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"atwood" poems
The inadequate bookshelf that sat near the door that my sister used to call her own was mostly made up of adolescent reads, books better suited for preteen girls rather than intellectually budding young ladies— juvenile vocabularies and simple, non-complex plot lines do little to craft and create worldly, knowledgeable women. I thought I must spring clean the naiveté away and replace it with the works of great authors like Sylvia Plath                        Simone de Beauvoir                                                              Virginia Woolf                        Margaret Atwood Betty Friedan; ingenious femme fatales that cut down to the brittled bones of the misogynists and burned their marrow along with the ashes of bras and aprons and 350 degree oven heat.   Growing up, to me, seemed like a wonderful epiphany chock-full of ideas and opinions and clever, ironic remarks that chased satirical witticisms like felines to rodents and wolves to deer— being an adult would guarantee me a say, a vote            prior 1920’s America                                                   play dress up as a suffragette            women’s rights femininity personified by dolls in plastic houses. To be eighteen-years-old, the goal, the legality, the bright light at the end of the tunnel; the official womanhood it would bestow upon me seemed like something almost tangible with the way that it loomed over my head. Get good marks graduate high school travel back in time sixty years meet a nice boy become a “good wife” have dinner ready by five bear two beautiful heirs clean up the messes left in the kitchen fast-forward to the twenty-first century go to a good college find a stable career settle down if the fancy strikes you live non-docile and full of passion— the parallelism of times are severely di     lap           i             dat                   ed. 1950’s America would never be a home for me because I am much too wild to be contained.
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Oct 14, 2013
Oct 14, 2013 at 12:12 AM UTC
Exemplar
The inadequate bookshelf that sat near the door that my sister used to call her own was mostly made up of adolescent reads, books better suited for preteen girls rather than intellectually budding young ladies— juvenile vocabularies and simple, non-complex plot lines do little to craft and create worldly, knowledgeable women. I thought I must spring clean the naiveté away and replace it with the works of great authors like Sylvia Plath                        Simone de Beauvoir                                                              Virginia Woolf                        Margaret Atwood Betty Friedan; ingenious femme fatales that cut down to the brittled bones of the misogynists and burned their marrow along with the ashes of bras and aprons and 350 degree oven heat.   Growing up, to me, seemed like a wonderful epiphany chock-full of ideas and opinions and clever, ironic remarks that chased satirical witticisms like felines to rodents and wolves to deer— being an adult would guarantee me a say, a vote            prior 1920’s America                                                   play dress up as a suffragette            women’s rights femininity personified by dolls in plastic houses. To be eighteen-years-old, the goal, the legality, the bright light at the end of the tunnel; the official womanhood it would bestow upon me seemed like something almost tangible with the way that it loomed over my head. Get good marks graduate high school travel back in time sixty years meet a nice boy become a “good wife” have dinner ready by five bear two beautiful heirs clean up the messes left in the kitchen fast-forward to the twenty-first century go to a good college find a stable career settle down if the fancy strikes you live non-docile and full of passion— the parallelism of times are severely di     lap           i             dat                   ed. 1950’s America would never be a home for me because I am much too wild to be contained.
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Winters can be tedious. Sun dips into early dusk. A dead fire refuses to ignite. There's a quick repetition of opening and closing blinds over a barred window. In need of reflection I search a familiar face in an unfamiliar landscape. I have her in my grasp, half illusion, half real, a symbolic mask denies her true face, her glittering crown divides us by its radiance. Groping in darkness, I stumble over objects of wood and stone, my unsteady tread tripping over their contours. I light a candle. Bathed in amber light, our shadows merge. A new door opens, stretching the perspective. No formal borders here, they wouldn't survive the present climate. In their place, intricately carved figureheads and totems- a vision of the past. My eye is a camera, retinas branded with imagery for the photographer's delight- coloured pebbles, carved wooden animals, tin cans, bones..... ....A Glass Sentinel (though she isn't visible) I can see right through her- a vision of smokescreens and subterfuge. Past stumps of driftwood, past the uncut grass, a few flowers... ...to the fabricated backdrop of a burning house, black smoke rising in a thin stream. At the open door - The Guardian, (I know her inside out) unmoved, (she didn't bat an eye) defiant in a new skin, a softer version- The Mother protecting her children, arms splayed, prepared for fight or flight. A russet flame Licking her spine exhales 'Get out of my way!' but she wasn't listening. Smile fixed, eyes of a phoenix, a lion, a raptor, protector. We all need feeding, but not this way! Throw me a cloth, a napkin, a man-size tissue a lifeline! She wanted this, no, wished it- this symbolism, this burning of ironic portraits, to clear the deck, make way for new. It shook the house, its fate sealed behind closed doors. I compose myself, pull her back from the perilous edge, gather her in my arms. Fragments of shattered words flutter in the ether. What is real? What is fiction? A carbon copy of thousands? A charred corner? A forgotten candle? WARNING: 'Eating fire' is a risky business but can attract a large audience.
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Jul 12, 2014
Jul 12, 2014 at 11:29 AM UTC
On reading Margaret Atwood's selected poetry-'Eating Fire'
Winters can be tedious. Sun dips into early dusk. A dead fire refuses to ignite. There's a quick repetition of opening and closing blinds over a barred window. In need of reflection I search a familiar face in an unfamiliar landscape. I have her in my grasp, half illusion, half real, a symbolic mask denies her true face, her glittering crown divides us by its radiance. Groping in darkness, I stumble over objects of wood and stone, my unsteady tread tripping over their contours. I light a candle. Bathed in amber light, our shadows merge. A new door opens, stretching the perspective. No formal borders here, they wouldn't survive the present climate. In their place, intricately carved figureheads and totems- a vision of the past. My eye is a camera, retinas branded with imagery for the photographer's delight- coloured pebbles, carved wooden animals, tin cans, bones..... ....A Glass Sentinel (though she isn't visible) I can see right through her- a vision of smokescreens and subterfuge. Past stumps of driftwood, past the uncut grass, a few flowers... ...to the fabricated backdrop of a burning house, black smoke rising in a thin stream. At the open door - The Guardian, (I know her inside out) unmoved, (she didn't bat an eye) defiant in a new skin, a softer version- The Mother protecting her children, arms splayed, prepared for fight or flight. A russet flame Licking her spine exhales 'Get out of my way!' but she wasn't listening. Smile fixed, eyes of a phoenix, a lion, a raptor, protector. We all need feeding, but not this way! Throw me a cloth, a napkin, a man-size tissue a lifeline! She wanted this, no, wished it- this symbolism, this burning of ironic portraits, to clear the deck, make way for new. It shook the house, its fate sealed behind closed doors. I compose myself, pull her back from the perilous edge, gather her in my arms. Fragments of shattered words flutter in the ether. What is real? What is fiction? A carbon copy of thousands? A charred corner? A forgotten candle? WARNING: 'Eating fire' is a risky business but can attract a large audience.
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98
I. Sunday mornings in Vancouver even pigeons sleep in till 10 A.M. Undaunted, I walk down Granville shortly before 8 seeking lox bagels with capers, red onions and cream cheese, two breve lattes, and a newspaper. In truth, panhandlers on the corner of Robson have far greater chance of scoring. An unexpectedly sunny February morn suffices to spur me on. I am attuned to all vibration. Breath of the awakening city exhales manna upon the shop awnings. Bagels rendered superfluous, I scarf images instead --- trolley buses, an umbrella shop, falafel stands --- delicious Canadian visual cuisine.                                  II. Vancouver is a nymph. Of that I'm sure. I hear flirtatious giggles trill from darkened alleys between hotels. Spotted her once across the street on Dunsmuir, seated on a walk bench reading a Margaret Atwood novel. Bus passed between us and she vanished. Caught a later glimpse through the window of a walk-up dim sum restaurant in Chinatown. Flew the stairs, only to find an empty table and discarded napkin smudged with candy pink lipstick. She watches me.                                                 III. Turns out there are no Sunday morning papers in Vancouver, but I locate the bagels and espresso backtracking on Helmcken. The barista smiles as I approach, sets down her Atwood novel. I leave a Toonie in gratuity. B.C. wind pushes hard on my turned back, as I rush our breakfast back to the Executive. A nymph goes roller-blading by toward False Creek. The Gastown Steam Clock whistles that it's 10 A.M. A flock of pigeons lifts in flight.
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Feb 21, 2012
Feb 21, 2012 at 2:04 PM UTC
In Search of Cuppuccino
I. Sunday mornings in Vancouver even pigeons sleep in till 10 A.M. Undaunted, I walk down Granville shortly before 8 seeking lox bagels with capers, red onions and cream cheese, two breve lattes, and a newspaper. In truth, panhandlers on the corner of Robson have far greater chance of scoring. An unexpectedly sunny February morn suffices to spur me on. I am attuned to all vibration. Breath of the awakening city exhales manna upon the shop awnings. Bagels rendered superfluous, I scarf images instead --- trolley buses, an umbrella shop, falafel stands --- delicious Canadian visual cuisine.                                  II. Vancouver is a nymph. Of that I'm sure. I hear flirtatious giggles trill from darkened alleys between hotels. Spotted her once across the street on Dunsmuir, seated on a walk bench reading a Margaret Atwood novel. Bus passed between us and she vanished. Caught a later glimpse through the window of a walk-up dim sum restaurant in Chinatown. Flew the stairs, only to find an empty table and discarded napkin smudged with candy pink lipstick. She watches me.                                                 III. Turns out there are no Sunday morning papers in Vancouver, but I locate the bagels and espresso backtracking on Helmcken. The barista smiles as I approach, sets down her Atwood novel. I leave a Toonie in gratuity. B.C. wind pushes hard on my turned back, as I rush our breakfast back to the Executive. A nymph goes roller-blading by toward False Creek. The Gastown Steam Clock whistles that it's 10 A.M. A flock of pigeons lifts in flight.
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The yuppies are by the   Cotto Café, asking those not to call them hipsters.   An auburn feminist drinks Mexican blend, black, while   reading Margaret Atwood. I gave up smoking, I say,   about a month ago. No one really listens, which   I sometimes find comforting. After I walk my isolation off,   I stumble into a Taco Bell; one of those hybrids: this time   KFC. The cashier is curly in the way that broken legs are curly.   Her eyes are green but I dare not objectify her, I hope I don't   say out loud, because I fear nothing more than being   patronizing. Construction loudly stutters   and cars squeak and shush. On this griddle of a sidewalk,   I feel alone. Vehicles vroom while I stand silent, a monument   to my generation.
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Sep 7, 2017
Sep 7, 2017 at 9:56 PM UTC
Taco Bell/KFC Objects
Took a trip on the Belafonte, Bound with Cuba to forgotten Sanz. Dinning on tin canned Del Monte, A glass of Suntory always in hands. Lloyd Faversham gifted salacious devices by John Cleese. Used as props in Mike’s next gin stained showpiece. The drum-line seemed irksome to J. Jonah. He’d heard Zach Hill before. Given limited time, despite the persona. Interstellar fault found in a **** metaphor. A swift change to an even more marketable sound. Sparks didn’t fly when trying to appear profound. Tiny teen dreams tending to tiny skirts. Fidgeting with the hem-line. Their just unintelligible flirts. Stripping to avoid the breadline. Dystopian fiction led to dissolution of fact Can’t seem to see their world isn’t intact. Atwood to Collins, Collins to a stupid ******* maze. Alternate choice being a criminal thrill. Simplistic fantasy whose only benefit is praise. Popular opinion seems to be well over the hill.
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May 14, 2015
May 14, 2015 at 5:52 PM UTC
Another Odious Audit To Pop Culture
*“…where painfully and with wonder at having survived even this far…we are learning to make fire.”* - “Habitation,” Margaret Atwood slowly, our failed attempts drift back to us on breezes thick with unfurled smoke. we gasp for the cold air that stings our throats, and lay our ears to the earth. the heartbeat hums through the dirt – steady and slow, so we wrap our arms around each other and exhale. but we are learning to make fire, to lift embers with our fingertips from damp leaves, to tickle them in our palms, and wish them away. we watch them dance along twigs; we weave our fingers together; we whistle to the flecks and the sparks. and they kiss – with innocence, without hesitation. the earth hums low
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Mar 7, 2012
Mar 7, 2012 at 10:23 AM UTC
We Are Learning to Make Fire
We are learning to make fire. It's always the moment just before the gunshot. Why do I remember it as summer all the time, then? They gaze at me and see a chainsaw ****** just before it happened. You think I'm not a goddess? Try me. This is a torch song. Touch me and you'll burn.
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Nov 28, 2012
Nov 28, 2012 at 6:54 PM UTC
Things I Stole From Margaret Atwood
Divorce is not A bomb or a wrecking ball It is before that, and warmer: The midst of the storm, the midst Of the war The poorly patched walls In silence where we stand Distanced, avoiding contact The midst of the growing fire Where we reluctantly and with shame At having given up after So much We are not trying to melt the ice
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Dec 7, 2011
Dec 7, 2011 at 4:57 PM UTC
Foreign Territory (mimicking Margaret Atwood's "Habitation")
If I were a writer I’d actively seek A mild patina A mad mystique I’d write about death As something good I’d sign my name Edgar Allen Atwood If I were a writer There’d be Tom and Huck A great big world That didn’t give a **** Bout the little guy Floating down the main And I’d call myself Charley Dickens Twain If I was a writer I’d have a golden plume I’d write about That day of doom I’d write about Laughing at fear And I’d call myself Mordecai Shakespeare If I was a writer And I had a page I’d write about The good old days ‘Bout what I’d ‘ve done On a day with you And I’d sign my name And I’d sign yours too
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Aug 3, 2011
Aug 3, 2011 at 7:51 PM UTC
Untitled
THE MOMENT The moment when, after many years of hard work and a long voyage you stand in the centre of your room, house, half-acre, square mile, island, country, knowing at last how you got there, and say, I own this, is the same moment when the trees unloose their soft arms from around you, the birds take back their language, the cliffs fissure and collapse, the air moves back from you like a wave and you can't breathe. No, they whisper. You own nothing. You were a visitor, time after time climbing the hill, planting the flag, proclaiming. We never belonged to you. You never found us. It was always the other way round.
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Apr 23, 2015
Apr 23, 2015 at 3:04 PM UTC
Margaret Atwood
*" I would like to be the air that inhabits you for a moment only. I would like to be that unnoticed & that necessary"*     **Variations on Sleep                  Margeret Atwood** to be inhaled into your essence to become your breath in this world to  inhabit the marrow of your soul is but a dream for we are, different components different aspects needed to compliment needed to inspire the pthers aspirations needed to question the motive to mobilise the heart to gain forward momentum we do not subsume each other... we are become, to one another catalysts gunpowder and fuse lit.....to make the world explode... we are not each others breath.... but, we are each others, reason to breathe... What do you dream of my love... I watch you twitch and murmur.... are you a big brave hunter.... or something less ferocious... tis no matter to me.... i love you and if you could walk me dreams with me you would know that there you are a gentle hero
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Feb 9, 2015
Feb 9, 2015 at 4:55 PM UTC
Variations on variations
“My shadow said to me: 
 what is the matter

 Isn’t the moon warm
enough for you
 why do you need
the blanket of another body?” — Margaret Atwood, excerpt from “The Shadow Voice”
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Sep 30, 2013
Sep 30, 2013 at 10:44 PM UTC
Shadow
by margaret atwood I would like to watch you sleeping, which may not happen I would like to watch you sleeping. I would like to sleep with you, to enter your sleep as its smooth dark wave slides over my head  and walk with you through that lucent wavering forest of bluegreen leaves with its watery sun & three moons towards the cave where you must descend, towards your worst fear  I would like to give you the silver branch, the small white flower, the one word that will protect you from the grief at the center of your dream, from the grief at the center. I would like to follow you up the long stairway  again & become the boat that would row you back carefully, a flame in two cupped hands to where your body lies beside me, and you enter it as easily as breathing in  I would like to be the air that inhabits you for a moment only. I would like to be that unnoticed & that necessary.
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Feb 18, 2014
Feb 18, 2014 at 8:33 AM UTC
variations of the word sleep
The moment when, after many years of hard work and a long voyage you stand in the centre of your room, house, half-acre, square mile, island, country, knowing at last how you got there, and say, I own this, is the same moment when the trees unloose their soft arms from around you, the birds take back their language, the cliffs fissure and collapse, the air moves back from you like a wave and you can't breathe. No, they whisper. You own nothing. You were a visitor, time after time climbing the hill, planting the flag, proclaiming. We never belonged to you. You never found us. It was always the other way round. from Poetry of Presence An Anthology of Mindfulness Poems
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May 16, 2020
May 16, 2020 at 10:50 AM UTC
The Moment by Margaret Atwood
I remember you'd carry me on your shoulders Watched as my clothes and smile got older, I remember you held me in your arms, To drive away the meaningless harm, I remember cancer erasing your strength And your hair became shortened in length. I remember that my first word was your title, Father,daddy,dad,pa like I was at a recital But it was less Margaret Atwood, more shakespeare, Because there was no happy ending to be had here. I remember the way we wilfully fed the fishes, But then I remember your back with all the stitches. I remember you telling me you loved me in your final days, But things that I've come to remember, are all but a haze Because the things I believe I remember are stories Told by mum, and I'll hold them to way past my forties, Because I have nothing left of you except your DNA. All the stories of us I've come to appreciate, But... What was a four year old really suppose to remember? Is there really a Christmas miracle every December? Come January, will I be able to walk any farther As a man without ever knowing or having a father?
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Jun 19, 2016
Jun 19, 2016 at 10:32 AM UTC
I Only Know You From Stories.
I know. For a while now, I've known. I must be a writer. It's not a wish, a dream, an aspiration. It's a need. A feeling that if I don't find a way of putting my thoughts unto paper, they'll claw their way out, and leave me a carcass of miasma. Leaving me to rot. I may not write beautifully. Make grave mistakes. I have no idea if there are any rules, hell I might've broken all of them by now. But I don't care. I don't strive to be great. I won't be any Gaiman, Atwood or Tolkien (Yes those are the first names that popped into my mind). Not taught in public schools, probably never published. But all that doesn't matter to me. Writing is not a choice. It's a necessity.
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Jan 25, 2015
Jan 25, 2015 at 10:36 AM UTC
Man must not live on bread alone...
All great creative storytellers know, As you do, Adams, Asimov, and Wells, The time machine was built so long ago Expression chassis, tonal power cells, The primary engine, sending us with word, As you do, Adams, Asimov, and Wells The second engine, flashback, and a third —portend, exhausts each piston-fired clue, The primary engine, sending us with word The epoch steering, future or review, Remember back, or forward fantasy Portend exhausts each piston-fired clue Captain Imagine, Wingman Memory, With engines run on image, tone, and phrase, Remember back, or forward fantasy Like Atwood, Pratchett, Liu, and Philip K, All great creative storytellers know, With engines run on image, tone, and phrase,   The time machine was built so long ago
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Aug 20, 2024
Aug 20, 2024 at 8:37 AM UTC
Time machine
you see me imagining you imagining you believing a lie I told, a lie about knowing good and evil and that I can imagine William Blake's little lamb was once me, in thee I am yet, not a jot or tittle of child like fool-ibility, I am a thought you caught in your default mode me-andering mode, a modality oft left idle. A rest for weary idle words bouncing in browns from amber to ochre, dry light leaking from piles of idle thought meandering thoughts piling up behind goddamliarcheatertheiftake take take take, rewind and replay, keep the takes ignor the sequence... Margaret Atwood knows how to build worlds of words. I blow bubbles. kiss em a will in a whisp per haps a single one, becomes this one we hide in, not from evil, for goodness sakes, we be peace making, hidden, safe as any ancient sapient's sacred secret knowledge, hidden, useless. -ah, no. right use of peace is the rest, after the heroes and wizards and witches and priests and humble teachers, after the recognition of old ideas, tics the talking point and we, once more, see our selves, selves, we see ourselves as the passengers on the autopiloted biosphere, terraforming itself for us, since the first idea you knew was from beyond you, began to bubble in your soul... -- rest my soul in the bosum of abraham, whoa ain't woe, but no is no. be wise or wish you was. An old man's wisdom hides here in stasis. Horded as weal and woe, and debts owed to a foe xtatic urgent voice stages a starting boom, in the empty room, our exspansive space where peace is made in wisdom used for knowing, wisdom, a place, a quest ion launched, aimless yet now, we be, and we do not comprehend gripping being life for any preconceived gnotion so I asked for the living water, I was the receptor, the door to within me, where the kingdom of marybabydaddy lay. wait. "within you", ever'body say Jesus said... some heavyshit, maiden formed milksop grown to full warrior maturity, empowered (laid, by god, can you imagine that feeling? Wow, right?} basic a gift so basic a power to employ at will catch oops.
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Aug 29, 2021
Aug 29, 2021 at 2:53 PM UTC
Dropped line, regripped (c.2019)
you see me imagining you imagining you believing a lie I told, a lie about knowing good and evil and that I can imagine William Blake's little lamb was once me, in thee I am yet, not a jot or tittle of child like fool-ibility, I am a thought you caught in your default mode me-andering mode, a modality oft left idle. A rest for weary idle words bouncing in browns from amber to ochre, dry light leaking from piles of idle thought meandering thoughts piling up behind goddamliarcheatertheiftake take take take, rewind and replay, keep the takes ignor the sequence... Margaret Atwood knows how to build worlds of words. I blow bubbles. kiss em a will in a whisp per haps a single one, becomes this one we hide in, not from evil, for goodness sakes, we be peace making, hidden, safe as any ancient sapient's sacred secret knowledge, hidden, useless. -ah, no. right use of peace is the rest, after the heroes and wizards and witches and priests and humble teachers, after the recognition of old ideas, tics the talking point and we, once more, see our selves, selves, we see ourselves as the passengers on the autopiloted biosphere, terraforming itself for us, since the first idea you knew was from beyond you, began to bubble in your soul... -- rest my soul in the bosum of abraham, whoa ain't woe, but no is no. be wise or wish you was. An old man's wisdom hides here in stasis. Horded as weal and woe, and debts owed to a foe xtatic urgent voice stages a starting boom, in the empty room, our exspansive space where peace is made in wisdom used for knowing, wisdom, a place, a quest ion launched, aimless yet now, we be, and we do not comprehend gripping being life for any preconceived gnotion so I asked for the living water, I was the receptor, the door to within me, where the kingdom of marybabydaddy lay. wait. "within you", ever'body say Jesus said... some heavyshit, maiden formed milksop grown to full warrior maturity, empowered (laid, by god, can you imagine that feeling? Wow, right?} basic a gift so basic a power to employ at will catch oops.
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