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"dustpans" poems
seductive decay on summer days we rode down the river in our ripe age, careless if the rapids swept us into their deadly dustpans, the black hole of water, the possibility aroused us, perhaps because it seemed so far away. and next to the river, the appalachian townsfolk wandered the deep grass, they gathered here to see the circling folding-tables, buy the spread of goods, the goods are masks. the masks are of old folks’ faces, cartoon-like, goofy comic characters in the funny pages. masks of rubbered wrinkles, permanent, bulging eyes, whiskered ears that never stop growing, with an elastic band, you can become an elder. old age attracts the crowds, i have a fascination with it myself, picturing all the stories that have taken elders to the present, it’s hard to fake being wise when you’re forced to think for years.
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Feb 26, 2014
Feb 26, 2014 at 11:36 PM UTC
seductive decay
Strange times. When I speak of caressing your mantic lungs I don’t know what I mean, but I know I would hurl you under proper circumstances. Darling, one whisper falls from a tree silently so as not to wake the ghosts from their siestas. Your robe has holes I can’t write of. I can fathom getting there, what that might entail, wrapping, as I am prone to, my fingers around your furry pincers while I wait for you to read my rights to the ceiling fan who whirls above our renovated combustions like the glowering eye of our Lord upon the teary-eyed wicked. I am not looking to escape through the window, darling. I am diving for your diamond-in-the-rough, peeling off barnacles, making moustaches of seaweed. You threw it into that ocean- sized trough in which you drown lizards as way of stress-release. I don’t know what I’ll do next. The poor man. You give me your hand, darling, and your robe, your robe is shiny like a pubescent star, and it shimmies like a wagon piecing itself apart, as you piece yourself apart, starting with your smile, which was always more like a photograph of a dune in a textbook. You give me your hand. It is a blue egg dusted with microorganisms. I sprinkle it with our fragrance, what’s left of it. I wish happiness upon your sleep-life, doldrums upon your late-night haunting. I am tired and these machines are so convenient, bringing me on all-expenses- paid visits to the site of your burial. Or is it your sister’s? I quote, my heart is like a walled onion. The poor man is tired. It is not 1904 anymore. You are not smiling anymore, darling, but you give me your hand. You give it in a basket with parsley and cheese and cut-outs from The Waterlogged God. You give it almost grudgingly but I will keep it. You tell me you’ve been dreaming again of train stations. I wonder what that means. I wonder about your eyes. There are many spiders inside the wall, and along it, and on the chandelier’s fingers, and inside the spiders. I quote, a dream is worth a thousand dustpans, but you, darling, are worth so much more than dustpans. But I grow weepy, as stated. What do those dark blue lines mean? Your fingers, darling, smell of a dark cloud in an electrical storm. Your palm is a circus. Your nails ticket stubs. That one’s from the alligator show. You dislocated your throat. I had a plan. If you stare into someone’s eyes for more than six seconds, you’ll want to lick them.
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May 25, 2010
May 25, 2010 at 8:20 PM UTC
My Life as Heiress to Your Throne, Darling
Strange times. When I speak of caressing your mantic lungs I don’t know what I mean, but I know I would hurl you under proper circumstances. Darling, one whisper falls from a tree silently so as not to wake the ghosts from their siestas. Your robe has holes I can’t write of. I can fathom getting there, what that might entail, wrapping, as I am prone to, my fingers around your furry pincers while I wait for you to read my rights to the ceiling fan who whirls above our renovated combustions like the glowering eye of our Lord upon the teary-eyed wicked. I am not looking to escape through the window, darling. I am diving for your diamond-in-the-rough, peeling off barnacles, making moustaches of seaweed. You threw it into that ocean- sized trough in which you drown lizards as way of stress-release. I don’t know what I’ll do next. The poor man. You give me your hand, darling, and your robe, your robe is shiny like a pubescent star, and it shimmies like a wagon piecing itself apart, as you piece yourself apart, starting with your smile, which was always more like a photograph of a dune in a textbook. You give me your hand. It is a blue egg dusted with microorganisms. I sprinkle it with our fragrance, what’s left of it. I wish happiness upon your sleep-life, doldrums upon your late-night haunting. I am tired and these machines are so convenient, bringing me on all-expenses- paid visits to the site of your burial. Or is it your sister’s? I quote, my heart is like a walled onion. The poor man is tired. It is not 1904 anymore. You are not smiling anymore, darling, but you give me your hand. You give it in a basket with parsley and cheese and cut-outs from The Waterlogged God. You give it almost grudgingly but I will keep it. You tell me you’ve been dreaming again of train stations. I wonder what that means. I wonder about your eyes. There are many spiders inside the wall, and along it, and on the chandelier’s fingers, and inside the spiders. I quote, a dream is worth a thousand dustpans, but you, darling, are worth so much more than dustpans. But I grow weepy, as stated. What do those dark blue lines mean? Your fingers, darling, smell of a dark cloud in an electrical storm. Your palm is a circus. Your nails ticket stubs. That one’s from the alligator show. You dislocated your throat. I had a plan. If you stare into someone’s eyes for more than six seconds, you’ll want to lick them.
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46
The sun was still cold in your breath, half-awake still dreaming and we are way past that hour, just waiting for the first light to break in and steal the dark away like a stereo. The air was fetid, reeking of sad news, swirling about, but we moseyed along carrying dustpans and brooms, lugging garbage bags like we were sanitation Santa, sweeping cigarette butts, and in them I saw burnt time, and in them I see mounting bills. The cold air was doing a number on us, dumping its oblique sorrow on our then ragged frame as we emptied waste baskets. At times when I utter the word doctor, your eyes go creamy, your ears wag, perhaps I was doing an impression— an echo of a forgotten life. People were still groggy on their cardboard beds, their lips wearing soot as they drooped down on the side of their faces, the night weighed heavy on them. Unlike most sight that slide through and veer away from despair in the flesh, yours fell on them with flecks of your heart knowing that from them we are dimes apart. We swept, but your broom was nimble, springing into life in those days. Out of nowhere your hope swung a fist. I always remembered those words like a promise and held on to them like a limb. “Though the world may forget, don’t dare forget who you are.”
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Oct 8, 2024
Oct 8, 2024 at 12:58 AM UTC
Memory Lane
Virginity is like a new dust pan so shiny and bright that is eventually full of garbage and dirt that is thrown in the trash with a new status “used” However some dustpans are cleanse from their dirt still carried with sin and with  a scent of development and sometimes wisdom Others are always full with garbage and dirt not knowing the basic luxury of soap nor do they remember when it first came out the package Other dustpans are never used but will either rot or with a miracle will be continually showered with soap Lasting with great wisdom or resentment for not ever being “used” But like all things it comes to an end a dustpan is replace when it is broken down or rotten continuing the cycle of life and virginity.
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Aug 4, 2014
Aug 4, 2014 at 5:28 PM UTC
DustPans