The reference books don't help.
What is the meaning of that poem?
They say it's for the reader to decide,
that means my problem's multiplied.

Those critics don't help,
more mysterious than the poet.
An ancient priesthood of pleasure,
keeping secrets from the mystified.

I should have read more widely in my youth.
A hard science and its appliance
did not prepare me for these truths.
But I do like the words,
still more their musical score.

An unwelcome shock to see them again,
their faces no longer a part of the place.
His memory oiled by how things were
back then, in nineteen hundred and when?

Existence now seems full of persistent
memories, though there are false ones too.
Does he rely to much on them for what to do?
When people tell him words that chime,
should he so readily comply?

Should he trust himself to think things true?
Use his knowledge or review his ideas?
Retry those memories beyond a reasonable doubt,
seek out the false ones, chuck them out?

Many sing of Shakespeare or of Keats.
I look to a Scottish lad for my treats.
He was of Irish descent,
and but for friends he would have lived in a tent.

From weaver he rose to a poet of renown,
but his contemporaries treated him as a clown.
Employed to give recitations of his masterpieces,
such as the famous 'Tay Bridge Disaster' he was a poet
of an entirely different species.

Spurning fashionable poetic metaphor and scans,
his simple language amused his many fans.
Alas he died in poverty. Yes he was skint,
but unlike many others of his time,
his poetry's still in print.

I see them ready to go.
Soldiers in open order,
facing some deadly blow,
wistful in the early morning light.

Their names now engraved in cold stone,
my warm heart beating their tattoo.
I am chasened to the bone,
making this record of their plight.

Bright white vase, pink roses
rousing the blue walled sick room,
pointing to the beckoning sun,
drawing the patient on,
dosing her with life,
draining the manacing blues.

She rocks in her chair, tuning
to the fraught street air,
but soon it will be night.

She wouldn't, couldn't give her name,
but they still took her in when she called.
I visited, adopted her,
though she must have been in her twenties.

We called her Monica. It seemed to fit.
She never spoke, sitting at her half opened window,
sampling a sliver of the fraught stree air.
I don't think she could take any more of the real world.

She stayed there safe in her dull, blue walled retreat,
an observer, lacking a ticket of entry.
And when darkness fell, and the curtains were closed,
the house lights went up on her secret, inner theatre.

The steps were white
from wives who scrubbed
their knees red rubbed
Down our street
Down our street.

When trains went past
the houses shook
not made to last
Down our street
Down our street.

And we played games
on cobble stones
to neighbours moans
Down our street
Down our street.

Now the street is full of cars
active kids play games indoors
aviators in alien wars
Down our street
Down our street.