among the holies  
he would cry for his help ;

Why do you let them do this
they ruthless
Beating me toothless
he knew this but he said nothing
It was all in his plan ;

Walking from class and thinking
he saw em tried to avoid em
They followed to leave em hollow
he was angry inside ;

They smacked em
about the action
One had a bat and swung it
they took his bag and they flung it
He type wanted to die ;

Now months had passed he was enduring the stress
grades declining
Sorrow climbing
wasn't doin his best

Oh how could he achieve
soar and reach for his dreams
When these ******* kept him under
forced a trick up his sleeve ;

It was sunny-
he was bummy as he usually was
He approached em after class
they where they usually was
They had laughed in his face ;
called em broke and a ******
Wasn't laughing for long
since he pulled out the matic ;

Sporadic they started movin
the fear in they faces soothin
He told em you try to run
im puttin lead in you all ;
One pushes his homie forward
while falling hes contemplating
Debating why they had caused this
bullets fly out the gun ;
He wet up the one who fell
they others had tried to scatter
A marksmen right at that moment
he had aimed for they heads ;

Laughing while he had killed em
four out of the five had fallen
The last of em slowly crawling
he walked up to him fast ;
Crouching he looked right at em
he pleaded we were just joking
Fun poking he said he's sorry
Jacob laughed in his face

Last of the fallen bullies
was crying as he was dieing
Delighted the bummy murderer put two in his brain ;

He said look at you now
i will not be destroyed
By the likes of you all
the police had been called ;

The sirens he heard em comin
he figured no sense in runnin
Since god had never responded
**** this life aint my own ;

His eyes had looked upward gazing
he felt his sorrow degrading
Visions of success fading as he let himself go ;

With the gun to his head
tried to finish himself
Heard it click several times
their were no bullets left ;

Now the cops are arriving
his heart was dropping and diving
His bravery was comprising of the bullets he had ;
figured jail was no option
They'd **** em
he couldn't stop em
So thinking quickly decided he would die by the ops ;

Their screaming telling him freeze
no time for buckling knees
He bolted headfirst at cruisers screaming top of his lungs ;

The officers open fire
fulfilling desperate desires
His soul would have raised higher had he tried something else ;

Now wet up he couldn't get up
but happy free from his burdens
His parents died long ago so he had no real regrets ;

DMT danced inside him
it took him to early childhood
Remembered when his parents had been loving him so ;

Toward fire he was descending
escaping is now pretending
While burning he saw the bullies he had sent to this place ;

While tortured they chained together
their skin was hanging and tethered
No laughing no getting over what his life had become ;

No resolve but the truth  
their was no going back
If your seeking revenge
you should prolly relax..
probably the longest **** iv written on here, gomen.
Wörziech May 2013
Salgadas foram as gotas caídas em um plano liso e infinito. Um terreno sombrio, desconhecido, no qual meus sons foram abafados e reprimidos em exatos instantes por mim vividos de plenitude e silêncio incalculáveis, desconectados de qualquer linha cronológica pensável. Porções muito densas de um líquido que levava em si, vida e morte. Naquele terreno indescritível, iam se acoplando as gotas que de mim pareciam sair. Inicialmente desarmonizadas, logo que fui anexado àquele universo caótico, vi aquelas gotas, que em mim causavam muito temor, se arranjarem de tal forma que eu pude distinguir dois círculos. Globos na verdade. Eram, no inicio, desfocados, sem cores e sem brilho, mas ao som de um grande ruído, eu pude, de todas as perspectivas, ver, ouvir e sentir uma implosão de existência do meu próprio eu, uma implosão que transformou aqueles pequenos desencorajados globos em grandiosas esferas reluzentes, ardentes em chamas verdes, de beleza e espiritualidade que eu ou qualquer outro jamais poderá representar por via de meras palavras. Neste foi o instante em que eu perdi a capacidade de distinguir como bem estava acostumado e, o que passava a ser, agora, era uma chama somente; uma chama que lentamente me consumiu por completo, fazendo-me parte dela. Neste vagaroso instante eu consegui assimilar que, aos poucos, tudo o que eu passava a sentir, era ela. Tudo o que eu via, era ela. Tudo o que eu era, era ela.  E, dando continuidade a sua essência, acabou por consumir também todas as constelações, todos os planetas, abrangendo sistemas solares, galáxias inteiras, mas sem se esquecer de qualquer fragmento, pequenino ou grande; ao consumir todos eles, como se em um lapso atemporal, eu pude ver, agora de outra forma, o processo reverso ao daquele que eu acabara de descrever. Fui guiado suavemente, mas com uma velocidade igual à de cargas elétricas gerando e configurando pensamentos; de uma forma indescritível, sendo levado para uma linha tênue e tremida no horizonte; conhecia todos os corpos celestes pelos quais passava. Via a vida nascendo em planetas e bilhões de anos sendo contados, de formas e linguagens variadas, nos calendários daqueles que neles viviam. Chegando mais próximo daquela linha, por mim tida como infinita, tudo passava a ter uma textura esplêndida, gerando uma vibração de cores frias, agradáveis e aconchegantes. Mal pude perceber quando me perdi deste instante. Foi como em um segundo perpétuo e duradouro. Ao seu fim, o abrir de minhas pálpebras revelaram a mim um olhar surreal. Como em uma sequência de slides, eu vi pupilas sendo dilatas, servindo-me com uma cor suave indescritível, olhos que, como se em chamas, provocavam em si próprios, oscilações de cores, contraste e brilho. Olhos transcendentais e onipresentes, não pertencentes ao meu mundo, mas ao contrário, o meu ser, prazerosamente entregue a eles. Olhos para além da vida ou da morte, que carregam em si o meu eu e o todo mais.
maryJAEne Dec 2013
Tony Story
Tony killed his ol’man Ty for a whole brick
Lined’em all up and gave’em the whole clip
Said he wasn’t eatin he wanted his own ****
And not to mention Ty was ****** his Ol’*****
But Ty wasn’t a shoota, that ***** just sold bricks
And Tony he was reckless he never had no picks
Tony was like the Alpo, Ty was the Lil Rich
2 ****** with a dream that plotted on goin rich
Started as a team but Ty had got on stiff
Jealousy the reason that Ty got left all stiff
Got Tony at the viewin, Ty mom cryin to’em
He hug’er, he tell’er who ever did this he gone do’em
From there it was a silence, she aint condone violence
But they killed’er only son, so when he said it she just nodded
And he told’er that he got’er, grimey at its best, Like tony had a cold
You feel the slimey in his chest. YES! He had the nerve to carry the casket
Strapped up before he went, he had to carry his ratchet, he nervous, walkin
Like he tryna carry’em faster, ***** even grabbed the shovel tried to burry’em faster. Next week he at the mall, Rolly on his arm, 2 bad ******* with’em laughn havin a ball. Seen Ty cousin Paul, Paul couldn’t believe it. Same ***** ask’em for
A front last weekend. Walk around the mall Louie on, Bags Nimen, With the gold diggen ******* Lil Ki and Bad Trina. He dap Tony up, Tryna cap tony up, in his head he thinkin how he gone CLAP Tony up. But Tony he aint worried cause he strapped Tony up, 7 days of runnin he already turned it up. He got Pauly burnin up, he ready to Ride, He know Tony a killer, but he ready to die. AHHHHHHHHH, smell the death all in the air, Pauly thinkin bout puttin a check all on his head, but he cant, cause Tony he done killed his first cousin, if he let somebody else do it, it wont mean nothin. He wanna see’em bleedin, he wanna see’em gaspin, wanna watch’em die slow like he sufferin from cancer. Feel like Tony did it but he ont really know the answer, so he gone let it burn, until it get confirmed. Couple months fly by, Tony on the high rise, started flippin chicken now he got them chickens in like Popeye. Pauly still getting it, he always been a top guy, he aint really club but tonight he gone stop by. Seen Lil Ki & dem, it was 2 or 3 of dem, standin in the line he said ima pay for me and dem. Pulled his money out, started countin it and teasin’em, you know Ki gold diggen *** wanna be with’em. Slid up in the club told the waiter give me 3 of dem, bottles of that ***** now Ki just wanna leave with’em. He said where ya phone at? She said where you gone at? He said ima slide out, She said ima ride out. Told’er friends call yall tomorrow when I get to my moms house. They got right up outta there, took’er to his side house. Soon as they got in the crib she just blew his mind out, waisted off them bottles Pauly boy she on a nod off. But Pauly he aint goin sleep, grabb’er phone up off the sheets, took it to the livin room her messages he going through, scroll up to Tony name he text’er whatchu doin boo, she text’em back im in the crib, he text’er back you comin through, she text where im comin to? He text back 1022, Woodstock in North Philly, take the E-way to the Zoo. She said that im comin now, Look at here what Pauly found, got the drop on Tony where he live now its goin down. Couple weeks later Pauly on Woodstock, sittin in his many van, Tented with his hood cocked. Tony just rolled up Pauly got the good drop, 44 in his hand bout to make the hood ROCK. Tony slippin, Pauly all dippin, walk up on his car like what’s POPPIN lil *****. Tony lookin shocked, his glock was in his box so he couldn’t grab for it, Paul said that’s ya *** boy. He said you still need that work that you asked for, Dropped it all on his lap it was 4 in a half raw. Tony he lookin crazy he know that’s the last draw and Pauly just let it go, put its prains on the dash board. POW!
4x: I won't let you tell 'em
no. No!
4x: I won't let you tell 'em
why. Why?
4x: I won't let you tell 'em
now. Now now.
4x: I won't let you tell 'em
how.

I won't let you tell 'em
how I made you feel, no.
I won't let you tell 'em
how I ******* broke you down.

I won't let you tell 'em
why you cannot sleep at night.
I won't let you tell 'em
how I can really be!

[uptempo]

*******, you ****!

[Bridge/Interlude/Solo]

I can't let you tell it,
I won't let you tell 'em that.
I won't let you tell 'em,
My Image cannot spare the change:

[Perhaps another Solo]

I won't let you tell 'em
how it makes you feel, no.
I won't let you tell 'em
how I ******* broke you down.

I won't let you tell 'em
why you cannot sleep at night.
I won't let you tell 'em
how I ******* broke you down.

Why don't you just tell them?
How could you just tell them?
I won't let you tell them!
I!
Idea for lyrics; The Song is inspired by a character from a Dream who sang something similar to me, and when I woke up, I wrote it down, and now here it is. If I get over my phobia of recording me singing, I may have a recording at some point, as well. :)

I had originally posted this as unlisted, but I figured feedback could only help. :)
He was born at a time when the times were no good
When you'd get what you got and you got what you could
And any ground that you gave was right where you stood
And the men were men and the boys were men too
And they did what they said and they said what they'd do
There was Hell to be paid and the Devil was due

You gotta shoot 'em up bang bang
Fill 'em full of lead
Shoot 'em up bang bang
Until they're dead
"They're gonna have to pay"
That's what he said

Shoot 'em up bang bang
Gotta make 'em squeal
Shoot 'em up bang bang
Gotta seal the deal
For the pain he'd have to carry
He would see them killed

You know the darker the secret the deeper the grave
His sweet Maggie had up and left him for his best friend Gage
And that's enough to channel any man's inner rage
At first he missed her so and prayed to be released
Especially every morning when waking to no peace
Then one day he awoke and decided it would have to cease

You gotta shoot 'em up bang bang
Fill 'em full of lead
Shoot 'em up bang bang
Until they're dead
"They're gonna have to pay"
That's what he said

Shoot 'em up bang bang
Gotta make 'em squeal
Shoot 'em up bang bang
Gotta seal the deal
For the pain he'd have to carry
He would see them killed
This is a song. Southern rock.
Mariah Tulli Feb 2019
Chovia a umas três horas, nada tão diferente de dias normais em São Paulo. Clara se arrumava para o trabalho com aquela pressa de quem ia perder o trem, mas na verdade era apenas a euforia pro segundo encontro com Luisa, que ia acontecer no fim do expediente. Se desesperou mais ainda quando olhou para cama e viu o tanto de roupa que havia deixado espalhada.  E se no final nós viermos para minha casa? Vai estar tudo uma bagunça, pensou ela, mas deixou assim mesmo, pois não queria criar expectativas demais, era apenas o segundo encontro e como já havia notado, Luisa parecia ser daquelas meninas meio tímidas de início. Pronto, calça preta, blusa preta e um boné vermelho que combinava com o tênis, pois em dias de chuva era necessário já que sempre perdia a sombrinha.

- Oii linda, então está tudo certo pra hoje né? Saio às 17h e prometo não atrasar. Disse clara enfatizando aquela idéia de pontualidade mais pra ela mesma do que para Luisa.
- Clara.. ops, claro rs! Te encontro no metrô perto do seu trabalho :)

Luisa tinha mania de fazer piadas com coisas bem bobas, era sua marca. Logo em seguida da mensagem enviada percebeu que mais uma vez tinha feito isso e riu de si mesma. Assim se estendeu o dia, Luisa sem muito o que fazer pois era seu dia de folga, então estava com todo o tempo do mundo para se arrumar, mas era daquelas decididas que pensava na roupa que iria vestir enquanto tomava banho e em dez minutos já estava pronta. O relógio despertou às 16h, trinta minutos se arrumando e mais trinta no metrô. Luisa estava pontualmente no local combinado, mesmo sabendo que Clara iria demorar mais um pouco ate finalizar todas as tarefas. Mais trinta minutos se passaram e nesse tempo Luisa já estava sentada em um bar ao lado da saída lateral do metrô com uma cerveja na mão, avistou aquele sorriso intenso de Clara, sorriu de volta cantarolando em sua cabeça “cê tem uma cara de quem vai fuder minha vida”, música vívida entre os jovens.

-Desculpa, te deixei esperando mais uma vez, como vamos resolver essa dívida aí? Disse clara esperando que a resposta fosse “com um beijo”.
-Sem problemas, já estou quase me acostumando, me rendi a uma cerveja, mas podemos beber outras lá em casa, o que acha?

Sem mais nem menos Clara aceitou e ficou surpresa pelo convite, a timidez percebida por ela já tinha ido embora pelo jeito. Chegando lá sentou em um colchão em cima de um pallet que ficava na sala e começou a analisar todo o ambiente, uma estante com dezenas de livros e três plantas pequenas no topo. Luisa com o tempo livre do dia deixou a casa toda arrumada e a geladeira cheia de cerveja, abriu uma garrafa e sentou-se ao lado de Clara em seu sofá improvisado.

-Posso? Pergunta Luisa ao indicar que queria passar a mão no sidecut de Clara.
-Claro, aproveita que raspei ontem.

Com a deixa para carícias, a mão ia deslizando de um lado para o outro em um toque suave na parte raspada do cabelo, até chegar ao ponto em que Clara já estava ficando um pouco excitada e gentilmente virou-se para Luisa encarou-a e sorriu, sem dizer nada, silêncio total, deixando aquela tensão pré beijo no ar por uns segundos. E sem nenhum esforço deixou que acontecesse naturalmente, sentindo aquele beijo encantador de Luisa. Pernas se entrelaçaram, corpos mais pertos um do outro, Clara acariciava lentamente o ombro de Luisa, aproveitando o movimento para abaixar a alça de sua blusa e dar um leve beijo na parte exposta, se estendendo ao pescoço, fazendo Luisa se arrepiar. Naquele momento o ambiente começa a ficar mais quente e num piscar de olhos as duas já se livraram de suas blusas. Clara volta a acariciar a pele de Luisa, mas dessa vez mais intensamente, percorre a mão pela barriga, puxa cuidadosamente a pele perto do quadril para conter o tesão, vai deslizando pela coxa, e num movimento quase imperceptível abaixa o short de Luisa e beija seus lábios molhados, fazendo-a soltar gemidos de excitação, criando um clima mais ofegante. Luisa em um mix de sensações sentiu a pulsação mais rápida de suas veias acelerado o coração, pernas tremendo e mãos suando, até perceber que aquele oral era o primeiro em que se entregava por completo, e se entregou.  Estava segura de si que aquilo era mágica e com a respiração voltando ao normal, posou um sorriso no rosto, abraçou Clara e perdurou o afago até cair no sono.
Jeremy Betts Sep 2024
The worst traits to have in a relationship,
I'm chalked full of 'em
Might have all of 'em
Been awhile since I counted 'em
Kinda lost count of 'em
Then lost track of 'em
Surely didn't embrace 'em
But didn't try to erase 'em
Look
I was either born with 'em
Given 'em
Or backstabbed with 'em
Then blamed for having 'em
Now all I'll I'm left with is 'em

©2024
Ryan O'Leary Mar 2021
https://www.irishpost.com/news/uk-holiday-park-has-been-banning-customers-with-40-common-irish-s­urnames-205033?utmsource=newsletter&utmmedium=email&utm_campaign=trending
-------------------------------------------­--------------------------------------------------



No N Word Irish Or Kerry Blues.

G
No tinkers horses without shoes
Em
No N word Irish or Kerry Blues
G
And we thought those days were gone
Em
Has Brexit exit brought it on
G
We’re vaccinated, don’t you know
Em
And we’ve got passports just to show

Chorus
G
Pontin Pontin by the sea
Em
This is where I want to be

G
We’re not contagious anymore
Em
The ***** Irish is now folklore
G
We’ve had enough of the Irish jokes
Em
I’m on the list, because I’m Stokes
G
Black Paddy Black Paddy you got no hope
Em
Even if you were the Pope.

Chorus
G
Pontin Pontin by the sea
Em
This is where I want to be

G
Michael O’Leary is to blame
Em
Before Ryan Air, none of you came
G
Now the Paddies are takin over
Em
Green and Orange on the Cliffs of Dover
G
No tinkers horses without shoes
Em
No N word Irish or Kerry Blues

Chorus

G
Pontin Pontin by the sea
Em
This is where I want to be

Repeat

G
Pontin Pontin by the sea
Em
This is where I want to be

Fading

G
Pontin Pontin by the sea
Em
This is where I want to be




Ryan O'Leary
Mallow.
3rd March 2021.
Perdido. Tomado pela multidão histérica de memórias. Mutilação. Gritos de agonia. Horror nos olhos de  "inocentes". Memorias de imagens presas numa parede de incapacidade. Incapaz de ver. Incapaz de saber. De ser. Sou o luto de minha tragédia. Ser o algoz do mundo. Já não me lembro.  Ele se diz meu sogro. Minha mulher está morta. As crianças foram brutalmente assassinadas. Seus corpos foram abandonados. Todos fugiram pelo terror do algoz. E eu apaguei. Já não me lembro. É preciso acreditar?  Lembrei que não me lembro do meu rosto. Ele me pediu para olhar ao espelho. Olho diretamente para aquela figura. Então este sou eu.  Apático. Ele sorri. Também tento. Pele azul. Olhos de vidro. Meus braços se misturam com uma membrana de carne. Me estico. É possível voar? Sim! Nós todos podemos voar, este é um planeta muito grande para simplesmente caminharmos. Às vezes ele fala como um mentiroso. Eu o detesto. Meus pés são como minhas mãos, só que maiores. Você deseja cavar os túmulos com seus pés? Esse não é o ponto! A questão é que sou diferente. Que vivo num mundo diferente. Onde eles são como eu. Deixe- me viver a fantasia!
Me levaram para a sala de recuperação de memória. Fizeram um tratamento
intensivo.
Tema: quem é você?
Resultado: Você é Khaladesh! Você é Khaladesh! Você é Khaladesh!(...)
Tome estes remédios!
Não posso!
Tome estes remédios!
Não quero!
Resultado: há uma guerra acontecendo. Um inimigo misterioso destruiu tudo o que importa. Quem é tal inimigo? Uma legião de sadismo. Tudo o que é perverso neste mundo carrega o nome  Arcantsulyan. É preciso sentir ódio por Arcantsulyan! É necessário se proteger contra Arcantsulyan. Oremos aos deuses!  Será que não orei o bastante? Já não me lembro. Livrai-nos de Arcantsulyan!
Há dois Sóis em meu mundo! Há também um deserto. Um jovem caminha em direção à Thaeran'khur. Seus passos cambaleantes e exaustos seguem por dois dias inteiros pelas areias do deserto... Não há noite em Thaeran'khur. Um calor crepitante invade sua alma. Há calor em seus olhos. Há calor em suas mãos. Há calor em seus brônquios. O calor e a poeira espreitam sua angústia. Incidem sem avisar em sua esperança. Um calor tão horrível que faz curvar seu corpo em incomensurável e desesperada agonia. Nada mais importa. Seu lar já foi esquecido. Suas lembranças já são meros devaneios. O que lhe resta é apenas entregar-se para a iminente morte ou seguir caminhando até morrer. À sua frente há uma fronteira que divide a parte inabitável do restante do deserto: um local onde a radiação  dos Sóis transformou toda a extensão de  areia em puro vidro. Um local onde não ha como permanecer vivo. O jovem desesperado e quase inconsciente vê a luz refletida pela gigantesca camada vitrificada. Ele segue em direção à luz. Irá cruzar o limiar da consciência: adentra o deserto de vidro... Incineração fatal... Seu corpo se transforma em areia.  O que aconteceu depois? Ele deixou de ser. Sabe o que isso quer dizer? Quer dizer que já não é. Ele abriu caminho à todas as possibilidades. Seu corpo se fragmentou em pedaços infinitos e se misturou com os infinitos pedaços que ali haviam. Ele se tornou tudo o que existe. Ele é o deserto agora. Mas o deserto está se unificando. A luz está juntando os pedaços. Os grãos estão se tornando vidro. Reflita...
Você é Khaladesh. Membro da rebelião contra Arcantsulyan. Vive escondido nas florestas sobre- oceânicas do Oceano Yuregjorth. Sua mulher e suas crianças foram destroçadas. Você perdeu sua memória. Percebe o quão insano isso tudo parece? Você não está bem. Precisa se lembrar. Não posso me lembrar de nada. Lembre-se de sua família. Lembre-se de seu ódio por Arcantsulyan. Você deve se vingar. Você deve tomar os remédios. Você deve se juntar à rebelião novamente. Você deve se fixar no que é real. Você será espião em território inimigo. Você precisa perceber seus delírios. Você precisa descobrir o que é Arcantsulyan. Você precisa se lembrar quem você é.
As I was saying . . . (No, thank you; I never take cream with my tea;
Cows weren't allowed in the trenches -- got out of the habit, y'see.)
As I was saying, our Colonel leaped up like a youngster of ten:
"Come on, lads!" he shouts, "and we'll show 'em," and he sprang to the head of the men.
Then some bally thing seemed to trip him, and he fell on his face with a slam. . . .
Oh, he died like a true British soldier, and the last word he uttered was "****!"
And hang it! I loved the old fellow, and something just burst in my brain,
And I cared no more for the bullets than I would for a shower of rain.
'Twas an awf'ly funny sensation (I say, this is jolly nice tea);
I felt as if something had broken; by gad! I was suddenly free.
Free for a glorified moment, beyond regulations and laws,
Free just to wallow in slaughter, as the chap of the Stone Age was.

So on I went joyously nursing a Berserker rage of my own,
And though all my chaps were behind me, feeling most frightf'ly alone;
With the bullets and shells ding-donging, and the "krock" and the swish of the shrap;
And I found myself humming "Ben Bolt" . . . (Will you pass me the sugar, old chap?
Two lumps, please). . . . What was I saying? Oh yes, the jolly old dash;
We simply ripped through the barrage, and on with a roar and a crash.
My fellows -- Old Nick couldn't stop 'em. On, on they went with a yell,
Till they tripped on the Boches' sand-bags, -- nothing much left to tell:
A trench so tattered and battered that even a rat couldn't live;
Some corpses tangled and mangled, wire you could pass through a sieve.

The jolly old guns had bilked us, cheated us out of our show,
And my fellows were simply yearning for a red mix-up with the foe.
So I shouted to them to follow, and on we went roaring again,
Battle-tuned and exultant, on in the leaden rain.
Then all at once a machine gun barks from a bit of a bank,
And our Major roars in a fury: "We've got to take it on flank."
He was running like fire to lead us, when down like a stone he comes,
As full of "typewriter" bullets as a pudding is full of plums.
So I took his job and we got 'em. . . . By gad! we got 'em like rats;
Down in a deep shell-crater we fought like Kilkenny cats.
'Twas pleasant just for a moment to be sheltered and out of range,
With someone you saw to go for -- it made an agreeable change.

And the Boches that missed my bullets, my chaps gave a bayonet jolt,
And all the time, I remember, I whistled and hummed "Ben Bolt".
Well, that little job was over, so hell for leather we ran,
On to the second line trenches, -- that's where the fun began.
For though we had strafed 'em like fury, there still were some Boches about,
And my fellows, teeth set and eyes glaring, like terriers routed 'em out.
Then I stumbled on one of their dug-outs, and I shouted: "Is anyone there?"
And a voice, "Yes, one; but I'm wounded," came faint up the narrow stair;
And my man was descending before me, when sudden a cry! a shot!
(I say, this cake is delicious. You make it yourself, do you not?)
My man? Oh, they killed the poor devil; for if there was one there was ten;
So after I'd bombed 'em sufficient I went down at the head of my men,
And four tried to sneak from a bunk-hole, but we cornered the rotters all right;
I'd rather not go into details, 'twas messy that bit of the fight.

But all of it's beastly messy; let's talk of pleasanter things:
The skirts that the girls are wearing, ridiculous fluffy things,
So short that they show. . . . Oh, hang it! Well, if I must, I must.
We cleaned out the second trench line, bomb and bayonet ******;
And on we went to the third one, quite calloused to crumping by now;
And some of our fellows who'd passed us were making a deuce of a row;
And my chaps -- well, I just couldn't hold 'em; (It's strange how it is with gore;
In some ways it's just like whiskey: if you taste it you must have more.)
Their eyes were like beacons of battle; by gad, sir! they COULDN'T be calmed,
So I headed 'em bang for the bomb-belt, racing like billy-be-******.
Oh, it didn't take long to arrive there, those who arrived at all;
The machine guns were certainly chronic, the shindy enough to appal.
Oh yes, I omitted to tell you, I'd wounds on the chest and the head,
And my shirt was torn to a gun-rag, and my face blood-gummy and red.

I'm thinking I looked like a madman; I fancy I felt one too,
Half naked and swinging a rifle. . . . God! what a glorious "do".
As I sit here in old Piccadilly, sipping my afternoon tea,
I see a blind, bullet-chipped devil, and it's hard to believe that it's me;
I see a wild, war-damaged demon, smashing out left and right,
And humming "Ben Bolt" rather loudly, and hugely enjoying the fight.
And as for my men, may God bless 'em! I've loved 'em ever since then:
They fought like the shining angels; they're the pick o' the land, my men.
And the trench was a reeking shambles, not a Boche to be seen alive --
So I thought; but on rounding a traverse I came on a covey of five;
And four of 'em threw up their flippers, but the fifth chap, a sergeant, was game,
And though I'd a bomb and revolver he came at me just the same.
A sporty thing that, I tell you; I just couldn't blow him to hell,
So I swung to the point of his jaw-bone, and down like a ninepin he fell.
And then when I'd brought him to reason, he wasn't half bad, that ***;
He bandaged my head and my short-rib as well as the Doc could have done.
So back I went with my Boches, as gay as a two-year-old colt,
And it suddenly struck me as rummy, I still was a-humming "Ben Bolt".
And now, by Jove! how I've bored you. You've just let me babble away;
Let's talk of the things that matter -- your car or the newest play. . . .
Esta crônica é resultado de uma conversa que eu teria com o velho companheiro de lutas Chico da Cátia. Era um companheiro de toda hora, sempre pronto a dar ajuda a quem quer que fosse. Sua viúva, a Cátia, é professora da rede pública estadual do Rio de Janeiro e ele adquiriu esse apelido devido a sua obediência a ela, pois sempre que estávamos numa reunião ou assembleia ou evento, qualquer coisa e ela dissesse "vamos embora!", o Chico obedecia, e, ao se despedir dizia: com mulher, não se discute. Apertava a mão dos amigos e partia.

Hoje, terceiro domingo do janeiro de 2015, estou cercado. Literalmente cercado. Cercado sim e cercado sem nenhum soldado armado até aos dentes tomando conta de mim. Não há sequer um helicoptero das forças armadas americanas sobrevoando o meu prédio equipado com mísseis terra-ar para exterminar-me ao menor movimento, como está acontecendo agorinha em algum lugar do oriente asiático. Estou dentro de um apartamento super ventilado, localizado próximo a uma área de reserva da mata atlântica, local extremamente confortável, mas cercado de calor por todos os lados, e devido ao precário abastecimento de água na região, sequer posso ficar tomando um banhozinho de hora em hora, pois a minha caixa d'água está pela metade. Hoje, estou tão cercado que sequer posso sair cidade a fora, batendo pernas, ou melhor, chinelos, pegar ônibus ou metrô ou BRTs e ir lá na casa daquele velho companheiro de lutas Chico da Cátia, no Morro do Falet, em Santa Tereza, para pormos as ideias em dia. É que a mulher saiu, foi para a casa da maezinha dela e como eu tinha dentista ontem, não fui também e estou em casa, cercado também pelo necessário repouso orientado pelo médico, que receitou-me cuidados com o calor devido ao dente estar aberto.

Mas, firulas à parte, lembro-me de uma conversa que tive com o Chico após a eleição do Tancredo pelo colégio eleitoral, que golpeou as DIRETAS JÁ, propostas pelo povo, na qual buscávamos entender os interesses por detrás disso, uma vez que as eleições diretas não representavam nenhuma ameaça ao Poder Burguês no Brasil, aos interesses do capital, e até pelo contrário, daria uma fachada "democrática ao país" Nessa conversa, eu e o Chico procuramos esmiuçar os segmentos da burguesia dominante no Brasil, ao contrário do conceito de "burguesia brasileira" proposto pela sociologia dos FHCs da vida. Chegamos à conclusão de que ela também se divide, tem contradições internas e nos seus embates, o setor hegemônico do capital é quem predominar. Nesse quesito nos detivemos um bom tempo debatendo, destrinçando os comportamento orgânicos do capital, e concluímos que o liberalismo, fantasiado de neo ou não, é liberal até o momento em que seus interesses são atingidos, muitas vezes por setores da própria burguesia; nesses momentos, o setor dominante, hegemônico, lança mão do que estiver ao seu alcance, seja o aparelho legislativo, o judiciário e, na falta do executivo, serve qualquer instrumento de força, como eliminação física dos seus opositores, golpe de mídia ou golpe de estado, muitas vezes por dentro dos próprios setores em disputa, como se comprovou com a morte de Tancredo Neves, de Ulisses Guimarães e de uma série de próceres da burguesia, mortos logo a seguir.

Porém, como disse, hoje estou cercado. Cercado por todos os lados, cercado até politicamente, pois os instrumentos democratizantes do meu país estão dominados pelos instrumentos fascistizantes da sociedade. É que a burguesia tem táticas bastante sutis de penetração, de corrosão do poder de seus adversários e atua de modo tão venal que é quase impossível comprovar as suas ações. Ninguém vai querer concordar comigo em que os setores corruptos da esquerda sejam "arapongas" da direita; que os "ratos" que enchem o país de ONGs, só pra sugar verbas públicas com pseudo-projetos sociais, sejam "arapongas" da direita; que os ratazanas que usam a CUT, o MST, o Movimento por Moradia, e controlam os organismos de políticas sociais do país sejam "arapongas" da direita; que os LULAS, lulista e cia, o PT, a Dilma etc, sejam a própria direita; pois do contrário, como se explica a repressão aos movimentos sociais, como se explica a criminalização das ações populares em manifestações pelo país a fora? Só vejo uma única resposta: Está fora do controle "DELLES!"

Portanto, como disse, estou cercado. Hoje, num domingo extremamente quente, com parco provimento de água, não posso mais, sequer, ir à casa do meu amigo Chico da Cátia. Ela, já está com a idade avançada, a paciência esgotada de tanto lutar por democracia, não aguenta mais sair e participar dos movimentos sociais, e eu sou obrigado a ficar no meu canto, idoso e só, pois o Chico já está "na melhor!"; não disponho mais dele para exercitar a acuidade ideológica e não me permitir ser um "maria vai com as outras" social, um alienado no meio da *****, um zé-niguém na multidão, o " boi do Raul Seixas": "Vocês que fazem parte dessa *****, que passa nos projetos do futuro..."  Por exemplo, queria conversar com ele sobre esse "CASO CHARLIE HEBDO", lá da França, em que morreu um monte de gente graças a uma charge. Mas ele objetaria; "Uma charge?!" É verdade. Não foi a charge que matou um monte de gente, não foi o jornal que matou um monte de gente, não foram os humoristas que mataram um monte de gente. Assim como na morte de Tancredo Neves e tantos membros da própria burguesia no Brasil, quem matou um monte de gente é o instrumento fascistizante da sociedade mundial, ou seja, a disputa orgânica do capital, a concorrência entre o capital ocidental e o capital oriental, que promove o racismo e vende armas, que promove a intolerância religiosa e vende armas, que promove as organizações terroristas em todo o mundo e vende armas; que vilipendia as liberdades humanas intrínsecas, pisoteia a dignidade mais elementar, como o direito à crença, como o respeito etnico, a liberdade de escolhas, as opções sexuais, e o que é pior, chama isso de LIBERDADE e comete crimes hediondos em nome da Liberdade de Imprensa, da Liberdade de Expressão,  a ponto de a ministra da justiça francesa, uma mulher, uma negra, alguém que merece respeito, ser comparada com uma macaca, e ninguém falar nada. Com toda certeza do mundo, eu e o Chico jamais seremos CHARLIE....  

— The End —