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Blair Griffith May 2012
I

A Genesis! The Exodus, the Exodus!
A departure from all terrestiality
Always immoral and depraved, bathed in filth, in self-loathing
Abattoir of our souls, it entrenches us

Also, we too must be of the same make
And bear with our corpses the same proceedings, the same caliber
Allowed to their subversive candor,
All that broke the Carthaginians upon their own passage
Across the peninsular pathways

S'il in our conquest we find, however, that the pachyderms have run aground,
Vous must aggregate our conscious thought
Plaitcate the ravenousness within the heart of victory.

II

Bring victory, the winged harbinger of the conquest,
Beg for tyrannical proclamations: the end of man, the end of men,
By now, the greater of the concepts is lost to its own devices, devices,
Belching out smoke, that bend the corpses upon their backs.
By wrenching from their life a sense of purpose,
Byproductively, they feed heroic romanticisms of combat.

Brought yet upon these fields, there lies no stranger enemy
But that of the tide
Being self-effacing, masochistic,
Belittling, She breaks herself upon the shore, ravaging the bodies of
Both, Playing as ******* and as subservient

III

Come! Wave upon Wave upon Frothing
Crest, to shores of golden enfrenzied ******
Calmed by the liquid of our ***** *****
Charging forth as we
Charge forth armies upon the field of slaughter
Callously, for you, our gilded monarch
Can you see? They cannot see, and we hope to elucidate your presence, they
Cannot comprehend or fathom what they
Cannot see.

IV

Ceaseless now the charges
Come further upon the front
Crashing 'gainst the openings of each
Clangor and madness
Coalesce to form death

Dripping anew with sanguine libations
Drawn fresh from naked lambs, freshly cut for their country
Dionysian warriors return,
Desire forming their mental undulations

Effortlessly they overtake their feminine fortunes
Effacing their identities, removing from them with their clothing, the
Entirety of their selves.

V

From carnal conquest they rejoice,
Flaunting the destruction they wrought
Flinging husks of women about the room,
Foisting these shells on other patriarchs

Given no choice, they return to fields of battle
Godspeed, gods' will, and god-granted
Gaian soil is retreaded by their sodden flesh.

VI

Hellish, infernal is their presence
Having lost no measure to revelry or rest, neither
Halting nor slowed, the march quickens in time with their lustful bellows
Hastened to madness by infinity
Harkened back to prisons of mental anguish by their creators
How proud they are, the Old Gods,
Hacking away the pounds of flesh to reveal the
Haphazard construction to their instruments of torture.

VII

Into the bloodshed, into the fiery cavernous opening of the crusade
Ignited by righteous scraps of cloth and metal
Ignobly formed into crudely significant, textured shapes
Iconoclasts to their own ideals
Idyllic in their self-mockery.

Jabbering like hellbeasts, the warriors drive into the flesh of the conflict
Jettisoning armaments in the process, their
Joie de vivre having been lessened by mechanical limits.
Jocular slaughter synthesized with demonic cries.

Kapellmeisters to the symphony of death,
Keeping in the rhythm of mutilation, counterpoints of steel clashing against breastplates, giving shape to a
Kleptocracy of life.

VIII

Languishing now in the refuse of the struggle,
Laden with corpses, the warriors remain restrained by fatigue
Lurching through the mud, calling out feebly with voices
Long since bellowed to pulpy masses of throat tissue.

Masses of flesh crawling across the fields of strife,
Macerated ground, weak and shifting, struggles to support the
Multitude of half-corpses now in eternal respite upon the bloodied pasture.

IX

Now broken with regret and shame they collapse
Nestled into the marrow of the fallow earth,
Needing only rest in the cooling tendrils of dirt and blood that trickle across them.
Né de nouveau, their trek leads them towards the grave
Necrosis having taken hold in their limbs,
Nascent corpses, they subside with grave finality into a dead collective.

X

Opaque irises await those who uncover the un-burial mound
Oafish sockets containing them like marbles
Open to the elements, decaying with their corporeal encasement, shaded by
Oaken leaves that remain unfallen, while
Obsequious maggots go about their task of cleansing the remains

Paralyzed in the final moments of their mortal coil, the bodies lay stagnant,
Pacified only by the removal of sentience.
Pagan rituals surround such corpses, and the intrepid discovers
Patiently await the arrival of some necromantic spirit.

Quasi-instinctively, the pioneers of the superterranean mausoleum
Quell their fears and remove the bodies from their conclusive locale,
Quantifying their deaths by the armaments and metal carapaces upon them.

XI

Reeling across the path, weighted by the bodies,
Returning, the archaeological presence brings a pall over society, which
Remained reticent despite the presence of such suffocating solemnity
Repressed by its own intent

Solitude is given no quarter, and the bodies
Strung up like scattered marionettes
Silently serenade the town with a deafening cacophony.

XII

To Hell their souls desperately charge, frothing about the shackles of undeath
Torn from corporeal existence, yet unable to
Transgress the mortal plane
Torturous paradox!
Torment the fallen of Carthage's vestigal might no more
Traducer of the human condition
Tragedy is loosed at thy whim
Try not the patience of demi-gods of wrath and bloodshed.

XIII

Undulating by the beckoning of the wind,
Un-beautiful, un-ironed, the shrouds of the coffins
Under grey sky hang softly like leaden sheets
Unaware of the gravity beneath the few inches of oak
Un-aesthetically masking the dead warriors' forms

Visceral is the movement of the procession,
Vermicular, they wind a course to the peak of the foothill
Vehemently the priest urges them onwards, although he is
Visibly ill on this occasion of the anti-hero.

Warlike, the battle up the ***** claims the lives of those already claimed
Wastrels left to rot in the carcass of a long-dead conflict,
Wanting nothing more than solace eternal.

XIV

Xenophobes of the Inferno fear the inevitable presence of these
Xoana, false representations of humanity.
Xanthic is their fear, for inside the malebolges themselves
Xanadu is sought for those of the fallen soldiery.

Yet funerary proceedings dictate descent for these souls, and the coffins
Yaw slightly in the wind, disturbed by the
Yanks of the ****** rabble who bear their weight.

XV

Zeus himself presides over the ferrying of these souls,
Zion awaits them, their final collective fate at hand,

Yet slowly it turns its back upon them,
Xenophanes mocks from his post,
Wailing, they fall
Velocity increasing infinitely,
Until they see no more the lustrous light
Trapped eternally in dark
Stabbed with betrayal and fear, their souls
Run amok, fleeing from the source of their anguish
Questioning existence.
Periodically in the abyss, the helpless aggregate conscious is
Overwhelmed with memory of Paradise
Now to them denied for eternity.
Mephisto remains, their only companion,
Leeching from them the final vestiges of hope now left within, once
Kept hidden to protect the warriors, now
Jabbed and pummeled to death.
In this state of perpetual umbra
Heaven so distant, now only faded, as if on parchment,
Gained by the souls is a sense of locality, once
Forgotten but now reattained, and
En masse, the group instantly
Derives that they have returned from beyond the mortal plane, the terra once again
Collates beneath their soles, and the collective decides they must return
Before the open sun, to bear themselves
Against the gods, against sanctity itself, and thus they cry:
decompoetry Nov 2010
**** up

                                        Pathetic



*******,­
      
                 all
                              
                     *******


Reasons naught
pointless
counterpoints


**** up


Cosmic             *******

every
           last

detail

every
           last

derail

until the tracks
can

                       no longer


be wielded
back                                                
                          
                                     ­                        together

to

                 get

                                    her


Lost

like my mind
                  no longer mine
                                        so far behind


**** up


Flesh inflamed
eyes insane
slippery      
    
                                    dame


fallen

        ­                     from my        grasp


fire’s less oblivious


too much sweat, I bet


of a **** up


sweating out

                      the eyes

as I hear
                  
                        finalized
                                    cries


mine
        
                                       no more

nothing

                                       anymore

lone shadow

                                       forevermore

breathe

                                       nevermore




                                                  ­                 ******
                                                          ­             up
Nat Lipstadt Apr 2016
this one starts where so many have
bed-begun

a weekend morn,
sun flooding the chamber,
we swap YouTube fav's,
over cups of almost
hotter coffee

I ******
with
"Roxanne" by Police;

she subtlety point counterpoints my
unsubtle advances, parrying by
sending me dreams of
the **** promised land of

"El Tango of Roxanne,"
from Moulin Rouge

I concede,
she pleased,
pleases me,
that her triumphed victory came so easy

not realizing my plan all along,
realizing, my all along man plan

ah,
Saturday, Naturday,

making natural spring water
poems
drawn from the saucy source
mother (bed-sun-music) earth

this one ends where so many have
bed-begun
avril 9 2016
7:45am
grumpy thumb Jan 2019
Stars prickle the darkness
counterpoints to measure its vastness
they steal eyes and gift wonderment  
allow birth of dream and scientific torment
they witness and receive wishes,
they exist yet
many are no longer in existence
the closest is only seen in its loneliness
yearning to shed the veil of blue
Mateuš Conrad Feb 2019
.there's redemption at the end of this diatribe, or so i think there is, well... whatever hector dejean could have ever done... of all the places in europe... i kinda wish i visited berlin... e.g. paris, mid 00s? the best place in the world... stockholm mid 00s? ******* closed it off, cold as a butcher's knife cutting into meat to the bone... and i know the saying: he only saw a bit of the world, only because of her... who, who's her? solo... how i pulled it off, i still don't know, how i became introverted because of the writing? that i know, i decided upon a career (insert snigger, and no " ") in drinking.

discovering a channel like
contrapoints and
shaun (salad fingers)
                        in a single day?

               sorry... no...

   the day a ****** starts to maul
its way into my head...
one ****** i can take:
two trannies?
              no... sorry...
i'm arachnophobic already...
what's another phobia
                      to do with it?

shaun: much appreciated
pedantry...
           to too came with
my own set of toys

  what's isn't chemistry
   is also not čeating...
all the major nuances
     of the english language...

but this overt-obsession
of the other with regards
to being either gratified,
or not...

      you should ask me...
'why is it that you don't
experience erectile dysfunction
when going to a brothel?'

   why a sudden concern,
interest,
              as to what men
              do, or don't do?

pet a cat,
put on a washing machine,
hang the washing
and shy away from the day
with three ciders...
   stare at a blank screen
with a blank face
and a morbid itch of anticipating
some sort of spew
from, yours truly?

   suddenly everyone is
"worried" about the leftovers?
albeit this "abortion"
   can talk back...
     or... "think" back...
because every time
i'd ******* i'd count it
          as an act of genocide...

        "loneliness":
   because i found an outlet that
bypasses...
          the editorial process
                 and is... unihibited?    
   ****, there are two of me
when there are three ciders
                                            in me...

      you know...
   i've never come across potent
left ideology,
                        until now...
****... maybe i'm also a leftist,
or: what does all of this even
                                 mean?

personally...
                        it's not saying i'm
not unconvinced,
       or i'm hallucinating
or anything...
         maybe these so-called
incels would not get
such bad press,
    if... there wasn't a problem
with ******* priests?
  and... the name
   suburban cenobite was
introduced?

  when one mental "disorder"
is... Norman...
          and all others
are...
                       Tabloid Taboo...

seriously, Matt, get your *******
head around this...
    'i'm trying, i'm trying...
but this **** is not lily *******
savage...
         translate
                   counterpoints
from behind
                 a camera lens...
to stage...
                       who's laughing?

the queer that was,
when it first started to tease
the public's taboo
                    orientation...
the current public's taboo
orientation of certain
                  negations of ease?

different ball-game...
            maybe that's why i sometimes
frequented brothels...
   best shrinks in the whole
******* world...
         but of course,
"*** slaves"...
                        oh that one time,
when i forgot to trim
my ***** hair and thought:
that would be impolite...
              so we just smooched
for an hour...
   do you even know that
they charge an excess on
the hour if you want to perform
oral on them?

       i just think of eating
raw oysters...
          
     but ***...
                do i really have to think
about it so much,
on such political terms?
     this is it... no ******* bucket
and ***** for me...
     the continual cycle of:
not-keeping-your-own-affairs-intact...

are days always like this?
by this i mean...
penetrating - my ego just turned
into a ******
  and became ****** by
        a ******-tongue / voxdo...

or maybe i'm personifying
   an atypical reaction from the actual
echelon of addressee...

               but this isn't a blaire white
hmm...
             buffalo bill -esque...
who said anything about...
   ****** bones?
    hands don't, lie...
              em, yeah...
    ***** envy...
             with a hand that can
hold a basketball?
            do all you want...
but once the hands come into play...

and then... the video of
counter point nears its end...
and i'm...
   like...
                      o.k. this could
work... consolidation...
a truce...
                  you be she
                      whatever you like,
   i'll be a suburban cenobite...
unofficial...
        but at least i will not
be some paedohpile priest...

       i needed this...
   there's still one cider left,
i hang the washing...
which included my mother's
underwear
   and i feel... insanely normie...
having just realised:

    i usually normal with this
sort of content...
       why now?
   oh... right...
   reading the sunday times'
magazines...
       and imploding from
all the disconnect from
                mainstream media...

   yet i will persist...
      what is an irrational fear
when the thing itself, in question,
is also irrational?
my arachnophobia
     is irrational...
            is the spider even
given a status of either
rationality, or irrationality?
         i'm definitely being
irrational...
   but the spider is neither
rational, or irrational...
     it's a spider...
  it doesn't have the luxury
to be irrational,
   other than it is a rational
                extension of per se...
sure, god, evolution,
                             whatever...

for so long i craved to write
something so alienating
that it makes me feel
uncomfortable...

        ah... the subject matter...
that was it...
       the death spiral,
the dodo project...
           first time... Isabella...
psychology exchange student
two years my scenior...
Grenoble...
   no...
   she really was a dream...
then there was that time
with my ex-girlfriend
from high school...
    a whole afternoon
and her *******...
later something else,
and then later something else...
months apart...
then the ukrainian *******...
then the russian bombshell...
the puerto rican
          plum in amsterdam...
a black girl
with an ***
     just about right
for my lack of ***** envy
or whatever it's called
when a black girl's ***
requires the desired tool
(i hear they're releasing
a new album, can't wait)...
then a few bulgarian prostitutes...
then a thai bisexual
(yeah, to my shock...
she was wearing a sports bra
and there was no thai
surprise in the end,
but the suspense was
killing me
   just before we did it
                       in the garden)...

details, details:
   i'm not going to suddenly
write out a hard-on...
   ****... i was starting to feed
into the paranoia of identifying
myself as an incel...

cool cool, "are traps gay"...
we're back in lily savage territory...
ha ha, always the subject matter...
     i hate that...
freaking out about something
you're not...

          it just had to come
at the right time,
   downing this third cider...
and yeah: it's sunny...
   i can't wait for the night
and the foxes...
it's mating season,
so they'll be at it
             more prominently...

          ah... the trans-movement...
the benzene ring...
and Plato's concept
   of punishment
     of men being reincarnated
as women...
or.... in this instance...
  women being incarnate
in male bodies...
            it's like: hell decided
to blah-blah its way into life...
          fun times...
            sure, and a bunch slurrs
and slurps of milkshake
from the great *** of kamadhenu...

i'm no better,
   look at me,
               drinking,
                 brothels...
                   among
the mad, the ******
                       and...
                  safe to say:
            liberated from
the pogrom of establishing
              myself as a father figure.
Terry Collett Mar 2015
Enid parts the curtains and peeps out at the sky and the coal wharf over the road where coal men are loading up the coal trucks and lorries she can hear her father's loud voice from another room she blinks at the sound the sky looks blue and a sun is coming over the railway bridge so maybe ok to go out and see if Benny is around and what he's doing today but her father's bark of a voice makes her shudder her mother's screech rides on the air over her father's bark in a kind of operatic duet she closes the curtains and sits on her bed waiting for the row to subside and hopes it will not overrun into her room and bring her into the firing line as it did sometimes she caresses her body in a way no one else does or will her ears on the alert for sounds coming nearer  she gets up and goes to the bedroom door and listens the voices are still in duet but softer now but more bitter then a thump thump sound a scream and cry and Enid moves back from the door and her eyes wide open she stares at the door as if at any moment it will explode inwards and her father come in on her in a spiteful rage she moves to the wall by the window and stands there waiting sensing her stomach rumbling with hunger needing feeding but she daren’t yet go out to the kitchen and the bruises on her arm and body have only just begun to fade from last time she creeps along to her bed and climbs in between the sheets and fakes to sleep maybe then he'll not disturb a roar of words explodes from the passage and a screaming voice counterpoints then silence and door slams and then whimpering then silence then a radio comes on  music replaces whimpering and roaring voices she sits up on the side of the bed and listens intently her stomach rumbles her breathing she notices is heavy her pulse is racing along she can sense it as she holds her wrist between fingers she gets up and walks slowly to her bedroom door and opens it cautiously and peers out along the passageway the radio is playing music her mother is singing along to it in a slightly croaky voice Enid walks down the passage and into the kitchen where a light bulb shows a messiness of plates and cups and saucers and a frying pan on the grimy stove she looks in the larder and takes out a box of cereal and taking a bowl from the shelf she fills the bowl up with cereal and pours in some milk she looks for a spoon and for the sugar tin you've got up then? her mother says standing at the kitchen door a cigarette between lips a bruise on her cheek Enid stares and nods about time at least you were out of his way God he was in a foul mood this morning her mother says moving into the kitchen the smoke from the cigarette following her into the kitchen and making Enid's eyes watery get your breakfast and best be out in case he's home lunch time and still in a mood her mother says Enid puts a spoonful of sugar over the cereal and goes into the sitting room her hand shaking she trying to keep the bowl steady and sits at the dining table listening to the music on the radio behind her she looks out the window through the net curtains at the railway bridge and out onto Rockingham Street and the beginning of Bath Terrace her mother enters the room a cup of tea on a saucer in her hand the smoke about her head and sits opposite Enid deep in thought rubbing the bruise on her cheek Enid wants to ask what was wrong with her father and why was he in such a mood but she doesn't she just eats in silence looking now and then at her mother's face and the bruise spreading there and the music seems too happy for the occasion and she wishes it wasn't on but she listens all the same don't annoy him when he gets home her mother says try and keep out of his way Enid looks at the cereal bowl the pattern of flowers around the outer rim what's up with Dad? she asks her spoon half way to her mouth short of money says I waste it says I don't know how to save her mother says looking out the window her eyes watery red the cigarette shaking between fingers Enid wants to go to hug her mother but doesn't in case her mother has bruises where Enid can't see says I spoil you too much her mother went on looking at her her eyes hollow and deep Enid says nothing but spoons the cereal into her mouth and stares at the tablecloth with its blue pattern her mother's words now drone on and Enid tries to shut them out and think of later and seeing Benny and talking to him he knows what she has to put up with he knows and he'll take her some place and she can forget for a while what has happened at home maybe they'll go to the park and ride the swings and slide or go on a bomb site and Benny collect stones for his catapult can I go out with Benny? she asks her mother breaking into her mother's monologue of woe yes I expect so her mother says tiredly but don't let your father see you with him you know your father doesn't like him or you being with him Enid nods and finishes her cereal and takes her bowl to the kitchen and washes the bowl and spoon under the cold water tap until clean and puts them on the draining board to dry catching sight of her father's shadow out of the corner of her eye.
A GIRL AND ANOTHER DAY IN LONDON IN 1950S.
Blair Griffith May 2012
VII
Into the bloodshed, into the fiery cavernous opening of the crusade
Ignited by righteous scraps of cloth and metal
Ignobly formed into crudely significant, textured shapes
Iconoclasts to their own ideals
Idyllic in their self-mockery.

Jabbering like hellbeasts, the warriors drive into the flesh of the conflict
Jettisoning armaments in the process, their
Joie de vivre having been lessened by mechanical limits.
Jocular slaughter synthesized with demonic cries.

Kapellmeisters to the symphony of death,
Keeping in the rhythm of mutilation, counterpoints of steel clashing against breastplates, giving shape to a
Kleptocracy of life.
Robert C Howard Mar 2016
The sun inches skyward
in the quiet after-rain
of a gentle pre-dawn shower.

The rich sweet essence
of moistened earth
suffuses the air with promise.

Towering oaks and sugar maples
oscillate in the breeze -
their capricious rushing sounds
playing pristine counterpoint
with the jaunty chants
of robins, cardinals and chickadees.

Spring is pacing in the wings
awaiting her cue from the wheel of time.
and all creation waits in concord.

© 2016 by Robert Charles Howard Our steadfast sun inches skyward
     in the quiet after-rain
of a gentle pre-dawn shower.

Rich fertile essences
     of moistened earth
suffuse the air with promise.

Towering oaks and cottonwoods
     shiver in the breeze -
their capricious rushing sounds
     play pristine counterpoints
with the jovial chants
     of robins, wrens and chickadees.

Spring is poised in the wings
     for a cue from the wheel of time.
and all creation waits in concord.

*© 2016 by Robert Charles Howard
betterdays May 2014
we coupled,last night
ben and i
in a strange wild sobbing
song of grieving,
primal,greedy, frentic lusting.
it was, an affirmation
of life,
desperation and sorrow was
our rythmn.....
anger and sadness,
the counterpoints to our, thrusting, grasping beast.
spent,  but still crying,
we spooned,
and pressed our
anguish, against each other
this morning, we are sombre
and united in sadness.
as we pack our black clothes,
to travel to your funeral.
our blood,
still humming,
with that strange song,
so wild, in it's abandoned longing of desperate need to create living, life.. to go on.
K I R A Feb 2016
You're like pink sugar mixed with cigarette smoke.
We know that smell. If you don't you're missing out.
It's not supposed to make sense, being a sweet as sugar scent
mixed with the lingering bitterness of poison...
But together makes sense.
It's not like they knew when they invented pink sugar perfume it would mix perfectly with smoke
and create magic.
It just became a new signature,
something special that people recognize and identify with.
Being one way or completely the other, when combined is brilliant.
The two counterpoints balance one another, and something beautiful emerges.
Ylzm May 2019
Life, everywhere
unseen places
toxic dead places
cacophonous, chaotic
complex counterpoints
unheard

Ancient writing
fragmentary shard
frustrating lacuna
mysteries unresolved
an intelligent act
perhaps

Nature’s a speech
Word speaking Word

Why only earth?
What if only earth?
Marshal Gebbie Apr 2019
Hope flies out the window fast
Bottom empty no repast,
Moment born of cancers’ child
Status hangs unreconciled
Woe be they who lay it thin
Who stalk these dark nights, plundering.
Woe be they who keep their guard
Abreast, and lo behold, ******
That which causes heart to sing
Despite the hurt imbued within.

Solitary, lonely way
Through this enigmatic day.

When, in truth,  potentials lie
Through yonder, bright magenta sky,
Through reams of iridescent verse
Orated daily, unrehearsed,
Bowls of olives, black, in oil
Turkish loaf, foccascia foil
laughing girls in skimpy skirts
Raucous till he belly hurts….

But futile in this state of woe
As bitter bile now sours the show.

Towering in halls of cloud
Mouthing ,hard, jawbone aloud
Struggling to hold intact
Counterpoints to interact,
Damning inconsistencies,
Weak deniability’s
Betrayal slides In cuts of time
Agonising back teeth grind
Quivering in searing pain
Every good, undone again.

Stalking hard to places thin
Solitude… eviscerating,

Emptiness imbues the light
Shatters soul in shoals of fright,
Delve hopelessly to hopeless ways
Scream as light refracts in waves,
Wallowing to places thin
Wavering to lost within.
Weakness in the cold half light
Shattered prospects drenched in fright,

Rabid eyes withdrawn in face
Incarcerate hot hatred’s trace.

Better now in light of day
Sunshine beaming in to play,
***** count resumes its gain
Flocculant reduces pain
Shame slides in the door ajar
Embarrasment impinged afar.

Amazing how a cup of tea
Resurects the life in me.


M.
14 April 2019
Close brush with death tends to focus the "not so nice side "of the character
Kevin Apr 2017
you will argue counterpoints and objectivity will be forgotten.
reality will remain inconsistent aside from pure existence.
you will illuminate countless experiences worthy as
being considered the only human truths
but i will reject your every word spoken,
in your every tone.
i will quantify your values and point towards my bullet points of proof.
i will not beg for mercy or ask for your forgiveness.
i do not ask for pity or intend to leave you filled with guilt
because if your argument was valid,
those emotions would not arise.
my thoughts on the argument against someones choice to recede from the human race.
KV Srikanth Feb 2022
Music is in the air
A few decided to share
The sounds they heard playing
Gave it a name called composing

They were magicians
Knew all about instruments
Instructing the instruments to play
Gave it a name called Music

Rhythm Melody and Harmony
Texture Timbre and Dynamic Aspects to create the basics
Scattered pieces put together Gave it a name called Musicians

Stirring the Souls
All they require is a note
Making our hearts to move
They do it with a tune

Orchestration to give form
Final music in their heads
Playing in order already
Sharing their inner beauty

Providing the Score
To our lives
Each unique to each person
Musician s original profession

Every form of emotion
Played in the device
Of their choice
Reflection of  our feelings captured with poise

They speak through their chords
Greatest linguist amongst all
Expression their art
The most gifted lot

Verses and refrains
Points and Counterpoints
Sections and Instruments
The Musical oxygen

Life has its music
Only that we don't hear it
Too busy looking good
Ignoring the music making us ignorant fools

Life without the music
Silence is a tune
Silent movies had music
Music came  before talkies

Speaks no language
Communicates  to the illeterate
Doesn't judge worthiness
Gives it as delivarance

Alone with the self
As 2 with another
The 3 paths to salvation
The 4 Noble truths
The 5 elements
The 6 senses
None exists without the musicians take on it

Doubts about creations
Theist Athiest or Darwinian
Questioning the limitations
These can be set to music
Says the all encompassing Musician

Lullaby or  Dirge
Every stage of life is forged
Open your hearts
Feel  the chorus in all

The only world without borders
No visa or passport required
Has already achieved the impossible
Making humanity as one with his Music

— The End —